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#oh but its set in the 50s so they May also kill abusive parents as a side hustle
drangues · 10 months
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mime mike that scares the kids and will who is Will so ofc kids will love him (i think)
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merrilark · 1 year
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I’ve been trying to send an ask but the app kept crashing for some reason so I hope it’s not too late 😔
I have two questions!
What are your Top 5 60s movies?
Should I rewatch Bad Samaritan right now?
Never too late!
Ohh, that's hard. I think most of my favorite vintage films are from the '40s and '50s, actually; most of my favorites from the '60s are Steve McQueen films lol! So they may not be everyone's cup of tea.
1. Nevada Smith (1966) — Putting aside the fact that 36 year old McQueen was WAY physically miscast to play the 16 year old son of a white man and Kiowa woman... I do have a soft spot for this film despite some of its blatant attempt to cash in on a few then-hot stars. The plot centers around Max going on a revenge quest across the US for the murder of his parents and plays out a little like a coming of age film. McQueen, despite not looking the part, miraculously plays a very convincing 16 year old in terms of speech and mannerism, and that alone makes this one of his better films imo. The plot and pacing are pretty solid, too, and overall it's just a nice western so long as you can suspend your disbelief and pretend that, yes, this almost 40 year old IS a troubled child lmao
2. The Great Escape (1962) — Initially watched for McQueen, but stayed for the great ensemble cast and heartbreak. This one is pretty famous but in case you're not familiar, it's a World War II film centered around a group of primarily British soldiers being held in a German POW camp and their plans to escape. It's very loosely inspired by several escape attempts in many POW camps at the time, but especially the mass escape of 76 airmen that occurred at Stalag Luft III, a camp that had previously boasted being escape proof. In terms of vintage war films, this one is iconic. Suspenseful, heartbreaking, and still entertaining on the rewatch, I definitely recommend this one if historical fiction is your thing.
3. Baby the Rain Must Fall (1965)— I swear I'm trying to think of other films starring a different actor, but he's one of my favorites so. :x Anyway! This one, IIRC, was originally a stage play that was then adapted into a film. It's a tragic drama set in Texas about a mother and child who travel to another town to meet the father who has just been paroled from prison. It follows his screw ups and struggle to become a better man, and how it affects his family. Frankly, this one isn't as technically good in many aspects, but it grew on me as a character study and social commentary that I think was unusual for the '60s. It chooses to shine a light on the long-lasting affects of trauma and the ugly side of your quaint, God-fearing small town who did nothing to protect a blatantly abused child out of "politeness" and yet snubbed their noses at the struggles of the deeply troubled man that abuse produced. The acting is pretty good too, and knowing some of McQueen's own childhood, his imo very accurate portrayal of Henry is a gutpunch of emotion.
4. What Ever Happened to Baby Jane? (1962) — Starring Bette Davis and Joan Crawford who fortunately, somehow, managed to get through shooting this film without murdering each other, What Ever Happened to Baby Jane is a fantastic horror-thriller. I honestly think it is probably best going into this one blind if you've never heard anything about it. I did, and I think it was much, much creepier and suspenseful for it.
5. Psycho (1960) — This one is so famous that I don't think I need to talk about it haha! I just adore Norman Bates. I know he's killed people but I love him, okay.
Runner ups would be The Nanny (1965), another great little horror-thriller starring Bette Davis, and The Magnificent Seven (1960), a western starring a fantastic ensemble cast including Yul Brynner and, unsurprising, Steve McQueen.
Also wanna recommend the soundtracks for Bullitt (1968) and The Thomas Crown Affair (also 1968); the films are a bit boring but oh man! That music!
And yes. Yes, you should watch Bad Samaritan again. Every hour is Bad Samaritan hour.
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jamesginortonblog · 4 years
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No one could accuse James Norton of allowing himself to be typecast. The 34-year-old has played a vicar-turned-sleuth in Grantchester, a violent rapist in Happy Valley, and the aristocratic hero of War & Peace. He’s also number three in the betting to be the new James Bond. And he’s just about to add to his library of opposites with two new roles: the staid tutor John Brooke, who marries Emma Watson’s Meg March, in the star-studded new film adaptation of Little Women; and the flamboyant real-life figure at the centre of the Profumo scandal – Stephen Ward – in BBC One’s The Trial of Christine Keeler.
“Ward was 100 per cent the fall guy,” says Norton, sporting a dark-blue crushed velvet jacket and settling in on a chaise longue in an upmarket London hotel. The actor looks every bit as debonair as you’d expect for a man playing the high-society osteopath with connections that ran from Soho to the aristocracy. “The government needed to clear their own name by tarnishing someone else’s.”
It was Ward who introduced the 46-year-old Secretary of State for War John Profumo (Ben Miles) to 19-year-old model and showgirl Christine Keeler (Sophie Cookson) at a party at Lord Astor’s country house estate of Cliveden in 1961. It led to an affair that exposed Profumo as a security threat – thanks to Keeler’s simultaneous relationship with a Russian naval attaché.
Keeler and her friend Mandy Rice-Davies (Ellie Bamber) often stayed at Ward’s London mews flat, and the 50-year-old former public schoolboy would later be prosecuted for living off immoral earnings in a dubious case of establishment revenge. The two had contributed small amounts to household expenses. Ward committed suicide after the judge’s summing up amounted to a direction to the jury to find him guilty.
Amanda Coe’s stylish, evocative drama establishes Keeler and Rice-Davies as sexually liberated young women for their time. Does Norton think they were victims? “Ward definitely used certain relationships he had with young, beautiful women to ingratiate himself with the wealthy elite,” he says. “He also groomed them to a point… but it’s too simplistic to say he was a man who groomed young women. His relationship with these young girls was often a very positive one, he would enable them, take them out of poverty.” Keeler was from a disadvantaged background and fitted the mould of the “alley cats” Ward liked to befriend. Norton gives a terrific performance as the sleazy Pygmalion.
“I really warmed to him… you fall in love with these characters, and Stephen Ward was way ahead of his time, so brave in how he lived his life and expressed himself, his sexual tastes, his flirting with cross-dressing, in a world that was still incredibly repressed.
“And the final reckoning was that Stephen Ward had somehow corrupted these Tory ministers and it was all his fault, which is absurd.”
I wonder if Norton, the son of a retired college lecturer and a mother who taught medical ethics, is as dazzled by the truly posh as Ward was.
“Wealth or class are not things that I’m particularly dazzled by,” he says. “I am by talent.” He cites Little Women director Greta Gerwig and her partner Noah Baumbach, who made Netflix’s Marriage Story, as an example.
Norton himself is part of a powerhouse acting couple, with British star Imogen Poots, whom he became close to when they starred together in a play in 2017. They seem very happy. “It’s good,” he says, but adds, “my personal life is very normal, I have a house in Peckham, my [parents] live in Yorkshire. There's very little glamour and scandal.”
There was a little bit of the latter when his previous girlfriend, actress Jessie Buckley, said their break-up had been “acrimonious”, but Norton is far too canny to add fuel to that particular fire.
Similarly, he won’t comment on the rumours linking him to James Bond, insisting they are “based on nothing”. But that doesn’t mean he doesn’t have strong opinions on the series in general.
“We all know that with James Bond, large parts of it, and all the versions of it in the past, are now antiquated and it needs to be updated,” he says. “And I think that Barbara Broccoli and the producers are very aware of that. Bringing in people like Phoebe Waller-Bridge can only help.”
Might the spy be a little too one-dimensional for someone who has taken on so many interesting parts? Daniel Craig, who is stepping aside after the latest film No Time To Die comes out in April, has often seemed unhappy with the role.
“If I was to take on a franchise,” Norton says, “I would always want to complement it with something completely different.”
He has just taken on a big HBO sci-fi series, The Nevers, he says, and is in negotiations with the BBC about doing a second series of McMafia. We chat about the fact that the first series attracted a measure of criticism, including some for his own performance as Alex Godman, the scion of a Russian mafia family drawn reluctantly into the underworld. “There was an article about the three wooden faces of James Norton,” he says with a laugh.
How did he take it?
“It’s a rite of passage that you have [bad reviews],” he replies. “Ultimately, it’s an art form which is deeply subjective and you’re never going to please everyone.” The character was intended to be “inscrutable and calcified”, he adds. Nevertheless, he admits he might play it slightly differently second time around.
“Yeah, possibly,” he says. “But, then again, you don’t want to pander to the people who didn’t like it. There's so much content out there that people who don't like it can go and find something else.”
One of the factors that Norton and director James Watkins agreed upon when sketching out Godman’s background was his public school education. Norton is a public school boy too; a former pupil of Ampleforth, the leading Catholic boarding school which was found to have covered up the sexual abuse of scores of children in a devastating report in 2018.
Norton never saw any wrongdoing during his time there, but does admit to being “quite badly bullied” and credits one of the monks - a Father Peter - with helping him get through it. “I was able to go and just talk to him and he basically became my therapist,” says Norton. “I just sort of sobbed my eyes out.”
Has it left a mark? “It probably has a bit,” he says. “It’s not defined me, but it has informed who I am. I’m hyper aware if someone is being in any way ostracised on a film set, for example.”
On Little Women, he found himself on set with some of the industry’s biggest names, including Saoirse Ronan, Timothée Chalamet, Meryl Streep and Laura Dern. The film’s a deliriously romantic and sentimental take on the novel’s sibling rivalries, but it takes its duty to Louisa May Alcott’s study of the economic subjection of women seriously. “It's important for us to go back to those punctuation marks in the struggle towards equality and recognise how far we've come, but also how we're not quite there yet,” Norton says.
He and Watson were given the task of writing their own marriage vows for the film, which he says he laboured over but arrived with them unfinished to discover that Watson had already written hers and they were beautiful. He was just young enough to read the early Harry Potter books, he notes, but has only seen a couple of the films – “Don’t tell Emma.”
He plays Chalamet’s tutor – did he fancy the 23-year-old as everyone else seems to right now? He smiles. “He’s a beguiling and bizarre, unique force of nature,” he says. Norton had been wondering about wearing a suit to today’s photoshoot, but is glad he didn’t as he’s just bumped into the younger man in a Gorillaz tee-shirt and sunglasses. “Whenever he’s around, I feel about 10 years older than I am.”
Among all its bold women, I wonder if his own character – John Brooke – is just a teeny bit dull. He laughs. “He’s a little quieter than some of the other characters, but that allowed me to just witness all these great women actors. It was incredible.”
There’s certainly nothing dull or quiet about the character he plays in the film Mr Jones, which is released in February. It’s the surprisingly little-known story of Gareth Jones, the journalist who uncovered the Holodomor – the man-made famine genocide inflicted by the Soviet Union upon Ukraine in 1932-33, which is estimated to have killed up to 7.5 million people. “He blew the whistle on the Soviet Union,” says Norton. “He was the first person to go [to Ukraine], and come back and tell the world.”
In the West, the economic crash of 1929 had led to the Great Depression. “Everyone was looking at the Soviet experiment thinking, ‘Oh, it's working’,” Norton says. “They were getting into bed with Stalin and trade deals were being made. And no one was calling them out. Until this one serious, bespectacled, earnest Welsh journalist got on a train and risked his life to blow the whistle.”
I wonder if those types of films can command a big enough audience to keep getting made? He accepts that independent cinema is in a period of shrinkage, but says, “while the audience for this type of film might not be as big as a Marvel movie, we have to protect those stories because film isn't just about escapism. It's also about education.”
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Tsuyoi Josei(5560 words)
When I was younger, my mother always told me to honor myself and others equally. She would tell me of her childhood before the adoption of Chinese political systems and the insertion of the Samurai way of life. As a young child, I never truly grasped why she would tell me these things.
Why would my mother tell me of the superiority complex of nearly all men of our time? How she was supremely mistreated by men older and younger than herself, just as every Japanese woman was? Though that’s not a major problem as of now. Not as of 638: the year I became a Samurai.
The Tang dynasty and the introduction of not only an empress of China, Wu Zetian but also Buddhism and it’s empowerment of women on the rise, us women were at a high point. Though there were still major tensions between the Confucian and Buddhist beliefs, Buddhism was a major game changer for the empowerment and belief in female abilities in modern Japan, China, and Korea. We were no longer viewed as the lowest class, but as equals to everyone else(in justified cases of course).
Still, I was not a believer of any religion. I had always believed in people and their own personal morals, versus the morals, thrust upon them to follow by religions for selfish reasons. Yes, selfishness, because although nearly all religions preach the ideals of selflessness, it’s for purely selfish reasons. Every religion, for which I have seen, give promises after promises of reward for being a kind and serving person. It’s fuel for us to be good, but why do we need to be motivated to be decent people? We are all human dealing with the same struggle of life and its challenges, no?
People love to twist the words of good men and women from religions to fit their own agenda, and it’s very warranted because one can not say it’s out of context since most teachings are open to interpretation. How can you say something means one thing, yet when another points out its hypocrisy or ‘plot holes’ you change your words? That truly is religion in its purest form. It’s meant to give people reassurance through symbolism but all it does is turn a heart to the dark side through the idea of a prosperous afterlife or reward.
That is the focal point for me as of now. Being a female Samurai in a country that was so against the idea of women existing as anything more than a wife and mother was strong only a few short years before. 625, the earning of the Tang dynasty’s Tian Ming, was a major milestone for this small town called Chiba, near the rapidly growing city of Tokyo.
I bet you’re wondering about me, who I am, what story I’m here to tell- and the answer is soon to come. First  I should start from the beginning, no?
My name is Otokita Karanaki, daughter of Haruto and Kaito Karanaki. My father, Haruto, was a well known and supremely respected elder in our town, but a few years ago when our town had been raided, and my father killed, the people mourned greatly. As my father had no male heir to his fortune, and the teachings of Cong Fuzi’s “the Master said: When the father is alive, observe the son’s intent. When the father dies, observe the son’s conduct. One who does not alter his late father’s way for three years may be called filial.” But those teachings neglected to speak on behalf of the daughters, leaving me to become the ‘son’. No, I don’t mean becoming a man, simply taking over his responsibilities.
I had no person lined up for me to marry, and my mother was becoming more and more ill every day. The flu had caught up to her, and the physician was frequently gone to other, more wealthy, families. I had two young sisters, only one and two years younger than I, and I was meant to raise them. As most of our society was very judgemental of our lifestyle, I had chosen to raise them as I wished and not into a religion. I used most of my money to try to educate them in European ways and fighting techniques my father had taught me. I was already a low ranking Samurai, so finding time to see them between my duties was difficult and I eventually decided it best to send them off to a school in India.
It’s been years since I sent them off, and not one week have we missed a letter. Though I worry about them greatly, my life here is not on hold. I have a friend, and she’s amazing. Being put in the situation I was, it could be difficult to find someone who would be there for you unconditionally, but she… well, she was there. For everything and anything.
Her name is Ishi and the only way I would ever describe her is strong. She is always supportive, kind, reassuring, and dependant. Oh, how strong she is. As a child, her parents gave her away to a caretaker who would raise her in an abusive home in which hated any girl or woman. She fought her way out of that place and journeyed across the regions looking for somewhere to live. She endured much across the way, many hardships such as rape and other unspeakable woes, and finally made it here where I had found her and taken her in.
I found her along a path, clothes were torn, body worn, and face filled with resilience. She had gone through so much, yet she was still one of the best most understanding and accepting people I’d ever known. She had so many stories she’d kept to herself for so long, some good and most bad, and she was so scared for so long to trust me with them. It had taken a long time and a lot of patience before she could open up to me and when she did I was astonished and even more proud of this girl, woman, I had come to know. Her heart, mind, and soul were beautiful, as was her body.
Her hair, when let down from her usually messy bun, goes down like a smooth black waterfall all the way to her wide-set hips. Her eyes were solotica and utterly beautiful. Her naturally milky-turned-tan skin is as soft as my mother's silk, and her voice was deeply captivating. Anyone and everyone wanted to wed her, but I was looking after her and no one had dared to ask for her hand in marriage if they were not absolutely sure she’d agree and love them. I was not so easy to persuade, especially not with her, and it seemed she wasn’t either.
“Oto? What are you thinking of?”
I looked down, into the eyes of my mother’s eldest friend’s son’s eyes as he examined my stone cold features. Kawa is his name, and he’s been at my side since this morning when I left my home to patrol my small town. He was about 1.8 meters tall and surprisingly handsome, though he is surely the epitome of male arrogance.
I looked at him, thinking of all the times he’s tried to take my hand, and rolled my eyes at him. He looked surprised as if this wasn’t expected of me.
“None of your concern, Kawa. What is it you are following me for, anyhow? Has your mother finally tired of you?” I ask jokingly, earning a small chuckle in return.
“Tire? Of me? Never. I am too entertaining and hard working to bore of. If only you’d see it, Oto,” he insisted, nudging me slightly.
I eyed him suspiciously and took a step away, uncomfortable of our close proximity. I looked out over the small hill we stood on, wondering what Ishi was doing at the moment.
“Do you suppose Mrs.Itō will make that kimono well? I promised to pay very much for it, but Ishi isn’t comfortable with the tailoring process and I didn’t want her to be uncomfortable so I hadn’t given Mrs.Itō the measurements. Will it fit right? I told her it’s similar to me, maybe 40-50 centimeters wider at the hips, about 28 shorter at the legs. Was that okay do you think?” I ranted, slightly happy about tonight’s event.
Tonight, being our last elder’s 82nd birthday celebration would be very extravagant. Every person from the town would be there and there was nothing more exciting to me than a break from my duties. Though I would still carry a few small weapons with me, I would not be actively on duty.
He looked at me strangely, as if he was very confused and suspicious. I rolled my eyes, not expecting a response and turned around to begin heading back down the beautiful hill. He followed short behind but stopped a few minutes later. I did as well, hand on my Katana in case there was danger lurking.
“Why do you care so much for her? She’s just some random wench from off the street. Why would you even-” his sentence was cut short by my katana being held to his throat.
I stood there, mere inches from his handsome face, teeth gritting in anger, and fists clenched around the strong tile handle, hardly aware of his appearance. I could see his surprise, as I rarely lose control of my patience, and tried to calm my rising temper.
“I would do my best to not insult my dearest friend. She is far stronger and smarter than you may believe. She is not a wench and you will show respect when talking of her or face the consequences of us both.”  I seethed, receiving a huff of disagreement and damaged pride.
“Of course,” he agreed hotly, after a few more seconds of violent tension, releasing him and stepping back, “You’re quite a strong-willed woman. The people who doubt your strength have much to come for them.”
I tried not to, really, but I could never stay angry with Kawa. He’s my oldest friend! How could I?
I shoved him lightly, letting out a breathy and quiet laugh. He did the same until it turned into a full-on shoving contest, resulting in him being held down to the ground, arms pinned behind him. He tried to resist, multiple times, but I would only make my grip tighter.
“I surrender! I surrender!” he choked out tiredly. I released him, standing up and adjusting my gauntlets.
“You best remember this, Kawa, the next time you think you will win.” I teased.
I was about to look up, but I was quickly shoved into a tree, arms pinned awkwardly behind me, and Kawa holding my head against the trunk. I was breathing hard, as was he, from the quick action and he leaned in slowly to my covered ear.
“I think I will remember this,” he simpered, “will you?”
It was odd, the way he said it. I’m not used to this, it’s usually foolish flirting and pointless innuendos, but this wasn’t. This was ‘I’m bigger and better than you’ and it wasn’t doing anything but fueling my feminist anger. I leaned into the tree, surprising him and throwing him off balance, and pushed back again making him stumble back. I turned, pushing his back against the tree and used my foot to kick between his legs, making him release his hands so I could turn and elbow his mouth. He turned around, cradling his bleeding lip as he whimpered lowly.
“Don’t ever do that.” I raged, clenching and unclenching my fists tightly.
He looked at me, eyes confused and nodded his head slowly. I relaxed my face and turned back around to continue my walk down the hill. He followed, not as closely anymore, and I would occasionally stop to listen for any loud, troubling noises.
“I’m sorry,” he said once we reached the town again.
I huffed, not impressed, before taking a left down a small alley. He followed again, I walked faster, as did he. Once we reached the end of the small passing I turned abruptly, stopping him in his tracks. I tapped my foot, waiting there silently for him to continue his earlier apology.
“I’m sorry for taking you off guard. We do this all the time though, Oto, why were you so upset?” he asked irritatingly.
I huffed, balling my hands up before taking a calming step backward.
“It’s not that, Kawa,” I admitted solemnly, “it’s the fact that your tone sounded as if you believed you were any better than I. I care about you, but I would never see you again if you truly believed that.”
He was confused. You could tell because his chocolate brown eyes read that all over them. He looked down and back up at me, taking a step forward, and trapping me against the rough wall.
“If you think I believe that at all, then you truly haven’t been paying attention to me. I am infatuated with you. You’re strong and caring and you take in poor, worn strays off the street. You’re determined and stubborn and focused. You’re loving and wise and attentive. You’re a beautiful and independent woman and I love you for that. Damn it. I love you Otokita!” he confessed, surprising me very much.
And then he kissed me. He kissed me so fiercely, so kindly, yet so softly, I could do nothing but believe him. I could tell he felt a spark, fireworks even, but I did not. I couldn’t feel anything from that kiss other than sadness and pity. I kissed back, simply in reaction, and felt horrid.
I could never love him, not truly, not like he did me. I could only think of one thing as this was happening, and it terrified me beyond words. He pulled away, out of breath and sweaty, and smiled genuinely. I simply stood there, shocked and sad, and watched the happiness in his strong features fade. He examined my eyes carefully before stepping back, removing the arm that he had wrapped around my covered waist, and looked away.
“Do you… do you not feel the same?” he asked shyly, shoulders held firmly as a shield from my soon to come words.
“I-I-I...I cannot. I am so sorry, Kawa! I-” I didn’t finish that sentence as he turned away and walked determinedly.
I stood there solemnly, confused and angry and scared, as I filtered through my thoughts. I brushed over them all before straightening up and returning to my job.
==================
After the rest of my duties that day, I decided to go to Mrs.Itō’s shop to see if she finished the kimono I commissioned. I was outside of her small bright shop, merely looking at the cute calligraphy her 12-year-old son had made for her. One of the small window signs read ‘Kamotos- 3 yen’. I smiled lightly, remembering my sisters when they were his age. They had been obsessed with the new lessons on writing and calligraphy. It was the highlight of their week and they would practice whenever they had the chance.
“Oto? Oh, okosama, why are you not coming in? Come, come!” she gushed, broom in hand, and a bean-sack filled with needles in hand.
I smiled lightly, glad that Mrs.Itō has never judged me. She was always so kind to me and my family and was never a displeasure to be around. She radiated grace and honor, along with love and welcome. She was what I’d always imagined my grandmother had been like. It’s how my mother spoke of her, and I had no choice but to believe that.
“Mrs.Itō, what a pleasure,” I crooned, “I’m only here for a moment, the celebration is tonight and Ishi and I are in need of our kimonos. Are they ready? I have the 6 yen right here”
I reached into my small sack wedged between my armor and pulled out the cloth-covered coins. She smiled, nodding and taking me to the next room that was covered head-to-toe in cloth and fabric. I saw so many bright colors that worked so well together, something she had quite the eye for.
“Right here, okosama.” she said, smiling and holding out two burlap covered dresses, “Would you like to see yours?”
“Of course,” I agreed, watching as she lifted the cover.
I was in awe. Simple, unadulterated awe.
“It’s…”
“-Beautiful?” she chimed lightly.
I nodded, thoroughly surprised by the dress in front of me. The dress was covered in embroidered pink flowers that shrunk in size the farther up they got. The fabric was a black and pastel pink gradient, black being at the bottom. The obi was on top of the dress, a thick and wide black ribbon with pink floral lace bordering it. It reached past my feet, opening to show my ankles and the detailed black-bordered-pink silk on the inside.
It was far more than I had paid for and I was so grateful for the hard work I knew she had put into making this dress. I could only bow, arm resting on my back and the other holding the sliding weapons on my belt.
“Words cannot describe the great honor I feel for your hard work on this masterpiece.” I compliment sincerely, head still bowed.
She chuckled, setting the dresses down carefully and resting a hand on my shoulder. She sighed, bringing her soft hand to grab my chin lightly and lift me up.
“It’s only what you deserve, okosama. Do not underestimate what we, as the people of Chiba, appreciate of you. Tonight is not only to honor our elder, but also the work of our strongest warriors. I know at times you are judged, but the Elder thinks very highly of you and asked for me to do my best work on you two.” she explained, bringing a few tears to my eyes. I quickly wiped it before smiling and standing up straight.
“Thank you, but I must go. I should see you tonight then, yes?” I asked, reaching for the dresses.
“Of course,” she replied, giving me a farewell and leading me to the door.
~~~~~~~~~~~~~~~~~~~
“Ishi? I’m home and I have our kimonos!” I announced, closing the wooden door behind me as I headed into her respective room.
She was behind her partition wall, probably changing. I heard a squeal before I saw a half-naked Ishi running towards me and tackling me. I laughed along with her, glad the bed was behind me and pushed the stout girl off of me.
“I see you’re excited,” I tease, getting a giggle in return, “Would you like to put on your dress?”
“Of course! I am so excited for tonight’s event! It’s been ages since we’ve had a real time away from the tensions lately. Please tell me you’re coming tonight!?” she begged, turning on the bed on her knees to sit on my lap.
I chuckled, stroking her soft black hair and looking at her beautifully cheerful face. I nodded, she squealed, I laughed, she hugged, I hugged. We sat there for a good while, holding each other comfortably while she played with my messy helmet hair.
“Did you hear about what this party is for, Oto?” she asked genuinely, continuing to play with my frizzing hair.
“I did, from Mrs.Itō no less. It’s very reassuring. Do you know why I became a Samurai, Ishi?” I asked.
She sat back up, arms sitting on her lap and shook her head, truly interested.
“When my father died, and the town was so scared, I left my house. I went up to the hill I always did and sat there, wondering, crying, and mourning. While I was doing that, I hadn’t noticed the lanterns floating. It was the tradition- every and anytime a person passed, the people who cared about them must light Chinese lanterns. It was a new tradition at the time, just learned by our people from an immigrant, and the town’s people loved its symbolism. Well, while I was looking at those brightly lit white lanterns, I noticed the atmosphere hadn’t truly changed. I could still feel the pain those people were feeling, the fear. I knew we had never had the best protection in Chiba, but this had shown me how important it was. All that fear, that pain, could have been avoided had we had a Samurai devoted to protecting this small but beautiful town. I never wanted those people to have to face that fear again, not if I could help it. So hearing how these people truly care and appreciate and respect my position and duties truly brings me to tears.”
I meant every word, every spilled syllable, every emotion that leaked through. It was true, and  I wanted to share that with Ishi because I had come to a realization that I would always want her in my life. I never wanted her to be married, I never wanted her to be taken from me. It hurt to think that she could consider another person over me. Why? Why did that scare me? Why did I care?
“Oto?” she asked shyly, eyes glossed over, “You’re amazing, you know that?”
I smiled, tossing those thoughts away and she smiled back, rubbing her eyes to make the tears go away.
“As are you. Let’s get ready, shall we?” I asked, cheerfully standing up and turning to get her dress from the pile.
I handed it to her, watching as she removed the burlap to see the almost exact same dress as mine. Hers was a pale yellow and light blue, with blue being at the bottom. Her eyes grew wide in awe, a wide smile growing on her beautiful face.
“This is...Spectacular!” she gushed, turning the kimono around to see the back.
She rushed behind her partition to get changed as I went to mine to change as well. The dress fit me perfectly, the only thing I needed to do was tie my ribbon and do my makeup
“Ishi? Can you tie my ribbon?” I asked, knocking gently on her door.
It soon opened, revealing a gorgeously dressed girl. Her hair was pinned in a beautiful braided bun with pieces of hair systematically placed on her face. It had the chopsticks I had bought her for her birthday last year in the back, placed accordingly to hold her hair.
“You look amazing.” we both said together, resulting in us both laughing hysterically.
“Ribbon?” she asked, handing me her own yellow-laced-blue ribbon. I smiled before raising an eyebrow and handing her mine.
“Of course, turn,” I said, wrapping the ribbon around her slim midsection, grazing just below her breasts and tying in the back a beautiful bow.
“My turn,” I say, turning so she could do the same.
“There, now we’re both properly dressed. Makeup?” she suggested.
I smiled, nodding, and turned to head to my room where I kept our supplies. We did a simple Kabuki look with blue eyes for herself, and pink for me. I turned to her, finished with my look, to see her applying her mascara. Her face was stretched in the funniest way, causing me to giggle quietly to myself to not mess up her application.
“All done. I already took care of your mother. She’s eaten and is resting right now. If we’re back to check her before midnight we should be okay. I’ll go get my gloves and you can go powder the shoes.” she told me, standing up and walking out of the room oh-so-gracefully.
I got up and did as she said, waiting for her to come outside as I tapped my foot impatiently. When she finally came outside I gave her a raised eyebrow and she chuckled, standing close to my side as we left for the center of town where the celebration was at.
“You look spectacular, let’s hope your makeup stays put in this heat.” she joked, a smile growing by every step closer we get.
“Same for you, but you’d look beautiful either way.” I coaxed.
Though the makeup was covering most things, I’d imagined she’d blushed by the way her shoulders tilted, if that makes any sense. I hadn’t mentioned to her that I brought my Tanto with me, a small dagger used in honor, tucked into the side of my ribbons where it was blocked from sight by my arm.
As we got to the area it was being held, you could hear the sound of a koto and shakuhachi being played. The people were all gathered, conversing with each other, eating the sushi and other foods being served. I smiled, looking over to see that Ishi was smiling brightly at the colored lanterns hung above the town square.
“They dye the glass,” I tell her, pointing at the man who did its shop, “it’s a technique the English use in their Catholic churches to make window paintings.”
“That’s beautiful.” she says, now noticing the food, “Let’s eat! I’m starved.”
I chuckle, following her as we pick up the wooden plates and pick food. I followed her to go sit at a table with some of the acquaintances she’d made over the last few years. After about an hour or two, I saw Kawa walking toward our table.
“Otokita, may we speak in private?” he asks, looking far more professional than I’m used to.
I look over to see Ishi giving him an unreadable look and I agree, excusing myself. We walk a few meters away, behind all the set tables and a few rows of trees. He stopped, turning to look at me and giving me a coy smile. I cross my arms grumpily, tilting a hip out and staring at him.
“So, you don’t love me,” he said, smirk not wavering.
“Yes, and I apologize.” I agree sympathetically, nodding my head and looking over his shoulder, back to the table I was at to see Ishi missing. I look out to the dancing area and see her swaying with a young man about her age.
Jealousy.
“Well, I think we can fix that. You just have to see what a great husband I will make for you,” he says, drawing my attention away from my girl.
“What are you talking about, Kawa?” I ask, confused.
“You say you cannot love me, but I think you can,” he reached out, grabbing my hand in his and holding it there, “We already have a connection, you just need it to strength.”
I was shocked, to say the least, I hadn’t expected this from him and I was so confused.
“Kawa, you don’t understand. I can’t love you because I don’t have room.” I say as lightly as possible, trying to release my hand.
“No, no,” he chuckles, pulling my hand back towards himself, “You have room. I accept your duties, I know they come first. I can be secondary, I don’t mind”
“Kawa, you’re really not getting it-” I was cut off by his lips on mine, invading it and making me angry.
I shoved him off of me, turning him around with the Tanto held to his throat. I got close to him, almost touching his nose with my forehead and looked up into his frazzled brown eyes.
“You. Aren’t. Getting. It.” I say through gritted teeth, “I don’t have room to love you because I already love someone.”
He was mad, I could see it. His hands were pinned so he couldn’t do anything.  I backed away slowly, keeping the Tanto to his throat, and finally removing it when I was at a safe distance.
“You mean so much to me, Kawa, but do not confuse that with romantic love. You doubt me, see me as another woman, another wife to make dinners. I am not that and I could never love or be with someone who expects that.” I said softer this time to make him understand.
“Who is it? Who do you love?” he asks angrily, a hint of sadness seeping through.
“It isn’t important. I need you to know this isn’t hurt you.” I say seriously, deflecting the question I could barely admit to myself.
“I understand. Just know that I won’t give up on you. I will stop the flirting, but know I will never give up on us.” he said sincerely, making me feel sympathy for his cluelessness.
“I understand,” I say simply, turning around and heading back to our table where Ishi was not present.
I gave the tablemates a questioning look and they all smiled lightly.
“She’s gone from the dance floor, okosama. Try looking near the food, she left with that young man. Possible husband?” one of the older women asked.
I smiled shyly, internally cringing at the thought of her marrying. I thanked them before heading over to the food table to see her and the young man sharing a long, slimy, kiss. I cleared my throat, arms crossed angrily, looking at the two.
“Ishi. We’re leaving, say your goodbyes.” I instruct, reaching to separate the promiscuous pair.
She looked at me, anger and regret shining in those beautiful green eyes. She huffed, turning t the young man and whispering something in his ear and giggling. He smiled, resting a hand softly on her wait. I huffed, tapping my foot and flipping the blade in my hand from earlier.
“Goodbye.” she purred to him, sauntering away from the table and towards our table to say goodbyes.
I’m not going to lie, that hurt, but I really had no reason to discourage her behavior. I wasn’t her father, she could canoodle with whomever she pleases. Still, I was angry.
“What was that?!” I blurted, squeezing the Tanto.
“What was what?” she retorted, “It wasn’t any different than what you and Kawa were doing in the woods. I’m not blind, you know.”
I scoffed speeding up my walking since she had.
“What does that matter? It’s none of your business!” I shout, she scoffed, turning her heel and stopping.
“And what’s any different from my situation?” she seethed, puffing her white cheeks.
“Because it is! Who was he anyway? Is he going to ask for your hand?�� I ask honestly, anger radiating from me at the idea.
“Kii Wan! He’s amazing, and maybe he will! And I’ll accept!” she shouts, arms flailing as she steps closer to me.
That shot daggers down my spine. I wanted to scream, cry, yell, fight, stab, and most of all I wanted to kiss her. I wanted to kiss her cute face. The face that makes me smile every time I see it.
“Why?” I asked, my voicing cracking slightly as fear crept up my spine.
A single tear. One little tear. It rolled down my face, I could feel it taking some of the makeup with it. I hadn’t cried in nearly 6 years since my father’s death. Not once, but the thought of losing her to some man made my heart ache worse than it ever has. I couldn’t take it, I couldn’t. I had to convince her to stay.
“Oto-” she empathized, stopping before she finished.
“Please.” I cried, “Please don’t do this. Don’t leave me. Am I not enough?”
I sobbed. Sobbed. Actually, truly, sobbed. And she knew. She knew how I was broken. She hugged me, crying just as I am, likely ruining each others kimono. We held each other, tighter than the day she told me her story, and it was bliss. I was broken, yes, but something about this hug told me it wasn’t what I thought it was.
“Otokita, I love you,” she said, staying still as can be, yet still holding onto me just as tightly.
“I love you, too, Ishi.” I emitted with all my heart.
We kissed, on an empty dark road, with ruined smeared makeup, the taste of rice flour invading our mouths, but we didn’t care. Because all thought we would never be able to share our love with the world, we could still love each other. We could love each other until the day we die. Until the day I fulfill my promise to protect Chiba.
“You didn’t really care for that boy, did you?” I asked, regrettably.
“Never, I was simply acting out of anger and jealousy. I’m sorry, Oto,” she mumbled.
As the years moved on, I fulfilled my duty. Kawa accepted that I could never be his and eventually found himself the most beautiful woman he said he’d ever seen. I found that there were many troubles with being, not only a female Samurai but also a bisexual woman in love with another. It wasn’t until 6 years later did my sisters return to take care of my ailing mother. They were happily married to two different and feminist men. The Karanaki name had been carried on through my 2nd niece, and my mother died 8 years later.
I could never regret any of my choices- to raise my sisters Atheist’s, to become both an okugatasama and Samurai, to fall in love with a lost and nearly broken woman. None. It was what led me to my happiness throughout the struggle and judgment of 7th century Japan.
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rennyji · 3 years
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July 20th tweets...
July 20th tweets...
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“Aaryan” is another one of those Mohanlal movies from the place of my background. I saw this late in life, and during the phenomena, several times, I would mention to my mother, and especially father, about the parallels. In the movie, Mohanlal’s character is a devout Hindu Brahmin from a respected family. He’s happy with his life and has a girlfriend, in a woman he’s known since childhood. Men not respecting societal roles and in greed for money and power, wrongfully set up the family in a crime of their planning. Mohanlals character loses his family to death and humiliation, as well as his home, and his girl friend also, in the actress, Shobhana. He flees to Mumbai, where he follows a very earthly path centered on money and attaining that money through jobs, where his philosophy is “Ill do anything for money.” He sinks himself in alcohol and the company of gangsters and joins them. Once obtaining enough money, he avenges the wrong doers against his family and seeks to restore his family’s lifestyle and “way of living.”
I guess I remember that movie because he was minding his own business, when people rooted in jealousy and greed, wanted to steal that from him. And me, after more than a decade of “lightly and carefully portrayed to the public” abuse, I can’t help but think, wasn’t I minding my own business?
For my sectionalistic brethrens who identify through the body parts, rather than the overall body that is the country, as you forgot about order, structure, unity, brought about through ancient Hinduism, for a visual example: think the movie, “Koyla.” Shah Rukh Khans character get turned into a mute and a servant by the people who killed his parents, from greed, for stumbling on their fortune of diamonds in this life. To save Madhuri Dhixits character, and to restore his dignity, he takes revenge on those who took decades of his life. I guess what I’m getting at is, from Koyla, you can see just how evil some men truly are. Even in real life, some people will take decades from your life. Before killing you, they’ll turn you into the court jester for their people and they may even shock your brains 20 times to make you more numb and compatible for mind control/mind reading.
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In Mark 4:33-34
33 “With many such parables he spoke ithe word to them, as they were able to hear it. 34 He did not speak to them without a parable, but privately to his own disciples he explained everything.So Christ talked to everyone in parables, and said, let those with ears hear. However he discussed the parables with his disciples, in private, elaborating on their meaning.Here I am, in the present day, a nobody, trying to elaborate on meanings and about living a life with meaning. But my own mother, instead of listening intently, will talk about toilets or do something involving uncleanliness, when I talk to her about things of God. My father prays and prays (though mechanically, without heart, without understanding meaning), and yet he fails to see and respect my seriousness in willful words and actions, based on faith. He’s so busy talking about defending what he as a father does, he fails to see that I’m enduring this, simply because of the hand of God carrying me, when the infidel tries to figuratively break my legs.I can see why Christ elaborated on heavenly things with just his disciples. Other people wouldn’t give it the respect it deserves (through talking about random things like toilets or whatever) or would let it fly over their heads as something nice sounding and tantalizing.
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Orchestrator government group 1 tries to piss me off to say things or write things about them, so that the child like voices rooted in perhaps the party school I attended (for completion of my undergraduate) makes it about them or me randomly addressing people who aren’t direct with me.
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I dunno I think I’m being led to think that I’m not seeing “this situation” in the way it’s projected to others…ok guys, lemme walk with you on this, let’s take a deep breath and digest the fact that this has been going on for more than a decade- I mean that alone, if nothing else, is horrendous…so am I disillusioned?
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So I keep telling you guys to refrain from taking part in this, and to only help me by talking directly to me- especially about the situation. I tell you take a load off and just be natural in your interactions without hiding that this happened/is happening.
Yet, for one thing, some of you may try to assist me on the road under one or more things that you have been led to see me through- that goes back to my talk about mental filters…
If something tells you guys that I’m about to change a lane unnaturally, it results in the following:
The guy in front of me will abruptly slow down, while I’m checking my mirrors to the other lane, leaving me to still drive forward, while the guy in front of me is instructed to slow down. Kinda malicious of the orchestrators, don’t you think? Two cars risk colliding…
But then sometimes, I notice cars in the other lanes, accelerate, as I’m about to change lanes, while others leave significant space.
Please just follow the rules of the road and stop relying on external knowledge when making your decisions on the road.
Some of you may be instructed to smile a particular way (smiling is great if it’s not rooted in an instruction), frown a particular way, nod to me from the corner of my eye…see, think about it from my perspective. I have mind cr*p- to be very very very general- to deal with all day. When you have too many programs open on your computer, doesn’t it freeze or become unresponsive? Whether by design or carelessness, despite my effort to get you to be direct with me, these indirect things to make me think one thing or the other, are meant to overload my brain-the orchestrators just give me stuff to pick up on, where I have no idea what’s it’s about. I may have written something before that frown or whatever. Is that supposed to make me think ur unhappy with me for you allegedly eavesdropping into my life and making things about you, the stranger,  when you don’t even follow me on Twitter or Facebook?
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I heard the following: DMX- Party Up- from the lyrics,
So whatever it is you puffin' on that got you think that you Superman (doing this for a decade)
I got the Kryptonite, should I smack him with my dick and the mic?
Y'all niggas is characters, not even good actors (ur a bunch of cocky arrogant losers)
What's gon' be the outcome? Hmm, let's add up all the factors
I keep saying there’s two sides to every coin. But you like to tip that scale. Always remember how much of an a*shole he is, more than any crazy, for starters, to put such statements/sentences out in public- that too when the world is monitoring every aspect of me…I mean I could be giving the police or some legal case against me, a ball for their courts through my recorded words and written statements- so in response, I’m in a rap mood:
Eminem says
Go call you a lawyer, file you a lawsuit
I'll smile in the courtroom and buy you a wardrobe
I'm tired of all you, I don't mean to be mean
But that's all I can be, it's just me
I realize these guys(artists)all deal with stupid people like the orchestrators while the larger audience of the world “say oh that’s mean” without context (what was preceding, what was said and done, and what occurred after)
At the end of this, either the orchestrators or me, will be progressing forward in in peace and happiness. Im making that clear, I’m throwing in all my cards, because no matter how numb you make me, my hate accumulating over a decade will find its nourishment. So Have fun, f*ers…
and to the larger audience, lemme guess “oh no he’s mad…what happened…awww” yeah ummm thanks for never talking to me, but thanks for the sentiment too.
Contrary to how I’ve been living for more than a decade, word of advice to the world: “Show the other cheek, talk out your problems, write 300 pages with variations of the idea of returning to normalcy in one chapter in life in an official police complaint, endure a decade, and hope for a solution- this can only be done for so long, and a decade? F* that sh*t. Orchestrators? F* ur wives, husbands , and Kids..
hey guys, when someone is giving YOU a hard time, please be like me and Let them shock your brain 20 times too, for talking about the hard time, so that you can show that you have no decency and are willing to bend over for them, for the sake of “compliancy.”  Next time the F* fake protectors of the law, who don’t protect the rights of an American citizen(wtf does ur Stars and Stripes flag stand for? The red and white ropes they bind you down with in life? Are the 50?!stars on ur flag about ninja stars you throw at ur country’s victims? Maybe the 50 is about, how they’ll screw you 50 times over for minding ur own business i.e always remember: nice guys finish last…maybe the red is about how the country likes to make you bleed/watch you bleed/and entertain others on how you bleed while you try to stand strong)…but where was I? Next time the F* fake protectors of the law, who don’t protect the rights of an American citizen want come in 4 SUVs and make you walk barefoot, for talking about “the situation” ur not supposed to know about daily, be mindful, you will be on the list, when I gain back my authority. Bear in mind the respect enforced, actually needs to be earned through effort and not by a rough voice or tough exterior.
Peepz , when law enforcement engages in a circus, makes remorseful random faces fo you while, get this: simultaneously, engaging in madness, when the FBI engages in silence to make you America’s prostitute of a servant of a hero/icon,
please,
never follow my example.
If any of you get out into a fraction of my problem, don’t waste your health, ur dignity. At times, fists and kicks are the only answer. I went about my life reporting things to authorities, dreaming about best friending a girl in college and marrying her…the works…-if respect can’t be earned or given because some infidel playing or being a false god commands it, “seize respect. “
You can’t waste time on some superficial high ideal high minded losers.
So I keep talking about mental exhaustion…you still actually do the same things, over and over…- so I’m supposed to fall. What’s the matter orchestrators? Could t f*me in the a*s while standing strong? You need me to collapse or be on a stretcher? Would a tempur pedic be ok when you stop most likely molesting ur kids? F*ers…
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So I was listening to “Sam’s Gone” from “I Am Legend,”
And I remembered the powerful end scene from I Am Legend…listen and watch 37 seconds into this clip till the end:
https://www.youtube.com/watch?v=-7LsxKkh0zg
Starting from 37 seconds, Will Smiths character says “They’re not gonna stop…they’re not gonna stop…” those coincidentally white horrific mutations of humans, in their mindlessness, their aggression, their lack of heart and compassion, remind me of the police officers who made me walk barefoot, it reminds of some party school professors, it reminds of the orchestrators rooted in the mind cr*p - after a decade, I’ve come to acceptance that “they’re not gonna stop.”
For 10+ years of slavery, further indignified by turning me into a joke,
That moment where Will Smiths character and the mutated man (symbolizing an American orchestrator) race to battle towards each other - man…after a decade plus of provoking me, literally 24/7…when we’re finally face to face, I want to see what he/she has the balls to do. De palabra de espanol: “Ver”, ”, mi gentes, “Ustedes Ven la  cara de el Diablo blanco.”
Regarding that moment, when the orchestrators and me race toward each other, win/lose, it’ll be like this from 300:
ttps://www.youtube.com/watch?v=XOLpIkoS0QY
You, orchestrators may have the big guns, may have humanity following ur instructions, but like many before me, it’ll be like these two segments from the below 300 movie clip: 1:02- 1:50, 2:12-2:57
https://www.youtube.com/watch?v=qubItQjdSHA
In a deep state of mind to what transpired years ago, I said that I will get justice. Am I’m saying it again. You, the American orchestrators, turn mankind into one team in conviction and practice against me, you’ll torment me for a decade plus…maybe even destroy me after humiliating me-as is American military style.
Just know this: I, an Indian man, fated to suffer this “situation” in your country, will come back lifetime after lifetime, to finish what you started with me in this epoch of time, where you seek to conquer the Kingdom of God, that resides in every conscious mind wanting peace.
Orchestrators,ur quite welcome to see me as that cockroach who just won’t die or stay dead.
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gp-synergism-blog · 6 years
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Gothic Film in the ‘40s: Doomed Romance and Murderous Melodrama
Posted by: Samm Deighan for Diabolique Magazine
Secret Beyond the Door (1947)
In many respects, the ‘40s were a strange time for horror films. With a few notable exceptions, like Le main du diable (1943) or Dead of Night (1945), the British and European nations avoided the genre thanks to the preoccupation of war. But that wasn’t the case with American cinema, which continued to churn out cheap, escapist fare in droves, ranging from comedies and musicals to horror films. In general though, genre efforts were comic or overtly campy; Universal, the country’s biggest producer of horror films, resorted primarily to sequels, remakes, and monster mash ups during the decade, or ludicrous low budget films centered on half-cocked mad scientists (roles often hoisted on a fading Bela Lugosi).
There are some exceptions: the emergence of grim-toned serial killer thrillers helmed by European emigres like Hitchcock’s Shadow of a Doubt (1943), Ulmer’s Bluebeard(1944), Siodmak’s The Spiral Staircase (1945), or John Brahm’s Hangover Square(1945); the series of expressionistic moody horror film produced by auteur Val Lewton, such as Cat People (1942) and I Walked with a Zombie (1943); and a handful of strange outliers like the eerie She-Wolf of London (1946) or the totally off-the-rails Peter Lorre vehicle, The Beast with Five Fingers (1946).
Thanks to the emergence of film noir and a new emphasis on psychological themes within suspense films, horror’s sibling — arguably even its precursor — the Gothic, was also a prominent cinematic force during the decade. One of the biggest producers of Gothic cinema came from the literary genre’s parent country, England. Initially this was a way to present some horror tropes and darker subject matter at a time when genre films were embargoed by a country at war, but Hollywood was undoubtedly attempting to compete with Britain’s strong trend of Gothic cinema: classic films like Thorold Dickinson’s original Gaslight (1940); a series of brooding Gothic romances starring a homicidal-looking James Mason, like The Night Has Eyes (1942), The Man in Grey(1943), The Seventh Veil (1945), and Fanny by Gaslight (1944); David Lean’s two best films and possibly the greatest Dickens adaptations ever made, Great Expectations(1946) and Oliver Twist (1948); and other excellent, yet forgotten literary adaptations like Uncle Silas (1947) and Queen of Spades (1949).
The American films, which not only responded to their British counterparts but helped shape the Gothic genre in their own right, tended towards three themes in particular (often combining them): doomed romance, dark family inheritances often connected to greed and madness, and the supernatural melodrama. Certainly, these film borrowed horror tropes, like the fear of the dark, nightmares, haunted houses, thick cobwebs, and fog-drenched cemeteries. The home was often set as the central location, a site of both domesticity and terror — speaking to the genre’s overall themes of social order, repressed sexuality, and death — and this location was of course of equal importance to horror films and the “woman’s film” of the ‘40s and ‘50s. Like the latter, these Gothic films often featured female protagonists and plots that revolved around a troubled romantic relationship or domestic turmoil.
Wuthering Heights (1939)
Two of the earliest examples, and certainly two films that kicked off the wave of Gothic romance films in America, are also two of the genre’s most enduring classics: William Wyler’s Wuthering Heights (1939) and Hitchcock’s Rebecca (1940). Based on Emily Brontë’s novel of the same name (one of my favorites), Wyler and celebrated screenwriter Ben Hecht (with script input from director and writer John Huston) transformed Wuthering Heights from a tale of multigenerational doom and bitterness set on the unforgiving moors into a more streamlined romantic tragedy about the love affair between Cathy (Merle Oberon) and Heathcliffe (Laurence Olivier) that completely removes the conclusion that focuses on their children. In the film, the couple are effectively separated by social constraints, poverty, a harsh upbringing, and the fact that Cathy is forced to choose between her wild, adopted brother Heathcliffe and her debonair neighbor, Edgar Linton (David Niven).
Wuthering Heights is actually less Gothic than the films it inspired, primarily because of the fact that Hollywood neutered many of Brontë’s themes. In The History of British Literature on Film, 1895-2015, Greg Semenza and Bob Hasenfratz wrote, “Hecht and Wyler together manage to transfer the narrative from its original literary genre (Gothic romance) and embed it in a film genre (the Hollywood romance, which would evolve into the so-called ‘women’s films’ of the 1940s)… [To accomplish this,] Hecht and Wyler needed to remove or tone down elements of the macabre, the novel’s suggestions of necrophilia in chapter 29, and its portrayal of Heathcliffe as a kind of Miltonic Satan” (185).
This results in sort of watered down versions of Cathy — who is selfish and cruel as a general rule in the novel — and, in particular, Heathcliffe, whose brutish behavior includes physical violence, spousal abuse, and a drawn out, well-plotted revenge that becomes his sole reason for living. It is thus in a somewhat different — and arguably both more terrifying and more romantic — context that the novel’s Heathcliffe declares to a dying Cathy, “Catherine Earnshaw, may you not rest as long as I am living. You said I killed you–haunt me then. The murdered do haunt their murderers. I believe–I know that ghosts have wandered the earth. Be with me always–take any form–drive me mad. Only do not leave me in this abyss, where I cannot find you! Oh, God! It is unutterable! I cannot live without my life! I cannot live without my soul!” (145).
Despite Hollywood’s intervention, the novel’s Gothic flavor was not scrubbed entirely and Wuthering Heights still includes themes of ghosts, haunting, and just the faintest touch of damnation, though it ends with a spectral reunion for Cathy and Heathcliffe, whose spirits set off together across the snow-covered moors. These elements of a studio meddling with a film’s source novel, doomed romance, and supernatural tones also appeared in the following year’s Rebecca, possibly the single most influential Gothic film from the period. This was actually Hitchcock’s first film on American shores after his emigration due to WWII, and his first major battle with a producer in the form of David O. Selznick.
Rebecca (1940)
Based on Daphne du Maurier’s novel of the same name, Rebecca marks the return of Laurence Olivier as brooding romantic hero Maxim de Winter, the love interest of an innocent young woman (Joan Fontaine) traveling through Europe as a paid companion. She and de Winter meet, fall in love, and are quickly married, though things take a dark turn when they move to his ancestral home in England, Manderlay, which is everywhere marked with the overwhelming presence of his former wife, Rebecca. The hostile housekeeper (Judith Anderson) is still obviously obsessed with her former mistress, Maxim begins to act strangely and has a few violent outbursts, and the new Mrs. de Winter begins to suspect that Rebecca’s death was the result of a homicidal act…
The wanton or mad wife was a feature not only of Rebecca, but of earlier Gothic fiction from Wuthering Heights and Jane Eyre to “The Yellow Wallpaper.” In the same way that Cathy of Wuthering Heights is an example of the feminine resistance to a claustrophobic social structure, Rebecca is a similar figure, made monstrous by her refusal to conform. The dark secret that Maxim’s new wife learns is that Rebecca was privately promiscuous, agreeing only to appear to be the perfect wife in public after de Winter already married her. She pretends she is pregnant with another man’s child and tries to goad her husband into murdering her, seemingly out of sheer spite, but it is revealed that she was dying of cancer.
A surprisingly faithful adaptation of the novel, Rebecca presents the titular character’s death as a suicide, rather than a murder, thanks to the Production Code’s insistence that murderers had to be punished, contrary to the film’s apparent happy ending, and restricted the (now somewhat obvious) housekeeper’s lesbian infatuation for Rebecca. Despite these restrictions, Hitchcock managed to introduce some of the bold, controversial themes that would carry him through films like Marnie (1964). For Criterion, Robin Wood wrote, “it is in Rebecca that his unifying theme receives its first definitive statement: the masculinist drive to dominate, control, and (if necessary) punish women; the corresponding dread of powerful women, and especially of women who assert their sexual freedom, for what, above all, the male (in his position of dominant vulnerability, or vulnerable dominance) cannot tolerate is the sense that another male might be “better” than he was. Rebecca is killed because she defies the patriarchal order, the prohibition of infidelity.”
Wood also got to the crux of many of these early Gothic films (and the Romantic/romantic novels that inspired them) when he wrote, “The antagonism toward Maxim we feel today (in the aftermath of the Women’s Movement) is due at least in part to the casting of Olivier; without that antagonism something of the film’s continuing force and fascination would be weakened.” Heathcliffe and de Winter are similarly contradictory figures: romantic, but also repulsive, objects of love and fear in equal measures, they mirror the character type popularized in England by a young, brooding James Mason — an antagonistic, almost villainous (and sometimes actually so) male romantic lead — that would appear in a number of other titles throughout the decade.
Rebecca (1940)
In “‘At Last I Can Tell It to Someone!’: Feminine Point of View and Subjectivity in the Gothic Romance Film of the 1940s” for Cinema Journal, Diane Waldman wrote, “The plots of films like Rebecca, Suspicion, Gaslight, and their lesser-known counterparts like Undercurrent and Sleep My Love fall under the rubric of the Gothic designation: a young inexperienced woman meets a handsome older man to whom she is alternately attracted and repelled. After a whirlwind courtship (72 hours in Lang’s Secret Beyond the Door, two weeks is more typical), she marries him. After returning to the ancestral mansion of one of the pair, the heroine experiences a series of bizarre and uncanny incidents, open to ambiguous interpretation, revolving around the question of whether or not the Gothic male really loves her. She begins to suspect that he may be a murderer” (29-30).
As Waldman suggests, there are many films from the decade that fit into this type: notable examples include Hitchcock’s Suspicion (1941), where Joan Fontaine again stars as an innocent, wealthy young woman who marries an unscrupulous gambler (Cary Grant) who may be trying to kill her for her fortune; Robert Stevenson’s Jane Eyre (1943) yet again starred Fontaine as the innocent titular governess, who falls in love with her gloomy, yet charismatic employer, Mr. Rochester (Orson Welles); George Cukor’s remake of Gaslight (1944) starred Ingrid Bergman as a young singer driven slowly insane by her seemingly charming husband (Charles Boyer), who is only out to conceal a past crime; and so on.
Another interesting, somewhat unusual interpretations of this subgenre is Experiment Perilous (1944), helmed by a director also responsible for key film noir and horror titles such as Out of the Past, Cat People, and Curse of the Demon: Jacques Tourneur. Based on a novel by Margaret Carpenter and set in turn of the century New York, Experiment Perilous is a cross between Gothic melodrama and film noir and expands upon the loose plot of Gaslight, where a controlling husband (here played by Paul Lukas) is trying to drive his younger wife (the gorgeous Hedy Lamarr) insane. The film bucks the Gothic tradition of the ‘40s in the sense that the wife, Allida, is not the protagonist, but rather it is a psychiatrist, Dr. Bailey (George Brent). He encounters the couple because he befriended the husband’s sister (Olive Blakeney) on a train and when she passes away, he goes to pay his respects. While there, he he falls in love with Allida and refuses to believe her husband’s assertions that she is insane and must be kept prisoner in their home.
In some ways evocative of Hitchcock (a fateful train ride, a psychiatrist who falls in love with a patient and refuses to believe he or she is insane), Experiment Perilous is a neglected, curious film, and it’s interesting to imagine what it would have been if Cary Grant starred, as intended. It does mimic the elements of female paranoia found in films like Rebecca and Gaslight, in the sense that Allida believes she has a mysterious admirer and, as with the later Secret Beyond the Door, she’s tormented by the presence of a disturbed child; though Lamarr never plays to the level of hysteria usually found in this type of role and her performance is both understated and underrated.
Experiment Perilous (1944)
Tourneur was an expert at playing with moral ambiguities, a quality certainly expressed in Experiment Perilous, and the decision to follow the psychiatrist, rather than the wife, makes this a compelling mystery. Like Laura, The Woman in the Window, Vertigo, and other films, the mesmerizing portrait of a beautiful woman is responsible for the protagonist becoming morally compromised, and for most of the running time it’s not quite clear if Bailey is acting from a rational, medical premise, or a wholly irrational one motivated by sexual desire. Rife with strange diary entries, disturbing letters, stories of madness, death, and psychological decay, and a torrid family history are at the heart of the delightfully titled Experiment Perilous. Like many films in the genre, it concludes with a spectacular sequence where the house itself is in a state of chaos, the most striking symbol of which is a series of exploding fish tanks.
But arguably the most Gothic of all these films — and certainly my favorite — is Fritz Lang’s The Secret Beyond the Door (1947). On an adventure in Mexico, Celia (Joan Bennett), a young heiress, meets Mark Lamphere (Michael Redgrave), a dashing architect. They have a whirlwind romance before marrying, but on their honeymoon, Mark is frustrated by Celia’s locked bedroom door and takes off in the middle of the night, allegedly for business. Things worsen when they move to his mansion in New England, where she is horrified to learn that she is his second wife, his first died mysteriously, and he has a very strange family, including an odd secretary who covers her face with a scarf after it was disfigured in a fire; he also has serious financial problems. During a welcoming party, Mark shows their friends his hobby, personally designed rooms in the house that mimic the settings of famous murders. Repulsed, Celia also learns that there is one locked room that Mark keeps secret. As his behavior becomes increasingly cold and disturbed she comes to fear that he killed the first Mrs. Lamphere and is planning to kill her, too.
A blend of “Bluebeard,” Rebecca, and Jane Eyre, Secret Beyond the Door is quite an odd film. Though it relies on some frustrating Freudian plot devices and has a number of script issues, there is something truly magical and eerie about it and it deserves as far more elevated reputation. Though this falls in with the “woman’s films” popular at the time, Bennett’s Celia is far removed from the sort of innocent, earnest, and vulnerable characters played by Fontaine. Lang, and his one-time protege, screenwriter Silvia Richards, acknowledge that she has flaws of her own, as well as the strength, perseverance, and sheer sexual desire to pursue Mark, despite his potential psychosis.
This was Joan Bennett’s fourth film with Fritz Lang – after titles like Man Hunt (1941), The Woman in the Window (1944), and Scarlet Street (1945) — and it was to be her last with the director. While her earlier characters were prostitutes, gold diggers, or arch-manipulators, Celia is more complex; she is essentially a spoiled heiress and socialite bored with her life of pleasure and looking to settle down, but used to getting her own way and not conforming to the needs of any particular man. (Gloria Grahame would go on to play slightly similar characters for Lang in films like The Big Heat and Human Desire.) In one of Celia’s introductory scenes, she’s witness to a deadly knife fight in a Mexican market. Instead of running in terror, she is clearly invigorated, if not openly aroused by the scene, despite the fact that a stray knife lands mere inches from her.
Secret Beyond the Door (1947)
Like some of Lang’s other films with Bennett, much of this film is spent in or near beds and the bedroom. The hidden bedroom also provides a rich symbolic subtext, one tied in to Mark’s murder-themed rooms, the titular secret room (where his first wife died), and the burning of the house at the film’s conclusion. Due to the involvement of the Production Code, sex is only implied, but modern audiences may miss this. It is at least relatively clear that Mark and Celia’s powerful attraction is a blend of sex and violence, affection and neurosis. As with Rebecca and Jane Eyre, it is implied that the fire — the act of burning down the house and the memory of the former love (or in Jane Eyre’scase, the actual woman) — has cleansing properties that restore Mark to sanity. It is revealed that though he did not commit an actual murder, the guilt of his first wife’s death, brought on by a broken heart, has driven him to madness and obsession.
This really is a marvelous film, thanks Lang’s return to German expressionism blended with Gothic literary themes. There is some absolutely lovely cinematography from Stanley Cortez that prefigured his similar work on Charles Laughton’s The Night of the Hunter. In particular, a woodland set – where Celia runs when she thinks Mark is going to murder her – is breathtaking, eerie, and nightmarish, and puts a marked emphasis on the fairy-tale influence. But the house is where the film really shines with lighting sources often reduced to candlelight, reflections in ornate mirrors, or the beam of a single flashlight. The camera absolutely worships Bennett, who is framed by long, dark hallways, foreboding corridors, and that staple of film noir, the winding staircase.
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Stranger Things Trigger Warning Masterpost
Alright I have been wanting to do this for a while now and I’m on winter break so I guess it’s the perfect time to do this.
(oh my god this is gonna take ages) 
There is one big trigger warning master post for season 1 but I haven’t seen one for season 2 yet. I also think that there could be a few things added to the list so I’m just starting from scratch.
This list may contain spoilers. I will use timestamps because I know people may need them. I will make this list containing trigger warnings for all seasons and then make separate ones for each season.  SEASON ONE HERE SEASON TWO HERE
If you think I missed something or should write something differently or anything else, please tell me!  I’m not very active on tumblr but I’ll try my best. if you have twitter you can tweet me here. 
An overview of potential triggers (as seen on lannistrcs post): - jump scares -death -shooting -gore -suicide (or implied suicide) -scenes set in a medical institution (including medical related abuse) -homophobic/anti-lgbtq+ slurs -bullying -blood -ableist slurs -mention of miscarriage
The show is generally dark and scary. Yes, there are quite a few funny and lighthearted scenes, but if you’re one that gets triggered easily I would avoid watching the show. There is also a lot of swearing so if you’re not cool with that I’d avoid it. There’s monsters and stuff so yeah. Just be careful. Also, flashbacks. And government stuff. Just warning you.
EPILEPSY WARNING: a lot of scenes are shot in dark lit rooms with many flashing or flickering lights. 
I’ll try to be as spoiler free as possible while also providing the right timestamps and info. I don’t think I can put in all the jumpscares but I’ll try my best to mark the important ones. The music makes everything creepier and there are a LOT of jump scares and sudden loud sounds so please be careful.
SEASON 1 
Episode 1:
-quiet introduction, sudden loud sound at around 0:55 -child going missing in the middle of the night -sudden loud noise at 6:00 -(The dog will be fine) -bullying -homophobic slurs -shooting at 40:00 -right after that multiple people are killed, corpses with blood are shown for a split second 
Episode 2: -ableist slurs -flashbacks -more flashbacks, screaming -corpse is found, implied suicide, a gun in hand, shot to the head (around 26:30) -there are screams while someone is in the woods taking pictures, nothing bad actually happens (around 43:00) -someone cuts their hand, blood (around 44:30) -the wall moves (48:20) -blood dripping (52:05) -loud roar and scream (52:25)
Episode 3: 
-starts off with screams immediately (!!!) -that thing appears again -one character is screaming and fleeing and at the same time there’s a sex scene (not explicit at all, but still....someone might be uncomfortable with it) -flashbacks (10:25) -bullying and homophobic slurs (around 23:00) -wall moving again (around 28:30) -flashback with screaming and blood, corpses (around 32:55) -jump scare (around 38:55) -wall moves again (around 45:50) and something comes out -corpse is found (around 47:10)
Episode 4: -corpse is seen in a morgue -homophobia (around 30:30) -flashback -screaming and crying, loud noises (around 40:30/41:00)  -after 46:00: body being cut open. no gore
Episode 5:
-jump scare (around 7:30) -flashback -fighting, someone gets hurt (around 42:00) -flashback with screams and jumpscare (right after the fight) -gore: animal death (around 46:00) -the following scenes are all very intense, multiple jump scares. no human dies, there are screams ect. Episode 6: -right at the start: those scenes from the end of episode 5 continue. screams, jump scares. no-one dies, but it’s intense. -flashbacks to those scenes (around 6:15) -loud scream (around 16:05) -mention of miscarriage (around 26:20)  -right after that, flashbacks to violent scenes (death, blood) -homophobic slurs (around 32:00) -fight breaks out right after -violence: boy holds knife to another boys throat (38:20) -suicide implication: boy steps off cliff -gore: boys have broken arms, the sound is of the bones breaking is heard. no blood. -flashback: screams and jump scares, alarms Episode 7: -jump scare (around 0:53) -jump scare (around 21:20) -loud scream (around 25:00) -corpse: in slimy substance, with bugs and worms, rotting (33:00) followed by screams -sudden loud noise and bright lights (around 33:45) -loud noises, followed by silence and then a sudden loud growl/scream (around 39:30) Episode 8: 
-groans, electric shock, vomiting, needles (around 2:40) -death: a child battles cancer and dies (flashbacks of it at around 11:20 and continue through the whole episode) - two people cut their hands, blood (around 12:45) EPILEPSY WARNING!! after this the whole episode will contain a lot of flickering lights -something comes out of the wall (around 11:50, after the lights start to flicker) -that thing comes back at around 20:20, screams and growls follow -gore/blood: blood comes out of peoples eyes -bloodtrails are seen in the next scene - LOTS of flickering lights, screaming, something comes out of the wall, bloodtrails and dead bodies are seen (around 30:30)  -bloodtrail is seen in the next scene aswell -corpses and skeletons are lit up by a flashlight right after -boy is found in slimy substance (32:30) -the next scene has flickering lights the whole time and one character has red eyes at one point -shootings, people shoot guns in multiple scenes
SEASON 2
AGAIN: This list will contain spoilers. I’ll use timestamps. 
An overview of potential triggers:
-jump scares -death (graphic) -mention of miscarriage  -shooting -gore -scenes set in a medical institution -medical related abuse -needles -PTSD -bullying -blood -exorcism -memory loss -being possessed -abuse -flashbacks/visions -homophobic slurs
The second season of this show is definitely a lot darker and scarier than the first. Again, I’ll try my best to mark the timestamps of jump scares ect.  There will be more sudden loud sounds, screams, flashbacks and jump scares.
EPILEPSY WARNING: a lot of scenes are shot in dark lit rooms with many flashing or flickering lights. Alarms and screams will be happening at the same time.
One scene features a character talking about something that happened to them. The way that character describes it can be compared to how a victim of sexual assault would describe what happened to them. This is NOT what the character is talking about, but please proceed with caution.
Again if you feel like I missed out on anything, don’t hesitate to contact me. 
SEASON 2
Episode 1:
-someone has a vision (around 8:30) -jump scare (around 19:15) -scenes in a medical institution and needles (around 23:45) -jump scare (around 37:00) -character has another vision (around 42:00)
Episode 2:
-the episode starts with a character saying something, followed by screams, flashes of scenes of season. the character wakes up (a little blood is shown) and coughs up some liquid.  -animal death (around 22:20) -manipulation/abusive behaviour (around 26:00) -jump scare/scream (around 34:40) -jump scare (around 39:30) -right after that the character has another vision. loud and weird noises. that /thing/ starts following the character -jump scare (around 52:20)
Episode 3:
-a few slight jump scares, they are all predictable -the character has another vision and will be followed by that /thing/ (around 45:20) -the /thing/ will start to ENTER them (around 47:20) Episode 4:
-the /thing/ continues to ENTER the character while other scenes are playing -the character will describe the experience, frames from it will show up on the screen for a split second. ATTENTION: the way the character describes it could sound similar to a victim of sexual assault describing their experience. so be careful. -abusiveness (32:00) -racism. the character doesn’t say it outlaid but you can tell. (around 33:00 - around 40:50: slimy substance is found then jumpscar -GRAPHIC ANIMAL DEATH!!! blood!!! at 41:00 -you can skip to 42:00 to avoid it 
Episode 5: 
-at the beginning of the episode a character gets trapped somewhere. imagine a cave. something like that. the scene is very dark, you can't see too much - jump scare (around 3:15)  -at around 4:05 there will be loud noises and the character chokes on something and tries to spit it out -jump scare (8:50) -slight jump scare (around 9:30) -right after the character will vomit a little -a pregnant woman having difficulties (around 46:38) -flashbacks of a surgery(around 47:10) -needle (like half a minute after..or less) -gunshot -medical abuse, literally....someone gets their brain fried?? idk how to explain (49:30) - a character will suddenly fall to the ground in pain and then like...lie there and keep shaking and screaming. its hard to explain. (around 54:20)
Episode 6:
-character getting hospital treatment throughout the whole episode -needle (around 0:45) -vomiting (around 13:15) -character will show that they have experienced memory loss (around 16:30)
Episode 7:
-right at the start of the episode after a character says “I’m home” there will be a loud noise and some random scenes -a character will be threatened with a knife (around 9:30) -man being choked (30:15-30:50)
Episode 8: 
ATTENTION: this episode is probably the most graphic episode of the season. it includes multiple people dying and a graphic death of one character.
-needle (around 2:05)  -corpses and blood (around 2:20) -the needle is back (2:50) -multiple corpses shown on tvs (around 3:40) -homophobic slur (7:00) -abusive parent (7:20) -corpses lying around (10:40) -corpse with blood (12:00) -jump scare (around 14:30) -corpses, blood (14:40) If you want to avoid the graphic death and more corpses and blood skip to 21:50
-GRAPHIC DEATH at 20:50!!! -the scene is revisited right after 22:27!!! after dustin gets into the car -ends at 22:50 -jump scare (43:15)
Episode 9:
-ok so a fight breaks out around 19:30 -a little later there will be blood  -needle  -exorcism starts at 23:30 will last half of the episode  -you can see a character being beat up with blood on his face (24:50) -corpses, blood, blood trails (28:30) -man (alive) hurt and with blood, pain (29:00) -jump scare (30:30) -exorcism continues at 31:40, more screaming and the neck of the character will actually turn black  -character being choked (32:20) -shows character being choked again (33:50) -exorcism done at 35:20 -please remember that when eleven uses her powers there will be blood that’s about it!
again if you need anything, tweet me!
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Survey #79
“there’s a man standing on top of a hill, screaming freedom for some, but all others must kneel.”
how do you typically introduce yourself in online settings? name, age, location, and i'll usually mention my passions. what do you think will bring on the end of the world? nuclear war, global warming, black hole, etc. religious armageddon of some sort. i don't even remember how the bible mentioned the world would end. do you believe in the death penalty? in VERY FEW CASES, yes. some people are just pure villainous. have you ever done role play? i think my common viewers know i'm a meerkat forum rper, but i've never done, like, real life rp. too weird for me personally. have you ever/would you ever do anal? nope and nope. what’s more important- length or width? why? i don't really care? do you talk dirty during sex? moderately. what was your first orgasm like? never had one, but i got extremely close once while being fingered but panicked so we stopped. i didn't know what was going on lmao. do you own any hair extensions from hot topic? nope. 7-11, sheetz, wawa, or starbucks? sheetz. what do you want to name your kids? daughter will 100% be alessandra, boy will be vincent, luther, or victor. do you personally know any authors? i knew a poet once, but never an author. kissed someone within a day of having a bf/gf? no, holy fuck, slow down. have you ever kept it a secret from someone that you liked them? yeah. have you ever finished an entire jaw breaker? i don't think so. is there anyone you would date on your facebook friend list? no. ever been swimming in a lake or river? lake, multiple times. first time you kissed the last person you kissed? 2012 have you ever broken someone’s heart? idk. ever had a near death experience? i guess so. i overdosed, but i wasn't heavily affected by it, honestly. i've also gotten in a mild wreck. when was the last time you held someone’s hand? some months ago when i was getting my cyst emptied; i was holding mom's. can you play guitar hero? expert, babe. who is someone you know that can play the piano well? no one. who is the best dancer you know? carmen, the older sister of my little sister's former friend. name a time you thought you were going to die? immediately after i overdosed. have you ever not been able to get someone out of your head? very commonly. do you know your neighbors? nope. how do you feel about interracial couples? awesome. what restaurant do you think has the best french fries? i am honestly not certain! who’s your best guy friend? sam or girt, idk. do you like fruit roll ups? yep. what’s the worse type of weather in your opinion? hot and humid. UGH. do you have a kindle or ipad or neither? neither. growing up, did you see your cousins often? i didn't. they live many states away. around what time do you usually eat dinner? between 6-7:30 do you like carrots more if they’re raw, or cooked? i don't like carrots period. did you play with legos as a kid? nope. which bothers you more… spelling mistakes or bad grammar? bad grammar. is there a food that you love the taste of, but makes you feel sick? bananas are the prime example. love 'em, but i get heartburn that could kill a man. which did you discover first, myspace or facebook? myspace have you ever turned to drinking or smoking to solve a problem? let me clarify something here: drinking/smoking does not "solve" the problem, nor do i believe it is capable of doing so. have i turned to drinking for some relief from a problem, sure. if you HAD to get a piercing (not ears) what would you get? i want my lip repierced. what do you wish you had more knowledge about? politics. i don't understand a good 3/4 of it have you ever dealt with a divorce or parents fighting or any kind of abuse at home? divorce and parents fighting, yes. they fought so bad that just yelling became a trigger to me. do you drink more apple or orange juice? orange juice do you think relationships are hard? honestly, no. just think about it: if you truly love someone, what is so difficult about it? what is your favorite pop-tart flavor? oh my gaaaad the reeses ones. ever had the ‘birds and the bees’ talk with your parents? nope. i learned in family life. do you think you have to be skinny in order to be beautiful? NO NO NO NO NO NO NO!!!!!!! would you ever get gauged ears? noooo. have you ever been in a school talent show? what for? i haven't, but my best friend sang in one!! have you ever dated someone you met online? nope. are you a competitive person? nope. do you believe in aliens? i do not. do you like dancing? not really anymore... it's draining. where are you from? north carolina how much more social are you when you’re drunk? VERY if you had to be named after one of the 50 states, which would it be? dakota is tomboyish, i like that... or georgia, sounds very pretty... what’s your favorite form of exercise? swimming do you like guacamole? NO EW do you consider yourself sexually open minded? sure? how do you feel about porn? it's fucking disgusting. who was your hottest ex? jason was hot, don't care what anyone says. do you want/have kids? i want them. has anyone ever told you that they wanted to marry you? ohhhh, how funny! he's not around anymore! :D do/did you have to wear a uniform to your high school? nah. what’s your favorite flavor of iced tea? i hate tea. have you ever been to a casino? if so, which one(s)? none. do you love or hate olives? eh, neutral. have you ever visited a sex shop? nope. do you like the name cindy for a girl? nope. how many sets of keys do you have for your house? two. do you know anyone who has parkinson’s disease? don't think so. how many cousins do you have? what are their names? OH GOD TOO MANY. have you ever ridden a bicycle through a busy city? i have not. do you use instagram? how often do you post there? i do not. what’s your favorite brand of beer? never tried beer. do you like writing? how often do you write? i love writing! i do it a few times a day. what’s your favorite place to get pizza? domino's! has there ever been a fire inside your house? tell me the story. not while we inhabited it. our old house, however, burned to a crisp inside due to its new residents putting a fucking box on the stove. it was a brick house though, so the exterior was fine and it was rebuilt on the interior. have you ever had a scary encounter with a wild animal? no. how many piercings do you have? only four now... ugh. do you own any sports bras? where’d you get them from? i do not. what’s the most expensive restaurant you’ve ever eaten at? no place all that expensive, honestly. who was the last person to tell you that you were beautiful/cute/good-looking? are you attracted to that person too? chelsea called me beautiful, and she absolutely is, too! has anyone ever called you stuck-up? no. when is the next birthday in your household and whose is it? nicole's is in april. what color are your father’s eyes? brown in winter, would you rather wear a jacket or hoodie? hoodie have you ever voluntarily read the bible? i read some of it, yes. how much is gas where you live? like... $2.20 a gallon. do you have any gay friends? i do. do you like the state you live in? nope. who is your favorite person to watch on youtube? has to be a singular youtuber? then markiplier. how often would you say you take naps? once every few days. have you ever played bejeweled? that game was my mom's SHIT. it was all right. does your mom have a facebook? yes. have you ever been bitten by a rat? no. why do you not wash off your makeup on some nights? being lazy. does blueberry syrup sound good to you, right now? no. did you get lucky on prom night? sex-wise, no, but in my own opinion, i got very lucky, because we made my favorite memory. have you ever fallen for your ex’s best friend? noooo. last song you had stuck in your head? "pity party" by melanie martinez has been stuck in my head for over 24 hours lmao kill me did you ever spill something and actually cry over it? i don't know of a specific occasion, but it's possible i have, especially if i was REALLY hungry or thirsty. do you think that everyone is capable of love? i sure do not. do you believe in astrology? nope. i don't waste my time with it. if you had to wear a hat for the rest of your life, what would it be? fedora. they sexy. would you rather have a musical alarm clock or a regular one? musical!! when you were little, what was your favorite game? the "spyro the dragon" trilogy was my life. do you prefer to wrap gifts or use gift bags? gift bags are more aesthetically pleasing, imho. do you own a trenchcoat? fam i wish. are you currently in a smoking environment? yes. chelsea is allowed to smoke here. if a stranger smiles at you, do you smile back? usually, but i may feel a bit awkward. have you ever known a guy who caused a lot of drama? i sure do. have you ever taken care of a drunk friend? nope. what’s your opinion on people who go hunting for sport? i'm not entirely certain how i feel about it. now if you're hunting and actually eat what you kill, that's 100% cool, it's survival. but killing just to kill? sounds... immoral. but then again, i'm a christian and understand animals were put on the earth for humans, so idk. have you ever gone in a sauna? oh fuck that. sounds like hell to me. out of these colors, which appeals most to you: orange, blue, or green? orange do you believe in finders keepers in most situations? not at all. has anyone in your family fought in any of the wars? not to my knowledge. would you make any changes to your current bedroom? i, technically, do not have a bedroom atm bc we're in the process of moving. what animal have you always wanted as a pet but couldn’t have? meerkats, totes. having them as pets is horrible for them, and i'm pretty sure it's illegal in the u.s., too. do you own many pairs of shorts? i have none. is there a certain song you like to head bang to? surprisingly, i don't headbang. hurts my head. who was or will be the maid of honor/best man in your wedding? colleen! :D what is your favorite lunch meat?  salami, probs. do you still have your tonsils? i do. red or pink? pink! do you have a special talent? lmaoooo where were you born? rocky mount, nc do you own any clothes you wouldn’t wear in front of your mother?  no. what do you think the hardest part of surviving is?  just the pain of it. do you know anyone with a lazy eye? yep. can you remember your parents’ birthdays?  mom's, yes; dad's, no. what piercing do you like most on the opposite sex? lip. tongue is a close second, they sexy. what brand of hair dye do you prefer to use? splat, bc it actually works for my hair. are you any good at applying make up?  no, due to my tremor. are you currently wearing any hair accessories? which ones? i am not. do you like potato chips? bury me in a bag of lays pls gold or silver? gold is there an animal that creeps you out? WHALE SHARKS, slugs, certain spiders and bugs, etc... have you ever seen northern lights? i wish! do your parents smoke? dad does is your favorite animal endangered?  no how old is your best friend?  21 if there was a large spider in your room, would you stay in the room? that shit's gotta get out, no. what color is your cell phone? black do you take vitamins daily?  no what’s one thing you hate about your best friend?  she's racist. be honest: do you illegally download music? yeah. welcome to 2k17. what’s the worst crime someone can commit? rape. you’re painting your room. what color do you choose? hm. i'd really have to see how my new room's going to look, but maybe like, a coffee-colored tan. what dog breed is the cutest ever? akita inus, eeeek! are cherries delicious? ew, no. have you ever experienced a tornado? thank the actual lord jesus christ no. how about a flood? yes. my brother went outside, slid down the slide on our playset, and fucking swam in it lmao do you or have you ever owned a pair of light up shoes? sure, as a kid. what is a current goal you’re trying to achieve? obtain a job. is there something that you thought you would’ve outgrown/gotten over by now, but haven’t? definitely forum meerkat role-play. i started that in middle school ffs dude. how often do you “draw a blank” mentally? A LOT. mainly when i'm talking, which is annoying. have you ever played the sims?   the animal ones, yes.  loved 'em. is your current hair color your natural hair color?   no, but you can see my roots now. can you run a mile in under 7 minutes?   HAHAHAHAHAHAHA do you have your license?   i do not.  i'm a nervous wreck when driving. have you ever sleep walked?   i have not. where was your first job?   gamestop do you remember your second grade teacher’s name?   mrs. whitley what do you like on your sundaes?   i like nothing "on" them have you been blessed with the ability to cook and/or bake?   nope... have you gained more than 5 lbs within the past year?   ... i gained over 100.  it's fucking embarrassing.  i just found out recently the weight gain was moreso a medication i was finally taken off of rather than eating habits, though. do you want kids at some point?   i do. are you lactose intolerant?   no. do you believe in abstaining from sex until marriage?   it's a personal choice.  if you want to, go for it. what is your sexual orientation?   heterosexual have you ever bought clothing online?   yes, i prefer it. do you think shakespeare is difficult to read?   not really, no. do you play solitaire in the computer?   no, dunno how. have you ever received nude pictures from someone?   no. admit it: you had a neopets account.   damn right i did, neopets was/is rad. is there a pet in the room with you right now?   miracle and maxwell are currently playing, yes. how weight conscious are you?   VERY OMG is there anyone else with you right now?   bradley, colleen's husband, is currently watching tv in here w/ me. have you ever been accused of cheating?   nope. have you ever taken a train?   i have not. is being thin really all that great?   not necessarily "thin," but slim, sure.  you're more likely to be physically healthy. have you ever been to a night club?   i haven't. does any accent annoy you?   a veeeery thick southern accent doesn't "annoy" me, but it's aggravating 'cuz i can't understand you. what’s worse: crocs or uggs?   crocs are unholy. do you feel awkward when a stranger sits next to you?   yep. do you have any taylor swift songs on your ipod?   ... i confess to "picture to burn" and "should've said no" kill me pls do you want your tongue or belly button pierced?   tongue, yes.  a belly button ring wouldn't look good on me. do you hate it when people smoke around you?   YEAH what is your blood-type?   a.  don't remember if it's positive or negative tho. are you donating your organs?   yes. do you sleep on your side, stomach or back?   side, always. have you ever been a fan of ‘n sync?   i was a '90s baby.  you know it. do you know anyone that has/had cancer?   mom had kidney cancer. were you a big jump roper back in the day?   i was.  i got to where i could jump in. has a boy/girl ever cheated on their boyfriend/girlfriend for you?   yes.  not that i wanted that to happen. do you like chinese food?   a few things, sure.  just had some last night. do long distance relationships work?   of course.  not my first choice for me personally though. how do you like your eggs?   scrambled, cheesy. mcdonald’s or burger king?   mcd's.
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ecotone99 · 5 years
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[SF] The Road to Hell is Through Kentucky
“Criminal Record?”, asked a highway billboard of James as he drove by. It was only after he’d passed it and cranked the radio up contemptuously that the sign’s red-lettered answer registered: “No pardon - only job! Call us!” A moment later, he was coating his borrowed ride in limestone dust with a wide 180, moving the transmission to protest as he turned. He steadied, facing the sign’s rear in silhouette, as the early evening sun stung his eyeballs. He grabbed his mom’s sunglasses from the console and got back up to speed.
A text alert sang out from his days-old phone as he pulled up across from the billboard. Seeing its preview from his lock screen, he sighed at the thought of reading it all and turned the engine off. Hey James, your mom gave me your number. I knew you and Tim were close and it was good to see u today-
A message from another world. One where driving high was a fact of life, and if people perished, God must have needed another angel. He wondered why they didn’t speak of God’s need for their man-slaughtered victims too - wouldn’t they need less reforming in heaven anyways? At least Tim had only killed concrete, and himself, and good on him for avoiding the condescending treatment by dying. That, and Kentucky. If only James had had the privilege…
He called the billboard’s number in a hurry.
“New Pathways Employment Services - how may I help you?” the exotic-for-Kentucky woman chirped.
“Uh, hi, yeah, uh, I saw your billboard and called about work. I have a record.”
“Great! So, I just need some information from you. You’re calling from where, sir?”
“Kentucky. Richmond’s where I’m closest to for big cities-”
“Good, good. Just needing to know which office to transfer you to, you’re good to hold?”
James checked his battery. This new thing was a tank.
“Yeah. Can you not play music though?”
“I’m afraid that’s automated, sir. I’ve heard worse holding music myself, though. Good luck with the position!”
“Thanks. You t...fuck.”
James flicked the phone to speaker and let it sing jazz in the passenger seat where his suit jacket lay crumpled. Even the birds were quiet, like an audience of kids for a transistor radio ball game.
At least you got invited.
And at least he got to see Tim’s parents, who actually gave a shit that he was still sober and had bothered to come out.
“Hello?” a man asked from James’s phone.
“Oh, hi,” James answered, seizing the phone and switching it off of speaker. “This is the Richmond office for New Pathways?”
“It certainly is! I am the HR coordinator here. You’re interested in working for us?”
“Yes. I could use that, yessir.”
“Well - you’re in luck. We call ourselves research, but really, that does us a disservice. We got federal funding, we got pay for you, obviously, and we’re even helping out this beautiful country.”
“Amazing! So - what needs to happen on my end?”
“We would just have to meet up in person to go over a few things. Confirm your record - maybe a first for you - and make sure you are up to the task as a participant.”
“I’m up to anything. I need the work, obviously, but I’m also glad if other people can be helped.”
“So are we...so are we. And we will. How is tomorrow, the Monday then, for you, uh…”
“James. James Alexander.”
“Alright, Mr. Alexander. You name a time, and we’re over at 584 McArthur Road here in town.”
“I can do noon.”
“Beautiful. You have yourself a good night then, Mr. Alexander.”
“Night.”
The sunset was warm as James slumped in his seat to smile at it.
/
New Pathways’ office building loomed like a new law firm; the glasswork must have used up a small beach. James braced himself and walked through into its drafty lobby, where a young man in the middle of the lobby glanced up from his typing to ask James:
“How can I help you today, sir?”
“I’m here for a noon appointment with New Pathways, with your HR person.”
The secretary kept typing at half-speed with one hand and pushed a separate button with the other.
“I’ve let Mr. Wilson know you’re here. Would you care to take a seat, and grab yourself a water or a coffee if you’d care to? He’ll be down right away.”
“Yeah, sure, sounds good.”
The seating area was an island of clutter off to the side of the bare foyer. Its resident coffee pot was burned to a crisp, and the seating was sparse. Still, James helped himself to coffee and picked up an old Psychology Today to read in a patterned armchair.
“Psychopaths Among Us! The New Norm?” read its title on top of a photograph of a pretty woman holding a mask of her face. James cracked a smile. Happily, as the title story soon told him, there was no literal danger of increasing psychopathy among humanity. The more pressing challenge was children raised right acting wrong and not understanding what they’d done wrong quite well enough. The article’s last segment had a picture of a priest, sans mask, talking about the importance of community - though quickly clarifying that this did not need to come from a church. His unpictured fellow, a school principal, expressed the same sentiment.
“Mr. Alexander?”
James dropped the magazine to meet the HR person, who seemed younger than James even, and had an honest-looking face.
“Yes…” James stood for a handshake, “You’re Mr. Wilson, the HR guy?”
Wilson smiled.
“Something like that. It’s good to see someone reading those things. Are you a psychology buff?”
“I took some in college. I like how they can present it so simply, you know? It’s different from reading however many news articles on my phone that have different conclusions…”
“I hear ya...are you good with some stairs?”
“Lead the way.”
The second floor was denser, save for a couple expansive board rooms. Wilson led him to a modest office at the very end of the hall.
“Have a seat wherever you’d like!” Wilson said with a flourish, giving the option of two whole chairs. James sat down in the straight-backed one while his interviewer settled in behind his desk.
“So…” Wilson began with a smile, “I am so excited to have you with us. I’m sure you’ve got plenty of questions, but I felt like a brief introduction to what we do could be helpful to start - I’m guessing you saw the billboard?” James nodded.
“That’s quite an approach to branding. How many other desperate bastards have ended up in here?” That won him a laugh.
“We have had a few. Though - and this may sound like a lot at once - you seem more promising than most. That’s not me being intuitive or flattering you, full disclosure. We work with the criminal justice system and have read the basics of your case, as well as the kind of man you’ve been since.”
James bristled. “Well I’m glad at least you think I’m promising, based on that. No other employer has cared enough to see the change. ‘Recovered felon’ is really only a badge of honour in movies.”
“I know. Whereas for us, it’s a big deal.” Wilson clicked his pen and scribbled a note on a clipboard. “Have you ever heard of H-A-T-T?”
“That’s not a familiar acronym. Is that a therapy? A procedure?”
“Yes and yes. I’d be concerned if you knew it, so you’re likely not a liar. In short - it is about transference of feelings with a clear goal in mind.” It was James’s turn to laugh.
“You can do that? Chemically? That seems neurologically impossible and/or dangerous for both parties…”
“Don’t forget how we actually used to put people on antidepressants, James. The limits of what works and does not work are always changing...”
“Well, fuck me. That does sound useful. Outside of how it could be abused. Seems like a short walk to dystopia from a world in which that’s possible.”
“You’re not wrong.”
James eyed an old-school portrait above and behind his interviewer. There was a likeness there, though the painted figure had a chest full of war medals.
“Is that guy a relative?” James asked. Wilson smiled.
“He was my father.”
“I’m sorry...when did he pass?”
“Two years ago.” Wilson turned, pen in hand, and pointed at his Dad’s likeness.
“He’s maybe even worth discussing here. This is what I mean. People I’ve interviewed thus far wouldn’t even have asked that. How do you suppose someone who wears all those medals ends up dead in his 50’s? It’s not a trick question.” And still, there was no good answer to it.
“Is it stereotyping to assume he killed himself?”
“Yes...but as usual, you’re not wrong. He had a mini-Rwanda type situation back in Yemen, where there was ethnic cleansing happening and the UN were cowards.”
“Shit.” “Indeed. And he didn’t write a memoir or end up telling middle schools about it, he just ate a gun one day. Unnecessary guilt. Doesn’t much matter to the brain if it’s unwarranted, right?”
“Right.” The coffee was scalding. James set it down.
“And that’s kind of where this all started for me. I was so goddamn pissed that someone like him would die when other people can’t feel appropriately guilty for anything. Not that you’re one of those, so far as I can see.” Wilson stood up and went over to the window, overlooking an empty park and streets full of traffic. “And I figured, what if people were to feel what they were supposed to feel? What could that look like?”
“You have my interest peaked, at least.”
“And as it turned out - I’ve worked in ‘agencies’ for years - I wasn’t the only one with that idea. Scientists have been working on feelings transference for a while, and the possibilities are endless. They’ve gotten people who languished in therapy for years to feel less guilty about stuff that paralyzed them for years...” James grabbed a stress ball of the desk, and used it as prescribed for once.
“So this is early stages stuff then? I haven’t read one news article even about any of this.” Wilson turned around and came back to his seat.
“Those are the good results I mentioned. The others...complications are likely, if not inevitable. Just like how a kidney transplant can be worse than none, so, too, can poor matching be awful - for both parties.” The notepad went untouched. Wilson was zoned in like a goalie at match end.
“And, really, that’s where we get to your case. We can keep making efforts at better matches with our procedures, and we will. But there is a population of society with less to lose and more to gain on this stuff.”
“Talk about an ex-prisoner’s dilemma…”
“Only your outcomes here are better than the original prisoner’s dilemma, I swear. What if I told you you could make a guilty piece of shit feel guilty for what he did? Reform him, preclude him from recidivism and thus from modeling criminality to his kids and the whole bit? That’s within reach, James. That is precisely what we are researching.”
“Goddamn…”
“The downside, and there is a real one, is that you would have to feel terrible things. Experience terrible things. And that shame and guilt or whatever is appropriate for the offender would be siphoned out of you into them, if you were a match.” James’s stomach dropped and he scratched at his armrest.
“‘...experience’?”
“Through VR. Very good VR. It makes use of brain matter from the original offender, while the transferee wouldn’t get the VR - they’d receive the physiological results of your experience via intraneural transfusion. And to you, your crimes would be 100% real until the whole process was complete. There would be no sense of self or even free will, per se - just you doing awful things. You’d feel similarly to how you felt when you killed your friend three years ago, to a much greater degree. That’s how we would be using H-A-T-T in this instance.”
“Fucking hell. I haven’t been through enough already to pass it on to someone else?”
Wilson sighed.
“If only. There’s a critical difference between contrition which obviously transformed you to be better and the kind of precursors to contrition that another person would require. And with getting you to experience new things too, there would be no limit on how much we could incentivize someone else.”
“That’s fucked up.” Wilson laughed.
“And isn’t the status quo? Isn’t broken people going back to broken families and expanding them while blaming the system? Isn’t 15-year-olds in the suburbs acting like how only terribly traumatized youth used to?”
James leaned forward unwillingly from the growing sense of weight.
“I don’t know if that’s a burden I’d want to bear…”
“We have no evidence that you would need to bear it past the procedure, though. We have more research into healing than re-incentivizing people, for obvious reasons. And, also, I lied.” James shot up out of his seat -
“Wait, WHAT? What…”
“On that first billboard you must have seen. There is a pardon at stake here. Not a chance, not conditional, but the real deal. You, free, with the potential to be a social worker or psychologist or whatever you want. Just think of that.”
James slumped down and eyed his coffee, awash with ripples from his near-outburst.
“Who’s the worst person I would have to be? Don’t tell me I have to be a serial killer.”
“You do have to be a serial killer, yeah. The alternative would be getting you to commit a bunch of more minor crimes which wouldn’t hurt you in the same way. We couldn’t map those to objectively awful actions the same as we can with famous murder cases - any robber could have secret good motives, after all.”
James tried his coffee again. It seemed stronger and more bitter, somehow. The mug at least made pleasant chiming noises as he drummed on it with his fingers.
“So there’s no way I will remember being Ted Bundy or whoever. I’ll just be Ted Bundy, then end scene, and I am me again, and Joe Pseudo-Psychopath is now Joe Repentant?”
“That’s close to it, yeah.” James looked at Wilson Sr. for a while. He still looked happy in his portrait, noble and American.
“I can do it with conditions. If I’m going to be on anything other than general anesthetic, I need to be confined for a few days afterwards. I break out in track-marks from any drug.”
“Absolutely. We have safe housing and medical as well as security staff.”
“And I want updates on whichever poor bastard ends up feeling what I felt, even if I don’t get his name or anything. I do not just want to be a lab rat.”
“Of course.”
Wilson’s right hand clasped his left. He didn’t blink very often for someone who thought so fast.
“And I guess naturally this is an ‘I talk I die’ kind of thing?”
“Not quite, though you would end up back in prison with no one to believe you. We have you on that one breach that no one else knows about, and would not hesitate to share it with your parole officer.”
“...Where can I sign?”
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cmst138 · 5 years
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The Women Running for President Have Made Life Harder for Women
Senator Kamala Harris co-sponsored legislation that has been widely criticized by sex workers and their advocates. Al Drago/Getty Images
This week Senator Kamala Harris became the latest Democrat to officially announce her candidacy for president, following Senators Elizabeth Warren and Kirsten Gillibrand, as well as Representative Tulsi Gabbard. This is already a record-breaking number of women running for the highest office in the U.S., and with a year-and-a-half before the Democratic nominee is decided, that number will surely go up.
Curious about whether the women who’ve announced so far consider themselves feminists, I reached out to their camps. Elizabeth Warren’s press secretary said, unequivocally, yes, and sent me a video of Warren answering that same question. “You bet,” the Senator says. “I call myself a feminist every chance I get.”
While the other campaigns didn’t respond to my question, it seems safe to assume that the candidates would call themselves feminists as well. Kirsten Gillibrand recently tweeted that the future isn’t just female, but intersectional. Kamala Harris and Tulsi Gabbard have also expressed their support for feminist movements, including #MeToo. Besides, any Democratic women who reject the feminist label would kill her campaign before it even started. This may be why it’s especially galling that all four candidates signed a piece of legislation that is making life harder and more dangerous for some of society’s most vulnerable women.
Last spring, Congress passed and Trump signed a bipartisan piece of legislation known as SESTA/FOSTA, which was widely advertised by its proponents as a way to fight human trafficking. What the legislation, which was co-sponsored by Sens. Harris and Gillibrand, actually did was amend the Communications Decency Act, which, until last year, prohibited websites from being held liable for content posted by the site’s users. This meant, for example, that if someone was selling poached ivory in the comments section on Slog, The Stranger wouldn’t be held criminally liable for it.
SESTA/FOSTA changed this, and last year, prominent sex-work marketplaces either shut down voluntarily, like Craigslist’s Casual Encounters section, or, like Backpage, were seized and shut down by the Feds. This is exactly what Harris intended.
“Victims of sex trafficking should be protected and have the ability to seek justice,” she said in a statement after SESTA passed in the Senate. “That’s why, from my earliest days as a prosecutor, I’ve led the fight against Backpage and other sex trafficking platforms.”
The bills were controversial in the tech world, where they were seen by many advocates as a threat to the free and open internet. But some big tech companies signed on. According to a report by the New York Times, Facebook—trying to curry favor with SESTA co-sponsor Sen. John Thune, a Republican who’d accused the company of suppressing conservative news on its platform—broke ranks from other tech companies and supported the legislation.
There was one group, however, that has roundly condemned SESTA/FOSTA, and that’s the group most impacted by it: sex workers.
* * *
Sophie has three degrees and a white-collar job. She’s also a sex worker, and while she doesn’t work on the streets, as a teenager, she did live on them.
“I spent 15 to 17 homeless,” she told me. “It can be a crushing mentality. You feel hopeless. You feel like no one cares about you.”
For the past two-and-half-years, she’s been doing outreach work to homeless people and sex workers in Seattle, going to high-traffic areas and handing out condoms, Narcan, food, clothing. She does this on her own, without the support of any kind of group or nonprofit organization. When I asked her why she called the question “inane.” To her, the answer is obvious: People need help; she’s giving it.
“The system isn't in place to help you. It's in place to keep you where you are,” she says. “People who are homeless will get a littering ticket from the police. They don't have an address. The ticket goes somewhere, they don't know where, then there's a court date that they don't know about, and they don't have any money to pay the ticket anyway, and then there's a bench warrant, and then they get arrested. It's this cycle and it’s insane.”
Most of the people Sophie works with are sex workers, and with Backpage and other sites shut down, the number of sex workers on the streets has spiked. This puts them at risk. Instead of screening and vetting clients in advance—and instead of having a network to blacklist bad clients—they’re meeting them blind. And the extra competition isn’t exactly welcomed.
“Of course the girls who were on the street before are not like, 'Oh, more friends to come work on my corner,’” Sophie says. “They're like, 'Bitch, I'm gonna cut you. Get off my corner.' It's a very difficult situation. A lot of people are really struggling.”
Working on the streets can be particularly dangerous for trans sex workers. “If you're a trans sex worker and you advertise online, people who contact you know what they’re getting,” Sophie says. “But if you are on the street and you get in the car with somebody, that person may be like, 'You have a dick? Now I need to beat the shit out of you because my manhood is threatened.'"
* * *
Maggie McNeill, a sex worker, writer, and public speaker, has been doing sex work off and on since the mid-’80s. She was there before the rise of the internet, through the rise online advertising, to now, post-SESTA, as inexpensive online advertising largely disappeared.
McNeill’s first jobs in the industry were working with escort services, which arranged her dates and took a 30 percent cut for themselves. This didn’t always work out. “When I started working, the person who ran the service was abusive,” she told me. McNeill started an agency of her own, but “If there were no good agencies in town," she says, "a girl was stuck either working for a bad one or putting an ad in the back of the local alt-weekly.”
Many alt-weeklies were often financially supported by sex workers advertising their services in their back pages. But the internet changed that. First came Craigslist, which offered free classified ads, and, by 2000, was expanding into cities across the U.S. Then, in 2004, the owners of New Times Inc., a conglomerate of alt-weeklies, started Backpage. The site soon grew larger than the papers themselves, and it allowed sex workers to go independent. Instead of relying on an agency, or on pimps, they could put up an ad for free or a small fee and set up their own businesses. When the websites disappeared, these sex workers, McNeill says, were “up shit creek.”
“All of a sudden, all the advertising sites that were free or low cost went down,” she says. “A lot of girls were stuck. It's darkly humorous, because as soon as this happens you start seeing news articles about how there's been an explosion of prostitutes on the street. It's like, yeah, because you kicked them off their ad platforms. Their rent doesn't go away because you decided to score political points.”
One former sex worker, Lauren, told me that after 12 years doing erotic massage, SESTA essentially shut her business down. When Backpage shuttered, she lost all of her clients, and, soon after, her office space and her apartment. At the age of 53, she moved back in with her parents. She’s now delivering food, applying for jobs, and considering going back to school to get a certificate as a medical technician. It’s not how she imagined life in her 50s, but with parents to fall back on, she knows she’s one of the lucky ones.
It’s hardly unusual for feminists and anti-trafficking advocates to oppose sex work and sex workers. For decades, some feminists have claimed sex work is inherently exploitative and that sex workers are inherently victims. This includes famed feminists like Catherine MacKinnon and Andrea Dworkin, who campaigned against pornography and prostitution. This led to a strange alliance in the 1980s when feminists joined forces with conservative anti-porn crusaders like Edwin Meese, who served as Attorney General under Ronald Reagan.
In 1985, Meese commissioned a report on the dangers of porn. To come to its conclusion, the 11-member Meese Commission “watched dozens of pornographic videos, perused hundreds of magazines, listened to recorded dial-a-porn conversations and took field trips to sex shops,” writes Sean Braswell in OZY. “They also heard around 300 hours of testimony from more than 200 witnesses, everyone from FBI agents to former prostitutes to victims of sexual abuse.”
The commission—which included religious leaders as well as constitutional scholars, psychiatrists, and media executives—found that porn was a danger to society, and the feds went about cracking down on businesses that sold it. Penthouse, Playboy, and other nudie mags were taken off shelves all across the U.S., a move some feminists and family values conservatives celebrated—just as, three decades later, these same interest groups celebrated the passage of SESTA and FOSTA.
But many people who work in the sex industry disagree with the idea that they are all victims. “That's a very misogynistic, paternalistic viewpoint,” McNeill says.
Sophie agrees. “I'm 36-years-old and I have 3 college degrees,” she says. “If you are going to tell me I don't have agency and I'm not smart enough to make my own decisions, you are being ridiculous.”
While there are women who do sex work because they have no other choice, McNeill and Sophie say they do it because they enjoy it. They make their own hours, choose who they want to see, and they feel like they provide a valuable service. Sophie started to cry when telling me about a client she’d seen the night before who has cancer.
“We just sat there and talked,” she said. “He was so reassured. It was really meaningful. You don't hear about that kind of work we do in the press. All you hear about is the tawdry, prurient b.s.”
There are, to be sure, women and girls who are trafficked into sex work, but it’s difficult to know precisely how many because so much sex work is covert. It’s somewhat easier in New Zealand, where sex work been decriminalized since 2003, and a 2005 survey found that only 3 percent of sex workers were underage.
For those who are trafficked, there is no evidence that shuttering online advertising avenues saves victims. In fact, many sex work advocates argue that if anything, shuttering these sites just make trafficking harder to uncover: Backpage and other sites worked with law enforcement when they suspected an advertiser was trafficking or using underage girls. Without the ads, the avenue to find actual victims disappears too.
The consensus that SESTA and FOSTA did little good and a lot of bad is near universal among sex workers. And yet, sex-proclaimed feminists continue to push this narrative, including Senators Warren, Harris, Gillibrand, and Representative Gabbard. None immediately responded to my request for comment on SESTA and FOSTA, but perhaps if they actually talked to some sex workers, they’d get a sense of what their legislation has accomplished.
When I asked Lauren, the former sex worker who was forced to move in with her parents after Backpage closed, how she feels about these women in office, she said, “I've got very mixed feelings. I admire and like those women but wish I could get in front of them and make them understand exactly what they did and how it helped absolutely no one. They just passed the law and moved on with their lives. Other people have to deal with the repercussions.”
from The Stranger: Slog http://bit.ly/2Tf9QP4
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Circumcision Drives Men into the Arms of Predatory Women
            As Stardusk and Bar Bar have made clear, men are primarily motivated by their sexual desires. The desire for sex felt by a man is nature’s way of pushing men to keep reproducing and to ignore the men whose lives have been ruined by this same decision—to marry and to have children, only to be divorce-raped by a predatory woman who oh-so-believably told them they they were not like that, oh no, no way. With the state enabling this sort of behavior, MGTOW exists in its current form as a growing number of men, many of whom do not even know the term MGTOW, stepping back from women and from marriage.
               Today, I would like to discuss a modification to the male body, one that some may describe as minor and merely inconvenient, but which highlights male disposability, gynocentrism, and the state of men as chattle (an early Straughan essay on the male empathy gap). I intend to discuss how the procedure in question changes male sexuality, so that men are driven even more strongly by their attractions to women.
               This modification that I have in mind is called circumcision in cutting cultures, although a more accurate description is male genital mutilation. Circum is the Latin word for “around,” and cision indicates that we’re talking about cutting something. But what is it that we’re cutting around?
               What most cut men take it to mean is that someone has cut around his penis, removing excess useless skin to make his penis a sleek, well-honed instrument of Stacey-boning. Of course, this just begs the question, “is the ‘skin’ that is removed not also a part of the penis?” Follow this link to find a complete list of the functions of the foreskin, including sexual sensitivity. Removing the foreskin removes or reduces all 16 functions. I’ll particularly highlight the statement on sexual pleasure.
“Denniston reported that some circumcised men would not have the operation again because of loss of sexual pleasure.[61] Kim & Pang (2006) reported that 48 percent of Korean men in a survey experienced loss of mastubatory pleasure after circumcision as compared with 8 percent that experienced increased pleasure and 8 percent reported improved sexual life, but 20 percent reported worsened sexual life.[66] Solinis & Yiannaki reported that 16 percent of the men in their study reported a better sex life after circumcision but 35 percent reported a worsened sex life.[69]”
Dictionary.com defines mutilate as “to injure, disfigure, or make imperfect by removing or irreparably damaging parts.” If parts of the penis are killed by being removed, and the remaining tissue loses many functions, including sexual sensitivity, the circumcision is clearly a misnomer, and male genital mutilation (MGM) is a far more fitting name for our procedure.
Now that I’ve established what I’ll call it, let’s move on to how circumcision affects men. From CIRP (linked before),
“The alteration to the sexual organ causes many circumcised males to change their sexual behavior. Foley reported that circumcised males are more likely to masturbate.[10] Hooykaas et al. (1991) reported that immigrant (mostly circumcised) males have a greater tendency to engage in risky sexual behavior with prostitutes as compared with Dutch (mostly normal intact) males.[23] The U. S. National Health and Social Life Survey found that circumcised males have a "more elaborated" set of sexual practices, including more masturbation, and more heterosexual oral sex.[30] The British National Survey of Sexual Attitudes and Lifestyles (2000) reported that circumcised males were more likely to report having a homosexual partner and more likely to have partners from abroad as compared with normal intact males.[56] Circumcised men are significantly less likely to use condoms.[38] 50 Many men in the Solinis and Yiannaki study reported decreased sex life after circumcision.[69]”
So we can say that MGM reduces men’s sexual responsiveness. The roll-over of the foreskin is intensely erotic, and without the normal, exquisite responses of the Meisner’s corpuscles in the foreskin, men turn to other means of arousal, such as a variety of sexual partners, a variety of sex acts, or just foregoing condoms so that men at least feel something. [As an aside, note that men who do not wear condoms are at the mercy of any willing Stacey who claims she’s on the pill. Seeking sexual variety without condom use is one of the surest ways to eventually meet and be victimized by predatory women looking for child support. Be careful out there, gentlemen.]
               For any circumcised men, an important question that eventually one attempts to answer is, “Why? Why did this happen?” And here you encounter a dilemma—there appears to be a multitude of explanations. But, as Mykeru has pointed out (I strongly recommend this video, btw), most of these reasons fall apart on close inspection. The health benefits are suspect, given the history of the medical arguments involved—male sexuality and masturbation (as well as female) has historically been viewed as unhealthy behavior that would lead to literal sickness. One quote among many from the historical medical literature reads,
"It [self abuse] lays the foundation for consumption, paralysis and heart disease. It weakens the memory, makes a boy careless, negligent and listless. It even makes many lose their minds; others, when grown, commit suicide.... Don't think it does no harm to your boy because he does not suffer now, for the effects of this vice come on so slowly that the victim is often very near death before you realize that he has done himself harm. It is worthy of note that many eminent physicians now advocate the custom of circumcision..."
So the medical community started doing genital cutting because ostensibly they thought that masturbation would literally make boys and girls sick. Once they had begun the procedure, the medical community simply changed their explanations so that they could keep going with the money-making machine that was child genital cutting. But they have had to change their explanations so many times that the justifications are only barely, most-tentatively supported by any evidence, as the need for new explanations has actually outpaced the production of supportive research, all of which has been biased in a myriad of ways (see another of Brian Earp’s articles for some examples thereof).
So what other explanations are given? There are many, all just as easily dismantled, but when you drill down into it far enough, the only one that stands up to any scrutiny is that women in the US like penises that have been surgically altered. In my personal life, I’ve even heard girls say that they would definitely cut their boys so that their daughters-in-law wouldn’t hate them. This is what I’m talking about, gentlemen. For all that you hear about men’s sense of entitlement, there are groups of women in the world who feel entitled to a not just being surgically altered after they have met for her pleasure, but preemptively, decades before they’ve met, and usually as soon as they (the men) have been born. And society goes along with it, allowing parents to pay large sums of money for this procedure that kills hundreds of boys each year. And for all you European men who think you’re safe, I’ll point out to you that it was literally a luck-of-the-draw that you escaped with intact genitals, as there isn’t a country on Earth that has banned this violation of male autonomy.
   Further reading, for anyone interested (and some sources for the links above)
https://www.huffingtonpost.com/brian-earp/does-circumcision-reduce-_b_9743242.html
 http://www.cirp.org/pages/whycirc.html
 https://www.youtube.com/watch?v=CEfzMLGRi84
 https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4364150/ 
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thisisbookland · 7 years
Text
Thoughts on the movie “It” 2017
DISCLAMER: This post will contain spoilers for the movie and probably the book too so if you don’t want to see them I wouldn’t suggest reading this post.
Just for anyone who is thinking of seeing the movie: If you hate jumpscares, if you hate cursing, if you hate clowns, maybe you should look somewhere else. (Also there may or may not be flashing lights so for anyone who does have a serious issue with that please be careful)
So last night I went and saw It with my friend and let me tell you, I jumped out of my seat more than once. Bill Skarsgard (who plays Pennywise) is a very scary Pennywise. I was unsure if he would be as scary as he claimed he was (I know him previously from Hemlock Grove on Netflix) but seeing that movie, I slept with my light on all night and I’m not lying. 
The acting was amazing, the I loved “Trashmouth” Richie much more than I do in the books (Might be a little biased because I did love Stranger Things but...) Richie and Eddie honestly had some of the best lines in the movie (comedy wise) the kid who played Bill did a great job, and oh my god the kid that played Georgie absolutely broke my heart the minute I saw his face. 
That being said I do have a few complaints. 
For some reason they completely scratched Mike’s storyline, which really pissed me off. They gave the history stuff to Ben, which was Mike’s thing (though more when he’s an adult than as a kid, but still) and they made up some bullshit about his parents being killed in a fire and he lives with his grandparents and for some reason works on a farm where they kill sheep. (Which broke my heart, btw, its a tie between the sheep and Georgie for what made me cry more) 
There was just no real reason for WHY they would change that, which is why I was so confused? There were other things they changed - Bev’s mom wasn’t even there, and her father sexually abused her (it was only heavily implied but... in the book I thought he had physically abused her but not sexually?), they also had them not be able to find Georgies bodie so Bill sets out on a mission to actually find his brother’s body (which his father yells at him for and screams that Georgie is dead even tho the Denborough’s didn’t even talk to Bill after Georgie died), they made all the kids two years older (the Loser crew was 13 ish, the bullies were about 15/16) and they did introduce people differently which kinda irked me but it wasn’t that bad. 
What really pissed me off was about how they completely took Mike’s whole character away. Like, it was Ben who told everyone about previous incidents that happedn 27 years apart and stuff, Mike was literally just there to show up with the stun gun thing they use on sheep, and he pushes Henry into the well. (Btw, they killed Henry too but there’s no mention of Belch and Victor who I think die too in the books right?). It was like he was just added for brownie points. Like “Oh we have this Black character in the movie, see we’re good!” And although obviously it wasn’t like that because Mike is a real character in the books, that’s how it felt. And I feel like he and the actor who played him deserved better. 
Like I said before they changed the ages though which I felt was a good thing. They also changed the year it happened, from 1958 to 1989. I think they did these for a couple reasons: 1, because it doesn’t make much sense for a 13 year old Henry Bowers to completely try to kill these children, so a 15/16 year old it would be more believable that he would I guess? But it would also be more believable for when they pinned the murders on him, however he’s dead so I’m still confused but... oh well. But also because the loser crew makes a little more sense. Like these kids, boy, they must have had such a fun time being told they’re allowed to say fuck, because they dropped that word a lot. And not only that, but Richie made a million sex jokes from one in the beginning about “tickling” his “pickle” to “Can only virgins see this? Is that why I can’t see any of this?” And that kid Finn (?) Certainly knows how to play a jock character, but also geez I hope those glasses didn’t hurt that kid’s head when he wore them because those were some thick ass glasses. Also the sort of side romance going on between Bill Bev and Ben (btw, I hated that subplot in the movie and the books) makes more sense. I don’t know, maybe things were different in the 50s but it didn’t seem believable to me for 11 year olds to be fantasizing about women’s bodies. 13 year olds, I can see that. I mean would I prefer there be no romance subplot between children? Yeah, but people suck so of course they still had to do it. (I was there to piss my pants from being scared not to see some awkward dumb romance subplot between children, but whatever I guess.) 
I also think they changed the years that it happened not because it would line up perfectly for 2016 to be the 27 years later thing (and therefor, the clown problem we had last year) but because the 50s were incredibly racist. Not that now is not racist but I think there was a bit of a difference. I could be wrong. But either way as long as I didn’t have to see Richie’s racist voice I was fine with it. I loved him in the movie much more than the book. 
I think though that much of the movie would be confusing if you had not read the book. Because there was no explaining, well, anything. There was no movie trip with Richie Ben and Bev and if I remember correctly there was a part at the end where Pennywise looked like a mummy. There was no dam moment so we didn’t see Ben show off that he’s good at architect (?), though when he’s introduced he’s holding what appears to be a little cardboard house thing he made but still. And at some point Pennywise says “Beep beep Richie!” and that doesn’t make sense either because literally NOBODY else says “beep beep” to Richie at any point in the movie other than that one part. So I’m curious to see if maybe they might be saving some of those things and might put them in flashbacks in the next movie with the adults, or if they’re gonna just scrap them like they scrapped Mike Hanlon’s entire character. (Which makes me sad because I think he was like the only one who had a good relationship with his parents like!! Sheesh what the fuck why do you have to go kill them off) 
Thank god though they didn’t do whatever sex scene or orgy scene or whatever is apparently going to happen in the book with Bev because I’m not looking forward to reading that scene at all. 
I’d rate the movie a 8/10, they lost two points for what they did to Mike’s character. It’s not a movie adaption that I’d say like “Don’t see it it’s so terrible!” But it’s not that unbelievably amazing. It’s just okay, depends on what you’re looking for. 
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canaryatlaw · 7 years
Text
Today was okay-ish. Not great really. I'm still just in a weird space, mentally. Still can't get my mind to stop racing. I did call my psychiatrist today but he wasn't in that office today, but they took a message and said they'd have him call me, and asked if I needed to be today, so I said I mean it's okay if it's tomorrow but today would be preferable. I didn't get a call back today. Sigh. And it's just that much more difficult now that I'm working 9-5 because when am I supposed to do things like call my psychiatrist or anyone else that is only open 9-5? When am I supposed to go to the doctor ffs? I have one appointment scheduled for late June at 8 am. I'm sure that's gonna go over well with my brain. Sigh. Now I'm getting worked up over this which is the last thing I wanted to do. I think I'm gonna go up to 4 mg of Xanax a day though. It's still within the threshold he said I could try to figure out. I just want to talk to him about it because this guy knows my brain better than probably even me and when something that used to work is no longer working it's not a good sign. I should move on now though. Alarm went off at 7 and I successfully convinced myself to get out of bed by 7:01. Got ready, poured my cocoa krispies and then looked at my milk and it had apparently curdled when the refrigerator does was stuck open for some reason when I got home yesterday. Great. At least I figured it out before I poured it onto my cereal. So I hurried around grabbing some oatmeal (one of the disposable cups) and some cinnamon toast eggos. Made the bus so that's good. I got to the office and went to go see my supervisor but she wasn't in her office, so I just went back to mine and started working on the stuff she gave me yesterday. Not that long after she showed up at my office and said she was gonna be taking a personal half day but would make sure I had enough work, and that she'd probably be going down to court at 10:30 if I wanted to join her so I said sure. Kept working until then, then went down to court and absolutely nothing interesting happened when I was hit by another one of my wow you're going to close your eyes every 3 seconds now and be incapable of keeping them open spells that I've been getting lately when I'm sitting still and focusing on one thing, and at some point after that started my supervisor came over and said it looked like all the cases were just getting dates so it wasn't gonna be interesting if I wanted to go back upstairs. I'm not sure if she saw that I was visibly falling asleep or not, lol, but I took the out. It was a little past 11 at this point and I think then was when I called my psychiatrist. Then I didn't really have any work to do so I closed my door and set my alarm for noon and took a nap. I woke up at like 11:45 so I was probably only "out" for like 30 minutes, which I figured I'll just work through my lunch to make up for so it'll be fine. I mean, power naps are a thing right? And as long as I get the work done it's not like anyone cares, so....not a big deal lol. So I then opened my office door and started conversing with the two ladies who have the offices across and next to mine. The offices are kind of set up mostly in these 3 pod systems, and this is the first time I'm actually in a full 3 pod, since first semester the office next to mine was empty and last semester I was just kind of off in a corner. So we talked as we worked and that was cool. One of the ladies gave me some DCP packets to do, which they seem to think is like the worst thing ever and kept apologizing for giving me such a boring assignment and I'm like.....dude, I spent an entire semester doing this basically. This is child's play lol bring on the packets I can do them all. So I did all 4 then reported back to her and expressed my concern about the investigation into the last one that was somewhat lacking (whenever an allegation gets unfounded on the grounds that "it's the kids word versus the foster parents word so I'm gonna believe the foster parent" the kill bill sirens start going off in my head). So that was good. She then asked if I wanted to do some trial prep for a TPR, so I spent the rest of the afternoon sorting through a rather large file to write up a timeline of services that mom and dads 1&2 did or did not do (no polygamy, just two different dads for two kids). It wasn't terribly thrilling but it was fine. I left right around 5 to catch the 5:13 train, which I'm gonna have to start leaving a little bit earlier for because the last two times it's been a few minutes early and I've barely made it (it's typical for me to get in anywhere between 8:50 and 9, so I figure 5 minutes here or there evens itself out). Trip home was fine, quickly threw some dinner together and tuned into the flash, most of my excitement stemming from knowing that watching this week's episode meant getting to next week's episode when my bby Len is coming back haha so more of a means to an end than anything else, but I actually really liked the episode! I definitely like, snorted when they showed that in wiping Barry's memories they screwed over Savitar too and now killer frost was like welp, gotta help them fix it lol. The scene with her and Cisco though, like stop it broke my heart so much <\3 like JUST LET CAITLIN BE HAPPY DAMMIT IT ISNT THAT HARD UGHHHH so that made me sad. The main part with Barry was pretty comical, him and Iris were adorable together even with the inevitable this isn't their reality looming over their heads. And they managed to get the probable cause hearing fairly by the book, so I didn't get too pissy over that (I mean, there's no way that would be the only possible way to keep the guy in custody and he would HAVE to be released otherwise, so that part was totally unrealistic, but I realize that was just a necessary plot point). But overall I really liked the episode and then of course the first shot of the preview had me flipping a shit immediately because LEN IS STANDING IN FRONT OF THE WAVERIDER and we already know he was wearing oculus clothing in other shots on the sizzle reel and ugh.......I really don't want to get my hopes up but I can't help it, they're already sky high. I really wouldn't be surprised if it's another fake out, though I would probably be the angriest I've been with them at this point. I guess we'll see where that goes. It took me about 6 minutes to remember that prison break comes on right after the flash (and by remember I mean going to the my shows list to watch B99 and see oh shit it's recording) but I caught up to live pretty quickly. I felt pretty distracted during this week's episode, probably just due to weird mental head space again. But I'm glad they're making progress and then they were like 3 episodes left!!! and I was like what????????? This is way too short lol. But I'm very much looking forward to that teased Michael/Sara reunion for next week because I know it's gonna be epic. Lol, at the end of the episode they're like "Michaels dying!" and I was like lol, when is Michael Scofield not dying? Also, at this point I'm just convinced Michael doesn't know how to give up on anything so he just keeps trying crazier and crazier ideas until one of them inevitably and inexplicably works. But I am enjoying that. So after that, I did watch Brooklyn 99. I may be totally wrong on this, but I could've sworn B99 used to be a half hour show??? I'm probably just wrong but I definitely thought that. This episode at least seemed very distinctly split into two parts, both of which were pretty great. The Rochester partying was hilarious of course as was them recreating what happened. Then there was the whole Amy/Jake storyline with her taking the sergeants exam that led to that super sweet scene of him just being like this is your dream and it's been your dream before we started going out, I've always known you were gonna be my boss anyway and it was really adorable (and then he went all die hard and it was really funny). And yeah, that pretty much capped my tv for the night. I got into a Twitter DM convo with one of the DCTV podcast hosts (I'm being intentionally vague here) regarding the appearance of the waverider in the trailer and they weren't happy about it and was just kind of ranting at legends and normally we just have stupid and amusing conversations about our shows so it got kind of awkward for a minute there but we both calmed down and were like okay it's fine people have opinions lol. And plus they have an entire podcast to rant to about their opinions, so the need to do it to me personally isn't really there. We're fine though, I like them and I enjoy talking to them. And that was pretty much my day. Tomorrow is Wednesday and my third day at "work" for summer. Did I mention I'm the only law clerk in the office right now? My name looks so lonely on the sign in sheet, lol. Most people are still in finals, I just finished really early and wanted to make sure I made it back in time for the child death case to be up so here I am. I'm probably the only law clerk in the building at this point 😂 but yeah, as far as I know I'll finally be going iron the field (maybe I should pack a change of clothes? We didn't discuss this) or maybe she's coming to the courthouse but I'll be interviewing a 5 year old girl who was removed from her mother's care about 2 weeks ago after reports of physical abuse and that mom was a heroin addict with visible track marks on her arm, and she was always referring to her daughter as "that little bitch" and like throwing her around, and also they were living in like complete desolation, like there were holes in the floor and no heat (and this is Chicago and even though ITS FUCKING MAY it's still been freezing) and many other such examples and yeah, it wasn't good. The DCP investigator seemed to think the girl appeared as a normal happy, healthy 5 year old so that's encouraging. I guess we'll see how that goes. Okay, time for bed now. Goodnight punks. Stay awesome.
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