#the Nowhere Man who waits and the God of Stories who watches

So I was talking about slang portmanteau, things like gotta being got to, and how weird that combination is, where does the "a" come from?

Anyway, this naturally prompted "what is the longest portmanteau in English?" A quick Google later, and I found this gem.

Only 611,820 letters.

So there’s this new Danny phantom au I’ve been drawing…. (Danny was booted to the infinite realms when he died- and the portal closed with him. Pariah takes Danny under his wing under Clockwork‘s instruction and Danny doesn’t know he has a human half for a long time. The only time Danny figures it out is when he accidentally flies through a natural portal ending up in a place of your choice alone, hungry, and scared. Yeah)

I drew it myself :) (also why is cannon pariah so ugly?? I know he’s like. A warlord but. Seriously? That’s the bbeg for Danny phantom?)

Creepy Little fuck (go listen to red flags by Tom Cardy)

he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.

except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?

at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.

except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.

about a decade from this experience, you'll type into google: how to know if a relationship is codependent.

he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.

Kiss gun!

Based on this tweet!

favourite scenes from pacific rim 3 💙

I like to imagine that Branch joined/started Kismet in between movies one and two because he decided he wanted to be normal again and to him that means being in a boy band (insane but funny)

that actually is really funny! (and insane!) also from what i've seen from the cartoon, branch does actually feel like he has to go out of his way to fit in and be a "real troll" so this is totally in character for him.

60_MAR_2023?

(ID in ALT text) i was clearly going somewhere not sure why i stopped ;;; also they wear pants! you can't see them but they are defenitley there!

Crack fic prompt go!

Danny is in Gotham for *insert generic reasons* He quickly discovers that red Hood is in fact a halfa like him. He also comes to the correct conclusion that Red Hood doesn't know he's a halfa yet.

Danny decides to help in a completely reasonable way....

By hiding away and making chirping noises at him from the shadows!

It's basically like

Danny from the rooftops: *chirp*

Red Hood: *chirps back* What the fuck!

It goes on like this for days! Red Hood is very confused because, baby ghostling??? Where is baby? He hears Danny's chirps and immediately his core latches on to him claiming Danny as his kid.

Danny doesn't know Jason basically parentally imprinted he just thinks it's funny how confused Red Hood gets when he does it. At least he thought it was funny until Red Hood started searching rather violently whenever he did it.

Danny leaves Gotham for *insert plot convenient reason* Jason is distraught and still very confused. He begins searching thoroughly through everything for even a hint of what happened to his kid.

When his family inevitably asks what the hell he's doing we get a scene like this

Redhood: *sighs* I miss my kid Nightwing,

Nightwing: ??!!???

Redhood tearing up: I miss him a lot

Redhood on his way to Amity park: I'll be back

We don't talk enough about the fact that Amelia Pond, s5 Amelia Pond, before the timeline is reset, isn't just a normal orphan. Her parents didn't die, didn't abandon her, and didn't send her away. They never existed in the first place.

And if her parents never existed, then Amelia cannot exist. She is a causal impossibility.

"People fall out of the world sometimes, but they always leave traces." A photograph. A face carved into an apple. Yes. Sure.

A child.

Now that's too big, surely.

But that's what she is. She is exactly the same as these things. A trace. An echo of something that could never be, never was, never could have been.

And the universe should never allow it. A whole person, that's just too much. She could not have continued to exist indefinitely, in normal circumstances, after her parents never existed.

In normal circumstances.

Because the Doctor didn't just save her from things coming out of the crack in her wall. He saved her from going into it. And he didn't just save her from the threat of going into it simply because of its vicinity.

No, by arriving when he did, he interrupted a process that was probably already in motion. And then by arriving again only moments later on a cosmic relative timestream (too quickly for the process to complete) and yet in the local relative timestream, years later --- years of a potential future caught midway through the process of rewriting -- he solidified that existence. Amy is a creature from another timeline, caught in amber. The Doctor prevented her from never existing, but only after she could already never exist.

And so, no one around Amelia thinks about it. Neither does she. There's some kind of consciousness block, because if you thought about it, really thought about it, for two seconds you'd realize she cannot exist. And the human mind can't deal with that. So, to protect itself, everyone's brain simply slides off it before ever noticing. They just assume that her existence makes sense, and don't question it, and don't notice what they don't question, that is staring them in the face.

But of course, to some extent they do notice. They can't think it, but they notice subconsciously that there's something they can't think. They notice there's something wrong with her, something uncanny. And they don't like it, and they alienate her even more because of it.

"Does it ever bother you Pond that your life existence doesn't make any sense?"

Mobius, I know you’re trying to help me, but we should be dealing with the bigger problem here. He Who Remains.

Listening to Artificial Condition again, it strikes me how much Murderbot uses empathy reflexively as a survival skill. Look at this bit.

Upon meeting it, ART allows it on board and then announces that it knows that Murderbot is rogue. Then ART threatens to destroy it if it hacks ART's own systems. Murderbot is immediately terrified and shuts down all inputs, gives serious thought to spending the entire three month journey unconscious, and then considers the potential avenues of damage from ART's drones. ART, not realizing why Murderbot had suddenly gone silent, tells it to quit sulking, which understandably pisses off the still-terrified Murderbot. It dumps a bunch of memories of coercive treatment into ART's feed, and ART goes silent.

Then this happens:

Then it said, I’m sorry I frightened you. Okay, well. If you think I trusted that apology, you don’t know Murderbot. Most likely it was playing a game with me. I said, “I don’t want anything from you. I just want to ride to your next destination.” I’d explained that earlier, before it opened the hatch for me, but it was worth repeating. I felt it withdraw back behind its wall. I waited, and let my circulatory system purge the fear-generated chemicals. More time crawled by, and I started to get bored. Sitting here like this was too much like waiting in a cubicle after I’d been activated, waiting for the new clients to take delivery, for the next boring contract. If it was going to destroy me, at least I could get some media in before that happened. I started the new show again, but I was still too upset to enjoy it, so I stopped it and started rewatching an old episode of Rise and Fall of Sanctuary Moon. After three episodes, I was calmer and reluctantly beginning to see the transport’s perspective. A SecUnit could cause it a lot of internal damage if it wasn’t careful, and rogue SecUnits were not exactly known for lying low and avoiding trouble. I hadn’t hurt the last transport I had taken a ride on, but it didn’t know that. I didn’t understand why it had let me aboard, if it really didn’t want to hurt me. I wouldn’t have trusted me, if I was a transport. Maybe it was like me, and it had taken an opportunity because it was there, not because it knew what it wanted.

The thing about Murderbot's survival is that it clearly involves quite a bit of negotiating with other constructs and bots. That's how it talks its way onto cargo hauler bots in the first place. It uses empathy--envisioning the emotional and cognitive context of the individuals it encounters--to work out what different kinds of people want, so that it can offer them fair trades. It also uses empathy to consider what humans might be looking for, so it can practice blending in and hide.

Murderbot would never have survived so long if it wasn't capable of assessing the individual desires of the people--human, bot, and construct--around it. It thinks about ART's probable fears and motivations so that it can consider whether ART is inherently an ongoing threat or a potential ally.

When your survival depends on evading detection, you get really good at assessing perceptual biases so that you can shape yourself to fit into them. People talk about murderbot being radically empathetic as a choice it makes, or as a feature of its personality that makes it a good person. But I think murderbot would be the the first person to tell you that this empathy is part of its threat assessment suite, a skill that was developed out of necessity in order to allow you to survive.

It is also a trait that makes murderbot a good person, of course: it chooses very carefully to try to survive by doing as little harm as possible and by offering things, like media, that buy it access to things it needs. But it started as a survival skill. It's part of hypervigilance.

I think one of the strengths of this series is that so many of the things we love about SecUnit are traits developed for survival in an inherently threatening world. The shape of its mind and heart have been changed by the trauma of its origin--but they don't make murderbot less good for being altered, even if that skill was developed in a traumatic context.

I like that.

Alright so before I jump on the ln3 bandwagon can I put Mono through the wringer one more time? Okay? Okay 👍

“how would it work if Cybertronians had disabilities” “What if there were disabled Cybertronians”

THERE ARE

THERE ARE

loosing my mind at how some things that are So good can be So niche why can’t we just be a hivemind

Just one example, my favorite example, is:

Shattered Glass Soundwave!!!

He’s gone through Multiple reformats varying between with his consent and,,, not. The latest of which took place when they didn’t have many materials

So they used half earth metals half Cybertronian ones

As it turns out? Those two things don’t mix very well. His joints are Horrible. They lock up randomly, the worst of which being the door to his tape deck.

He physically isn’t able to dock his cassettes reliably because they might get stuck in there.

What does he do to fix this? So glad you asked!! He has his own assistive aids, in this case: a portable external carrying case

It was made and personalized to work specifically for him and his situation

I love him

Do you guys ever think about how Merlin was only born because Arthur was born?

Two babes born who never should have existed, pulled from the very fabric of the world, magic.

One born from a ritual fraught with consequences, a mother dead, a terrible retribution sought.

One born after a man was forced to flee, the last of his kind, taken in by a woman across the border.

And while it is possible Balinor could have made it to Hunith regardless, it seems it was only the terrible circumstances that led to him going to Ealdor at all.

Arthur and Merlin, two sides of the same coin, soulmates right down to their mere existence at all.

my problem with the term narcissistic abuse isn't necessarily that i'm sad you put the word narcissistic in it but that 90% of the time I see it used it's women talking about their MISOGYNISTIC abusive ex, and the whole misogyny thing is replaced with narcissism which helps no one. if he was truly just a self-centered asshole (which is not a mental illness) he'd have no friends. but he does, and you talk about the terrible things he and his friends say about you. if this were truly an aspect of his personality unrelated to misogyny it would reflect in every aspect of his life, but it doesn't. "he's entitled like a narcissist" - entitled to WOMEN. like there is kind of a trend here. this drives me insane I mean neurodivergent