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zzthekaiju · 24 days

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Best of the Reptiles in Media - 01 - Godzilla (Monsterverse)

I figure that while I'm using this blog, I might as well post my ramblings on a subject dear to my heart: That being the representation of reptiles as characters in media. And not just villainous or vile ones like we're so used to. I'm talking about ones that inspire me. The ones that are legitimately compelling to me. And these posts are an excuse to espouse why.

Plus, it's just fun. You can thank the likes of @tyrantisterror and @bogleech for inspiring me to do these.

So who better to start with than with the lizard who's been an inspiration to me for almost my entire life. That being the one known as Gojira. AKA...Godzilla.

This is the one character in these posts who probably needs no introduction. Ever since his debut in 1954, the walking embodiment of the horrors of nuclear war, among other things, has been nothing less than an icon. This is the beast people think about when they hear "giant monster" or "kaiju". This is truly the King of the Monsters.

My introduction to Godzilla was a children's book called "Godzilla on Monster Island". It was a fun read full of neat monsters living together and teaming up to stop an evil plan. And it left me wanting more. I wanted more stories of these fantastic yet friendly beasts being friends and living together while having fun adventures. Little me was a bit disappointed to find that Godzilla spent more time fighting his fellow kaiju and trashing cities instead.

The truth, as I would find out, was that Godzilla is never just one thing. He is a fun defender of the Earth. He's the terrifying consequences of our tampering with both nature and science. And in recent memory, he's been a lot of other things. But most of the time, he's either hero or mankind's hubris on two legs. To me, he was a giant dinosaur that could fire thermonuclear breath, and that was all that mattered. It was after hearing about the historical significance of him that my respect doubled.

Back then, I would tell you that my favorite Godzilla from a design standpoint was the 2002 version. Personality wise, almost every Showa appearance post-1964.

But in 2014, everything changed. In came a Goji that seemed to have everything I could ask for. So, we're going to look at the one that resonates with me the most. The Monsterverse version.

That right there is perhaps one of the most awe-inspiring entrances I've ever seen in a cinema.

Before the release of Godzilla (2014), the franchise had entered something of a slump period. The last film was all the way back in 2004, and sadly, the kaiju genre was still something of a niche thing growing up. Here in America, you either liked superheroes or real-life celebrities as a kid. If you liked monsters, let alone giant monsters, you were one of the weird kids. That, or one of the kids who never lost their passion for dinosaurs. But those were rare.

Then Gareth Edwards unleashed this film, and while one could argue that Pacific Rim (2013) got the ball rolling, THIS ultimately resurrected the entire franchise of the Big G, and got him a degree of general respect from most film-goers (so long as you ignore the irritating internet drama regarding screen-time back then).

But let's get to the meat of this post. Why is this Godzilla so much better to me than the rest? A few things, really.

First off, there's Godzilla's role in the Monsterverse's narrative. For the most part, he is a guardian of the natural order, a means of bringing balance to imbalance. He is a metaphor for how nature is capable of righting itself, and how we either have to deal with it, or live with the consequences. In practice, Godzilla ends up going up against almost every monster, most of which are only a threat because we awakened them/created them. Yet despite this, he doesn't go out of his way to destroy us. He's not mindlessly destructive or particularly vengeful either. He knows we're a part of the world too. We just tend to grate a bit more on his nerves because of how much we screw up. If there's one thing this series isn't afraid to show, it's that...well, "the arrogance of man is thinking nature is within our control, and not the other way around."

Design-wise, this is one of the best Godzilla's around. He's bulky, has a killer stare, and there's something oddly endearing about how...well, meaty he is. He's like if my aforementioned previous favorite design, the 2002 one, put on both a lot of muscle and weight. It also ties into his fighting style, said to have been inspired particularly by bears. Even the sounds associated with him are amazing. From that hype-inducing charge of his thermonuclear breath to what might be the best rendition of the classic roar.

Then there is the body language. This Godzilla's usual gait is slow, almost plodding at times. He shows clear signs of exhaustion in some scenes. What he goes through is hard, and his job is even harder, but he still does it. It really helps sell his personality most of the time.

Part of why I like the Monsterverse so much is that, for the most part, the kaiju are treated as characters in their own right (that's not to say they weren't in previous iterations, far from it, but it's a bit more pronounced here than most of the post-Showa stuff). Sure, some films in this verse are better about it than others (more on that later...), but I like how you can glean what Godzilla is thinking of just by looking at his eyes. Of particular note is how they widen in "Godzilla: King of the Monsters" when Ghidorah gains the upper hand during the final battle, his absolute sneer of anger in the first movie when the male MUTO approaches him, or...this.

This scene. This one right here encapsulates so much of what I love about this iteration. Where Godzilla, dazed and thoroughly battered by both the fight with the MUTOS and having a building fall right on him, locks eyes with a tiny little soldier. You see a sense of tiredness, of pain, of acknowledgement, and maybe even a little wonder. This is not just some mindless beast fighting for its turf. It's a thinking being. And he's hurt. The most powerful creature on the planet isn't invincible, neither on the outside and definitely not on the inside.

And you know what? I've been there. There are times where I feel like I'm carrying the weight of the world, that there are things too heavy to bear, and its suffocating. Godzilla constantly shows throughout the Monsterverse that his job as a living balancing act is wearing on him. He gets put through so. Much. Crap. From getting buildings dropped on him to being personally dropped from a distance above the clouds to watching his symbiotic partner/mate die, it's almost unfair how we're expected to not really sympathize with him as much as...I'll get to that later.

But he never gives up. Despite all the pain and fatigue, he gets back up, and he fights. And he fights. And he continues until the deed is done. Someone has to rise to the occasion, and it might as well be him. If not him, then who?

That is the biggest reason I resonate with this Godzilla. His awe-inspiring design is one thing, but he gave me the strength to persevere. I don't give up, because he never did. Never before had the Big G been such a hero to me. Such that in 2014 I found myself silently sobbing to myself when it seemed like he was dead near the end even though that was clearly not the case. It's hardly a surprise that I based my personal Godzilla AU on him, albeit with the more sympathetic traits dialed up. Stuff like this made G14 and KOTM some of my favorite kaiju flicks...

...which made it more than a little disappointing when Wingard took the helm and basically said "screw that, this is about the monke now!" Yeah, GvK is the weakest entry in the series for me for a reason. Godzilla's more redeeming qualities are buried under a narrative that clearly is not interested in giving him the time of day or even the benefit of a doubt. Both it and it's successor, GxK, are Kong movies through and through, and that means poor Big G is put out of focus.

I cannot tell you how much I HATE this idea that the only way a monster can be relatable is if it either looks almost just like us or is really cute. Yes, I understand the universal appeal, but they had such a good thing going for Godzilla! And they throw almost all of it away just so that they can make Kong look better by comparison.

Credit where it's due, these issues are slightly improved in GxK. It's not only firmly established that Godzilla is an overall benefit to the world for keeping the other Titans in check, but we get some interesting bits with him like how he instantly responds and prepares to answer the call of the Iwi and help them. It shows that despite his tenuous relationship with humans, there are ones he clearly gives a lot of thought to. And there's also how he makes the Roman Coliseum his own personal bed. Not only is it kind of hilariously adorable, but if you remember how in KOTM he had his own man-made temple, you get the impression that he has a bit of homesickness. That's the kind of thing I like to see! More of that and less "he's only ever angry and he only ever fights, character is for primates only".

Also, while the Evolved design has nice details, I WANT THAT GUT BACK! it just looks weird otherwise with that disproportionately skinny waist.

But thankfully, our prayers might be answered:

With GxK's roaring success (ha!), it's more than likely that the next Monsterverse entry will finally give Godzilla an overdue character arc that doesn't begin and end with "destroy everyone and act big and scary and nothing else". Just please make sure that he doesn't have to die to get that. There are plenty of ways you can make us invest in the guy's story without having to kill him. I WANT to see more of that emotional vulnerability teased across the movies. I want to see him come to terms with how he's been going about his job. And more importantly...I want to see a more explicit Mothzilla scene. A nuzzle and everything. But that's just me.

Whatever the quality of his current status, nothing is taking away how much I love this version of Godzilla. He's taken me out of some very dark places, and for that, I say long live the king.

Also, he brought Mothzilla into the public sphere and every Mothzilla pic made since is the cutest thing ever, so I just love him even more.

#best of the reptiles in media #ramblings #godzilla #gojira #monsterverse #godzilla 2014 #g14 #godzilla king of the monsters #godzilla vs kong #godzilla x kong: the new empire

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zzthekaiju · 19 days

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Best of the Reptiles in Media - 02 - Heart

Here we are again taking a look at some of my favorite scaly heroes. And this time, we go to the realm of animation. That golden frontier where anything is possible.

A lot of people have asked me what my favorite animated film is. And ever since 2016, I've had the definitive answer. It's a film from Japan staring who might be one of my favorite animated protagonists of all time. One that I wish was recognized by way more people than just the cult following his movie got.

You could say that this character...has a special place in my Heart.

And yes, that is his name. You'll learn to appreciate it.

Omae Umasou da na (You are Umasou) (2010) is an anime adaptation of a series of children's books revolving around a belligerent Tyrannosaurus Rex who ends up adopting a baby Ankylosaurus, with all the mishaps that implies. I'll admit, when I heard about this film for the first time, I wasn't sure what to think. Surely, this free film uploaded to Youtube wouldn't possibly--

It proceeded to rewrite my brain chemistry forever. It really is a great film. It's beautiful to look at, the animation is really action-packed and cute at the same time, it's got a gripping story (which I'll get into), and above all, it's main character is a martial arts-practicing Godzilla-looking T-Rex who engages in interspecies adoption. WHAT MORE COULD I HAVE ASKED FOR?!

But enough beating around the bush, why is Heart so compelling to me?

Let's start with an introduction. Heart is a Tyrannosaurus Rex from a prehistoric world whose lost egg winds up found and adopted by a kindly Maiasaura. Unfortunately, a carefree life of fun and peace with his mom and half-brother Light is brought to an end when he discovers his true nature as a "Big Jaw" (as in, carnivore). After running away out of fear of what he might do to his family, he grows up hardening both his soul and his combat skills so that he may survive the unforgiving badlands outside of the forest he grew up in (complete with training montage).

Then, as if life wasn't done throwing him curve balls, Heart is imprinted upon by a little baby Ankylosaurus he was just about to eat (complete with calling him the Japanese word for delicious, hence the name). Soon, Heart is caught between going with his true nature or taking a few cues from his own adoptive mother...

Design-wise, Heart isn't winning any accuracy contests, but then again, no creature here is. And it hardly matters, either. This dino manages to find a great balance between looking like the kind of character I'd want a plushie of (seriously, why haven't we gotten on to that) and one that conveys great ferocity and coolness. A major part of how that's conveyed is his expressions. This guy is a GOLDMINE of reaction faces for almost every occasion. So much so that, long ago on my Instagram page, I posted a compilation of faces that either cracked me up or just showed his facial range in general.

What's your favorite? Let me know in the notes/reblogs!

Anyway, then there's when he fights. And MAN, does it go hard! Heart doesn't exactly wear kiddie gloves when he's put in a combat situation, utilizing heavy kicks and deceptive agility as his opponents barely keep pace. We see him go up against sauropods and other Big Jaws, and really, I just need to show you these GIFs to sum up what it's like.

But that's not where Heart truly shines. It's his role in the narrative. You see, in most dino media aimed towards younger audiences, the big mean carnivore is the villain. This was most prevalent in works like The Land Before Time with Sharptooth, and the Carnotaurs from Disney's Dinosaur (both of which were the stuff of nightmares for little dino nerds like me). Not that this is necessarily a bad thing. Giant theropod dinosaurs are indeed scary, so of course they make for good villains. But then you consider that most of these predators aren't hunting our adorable plant-munching protags because they're evil. It's just in their nature as predators. What are they gonna do? Go vegan?

And that's the troublesome crossroads Heart finds himself at. You could say this film offers a deconstruction of the "vicious meat-eating dinosaur" archetype. The Anti-Sharptooth, if you will. We're obviously meant to root for him because he's the protagonist and an altogether pleasant guy, but at the same time, both herbivore and carnivore are fully-sapient beings here, and Heart must feed.

The film does NOT restrain from showing him hunt down his prey, but it has the intelligence to show that this is not malice or even pleasure, it's simple survival instinct. He is a huge shade of grey in what would otherwise be a very black-and-white scenario in any other film. And it gets even harder for Heart when Umasou enters the picture.

For the record, almost all of Heart and Umasou's interactions are the definition of adorable. Little Umasou is such a little ball of sunshine both inside and out, and poor Heart just doesn't have the...well, heart...to either eat or abandon him. Seeing his exasperation while keeping him safe while also training him in the ways of fighting like an anime protagonist (complete with training montage) is all kinds of endearing and a testament to Heart's strength of character. Of course, it leads to the inevitable point where he has to let him go...but unlike the source material, it doesn't take. Umasou knows that he and his adoptive dad are as different as can be, but he doesn't care. He's his family, and vice versa, something Heart comes to accept whole-heartedly (I did it again, didn't I).

And with that, the ending to this amazing nature vs. nurture story is very bittersweet, starting with Heart and Umasou reuniting with the former's mom.

Actually, before I keep going, I just want you to know that this scene in which they finally see each other again made me go from "wow, great movie, ten out of ten" to "I NEED TO TALK TO MY MOM!!!" in less than a minute. Seriously, if you're looking to strengthen your maternal bonds, watch this movie and watch the magic happen.

Aaaaanyway, after a heated battle between Heart and the one implied to be his real dad, the truth remains that he can't stay. He's resigned himself to a life as an outcast, never being compatible with his parent and brother's kind while at the same time being shunned by his fellow Big Jaw for adopting food. Nevertheless, he leaves in high spirits, having mended what had for the longest time been a broken bond. That, and he doesn't have to be a straggler alone, anyhow.

Really, Heart is everything I love about a lot of protags in one big package. He's a reptile (a dinosaur no less), he's a badass, he's a nice guy, he rages against what he is in order to be WHO he wants to be, and he's undoubtedly dad of the year. I hope more people come to recognize and appreciate him as much as I do.

Also, he's heavily implied to be in a steady relationship with an adorable Elasmosaurus, so he's got that "interspecies romance" trope possibly going for him too! C'mon, fellow You are Umasou fans old and hopefully new, you can't tell me you don't see it too!

#best of the reptiles in media #ramblings #dinosaurs #you are umasou #heart

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