Prompt 211

The figure looked down at Billy. Billy looked up at the figure awkwardly from where he was digging through a trash can. 

“Um… I can explain!” 

Okay he honestly couldn’t, and instead threw a bag at them and booked it like his life depended on it. Which it might! Living in Fawcett meant that there were magical entities everywhere, even if they looked human, and he wasn’t going to get stolen by some fae! 

…

And they caught him. Great. He’s going to die now or get thrown back into foster care- huh? Food? They’re offering- no no, this is some fae bullshit, isn’t it! … But he’s also hungry, so maybe it’ll be worth it…

Cloud Study – Knud Baade // The Wanderer – Ferdinand Brunner // Cloud Study – Knud Baade // The Wrath of the Seas – Ivan Aivazovsky (detail) // Clouds Over the Sea – Ivan Aivazovsky // Big Clouds – Hans Emmenegger (detail) // Study of Clouds with a Sunset Near Rome – Simon Denis // Before the Storm – Isaac Levitan // Dear Wormwood – The Oh Hellos

Personal pet peeve: adaptations where Ariadne is scared or freaked out the first time she sees Dionysus' madness. I mean for one it feels kinda weird and gross but also you think Dionysus wouldn't marry someone who was 1000% down with all his faces?? you think the Lady who danced in the minotaurs labyrinth wouldn't be able to handle her hot malewife husband who goes feral every now and again??? boring!! it's just boring!

"Is it like... an addiction?" / "We're doing rehab out of order"

trying to read riordan's work post pjo:

His name is Dallan and he suffers frequently but always springs back from it. Lives in a not-super-historically accurate fantasy victorian-era-ish inspired world with magic, elves, werewolves, vampires, etc. :)

Will take your coat at the door and then serve you tea.

I posted some whump art of him and was not anticipating any number of reblogs but since it's gotten more than like 5 notes I will share some more info on my old blorbo. He's usually my go-to character if I want to draw something whumpy.

I made him in 2011 for RP with a friend & the poor bastard's been shot, poisoned, & has had attempts made on his life at least twice because his friend (my RP pal's OC) had a lot of enemies after him so Dallan tended to get caught up in all of the chaos. ...If anyone wants to make silly OC blorbos together feel free to hmu.

there is something so exceptional about the audio form and the kind of...meta-narrative (?) of horror it creates that really leapt out at the end of this re: dracula episode (25 Sept).

seeing the runtime of each episode sets the scene - 27:06? ok, i'm in for something here -- we have a few, uhhhhh, long-winded characters in rotation so it might not be an eventful something, but at this point in the story, we've already been gutted by episodes with longer runtimes so just glimpsing the runtime already sets the scene for heightened dread. you might set aside time to experience the dread instead of maybe quickly listening to a minute long episode wherever/whenever you are.

i luckily got to listen through without interruption and so i was only vaguely aware of the passing time in that approximate way one's body clock ever is. so as this episode came to a close, and mina asks van helsing to not reply if he agrees to meet for breakfast, the dread spiked

i didn't know how long was left in the episode -- the music was still lingering. how much time has it been? 27 minutes? it feels like it could be 27 minutes, but it also feels much shorter? can't be sure. and even if the runtime is nearly elapsed, we know from previous episodes that a telegram can take mere seconds, a journal entry just a few words. is van helsing going to be called away? is he going to cancel the meeting? is mina going to be left alone again with no answers and no friends? with the count and the 'bloofer lady' closing in? how long has the music been playing? holding my breath for the morse code. holding my breath for van helsing's voice. holding my breath for 'letter by hand'. holding my breath for 'letter unopened'...

"this episode featured..."

relief

when reading, you have the unread pages in your hand constantly telling you the story of the progress of the narrative's shape. unless every piece of ephemera of an epistolary story is set on its own separate page, you can see the next item in your eyesight. sure, even if they are on separate new pages, you can see through the printed page the shadows of the text on the next, giving you a subconscious hint of expectation.

with a film, you lose the tangibility of the physical object informing the narrative, but you have other sensory cues - something like a fade to black over the lingering music can manipulate your expectations of narrative completion (and either follow through or subvert them). if you're watching on a device, an accidental activation of the screen or cursor might give you a glimpse of the progression bar, again changing your narrative perception.

with an audio drama you're left with just the one sense as your guide. unless you're actively watching the progression bar as you're listening or actively watching a clock, you just don't know beyond your own imperfect perception of time what you're in for and fuck me the added anxiety because of that is just

whew

You ever think about what's gonna happen when the Welcome Home website updates in December? Hopefully, at least for what I think, we'll get to see the fabled Julierella! Or any visual parts of the show in general. Probably something fit for the holiday spirit.

Maybe wondering about their relatives and loved ones living outside the neighborhood, and the fact that the residents haven't left to see them in some time.

Stuff like that! Maybe even some new recipes!

i try not to think about it or i'll become so nervoucited that i'll get nauseous

Another fanart based on @prince-liest fanfic series 666: live on air! but this time it's a scene from the third installment

Thank you for acknowledging Midnight is part of the gang 🙏🙏🙏🙏

Midnight is the glue that holds the gang together. There would be no gang without her 💪 Vigilantes made me appreciate her more

Okay, I’m re-listening to the Murderous Mask and Peter’s “run away with me” monologue is recontextualized SO MUCH in light of recent events!

When Juno asks if Sasha/Dark Matters were in on the heist, Peter says no—“it pays to have powerful friends”. That struck me as odd up until recently, because we quickly learn that Peter…doesn’t have friends or allies or, well, anything, really. He works solo and burns through identities too quickly to make or maintain those kinds of connections. But now we know he’s in deep debt to a pharma corp, which are some of the most powerful forces in the solar system, even rivaling Dark Matters.

All well and good, except Peter also says “You can leave Hyperion City behind, I’ll leave my powerful friends behind. We’ll sell the mask and live a life of thrills and decadence across the galaxy, always running, never looking back.” And that…we know that’s wrong. We know Peter can’t leave Slip behind. So what gives?

I don’t think Peter ever actually thought Juno would leave Mars with him in the Murderous Mask. It’s why he left his name on a note in Juno’s couch (before he even makes the proposition) instead of just saying it. He knew Juno would say no. He was always planning on coming back, of course, but if Juno runs away with Peter, he could be used as more leverage against him. Another person for the corporation to balance Peter’s debts against. …but it’s a nice idea, right? Being able to finally leave behind the pressure of ever-growing debt and run off with the detective who he’s fallen for so quickly. Running away was a dream, and there’s no harm in keeping the fantasy alive because he knows Juno won’t leave Mars. I don’t think that ever really changed until the aftermath of Miasma—when he thought Juno had died and he lost everything again, only to miraculously recover it. Anything seems possible after that. But reality would’ve sunk in eventually, even if Juno hadn’t left that night. Let’s say they had run away together back then. It would be the same situation that made Peter leave in season 3: he’s still in ever-growing debt and Juno would be just new collateral for Peter’s creditors. It’s too dangerous, and Peter can’t bear to lose him again.

All this to say that I firmly believe that if Juno hadn’t left that night, Peter would’ve. Better to throw away something precious yourself than watch someone else shatter it because of you.

They were both always going to leave. Juno just reached his conclusion faster than Peter, is all.

do you cry every single day over the bit in memnoch where louis is literally clawing at the doors and has to be physically restrained from trying to get to lestat or are you normal

when i say i am obsessed with him

I understand the Will Byers dresses punk agenda to counter the Mike Wheeler dresses punk agenda, because Will is canonically the punk bf. However, I think it's endearing when people who are really into punk music just Do Not Dress Like It. I can get behind some band tees and jeans moments, but Will Byers will never stop wearing khakis TO ME.

i love that my art is getting progressively harder to look at