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#or watching a public execution
kazoologist · 9 months
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now listen i know i really need to spend more time with durkheim before im any good at actually talking about the man. but as ive inched ever closer and closer towards more silly sociology stuff and reading ive really come to appreciate how totally value-neutral all the stuff i've ever read on collective effervescence was.
#well ok value neutral might be imprecise and not optimal wording on my part#kazoo noises#the captain goes down with his scholarship#like okay. im a person who finds ritual and togetherness very interesting and lowkey a really fun part of being alive. right#so like my friend who was explaining this to me years ago used the examples of collective effervescence as 1) watching a sports game/match#together#or watching a public execution#like idk i know im a sap so i tend to probably lean towards the more happy side of things but that allowance of both things most people#regard as good and like. moral i guess. but also understand that like. public executions via vigilante justice are commonplace in us histor#idk i just really like that so much is allowed to be contained in a single thing being studied. i like that everyone ive ever met#whos into sociology and social science and shit is always so kind and fond of being alive even though theyre full of rage and spend their#lives studying some of the things that make being alive and people so so so difficult#like. every sociology prof ive ever spoken too has just been. so kind. so very full of love. just endlessly. like it costs them nothing to#give so much to the world around them. but they spend their life studying just. some of the worst outcomes you can have. its wild.#i should probably read and see if theres a way they can do that. i burn out emotionally way too fast for someone in library science.#anyway. this is my rant as i do my readings for class.#idk man im thinking about human elements and shit today
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thychesters · 9 months
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"i have a dad?" no luffy baby you were hatched from an egg
also the way the others flip out over the name "monkey d. dragon" but don't give luffy any reasoning aside from "he's really dangerous!" so he turns to robin for answers because she'll give him them but won't be condescending about it
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inklingofadream · 10 months
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The last couple days feel greatly enriched by having read The Invention of Murder somewhere around May. The pearl-clutching at the public not being allowed onto the boat, the public funeral for the lauded or hated... overall, Dracula shows more modern sensibilities on the subject than some real life contemporaries!
I mean, this is pre-DNA, and fingerprinting was in its infancy. Why not let the public wander through the crime scene! Sometimes, IIRC, before the bodies had been removed. That's good money for the property's owner, charge a fee to let people walk through!
It does make me want to write fic, because another mainstay was broadsides, ballads, stage plays, puppet shows (depending on when exactly you're talking about) based on IRL crimes. Which I'm kind of obsessed with because the whole scene was super different than theater etc today and this phenomenon is fascinating. Like... definitely someone would write a questionably tasteful play, which may or may not have positioned the captain as the hero rather than villain.
Another way the author tracked the renown and notoriety of various crimes (almost always the person convicted or like. assumed guilty of the murder) is in the names of racehorses and greyhounds. Because there wasn't any way of recording how much was produced on a topic if you get any less official than a newspaper, and often stuff like plays exists only in title or is entirely lost. But they keep SUPER close track of what goes on at racetracks! So I like to assume that there was at least one dog or horse called Demeter, in-universe
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aredlemon · 7 months
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I bought the silly little lawyer game.
Wright is pathetic, Edgeworth is also pathetic but covers it, Maya is insane.
I love them.
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lumpofwhump · 1 year
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Bad Things Happen Bingo: Public Execution/Torture
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CW: Gore, emeto, death wish, corpse desecration
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“What’s this?” Paul Waldrop, co-owner of Waldrop-Thornton industries, asked his old friend, accepting an ornate envelope with a raised eyebrow.
“I have an announcement to make,” John Thorton replied.  “I’ve found the people who took Jinn.”
People, not person, Paul noted, trying to decipher where this was headed from John’s icy, distant expression.  As much as Paul hadn’t liked the disruptively softening influence that John’s missing wife had been having on his partner and their operation, he found this new version of his friend even more unpalatable.
“I’ll be needing to make some changes in management as a result.”
Paul’s blood ran as cold as John’s eyes.  “I’ll be there,” he said, doing his best to keep his voice even.
“Good,” John said with a thin smile, staring at his friend intently.  “I’ll need your support if things get messy.”
“Be careful of his eyes,” Thornton had said to his goons before they’d set in on Barclay Fletcher some seemingly interminable length of time ago. “I’ll want them good and open.”  After the beating, they’d left him bruised and with what he could only imagine were at least a couple broken ribs, alone in a dark room in the depths of the labs to think about this terrifyingly specific request.
When the door finally opened to his cell, his mismatched eyes were untouched but nonetheless ringed by dark circles and temporarily blinded by the slightly flickering overhead fluorescent lights at that.  Before he could fully adjust, Thornton’s men roughly hauled him forward by the arms, not bothering to let him try to keep his balance on his own.
“Ow – Where are we going?!” he demanded in a voice hoarse from screaming and then disuse.
One of his escorts backhanded him hard to the back of his head, eliciting a yelp of pain.
“Hey, careful,” the other said.  “The Director wants him conscious for this.”
They dragged and pushed him as necessary through the lab’s countless winding halls until he was biting back screams of pain from the effort of walking on beaten legs.  Finally, when they came to a wide room cleared of equipment, the two guards released him, leaving him to stumble forward and fall to his knees.  His face flushed with shame, and he looked up, a furious expression on his face.  He immediately went pale as he registered the scene around him.
Genmods.  Dozens of them, as many as a hundred.  He recognized some of them, the ones he had personally experimented on – tortured, some part of his brain corrected, despite himself.  The ones that even bothered to look at him had stone-faced, pitiless stares for him at best, and mocking smirks at his injuries more often than not.
Thornton stood toward the back of the room, looking down at him contemptuously.  Director Waldrop stood next to him, nervously adjusting his tie and pointedly not looking at Barclay, or really, anyone in particular.
“Hey, Fletcher,” came a snide voice from off to his left.  Barclay whipped his head to the side to see Ryan, Thornton’s monstrous, hulking genmod son, smirking at him and towering over another figure.
Director Richardson.
The last time they’d seen each other before he’d been hoisted from his bed, beaten, and locked in a cell some days – weeks? – back, the Director had been furious at him.  He was supposed to dispose of a subject who’d outlived its usefulness… his subject.  He couldn’t, though, for whatever goddamn stupid sentimental reason.  So he’d had one of the med techs sneak it out to the safety of Medbay, conveniently out of his or even the Director’s control.  Unfortunately, the Director had found proof of the call he’d made to arrange it.
You’re on thin ice, boy, the Director had told him.  First you let my servants leave from right under your nose, and now you’re letting useless subjects out against orders… I’m beginning to think through which sort of tests you’d be the best material for.
He’d slammed Barclay roughly against the wall by his throat and watched him frantically struggle and choke out pleas, only to switch his grasp to Barclay’s hair and send him hurtling back toward his room in staff quarters.
We’ll continue this conversation tomorrow, the Director had threatened.
Now, though, the man looked if anything more beaten than Barclay imagined himself to be.  His face was blotchy with bruises, one of his eyes thoroughly blackened and swollen shut.  He steadied his trembling, kneeling body on one hand, the other being horrifically twisted and broken beyond all recognition.  He wheezed in pain from injuries Barclay couldn’t see and definitely didn’t want to imagine.
“SIR!” Barclay shouted, or at least tried to.  His voice nearly shook, but he held it together.  For now.
The Director jerked his head up and over toward Barclay with an agonized expression.  “CLAY!” he responded just as frantically, and turned toward Thornton.  “My assistant has nothing to do with any of this, John,” he choked out.  “No more than I do.  Let him go.  If you do anything for me before whatever happens here –” He swallowed.  “Let Clay leave.”
Thornton narrowed his icy blue eyes and scowled.  “I owe you nothing, Dave,” he said cuttingly.  “And your boy here has done enough all on his own.  Pick him up,” he ordered his men, who Barclay vaguely remembered as having tried to drown him some years back.  
They hoisted him roughly to his feet, one of them not-so-accidentally brushing a hand against his broken ribs.  He let out an undignified squeal of pain, thrashing against the men on either side of him.  He glared, humiliated, in the direction of one of the genmods in the crowd who’d started to laugh at him, struggling for his freedom and what was left of his pride but causing himself more pain in the process.
“Don’t let him look away,” Thornton instructed.
“What - what is this?!” Barclay shouted, his voice tinged with panic.  He looked toward Thornton and Waldrop and briefly noticed that the latter quickly averted his gaze.  One of the men at Barclay’s side grabbed either side of his face and forcibly turned it back to face Ryan and the Director.
Ryan smirked at him.
Barclay tried to glare back, but from the genmod’s expression it was clear that he’d utterly failed to be the least bit intimidating.
“Now that everyone’s here, Dad,” Ryan said to John, “mind if I start opening my present?”
Barclay’s stomach turned at the euphemism while some of the genmods surrounding him chortled, if nervously.
“Don’t make it too quick,” Thornton said from behind Barclay, annoyance in his voice.
“Let him go!” Barclay screamed frantically.  “He didn’t kill your wife or whatever, Thornton.  Please!  Let him –”
“What, Fletcher, you’d prefer it was you, then?” Ryan said with a hideously sadistic grin.  With no further warning, he tore the Director’s left arm clean off at the elbow with a sickening sound, made worse by the older man’s seemingly endless shriek of pain.  Barclay’s own scream joined in to create a cacophony of agony.  He felt nauseous.
The Director collapsed forward onto his face, his remaining, shattered hand unable to support his weight.
“Oops, maybe I shouldn’t have started with your good arm,” Ryan said with mock-concern.  “Sorry about that.  Here, catch,” he said, turning to Barclay and throwing the severed limb at him.
Blood spattered Barclay’s shirt as the arm made contact, followed by vomit as the remaining contents of his stomach spilled uncontrollably out of his mouth.  He let out a sob, only to begin loudly dry-retching.  He shut his eyes to block out the sight of the bloodied Director writhing at Ryan’s feet.  This earned him another smack to the back of the head.
“Don’t get yourself knocked out, Fletcher,” Ryan warned him. “Unless you want to give Dave here a few days to develop an infection before we start up again.  Though… hm.  I actually kind of like it.  What do you say, Dad?” Ryan looked past Barclay at Thornton.  Apparently Thornton shook his head, because Ryan followed up with, “So that’s a no.  Eh.  I’m not exactly the patient type, so… works for me!”
With that, he lifted Richardson upside down by the leg opposite to his missing arm and tore it off before letting him drop to the ground with another, hoarser screech.
“STOP!  Stop, please stop!” Barclay begged, trying to pull free from the larger, stronger men holding him back.  Tears flowed freely from his eyes as vomit continued to drip from his mouth onto his knees and feet.
Ryan frowned and raised an eyebrow.  “What, you want to just leave him to suffer like this?  I knew you were a dick, Fletcher, but really, that’s a bit much.”  He shook his head chidingly.
“F-fuck you,” Barclay snapped, then involuntarily sniffled.
“Eh,” Ryan replied with a grimace.  “You’re really not my type.  Anyway!  Here we go with Arm Number Two!”
Even some of the Director’s former subjects were looking away as Ryan knelt down onto Richardson’s prone form, dislocated his remaining arm with a loud snap, and then tore it off with an expression of (im)pure glee.  He was as bloody as his victim now, if not moreso.  The Director, for his part, could no longer force out pleas that were even slightly comprehensible, reduced to sobs, gasps and shrieks.
“Make it stop, you bastards!” Barclay screamed over the din, thrashing as tears and snot ran down his face.  “What do you want?!  You’ve got whatever fucking revenge you could’ve wanted, now let us… let him…!”  He let out a despairing whine. “Sir… sir, please hold on, I’ll…”
“You’ll what, Fletcher?” Thornton said from behind him, sharply enough that Barclay flinched.  The guards turned to let -- or rather make – him face Thornton, who stared completely unimpressed at the pathetic sight in front of him.
Other than the Director’s screaming, the room was silent as Thornton studied Barclay.  Finally, he nodded to his men.  “Let go of him.”  Looking back in Barclay’s direction, Thornton spoke loudly enough for the entire room to hear.  “Go save your Director, then, Fletcher.  If you manage to fight off Ryan, I might even let the two of you go.”
“C’mon, Fletcher,” Barclay heard from behind him.  “Davey here can only wait so long before he runs out of blood.”
Barclay swallowed and turned around to face Ryan, eyes burning with tears and hatred.  His whole body was trembling.  He clenched his hands into fists and took a tentative step forward.  He was just steeling himself to make a run at Ryan when the huge man tossed the blood-soaked Director to the side and bore up to his full height, challenging Barclay to attack him with an upward jerk of his equally-bloodied chin.
Barclay forced himself a few halting steps forward on quivering legs.  He faltered as Ryan’s grin widened, and flinched when the genmod picked up one of the Director’s arms and bit a finger off with a gut-twisting crunch, never taking his eyes off Barclay.  He tried to will himself on with everything he had in him, but…
“I-I can’t,” Barclay admitted in a small, shaking voice as he sank to his knees.
“You want to say that again?” Ryan taunted.  “Dave’s screaming made it a bit hard to hear you just now.”
Instead of further humiliating himself for Ryan, Barclay jerked back around to look at Thornton and Waldrop.  “What am I supposed to do here, get myself torn apart?  Was that the plan?  Because - ha - I’m not playing along.  I’m not going to go and let that…” He let out a whimper, with an involuntary look back at Ryan.  “I just… I can’t, okay?” He finished weakly.
“And after all you’ve done for him,” Thornton said to the screaming Director as Barclay let out another sob.  “Hold him, and make sure he’s watching,” he ordered his men.
Barclay bolted before he could think it through, making a run for the door as two, then three sets of footsteps pounded after him.  He had to make it, or at least get them to make it quick for him, get it over with; he couldn’t let them drag him back to face the Director after his failure.
His determination meant nothing, though, as an enormous hand grabbed him by the back of his neck, scruffing him as easily as if he were a newborn kitten.  “And here I didn’t think you were capable of disappointing me, Fletcher,” Ryan said.  “But that… ‘ey, Dad, you sure I”m killing the right person here?”
Barclay started flailing in panic before Thornton even started to answer, imagining Ryan’s powerful hand wrapping around his arm, snapping bones, tearing them apart, his limbs one by one dropping to the ground in front of him.  “NO!  No, no, no, let me go, LET ME –”
“He’s made his choice,” Thornton interrupted with a shake of his head.  “And you have a job to finish in any case.  One thing at a time, Ryan.”
“Do you have to go and make this feel like work, Dad?” Ryan teased as Barclay shuddered at Thornton’s comment.  “Anyway.  Here.”  With no further warning, he pushed Barclay forward, sending him stumbling into the grip of Thornton’s guards.
Either because of the blood loss or because he’d screamed himself raw, the Director had gone quiet other than letting out low whimpers.  As Ryan approached, though, he resumed his pointless struggling, his one remaining limb useless in allowing him to escape.  With the rest of the room gone silent, Barclay could hear his defeated words, let out between painful, ragged breaths.  “Get it over with, you freak.  And then – !” The Director gasped in pain.  “And then let Clay go, he did nothing!”
“You’ve got that right,” Ryan said with a vicious grin at Barclay as tears streamed down the younger man’s face.  “So, what do you say, Fletcher?  Should I make it quick for him so I can start on you, or should I have some more fun here?”
Barclay shook his head as he mutely sobbed, squeezing his eyes shut to get both the Director’s mangled body and Ryan’s knowing, contemptuous grin out of his sight.
“Oops, you broke the rules there, Fletcher.  Not supposed to look away, remember?  Guess I get to choose, then.”  Ryan picked the Director up by his ankle, holding him up high enough to look him in the eyes.  “You really should’ve chosen a better assistant, man,” he said with a shake of his head.
He then tore another strained shriek out of the Director along with his last leg before dropping the helpless torso of a man to the ground, with an air of being disappointed at having broken his favorite new toy.  Ryan shrugged at the onlookers and started to walk away, only to abruptly turn back and make a running start, giving the Director’s head a vicious kick that severed it from his body with a sickening snap and sent it into the crowd of his former victims.
Barclay was helplessly dry-retching at the corpse now twitching lifelessly mere feet away from him.  The arms holding him let him go, and he collapsed into a heap on the floor, surrounded and overwhelmed by voices.
“John, what was –”
“Good on you, getting an eyeball!”
“ – disappeared my wife, Paul, they –”
“Get a knife, I want an ear.”
“ – gonna be sick…” The sound of vomiting.
“ – will you do with the boy, then?”
“He’s hardly a boy.  You don’t need to worry –”
Blood stained Barclay’s shirt as he wrapped his arms tightly around something.  It had been thrown at him, or maybe he’d crawled over to it.  He’d already forgotten; it hardly mattered.
“Should we take the arm from him, sir?” a voice standing over him called out.
“Get the rest of the body.  We’ll bring them back to the cell with him.”
Barclay clung for dear life to what he now felt to be Richardson’s mutilated hand, squeezing his eyes tightly shut as a guard grabbed him by the hair and yanked him hard toward the door.  He squealed and thrashed in pain, but his mind was somewhere else, or trying to get there.
In the end, it went blank.  He barely registered being thrown roughly back into his cell - only enough to crawl onto what was supposed to pass for a cot and curl in tightly around the severed arm, still oozing blood.
He didn’t know how long it had been by the time the door opened again, letting Thornton in to loom over him.  He didn’t dare move.
“What a mess,” Thornton said disgustedly, stepping on something laying on the floor with a crack and a squelch.  “And here you are doing nothing about it.”  He walked over and scruffed Barclay by the neck, holding him face down over the side of the cot so he could see.
The Director.  Or at least what remained of him.  Three limbs, stomped and bent all to hell.  A torso with ribs poking out through the bloodied remains of clothing.  And a head torn and beaten and mutilated beyond all recognition if Barclay hadn’t known what had happened to him.
Barclay abruptly started dry-retching again, his shaking arms finally letting go of his macabre comfort object.
Thornton’s hand squeezed tighter around the back of Barclay’s throat, turning his retching into struggling gasps.  “Pathetic,” he sneered, and tossed Barclay face first onto the hard floor.  A beat later, he dropped a bag in front of Barclay.  “I’ll give you three days to clean him up and put him back together,” Thornton said as Barclay shakily emptied the bag to find needles, thread, water bottles, glue, and a handful of other supplies that were hardly up to the task.  “The least you can do is allow him a good burial.”
I couldn’t do anything! Barclay wanted to shout.  You would’ve killed him anyways, and then me…!
He looked at the pack of needles for a long moment.
Maybe I should just…
“If you try to use those for anything other than their intended purpose, Fletcher, I will know,” Thornton cut in as if reading his thoughts.  “There are much more creative things I could do with a corpse.”
Barclay nodded, very much not wanting to know what they were.  “Y-yes sir,” he answered meekly.
Thornton’s lip curled in further disgust at this servile display, and he kicked him hard to the face.  Blood gushed from Barclay’s nose, and his voice was almost entirely too weak to be heard over the crack of breaking bone.
“Get to work.”
He couldn’t, not for the first two days.  Finally, he summoned the nerve to creep up to the body, arrange its dismembered pieces, set out the equipment with shaking hands, and then…  Where was he even supposed to start?!  Everything was slick with blood; the glue held the torn skin together for a matter of seconds before it tore open again.  Trying to sew the Director’s body back together was hardly more successful; even if he had any real experience working with a needle and thread, he could barely see what he was doing in the darkness.
He could only guess that he was running up against the deadline at a certain point, making him desperate enough to do whatever small amount he could for his murdered mentor.  Still, it seemed like he’d spent days making large, choppy stitches and applying thick layers of glue in some small hope of making the Director recognizable again.
The result was, if anything, more horrifying than the dismembered remains had been.
“You never fail to disappoint me, Fletcher,” Thornton said as he picked up Barclay’s best attempt, only to abruptly drop it to the floor.  The glued-on head lolled to the side and broke off halfway.  The more damaged arm flopped to the side, revealing that Barclay had sewn it on backward in his haste.  Barclay let out a sob.  
His eyes went wide, though, as Thornton’s two favorite guards stepped in with hands full of trash bags.
Thornton nodded to them.
“NO!” Barclay screamed, jumping from the cot and landing on the Director’s remains.  One of the two men chortled as he lay face down and trembling in the mess of decomposing flesh. “No, don’t, don’t, DON’T, I tried my best, I tried… sir,” Barclay begged, of Thornton, of the guard standing above him, of the Director’s ghost, he wasn’t sure which.
The man who had laughed grabbed him by the ankle and hauled him away despite his scrabbling hands, and he watched helplessly as Thornton’s other goon scooped up the crumbling body and dumped it piecemeal into the various bags with a look of disgust.
“Consider yourself lucky, kid,” the man restraining him threatened.  “We could throw you into the incinerator with him.  Keep making a pain in the ass of yourself, and maybe we will.”
Barclay froze up, his blood running cold.
“Don’t be ridiculous,” Thornton said, not even looking in his direction.  “The dumpster will work perfectly fine.”
“No…. you said… you said you were going to give him a real burial!” Barclay yelled in despair.
“Well, you certainly fucked up that chance,” Thornton said dismissively.  “If nothing else, you gave Dave exactly what he deserved.”
With that, he walked out of the cell with a wave to his men, the first of whom flung Barclay against the wall with another short laugh.
Barclay didn’t dare move until the door slammed behind them, and even then he only slowly curled his aching body into a ball.  He tried not to think about how long he’d be here, or for what purposes.  There was no point, where no one would be coming to get him this time.
His nails dug into his knees until they drew blood.  It ran down to the cell floor, mixing with the tears that wouldn’t stop flowing.
It had been two months, and Paul was having the same damn dream again.  The one where John’s son had…
Where Dave had been…
Dave’s eyes had been so desperate, and so unbearably reproachful.
But worse was the boy.
No, not a boy, just like John had said.  Barclay Fletcher had killed subjects.  Tortured them.  Including the now-missing Mrs. Thornton.
Still, he hadn’t disappeared her.  That had been Paul’s own doing.
It was too late to confess it now, he told himself.  It wouldn’t bring Dave back even if he wanted to, and it was probably too late to save Fletcher too.  And besides.
“Paul?” his wife asked drowsily, turning over to face him with a look of concern.  “Is everything alright?”
He couldn’t let that happen to him.
“You know you can tell me,” she tried to reassure him.
For her sake, he told himself.
“I’m fine,” he told her, sinking back into his comfortable bed and disturbed dreams.
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Based on an in-person roleplay scene between @skinofafish and I. Barclay Fletcher and Paul Waldrop are my characters. John, Jinn, and Ryan Thornton along with David Richardson are @skinofafish's characters.
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Taglist:
@whumpsday / @skinofafish
@badthingshappenbingo
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greatshell-rider · 2 months
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congrats cj on your whirlwind dream tour of norsunder? ?? congrats on cool rock acquisition???
seriously thought the redhead might be fox for a hot second but no (<- has two thoughts in their head: where's fox? where's ivandred?)
kessler is.....listen. not to out myself but i mean. he's fun. i like him. i want to make fun of him. i want to pat him on his good evil head. his ideas for government are, of course, very silly and bad. mockery becomes them. im rotating him in my head. i do want to see him in a swordfight. i just know he's an inda fangirl. tau could probably fix him. i want to know more of his terrible opinions. what does he want with the lightning horse anyway? do you think he and alsaes- nay i shan't say it
i love.........this goes for all the MH books but i really like all the connections and reminders of inda's war academy experience. nicknames and slang and games and the politics/drama between kids in their group. and at kessler's camp, of course there's the weapons training and studying maps/battle strategies and that's just the academy. cj loathes everything inda did so well at and i doubt she'd ever like it had she been born and raised marlovan but i wonder how differently inda might've turned out had he born somewhere else and not had his whole life be dedicated and trained for warfare
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boxylic · 6 months
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An open and honest discussion about why content is made, why it is seen, and when/where credit should be given needs to happen and needs to be held to standard
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chemiosmotic · 8 months
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the thing about arbitred is that it engenders in you the exact same mix of horrified fascination that it does in arbitrage
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variousqueerthings · 1 year
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i want to watch or write something but i had to get up very early so my mum and i could catch a morning ferry to the place she works and i uh.... did not have a great time on said ferry shall we say, and then i slept off the seasickness for an hour after we arrived and ive just been groggy since then
but also
gotta fight the grog
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The more I learn about Sir Christopher Lee the more I respect the man
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emcads · 2 years
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it strikes me that barbossa wants jack dead but he doesn’t want to watch jack die. he could have easily killed him during the mutiny, or when he left him on rumrunners with elizabeth, but he chose to maroon him ( which he thought, both times, was a death sentence ).  and you could argue that it’s a slower and more torturous death,  but even so, it’s not one that he could watch or really take satisfaction from,  other than imagining it after he sails away.  but jack wants to watch barbossa die.  he wants to be the one that puts that bullet in his heart and to witness him bleed out.
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intertexts · 1 month
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OKAY. bhhghh. gonna watch the back half of episode 15 now yayyy
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bxdtime-ceai · 7 months
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i went to a protest today
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Hi- er, this is my first-ever writer's strike, how does one not cross a picket line in this context? I know how not to do it with things like Amazon and IRL strikes, but how does it apply to media/streaming?
Hi, this is a great question, because it allows me to write about the difference between honoring a picket line and a boycott. (This is reminding me of the labor history podcast project that's lain fallow in my drafts folder for some time now...) In its simplest formulation, the difference between a picket line and a boycott is that a picket line targets an employer at the point of production (which involves us as workers), whereas a boycott targets an employer at the point of consumption (which involves us as consumers).
So in the case of the WGA strike, this means that at any company that is being struck by the WGA - I've seen Netflix, Amazon, Apple, Disney, Warner Brothers Discovery, NBC, Paramount, and Sony mentioned, but there may be more (check the WGA website and social media for a comprehensive list) - you do not cross a picket line, whether physical or virtual. This means you do not take a meeting with them, even if its a pre-existing project, you do not take phone calls or texts or emails or Slacks from their executives, you do not pitch them on a spec script you've written, and most of all you do not answer any job application.
Because if this strike is like any strike since the dawn of time, you will see the employers put out ads for short-term contracts that will be very lucrative, generally above union scale - because what they're paying for in addition to your labor is you breaking the picket line and damaging the strike - to anyone willing to scab against their fellow workers. GIven that one of the main issues of the WGA are the proliferation of short-term "mini rooms" whereby employers are hiring teams of writers to work overtime for a very short period, to the point where they can only really do the basics (a series outline, some "broken stories," and some scripts) and then have the showrunner redo everything on their lonesome, while not paying writers long-term pay and benefits, I would imagine we're going to see a lot of scab contracts being offered for these mini rooms.
But for most of us, unless we're actively working as writers in Hollywood, most of that isn't going to be particularly relevant to our day-to-day working lives. If you're not a professional or aspiring Hollywood writer, the important thing to remember honoring the picket line doesn't mean the same thing as a boycott. WGA West hasn't called on anyone to stop going to the movies or watching tv/streaming or to cancel their streaming subscriptions or anything like that. If and when that happens, WGA will go to some lengths to publicize that ask - and you should absolutely honor it if you can - so there will be little in the way of ambiguity as to what's going on.
That being said, one of the things that has happened in the past in other strikes is that well-intentioned people get it into their heads to essentially declare wildcat (i.e, unofficial and unsanctioned) boycotts. This kind of stuff comes from a good place, someone wanting to do more to support the cause and wanting to avoid morally contaminating themselves by associating with a struck company, but it can have negative effects on the workers and their unions. Wildcat boycotts can harm workers by reducing back-end pay and benefits they get from shows if that stuff is tied to the show's performance, and wildcat boycotts can hurt unions by damaging negotiations with employers that may or may not be going on.
The important thing to remember with all of this is that the strike is about them, not us. Part of being a good ally is remembering to let the workers' voices be heard first and prioritizing being a good listener and following their lead, rather than prioritizing our feelings.
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uss-edsall · 7 months
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Ridley Scott, regarding his new Napoleon movie, is being aggressively defensive about its inaccuracies with historians. He's gone on record saying "When I have issues with historians, I ask: ‘Excuse me, mate, were you there? No? Well, shut the fuck up then.’" This is a classic argument of people with no idea how historians do their work, how historical accuracy is determined and evaluated, and - in Ridley Scott's case in particular - how important it is to properly portray historical accuracy in other media.
The reason why Ridley Scott is being so aggressively dismissive of complaints about historical accuracy is due to past beef leading to a problem he likely has.
This is a movie that, by din of being touted as a 'nonfiction' movie about a historical figure, is basing much of its marketing on historical accuracy by default. The trailers show it's not, and reviews by historians say it is riddled with dozens if not hundreds of inaccuracies. Napoleon's portrayal is frankly a surface level depiction and nowhere near the nuance that historians were hoping for.
Scott's defensive about it. He need not be. If he had a historical consultant then he could go "I'm not an expert on the time period, but I have someone who is, ask them about it" and fob them off on his movie's historical consultant. It's a whole Thing. He doesn't have one, however, so he has to defend it personally.
You see, Ridley Scott probably didn't hire a historical consultant for Napoleon. The last time he had one - Kathleen Coleman for Gladiator - she was so upset over the inaccuracies he pushed through and how little her work affected the film, she requested her name be taken off of it.
Why this is important is because so many more people will watch a movie made by Ridley Scott than I or any other person could write. More people will watch Scott's Napoleon in the States than five hundred books about Napoleon combined worldwide.
More people watched Dunkirk than ever read a book about the Evacuation of Dunkirk. The movie Breaker Morant did so much for public perception about the execution of a genuine war criminal people in Australia still on occasion call for a pardon for Morant.
Fundamentally, mass media like movies will always have more impact of a popular perception about somebody, a time period, an event. That's why Ridley Scott making an inaccurate movie and going 'oh, you weren't there, you didn't see it with your own eyes, so how could you know, I don't have to listen to you' is a problem.
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kimmkitsuragi · 9 months
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girl help i keep saying i will make playlists but then i dont. but i will make a roman version of that playlist myself. because there is an abundance of kendall playlists so i dont have to do it myself. if i find the power in myself i will do a playlist fr this time
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