I prefer to be engulfed in fantasy, actually

Mobius, I know you’re trying to help me, but we should be dealing with the bigger problem here. He Who Remains.

Psst. Come here. Yes, you, come here. Allow me to let you in to a little secret.

When an artist draws fanart of a Thing and posts it online, there’s a 99.9% chance they’re looking to make friends with people who also enjoy said Thing.

What I’m trying to say is please just come talk to me I have so many emotions and drawing them simply isn’t enough

“When toxic behavior is portrayed as romantic, it’s problematic. When problematic behavior is portrayed as a character flaw for a character to work through, it’s good storytelling.”

Katsuki Bakugou, my friends.

His behavior was problematic but never once portrayed as romantic at the same time. Katsuki said and did awful abusive things, and he also chose to be better when he was given the chance. If you’re still hung up on chapter 1 Katsuki now then I don’t think you’ve been reading the same story I have.

I can’t speak for everyone, but I’m not shipping Izuku with an irredeemable abuser. I’m shipping him with his most important person. His narrative foil. His childhood friend who made awful mistakes and then made it right when he saw he was wrong. The person Izuku looks up to and strives to emulate, despite their past struggles.

Bakudeku is so good because of how flawed these boys are, and how hard they’ve worked to get over it, and how much they matter to each other after it all

was thinking about this earlier but the dynamic of cannibalism being associated with high society and the culinary elite (hannibal comes to mind specifically) while also simultaneously being associated with the socially isolated and economically impoverished (as in texas chainsaw massacre) is so interesting to me i want to read 10 million books on why it happens so much in media....

i can only speak from a place of personal opinion and general knowledge, because i haven't read that many papers or in-depth studies on cannibalism, but i think it often comes down to an interesection between the themes of the story you're telling and class structures and divisions. cannibalism is a compelling form of narrative symbolism because it's undeniably impactful and hard to ignore. when portrayed as a practice associated with the culinary and social upper class, it might be used as a critique of the rich and powerful and their lack of ethics and willingness to consume and destroy others for their own self-interest by showing them literally preying on and consuming their victims, or a horror story/cautionary tale about how having everything can lead you to never be satisfied and turn to increasingly extreme measures to feel like life is worth living, or a dark fantasy of indulgence and excess. when associated with the poor, marginalized and isolated, it's often based in bigotry and harmful stereotypes of the "primitive" "inhuman" "savage" "other", however it might also function as a revenge fantasy where the most oppressed and exploited members of society turn on their oppressors and take "eating the rich" to its most literal extreme, exposing the fragility of class divisions and pointing out that those in positions of social and economic power are hardly the mythic titans their propaganda tries to make them out to be, but ultimately just as mortal and made of flesh and blood as any other human being, and not immune to being dragged down from their position at the top of the food chain and torn to pieces by the crowd (as well as reminding the audience of their own fragile mortality and precarious position in the social order, and the humanity we all share in common - however cannibalism often divides the perpetrators from both their victims and the audience, so this is rarer than the other interpretations mentioned).

cannibalism and power often go hand in hand. cannibalism has historically been used as both a means of displaying your power over defeated opponents and delivering a final, humiliating blow to their image by consuming their flesh, and a means of othering and dehumanizing your opponent by portraying them as the cannibalistic monster.

both the very rich and very poor also tend to be perceived as more distant from the people who make and consume these stories, making them easier to project fiction onto and transform into symbols and narrative devices (or, in the worst cases, dehumanize) than those who occupy the same social spheres as the creator. they can be held at an arm's length without discomfort and, depending on the target audience, may be a source of fascination due to the differences in their lived experiences. it adds to the fantasy, and makes any inaccuracies, exaggerations and fabrications feel more plausible because the majority of the audience probably don't have any personal experiences of being in those positions to draw on.

I stumbled across your art and I love it but I'm afraid I have very little knowledge of Star Wars canon - I've seen all the movies but it's been a while, and I watched the Mandalorian with my parents but I haven't seen any of the other shows - so I think I am... a bit out of my element 😭 a little help?

dw bro i got u. so anakin is like space jesus and he gets taken in by the jedi, who legally can't marry, but he's kind of a slag so he marries the queen-now-senator he and his brother-father-bestie-master helped save 10 years ago, and she's also in love with him despite his numerous red flags. these red flags become a problem tho bc at the end of the war (theres a war btw. a star war if u will) anakin goes a bit delulu trying to save padme from dying in childbirth and goes evil, and padme dies of being sad anyway. BUT NOT BEFORE giving birth to twins who are given to anakin's step-brother and padme's best friend so anakin-now-vader doesn't find them

fast forward 19 years there's another star war between the evil empire vader helped found and the rebellion (good guys). leia (totally senator bail organa's daughter and not vader's) gets captured trying to deliver plans on how to blow up an evil empire planet-blower-upper. but she gives it to two gay droids who go find an even gayer farmer (luke) WHO'S ANAKIN'S SON who finds an old hermit man (gasp! it's anakin's brother-father-bestie-master) to save leia. then her planet gets blown up. but they still save her with the help of an ebay scammer and his carpet friend and then they blow up the blower-upper yayyy

luke then wants to get training but the old man died last movie so he has to get trained by a swamp guy but he runs away when his friends get captured by vader and then luke gets his ass beat and finds out vader's his dad. also the ebay scammer gets turned into a popsicle. and then hung up on a slug's wall, but it's okay cause luke's cool now and he and leia & co save the ebay scammer. then they have to stop a new planet blower-upper so they find some weird plushie bears, luke finds out leia's his sister & tells leia, luke goes to face the emperor and vader, once again gets his ass beat but vader saves him like the PTA mom he is and yayyyy empire down!!! new republic!! yayyyy

then the mandalorian's some years after that but season 3 isn't canon bc what really happens is din becomes mand'alor and marries luke. also some people will tell you there's a "sequel trilogy" but this is a lie, that was a mass hallucination

Rarepair truthers where ya'll at

I live for this ship man I wish it was more popular.. Literally the lumity of the stickverse they remind me of them so much

Gays really love running away instead of being vulnerable with each other, huh?

astarion origin playthrough worth it just for all the extra moments where he does the "sad wet cat" face

live laugh love

I'm begging y'all to be sane. I get that it's exciting a show has got to 100 episodes and the show should celebrate that but also I need to be very clear (as someone who works in TV and has done for a fair amount of time), sometimes a big "milestone" episode are just a regular episode from a story perspective. Stop building it up to be something it probably won't be because the vitriol and ire that some of you have shown to the cast is frankly repugnant and you should be fucking ashamed of yourselves.

First Kill does not center or even give quarter to gross men. The one gross man we see is Cook from the Guild who just isn't actually hitting on or creeping on Calliope but he's got a vibe like he would if he got the chance. And he is unequivocally gone in the ep after he is introduced. Thank you Cal and subsequently, Juliette!

But even in the scenes between teenagers, they literally have the song Slumber Party playing in the background with lyrics about cunnilingus, but when Ben turns Juliette's spun bottle towards Calliope, there is no whooping and hollering, no lewd comments about wanting to watch, or complaints about the game now being unfair because it landed on someone else. Everyone just kinda goes "Alright, cool." And backs off smiling. It centers a lot of things I love about this show.

Consent. No one is forcing Juliette to kiss someone she's uncomfortable with, especially as a lesbian but also in general.

A complete and total LACK of homophobia. Like these kids don't bat an eye about Juliette and Cal going in the closet to kiss. They're just there to have fun and no one is under any impression that coercion or skeevey commentary is fun.

There's not even the for some reason obligatory in this kind of media creepy "misunderstood" white guy.

The centered narratives are for the girls', a balance between both of their experiences in the story.

People saying it caters to the male gaze are not watching the show. There isn't even a fictional character to whom this show is catering. The girls are in their world. No one is watching.

Been on a really hard Invader Zim kick lately so here's a Tak.

There is literally something so etherally romantic about a two people doing a dance (like a waltz or tango or just any dance) while actively beating the crap out of a bunch of people

I need to take a moment to appreciate Ogata's artwork for DMC because what did they put into that artstyle oh my god (also I have a bunch of the art they made when they first started to work on Visions of V and I want to share the ones I have saved)