Why are illustrations for novels different? How many artists did this story?
There's been three different illustrators for the Japanese releases of the novels. They were first illustrated by Yoshitaka Amano; you can see his artwork for novels 1-10, after which the publisher changed from Kadokawa Bunko to Kappa Novels. Shinobu Tanno took over with the illustrations from this point (and also illustrated the earlier books for their editions released with this new publisher). Finally, the Kobunsha Bunko release of the series features illustrations by Yamada Akihiro.
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It's out!
After many months of work, I can now plonk the next book in Heralds of Rhimn down in front of you guys!
The previous two books have also gone through some updates now. If you've already bought them, then you should be able to download the new versions from itch.io if you'd like. Mostly, they just look prettier, but there's also some changes to the text.
You won't have to reread them to understand the new book, but it might make the lore a little more coherent, and it'll definitely make certain sideplots hit harder!
Shadow Herald is here.
Winter Herald is here.
And the new book, Ember Warrior, is here!
These books are queer dark fantasy, as always. The new book's a little bloodier than the previous two. Hope you enjoy 'em!
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best part of kiwami 2 was majima saga honestly
i really love his moveset
but damn the blood lineage stuff in kiwami 2 was just weird, might be the japanese having a racist moment or not but it's just not a story element i vibe with , especially considering that kiryu's saga has him being an orphan as a major part of his character and him having found family is a major thematic point with his arc. but the blood ties stuff really clashes with all of that in a way that undermined it
honestly the weakness of the stories in kiwami and kiwami 2 should be attributed to the fact that they're remakes of the first two games and i had a feeling that rgg studios were still working out the characters at the time
also you can tell that the stories and tone are pretty dated to the 2000s
and i actually really like ryuji. his reaction to finding out he has a sister probably is the saving grace of that whole last bit. i don't know why they made him die, it just feels so unnecessary
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While chapter 26 of BIME is my favorite, chapter 27 is my death.
Over one year of writing and plotting will finally see the light of the day, and I could not be more scared and emotional about it.
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With like more than half of my book done, and the rest set to be finished during nanowrimo, I’m actually beginning to feel more confident about this whole writing thing. Anyway, Y’all mind if I share the blorbos I’ve had running around in my head since freshman year of college?
Finally with updated and completed faceclaims, because they’re like fully formed people now 😌.
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Could it be that you're comparing it to Tfota subconciously in your head when you're reading?
that's fair, and it could be! but i'd argue it's very hard not to compare the two.
now, this is coming from someone who has only read the prologue and first chapter, so take my opinion with a grain of salt, but in The Stolen Heir, the world is the same, the POV (first person, present tense) is the same, the overall tone of writing is very similar with similar themes threaded through.
and yet, it's Not Jude. and Oak is Not Cardan.
and i am Not Ready to move on :')
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Not everyone likes my book, and I'm OK with that. There are many classic children's books some people just don't like because of their message or how they portray it, but I love them because they offer something a little different.
I made something straight from the heart and took a big chance on it. It caters to no one and breaks many conventions you find in children's books. I wanted adults to be able to enjoy the story as well, so it's not afraid to get a little sad. There were a few children's book bloggers I had emailed who wouldn't review it because of that reason. And there were Read Aloud YouTube channels who wouldn't make a video on it because they didn't like the ending.
But there were also many people who absolutely loved the book. They got what I was trying to do, so I know there is an audience for this sort of thing. The more secluded you feel you are from society the better the chance you'll like it. This isn't the case for everyone but just a trend I noticed. Reviews on Amazon have been overwhelming positive, and hey, my mom liked it too. And the book has sold almost a 100 copies in its first month.
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But then again, I also get these drive-by reviews from window shoppers. This is just the reality of trying to do something a bit different with a kid's book. People absolutely judge a book by it's cover.
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I know how to write things that are guaranteed to sell and make money, but this ain't one of them. Doing what is guaranteed to work gets boring after a couple of years. It's too safe. It's fulfilling work to make a product that people need but also empty at the same time.
This was a complete gamble. I have been publishing on Amazon for the last 8 years now, and I haven't felt this excited since I released my first book. And thinking back on it, that first book was also a bold gamble as well. And it sold very well. Maybe then, that's just the secret to success.
Anyways, the book is on Amazon. You can also find the full story and illustrations on YouTube for free as well. If you would like to support the book, a quick rating on Amazon or Goodreads is one of the best ways to do so.
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