#not all of them are negative difference but like
Note
You posted about adhd and I was hoping to follow up to clarify something. I’ve explained to my partner a million times about how the borderline-hoarding mess of his space is very mentally draining to me, and he understands but we’ve both essentially accepted he won’t clean his mess because he can’t because of his adhd. You’re saying he’s actually being a shit head?
This isn't necessarily an issue of him being a shithead, but it also isn't a sustainable situation. It's not good for you and there's a level of clutter that's probably not good for him either.
Large bastard is a lot more clutter-y than I am. The solution we've come to is trying to keep our messes at least isolated from one another; he can have his messes and I can have mine, but he can have those messes in his spaces, not all over the place. Sometimes those messes migrate, and that's when it's important for him to make the effort to rein them in rather than trying and failing to make a daily effort to keep our entire shared space tidy.
I think when you say "we've both essentially accepted he won't clean his mess" what I'm hearing is resignation; you're not happy about this but you don't know what to do so you've thrown up your hands and he feels helpless and unsure of what to do to improve the situation. This is the kind of "it's fine" that isn't really fine.
I think it would be worthwhile for you to each separately think about the mess and talk about it together. Are there areas that YOU *need* to have not-messy? Both for utility and your mental health? Are there areas where you can tolerate more mess than otherwise? Are there areas that are going to be harder for him to keep the mess out of than others? Are there things he doesn't *know* about cleaning up the mess?
I'm obviously a big "communication communication communication" person so I'm going to recommend a lot of talking about stuff, which is probably going to mean a lot of thinking about and interrogating stuff. I'm going to say "talk to him about why the mess bothers you" which means you also have to really articulate to yourself why the mess bothers you (for instance I'm not actually *bothered* by a messy kitchen, but I know it's going to reflect badly on us - and me specifically b/c of presumed gender roles - if someone pops by and the kitchen is a disaster, AND a messy kitchen is going to be harder to use). Genuinely, sometimes knowing *why* something is a problem might make it easier for someone with ADHD to do something. And it's not that he doesn't care that it upsets you, it's just that "Oh if I don't wash my breakfast dishes Anon won't have clear counterspace to make lunch" might be stickier in his brain (and less hard to look at emotionally) than "this thing I forget to do upsets my partner so I should do it."
For the record, I think that people with ADHD should read up on Demand Avoidance and see if it might explain some of the issues that they have in their day-to-day life; I've seen some really unfortunate situations with friends where trying to do things that their partner needed became the subject of demand avoidance. *I* have experienced negative outcomes of demand avoidance. The solution to that, however, isn't to stop making attempts to do the thing OR to simply try harder to do as they're asked/told (which reinforces the demand), it's to work on setting up a situation where the partners' needs are not interpreted as a demand. This is fuck-off difficult and requires a lot of patience and care and many attempts to succeed and will be different for each person and relationship.
(Also for the record demand avoidance isn't *super* strongly linked to ADHD and it's not a definitive symptom; like Rejection Sensitive Dysphoria, it is something that occurs in some number of people with ADHD and can be a useful lens through which to examine various behaviors; you don't need to have DA or RSD to have ADHD, and having DA or RSD also doesn't invalidate your diagnosis; they're symptoms. For me, DA often feels like "if I don't look at it, it can't get me" - If I ignore all the messages I've got they aren't real and don't have real consequences so I'll just ignore my texts. If I don't look at the vendor email about the order, the problem with the order isn't real and it won't get added to my task list. If I don't look at the requests in my inbox I can't let people down when I don't do them. It's a self-protective coping mechanism but it's *maladaptive* and I can't just ignore the vendor email or all my texts. I need to work on a way of doing the stuff that I'm avoiding in a way that makes it less stressful and doesn't hurt the people relying on me. That takes a lot of effort, personal insight, trial and error, and )
But before I dive into specifics I want to be really really clear about one thing: sometimes people are simply incompatible. Sometimes one person has such a low tolerance for "mess" and the other person has such a high threshold for "mess" that it can't be reconciled. It sucks that this can end up being a thing that people break up over, but it is MUCH better to acknowledge incompatibility as early as possible instead of spending years and years building resentment.
There used to be a great forum called MiL's Anonymous that I spent a lot of time on. It had a lot of people in a lot of difficult situations struggling to get by and hold their relationships together. The question that was used as a litmus test to approach each situation was simple: If you knew today that everything about living with this person would be the same in five years, would you stay?
Because you can't control your partner. You can't control the future. You can only control yourself and your proximity to situations that are harmful to you. If you knew, 100%, that things wouldn't get better in five years, would you be okay with staying in this relationship? If the answer is "no," then that's that. Don't worry about questions of whether or not your boyfriend is a shithead, start the process of ending the relationship because there's a good chance the situation is going to be exactly the same in five years.
If the answer is "yes," and you'd stay in the relationship regardless of whether or not things changed, then it's time to take actions to improve your life within the context of the relationship.
(No judgement on that yes or no, btw. If you would hate living like this for another five years, and you would feel like you'd wasted your time and hadn't done the things you wanted to with your life, get out. Bail. Go. It will be better for you and better for your partner if you split instead of spending half a decade building resentments and and problems that you'll have to spend another half a decade healing from.)
Also, a note: you describe your boyfriend's mess as borderline hoarding - is the issue *mess* or is the issue *clutter*? I have friends who are very tidy, but whose homes are very cluttered. They like things, they have many things, they keep many things around, but their houses are always clean and well-dusted and orderly, just with a tremendous amount of *stuff.* I am addressing all of this as though the issue is mess, not clutter. If your boyfriend's situation is clutter (the space is busy and packed with things but it is functional and clean) and your issue isn't with *mess* (things out of place, things not having a place, things that need to be cleaned up gathering in stacks, falling behind on regular chores like laundry and dishes and taking out the trash) then you definitely need to assess whether or not you are compatible.
For instance here's a room that is messy but not cluttered compared to a room that is cluttered but not messy:
That first room is a *mess* but it would be very easy to clean up in under an hour. The second room is fairly tidy, but would take significant effort to pare down and declutter. BOTH of these can be difficult to live with but the second one is not dangerous or threatening to anyone's health. (The second one is QUITE cluttered and if every room in a house looks like this it can be overwhelming to live with; this is actually harder to deal with in a relationship than the first one in a lot of ways. I don't have a lot of advice for what to do if your partner is a high degree of tidy-but-cluttered because I don't actually think it's a problem or wrong to have thousands of books or bins full of lego or a million kitchen appliances as long as you have the space and can keep it safe and well-maintained; this is a really significant compatibility issue)
Okay, all that out of the way, here's the hard work.
Talk about this shit
Talk to your partner and define "mess." Make sure you are on the same page about what you mean when you're talking about what a messy room looks like versus what a tidy room looks like. Gather reference pictures. DRAW reference pictures.
Explain not just that the mess upsets you, but *why* and *how* it upsets you. In this context don't think of it as your boyfriend's mess, think of it as an unpleasant roommate. Discuss this using "I-statements". "When I have to pick up laundry all over the apartment, I feel like a parent more than a partner." "When there are piles of miniatures all over the table, I feel like I don't have anywhere to do things I'm interested in." "When there are dishes in the sink, I feel frustrated because I have to clean before I can feed myself."
Discuss, frankly and openly, whether he knows how to clean. I'm not trying to make excuses for him here but a lot of people with ADHD have a lot of stress and avoidance around cleaning because they spent a lot of time getting yelled at for not knowing how to clean properly.
Discuss your needs, be firm about what you require but willing to compromise. You *need* some spaces to be clean, and some spaces may be harder for him to keep clean than others. It may be MUCH harder for him to keep a bedroom tidy than it is to keep a kitchen tidy; if you need a clean and empty bedroom with everything put away and he simply cannot do that, that is a compatibility issue. But perhaps you need *your* side of the bedroom to be very orderly and can tolerate a moderate level of mess and clutter on his side. Maybe you're really really bothered by a messy kitchen, but it doesn't bug you if the dining table is covered with projects and papers. Figure out something more workable than "his mess goes everywhere and i live with it because he's incapable of cleaning" because he probably is not incapable of cleaning and you deserve to have places in your home that are comfortable for you.
Reduce friction for cleaning
Sometimes the problem isn't cleaning, the problem is the many many steps before cleaning, or not knowing where something should go when you are done cleaning. One of the absolute best things I've done for myself for cleaning my space is getting a broom holder and mounting the broom to the wall. Sweeping is now essentially thoughtless. I don't have to find the broom or pull it out from a pile of fans or go scrounging around for a dustpan it's right there on the wall, frictionless. So here are some ways to reduce the barriers to cleaning:
Make sure you and your partner both know how to use your cleaning supplies and know where those supplies are. When I switched dishwasher soap I had to re-show Large Bastard where I was storing it and how it was used, because to him what happened was the dishwasher tabs just vanished one day and he didn't know what I was putting in the machine or the process I used. He sometimes puts tools away in places that I can't see (he's more than a foot taller than me) so sometimes I can't get started on a maintenance project until he shows me where he put the battery pack for the drill.
Consider making a how-to chart to or having him make a how-to chart to keep someplace accessible so he can reference it while cleaning. Goblin.Tools Magic ToDo is great for this. Basically a lot of the time people with ADHD have trouble knowing what to do from step to step even if they've done something before, so having a step by step guide can make it easier (I have notebooks full of step-by-step guides for everything from paying for my tuition to removing licenses for my customers to weeding my yard)
Remove obstacles; don't keep cleaning chemicals in the garage in a box that's behind a stack of parts, keep them in the room you'll be cleaning. Don't keep the cleaning supplies that you use to clean the bathroom in the kitchen. Sometimes this means buying two bottles of bleach solution and two scrubbers and two sets of cleaning gloves but having fewer steps (fetch the windex, fetch the paper towels, fetch the gloves) is often the key to getting things done (open under-sink cabinet and grab windex, gloves, and paper towels that are there instead of in the kitchen).
This sort of overlaps with the next category, which is:
Create Dump Zones
One thing that I've found that seems very different between people with ADHD cleaning and neurotypical people cleaning is that neurotypical people are good at getting to a point where the cleaning is "done." They have checked off their tasks and they have finished and it is over. There are *SOME* chores that are like this (taking out the trash is a binary state, the trash has been taken out or it has not) and some chores are perpetual (horrid cursed dishes) but I think with people with ADHD, some chores that are binary for neurotypicals are actually perpetual chores. For instance "clean off the counter" is not a one and done for me. "Clean off the counter" may involve a three day reorganization project. "Clean off the counter" does not mean "wipe down the tile and put dishes away" it means assessing whether or not I need to make vegetable stock and bleaching three tea containers and reconsidering whether or not the sharps container should live somewhere else and going through the mail and figuring out what needs to be responded to and taking out the recycling and on and on and on.
We have had company at the house for the last two weeks, so I asked large bastard to clean off the dining room table, which is largely a project zone for him. Cleaning off the dining room table meant putting away his meds (and since he's a transplant patient that involves a 30 gallon rubbermade tote), throwing away some trash, and totally reorganizing his workshop. It also incidentally involved picking up a table from facebook marketplace and moving my plants, which has now involved moving my former plant rack outside (moving buckets, finding and organizing planters and gardening tools) and taking the former table to the thrift store (not done yet) and cleaning the rug that was under the former table. So "either the table is clean, or it isn't" isn't really true for us.
HOWEVER "hang on we can't eat until the table is clear so let's drive to Pico Rivera to get that console table right now" isn't a workable plan, so you create dumpzones as areas of holding between the start and the finish of the chore.
A dump zone can be a laundry basket. It can be a craft bin. It can be a back room or under your bed. It is a place to put things that you are going to deal with later because if you deal with them now it is going to derail the thing you are actually trying to do, which is set the table for dinner.
Dump zones are vital to cleaning with ADHD and I recommend them for day-to-day cleaning as well. The day-to-day dump zones might be more for you than for your boyfriend. For instance, Large Bastard works with bullets and he sheds bullets all over the house. I used to get stressed when I found bullets when I was cleaning because are these work bullets? Are these recreational bullets? Are they in testing? Do they need to be pulled? Do they go in the workshop or the office or the garage or does he need these today so they have to stay on the counter? And the answer now is "that's not my problem naughty bullets go in the jar." Which is perfectly sensible because he gets to say "mystery yarn goes in the bin" and "art supplies go in the bucket."
I feel helpless when cleaning a lot of the time. I'm frustrated and lost and I don't know where stuff goes and everything I pick up spins off into three projects in my head and every step feels like a wall to scale. Dump zones help me with that when there's pressure or a reason for cleaning beyond day to day home maintenance. People are coming over? The bedroom is a dump zone, I'll deal with that later. I'm just cleaning up because I need to? Okay I can find a permanent home for this new dish soap.
AS A VERY IMPORTANT COROLLARY TO THIS:
Active projects do not go in dump zones while you or your partner are cleaning. This may mean designating a project sanctuary area like a corner of the table or one particular chair in your main room where a project can be placed so as not to be disturbed. (if my current crochet project ends up in the yarn bin, that may mean that I don't pick the project up for another three months, it lives on the windowsill behind the couch because that's where it'll get worked on)
Do not put things away for your partner, put them in the dump zone for your partner. Your partner has to be the one to put their own stuff away in a way that works for them. I tend to find that this naturally puts a limit on the time stuff sits in the dump zone, because eventually you'll go "hey where's my thing?" and will put stuff away. If that doesn't happen, it's still generally better to have stuff in a dump zone than all over the home.
Do not decide you know what things go together from your partner's stuff and try to "put like things together." The neurotypical urge to put like things together is the mindkiller(j/k). You do not know which things are "similar" in your partner's organization schema and attempting to organize things on your own is going to end up with all of the things "organized" being functionally lost forever from your partner's perspective. Large Bastard's mom would do this and it was infuriating, she'd say "oh I put all the electronics stuff in one box" and she would mean soldering irons, transistors, ham radios, HDMI cables, and cellphone chargers. We are *still* going through boxes of stuff that she "tidied up" when he was hospitalized in 2020 and 2021.
To prevent the need for quite so many dump zones over time, you can work on setting up landing zones and "homes" for projects and tools.
Landing Zones
Landing zones are places where things go when you come inside from doing various things. Sometimes your landing zone only needs to be a tray for your wallet and keys, sometimes your landing zone needs to be a place to take off muddy boots and put a trowel and gloves down before you shower.
To make an effective landing zone, consider what behaviors you're trying to minimize and whether the people using it are ACTUALLY going to use it. For instance I was tired of the corner of my hearth getting cluttered with random junk so I hung up some hooks and put a shelf and a basket there and it became a really effective landing zone for my bag and keys and the mail, but it was VERY ineffective for Large Bastard because it's by a door that isn't the primary door he uses to enter the house. As a result I always know where my keys and bag are but he has trouble finding his keys and wallet. He tends to enter the house through our bedroom and has an overloaded valet next to the door and that's usually where his wallet ends up. Mounting a shelf to the wall above the valet and putting a basket and a hook on it will be a better place for his stuff to land. It's not that he's not using the first zone because he doesn't know that it's there, or because he doesn't care about lost time when I'm searching for my car keys after he borrows them, he's not using it because it's not by the door he uses. That's all.
I have a landing space for when I come in for gardening that's different than the one when I come in from grocery shopping. I have a landing space for when I walk into the dining room instead of the kitchen when I get home.
Landing spaces prevent stuff from piling up all over the place because they are a limited functional space that should be used frequently. Mail ONLY goes in the landing zone. If you have mystery mail or if you're not sure it's safe to toss, you put it in the landing zone. You can't let the mail get piled up too high or you won't have a space for your keys. You can't let the change in your wallet tray get too deep or your wallet is going to slide off, etc., but you also don't just put change on the coffee table or your nightstand because the landing zone is right there.
Homes for items are just what they sound like. They're the place the item goes. It lives there. My meds live on my nightstand. You would not believe how poorly I did with taking my meds on my vacation because they weren't on my nightstand. A while back large bastard lost one of his sets of sorted meds and we tore the house up looking for them because he couldn't find them in his nightstand, which is where they live. *I* found them in his nightstand because I emptied out the entire top drawer (he had only looked on the top layer) and found them underneath a radio and a hammock. Even though they were *hidden* they were in their home, so they were findable. I recently needed ink for an art class. Art supplies live in a dresser by my desk. Ink lives in the art bin or the top left drawer. The ink was not in either of these places (it was on a cabinet in the dining room behind a teacup) so it took me weeks to find it.
Sometimes the reason that ADHD spaces are so messy is because objects have been assigned homes in places that are visible and if they get moved they get lost. This is a genuinely difficult problem that requires a lot of effort to solve and can involve a lot of trial and error for creating a tidy living space. For some people, open shelving and visible storage might be a good solution. For some people, assigning a VERY clear home and inculcating that location by habit is the only way to clean up a space. For some people one very cluttered corner to at least isolate the chaos does the trick (for me and large bastard open shelving doesn't work because anything in one place for too long becomes invisible; that means that I rely on assigning things homes and large bastard relies on having contained chaos and a general idea of where to search but what that DOES NOT mean is that he is clean or tidy. His spaces look like an explosion. But he can mostly find his stuff and do what he needs to do and as long as that's limited to specific places in shared spaces I can live with it; the dining room table can be a disaster, the kitchen cannot).
People organize things differently. It often takes a while for neurotypical adults to settle into an organizational style that works for them and ADHD adults may need to settle into a new system every few months for it to continue working. The cleanup and declutter is most likely going to be a permanent project that is always going to demand some level of attention from everyone in a shared space, but "my ADHD means I can't do it" is not really going to fly. Maybe his ADHD means that he can't keep his space tidy, but it doesn't mean you can't move stuff from shared spaces into dump zones or that he can't do stuff around the house.
If he's insisting that his ADHD means that he can't clean it is possible that he's not being a shithead, he just feels helpless and doesn't know where to start and has adopted the belief that he's a useless piece of shit who can't even keep a tidy space like a grownup because he's internalized a lot of shitty attitudes (hello, my internal monologue about keeping a clean house). But it's also possible that he's just being a shithead.
It's something that's worthwhile to investigate with him. If he's unwilling to make an attempt, then he's being a shithead.
It is also not your responsibility to rehabilitate another person. If he wants to clean and it's something he feels bad about and needs some help and support with the way that someone might need help or support for learning to use a mobility aid, that is fine but you don't have to be the one who gives him that support if it's detrimental to your health, and you don't have to be the one to teach him that stuff if it's not something you're capable of. And if he is NOT interested in working on making your shared living space more accessible for you, that is not your suitcase to unpack and you just have to ask yourself the question from the start: would I stay with this person if I knew the situation was never going to change?
IDK, I'm sure a lot of this reads like "anon you must take on the emotional labor of training your partner to be an adult" but it's really meant to be more of a way of assessing yourself and your relationship. If you created landing zones do you think he'd use them? Would he get angry if you assigned a laundry basket as a dump zone for his stuff while you tidy the living room? Is living with him long-term going to be comfortable for you if nothing changes? Do you have enough of a shared definition of "mess" that you're at least in the ballpark for what counts as a clean house?
anyway good luck, and a reminder to folks that I'm compiling a bunch of adhd resources and other information on my personal website, ms-demeanor.com. It's coming along slowly but it will eventually include stuff like ADHD cleaning tips and how to tackle a hoard, so maybe keep your eye on that space.
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The year is 2030.
At the Cincinnati stop of her "world tour", Taylor Swift ends her set. As she walks off the stage, she leans into a nearby mic and says "oh by the way, I'm lesbian".
She's still milking a public relationship with a man named Chett Whitesman, so this is met with a combination of cheers and confusion. Immediately, the media mobilizes. They have to intercept her before she gets onto her private jet, and ambush her for an interview. Luckily, this has become much easier these days. Since the release of her 2027 album, "The Carbon Emissions of my Heart", T Swizzle has performed a ritual sacrifice of an endangered species on live camera every time she boards her jet, a #girlboss way of saying that her emotional pain can only be healed by the tortured screams of drowning polar bears.
(Since this practice started, a devoted faction of Swifties have started a carbon negative algae farming commune, with the express intent of negating taytay sweezie's contributions to climate change. Apparently "her tortured soul deserves to pollute without guilt". They haven't even come close to their goals.)
Taytor Twift is intercepted after this ritual, as she's walking up the steps of her plane. When asked what the lesbian statement was about, she nonchalantly says "oh, I thought it was clear that was a joke. Anyways, G T G!" , before biting into the still beating heart of an emperor penguin.
During her flight, discourse on the newly renamed twitter-X-ElonIsExtremelyVirile Corp goes nuclear like it never has been before.
There's a camp of swifties thoroughly convinced that her relationship with Chett is all a beard so that she can still keep touring in the New Christian Republic of Florida, and the interview at the plane was deepfaked.
A different camp of Swifties feels insulted and betrayed that she would be anything less than a paragon of allyship. To them, this is the worst slight the queer community has ever experienced.
A third camp of Swifties insists that she *is* dating Chett, and is also a lesbian. They get insulted that anyone would police Taylor's labels. Comparisons to the Boulder, Colorado shooter are made.
A group of non Swifties tries to point out that everyone is fucking insane and that 'ole taytay regularly tear gases pride rallies to make way for her promenade to stadium venues, and who the fuck cares about this shit and point out that what a billionaire celebrity does for five minutes of PR is not worth your attention or discourse, nor does it warrant harassing other people for the labels *they* use, and isn't it really fucked up that Taylor is making a joke of how people describe their identities? They are promptly doxxed, harassed, and banned.
Bi lesbian discourse is off the charts. Nothing Taylor said has anything to do with it, but it happens anyways.
A lone transsexual who actually goes outside once in a while tweets "hey guys isn't it kinda fucked up that 2.4 billion people have been displaced by mega storms this year that her jet contributes to and is also specifically designed to fly over" and is promptly doxxed and harassed off the platform.
After an exhausting 9 minute plane ride, Tailing Swiffer lands in Columbus for the next performance of her world tour. She unveils a new single that contains the line "ride my horse after dumping him, stepping up onto my SAD dle".
All is forgotten. All is quiet. The Swifties continue as usual, moving on to the next discourse about these lyrics.
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"Let's Have a Talk, First"- Stereotypes, pt 1
Come sit down. You and I, before we get into any of the things I'm sure you're impatient to know: we need to have a come to Jesus talk, first.
There are some things that I've been asked and seen that strengthens my belief that we need to have a reframing of the conversation on stereotypes in media away from something as simple as "how do I find the checklist of stereotypes to avoid". Because race- and therefore racial stereotypes- is a complex construct! Stands to reason then, that seeing, understanding, and avoiding it won't be that simple! I'm going to give you a couple pointers to (hopefully) help you rethink your approach to this topic, and therefore how to apply it when you're writing Black characters- and even when thinking about Black people!
Point #1: DEVELOP THE CHARACTER!! WRITE!!
Excuse my crude language, but let me be blunt: Black people- and therefore Black characters- will get angry at things, and occasionally make bad choices in the heat of the moment. Some of us like to fuck real nasty, some might be dominant in the bedroom, they may even be incredibly experienced! Others of us succumb to circumstance and make poor decisions that lead to crime.
None of those things inherently makes any of us angry Black women and threatening Black men, Jezebels and BBC Mandingos, and gangsters and thugs!
Black people are PEOPLE! Write us as such!
If all Black characters ever did was go outside, say "hi neighbor!" and walk back in the house, we'd be as boring as racist fans often accuse.
I say this because I feel I've seen advice that I feel makes people think writing a Black character that… Emotes negatively, or gets hurt by life and circumstance, or really enjoys hard sex, or really any scenario where they might "look bad" is the issue. I can tell many people think "well if I write that, then it's a stereotype" and to avoid the difficulty, they'll probably end up writing a flat Black character or not writing them at all. Or- and I've seen this too- they'll overcompensate in the other direction, which reveals that they 'wrote a different sort of Black person!' and it comes off just as awkwardly because it means you think that the Black people that do these things are 'bad'. And I hate that, because we're capable of depth, nuance, good, evil, adventure, world domination, all of it!
My point is, if you write your character like the human being they are, while taking care to recognize that you as the writer are not buying into stereotypes with your OWN messaging, you're fine. We have emotions, we have motivations and goals, we make decisions, and we make mistakes, just like anybody else. Write that! Develop your character!
POINT #2: YOU CAN'T CONTROL THE READERS!!
Okay. You can write the GREATEST Black character ever, full of depth, love, nuance, emotional range, all those things…. And people are still going to be racist about them. Sorry. There is absolutely nothing you can do to control a reader coming from that place of bias you sought to avoid. If it's not there, TRUST AND BELIEVE, it'll be projected onto them.
That passionate young Black woman who told the MC to get her head out of her ass? Yeah she's an angry Black bitch now, and bully to the sweet white MC. Maybe a lesbian mommy figure if they like her enough to "redeem" her. That Black gay male lead that treats his partner like he worships the ground he walks on? Yeah he's an abusive thug that needs to die now because he disagreed One Time with his white partner. That Black trans woman who happened to be competing against the white MC, in a story where the white MC makes comparable choices? Ohhhh they're gonna be VILE about that poor woman.
It really hurts- most especially as a Black fan and writer- knowing that you have something amazing to offer (as a person and creative) and people are gonna spit on that and call it "preference". That they can project themselves onto white characters no matter what, but if you project your experiences onto black characters, it's "pandering", "self insert", "woke", "annoying", "boring", and other foul things we've all gotten comments of.
But expect that it's gonna happen when you write a Black character, again, especially if you're a Black writer. If you're not Black, it won't hurt as personally, but it will probably come as a shock when you put so much effort in to create a lovely character and people are just ass about them. Unfortunately, that is the climate of fandom we currently exist in.
My favorite example is of Louis De Pointe Du Lac from AMC's Interview With The Vampire. Louis is actually one of the best depictions of the existential horror that is being Black in a racist White world I have ever seen written by mostly nonblack people. It was timeless; I related to every single source of racist pain he experienced.
People were HORRIFIC about Louis.
It didn't matter that he was well written and what he symbolized; many white viewers did NOT LIKE this man. There's a level of empathy and understanding that Black characters in particular don't receive in comparison to white counterparts, and that's due to many of those stereotypes and systemic biases I'm going to talk about.
My point is, recognize that while yes, you as the author have a duty to write a character thoughtfully as you can, it's not going to stop the response of the ignorant. Writing seeking to get everyone to understand what you were trying to do… Sisyphean effort. It's better to focus on knowing that YOU wrote something good, that YOU did not write the stereotype that those people are determined to see.
POINT #3: WHY is something a stereotype?
While there are lists of stereotypes against Black people in media and life that can be found, I would appreciate if people stopped approaching it as just a list of things you can check off to avoid. You can know what the stereotypes are, sure, but if you don't understand WHY they're a problem and how they play into perception of us, you'll either end up writing a flat character trying to avoid that list, or you're going to write other things related to that stereotype because "oh its not item #1"... and it'll still be racist.
For example: if you wrote a "sassy Black woman" that does a z formation neck rotation just because a store manager asked her something… that's probably stereotype. If you thought of a character that needed to be "loudmouthed", "sassy", and "strong" and a dark-skinned black woman was automatically what fit the profile in your mind, ding ding ding! THAT'S where you need to catch your racist biases.
But a dark-skinned Black woman character cursing out a store manager because she's had a really bad, stressful day and their attitude towards her pushed her over the edge may be in the wrong, but she's not an "angry Black woman". She's a Black woman that's angry! And if you wrote the day she had to be as bad as would drive anyone to overstimulation and anxiety, the blow up will make sense! The development and writing behind her led to this logical point (which connects to point #1!)
I'm not going to provide a truly exhaustive list of Black stereotypes in media because that would ACTUALLY be worth a college credited class and I do this for free lmao. But I am going to provide some classic examples that can get y'all started on your own research.
POINT #4: WATCH BLACK NARRATIVES!
As always, I'm gonna push supporting Black creators, because that's the best way to see the range of what you'd like. You want to see Black villains? We got those! Black heroes? Black antiheroes? Assholes, lovers, comedians, depressed, criminals, kings, and more? They exist! You can get inspired by watching those movies and reading those books, see how WE depict us!
I've seen mixed reviews on it, BUT- I personally really enjoyed Swarm, because it was one of the first times I'd ever seen that "unhinged obsessed murderous Black fan girl" concept. Tumblr usually loves that shit lmao. Even the "bites you bites you bites you [thing I love]" thing was there. And she liked girls, too. Just saying. I thought it was a fun idea that I'd love to see more of. Y'all gotta give us a chance to be in these roles, to tell these tales. We can do it too, and you'd enjoy it if you tried to understand it!
POINT#5: You are NOT Black!
This is obvious lmao, but if you're not Black, there's no need to pretend. There's no need to think "oh well I have to get a 100% perfect depiction of the Black person's mind". That's… That's gonna look cringe, at its best. You don't have to do that in order to avoid stereotypes. You're not going to be able to catch every nuance because it's not your lived experience, nor is it the societally enforced culture. Just… Do what you can, and if you feel like it's coming off hokey… Maybe consider if you want to continue this way lol. If you know of any Black beta readers or sensitivity reviewers, that'd be a good time to check in!
For example, if your Black character is talking about "what's good my homie" and there's absolutely no reason for him to be speaking that way other than to indicate that he's Black… 😬 I can't stop you but… Are you sure?
An egregious example of a TERRIBLE way to write a Black character is the "What If: Miles Morales/Thor" comic. I want to emphasize the lack of good Black character design involved in some of these PROFESSIONAL art spaces, because that MARVEL comic PASSED QA!! That comic went past NUMEROUS sets of eyes and was APPROVED!! IT GOT RELEASED!! NO ONE STOPPED IT!!
I'm sorry, it was just so racist-ly bad that it was hilarious. Like you couldn't make that shit up.
Anyway, unfortunately that's how some of y'all sound trying to write AAVE. I promise that we speak the Queen's English too lmao. If you're worried you won't get it right, just use the standard form of English. It's fine! Personally, I'd much rather you do that than try to 'decode AAVE' if you don't know how to use it.
My point is, if you're actively "forcing" yourself to "think Black"… maybe you need to stand down and reconsider your approach lmao. This is why understanding the stereotypes and social environment behind them will help you write better, because you can incorporate that Blackness- without having to verbally "emphasize how Black this is"- into their character, motivations, and actions.
Conclusion
We need to reconsider how we approach the concepts of stereotypes when writing our Black characters. The goal is not to cross off a checklist of things to avoid per se, but to understand WHY we have to develop our Black characters well enough to avoid incorporating them into our writing. Give your Black characters substance- we're human beings! We have motivations and fears and desires! We're not perfect, but we're not inherently flawed because of our race. That's what makes the difference!
And as always, and really in particular for this topic, it's the thought that counts, but the action that delivers!
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Wels hums as he walks through the shopping district. He doesn't need much, but with the recent release of Overlord, he wants to hear if any of the establishments are playing it. He doesn't expect it somewhere like the Permit Office--Grian's spent too much time and money getting a song that was as perfectly annoying to be put on hold to as possible--and if it is playing in the log shop, he will laugh. But music tends to spread around Hermitcraft fast, and sure, this isn't about anything specific, but who's gonna miss a good opportunity to dunk on Doc?
He hears the backing beats from a nearby shop and hums along with them, walking down the path--
--then turns a corner and leaps back.
"You," Wels hisses.
Hello. Awfully rude of you not to include me, you know, says the specter.
"No, there's absolutely no reason for you to be here. None at all!" Wels says, throwing his hands up. "The last time I saw you was--gosh, I don't even know. Season Seven?"
Yes, yes, and the only time you saw me, you aren't lying to yourself at all, the specter says agreeably. Come on. We both know I was haunting you for what little of Season Eight you bothered to be around for.
"If you were on Eight then you super shouldn't be here," Welsknight says. He shakes his head and looks up at the shop playing his song. Joel's? Huh. Wouldn't have thought he'd have a reason to make fun of Doc. Welsknight removes his shaking hand from his sword hilt again and starts walking.
On account of you leaving everyone there to die, yes, we're both aware, the specter says.
"Oh, screw you, you wouldn't have done any different, get new material," Wels says. "Also, you aren't real? You're like, all of my insecurities or whatever. You don't even have a real body right now, no one's made you one."
The specter shrugs. I mean, if I'm the worst parts of yourself, really, you're the one who needs better material. Abandoning all your friends to die and then abandoning them altogether--it's a wonder they let you stick around!
Wels rolls his eyes and forces his hand to stay out of his inventory. Wouldn't do to give away that still even gets him. He peaks at another shop. They're playing the song too, but it's ever-so-slightly out of sync, which is kind of terrible. As he does, Cleo waves at him. Their eyes sort of stutter right past Helsknight, which definitively tells him exactly how much body the specter even has to possess right now.
"I'm actually having a great time with my friends this season, so like, the whole 'abandonment' song and dance isn't going to work this time. Started the season with them and everything; hard to even go for 'they'll forget me at the first opportunity' or whatever."
The thing is, the more Wels says it, the more its true. None of the insecurities and pain points that the specter is echoing back at him are what he was actually thinking about. He's been like... fine? Sure, he's definitely still got repressed negative traits, but nothing like "Xisuma's evil twin brother playing around with his head" or "the moon crashing and killing everyone" or "too depressed and burnt out to get out of bed" or "sort of considering abandoning everyone because that's like, his thing" these days. None of the things that should bring the specter that had haunted him since Beef's cloning machine back to him without a body. But Wels is careful about clones outside of something like Vault Hunters, where they're explicitly under his control. He, like, doesn't even armor stand much. So that can't be this either; Helsknight clearly doesn't have a body to be messing with Wels yet!
...Helsknight doesn't even have a body or an actual insecurity to be poking at Wels with yet.
He stops. He puts his hands in his pockets, and turns around to face Helsknight. He is no longer shaking at all.
"Dude, why are you even here?" Wels asks.
I told you, it was rude to leave me out, Helsknight says.
"What," Wels says.
The final bars of Overlord play over the speakers. Welsknight hums and nods before it suddenly clicks.
"What," Wels says again.
Honestly, you're not normally this much of a moron. It was rude to leave me out. Rapping is also my thing.
"Dude," Wels says.
I could totally destroy Docm77 any day. I would obliterate the fool you call a "friend" in ways you cannot comprehend. You invoke a sacrificial goat? I know ways he'd never recover, gods he'd never be able to retrieve himself from. It would be laughable. And you left me out.
Wels stares at the demon from his nightmares.
"You're mad at me because you didn't get to be in my diss track," Wels says.
You let me be in the last one, Helsknight says.
"Dude," Wels says. "Dude, that's pathetic."
Helsknight sniffs. I'm your worst qualities. What does that say about you.
"I didn't even write this for this season," Wels says.
That makes it worse, Helsknight says.
"I don't even know where to start? For one--no, I still don't even know where to start," Wels says. "This is like, the lamest reason you could possibly have to come haunt me. Go away, I'm basking in my like, top 3 charting hit on the Hermitcraft server."
Top three? Pathetic. There are only three songs. You'd be the top song if you'd simply included my power, Helsknight says.
"I can't beat the streaming minutes Grian puts on that hold--look, uh, dude. You're, uh, a very scary representation of my fears and worst qualities and all. Appreciate that. Next time I need to do a diss track, I don't know, maybe I'll invite you? First you've got to stop appearing solely to make my life worse, though. Bring me a cookie or something. I don't know, whatever demons do."
I'm not a demon, I'm a Shadow. We're different, Helsknight says. ...I'll think about it.
When Wels turns the next corner, Helsknight has vanished again. Wels stops in the middle of the street, looks around, confirms the specter has vanished, and then bursts out laughing.
"What the Hels," he says, somehow feeling lighter and more bemused than before. That's a new feeling with his doppleganger. Then, he goes to visit Big Wood. While Doc definitely isn't playing the song of his own accord, Wels figures that Beef just might, and given the day he's having, that would feel like a kind of irony Wels isn't sure how to describe. Besides, he wants to see if Doc will notice if Wels sets the song on loop or something. What can he say--the man's reactions to being taunted are spectacular, and Wels loves seeing them. Call it a bad quality of his or something.
#hermitcraft#welsknight#helsknight#a bee fic#hermitfic#unreality#LOOK MAN I HAD TO.#...APPARENTLY.#i put slightly too much thought into what is effectively A Dumb Bit. i mean not the rap. this fic. this fic is the dumb bit.#i mean the rap is a dumb bit too but not the one i put too much thought into. the fic is#YOU KNOW WHAT NEVERMIND THIS JUST CONFUSED THIS FURTHER. anyway that helsknight huh.
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Hi there! I really love your comics and how expressive they are. How do you go about making the characters in your comic so expressive?
thank you! 💚💜💚 I am REALLY bad at explaining things, so my apologies if this doesn't make a lot of sense, but maybe there's something helpful in here somewhere. :')
1. warm up! drawing is a physical activity, after all! so if I'm planning on sitting down and drawing for a while, I usually start off by taking a couple of minutes to doodle a bunch of circles and lines and random shapes, just to get my drawing arm goin' again and get back into the physical groove. just stuff like this:
and just do that for however long you feel like! you can kind of feel when your arm starts to loosen up and your strokes get more confident. it makes it a lot easier to get those swoopy big lines and gestures!
2. play around with how you use your lines! paying attention to the shapes that they're making will change a lot about how much force and life your drawing feels like it has. (no way is better than another, it just depends on what effect you're going for and how it looks as part of the larger whole.)
and you can also use lines against each other to get different vibes:
it's not really a matter of "you need to make sure all your lines are always doing this all the time", it's more like...being aware of it, and getting that into the general thrust of a pose, if that makes sense? like a lot of smaller lines of action, beyond the big one that goes through the spine.
(just gonna use my own art as examples, apologies)
if you have a good foundation of tension, then all of the little bumps and contours of a character's details won't get in the way of it, and it'll still come through.
and don't forget about negative space either! the spaces between things have their own interesting shapes too!
I don't mean this to come off as, like, all these extra things that you need to be constantly thinking about and stressing over. more like...just try different stuff and then see how it works and how it changes the feeling! if you find a good shape, see if you can exaggerate it and make it more interesting, and how that affects things! angles and shapes are a LOT of fun to experiment and mess around with, especially when you're going more cartoony. :D
3. acting!
just...spending a little time to think about what the characters are actually doing! (aka the "figuring out what everyone is doing with their hands" bit.) this is more a personal preference, but especially in multi-panel comics, I like to have them be in the middle of doing stuff. not just big actions, but smaller things -- like even just how they're sitting or standing -- so that it feels like we're looking in on the middle of a scene, instead of a couple of characters just standing around neutrally and staring straight ahead while talking at each other.
this probably sounds really obvious, but it is one of the most fun parts for me! I love trying to find some little action or something that they can be involved in, especially if it's relevant to their character or adds an extra joke. (for some reason this usually involves me being mean to Sebek) (I'm sorry)
it doesn't need to be everyone Always! Doing! Something! all the time, especially if starts becoming distracting (sometimes they do actually need to just be standing around neutrally and staring straight ahead, especially if there's a bigger action going on that you want the audience to focus on instead). but even just figuring out some kind of non-neutral pose for them to be in can add a lot and make it feel less generic!
3. thumbnailing!
this is, again, very much a personal preference; unfortunately, every artist really is different, and we all have different processes that work better for us. so I can only speak to my personal experience! but I find what helps is to start REALLY rough -- not so much as in messy, as in not trying to start right into actually drawing everything out. like, literally just starting with stick figures and :O faces.
it probably doesn't sound relevant when talking about Drawing Expressively, but I find it's really, really helpful to have already figured out what everyone should be doing (acting!) and what the overall general layout and flow of things should be, before getting into the actual meat of drawing the characters. like having a sketch for the sketch!
(good compositional flow is something I struggle with, and text layout especially, so this stage also helps a LOT with making sure things are fitting where I want them and staying consistent/not breaking screen direction/etc.)
then after that, I can go ahead and focus on getting those Shapes and Lines and Angles and all that, without having to think too much about the layout or where things should go!
(of course, the downside of that is that my thumbnails are usually way better than my actual drawings, alas alas.)
4. this is more philosophical, but...give yourself some slack. the stress of Making Things Look Good is, ironically, often the biggest problem. (see: thumbnails looking better than the actual drawings.) so...let yourself draw shittier and without regards to accuracy. make things just for yourself without thinking about posting or showing them to anyone else. draw stupid faces and wrong proportions because they feel better that way. focus on what's fun and not on getting a perfect end result. "draw expressively, not well", as they say -- you can always tighten up things like proportions and details later, if you really want to.
that's all WAY easier said than done -- god knows I haven't really managed it -- but even just aiming for that attitude really, REALLY helps. if your lines are confident, they'll look a lot more alive and expressive than lines that are exactly technically precise but have no rhythm in them. (this is why tracing photographs tends to look so weirdly stiff and unrealistic, by the way -- even if you're drawing realistically, you usually need to exaggerate and stylize a little bit so it doesn't look lifeless.) it's a balance between caring about what you draw, but also being willing to let things go a little bit.
↑ I hope some of this helps! I don't know if any of this was actually what you had in mind, let alone much of it actually made sense outside of my head. :') but hopefully you (or other people) will be able to get something out of it!
#art#twisted wonderland#(not really related but since that's what the examples are)#i'm so sorry most of my art advice boils down to 'SHAPES ARE FUN'#(they are though)
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AITA for killing my character and quitting a D&D game I was part of?
Apologies in advance but this is going to be rather long, I'll put a TL;DR at the bottom.
So this all started about eleven months ago when I (14, she/they/he) started getting into D&D, and joined a D&D group thanks to a friend of mine we'll call T (14, he/they). The group was made up of about five people total, but the main people in this situation are me, T, and the DM who we'll call N (15, he/him).
Now when I was making my character, T was helping me out by letting me describe what sort of character I wanted and suggesting different races, classes etc to make it work how I wanted, and what we ended up with was a Pact of the Undead warlock. The backstory of my character was that their older brother died defending them from an invasion of the village they lived in.
My character managed to make contact with their spirit in the afterlife and formed a "pact" with them, gaining power in exchange for letting him "look after them" (i.e. keep watch over them from the afterlife, protect them from harm, all that sorta thing). T told me to run the final concept past N but that they were sure it'd be allowed and that the pact idea was really sweet.
So I told N about my character and the backstory idea like T suggested and N seemed really on board with the whole thing, though he wanted to make a few slight changes to things in secret that would come up during the campaign, to make things more exciting I guess.
I told him I was alright with that, as long as nothing about who the pact was with and what it was for changed too much. He assured me that it wouldn't and that he'd get back to me on what changes he was planning, but he never did, and at the time I just put that down to him being busy.
The campaign starts, and for the first few months things are going pretty good. I do notice that a lot of NPCs, in fact nearly every non-child NPC, seems to be flirting(?) with my character, but I don't think too much of it at first, she is a young elven woman with blonde hair and silver eyes and everyone in the group has said that she's very pretty.
It isn't until one of the others who is also playing an elven character points out that they've been on the receiving end of essentially racism towards elves from NPCs who have simultaneously been showering my character with compliments that I start realizing how frequent and honestly rather obsessive it is, and as mentioned, just how many of the NPCs are doing it.
Then we get to T's character arc, exploring his character's backstory and helping them with things that come up. However, there are certain characters that are introduced that, out of character, T reacts rather negatively to, and when I ask him outside of session what's going on he confides in me that N is changing elements of his backstory that he'd told him he didn't want changing. As an example, T wrote that their character's mother was never part of their character's life growing up.
One of the characters we met was the character's mother, who was instead apparently a very prominent part of their life and cared greatly about them "not that they ever noticed". He also changed the character of T's father from "kind and caring man who did his best to raise his child alone and teach them how to defend themselves" to "stubborn, angry and neglectful father that is constantly disappointed in his son", which completely blindsided and upset T.
T also said that he'd tried talking to N about this but that the response had ended up being, to put it bluntly, "I'm the DM so I have the final say in things". This started to worry me, especially when I realized that N had never gotten back to me with his "proposed changes" to my backstory.
So I sent him a message, but because I didn't want to drag T into my own business with N I decided to say something along the lines of "hey, did you ever figure out what you wanted to change about my backstory?". He messaged back and said that he'd figured it out, but that things with school were so busy that he hadn't had time to sit down and properly write it all out to send to me yet, but assured me that he would by the time T's arc was over.
Several more months passed with no further word from N about my character's backstory, and as T's arc wraps up there's this idea that starts getting brought up, of how demons often exploit the grief of mortals to latch onto them and claim their souls by impersonating the dead person.
The others in the group all latch onto this and start speculating about how exactly the demons use impersonation to claim souls, except for T who gives me this rather worried look from across the table, and it suddenly hits me that this is probably meant to be the opening of my character arc.
I pull N aside after the game is over for the night and ask him directly if this is the opening to my character arc, and he says that it is, but not to worry because the demon thing is, to quote, "just being brought up to get the others interested". I remind him about what I told him about not wanting anything to change about who the pact was with and what it was for, and ask him again what changes he's made to my backstory.
He promises he'll have a full list to me by the start of next session, that we'll have time to sit down together and discuss it all even, and that he won't do anything I don't want him to do. Despite my concerns and the fact that he has already said several times he'll send me this list without doing it, I decide, like a fool, to trust him, even though in hindsight I had absolutely no reason to by this point.
The next session rolls around, and of course there's no list, instead a lot of NPCs who start voicing concern whenever my character brings up the fact she's a warlock, or her dead brother, especially if the pair come up in quick succession. One of the other characters figures out what's going on and asks if they can basically cast some sort of spell to determine if a demon's got control of my soul, which N agrees to, and the spell determines that yes, that's exactly what's going on.
I immediately confront N, mid-session, and tell him outright that this isn't fair, that I told him I didn't want him to change this part of my backstory, and I wanted him to change it back immediately or I wasn't going to play anymore. He started on this long-winded response basically summarizing as "I'm the DM, I can do what I want".
This is the part where I may be the asshole, because well, I saw red in that moment, and decided I not only wanted to follow through on my threat of quitting, but also do something to ensure that my point was driven home.
I fired off a quick message to T on my phone warning him what I was about to do, and while the others were talking about what to do to help me I loudly announced that my character was stabbing herself through the heart, which N had previously ruled would be an instant method of death if carried out.
Silence falls over the group. N tells me that I need to roll to see if I even hit, which I argue (with T backing me up) that if my character is willing to get hurt then it's automatically a hit. N tells me that I need to roll to see if I even pierce my heart. Okay, fine, I roll, and as luck would have it I roll a Nat 20. N attempts to send me just to death saves, but I remind him (again, with T backing me up) that he'd ruled that this was an instant death.
So then he tries to have an NPC cleric show up and revive my character, but T brings up that the soul has to be willing to return to life for that to work, and I immediately say that my character wouldn't even be able to consent to that if her soul was held by a demon, nor would she even be willing if she could. Then I tell N directly that he can consider this my official resignation from the group and walk out, and T follows along behind me after a few minutes.
Ever since then N's been blowing up my phone, fluctuating between begging for me to rejoin the group and promising that he'll do things differently this time, and calling me a selfish bastard for "ruining the fun". T still goes to sessions occasionally, though I think now it's just to spectate, and he's said that maybe things went a little far with the character death in hindsight. And honestly, I'm not exactly proud of how I acted now either.
TL;DR -- I joined a D&D campaign where the DM has made unwanted changes to my character's backstory, despite my attempts to communicate with him, so I retaliated by killing my character mid-session and refusing to let him revive her before quitting. AITA?
#aita#am i the asshole#suicide cw#not sure if it's needed for a dnd character death but just to be safe
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What are your thoughts on companies like this that offer 'coaching services' for hopeful unpublished novelists?
This smells of scam to me but maybe I'm just a cynic:
Publishing Your Book
Query Letter Coaching/Editing – $550 per book (this includes two passes)
Synopsis Coaching & Editing – $750 per book (this includes two passes)
Proposal Coaching & Editing – $1,500 per book
Traditional Publishing Coaching – $200/hour (finding an agent, crafting your proposal, etc.)
Indie Publishing – $1000 (distribution to all platforms for optimal international exposure, guidance on pricing, blurb-writing, logistics, and keywords)
ISBNs for Indie Publishing – $150 per book format. Free if publishing through [the company selling these coaching services]
Briefly: before I got involved with any such operation, I'd want to talk to (multiple) people they'd worked with previously and find out what kinds of experiences they'd had. And in line with this, I'd be extremely cautious about any operation that wasn't run by professionals with a verifiable track record, and which wouldn't offer verifiable examples of feedback from people whose reality as non-sockpuppets could also be confirmed. And whom you could contact without having to go through the company in question.
On other issues: I'm looking kind of askance at some of those prices. (Here adding the disclaimer: I know people who do this kind of work out of a grounding of significant expertise and in good faith, and I'm not clear on what they're charging because I haven't really looked into it... not particularly needing it myself at this late stage in the game.)
At least part of the problem I'm having with the prices being charged in your example is based on the knowledge of how very much information of this kind is available free online. And yeah, there's the old chestnut about "The advice is worth what you've paid for it"... but that has sort of an unspoken negative corollary: "Except when you've paid for it and it nonetheless turns out not to have been worth much."
The trouble with the non-independent-publishing suggestions is that all of them deal with imponderables. Even if all the advice you purchase from those people at all those varied prices is absolutely right on the money, there's still no way to guarantee that any of it is going to lead to success in getting query letters, synopses or proposals actually looked at. Which puts this whole concept squarely in the nature of a gamble.
Not that luck doesn't have a role to play in a professional writing career. Sometimes you're just standing in the right place at the right time with a manuscript in your hands. But getting the idea that you can depend on that luck for any reason is unwise... as divine Fortuna is anciently famous for wandering all over the room, blowing on other folks' dice. (And if this makes me sound like I fall well down on the "Fortune Favors The Prepared" end of the spectrum: yeah, that.)
My advice would be to spend a good long while online, thoroughly researching all the free sites that have info to offer on all the traditional-publishing-facing topics. Then, after exhausting the available possibilities, if you still think you need to engage paid professional assistance... make inquiries among as many verifiable professionals as you can non-invasively query, before parting with any money at all.
As regards the indie-oriented fees: I'm finding those pretty steep. The prices for ISBNs in particular bother me. (Especially since in many places you can routinely buy packages of ten for about what these folks would charge you for two.) Yes, they're free if you publish with them: that sounds lovely. But publishers would normally buy many of those packages of ten. Or packages of a hundred: the more ISBNs you buy at once, the cheaper they get. And if you're paying the company for other services, who cares about the ISBNs? They're making money off you in different ways. Possibly equally overpriced ones.
So to finish: this is very much caveat emptor territory. There will inevitably be scammers out there, claiming their rates to be less than "bigger companies" are charging, but still too much. Therefore... advance only with utmost care.
...And adding this: @petermorwood glanced at the price list over my shoulder and said, "I wouldn't touch any of those with a barge pole."
At any rate: HTH!
...And now a word regarding our regrettably fickle non-sponsor, via Ol' Blue Eyes. :)
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Being called annoying bucktommy shipper when you called out problem of some buddie stans(real toxic stans) when you yourself (IMAGINE THAT) buddie shipper for three years with 22 posted fics and 100+ wips about buddie, and enjoy both pairings, make you see why so many people are negative about the ship. The people like that attack everyone, not just other fans but actors and writers, and you think it will help? You think when Oliver already said he doesn't support how actress of prev LI of Buck and Eddie (who btw I never hated. Back to tags of this person. But I'm pretty sure, you honey send death wishes to them) were treated, but still for now support buddie means he supports your toxic behavior? No, he literally called out this behavior. You think attacking Lou or Tim will help buddie happen? It will just make people hate it more, the other fans who might become shippers if buddie will become canon, but if before it they will see how you treat anyone who is not "buddie all the way" surprise they will be against the ship, which will not be good for buddie. Because Imagine that buddie is not loved by every person in the fandom. Not by ga too. For now it shipped by less people when you try to imagine
I was waiting for buddie for 3 years, still part of me waiting, but yes, I enjoy see Buck happy and enjoy my bucktommy time and really support if writes will make it endgame
Go piss yourself in frustration that other people can stay decent to the ships and other fans, respect actors and creators, not speaking about their ship under posts about the completely different one
#buddie#<-#not even scared to tag#evan buckley#eddie diaz#911#evan buck buckley#bucktommy#911 abc#tevan#kinley#tommy kinard#911 on abc#911 fandom
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I'll Show You Heaven
Pairing: Crosshair x F!Reader
Summary: Crosshair was always someone of interest to you, much to the other clones’ dismay. When he hears a Reg disrespecting you, he doesn’t hesitate to step in. You were told that there was no point trying to fix him, but you knew you could handle dangerous; although it turned out that to you, he wasn’t dangerous at all.
Warnings: This is very much 18+ Minors do not interact! Alcohol and smoking mentions; drunk clones being assholes including one putting the reader in a dangerous/uncomfortable situation but nothing happens! Smut - masturbation, Crosshair having dirty thoughts, oral (m and f receiving), biting/marking, unprotected p in v - wrap it before you tap it!!, praise kink, one instance of Cross being too rough but he corrects it, porn with feelings, language, tons of compliments/pet names, jealous maybe slightly protective Crosshair
Notes: Very slightly based on the song I Can Fix Him (No Really I Can)
Word Count: ~6.4k
Taglist: None, let me know if you'd like to be added!
Masterlist
It was just another day. The haze of smoke lingering in the bar, the loud laughter and chatter amongst the patrons, and him.
You had gotten to know most of the regulars at 79s, including Clone Force 99, but you never made it a point to become their friend. The clones, usually drunk, would flirt with you endlessly, but never the 99s. They kept to themselves, and you had learned over the months that they weren't very popular with the others.
You hadn't considered there were social hierarchies among the clones, but you supposed they were no different than any other group of people.
You traced the smoke back to the tall, silver-haired man. He sat at one of the tall tables, not quite facing the bar, but enough that you could see his sharp features silhouetted by the pulsing lights.
He never looked pleased to be there, he seemed to have a permanent scowl, and you couldn't even recall a time where he said more than three words at a time, and none of them kind.
And while these might be negative traits to most, but to you, these traits mixed with his deep brown eyes that you had caught on you once or twice, and the smirk that came along with it, the expression of an all-too-confident man, only helped to draw you in to him.
You had a feeling that he was one to put up a front, wall himself in so that he didn't appear vulnerable. it made sense for a soldier, but there was a part of you that wanted to see what he was like when the walls came down.
"Hey! Cyar'ika!" You heard from behind you, you turned to face the clone holding his glass up to you. "You gonna give me a top up or stare at the reject squad all night?"
You rolled your eyes and turned to him too quickly to see the sharp glare of the man you were just staring at point at the rowdy clone. After refilling his glass, you set it down in front of him and gave him a warning, "Everyone is welcome in my bar, and everyone gets attended to while they're here. Understood, trooper?"
Before he could answer, you walked toward the centre of the bar, making a point to keep an eye on all your patrons so they wouldn't also get the wrong idea about who was getting more attention. Your eyes naturally wandered back to where the 99s were sitting, briefly meeting with the same brown eyes you had been silently admiring just moments ago, the tattooed crosshairs outlining one of them perfectly.
He turned his head back toward the rest of his squad but you could almost see him glance at you through the corner of his eyes at least once before you were called away again.
"Y'know what?" The loud clone called out again, "I think you should just come home with me. I could make you forget all about them." He jerked his head toward the 99s.
"And I think you've had too much to drink." You chided, ignoring his request for another top up.
"C'mon," He groaned. "If you're gonna cut me off, you should at least make it up to me. Wanna come home with a real man? I bet those 99s could never measure up to us if you get my meaning. Whattaya say, copikla?
Several clones laughed at his words, your Mando'a wasn't perfect, but based on their laughs, you assumed it wasn't nice.
Before you could get security to kick him out, you heard a chair scrape against the floor and then the crack of knuckles on flesh. You didn't even see the tall clone cross the bar before he was laying into the loud one.
You ran out from behind the bar and tried to pull him back, as much as you didn't want to, you also didn't want him to be permanently banned either.
Once he noticed you pulling his arm back, he stopped.
"What's going on?" One of the security guards had come over, hearing the commotion.
"Nothing," you said before gesturing to the floor, "He had too much to drink. Best if he goes home."
The security looked at you carefully, making sure you were okay before helping the clone to his feet and walking him out of the bar.
You sighed and returned back to where you were standing before, watching the other clones glare but cautiously move out of the way of the 99.
He started walking back to his table before pausing and turning to look at you, his features almost seeming softer now.
"You didn't have to cover for me." He said, a toothpick lodged between his lips.
You shrugged, "He was getting on my nerves, deserved the punch if you ask me. As long as you’re okay, I’m okay." You smiled up at him.
You could handle yourself, you've been working at 79s for a while, you knew how unruly people could get when alcohol was involved, and as much as you could handle people yelling at you, you didn't like when your regulars hurled insults at groups who were just minding their own business. Especially when, to your understanding, they got enough of that back on their homeworld.
He hummed in response.
"Can I get you guys anything?" You asked after a brief silence had fallen.
"No, we're heading out. See you around." Almost on cue, the rest of his crew stood up and began to leave.
— — —
“You shouldn't have done that.” Hunter warned him quietly when they had returned to the Marauder.
Crosshair shoved past him to get into the ship.
“Regs will always take each other's side, if you get reported for starting a fight…”
“Again,” Tech chimed in.
“I'll deal with it if it happens. Regs are probably too drunk to remember anyway.”
“Why'd you attack him, anyway?” Wrecker asked.
His eyebrows furrowed, “Didn't you hear him? He was treating her like his little pet.”
The others looked at each other, seemingly sharing the same thought between them.
Hunter's voice didn't betray his thoughts, “Even still, you should go back and apologize. Probably scared the poor girl.”
Crosshair rolled his eyes at Hunter's order.
“No promises.”
He went to his bunk and discarded his armour, laying on his bunk in his blacks. He couldn't seem to get your face out of his head. The way your eyes met, how you took his side even though his squad was right, he did start the fight. Your smile when you made sure that he was okay.
This wasn't the first time he had seen you, but it was the first time the two of you had ever spoken; he didn't do small talk, Hunter and Wrecker did.
But he wanted to talk to you again, he wanted to see you again, see you smiling up at him.
The more you crept into his thoughts, the more he couldn't get you to leave.
Eventually with the solitude of his bunk, his thoughts got the better of him. He imagined how you would look, naked and squirming under him. How you'd taste, how you'd feel around him.
He couldn't shoo these thoughts away, he found himself palming his cock over his blacks at the thought of you taking it into your mouth.
He had been with others before, but it was rare for him to feel like this. Usually when he’s with someone it’s just to get his own release, but thinking of you was different. He wanted to make you come, to hear you cry for him, to feel you come on his cock, on his fingers, whatever you’d allow.
He wanted you, all of you. And he couldn’t stand the thought of some Reg pretending to flatter you just to get you into his bunk. You deserved better than that, you deserved someone who would treat you right, make you feel good, someone who could be good for you. Someone like him.
He reached his hand into his blacks, pulling himself out and stroking it. He let his mind continue to wander, imagining everything all over again as a loop. He thought of your voice, telling him how good he was, telling him how he was made for you, how no one else could satisfy you like him. He thought of marking your neck, your tits, your thighs.
As he began to reach his climax, he stroked himself faster, he thought about filling you up with his release, he didn’t know where, whether it was your throat or your cunt, he just knew he wanted to come inside you.
This thought sent him over the edge as he spilled out over his hand with a groan.
He knew it wasn't right to think this way, he didn't even know you, but he also knew there was no way for you to know what was going through his mind.
But would it be so bad if you did?
— — —
Something about his expression when he finally came back to the bar was different than it had been a few days ago. Not bad by any means, just not how he normally looked.
Part of it was likely due to the fact that he was in civilian clothes instead of his armour, nut most of all, his ever-present scowl seemed softer, and he didn't wear a smirk when he noticed you looking at him, instead he almost seemed nervous.
He walked toward the bar and sat on one of the stools, scanning to make sure none of the gathering clones were the one from a few rotations ago.
"Can I get you something?" You asked him with a smile.
He blinked like he still somehow wasn't expecting you to talk to him after what happened, but then shook his head. "No, nothing."
He sighed, looking down at the counter in front of him. "I wanted to..."
You looked at him, eyebrows knitted together in confusion.
"My actions the other day, that wasn't okay."
Your face softened into a small smile. "Don't worry about it, nothing to apologize for."
"Did the Reg apologize to you?"
"Oh, no I haven't seen him, but like I said, nothing to apologize for. I'm used to it." You told him nonchalantly. His gaze snapped up to meet yours and his eyes narrowed.
"Used to it? Being drunk doesn't give them an excuse to be assholes to you." His voice raised slightly.
"Really, it's fine. I'm just sorry you had to hear him talk about your squad like that for so long."
He laughed quietly and used your words back at you, "We're used to it."
Neither of you said anything for a bit. You worked on pouring another glass for one of the other patrons at the bar and then turned back to face him.
"I see you guys around here often, but until the other day, you and I have never spoken, I'd like to change that.” your kind smile at him caused his heart to pound in his chest, but when he didn't answer, you continued. “You have a name, trooper?"
"Crosshair."
You smirked then told him yours.
"Where's the rest of your squad today?"
"They stayed back, wanted me to make sure you were okay. But since you are, I should be going."
He was out of the stool and heading toward the door before you could convince him to stay. He needed to clear his head, it wasn't like him to feel so reserved and shy, but he felt your presence hammering on the walls he had built for himself and he didn't know if he was ready for them to come down.
You watched him as he left and smiled to yourself. Was he really concerned about your opinion of him so much that he came all the way here just to apologize? Or maybe he just wanted to make sure the other trooper kept his distance. Either way, seeing him was always a treat, and now you had a name to go with his face.
"I'd be careful of him." One of the clones said, pulling you out of your thoughts.
"What do you mean?"
"Clone Force 99 isn't known for following rules. They have the highest success rate out of any squad, but the way they complete their missions goes against most protocols we have. That one, Crosshair, he's their sniper, a dangerous one at that, and definitely not a friendly sort of person, someone you don't want to get on the bad side of. Not someone you can just fix with that pretty smile of yours."
You listened to him as he warned you, but even still, Crosshair and his squad intrigued you. You wanted to get to know them better.
Crosshair had caught your eye from the moment you had first seen him, and now the gap between you was finally starting to close.
You wanted to be his friend, but you were also curious about being more than that. You wanted to see what he was like when the two of you were alone. Was he sweet? Was he demanding? Was he some mix of both?
You wanted to know what his lips would feel like, what he would taste like, how he'd feel. Thoughts that sparked a flame in your core. You didn't know if you'd ever get an answer to any of them, but the world worked in mysterious ways.
— — —
Once everyone had cleared out and you got some cleaning done, it was finally time to go home.
It was late, too late to be wandering around the understreets of Coruscant alone, but you knew the most direct way back to your apartment, and had a blaster set to stun, just in case.
You turned down the alleyway, and you saw a figure push itself off the wall and walk toward you.
"Awful late, isn't it?" You could hear the faint accent of a clone, and the audible slurring of one that had too much to drink.
"Come on, copikla, let me walk you home."
He stumbled toward you. When he came into the light, you could see the black eye that Crosshair had given him, still purple and blue despite the days that had passed.
"I'm fine, thank you."
"Don't be like that, I wanted to apologize and do something nice for you. C'mon." He got closer to you and you felt your hand shake as you reached for your blaster.
"There's no need for that," He told you when you had the blaster fixed on him. "I'm not going to hurt you."
"Then go back to your barracks, trooper."
He smirked, "Y'see the other day, your friend from the reject squad, he gave me this-" He said as he pointed to his eye. "All because I gave you a compliment, so really, you o-"
Before he could finish his sentence you saw a blue bolt whiz past you, hitting the clone and stunning him.
You turned to see where it came from and at the other side of the alleyway, Crosshair stood with a pistol drawn.
He walked toward you, "He hasn't had a very good week." He pointed out, looking at the clone on the ground before bending down to look at his armour, looking for his identifier.
"What are you doing?"
"Getting his ID. He'll probably be sent back to Kamino for a while for breaking protocol."
He brought his comm up to his face. "Tech, I’m sending you coordinates and a trooper ID, arrange a pickup."
"Copy." You heard the distorted voice through the comm link before Crosshair began typing in numbers.
"You seem confused." He said, looking at you now.
"I thought your squad didn't care about rules and protocol."
He smirked, "Regs have been talking about us, huh? That's true, we do our own thing and don't take orders very well but.. we wouldn't put a civ in danger in a dark alleyway, he should have known better."
"Well, thank you for helping me, but.. how did you know I'd be here?"
"I didn't. After I left the bar earlier, I went back to our ship, but there aren't many places there to think quietly so I went for a walk."
"I see. I guess it's a good thing you were here. I have a blaster for my own safety, but I froze." You looked at the gun in your hand and sighed.
"Don't worry about it, the Coruscant guard will be here before long to deal with him.”
He turned on his heels and began walking away and you watched him before looking down.
“Crosshair?” You called out before he could get too far.
He turned to look at you again but didn't say anything.
“I'm not too far but.. could you walk with me? I just…” You trailed off looking at the stunned clone at your feet.
He walked back over to you, “Of course.”
He was silent for the remainder of the walk, but he walked with you to your door.
"Would you like to come in?" You asked as you punched in the key code.
"You sure?"
You nodded and the door hissed open, you walked in, followed by Crosshair.
He looked around your place, it was small but it was inviting.
He knew he should have just gone back to the Marauder, but part of him wanted to make sure you felt safe, and another, much more hidden part of him thought that if you had invited him in, maybe his thoughts of you hadn't been as one-sided as he thought.
"Make yourself at home." You told him.
He sat on the small sofa in the living room, his arm draped over the back, and you stared at him, remembering what the clone had said at the bar. If Crosshair really was someone to look out for, you didn't see it. You would even go as far as to say that he was being kind to you.
"Like what you see?" He asked when he caught you staring at him, his tone slightly huskier now that he was indoors.
You rolled your eyes, and walked over toward the couch, sitting at the opposite end from him, but turned to look at him.
"What does copikla mean? I know cyar'ika and mesh'la because I get those a lot from the regulars, but that guy was the only one to call me that."
He looked at you and frowned slightly. "It means cute, but in a way you'd say to a child or a tooka kit, not a woman. That Reg wasn't paying you a compliment when he called you that."
"I see. And that's why you jumped him?"
"I had enough of him long before that point, but yes."
You didn't notice that as you spoke, the more distance had been closed between you and Crosshair until your knees brushed lightly.
"What if it were a compliment?" You asked.
"I guess it depends on how you reacted, if you weren't comfortable." His eyes bore into yours now. "But you seem to like the compliments from the Regs."
You shrugged, "As I said earlier, I'm used to it."
His hand moved toward you, gently caressing your face. You could feel the calluses on his fingertips brush against your skin and you leaned into his touch.
"Would you react the same if I complimented you?" He asked, his voice a little more than a whisper.
"You could try." You answered. “See what happens.”
His hand traveled down to rest on the side of your neck, with his thumb stroking your jawline.
He shifted slightly closer to you, eyes half-lidded. Your heart was pounding in your chest, and you were certain he could hear it with how quiet it was in the room.
Crosshair leaned over to you and looked into your eyes, looking for any hint of hesitation, and when he didn't find any, he pulled you into a kiss. It wasn't demanding, but it wasn't gentle either. You could tell that this is what he had been thinking about when he said he had to clear his mind.
Neither of you had been sure if the other wanted this, but when your lips connected, you both figured it out.
His tongue pushed into your mouth and he swallowed the moan you gave when you tasted him.
His other hand had made its way over to you, resting on your waist. Your hands rested on his chest at first, but slowly wrapped around the back of his neck, drawing him closer.
He sat back to look at you, leaned against the arm of the couch, lips starting to swell, pupils dilated, and he smirked.
"You're beautiful." He told you. You knew he was trying to get a reaction from you, but his voice was sincere.
You could feel yourself getting warmer, and your stomach beginning to coil with the dull ache you felt between your legs.
You slid off the couch and gently took his hand, pulling him up with you.
He seemed confused for a moment, so you clarified.
"Figured you'd want somewhere a bit more comfortable."
His smirk returned, "Presumptuous of you."
"If I'm wrong, we can continue to sit here."
"Oh no, you’re not wrong. Lead the way, mesh'la."
You had heard the Mando'a compliments so many times they didn't even feel like real words to you, but Crosshair saying it brought new life.
When you didn't move, he leaned in to kiss you, but you ducked out of the way and began walking to your room.
He watched you walk away, slightly offended when you dodged his kiss, but that disappeared when he looked at your hips swaying, beckoning him to follow you.
When you walked into your bedroom, you turned on the lamp beside your bed before sitting with your back to the pillows, watching the door for him.
He entered slowly and you finally took a good look at him. He seemed much taller in your apartment than he did at the bar. You eyed him from head to toe, feeling your core clench slightly when you noticed the raised outline of his crotch straining against his jeans.
"Come here," you said, your voice low.
He walked around to the end of your bed, crawling over you with one leg on either side of your ankles.
"Closer." You breathed.
He moved upward, hovering parallel to your hips, eyes fixed on your core.
"Good boy,." You praised him. You didn't expect him to groan at that, but as if something ignited in him, he dipped down, kissing your stomach, then your hips, and moving down to kiss your thighs before hooking his fingers into the waistband of your jeans, looking up at you to ask permission.
"Yes, please, Crosshair."
He worked your jeans and panties off in one fell swoop, throwing them to a corner somewhere once they were off. You gasped when you felt his lips on your upper thigh, slowly trailing higher.
You arched your back slightly, desperate to feel him, but he smirked against your leg, biting into the soft flesh, before kissing the mark he had left.
He moaned when he felt your fingernails scratch against his scalp, trying to guide his head when you needed him.
He left another mark on your other thigh before licking a stripe from that mark all the way to your centre.
Your back arched again, pulling his face closer to you.
"You like that, mesh'la?" His voice vibrating against you.
"Y-yes!" You threw your head back in pleasure when you felt his tongue circle your entrance before swiping up between your folds, tasting all you had to give him.
"G-good boy, keep... keep going."
His hands found their way to your hips, holding them in place, you were certain that he was going to leave bruises on each one but you didn't care.
His lips clasped around your clit and he sucked so hard you saw stars, and then he went back to using his tongue, circling the bud slowly, trying to pull every moan from you that he could.
"Say it again." He said against your centre.
"Say what again?" You teased, knowing exactly what he wanted.
"Call me a-" He licked you up and down again, not finishing his question.
"Oh, you want me to call you a good boy?" You asked sweetly.
He rutted his hips against the bed as his tongue dove into you.
You cried out his name. The intensity of him drinking you up had begun to build and with it, you could feel yourself beginning to come undone. You were so close, you could feel your walls clench around his tongue, and he pulled it out.
You looked down at him in time to see his hand slide down from your hip, and he planted two fingers inside you, curling them against your walls.
"Go-good, you're so good, Crosshair, know just what I want."
He groaned, grinding against the bed again before adding another finger, drawing a cry from your lips.
His thumb took over for his tongue against your clit as his long fingers worked on opening you up. He placed gentle, yet desperate kisses wherever he could, nipping at your soft flesh.
"Cro-Crosshair I- I'm so close."
He sucked another mark onto your thigh and groaned when he felt your hand tighten around his hair.
Your hips bucked as you felt yourself get closer and closer to your release.
"That's it, come all over my fingers." His voice coaxed you further, "Let me feel you."
His tongue went back to your center, working circles around you again as your walls continued to clench around him.
It didn't take much else to pull the orgasm out of you, you cried out his name as you came undone, legs twitching and hips bucking as he continued to work you through it.
He pulled his fingers out of you, and kissed your center once again before leaving a trail of kisses up toward your neck, slowly lifting your shirt as he went before it, too, was thrown into the corner of your room. He nipped and kissed the sensitive skin, leaving you another mark before kissing your jawline and lips once more.
He was perched above you, leaning on one of his elbows while he straddled your hips, his jeans doing little to hide the feeling of his stiffness pressing into you.
“How was that, beautiful?” He asked you, a smirk plastered on his face.
“Perfect,” you replied. “I think you deserve some attention now too, for being so good to me.” He bucked his hips involuntarily into you.
He brought his hand up to cup your face. His fingers still wet from your slick. He rested them against your lips before pushing them past. You moaned against his digits as he pressed them against your tongue, making you taste yourself. You circled each of his fingers with your tongue before sucking on them gently. He pressed his head into where your shoulder and neck meet as he reluctantly pulled his fingers out of your mouth, thinking of nothing else but how your lips would feel wrapped around his cock.
“Do you want me to fuck you, cyar'ika?”
“Gods, yes, but first I want to taste you.”
His cock twitched against his jeans.
“I didn't know you could read minds.” He said, his voice low.
“I can't, I just know how I want to reward my good boy.”
Before he could say anything else, he got up from you and sat back on his heels, undoing the button on his jeans, and unzipping them just enough to relieve some of the strain.
You sat up and crawled toward him, resting your hands on his thighs, looking up at him for any sign of discomfort before you pulled on the waistband.
“You know, it's not very fair that you're so covered and I'm not.” You told him with a mischievous glint in your eye.
“No? Well, we can fix that.” He quickly pulled his shirt off before throwing it aside, revealing his toned chest. Your hands brushed against his abdomen and he sighed. You began idly tracing the outlines of his muscles and scars, and he took your chin between his fingers and tilted your face up to his, kissing you gently at first then with more passion. You felt him bite your bottom lip and you moaned into his mouth. Your hands glided across his skin before finding the waistband of his jeans again.
Without breaking the kiss, he helped you to disrobe him, and when you pulled down on his briefs, he sucked in a breath, feeling his cock spring free.
You looked down at it and instinctively parted your lips slightly, feeling your pussy clench around nothing in anticipation.
“You just going to stare at it all night?” He asked you.
You shook your head, “Can't wait to taste you, to feel you fuck my mouth.”
You saw his cock twitch at your words and you looked up at him with a smirk. “Is that what you want?”
Instead of answering, he laced his fingers through your hair, guiding you down toward him. You were bent over, using your elbows for support with your ass in the air.
“I could get used to this view,” Crosshair said. You didn't have to look up to know he was staring at your ass, but you pulled his gaze back to the back of your head when you kissed the side of his length. His breath hitched at each gentle kiss you gave him, and you heard him try to subdue a moan when you licked a stripe along the vein at the bottom all the way to the head, cleaning up any pre-cum that had already begun to spill out.
“F-Fuck,” He sputtered.
You peered up at him through your lashes and his grip tightened around your hair, trying his hardest to not buck his hips and force himself into your mouth.
Your tongue swirled around his head before you took it into your mouth.
He whispered your name as he guided you further down onto him, and you took him inch by inch.
You couldn't fit him all, you felt yourself gag slightly when he got to the back of your throat, which earned another moan from him, and you wrapped one hand around whatever had been left out.
“Gods, you're taking me so well, wanna feel you gag on me again.”
You moaned around him as he began using your mouth. He bucked his hips into you as he brought your head further down onto him. Your throat closed around him once again and you felt tears prick in the corner of your eyes.
You ran your tongue across the bottom of him again, bobbing your head up and down on him, swallowing around him, sucking on him, all while he was bucking his hips into you.
His thrusts started to quicken, becoming slightly more erratic, and you gave a warning tap on his leg, you couldn't take him that quickly. He understood and slowed down.
“S-Sorry, beautiful, didn't mean to hurt you, I'm just getting close..”
You removed your hand from the base of his length and gently caressed his balls as you continued bobbing on his cock.
“Gonna make me- I'm gonna come down your throat if you- if you keep that up.” He said between pants.
You hummed around him and kept going. You felt him begin to tighten up and you could hear quiet curses fall from his lips.
He moaned your name as your cheeks hollowed out around him. He stilled inside your mouth, and you felt hot spurts of him hit the back of your throat. You swallowed everything he gave you before pulling off of him, a trail of saliva keeping you connected to him for a moment longer before you sat up on your knees.
He was breathing heavily and when he looked at you, you could still see his eyes full of lust.
“Cyar'ika,” He breathed out. “You are so incredible.”
You leaned forward to kiss him before you felt yourself fall back onto the pillows with him caging you in with his arms.
His kisses were hungry, he pushed his tongue into your mouth, tasting himself and you on your tongue.
“Want to fuck you. Want to be so good for you.” He said almost into your mouth. “Want to hear you scream my name as I come inside you.”
His words elicited another moan from you, and he took the opportunity to push his tongue between your lips again.
His cock began pressing into your leg as you felt him getting hard again.
“Crosshair,” you said quietly. He stopped and looked at you, afraid he might have crossed a line. “Lie down.”
He got up from on top of you and rolled onto his back as you moved to straddle his torso.
You kiss him gingerly on the lips, and then his neck. You felt his hands come up and rest on your hips.
“You gonna be good for me?”
He nodded quickly. You kissed the tip of his nose before positioning yourself above his cock. He bucked his hips once trying to close the distance.
“Patience.” You told him before sinking down on him.
Heaven.
That was the only word that could describe how he felt inside of you. His eyes screwed shut, your tight walls felt like they were suffocating his cock as they fluttered around him and he needed to feel more of it. You threw your head back and he tightened his grip on your hips. You sunk yourself down slowly until he had fully disappeared into you.
Once you had adjusted to how he felt, you moved your hips against him as you leaned over him, seeking out his lips. He kissed you back with fervour as his hands slid around to your back and he bucked his hips to meet your movements.
You wrapped your arms around his neck, pulling him back up with you. His face was buried in your chest when you straighted your back, and you could feel his lips press against your breasts, and then his teeth.
You moaned at the feeling, rolling your hips into him faster. His hands glided along your skin back to your hips. He held them tightly as he lifted you off of him slightly before shoving you back down.
“Fuck, Crosshair!” You cried, feeling him even deeper inside you.
He groaned as your walls constricted around him again, this time when he lifted you off of him, he had nearly pulled out completely before slamming himself back in.
You panted out quiet curses as you tightened your arms around him.
“This okay?” He asked you as he did it again.
“Yes, gods, you feel so good. Want you to fuck me harder, feels so good.”
You didn't need to ask him twice. His hands slid up to your back as he eased you down on the bed before putting his hands on either side of your head.. He used his knee to push your leg up, opening you up more for him.
His slammed himself all the way in again, each thrust seeming to reach further and further. Your hands fell above your head and he used the opportunity to grab both of your wrists with his hand, pinning them above you as he drove himself into you again at a brutal pace, relishing in the way your tits bounced with each of his thrusts.
“Gods Crosshair, being such a good boy for me,” you panted.
His lips landed on your neck, kissing you then biting you, leaving another mark on the soft skin.
“You're marking me up so well.” You said as he gave you another love bite just above the last one.
“Gotta make sure everyone knows that you're mine, make sure that trooper knows who you belong to.”
You arched your back with a moan, just as he thrusted into you. With his relentless pace, you knew you wouldn't last much longer, his words were only sending you further over the edge.
“Getting so close, Crosshair,” you said between thrusts.
He answered by bringing his free hand down to rub circles around your clit.
“Come on my cock, wanna feel you come, wanna hear you scream for me.”
The coil tightened again, he felt your walls squeezing him and his breath hitched.
“I'm gonna come with you, angel,” He told you. “Tell me where you want me.”
“Inside, I want to feel you fill me up.”
His grip on your wrists tightened as his pace with his other hand quickened, pulling moans from you with each thrust.
“Pl-please, I'm so cl- so close,” you whined, getting more desperate for your release.
He knew that he couldn't keep going for much longer as his thrusts became more erratic, but he was determined to wait for you.
Your moans grew louder and you clamped around his cock more with each thrust. The build up was getting to be too much, until eventually the knot in your stomach came undone, you screamed his name as your orgasm finally crashed over you.
“That's it, just like that,” He said, his hand moved from your wrists to intertwine his fingers with yours as he thrusted as far into you as he could, spilling into you, painting your walls with his his release.
You both stayed as you were, panting, looking into each other's eyes and then his lips came crashing down onto yours as he pulled himself out of you.
“You're incredible,” you told him, completely blissed out.
“So are you.” He buried his face in your neck, not moving from on top of you.
“Shower?” You asked, and he sighed and nodded into you.
“Please.”
He got up off you and took your hand, waiting for you to lead him.
“I take it you liked the compliments.” He said, more of a statement than a question.
“Hm?”
“Unless that’s how you always act when a clone compliments you.”
You shook your head, “No, that was reserved only for you.”
He had a smug smile as you began to walk to the fresher with him in tow.
“Can't wait to see what the others say when you walk into the bar, with my marks all over you.” He said, grabbing your hips from behind, pulling you back toward him.
“Well, not all over me, but there's still time, if you're good.”
You escaped from his grip and he all but dragged you into the refresher.
#tbb crosshair#crosshair bad batch#the bad batch#the bad batch fanfiction#tbb fanfic#crosshair#bad batch crosshair#crosshair smut#crosshair x reader#crosshair fic#the bad batch fanfic#the bad batch x reader#crosshair x you#crosshair x reader smut#tbb crosshair x reader#the bad batch smut
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What are you choosing ?
Note: hey everyone! This is little something that I have constructed in a way for you to see if you really know yourself but also as a way to heal and understand your inner desires and needs. This is a part of what we call shadow working, hopefully it will help. you are free to do this quietly, or if you want to share with me, feel free to do so <3
How it works?: please choose one option between the two and try to argument within yourself why you chose that
This or that ?
Question 1
an apology from your father
a hug from your mother
Question 2
being loved
being able to love
Question 3
your father choosing family over work
holding your childhood pet one last time
Question 4
a good night kiss
your hair getting brushed and braided
Question 5
the ability to forgive yourself
finally being heard and understood in your family
Question 6
“i am proud of you” from your mother
“i love you” from your father
Question 7
reading you favorite childhood book for the first time
a letter from that one friend you one day never heard from again
Question 8
crying in your mother’s arms
yelling at her all the things you were too afraid to speak out loud
Question 9
not feeling constantly lonely
not feeling constantly misunderstood
now please choose one number between 1-6. pick the one that you are currently feeling most attracted to. and read your message:
1- Yeshe Tsogyal: you will be able to overcome all of the obstacles you are currently facing. allow your spiritual guides to guide you through this and trust the process, the path that you are in. surround yourself with the people you know bring you only light into your life, allow yourself to trust them more and to trust yourself as well. by working on your spiritual side you will be able to overcome your shadow self.
2- Yogoni: Of course there’s a lot of changes happening in your life at the moment, but keep in mind that sometimes a door will close in order for another to be opened. trust your path and tell yourself if thighs aren't meant to be because life is trying to limit the pains in your life. stay faithful to yourself and your healing oath, as long as you stay authentic to yourself, you will be able to overcome things
3- Terra Mater: your mental and spiritual path does not unfold like most people, it is taking a different way but you need to trust the process, as your spiritual guides love you unconditionally and they will help you find peace of mind. follow the new ideas and accept the changement that is happening in your life. your manifestation is strong, use it wisely. you know that goal you have? grasp it. Even if people say that it's stupid and impossible for you to have it, don't let it go and fight for your desires.
4- Beatitude: don't be afraid to show the true you. The only way to heal your inner conflicts and the pain is by accepting and loving who you are. even when things seem so hard to reach, keep walking down the rightful path and trust life. all the difficulties are going to bring you to wisdom and the right path.
5- Biche: You are only a child that has been hurt. I am so sorry that you had to go through this hard thing. but your energy is able to overcome all of this negativity. you don't need to become something that you are not, your spiritual light is already warm and soft. keep yourself true to your inner core and things will become easier
6- Volva: your spiritual power can heal your dark self way better than what you think. It's time for you to travel through the spiritual world and engage yourself more. don't try to control what is happening and allow it to unfold before you. instead work on something tangible, on something that will help you healing from all the pain you have suffered
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Alrighty! @number-one-shadisper-shipper and I binged the Knuckles series today, so time for thoughts! SPOILER ALERT.
I'll admit the show wasn't perfect. I've seen the negative reviews, and I kinda get where they come from. BUT! I did enjoy this show greatly! And I'm not here to complain. Time for some happy thoughts, y'all! 💙🤩
I think you need to have a love, not just tolerance, for the SCU in order to properly enjoy this show. I do have such, so I had a lot of fun with it.
There were definitely scenes from every episode that had me either squealing, laughing, crying, or flipping out. But my favorite was likely the first episode, because come on, we saw the Wachowski family! Most of them, anyway! While I missed Tom's presence, I was grateful for that comment from Maddie about him being "out of town," so he wasn't just gone for no reason.
The SECOND it showed our three space babies hanging out together in their room?! I SCREAMED. THE BOYS!!!!
Tails sitting on his bed tinkering with one of his gizmos, Sonic rocking out to music with an air guitar, and Knuckles exercising from one of the ceiling planks. IT'S THEM!!! They're just hanging out, doing their thing, looking oh so much like brothers. And Sonic's narration at the beginning was GOLD. 🤣💙
Even though we didn't get enough of Maddie being a parent, we definitely got a nice chunk for it only lasting part of an episode. Maddie called Knuckles "one of our kids" (that had me SCREECHING). The angry mama vibes were GOLDEN. 🤣 The way she made breakfast for them, the "Boys, breakfast is ready!" I love the normalcy of it! Can't wait to see more in the future! (Her calling to them with "boys" is somehow just the sweetest thing and I'm melting.)
The poor mailman being like "I just wanna go home, man" 🤣
We were right, fellas, Knuckles had no idea what being grounded meant. 🤣 Although the way Sonic piped up with "Oh, I definitely know what it means," has me suspecting that Sonic himself has gotten grounded a decent amount before. 😂
Knuckles trying to talk back, and Maddie going, "ExCUSE ME?!" then just making those tiny, terrifying noises and Sonic being like "Bro don't mess with Mom when she's mad" (okay, he didn't say "mom" and that made me sad, but the mom vibes were 110% there so I'm here for it). 😂 And since Knuckles snuck out and later Wade said, several times, "Aren't you grounded?" seems to confirm that this entire show is basically what Knuckles does when he's grounded. 🤣 Although ... his comment about not being able to be grounded because he had no home made me very sad. 😭
I did not have an issue with so much Wade screentime! Sure, he isn't my favorite SCU character, but I love what this show did with him! I'd already seen his moments in the movies (like nearly shooting Robotnik in the face with an actual handgun). I like how they gave him actual family issues; a dad who abandoned him and his family, a realistic sister, a mom. Bad family memories. Awkward reunions. They could've made it a joke, but they didn't, and I greatly appreciate that. Especially since I've witnessed firsthand how painful family separations can be. 😔
All the emotional talks Wade and Knuckles had caught me off guard in the best way! The way they talked about their different family issues, the way they talked of betrayal from friends, and being left alone, hit way harder than I was prepared for. Especially that talk they had at the burger place in the middle of the night? Oof. Good talk right there.
Also, even though they took a "show don't tell" take with it, I loved how Knuckles relaxed more and more throughout the show. In the beginning, he couldn't rest, he couldn't sit back and have a genuine good time. But the more he hung out with Wade and his family, the more he learned. He learned about music and found "his jam" (that was literally amazing btw). He watched movies with Mrs. Whipple and ate snacks in the hotel room in Reno and watched more movies. He had his teenager moments of rolling his eyes and rebelling, but he was so well portrayed here, I loved it. I felt for him.
Despite the bizarre nature of the episode "Flames of Disaster," (we were cracking up so hard) I'm trying to glean bits of the truth of Knuckles's story from the crazy musical play that Pachacamac put on in Wade's dream. I mean, "Longclaw" and her tribe were there, and ... what the heck was that giant demon thing?! Iblis?! Does our Knuckles Wachowski have an actual history with freaking Iblis?!?! 😱🔥
I was deeply intrigued by the two main antagonists, especially at the implication that G.U.N. did seem to exist before the events of the first movie?! Did it exist, get disbanded after the Maria incident, then get reformed?! My brain is exploding. 🤯 I was even more shocked that they apparently died? I guess I shouldn't be surprised, the Wachowski kids don't seem to have much qualms about getting rid of the baddies for good as the game versions do. That was a terrifying phenomenon, what happened with the two rings. 🫣
And then the Buyer getting crushed by the giant glass ball 👀
Although in those last two episodes, I admit I was freaking out and legitimately near tears at Wade's seemingly having to "betray" Knuckles. Before the reveal that all was in good communication, all I could think was how relaxed Knuckles finally seemed, chilling in the hotel room, being excited about whatever Wade wanted to "show" him, questioning whether it was a song, him declaring that he was going to bring his favorite hat, 🥹 all I could think was of their previous discussions about betrayal from friends and family, and when Knuckles called Wade "my friend" right before the elevator doors closed, I just about sobbed. I was like "please, don't let him be betrayed, don't let him have come all this way and relaxed so much only to get 'betrayed' once again by someone he's come to consider a friend." 😭 We heaved a HUGE sigh of relief when it revealed he was aware of the trap the whole time. 😪
Maternal instincts went nuts when he got so badly hurt in that final battle 😭 I literally reached for the screen several times and was right back to almost weeping 🥲 And someone tell me I wasn't the only one noticing the parallel in that scene with Wade standing in front of his unconscious body the way Tom did with Sonic in the first movie. That, PLUS Knuckles's epic comeback, and his retrieval of his own power?!?! EPIC!!!!
The ending was abrupt, sure, but the pure joy on Knuckles's face after everything as he jumped up to high five Wade was just too sweet. 🥹
So yes, even though I would have loved just a little more, a return to Green Hills, a reunion with Maddie, Sonic, and Tails, I adored this show. It was a wild ride, full of laughs, tears, excited screeching, etc. 💙💛❤️ I don't care what anyone says, nothing will make me hate it.
#sonic the hedgehog#sonic#knuckles series#knuckles series spoilers#spoilers#knuckles#knuckles show#knuckles wachowski#sonic wachowski#tails wachowski#maddie wachowski#the buyer#review#positivity#positive review#IT WAS SO MUCH FREAKING FUN#sonic cinematic universe#scu#wade whipple#no hate to wade you hear me#none#any hate replies or anything will be deleted#this is a positivity zone#i am here to have fun not complain#i will have all the fun and no one can stop me#sth
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Dating Lyney
Day #1 of writing for my beloved in an attempt to coerce him into showing up early. Come home, my little magician, I need you!
Please feel free to send me requests for what you want to see next!
Fandom: Genshin Impact
Character: Lyney
Warnings: Fluff, magic. Some mild spoilers for the Fontaine archon quest.
Note: Some people consider Lyney to be a minor, so keep in mind that he's 18+ in this, even though there's no NSFW.
So you wanna date the rizzler huh? You'd better be prepared, because he's the world's biggest flirt. It literally never stops, no matter if you've been together five weeks or five years. He's always going to have something suave to say, always going to keep surprising you with little magic tricks. It's just how he is, especially when he's passionate about something - or someone. You'd best be ready to hear him say he loves you twenty times a day, and you'd better say it back, too, or else he'll get that adorable pout on his face and hit you with the puppy dog eyes. Sometimes you wonder if the man has a serious bone in his entire body or if Lynette inherited them all, but you know him better than that.
Lyney is such a gentleman. He's ridiculously charismatic, but he's also so, so sweet. He'll do anything and everything for you. He pulls out chairs for you, holds your hand while walking - you'll definitely have to stop him from draping his cape across puddles for you like they do in the movies. It's a little cheesy, sure, but it's so endearing with that sweet, lovesick smile on his face, and you can't help but love him more for it.
He's a very observant person. It just comes with the territory. He's trained himself to pick up on the subtlest little details, and while this primarily applies to magic and his work, but it also applies very heavily to you. He notices everything about you, from what you order at restaurants you go to on dates to what color clothing you prefer to wear to the way your tone and expression naturally shift as you talk about different topics. He memorizes you, so much so that he'll surprise you with things you've mentioned once in his presence, or perhaps not at all - he's quite good at putting pieces together and figuring out things behind the scenes, after all. You once asked him if he had the ability to read your mind after he pulled a slice of your favorite cake out of his hat, and he merely laughed and replied, "a magician never reveals his secrets, my dear~"
Speaking of which, his laugh is one of your favorite sounds in the whole world. The little chuckles and laughs peppered throughout his speech are lovely, of course, but you know they're mostly part of the show he plays for the audience. Your true favorite is the way he laughs when you're alone with him, when you say or do something funny or catch him off guard. There's something so magical about it, like you're getting a private glimpse of his beautiful soul. One of your favorite memories is when you got him to laugh so hard he could barely breathe, a genuine smile stretched across his face and a delightful sparkle in his eyes.
During the early part of your relationship, he's very guarded and secretive, despite his open and outgoing persona. Depending on your thoughts about the organization, he might attempt to hide being a Fatuus from you, just because he's terrified of your reaction. He puts a lot of effort into appearing absolutely perfect, because he believes you deserve nothing less than perfection. Even if he is honest about his work, he holds back his innermost feelings and desires for quite some time, continuing to play the part that is required of him. He cares dearly about you, and he's not about to let you go because of a careless misstep on his part.
It takes him some time before he learns to be vulnerable with you. He's so convinced that he always has to be perfect, that he has to be strong for his siblings and for you, and he doesn't allow himself to show any of the negative emotions that haunt him day after day. Slowly but surely, however, you will break that wall down - brick by brick, if you must. He begins to lower his guard when you are alone, to let the mask slip and show his true feelings, even if they aren't glamorous, even if he hates them. Once he trusts you enough to show you the truth that he hides from even his siblings, your relationship grows even closer.
Writing Masterlist 🐝 Requests Open!
Tag List 🐝 @mossmosis
#beefriend-writes#genshin lyney#lyney x reader#genshin impact#hi mossy#come home Lyney#I'm literally begging you
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It's so easy to forget that depending on who you follow, you experience the fandom in vastly different ways. I recently reblogged a post and later discovered that in the comments, everyone was talking about toxic Buck and Tommy shippers who call people who don't ship it but only ship buddie biphobic and I just. Have not seen that AT ALL.
All the negativity I have seen is coming from certain Buddie shippers who feel Buck and Tommy shippers who were previously (and most often STILL IS) Buddie shippers are "traitors" and "jumping ship". Most of them are just having fun with a canon queer couple but would still be overjoyed with canon buddie.
I generally don't see much drama on my dash except for people replying to anon hate. I must follow the right people, because it seems like they're all pretty chill, pro-multishipping and pro having fun with whatever you like.
It's just wild that the perception is so different.
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Random Doctor Who Facts You Might Not Know, Part 49
If you recall from a previous part, it is a class 2 intervention for a Time Lord to set themselves up as a god, and the punishment for this is vaporization. (Audio: False Gods) On an unrelated note, the Doctor is referred to ans treated as a god by many races and species in many different stories.
The Fifth Doctor has given Turlough and likely his other companions long, extended lectures on cricket. (Audio: Phantasmagoria)
The Master was connected to everything and nothing while stuck inside the Eye of Harmony. (Audio: Planet of Dust)
Sarah Jane was aware of the Master before they met in the Death Zone. (Novel: Managra) This suggests that maybe she heard of him through journalism or through UNIT, or maybe, of course, the Doctor spoke about the Master often enough that she became somewhat familiar with who he is.
The Twelfth Doctor once performed surgery on Danny Pink when he had been caught in a blast on an alien world. It was very important to both of them that Clara never found out about it. (Audio: War Wounds)
Time Lords have an instinctive fear of the Ravenous, like how sheep tend to be afraid of wolves and how deer freeze in headlights. (Audio: Deeptime Frontier)
By one account, Sarah Jane thought of the Third Doctor as a father figure but the Fourth Doctor as a mad uncle. (Novel: Managra)
The Master keeps a well stocked liquor cabinet. (Novel: Deadly Reunion)
Under the influence of cyberparticles, K-9 would say "no" instead of "negative." (Audio: The Fate of Krelos)
The Fourth Doctor recalled beating Ernest Hemingway at tiddlywinks, and apparently, Hemingway never forgave him for it. (Audio: Death Match)
The First Doctor and Susan were being pursued by the Chancellery Guard when they stole the TARDIS and ran away from Gallifrey. (Audio: The Beginning)
The Fifth Doctor once used his cricket bat to deflect a sword blow, but his cricket bat was damaged by the impact. This saddened the Doctor. (Comic: The Tides of Time)
The Guardians of Time number six in total and is called the Six-Fold God. All the aspects of the universe are split amongst the six of them. Included in the Six-Fold God are the White Guardian of Light in Time, the Black Guardian of Darkness and Chaos, and the Crystal Guardian of Dream and Fantasy (also known as the Toymaker). (Novel: Divided Loyalties)
The Fifth Doctor and Turlough once showed up to stop an evil from committing murder, only to find multiple versions of the TARDIS nearby and that the previous victims, burnt beyond recognition, all had two hearts. The Doctor realized that he was caught in a paradox and that the previous victims were his future selves who had also shown up to stop the murders. (Audio: Repeat Offender)
According to some, the Doctor was the best agent the Celestial Intervention Agency ever had. (Audio: Intervention Earth)
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#doctor who#dw#dr who#classic who#new who#big finish#big finish doctor who#big finish audios#dw eu#doctor who eu#doctor who expanded universe#fifth doctor#eighth doctor#third doctor#fourth doctor#turlough#vislor turlough#sarah jane smith#the master#first doctor#susan foreman#k9#k 9#time lord#time lords#gallifrey#the toymaker#twelfth doctor#danny pink#clara oswald
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Does it ever make you ever feel depressed that men have more variation in IQ? That means even though there will always be more male idiots, there will also be more male geniuses. So women can excel in any field, but a man will almost always be the "best" in it. It just makes me feel inferior every time I think about it, way more than strength difference does. Not only that, but they also have higher variation in all types of brain structure. That would mean men are naturally more diverse, personality-wise.
Sometimes I get into these negative thought processes about stupid shit and it totally consumes me. This is my latest one... Please help
Hmm.
Well firstly, IQ is a completely fake concept designed specifically for eugenicist purposes. You can train for an IQ test, your score can change depending on the day, and your score doesn’t mean anything apart from how good you are at IQ tests. It’s not a measure of intelligence, and ‘intelligence’ isn’t real anyway - as in, there is no such quality of uniform intelligence. I think it stands to reason that the highest IQ scores will be from men, because the tests are constructed around a fundamentally male world-view and value system as well as a white one. And that is what depresses me more - that ‘intelligence’ is viewed as some innate quality that only oppressors can possess so they can prove that they deserve their place in a meritocracy. It’s like that controversy about men winning more at Jeopardy than women - the world is structured around male interests and values, so men achieve in mainstream contests and use that to retroactively justify the legitimacy of those values and interests in the culture.
I’m less interested in the concept of a man beating a woman at certain activities because of him being smarter than her, than I am about him beating her because he's socialised from a young age into enjoying and valuing those activities - but also often regardless of his actual performance, he's also by default assumed to be better and more competent than her purely because he's a man. Take for example that study where when they did blind auditions for orchestras, men still got in more than women, but when they put carpeting down so women's heels couldn't be heard, there was finally a more equal ratio of women getting in. Or those studies where identical CVs given out and names that are typical of women, black people etc. get seen as less competent than those with male and white names.
We don't live in a world where we can objectively measure men's 'natural' abilities at anything psychological. But we do live in a world where we know that women's skills are massively undervalued - women have all sorts of intelligences that make the world run round; we're excellent negotiators, we're less violent, we're great at remembering, we have greater compassion, we make good leaders, we are more responsible, we have greater tact, we are safer in the workplace, we're more conscious of social issues and the environment, etc. etc. And none of what we have is seen as 'intelligence'; in fact, quite the opposite - many of our intelligences are dismissed outright as sentimentality and pearl-clutching.
Once again, though, I don't believe these traits are uniform across all women, or that they're 'natural' to us, just as men's traits aren't 'natural' to them. In the nature-nurture debate, there are too many factors in nurture that can't be realistically measured - and I have a suspicion that for many, feminists included, simply saying that men and women naturally possess certain traits is an easier narrative to swallow, because for many women the fear exists that if men can be socialised to be better, then dismissing them as evil would be morally wrong. But I don't think people need to be intrinsically, ontologically evil for us to dismiss them as oppressors - I simply judge by behaviour, which is more measurable.
Going back to intelligence, I think it's also worth saying here that women are socialised into not recognised or appreciating our skills, and to partake in behaviours that psychologically hobble us. Take for example in that orchestra study - under a feminist lens, wearing heels is a form of hobbling that's both literal and psychological. The woman is performing a feminine ritual, wearing a physically debilitating item that submissively marks her as a woman. Not to say that she would be respected more if she was gnc, but I find it interesting how women accidentally lost their spot on the orchestra in the study because their performative clothing made them noisier and easier to recognise as women. And on top of that, we have stereotype threat - there was a study done where men and women were performing some sort of test, and in one half they were in normal clothes, and the second they were in swimwear. In the second one, women performed more poorly than they did in the first, and men saw no change. Once again, we have two inexorably interlinked factors at play, here - women's swimwear is not built for utility but rather to be sexy, and women's bodies are considered inherently sexual; that's not to say that if women were wearing men's swimwear they'd do better at the test, but rather women are socialised to be self-conscious of themselves but also expected to show more skin - we're expected to dumb ourselves down in the name of being sexy.
The upside in all of this is that the moment you recognise that these things aren't set in stone, and rather that these are all skills you can develop if you gain confidence in yourself, you develop a robust sense of self that you can be comfortable and happy with regardless of external measure of male-approved success. I, for example, found confidence in myself and my writing, and now I'm finding success and getting praise online by women on tumblr. It seems you're best finding yourself environments surrounded by other women, especially feminist-minded women who are consciously choosing to fight against established biases by valuing the skills of women that are undervalued by society. Devaluing male interests and achievements in your own head is something you can also do, and I once again recommend feminist spaces as an excellent opportunity to de-program (obligatory plug for my side blog @learningwomanhood where I do exactly that).
For me, the biggest wisdom to be gained from feminism is the psychological distancing yourself from male thought - the more things you reject that you once unthinkingly believed to be normal, the more you feel that you can truly be human, vibrant, unconstrained; and the more silly the whole enterprise of patriarchy looks. It's not nice that rejecting patriarchy means rejecting mainstream society, but the older you get the more you realise that you simply can't dwell on these things and instead have to do what benefits you within it; nobody is owed a perfect existence, and once you realise that you have to choose a life for yourself and choose to be happy with that, your life will be much more comfortable. In the end, life is all about the gestures of love you make to yourself and others. When you realise that it's your job to be your own best friend, you can carry that energy with you your whole life; you will be inpenetrable because all that matters to you, no matter what situation you're going through or what hell you're in, is that you made decisions that showed love to yourself. That could be considered a form of intelligence - perhaps wisdom itself is a form of intelligence that is devalued specifically because it's female-coded. But wisdom sounds like nothing until you internalise it - all the language in the world can't seem to really get to its essence until something inside you clicks and you understand it.
One thing I would like to say is that those negative thought processes you have are not stupid: they are a valuable part of your processing of the world and are worth attention. We have this cultural idea that with regards to mental health, the parts of us that are 'real' and 'valid' and 'truly us' are all the good parts, and the negative thought processes and patterns of behaviour are like cancerous tumours that need to be artifically removed. One of the best things I ever did for myself is to take myself seriously - because that's my prerogative, as myself and my own best friend. The only thing 'bad' thing about those thought processes is that they cause you distress; that's it. So, then, it's up to you to decide how much you want to indulge in them. I find the best way to really tackle unpleasant behavioural patterns is to simply do them shamelessly, because clearly a part of you wants to do them anyway; one of the first ways I got out of my depressive spirals was to decide that I was going to do all the depressive actions (stay in bed, eat junk food etc.) but simply embrace that those are things I want to do and not feel guilty or sad about it. That way, the depression hasn't consumed me and instead I have made a choice - I have reformed my relationship with myself as an active agent and a made a choice to show love for myself through the gesture of taking my desires seriously, not dismissing them as 'mentally ill'. I could go on but the point is that all of your head is necessarily you - as in, it doesn't come from anywhere else but you, and therefore all of it should be respected and valued. Mainstream society won't tell you that - there's always supposed to be a limit, there's always something that's 'unhealthy' in some sort of metaphysical sense, there's always a part of you that's supposed to be beholden to some external standard, that keeps you feeling insecure and needing validation. But there is no true objective measure of a healthy mind; the only thing that matters is if you're comfortable with yourself, and you can always make gestures of love to yourself regardless of your situation.
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HEY! MINORS ON THE INTERNET! FANDOM BIG SIBLING TALK TIME GATHER ROUND!!
So you know how we, the adults, are constantly telling you to watch what you’re putting in your heads? To be wary of what music you listen to, what shows you watch, what context you engage with?
It’s not about gatekeeping or keeping you from having fun or babying you. We have actual, legit reasons. And it super important. Please please listen.
Coming from someone who started consuming VASTLY age-inappropriate content at the ripe age of 11- you don’t realize how it affects you. I would’ve always been aroace, but I might not have been a ✨traumatized✨ aroace who despises a lot of the shit in my head.
Yeah, some people will only be slightly impacted. Some might not notice the impact at all. But for some of us it will deeply affect our psyches in ways that will negatively impact us for the rest of our lives.
I have really really gross things up in my brain now that is going to take years to get out if I ever can. Thought patterns and daydreams that make my skin crawl. And it’s 100% from the content I consumed at a young age.
Your young mind is absorbing information like a sponge and storing it away- that’s why you learn things faster than an adult. Your brain is developing and snatching up everything it can to make sense of the world and putting nsfw content in there is going to leave a trace. It’s going to affect your outlook, your behavior, your thought patterns, even if you don’t notice it.
So please for the love of everything- listen when we tell you to be careful. Pay attention to what you’re putting in your brain. Indulge your hobbies, learn all the new skills, have all the cool experiences, try all the different things. But protect yourself first and foremost. <3
I love each and every one of you so very much, and I’m not just saying that!! If any of you need to talk, I am available to be a supportive-yet-reasonable internet big sib for whoever needs it. (I will love you to the ends of the earth and also bonk you on the head when you’re being a dumbass <3).
[If my fellow adults could reblog this so your minor followers could see it that’d be great. And tag it with your fandoms because I can’t get them all- I’m in like 2.]
#IMPORTANT#fable smp#bound smp#fandom#fandom spaces#minors please look!!#safety#minor safety#safety brief#saving you from my fate
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