Oafish was no longer the world's longest normal girl.

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Still ended up being under the weight limit much to her chagrin

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Could not stop thinking about these two after some really funny convos I had with both Miz and Oafishwoman about Crow and Sundowners dynamic 🤣🤣

For context on the first image that Miz gave me the idea for: Crow's favourite songs contain a LOT of rock songs with intense guitar riffs and she always plays it at full volume, when vising Sundowner in the Badlands, he can hear her from a mile away and know that's her. The final image is also an idea of how Monsoon would react to it if he was at Sundowner's and Crow was about to visit!

The second series of images is based off of a video (https://www.tumblr.com/oafishwoman/745807266893135872?source=share) that Oafishwoman says Crow would mock him playfully by mimicking his walk, I loved this way too much she 100% would 😂😂😂

Sundowner and Crow have a really tight friendship due to their similar humour and outgoing natures, they quickly bond over their love for fighting and getting into scuffles with gangs. She meets Sundowner not long after she ""meets"" Monsoon, having met Sun on a gig relating to dealing with some Scavangers.

Finished marry my husband first drama ive watched end to end in like a year and they did it with a male lead i still think is mid... it Can be done as long as the plot is strong 💪

Oh man just when I thought I've seen it all here I come across a bunch of pro-isreal blogs calling the Irish juddenhassen and characterizing them as "drunk football hooligans cosplaying as Palestinian" ... Talk about having a shallow and deliberately dismissive understanding of a country's history. I can't possibly imagine the history or conflict that makes Palestine relatable to the Irish. Also the 'cosplaying' dig is hilarious because you definitely wouldn't respect them more if they were actually Palestinian!

Mina girl, this is what does it for you???

@dethqveen said: eerie throws him their amputated arm //

Gnaws on while maintaining unblinking eye contact

This is not good

The Book of Oafish Might - Silverthorne Games | DriveThruRPG

i need toji so bad 🥺

we’re all tackling him down in a big sobbing heap rn

More doodles from divine highness au. I imagine it would be neat if Harrow was groomed to be Kiriona's advisor. She can rock the evil vizier aesthetic while trying and failing to babysit this spoiled oafish god-prince

Why Sniper and Spy Despise One Another

The relationship between Sniper and Spy is a well-crafted one. Both are assassins who fulfil the same role and pride themselves on professionalism. It's their definition of "professional" where they diverge.

To Sniper, professionalism is defined by detachment and efficiency. Taking a life is serious business, and so the job is prioritized above everything, including basic hygiene and bathroom breaks. "Snipers don't muck about... we just take the shot."

To Spy, professionalism is defined by dignity and artistry. Taking a life is serious business, and so it must be handled with grace, even when fighting lunatics in the middle of a desert. "Six unstabbed backs... I do love a blank canvas!"

Sniper considers Spy unprofessional and cowardly due to his pompous demeanour and underhanded tactics. To find artistry in murder is psychopathic, to engage in trickery, dishonourable. Spy is an arrogant snake that gives proper assassins like Sniper a bad name. "Ya bloody backstabbing fraud!"

Spy considers Sniper unprofessional and cowardly due to his oafish demeanour and impersonal tactics. To murder without feeling is psychopathic, to attack only from a distance, dishonourable. Sniper is a tactless brute that gives proper assassins like Spy a bad name. "You disgust me, filthy jar man!"

some oafish clumsy fucking bernadoodle squished my pet spotted lantern fly at the dog park again

The Barbie Movie is confused -- and it is confused on purpose, because it can't actually acknowledge the role that capitalism and white supremacy play in the patriarchal system that it wants to give itself credit for acknowledging. And so the film introduces patriarchy as a force with no agent or system behind it.

Ken, an oafish goof is able to find the concept of patriarchy and transmit it to the entirety of his society simply by learning about it and speaking about it to his fellow Kens. There is no use of force, no political organizing (notably, the Kens try to take over the political system after they have already taken hold of the culture), no real persuasion even -- simply by hearing about patriarchy the women in Barbieworld somehow become brainwashed by it.

This means we never have to really see the Kens as genuine antagonists, we can still laugh at their bizarrely crammed-together multiple dance numbers and forgive them when they, like the women, are freed of the patriarchy simply by women speaking about the fact that sexism exists. Both the origins of patriarchy and the solution to it is as simple as an individual person telling their story.

The CEOs that run Mattel in the Real World in the film are similarly cartoonish and devoid of real agency. They're even portrayed as generically interested in the idea of Barbie being inspiring to girls. The movie can't even acknowledge their profit motive, and it can't make any of the men running the company look too powerful or even too morally suspect -- but the film does still want to have Barbie encounter sexism in the real world and grapple with the harm "she" (the consumer product, and not the social forces and human beings that created her) has supposedly done.

In the Barbie Movie, patriarchy is a genie in a bottle, and no one is to blame - except maybe Barbie herself, since the movie spends a significant amount of time discussing how she is responsible for giving women unrealistic beauty standards.

And so Barbie is depicted as both sexism's victim and sexism's fault. She's dropped into a patriarchal world that the film acknowledges has a menacing, condescending quality -- but the film can't even have an underlying working theory of where this danger comes from, and who had the power to create this patriarchy in the first place, because that would require being critical of Mattel and capitalism.

And in the film, ultimately the real world with all its flaws and losses and injustices is still preferable to Barbieworld, because you get to have such depth of feeling and experience and you get a vagina, so how bad could really be? And hey, when you think about it, the Barbieworld is just an inversion of the real world, isn't it? A world with women in power is just reverse sexist, so it was justifiable for the Kens to want to take over, and what does it say that all things being equal Barbie still would prefer to leave behind her matriarchy and join the patriarchal capitalist world? That's the real world. Real world is struggle and sexism and loss and pain and capitalism and death and we must accept all of it but it's worth it..

It's not that I'm surprised the film's a clarion call for personal choice white feminism and consumer capitalism. I just expected the call to be a little more seductive or in any way coherent. I wanted to have frothy fun, and instead I was more horrified by the transparency of its manipulation than I was by even the most unsettling moments in Oppenheimer.