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joy2paris · 9 months

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My second mother Cleo Sol dropped her third album. Guys, I am in no way exaggerating when I say that this woman has saved my life. Her music is the most beautiful, calming, affirming, reassuring, uplifting, vulnerable, healing spiritual thing my ears have been honoured to have heard. I just used a million synonyms but I do not care. This is so deep but she is the reason I am still here. In the rare moments where I have been uncontrollably anxious (feel glad to say it is not been that often), or even when I have smaller moments of that feeling - that tension completely eradicates when I put this woman's songs on and just take it all in. And it is her melodies (shout out her husband Inflo for producing all her stuff) and lyrics that have given me the courage to persist, it's mad. I think it is also important to note that although she mainly restores one's equilibrium and ensures you are always accepting love and light above anything else, she does not shy away from singing about the pains of life too.

I have been blessed to have been to both of her only two concerts she has ever put on (literally such a flex, the tickets sold in seconds). I also went with a dear friend of mine, who also makes music and her boyfriend also came, and he produces my friend's stuff. These two love Cleo as much as me, which made the live performances even more special. In her very first one we were in front row and in direct view of her. The way I sobbed that evening???? It was CATHARTIC! Ugh! Brings tears to my eyes just thinking about it. Her vocal ability is also unmatched. She sounded even better than her studio recordings which I thought was impossible. One of the best days of my life, no question. I ordered a poster of her second album all the way from the US specifically to bring with me to Paris. If I could bring nothing else but that poster I would have done it. I needed to have a visual reminder of her everyday lol. Her debut album is what first introduced me to her (shout out my other dear friend who put me onto her). You know those artists where you instantly fall in love with their stuff. She actually dropped that album on my 18th birthday, which was only exactly a week into lockdown. Everything she sung spoke to me in ways I did not even realise was possible.

I listened to this new album as an extremely exhausted individual on the first metro back LOL. I was way too tired to take it all in, but I instantly fell in love with the last track. I had very high expectations as you can tell from my opinion of her other two albums (her group SAULT she is part of is also magical; pure magic). I have listened in a more awake state and she did not disappoint. As of now, my heart still lies with the other two albums but I can assure these ones will grow on me even more. I really like 'Heaven' and 'Miss Romantic' - the latter has an upbeat, sassy feel which is fun to listen to.

I just remembered that she also links to this whole year abroad thing too. As stated many times, I was up in arms about deciding. I chose to do the age old trick where you flip a coin and whatever the thing lands on you do. “I am Free - SAULT” which Cleo does the vocals for was playing in the background (I filmed myself doing it - I would post here but I am loving this anonymous life on here so far). Hearing that alongside receiving the side of the coin that said to do it, it made me emotional but I just really chose to listen to the lyrics and just go against the grain of myself. Bro I sound so moist😂😂😂😂But this is all true

I really want to meet her one day and tell her how she literally saved me haha

#Spotify

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juangallojongaro · 4 months

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Recently, I spent a non-insignificant sum on tickets to see The Killers during their upcoming Las Vegas residency. A couple months prior, I bought tickets to see Death Cab & The Postal Service perform their now 20 year old breakthrough records. This is not to brag, but only to say: I am not relevant. I am a skeleton. I am an irrelevant skeleton.

Once I looked at my music list as an Important Document of the Past Year. I’d try to listen to all the stuff, read the lists, and put together a coherent and definitive list. I didn’t do that in 2024; I didn’t try, I didn’t care to try, and, therefore, I just didn’t listen to that much stuff. This is fine! My life is no better or worse for the change! Also, no one gives a shit about what I listened to last (or any) year!

So, a format change. I’m gonna list a bunch of songs I liked with the normal commentary. After that, I’ll rank my top ten movies of the year and my top five favorite books I read in 2023. Sound good? I think it’s fine.

2023 YEAR IN MUSIC!

Big Thief - “Vampire Empire” A slow dawning of just, like, oh, Big Thief is just one of my favorite bands. They’re hitting that mid-2010’s (teens? Twenty-tens? What are we doing with this one?) The National-zone where every record they put out is a unique and rockin’ bop. This track is a good example of the more aggressive yelly-stuff.

boygenius - “Not Strong Enough” 2023 was the year of Taylor Swift and the guys were a part of it. My favorite supergroup was at their peak powers last year, releasing the ALBUM OF THE YEAR as well as MY FAVORITE CONCERT OF THE YEAR WHERE I CRIED A BIT DURING “COOL ABOUT IT”. I fucking love that record so much. Before they all blew up, Baker was the stealth star carrying the pathos while Dacus made us sad and Bridgers screamed excellently. Just watch them on SNL; they’re so happy. It’s nice.

The New Pornographers - “Pontius Pilate’s Home Movies” Not much to say about a middling album that produced this banger with the funniest line of the year, “Now you're clearing the room just like Pontius Pilate/When he showed all his home movies/All of his friends yelling, ‘Pilate, too soon’” Side note: You ever notice how English people don’t say “quotation marks,” but instead, “inverted commas?” Frankly, it’s fucked up.

Slaughter Beach, Dog - “My Sister in Jesus Christ” Really enjoyed this album by the former Modern Baseball co-frontman. He’s settled into a more shambolic pop-oriented sensibility which suits him fine.

Sufjan Stevens - “Will Anybody Ever Love Me?” I kinda came to Javelin late but after sitting through several listens it’s definitely in the pantheon of Stevens albums. I’m not sure there’s anything on here that’s a hit, but it’s so lush, dense, and achingly beautiful. He’s a man genius. ALSO ALBUM OF THE YEAR; SURE, WHY NOT?

Taylor Swift - “Cruel Summer” I don’t care this song came out in 2022. I’m in my Lovers Era! It’s pop perfection! I love(er) it! I have a lot of thoughts about Taylor Swift but no one caaaaaaaaaares. Go Chiefs.

Wednesday - “Chosen to Deserve” A twangy, meandering tune about all the embarrassing things you did when you were younger and still torment you and will forever except now you’re in love so maybe it won’t be so bad anymore? BONUS: Really enjoyed MJ Lenderman’s live album; those Wednesday folks are doing great!

2023 YEAR IN CINEMA!

Best Pictures

Past Lives (*****)

Anatomy of a Fall (****1/2)

Godzilla Minus One (****1/2)

Spider-Man: Across the Spider-Verse (****1/2)

The Zone of Interest (****1/2)

Poor Things (****1/2)

Barbie (****)

All of Us Strangers (****)

Oppenheimer (****)

Showing Up (****)

Four Daughters (****)

Honorary Mention

Stop Making Sense (****)

Best Short Film

Donald Trump NOOOOOOO

The First Twelve Seconds of the Maestro Trailer “If Movie List doesn’t sing in you, then nothing sings in you. And if nothing sings in you, you can’t make Movie List.”

2023 YEAR IN BOOKS!

(In no particular order)

Nixon Agonistes: The Crisis of the Self-Made Man by Garry Wills

The Luminaries by Eleanor Catton

The Narrow Road to the Deep North by Richard Flanagan

The Goodbye People by Gavin Lambert

Blood Meridian or The Evening Redness in the West by Cormac McCarthy

#bestof2023

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newmusicradionetwork · 7 months

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“Still Playin’ Possum” – A Star-Studded Tribute To The Music Of George Jones hits Theaters Nationwide

Feeling a little bit country, No Show Productions announces the “Still Playin’ Possum: Music & Memories of George Jones” tribute concert event will premiere in a one-day-only theater presentation in association with Fathom Events. With performances filmed on April 25, 2023, in Huntsville, Alabama, to a sold-out show at the Von Braun Center, some of country music’s biggest stars pay homage to the man known ‘as the greatest country singer of all time’ – George Jones! Tickets are on sale through the Fathom Events website and participating theater box offices. For a complete list of theater locations, visit fathomevents.com (participating theaters are subject to change). Now, 10 years after his passing in 2013, music lovers can witness the power of song as artists ranging from Jelly Roll (“Bartender’s Blues”), Brad Paisley (“He Stopped Loving Her Today”), Tanya Tucker (The Grand Tour), Dierks Bentley (Why Baby Why), Sam Moore (Blues Man), Travis Tritt (“The Race Is On”), Jamey Johnson (“Who’s Gonna Fill Their Shoes”), and so many more bring their interpretation of Jones’ hits to life on the big screen. George Jones also referred to by many as “The Possum” sold over 20 million albums, was a member of the Country Music Hall of Fame, a member of the Grand Ole Opry, was a Kennedy Center Honoree, National Medal of the Arts recipient, Grammy Lifetime Achievement award recipient, topped the Billboard singles chart 14 times and achieved 143 Top 40 hits during his illustrious career. “It is still hard to believe that George is gone. He was loved by so many artists and fans. We may not have him here in person, but we have his music to keep his memory alive,” says Nancy Jones. “Filming this night was something special. The love for George was overwhelming!” About George Jones: George Jones is regarded among the most important and influential singers in American popular music history. He was the singer of enduring country music hits including “She Thinks I Still Care,” “The Grand Tour,” “Walk Through This World With Me,” “Tender Years” and “He Stopped Loving Her Today,” the latter of which is often at the top of industry lists of the greatest country music singles of all time. Born in Saratoga, Texas, Jones played on the streets of Beaumont for tips as a teenager. He served in the U.S. Marine Corps before returning to Texas and recording for the Starday label in Houston, Texas. In 1955, his “Why Baby Why” became his first Top 10 country single, peaking at number four and beginning a remarkable commercial string: Jones would ultimately record more than 160 charting singles, more than any other artist in any format in the history of popular music. His first number-one hit came in 1959 with “White Lightning,” a Mercury Records single that topped the Billboard country charts for five weeks. He moved on to United Artists and then to Musicor, notching hits including “She Thinks I Still Care,” “The Race Is On,” “A Good Year for the Roses” and “Walk Through This World With Me.” Jones signed with Epic Records in 1971 and worked with producer Billy Sherrill to craft a sound at once elegant and rooted, scoring with “The Grand Tour,” “Bartenders Blues” and many more. Sherrill also produced duets between Jones and his then-wife Tammy Wynette, and in the 1970s they scored top-charting hits including “We’re Gonna Hold On,” “Golden Ring” and “Near You.” By the time “Golden Ring” and “Near You” hit in 1976, Jones and Wynette were divorced, and Jones was battling personal demons. His solo career cooled until 1980 when he recorded “He Stopped Loving Her Today,” a ballad penned by Curly Putman and Bobby Braddock that helped Jones win Country Music Association prizes for best male vocal and top single. “He Stopped Loving Her Today” revived a flagging career, and Jones won the CMA’s Top Male Vocalist award in 1980 and 1981. He also earned a Grammy for Best Male Country Vocal Performance. He signed with MCA Records in 1990 and began a successful run, and he was inducted into the Country Music Hall of Fame in 1992. His guest vocal on Patty Loveless’ “You Don’t Seem To Miss Me” won a CMA award for top vocal event in 1998, and it became his final Top 20 country hit. About Fathom Events: Fathom is a recognized leader in the entertainment industry as one of the top distributors of content to movie theaters in North America. Owned by AMC Entertainment Inc. (NYSE: AMC); Cinemark Holdings, Inc. (NYSE: CNK); and Regal, a subsidiary of the Cineworld Group (LSE: CINE.L), Fathom operates the largest cinema distribution network, delivering a wide variety of programming and experiences to cinema audiences in all of the top U.S. markets and to more than 45 countries. For more information, visit FathomEvents.com. Read the full article

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neocatharsis · 3 years

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NCT 127 Reveal The Hobbies & Obsessions They Can’t Give Up In Their Down Time

In Elite Daily’s series Rent-Free, celebrities unpack the one thought, memory, or unforgettable pop culture moment that'll always live in their head. In this piece, NCT 127 reveals the interests and hobbies even die-hard fans will be surprised to learn about.

In the past year, most musical acts had to cancel their highly-anticipated tours due to the coronavirus pandemic, and NCT 127 was no exception. That’s why its members — Johnny, Haechan, Mark, Taeyong, Jaehyun, Yuta, Taeil, Jungwoo, and Doyoung — have taken every opportunity to get closer to their fans with new music. After dropping their second Japanese EP, Loveholic, in February, the group returned on June 4 with “Save,” their latest single all about making unforgettable memories. Up next? An entirely new era. On July 7 (the group’s fifth anniversary), they announced their next album is coming in September. In celebration of all the exciting things ahead, NCT 127 opened up about how they wind down after a hard day’s work.

NCT 127 tells Elite Daily these past five years as a group have been worthwhile, and it’s all thanks to their fans, called NCTzens, who have supported them throughout their journey. “[We have so many] memories from practicing together pre-debut to our actual debut stage, and also all those times we spent working on our music and performance to meet our fans at our first concert and first world tour as well,” the group collectively says. “Each and every moment we spend on our music is for our fans, and we are working hard to better show ourselves in various different ways, so we hope you’re all excited!”

Fans have impacted the group so much that they’ve become the muse behind NCT 127’s biggest tracks. “The inspiration [behind ‘Save’] comes from wanting to save our precious memories with each other and with our fans,” the group says. And NCT 127 hasn’t let go of a single one. While they haven’t been able to perform in front of a live audience since early 2020, they held their online Beyond The Origin concert in May. They add, “It was new getting to meet fans from every part of the world at the same time.”

While the guys have their hands full recording their next project, they’re making sure to get some much-deserved R&R whenever they can. Below, NCT 127 reveal the interests that have been living in their minds rent-free.

Johnny

Johnny is a major fan of horror movies. “I love how they keep you on the edge of your seat the whole time you’re watching,” he says. His favorite scary movie of all time is Shutter, which is about a couple who accidentally run over a woman and then see her ghost in photographs they develop. “Even though I watched it when I was young, I still remember the movie, and it’s one I think about often. I’ve seen the movie multiple times since I first saw it in high school, and I recall being scared of red-lit rooms for quite some time afterward,” he says.

His most recent watch was The Conjuring franchise. He adds, “After I saw the movies, I looked up some articles about the behind stories. They were pretty interesting!”

Taeil

Taeil keeps music on his mind even after a full day of rehearsals. “Audio speakers really amplify music so you can hear the intricate details of the track, and there’s also that sense of excitement from when you hear a sound you like!” Taeil says, explaining his love for audio. “I like the speaker brand Focal. There’s still a lot I don’t know about speakers, but I find the brand very attractive since you can experience a flat sound that’s similar to what the songwriter intended to create.”

Taeil says the group’s sound has changed a lot since their debut in 2016. He says, “With time, our team color is definitely becoming more distinct and defined. I think the sound we have now is a very captivating one with strong hip-hop and R&B colors.”

Taeyong

The group’s leader enjoys connecting with others, but especially with NCTzens. “[Our relationship] is a very precious and one that I’m truly grateful for. Not only do we enjoy the same things, but we also try to improve and show that to each other. All of this is very special and meaningful to me,” he says. “It’s nice to learn of each other’s culture, and by singing in different languages, it makes me feel as if I’ve grown closer to our fans from those countries.”

Yuta

Yuta loves exercising because it’s very rewarding, and although he doesn’t have a specific fitness routine, he prefers working out at a gym rather than at home. “I like how exercising makes me feel stronger and helps me to build up my strength... which is very helpful when practicing group dances that require attention to body angles,” he says. “We had a short preparation period [to learn ‘Save’], but I was able to learn the choreography quickly and had a fun time preparing.”

Doyoung

Ever since he was cast as Axel von Fergen in the Korean adaptation of Marie Antoinette, which is based on the 2006 musical of the same name that originally premiered in Japan, Doyoung has found a newfound appreciation for theatre. “I find it very precious how you can share emotions through singing and acting,” he says. “It’s been very meaningful preparing for my musical debut, and it’s really all thanks to the amazing seniors and producers! The process in itself has been a very fun one, and I have been preparing with a heart of gratitude.”

Doyoung is set to make his musical debut on July 13 when the production opens at the Charlotte Theater in Seoul.

Jaehyun

Jaehyun says he “fell in love” with tennis in April because it helps relieve stress. “I’ve always enjoyed trying out new sports like basketball, bowling, and boxing whenever I had the chance. But I actually started tennis because my father recommended it,” he says. “I know this is the case for all sports, but tennis isn’t something you can master after a few tries. It requires persistence, and I started to enjoy it even more as I saw myself gradually improving.”

Jaehyun’s favorite tennis player is Jannik Sinner, a 19-year-old Italian athlete who competed in the 2020 French Open as the youngest quarterfinalist in the men’s singles event. He says, “I’d really like to go see a tournament.”

Mark

Lately, Mark is interested in taking better care of his hair. “It’s really important to me because I change my hair color a lot, and because I want my hair and scalp to be healthy,” he says. While he’s experimented with just about every color in the rainbow, there’s one he always loves going back to. He adds, “I think I liked my blue hair the most. It is my favorite color, after all, and I believe my fans liked it as much as I did. I was glad to be able to film the ‘Save’ music video during my blue-haired period. It fit well with all the scenes and the aesthetics!”

Jungwoo

Similar to Yuta, Jungwoo has also had exercising on his mind. “My life has become more lively since I started exercising. More so than exercising to improve my physique, I exercise in order to have a healthier, richer life. Also, it makes me proud knowing I’m spending my day more productively,” he says. “The first thing I do after I wake up is to start off the day with simple stretches that improve body balance... Stretching helps to warm up the body, which reduces the risk of injury, and can also boost your mood! I think this is why when I dance, I’m able to express those movements in more detail.”

Haechan

Haechan is now experimenting with all things fragrance. “I started using perfume since scents can give a sense of self-satisfaction and because I wanted to smell good all the time!” he says, adding he doesn’t have a favorite perfume. “The scent that suits me well, that I personally like, and that will suit me is always different!” However, there’s one scent that will always remind him of a certain memory with NCT 127. “This might sound funny, but I’d have to say the smell of sweat in our practice rooms,” Haechan says, adding it’s “satisfying” because it makes him feel like they worked hard after a long day. As for what draws fans to NCT 127, Haechan credits their “sincere music and performances.”

#nct #nct 127 #Taeil #Johnny #Taeyong #Yuta #Doyoung #Jaehyun #Jungwoo #Mark #Haechan

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romanceboys · 3 years

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(interview) gq korea february issue 2021 — shinee minho “i’m still as passionate as ever”

1. i heard that your schedule ran until dawn today. you still look energetic. no matter how exhausted i am, my condition improves once i wake up and take a shower. because it’s like the usual morning routine. 2. you take pride in the fact that your stamina is second to none, right? it reminded me of something you said long ago. i wouldn’t go as far as to say that it’s my pride, but i do know my stamina is stronger than most. my energetic appearance is my positive characteristic as well. 3. moreover, it hasn’t been long since you were discharged from the marines. well, it seems like my stamina has gotten better. hahaha. 4. there must be a lot that you want to do. what do you enjoy doing the most these days? since it’s not the kind of situation where i can roam about freely, i’ve been spending a lot of time with my family. i was with them on christmas and new year’s. i’d barely done this since debut so i think it was a good thing. even in the military, i missed my people the most. 5. that must be why on the day of your discharge you made a surprise appearance at taemin’s music broadcast waiting room. in your military uniform. i rushed straight from pohang. the shinee members were gathered to support taemin, and the staff that had been with us for over ten years was present too. when i looked back on shinee’s activities in the military, the very fun and enjoyable memories felt vague, but on that day they became clear to me right away. this is why we’ve continued together for so long. 6. what do you talk about with your members? since we’re currently preparing for our album, we’ve been talking about us as a team a lot. things like shinee’s (future) direction and what we ought to show. 7. did you figure something out? up till now shinee has often attempted unique and novel challenges, musically and stylistically. there were times when things were derived from what we did first, or even times when we had to question ourselves “is this okay?” before taking a bold step. but because we're an idol group, we folded under inevitable stereotypes and could not ignore them. however, we now collectively agree on preserving our artistic aspect well in order to show off a more distinct musical colour. 8. agreed. can you tell us which song represents shinee’s identity? the title track of the 4th album ‘view’ was shinee’s turning point. prior to this, the group was mostly known for its strength in performance, but through this song we were able to show the type of musical colour we pursued. we tried deep house at a time when the genre was unknown to k-pop and though it was not done without reservations, we got the response we expected. it’s basically what the entire (odd) album stands for. 9. besides music or performance, is there any other scene that can portray shinee well? having overcome many obstacles, we can’t define ourselves simply by saying ‘yes, this is us.’ rather, if there were to be a documentary made on shinee, i wonder how it’d be like to have the opening scene unveil the members’ perfectly human state instead of their moments of glory. for instance, saying whatever i want to without hesitation. without worrying, without walking on eggshells. 10. are you a quiet person? though i do joke around easily, i try to be careful with my words. i’m more of a listener than a talker. 11. you lived entirely as choi minho in the military. did you live true to yourself or were you able to discover a new side? it’s both. i had a lot of time for introspection. i reflected on the time spent and thought about what was good or disappointing, it unveiled a side of me that i hadn’t even considered while working as shinee minho. rather than saying it changed me, i was able to understand myself more definitively as a person. what i could be honest about and careful with with people became clear to me, i also realised that my strengths can become my weaknesses. 12. what made you think that? i thought i had an outgoing personality, but in retrospect i was more concerned about the people around me than myself. the other party can only be at ease if i’m comfortable... i was so busy being considerate that i ended up becoming stressed without realising. 13. an upright and serious image comes to mind when we say minho, turns out there was a complicated reason for it. it’s because i wasn’t even aware of it. i believe it’s something i need to work on to become a better person. this is also why i’m looking forward to my thirties. i’m curious about the areas i’ll mature in. 14. among the expressions that describe minho are passion and giving it your all. when do you think was your most passionate era? when i debuted as shinee, practicing blindly and then promoting made me feel like i was lacking a lot which affected my confidence. after our first concert, however, i became less anxious and worried. i realised that there were many fans who supported me. all i could think of was that i had to give it my best. my passion from back then is still the same as ever. it’s my understanding that i’ve come all the way to the present without cooling down. 15. what meaning does passion hold for you? does it mean that you’re very ambitious/greedy? i used to think passion and ambition meant the same thing. i was very certain that you could achieve anything if you were ambitious enough and worked hard. i hypnotized myself into believing that because i wanted it so badly, not because i was being reckless. as i started gaining more experience, i began to differentiate between the two. if passion means doing what you can to the best of your abilities, then greed is limiting yourself when you try something new because you wonder whether you can do it well. and that is why confidence is important. if you’re confident, then you can carry greed with a positive energy. 16. have you now gotten used to acting and promoting as shinee at the same time? at first i thought i could do it even if it was difficult. turns out that wasn’t the case. killing two birds with one stone wasn’t as easy as i thought. i don’t want to let either go. instead of saying yes it’s hard or i’m disappointed in the results, i believe this is a problem i need to solve. 17. your first activity after discharge was acting. you made a special appearance in the drama ‘lovestruck in the city,’ what was your first line? “please wear this.” i cannot forget it. 18. why not? one of my favourite words is ‘first.’ your first experiences are always unforgettable. seconds are usually a vague memory. that’s why firsts are extremely meaningful. standing before the camera for the first time after discharge felt like i was starting anew. the scene wasn’t even that hard, but i was very nervous. just like the first time i acted, i vividly remember the day’s situation, people, the atmosphere, and the weather. 19. do you remember your first scene as well? it’s been more than a decade. it was a one-episode short drama; the scene was filmed inside a tow truck. i don’t remember my line very well, but the actors, the hustle and bustle of the staff outside the window, the glaring sunlight, the tow truck i sat in for the first time are all still very vivid. i try not to forget it. 20. do you remember the first praise you received for your acting? hm, many people around me say nice things, but i’ve never considered those as compliments. it’s because i don’t think i’ve done anything praiseworthy yet. so let’s just say my first praise doesn’t exist for now. 21. that is a very objective yet cool answer. then what do you think is something you need courage to do? everyday things.... like cooking. i can’t bring myself to even think about it, but i should attempt it before it’s too late. 22. by the way, you started sns. you did say in an interview that you did not see the need for socials, so what changed your mind? i received so many letters from fans in the military. i read every single one of them, and in most of them fans asked me to share my daily life through sns. though i did joke around saying that i’d rather hold a personal photo exhibition than create socials, i got one as a present for fans who spent two years waiting for me. but i’m not sure if i can manage it well. 23. do you tend to record your personal life through pictures like others? haha. not at all. i’m working towards it these days. 24. when was your sns profile picture taken? when i was three or four years old. i racked my brain over this too. whether to upload a sefie or to go for a cool vibe.

translated by romanceboys — take out with full credit (source)

#shinee #minho #interview #210121 #translations #gq korea february issue 2021 #e:the story of light epilogue

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louistomlinsoncouk · 4 years

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'Louis Tomlinson Live From London'

A Special Event To Raise Money For FareShare And Other Charities

Louis Tomlinson today announces a special one-off live streamed show to be broadcast on 12th December.

The multi-camera event will feature Louis and his full band performing fully live, and will be available to watch for 28 hours, giving fans globally the chance to view at a time convenient to them.

Profits from the show will be split between FareShare, Crew Nation, Bluebell Wood Children’s Hospice and Stagehand. Louis will also be donating money to his own touring crew, many of which have been out of work since March.

The show will feature songs from Louis' smash debut soloalbum 'Walls' (Top 3 in the UK and Top 10 in the USA), alongside a few surprises.

Tickets for the show will be go on sale via https://louis-tomlinson.com/live from 4pm on 25th November.

Louis says: "I was absolutely gutted to have to postpone my world tour this year as I was really looking forward to seeing all the fans. Performing for a live crowd is the most important thing to me, this live stream is a step back into that world and is something I can't wait to film. I want to put on a real show for the fans, with scale and production, creating something special to end 2020 on a positive upbeat note and raise money for charities that are especially close to my heart. I also want to give my touring crew work, and raise some vital money for them, as without my crew the show literally couldn't go on."

In addition to the concert, Louis is also releasing an exclusive range of new merchandise that will also go on sale on the 25th November. All profits from this merch will go to the above four charities and Louis' touring crew.

January 2020 saw the release of Louis' debut solo album 'Walls', a lyrically personal album that proved he had found his feet as a solo artist. The album produced a clutch of acclaimed singles including the emotive first release Two of Us, the raucous Kill My Mind, the reflective We Made It and the soaring pop perfection of Don’t Let It Break Your Heart.After postponing his 2020 World Tour due to Covid-19, Louis is looking forward to finally getting on the road with his first solo tour next year, which is already completely sold out.. In 2019 Louis headlined the Coca-Cola music festival in Madrid to an audience of 25,000 people, and performed to 65,000 fans at Premios Telehit in the Foro Sol stadium in Mexico City.

Louis picked up the Best Song Award at the 2019 Teen Choice Awards for 'Two Of Us', which has so far hit over 100 million streams on Spotify alone. In 2018 Louis won an iHeart Award for 'Best Solo Breakout', and an EMA Award for 'Best UK & Ireland Act' in 2017. He was ranked No.5 on Billboard’s emerging artists of 2018 and has over 60 million combined followers on social media. This year he won 'Artist Of The Summer' in Philly radio station 96.5 TDY's annual awards.

As a member of One Direction, Louis has sold over 100 million records. Overall Louis’ solo music has garnered over a BILLION streams.

About FareShare

FareShare is the UK’s largest food redistribution charity, with more than 30 warehouses across the UK. It takes food from the food industry that can’t be sold in shops, either because of packaging errors, a short shelf life or overproduction. That food, which is the same as the food you’d eat at home, is then redistributed through a network of 11,000 frontline organisations, across the UK such as homeless hostels, school breakfast clubs, domestic violence refuges, older people’s lunch clubs, food banks and hospices. Since the pandemic, FareShare has more than doubled its work, providing the equivalent of more than 2 million meals a week to people who might not otherwise eat.

About Crew Nation:

Live music inspires millions around the world, but the concerts we all enjoy wouldn’t be possible without the countless crew members working behind the scenes. Crew Nation is charitable fund, created to help the people who were supposed to be working on shows planned for 2020. Crew Nation is powered by Music Forward Foundation, a charitable 501c3 organization, that is administering and managing the fund.

So far, the fund has raises $15 million, helping 15,000 live music crew members across 36 countries who were impacted by the rescheduled or cancelled shows scheduled to take place through June.

About Bluebell Wood Children’s Hospice

Bluebell Wood Children’s Hospice cares for children and young adults whose lives are sadly just too short, both in their own homes and at the North Anston Hospice. The charity supports children and young adults with life-shortening and life-threatening conditions, and are currently helping over 300 families at the hospice and in their homes across the region. Bluebell Wood is very much a happy, joyful place focused on helping families make wonderful memories together whether they have weeks, months or years together. in their homes across the region. With only around 15 per cent of its funding coming from Government sources, Bluebell Wood is reliant on its fantastic supporters, volunteers, fundraisers and staff who all consistently go above and beyond to help the charity reach as many people who need it as possible.

About Stagehand

The live events sector is in crisis and the largely self employed workforce faces a long winter without work, many of them without any form of alternative financial support. Those that could find alternative work have done so; many can access enough Government support to survive for the next few months, so our focus is on those who have seen income drop to virtually nothing.

Stagehand is for those people, to provide grants that help to cover basic living expenses for the crew and their families. These grants are already helping to relieve the financial and mental burden of keeping a roof overhead and providing for families throughout this crisis.

#louis tomlinson #simon jones #24nov20

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hlupdate · 4 years

Link

'Louis Tomlinson Live From London'

A Special Event To Raise Money For FareShare And Other Charities

Louis Tomlinson today announces a special one-off live streamed show to be broadcast on 12th December.

The multi-camera event will feature Louis and his full band performing fully live, and will be available to watch for 28 hours, giving fans globally the chance to view at a time convenient to them.

The show will feature songs from Louis' smash debut soloalbum 'Walls' (Top 3 in the UK and Top 10 in the USA), alongside a few surprises.

Tickets for the show will be go on sale via https://louis-tomlinson.com/live from 4pm on 25th November.

As a member of One Direction, Louis has sold over 100 million records. Overall Louis’ solo music has garnered over a BILLION streams.

About FareShare

About Crew Nation:

So far, the fund has raises $15 million, helping 15,000 live music crew members across 36 countries who were impacted by the rescheduled or cancelled shows scheduled to take place through June.

About Bluebell Wood Children’s Hospice

About Stagehand

#louis tomlinson #articles #241120 #lt livestream

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extraintrovertedalien · 3 years

Text

It hurts a little bit too much

'It’s time to grow up. I’m finally doing something that people enjoy! Something that people take time to pay attention to! Why can’t you understand that!'

Au August

Day/Prompt: Day 2 - Acting

Ship: Prinxiety, brief platonic moxiety

Word count: 1780

Cw: swearing / yelling (I'm sorry) / self-deprecation / crying / La la Land spoilers? (some people haven't watched it)

A/N: This is solely based on La La Land but I changed a few things that may change the direction of the story than what was actually in the film and this is my first time writing something angsty so forgive me angst gods </3 Also, Roman wants to be a Broadway actor but signed as a pop band singer instead. Virgil is still like Mia but not as headstrong

@tsshipmonth2020

Virgil has been with Roman for quite a while now. Roman has recently signed a contract for a pop band with his old friend, Janus, despite their doubt about the guy. Virgil wasn’t exactly pleased with what he witnessed when he was invited to one of his partner’s concerts. With the single confused tear left on the venue floor, Virgil has been worried since then about what Roman has gotten himself into.

~*~*~

Virgil was returning home after his dinner out with his friend, Patton; the only person keeping him stable since Roman left for… Boston? Maybe Dallas? He stopped keeping track a while ago.

When he reached the porch of their apartment, he hears the faint instrumental of ‘Only Us’ playing inside. He continues inside to see his partner setting up the table, his back facing him. “Roman?” The man suddenly drops the pot he’s holding on the table and turns to him. Roman let out a sigh of relief before flashing a small endearing smile to Virgil. “Surprise?” The taller man says in a small breathy voice, almost a whisper. “I have to leave in the morning but, I just had to see you,” he continues.

Virgil freezes for a moment before rushing to Roman, dropping everything he’s carrying, wrapping his arms around the other’s neck to kiss him. Roman wraps his arms around Virgil’s waist to keep them steady.

~*~*~

“I’m so glad to be home,” The taller man says with a smile. “Stay,” Virgil replies with a hopeful look; only to be returned with the same look from the other.

The pair are now seated at the dining table across from each other, instrumental music playing in the background.

“How’s your play? Hope you’re not too nervous,” Roman breathes out as he notices the other’s mood shift as he mentions the play. “You know me. I’m nervous about everything,” Virgil jokes with a chuckle. “Plus, what if people show up? I’m gonna perform in front of them. They’ll think I’m terrible,”

“Fuck ‘em” They laugh a little before Roman continues, ”They should be lucky to see it. It’s gonna be incredible. YOU’RE gonna be incredible. I can’t wait.” Virgil looks down on his food with a sad smile.

“I have to leave early tomorrow,” As much as Roman thinks that the statement sounds wrong when it left his lips, he doesn’t want Virgil to worry. “Boise, right?” Virgil inquires still looking at his food. Roman hums in agreement and continues, “You should come,”

“Wish I could. I still have to rehearse cuz’, we’re not all gifted in acting like a certain prince-like man I know,” Virgil teases with a smile. Roman chuckles, “Well, if you wanted me to help you, you could’ve just said so, darling,”

“I guess it’ll have to wait until you’re done with the tour,” Virgil replies with a forced smile. Roman’s face falls. “When are you done?” Virgil continues. “Uhm. Well, we’re only touring so we can make the record. After we’re done, we’re gonna record then, we go back to tour that record…” He trails off.

Virgil processes this information and decides to just let his brain talk. His heart is too soft for this conversation but, it can’t continue hurting for months. Or years.

“Do you like it?” Roman was caught off guard with the question and was confused with what Virgil meant. “The music, the band, the tour, singing on stage. Do you like it?” Virgil clarifies.

“I…” he trails off. “I don’t know how it matters,” Roman doesn’t like where this is going. All this time. All this touring. He thought it was what Virgil wanted him to do. Roman looks Virgil in the eyes, “Do you like the music?”

“I do. I just didn’t think you did…” The pair fell in uncomfortable silence, letting Virgil’s last statement linger between them.

“Why are you doing this? I thought you wanted me to do this. This is what we’ve been waiting for,” Roman is deep into confusion at this point. He’s been in this band for a while, he just wants to know why Virgil hasn’t anything before he signed on the dotted line that would seal his life.

Virgil sighed, “I just wanted to know where you’re theatre is gonna fit into all of this.” He said in such a small voice that, Roman wanted to just sweep Virgil off his feet to make everything better again. “There’s a reason why there are no theatres here because no one is like me. No one likes musicals here. Not even you,” Roman explained.

Virgil can’t take how pathetic Roman thinks of this entire situation. Yes, it’s Virgil that usually overthinks these things and, it’s not entirely impossible for Roman to as well but, this is just pure non-sense to Virgil. “I do like them now, because of you!” He blurted out with a slightly raised voice.

“Well, what am I supposed to do? Wait for you to be successful only for me to build something no one likes? It- It’s time to grow up. I’m finally doing something that people enjoy! Something that people take time to pay attention to! Why can’t you understand that!” Roman exclaimed, determined for Virgil to understand his point of view, not bothering to look at the other.

“Since when did you care about being liked? Why do you care so much about being liked-”

“You’re not an actor! How would you know?!” Roman immediately regrets his statement, knowing he doesn’t mean it. To him, Virgil is the greatest actor he has ever seen and, nothing would ever change that. He glances at Virgil and, sees the destruction his statement has caused slowly unfolding.

“No. No- I- I didn’t mean that, Virgil. I’m sorry. I promise it’s not true-” he tried to reverse his mistake but, to Virgil, the destruction has always been always there, this was just what he needed for everything to fall apart.

“Maybe you just liked me because I made you feel like a better actor,” Virgil stated blandly in a matter-of-fact manner. Roman knew that he was never better than Virgil, as an actor or not. He was heartbroken to hear that his partner thinks that he was just being used. His statement earlier was just a slip-up but this… What Virgil’s feeling is all his fault.

“Are you kidding?” Roman can’t bear to lose someone that he loves so much. Tears well up in his eyes, tempting to let them fall.

“No,” Virgil calmly replied, keeping a stern face.

Both of them, heartbroken, stared at each other, not letting go of what’s left between them.

But before any of them could say anything, Roman’s phone, which he left in the kitchen, rang. His ringtone echoing through the apartment. Roman sighs at the sound but doesn’t stand up. However, Virgil does and eyes for the door. Roman stays frozen for a moment before going after Virgil.

“Virgil, wait-” before he could continue, Virgil had already slammed the door.

~*~*~

You guys can use your imagination to fill in what happens after the argument up to before the next part.

But, if you haven’t watched La La Land, basically, Virgil did the one-man play and Roman didn’t show up and only a few people show up then, he goes back home to his parents in a different state, leaving everything behind. I think that’s all you need to know??

~*~*~

It’s been a few weeks since Virgil came home to his parents. He was devastated to see his old stuff and how hopeful he was to become an actor. Yet, he can’t bring himself to take it all down.

Virgil had abandoned his phone and his laptop to the very back of his closet and sticks to using his mp3 in the meantime. He has been needing some time to rethink his life decisions before facing the real world again. Leaving Roman to pick up whatever he left in Los Angeles.

He was finally enjoying peace and quiet for the first time in a while, until…

HHHHHHHNNNNNNNNNNNNNNNNGGGGGGGGGGGGGGG

~*~*~

“The fuck are you doing here?!” Virgil whisper-yelled as he walked towards the man, wondering what’s so important that Roman had to follow him all the way to another state.

“Thomas Sanders. The casting director. He was at your play-” Roman began. Just at the mention of the name, Virgil had become more troubled but hopeful at the same time.

“And he loved it so much, he wants you to audition for this HUGE-” Roman stated as he slammed his hand on his car for emphasis, startling Virgil a little. ”-huge movie that he’s got,” He continued with visible excitement.

Virgil shook his head with a little chuckle before running his hand over his mouth, “I- I can’t- I’m not going to that- That.. will kill me,” he continues to shake his head.

“WHAT?!” Roman exclaims, startling Virgil again. “What?! Shh shh! You have to be quiet cuz’ if my neighbors don’t call the police on you, I will,” He attempts to calm Roman down. “No. You have to make sense. You can’t stay here and be miserable for the rest of your life. You need to be reasonable here,” Roman persists.

“Because it’s just another goddamn audition!” Virgil explodes with all the hurt and anger he’s gathered through the years of auditioning for shows. “I’ve been to hundreds of auditions and it’s just the same thing over and over again! I’m sick of it! Yeah, sure, I get callbacks but, where does it end? Another fucking rejection! All of those countless hours of waiting for the phone to ring. Be- because maybe I’m not good enough,” Virgil pauses.

“I’ve been wanting this for years. And, now... Now that I don’t want it anymore. Now that I gave up on it. Another one fucking presents itself to what? Another rejection? I’m- I’m not giving myself another heartbreak, Roman. It hurts a little bit too much,” Virgil admits, already crying. It hurts Roman to see Virgil this way. He’s seen Virgil become so passionate about his play, he needs to let him see that this is not ‘just another audition,’ it’s the reward his hard work is all for. He needs to know.

“You’re a baby,” Roman bluntly states. “Maybe I am,” He couldn’t continue arguing anymore. “But, you said it’s time to grow up. And, I’m doing that so, why won’t you help me?” Virgil continues.

“You have an audition at 5:30. I’ll pick you up at 8,” as much as Roman wants Virgil to grab this chance, he can’t force him to if he doesn’t really want to. He loves him too much for that. At least he tried. “You’ll be out front or not. I don’t know,” Roman continues as he gets in his car and drives off, leaving Virgil standing in the middle of the road, staring at the library in front of him. The library that once helped him set his path to acting.

~*~*~

Perhaps Virgil was out front at 7:30 and got accepted in the audition.

Perhaps he wasn’t.

Told ya I'm not good at angst ;-;

#TSSAUgust #sanders sides #sanders sides fic #sanders sides au #thomas sanders #virgil sanders #roman sanders #ts virgil #ts roman #prinxiety #ts prinxiety #em writes

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kingstylesdaily · 4 years

Text

Stevie Nicks Answers All Our Questions About Harry Styles

Of all the disciples to worship at the altar of Stevie Nicks, none have managed to capture the attention of rock’s reigning priestess quite like Harry Styles.

The 26-year-old rocker (who this week received three Grammy nominations) is the Gucci-clad poster boy carrying the torch for a bygone era of music history that the Fleetwood Mac frontwoman helped crystallize. Styles recently cited the group’s 1977 (and still charting) classic “Dreams” as one of the first songs he learned the words to growing up. Their friendship began in 2015 after the former One Direction member presented his idol with a hand-piped birthday cake after a Fleetwood Mac gig in London. (“Glad she liked carrot cake,” he later said.) The years since have seen the duo’s mutual affection blossom into one of pop culture’s most cherished bondings.

Last year, when Styles inducted Nicks into the Rock & Roll Hall of Fame, he proclaimed the 72-year-old “everything you’ve ever wanted in a lady, a lover, in a friend.” Nicks has gushed about him in interviews as everything from “the son she never had” to her “love child” with bandmate Mick Fleetwood. Styles earned her official seal of approval after covering “The Chain” every night of his first solo tour in support of a record that sounds closer to Crosby, Stills & Nash than anything he released under his prior band.

“Harry could’ve lost a lot of fans, but he didn’t,” Nicks recently told Vogue over the phone. “I’m so proud of him because he took a risk and didn’t go the One Direction route. He loves One Direction, I love One Direction, and a gazillion other people do too, but Harry didn’t wanna go the pop route. He wanted straight-up rock and roll circa 1975.”

Nicks has been embracing some of the busiest years of her dual careers as both Fleetwood Mac frontwoman and solo sorceress—and doing so amid a global pandemic. Since she last performed with Styles at the Forum for his Fine Line release show in December, she’s released a 24 Karat Gold concert film and “Show Them the Way,” her politically minded single and first piece of original music in six years. After Miley Cyrus asked for Nicks’s blessing before releasing her “Edge of Seventeen”–tinged “Midnight Sky,” the two joined forces for an exhilarating new mash-up titled “Edge of Midnight.”

In honor of Styles making history as the magazine’s first solo cover boy, Nicks caught up with Vogue to answer all our questions about their cosmic connection. Currently beachside with her quarantine bubble in Hawaii, she’s been doing what one would expect Stevie Nicks to be up to during a pandemic: writing new music, dancing around her house to “Watermelon Sugar,” and “casting little spells.” As befitting rock’s foremost storyteller, our intended 30-minute chat turned into a two-hour confessional about her love of Styles, working with Cyrus for the first time, joining Fleetwood Mac, the president-elect Joe Biden, the Met Gala, betta fish funerals, and much more.

ksd note: edited to only include Q&A about Stevie and Harry!

Did you get a chance to look through Harry’s cover story yet?

Right before I called you, I sat here and looked at all the pictures on my new iPad. What can I say? That’s my Harry. I think the thing that’s most wonderful about him—and I’ve told him this, and sometimes I think he takes it the wrong way—is that he’s such a kooky guy. He’s the type of person you’d wanna live next door to. He’d look out the window, see you having a hard time planting flowers, and rush out asking, “Can I help you with those roses?” “Sure, but you are Harry Styles, right?” That’s who he is.

I really only know him to a certain extent, but I have gotten to experience some big moments in his life, like when he released his first solo record at the Troubadour. I always think of Tom Petty saying, “So, you wanna be a rock star or you wanna be a pop star?” It’s two completely different things, and he really could have gone pop like his friend Zayn [Malik]. I was sorry that Zayn didn’t keep going more because I thought he was really good. But he took the pop route, which I think was right for him. Harry could’ve lost a lot of fans doing rock and roll, but he didn’t. Harry did a long tour with that first record and said, “I’m a different person now. I have a full-on rock band, and this is what I’m gonna do.” With many of my records, I’ll stuff down peoples’ throats until they like it, and that’s exactly what he did. Then he went away and wrote Fine Line, one of my favorite records.

What were your immediate thoughts listening to Fine Line for the first time?

Me and four of my friends sat with Harry in his living room in London and listened to it a few times before it came out. But it wasn’t really Fine Line yet. The first time we listened to it, nobody really said anything. The second time everyone started to go, “I think this song is great, but it should be second in the sequence.” By the third listen, it was five girls screaming, “Well, Harry really now, I think you need to take these four that are called Harry Songs and do this and that—” while he’s sinking in his reclining chair thinking, Are these women ever gonna leave? Thanks for your opinions, but oh, my God, stop already.

What changed when you heard the record in it’s finished form?

This record means a lot to me. When it was all put together, I listened and said, “Oh, my god, the Beatles live.” A whole lot of people live in these songs. Fleetwood Mac lives there. I live there. When I listen to “Fine Line,” I hear melodies that would’ve worked on “A Day in the Life. “It has that same kind of complexity. I think the Beatles would’ve thought, Here we’ve influenced a young man who took some incredible things from us and made them his own years and years later.

Earlier this year you posted a message saying that Fine Line is Harry’s Rumours. Can you elaborate on what you meant by that?

When Harry asked me to do “Landslide” with him at the Forum, I asked why, and he said, “Because I want you to be there. You were there for my first night at the Troubadour for the first record.” That night I wrote him a letter that said, “This is your Rumours so you have to really respect it and adore it because these kinds of records sometimes don’t ever come again.” Fleetwood Mac went on to make many great records, but people would bet their life on the fact that Rumours was the one. And this might just be the one for Harry. We were all kind of the same age when we made Rumours. I was 28, and Lindsey [Buckingham] was 27. I actually don’t even know how old Harry is—he’s that timeless to me.

Do you have a personal favorite of his songs?

Every one represents a different thing to me. “Sunflower” is such a great little song. He loves to do crazy videos, and one time I called him and said, “I have an idea. You’re gonna be a bee, and the sunflower would be your girlfriend, and you guys would get married and live in a beehive with your little bee children. You’d sing the lyrics ‘kiss in the kitchen like it’s a dance floor duh duh duh’ and show this entire bee relationship.”

What did he think of that pitch?

When I finished, the other end of the phone was silent. I said, “No, really, think about it. It’ll be fantastical like a Francis Ford Coppola movie.” He’s like, “Yeah, okay...” [laughs]. I also love the “Adore You” video with the little fish because I have my own special relationships with fish.

In what sense?

I always have two beta fish, but they have to be separated otherwise they’ll kill each other. I stick my finger into their aquarium, and the blue one will swim around my hand like a little dolphin. When my fish get old and suddenly die, I have funerals for them in my backyard where I play Celine Dion. I have them filmed, and everything [laughs]. It’s too much, but I thankfully haven’t had any recent fish deaths. I haven’t even been able to sit down and show Harry the videos of my little fish, so when I saw the “Adore You” video, I couldn’t believe it.

Why is it important for you to foster these relationships with younger artists like Harry who’ve been so openly influenced by you?

I’m inspired by them. I’m inspired that Miley wants to make music with me. I’m inspired that the Haim girls are my biggest fans—and I theirs. A lot of these kids are making the amazing records I’ve been waiting for them to make. I’m not like other 72-year-olds. I listen to current music because I want to be current. When people find out how old I am versus the music I’m listening to, they think it doesn’t gel at all. I’ve been collecting musical knowledge since I was in the fourth grade listening to the singles my grandfather used to bring home. I listened to Buddy Holly and the Everly Brothers until the sixth grade when R&B radio became Top 40. I said goodbye country and hello R&B, so it’s not like I’m ever stuck on one thing. What I love about Harry is that he’s very old school but still modern. And that’s kinda like me.

You both also transitioned from massive groups to equally massive solo careers rather seamlessly.

When I decided I wanted to be a solo artist, I’d only been in Fleetwood Mac for a few years. I tried to figure out a way to do it gracefully because I didn’t wanna break up the band. I just wanted to sit at my piano and write poetry. After we did a record and a really long tour, the band scurried off to different parts of the world while I’d just be home writing songs for a year and a half. What did they care what I did while they were all on vacation? I’ve always said all the way through these two careers I’ve had: If you’re in a band first, never break it up.

Do you think One Direction would ever reunite?

I think it’s a good idea. For all we know, One Direction is completely broken up forever. But I think those guys are friends, and five or ten years down the road, they could all go, “You know what, wouldn’t it be really fun to do a One Direction tour?” Because that’s what people do. I wouldn’t be surprised if they did reunite at some point just because they can. And because it would just be fun. Harry is the kind of person who would never stomp on that idea. He would never say, [imitates posh English accent] “Never! I would never do that again!” Because why not just keep the door open?

Was there any particular detail or passage in Harry’s cover story that stuck out to you?

According to this article, he can get in a car with his friend to drive all over Europe then drive back by himself. I stopped driving in 1978 because my driver’s license expired and I’d already made a lot of money. I very smartly thought, “You know what, if someone even hits you and it’s not even your fault but you’re a little drunk, you are done. You’re finished, and the fortune that you’ve made is gone, so why should you drive anyway?” By then me and Christine were very cloistered, but Harry’s able to live a freer life because he’s a guy. He’s like Mick. He has a free life.

Would you say that you don’t?

I’m only comparing us in the way that Harry goes off to the Bahamas to work on songs, then flies back to L.A., then London, then Italy—I can’t do that. I can’t do that by myself. He’s able to do whatever he wants by himself, and it’s a whole different way of life. Being that Harry is a guy, he’s able to be a loner more than I am. As a woman, I’m not free to do all that. Even when I was his age, I couldn’t just get off anywhere I wanted. When we were on the road, Christine and I didn’t have a clue in the world what the boys did. We went to our rooms with security guys standing outside. It’s not like we ever escaped to go club-hopping in downtown Manhattan. We never got to live that life, so freedom as Harry knows it is very different than it’s been for me.

Did you ever have any figure in your life who provided some sense of mentorship the way you have to artists like Harry?

I didn’t really have anyone. If I had any guiding force at all, it probably would’ve been Christine McVie because she was five years older than me. And five years is five years, you know? Chris was friends with Eric Clapton and knew all the famous musicians in London. She’d married John [McVie] and done a bunch of records with Fleetwood Mac before I came along, so she’d been in the music business for a long time. I was breaking up with Lindsey when she was breaking up with John. She was my therapist and my go-to person for just about everything. We had each other to get through that really difficult situation where no one was gonna quit the band. Christine and I kept the whole thing together by telling the three men, “You quit because we’re not stopping” Thank God I had her, but on the other side of that, thank God she had me. We really were a force of nature.

** I’m curious to what extent fashion plays a role in your and Harry’s relationship. Have you** gifted him any accessories that were significant to you?

I actually gave him a ring at the Forum thing. It’s very masculine and has a pink stone in it. I told him it was a pink diamond, but it really isn’t. It would’ve cost $5 million. It was mine, and I really loved it, but I thought, This should be for Harry. You can see it on his hands in the “Falling” video where he’s playing the piano. If Harry and I were in a band together, we’d be trading all kinds of crazy stuff.

What are your thoughts on him being the first solo male cover in Vogue’s history?

It makes me feel so inspired. I’m extremely jealous he’s on the cover of Vogue because I’m 72 years old and have wanted to be on the cover my whole life. I’m such a magazine hag, so I’m incredibly jealous of Harry, but I’ll get over it. As far as all the crazy things he’s wearing, you do whatever you have to do to be on the cover of Vogue. I’m very proud of him, and I think it’s great that there’s a man on the cover…but I should’ve been in the corner off in the distance [laughs]. Did you know I’ve never been to the Met Gala?

We would be honored to have you at the next gala and every one after that. I’m putting this in the article to make sure it’s in the public record.

As Mick Jagger says, “We still have our freedom, but we don’t have much time.” I would like to be not much older than I am now so I can wear a fantastic outfit and entertain everybody. It’s a dream of mine, and most of my dreams have come true, but I need to not be 90 when it happens.

Harry and you could perform together.

We wouldn’t even have to rehearse. We’ve got a couple of duets that are really great. We do “Landslide” and “Two Ghosts” together really well. We actually have five or six terrific acoustic numbers that we could do at the drop of a hat.

You hinted earlier this year that there might be a role for Harry in the miniseries based on the stories of Rhiannon. Is there any update there?

This is probably the third-biggest thing I’ve ever done in my life after Fleetwood Mac and my solo career. There’s a lot to be done in the movie business before I can start riding my horses across the mountains of Wales. I’ve signed with a movie company—I’m not gonna tell you who—and we just signed a writer. I’m not gonna tell you who that is either, but there’s an amazing part for Harry. My favorite character in the series is the only man who goes through all four books. He’s a magician who doesn’t wanna be king, and I think Harry would just be so perfect.

Have you and Harry discussed collaborating on any future music together?

We’re open to making music together because we’ve been very successful when we go onstage just to do one song. I would love to be in a band with Harry, but even if I never saw him in person again, he’s made a record that breaks my heart in a million places like Fine Line. As far as music goes, there’s plenty of fun things that he and I could do. We can just reach out to each other and do it. I’m always ready to slip back into those high-heel black suede boots and become my alter ego.

via Vogue.com

#kingstylesdaily #Harry Styles #hs: mention #Stevie Nicks #november 2020

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cheri-translates · 4 years

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[CN] Kiro’s R&S - Stunning Young Idol (Eng Translation)

🍒This R&S (惊艳的少年偶像领军人物) was part of the Dream Heart Lake event which will unlikely come to EN🍒

Context: An article in a Japanese magazine

Cancelled Kiro R&S:

> top experimental subject (by another user)

> stunning young idol ♡

> youthhood

> heaven’s home for children (by another user)

[ Chapter 1 ]

Our interview with Kiro went very pleasantly. No one who attended the interview disliked him. Even our photographer, who has always been averse to young male idols, was full of praise.

Come to think of it, it’s no easy feat for this child to maintain such a transparent and innocent heart in an industry where crooks mix with honest folks. Readers who know him are definitely aware that he debuted in France at the age of six.

Back then, he accepted an interview in Paris for a television program. His tiny frame was seated in the large sofa, his legs not long enough to touch the floor, and were dangling in the air.

Many people were afraid that we wouldn’t be able to find this precious video clip. It was only through the recording Agent Savin sent that we could obtain this young and tender moment of Kiro.

Although the video clip has already been kept by Kiro’s agency and not accessible to the public, I can disclose it slightly through this interview.

The person who interviewed Kiro was Eva Saidel, a French female singer who was tremendously popular for a time. The beautiful Eva had asked Kiro if he could perform a song for her. Young Kiro nodded, obedient and filled with a gentlemanly demeanour as he responded, “Yes ma’am.”

[ Chapter 2 ]

Kiro performed Beethoven’s “Moonlight Sonata”. It wasn’t surprising that he liked Beethoven - all pianists definitely like Beethoven.

Saidel asked if he knew how to play other instruments. He replied by saying he also knew the violin, but was afraid that his neck would become crooked if he kept practising it. Everyone at the scene started laughing. Ms Saidel laughed excessively as well, and it was evident that she liked this child very much.

At the time, Kiro was wearing an adorable checkered shirt and a small, adorable hat. He even wore an official-looking tie. His cute appearance was sure to attract the attention of many.

A large proportion of Europeans knew of a mixed-race child who spoke fluent French, and would occasionally appear on the television to sing for them, or play classical pieces. They also gradually knew that his name was “Kiro” - this was a stage name he called himself when he debuted.

Eva Saidel, who had once interviewed him, liked him very much. Kiro said that he would always remember Ms Saidel’s luxurious and spotlessly white mansion. He would sit on the sofa in the mansion and listen to the old albums played by Ms Saidel.

Saidel also hired an incredibly renowned celloist from France to teach Kiro how to play the cello. I think many people don't know about this period from his past.

As of today, Saidel is already in her sunset years, and still remains in contact with Kiro.

When Kiro held a concert in Paris last month, the first person he invited as a guest was Saidel. He also played the song “Träumerei” using the cello she gave him.

“Back then, it was as though I returned to my childhood years. Ms Saidel is very kind, like a mother. She is extremely giving towards me.”

[ Chapter 3 ]

After junior high school in France, Kiro listened to Ms Saidel’s advice and studied in a high school in California. The intelligent Ms Saidel predicted everything - Kiro’s talent would be discovered very quickly.

After one performance, he was signed on with the renowned Warner Music Company. At the time, he was in Year Three, but never forgot his homework, and even entered Berkeley University with stellar results.

By the time he was in Year 4 (in contrast to Japan, high school in America spans four years, while elementary school spans five), he had already formed a band and was touring in various places. Warner Music is an experienced company with incredible foresight, and they allowed Kiro to return to France to begin his music career.

The number of fans Kiro had in Europe was astounding. The women in Europe found his mixed-race looks and his breathtaking voice unforgettable. Their concerts drew large crowds, and it would sometimes be difficult to obtain tickets. 90% of the females were there for Kiro. Such attractive force was rarely seen.

Actually, when we were interviewing Kiro, we could also feel the charisma he exuded. It’s a kind of magic which renders people unable to resist.

With just a smile, he easily won our hearts.

We have no idea why that’s the case. Perhaps it’s because he’s Kiro.

On the topic of whether he gleaned anything from his four years in Berkeley University, Kiro spoke without reservation and commented that he felt a lot of stress as there were many elite students. Hence, he had to fork out even more effort than usual to face each examination.

When he was in Year Three, Kiro continued touring with the band. He disclosed that he used to do his homework on the plane. When his band was touring the entirety of Europe, his band members would spend their spare time exploring the picturesque towns while Kiro would be holding his books and revising in the hotel.

When we asked why he was so hardworking, he replied by saying that he didn’t want his professors to stop liking him because of a drop in his grades.

In reality, every teacher who has met him like him very much. But because of this, Kiro always remained in fear. From beginning to end, he felt that the love and care from people was akin to smoke - surging at first, but dissipates gradually.

[ Chapter 4 ]

Kiro told us that he had felt very scared when he made the sudden decision to return to China after graduating from university. After all, there were many excellent artistes in China, and he was afraid that he wouldn’t receive love from fans.

But reality is always unexpected. His act of returning to China to develop was extremely correct. It allowed people in Asia to notice his radiant light. The artiste from China that the media in Korea likes reporting on the most is Kiro. Every now and then, he would cause a sensation there, but they would be for issues that aren’t important.

In Japan, he truly stirred a sensation through “Three Kingdoms”, a movie he was in half a year ago. He played the role of Sun Ce.

“The History of the Three Kingdoms” enjoyed widespread popularity in Japan.

This movie adaptation of “Three Kingdoms” was incredibly well received in Japan, and everyone was enthusiastic about the contents of the movie.

Even now, Kiro can recall how life was like with the cast and crew. in order to play the role of Sun Ce, he had to dye his golden coloured hair black, wear headgear, don extremely thick armour, and he had to put on brown contact lenses. His headgear was very cumbersome and heavy. If it hadn’t fit, it would have squeezed and pressed on his head, turning him into a “Flat Kiro”.

In the process of filming “Three Kingdoms”, his favourite scenes were the ones where he was on a horse, because the horse could help share the weight of his armour, and the horse would always end up gasping for air. His most deeply etched memory was when he didn’t control the amount of pressure when riding the horse, causing it to toss him onto the ground. His chest was almost trampled by the horse, and he almost lost his life.

He rarely shares this incident with others. “It’d be so embarrassing if other people knew about it,” he laughed while telling this to us. Even now, I can still remember his brilliant smile. “The agent gave me a scolding after he found out about it. The director and assistant director also said that I had angered the horse, which is why it took revenge on me.”

Afterwards, the crew and cast from “Three Kingdoms” specially came to Japan to promote the movie. During that time, “Three Kingdoms” ranked number one in the box-office ratings. And this was even though Kiro didn’t have many scenes in the movie - he only made an appearance for ten minutes.

But because of this short opportunity, movie fans in Japan started to know of Kiro. Looks like our meeting with Kiro was also destined.

He said he could never forget the image of how numerous fans rushed to Haneda Airport to receive him when the crew and cast just arrived in Tokyo.

Kiro confessed that he had never thought that he’d receive such a large fanbase in a foreign country.

The enthusiasm of the fans in Japan caused him to feel extremely flattered. And his trip to Japan this time was no exception. There were even more fans who received him at the airport than before.

Precisely because of this astounding attractive force, Kiro became a superstar who could perform in the Tokyo Dome.

[ Chapter 5 ]

At this point, I think everyone has some basic understanding of this adorable boy. He isn’t just a pretty face (even though there are many such artistes nowadays).

I highly recommend his latest single, “Ash”, which has a somewhat heavy metal rock music style. But he has recently started shifting towards pop music, and has clearly stated that he would spend even more time on music, and would temporarily reject a few invitations to variety shows or television dramas.

This means that for now, we might not see an invigorated Kiro on television screens. Fans will definitely grieve over this, but there’s no need to be too upset, because Kiro will bring a new album to us. During the interview, he revealed that the first song in his new album would be a heavy bomb!

The composer who was involved in producing this song also noted that this song could potentially alter what “popular music” is in Asia.

So, let’s look forward to the surprises this youth will bring us, and letting us know from this interview --

That we should never underestimate this youth.

The concert at the Tokyo Dome will commence a week later. Although tickets have already been swept up, there’s no need to feel discouraged. This magazine still has a lucky draw activity for fans. We will select three lucky readers and give out three front-row tickets to the concert at the Tokyo Dome. More information can be found on our official website.

Other cancelled R&S: here

#mlqc #mlqc cn #mlqc kiro #more! love! for! our! little! sunbeam!#cncancelled

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thekillerssluts · 3 years

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My Relationship to Performance Has Changed

A great rock-and-roll show means openness, confrontation, and a kind of danger, and those ideas right now feel too heavy to lift.

Last October, before the second pandemic wave took off in New York City, I had one last band practice in my backyard in South Brooklyn. Five of us were working on songs from my new solo record. Normally we’d play in the basement, but it’s pretty low-ceilinged, and we’d read Zeynep Tufekci’s recent Atlantic article on viral spread, so we were all hyper-focused on air circulation. My bandmate Sara had contracted COVID-19—and recovered—in March, but the rest of us had no immunity. Besides, we suspected that we were in for a long winter and might as well hang out outdoors.

It was warm in the sun. After hauling the drums, keyboards, keyboard stands, guitars, and amps outside and plugging everything in, I hadn’t wanted to bother setting up microphones, so we had to play softly to hear ourselves harmonize. When we paused for lunch, someone leaned out of a fourth-story window in the apartment building next door and yelled: “Are you done or are you just taking a break? I have things to do, but I really miss live music!” “Me too, man!” I called back. “Should be just a break.”

Six months and a difficult winter later, the break is ending. I’m seeing more and more Instagram posts for shows that aren’t just wishful thinking. Low-capacity indoor shows are popping up in New York. Outdoor—maybe even full-capacity indoor—concerts are coming this summer. Am I ready to play? Ask me every other day and the answer changes. I’m torn. I’m desperate for sound engineers to get back behind the board and bartenders to start earning tips. I want venues to thrive again, both as places for art in neighborhoods and for the sake of the network that keeps music culture alive in America. I want my booking agent to feel excited again; he loves music so much. And I want musicians to make a living. So many people have been so screwed by the past year. I guess I just want everyone to get paid.

But the actual performance; the rebuilding of the sonic cathedral, as Dave Grohl wrote last spring; communally reaching for rock-and-roll transcendance? I’m not there yet. I’m not concerned that I’ll get sick. I received my second vaccine shot at the end of March and am ready to high-five strangers on the subway. My hesitance has an element of crowd-shyness, which we’ll all get over. But in my own performance, I don’t know how to meet this moment. A great rock-and-roll show means openness, confrontation, and a kind of danger, and those ideas right now feel too heavy to lift.

I used to think of performance in purely aesthetic terms. In the movie La Strada, a clown wearing angel wings does a high-wire act across a crowded piazza. For his finale, he brings out a table on the wire and, while balancing, tries to sit and eat a full plate of spaghetti. The heroine of the movie watches him with an almost religious ecstasy. When I first started performing, I strove for transcendence and stupidity, high concept and low art. My focus was on keeping myself in the air.

When my band Arcade Fire was playing mostly to people who hadn’t heard us before, we felt that the best way to get them to open up was to blow the windows and doors out. At an early show in Lawrence, Kansas, my brother, Win, bashed Styrofoam tiles out of the venue’s ceiling with his mic stand. We pushed as hard for an audience of six people (two of them my parents) upstairs at AS220 in Providence, Rhode Island, as we did in front of tens of thousands in the desert at our first Coachella show (during which I accidentally cut Win’s guitar cable in half by repeatedly smashing a cymbal into the ground).

At a certain point, as people got to know our music, my relationship to performance changed. The energy from the crowd was greater than anything coming from the giant speaker stacks. The audience wasn’t a challenge to overcome, or an opponent to conquer. We became a team. Not in an abstract, lovey way but how a sports team operates—pushing one another to do better, sometimes failing, sometimes frustrating one another, sometimes just joking around.The high-wire act of live performance—Will the music come together?—was still there. I’ve even sometimes tried to make the metaphor real, climbing arena scaffolding with a drumstick in my teeth and a drum strapped over my shoulder to play 30 feet in the air. Some of our crew members hate it—“Will! You have children now!”—but climbing up there doesn’t actually feel that dangerous, and a little nervousness is good. I’m reaching for primate simplicity and catharsis: The crowd needs tension to experience release.But now I have no desire to make tension. I want people to feel safe and comfortable, and I wonder whether creating a feeling of danger and openness is antithetical to that. I know that cultivating a perception of safety and actually making people safe are different. On tour, in a big venue, every night our management and local security have a briefing. It’s partly to set a vibe—People are here for music. Everybody be chill. If some teenager sneaks into a closer section, please let them. But the briefing is also serious—where the medics are located, what the escape routes are. Most of the time, these safety measures are invisible. I worry that post-pandemic precautions, as welcome and necessary as they are, will be depressingly visible. Some elements, such as temperature checks, will be inane. Some, such as requiring vaccination, will be important. Regardless, they will also set a tone—not You are entering a place for music, but You are entering a secure location. Dancing is hard when you’re looking at your feet; singing is hard when you’re thinking about everybody else’s breath. I bet the crowd could get over this. I’m not confident I could. With limited capacities and tight procedures, I worry that the stage will feel like the VIP section of the VIP room at a members-only club. Sterile, lonely, all of us chillingly aware that we are part of a ticketed event.

I have another concern that’s hard to shake. After this pandemic year, I’m more aware of the responsibility I have not only to the people who buy tickets, but to the driver making deliveries to the show and to the family of the woman working arena concessions, people who really don’t care about what I’m doing onstage. Vaccination numbers will grow, and the pandemic will end, God willing. I’m not worried about the spread of the coronavirus in particular. But these links of responsibility remain. The analytical part of my brain turns off when touring starts. Before scrambling back to normalcy, I want to make sure that this sense of connection becomes embedded in how I think. I would really love to just be a musician—but I’m also an employer and a player in an industry that has chewed up and spit out plenty of people, especially in this past year.

My hesitations are all about shows, though, not music. Over the past year, I’ve rarely played music with others—a few practices and filmed performances; work on the new Arcade Fire record in November; a handful of Zooms with bandmates to help a school’s PTA fundraiser or support a candidate in the city-comptroller race. But in all of those instances, I’ve experienced an ease, a rightness to the communication—not through the screen with whoever was listening, necessarily, but the people I was playing with. That connection felt restorative, like having a night of deep sleep that repairs parts of yourself you don’t know how to access.

I know people are ready for live music, ready to forget themselves in a wash of sound, ready to loudly talk with their friends over the song they don’t like that much. And so, for heaven’s sake, go to Neumos in Seattle when shows come back. Go to the Hideout in Chicago. See your favorite band, or somebody new. Plenty of artists don’t share my nervousness. I don’t want to add worry to the world; I’m just figuring out my new relationship to performance.

The magnolias are out in New York, and some of the apple trees are blossoming. Temperatures are creeping past 60. The vaccines keep rolling out. The future seems more possible. If I miss an emotion from live shows, it’s not any moment of transcendence. I miss the time just after, when, dazed and excited, you still feel the reach of some universal gesture, but the only thing concrete is the people around you.

https://www.theatlantic.com/ideas/archive/2021/04/world-changed-what-makes-live-show-successful-didnt-arcade-fire/618625/

#Arcade Fire #will butler

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natromanxoff · 3 years

Text

Here is the interview that has been translated by Google, from the link ‘1′ on this post:

After Freddie Mercury visited Zagreb, it was clear why he was leading two big guys everywhere

By YugoPapir

TODAY, exactly 25 years ago , the great Freddie Mercury passed away , and on that occasion we remember his visit to Zagreb and the interview he gave on that occasion. It was back in 1979 ...

"In a situation of useless concert rock scene (such as at least Belgrade), an interview with one of the world's famous rock stars is a special event. However, although the man is not in a position to choose and has no experience with Jagger, Lennon or Dylan, these conversations are sometimes it comes down to the usual routine of exchanging questions and answers ... Kind me, kind respondent ... I smile, the respondent smiles I ask a question, I know the answer in advance.

Hand on heart, that was exactly what the conversation with the first man of the Queen group was like. Despite the millions of records sold, the sound clearly defined and the status of the stars, the guys from the group do not have a particularly interesting "story" behind them. The only way to do something extraordinary is to try to provoke the interlocutor, but one usually doesn't have the opportunity to do so in such "serially" organized meetings between stars and the press, where a bunch of idle idlers are dragged around without much smarter work in mind.

The press conference was held in "Intercontinental" full of boring luxury and, on this occasion, unusual teams. After a short wait (the stars are always late), the Queen appeared, dressed as employees of an English insurance company on vacation.

After a few moments of doubt, various guys of unknown faces and occupations attacked them. Of course the main victim was Mercury. Honestly, I didn’t expect so many people with tape recorders, notebooks and similar supplies. It is not only clear to me where they will be able to place all this, because I have not seen the results of that journalistic attack anywhere except in "Polet" from an interview done on another occasion.

Maybe it's better not to publish it anywhere because I heard so much nonsense and ignorance in a short time that I felt pity for poor Freddy. Now it is clear to me why he is taking with him two guys, as if removed from the mountain, who were strategically arranged around the front door during the whole press conference.

And finally when the crowd subsided I seized the opportunity to talk to Mercury.

Not particularly tall, black, in a leather jacket and jeans, he looked more like one of the tappers in front of Belgrade cinemas than the world-famous rock old man. Stoic accepted to give an interview for "Jukebox", although over time he approved and became somewhat more exhaustive. I probably bothered him less than the others.

As usual, I started from the beginning ...

"It's a long story. Brian, Roger and I knew each other since we were students. John came later. We had experiences with earlier bands where we played as high school students. When we created Queen we had a clear idea of what we wanted to do and our work today is the evolution of these plans and dreams.We had a very clear guiding star.From the very beginning.

Is it still clear that guiding star after all these successes and millions of records sold?

Why not. The halls where we play are always full, the records are on the charts. Why not?

From the articles we read about you, it could not be said that the critics really like you. What does it look like to be in one of the world’s leading rock bands while at the same time reading how records are being ruthlessly denigrated?

This is the case only with the English press. It could not be said that we live in the best relationship with them. The English today have no choice but to be cynical, which is why the press is like that to us. That’s why you can rarely read our interview at NME or Melody Maker. There is no point in us being a training ground for them. We learned to live with it and, you know, I didn’t care too much about it. Our records sell well. In recent years, a big thing has happened with punk, and we are understood as the total opposite.

One of the main drawbacks is the dependence on technology. Your records are lavishly produced to perfection ...

You can't survive without technology today. Loudspeakers, light instruments and the most ordinary rock band look like an LP&P to a folk group or a symphony orchestra ... Even today they can't survive without technology. Electricity is all around us and you can't avoid it. The production on our records is rich, but I don’t think it’s an end in itself as many want to present. I play a plain piano, John a plain “Fender bass,” only Brian has special “pranks” that I make myself, but that’s not overdone either. The most important thing is that it is all in the service of the idea.

You are all college educated. Do you think that had an impact on this direction of the group. I have noticed that there are prejudices in English newspapers about such groups, in fact about groups that originated from such an environment, starting from “Genesis” onwards?

First of all, we don't have much to do with "Genesis", then such prejudices are the most common nonsense. I don't see any purpose for them. I don't even know that being in college automatically makes us intellectuals.

I have no doubt that you spend a lot of time in the studio preparing the album, that's obvious. You've created some kind of art since filming (interrupts me) ...

We record, than what. That's what everyone does! But we made a style out of it. We do everything in a special way and I think there is imagination. It's specificity, not covering up weaknesses or something like that ... We don't even try to reproduce the sound from our records ... It's hours and hours of work and there are hundreds and hundreds of recorded sections.

The record is one thing, and the concert is quite another. Although some people pass it on to us as a flaw, we are very happy with their gig. It would be a tedious and boring job to always play the same ... At one time we were thinking of introducing assistant musicians to our performances, but I don't think that would work. It is our music and we understand it best. Such a way would only bring us unnecessary problems and obligations.

Can any significant changes in your sound and direction be expected on the next panels. There is a lot of criticism that you got into a certain "gyre" ...

Again about the critics ... we care the least about them! We have created a certain sound, success, image and that is what we are. It is logical for the group to evolve slowly ... It would be stupid to try something radically different ... And that is what the "scribblers" expect to have something to fill the newspaper with. Drastic changes lead nowhere and make no sense. You can't become something else overnight ...

Normally we will change. Whoever has followed our work so far is clear in which direction. This is also evident from our latest albums. There is no longer as much luxury as at "Opera" or "Racing" ... I think that our next albums will develop in that direction.

The group "Queen" is considered to be a very stable formation. No sharper disagreements were heard, and only the drummer had solo outings. Should we expect new solo projects and do they pose a danger to the group?

Although Roger has a lot of experience with solo attempts, I don't see any danger in that for the group "Queen". I think the best we can provide, we provide together. Solo attempts are just a small change of climate and refreshment. There is no special need to try our luck outside the team. When we realize we have nowhere else to go, the group disbands - there are no illusions that it won’t come and we don’t even think about it.

Do you have any information about your audience in Yugoslavia, and does the sale of records in our small market mean anything to you financially?

Well, I've heard from people in our company that we sell a lot of records. Do you see these gold and silver plates we got here? Also, we care that our music is heard all over the world, that everyone listens to it, that's why we perform so much. One should not be blasé ... It is not only important for us to be popular in England, America and Japan ... People are the same everywhere and we like to play for them ... This is just rock'n'roll after all ... "

Interviewed by: Branko Vukojević, filmed by: Dražen Kalenić (Jukebox, 1979)

#queen #queen band #freddie mercury

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fyexo · 4 years

Text

200924 20 Questions With SuperM: The K-Pop Supergroup On Their New Album & Becoming ‘Like Family’ With Each Other

Last year, SuperM notched a huge win when their self-titled “mini album” debuted at No. 1 on the Billboard 200 albums chart. The K-pop supergroup -- which consists of members of EXO, SHINee, NCT 127 and WayV -- had generated a huge amount of buzz before releasing a single track thanks to its star-studded lineup, and with the No. 1 bow, SuperM was off to an explosive start.

With Super One, the group’s first full-length out Friday (Sept. 25), SuperM continues its positive momentum. The hopeful, hook-stuffed album allows all seven members of SuperM to shine, while also expanding the group’s pop aesthetic and finding the right balance between singing and rapping. Songs like “Wish You Were Here,” “Better Days” and lead single “100” demonstrate SuperM’s dexterity -- and even though it’s still uncertain when their global fans will be able to see the songs performed live, the collective sounds prepared to put on an eclectic, wide-ranging show with these tracks.

Ahead of their new album’s release, the members of SuperM answered 20 questions about their musical backgrounds, leaning on each other during the pandemic, the highlights of Super One and more:

1. What’s the first piece of music that you bought for yourself, and what was the medium?

BAEKHYUN: An Avril Lavigne CD. I really liked her music when I was young so I remember going to a CD store with my brother to buy her album.

2. What was the first concert you saw?

KAI: I remember I went to my first concert when I was 16 years old. This was Usher’s concert when he came to Korea. Seeing him perform onstage inspired me to work harder towards my dream to become an artist like him. I still can’t forget the energy and the vibe of people around me and remember wanting to perform on a big stage like that.

3. Who made you realize you could be an artist full-time?

TAEMIN: My mom was the first person actually. When I was very young, she saw how much I enjoyed singing and dancing and encouraged me to audition. Since then, I started moving towards my dream to become an artist and performer. She helped me discover my passion at an early age and encouraged me to do what I love, and for that, I’m forever grateful.

4. What’s at the top of your professional bucket list?

TAEYONG: I just want everyone I work with to be happy, and work together for a long time. This includes not just SuperM members, but also the rest of the staff and the team behind the scenes that make it all happen!

5. How did your hometown/city shape who you are?

MARK: I think everyone is influenced by their hometown and where they come from. It’s really special to be a K-pop artist and perform in front of fans in Canada, where I’m from. When we performed in my hometown during the world tour earlier this year, it was such a significant “homecoming” moment for me. Canada always has a special place in my heart.

6. What’s the last song you listened to?

LUCAS: The last song I listened to is Justin Bieber’s new song, “Holy.” It’s a great song to listen to when you are feeling tired. I listen to it on repeat when I’m on the move during the day and it puts me in a good mood.

7. If you could see any artist in concert, dead or alive, who would it be?

TEN: I would choose Michael Jackson, because I always regret that I didn’t get to see him perform onstage live. I look up to him as an artist, and I’d love to see him sing and dance live at one of his concerts.

8. What’s the craziest thing you’ve seen happen in the crowd of one of your shows?

MARK: Well, one thing that happens at every show is how emotional I get seeing the venue packed with our fans. Before going onstage, I always take a peek at the audience from behind the curtain, and it’s hard to describe the exact feeling in words but it feels surreal — too good to be true, almost. Especially for a standing audience, it’s not easy standing for hours straight in a tight space, but their energy never goes down. I never feel tired onstage because of them. It’s still pretty crazy to me to see and feel their energy every time. I miss them!

9. How has the pandemic affected the way you’ve created music in 2020?

BAEKHYUN: The process of creating music, writing and recording songs, was pretty much the same. However, planning the album promotion during pandemic was a little different, since everything had to be done online. We had to think of fun and unique ways to interact with our fans, from creating our own reality show to holding livestream, AR tech-based concerts. We have a lot more creative content in store for our fans, so stay tuned!

10. What was your reaction to SuperM’s mini album topping the Billboard 200 chart last year?

KAI: Everyone was super happy. We put our heart and soul into the album and worked really hard on it, so in a way, we were looking forward to the results. When we saw that the EP hit number one on the chart, it was one of the happiest moments of our career.

11. What’s the biggest difference, creatively speaking, between last year’s mini album and Super One?

TEN: The mini album was more about introducing SuperM and our SMP-style performances, whereas for Super One, it shows more of our different musical styles and really brings out the dynamic qualities that we possess as a group. So, to put it simply, Super One is the completed version/look of SuperM. Also, what was important for us when creating this album was to include a message of hope and deliver that positivity and strength to listeners. Music can really lift your spirits when you’re feeling down, so I hope people find healing and happiness while listening to our music. That would make us very happy.

12. Why did “100” make the most sense as a lead single?

TAEYONG: “100” is all about speed and energy, so it’s the perfect single to showcase SuperM’s power as the opening act of Super One. It also helps convey the message that we are always moving forward at full-speed, giving our 100% in all we do.

13. What’s one song on the album that you suspect will be a big fan favorite?

LUCAS: I think fans will like “Better Days.” It’s a nice ballad song for a great start to your day. It also contains a message of comfort and empathy to help get through these difficult times. We hope our fans can feel the warmth of this messaging through our vocals and fluid rapping.

14. How has the group bonded during what’s been a wild 2020?

TAEMIN: We’ve been through a lot and have always been there for each other through thick and thin so naturally, we’ve gotten very close. They’re like family now. We didn’t have to “try” to become close, it just naturally happened -- as if we were destined to be in the same group.

15. SuperM has been part of a massive year for the global expansion of K-pop. How does it feel to see so many K-pop songs, albums and artists setting records?

MARK: This makes me really proud. I remember growing up in Canada, a lot of people at my school didn’t know K-pop. It was mainly just popular among Koreans. Now, so many people all over the world know about it and K-pop is getting so much attention. I feel honored and proud to be a part of this movement. Bringing the two cultures closer together and building that bridge through music is such a historic moment, and I can’t wait to contribute more to it and create great music for listeners worldwide.

16. What’s your go-to song that you’ve been singing along to lately?

BAEKHYUN: These days, I have Eric Benet’s “Still with You” on repeat, so I’ve been singing this a lot lately. This was one of my favorite songs in high school, and ever since I started spending more time at home, I’ve been revisiting some of my old favorite playlists. They bring me back to that moment when I was in school, aspiring to become an artist.

17. What movie, or song, always makes you cry?

TEN: This always changes, but when I can empathize with the characters in a movie or connect with the emotions in a song, it makes me cry. I recently cried watching the animated film, Grave of the Fireflies. I watched this for the first time when I was young, but re-watching it as an adult touched me in a different way.

18. If you were not a musician, what would you be?

LUCAS: If not a musician, I’d probably be a firefighter – a job that saves other people’s lives is truly inspiring to me. But if not a firefighter, I’d definitely choose a career that make people happy, just like what I try to do now through music and performing.

19. What’s one piece of advice you would give to your younger self?

KAI: I would tell my younger self to take care of yourself and stay healthy, because health is so important! I would also tell him not to be so hard on himself and enjoy the ride as a young teenager. This is the time for having fun and trying different things! Back then, I was so focused on my career and working towards my dreams that I didn’t spend a lot of time doing “regular teenager experiences,” which I wish I did more of!

20. What’s your message to fans who have been supporting SuperM -- and waiting for this album to arrive?

TAEMIN: It’s been almost a year now since our debut, and we are incredibly grateful to have so many fans cheer us on. We put our heart and soul into the album knowing that our fans have been waiting for a long time. While we’re sad that that we can’t meet them in person, we hope they can feel the positive energy through our songs and performances.

Jason Lipshutz @ Billboard

#exo #baekhyun #kai #t: interview #album: super one #200923 #e: interview

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risukadarlin · 3 years

Text

[happy sugar idol] vol. 6: masato - track one

1; masato’s worries

listen along・masterpost

✿

Good work today.

Yes, I have nothing left today…

But I wondered if you’d let me observe.

Do you mind?

We use this set in my next scene, right?

I want to see where the cameras are and see where I’d be standing.

I’m hardworking?

I’m happy you think so.

But I still have a lot to learn as an actor.

And this is the first drama I’ve worked as a regular on.

I want to watch you record the scenes I’m not in too, if I can…

I know it seems presumptuous of me, as a newbie.

Is it a bother?

Yes. Thank you.

I look forward to working with you from now on too.

✿

Don’t open the door so suddenly like that.

You don’t have to apologise.

I was surprised when the door opened that fast, though.

But you opened it without checking who I was, right?

Goodness…

I keep telling you to be careful.

Well, I did promise to meet you here at this time.

But I could have been late.

Or someone else could have just happened to come at the same time.

A classmate…

Or another guy…

I was me, so it’s fine, but…

If it was another man, it could have ended up like this --

They might have pushed you down and held you so you couldn’t move.

And then…

What should I do?

What do you want me to do?

It looks like you understand what I’m trying to say.

Good.

Ah, I’m sorry for scaring you.

Be more careful next time.

Don’t open the door until you know who’s behind it.

If it's a man other than me, you don’t have to open the door, okay?

I don’t really think before I talk when it comes to you but…

It’s because I care about you.

God, you look so defenceless…

Don’t make that face in front of anyone but me.

You’re so cute.

Don’t you realise?

That’s even worse.

The vulnerable expression on your face before we kiss and the embarrassed one afterwards…

Both are adorable.

It makes me want to kiss you even more.

Hey.

Can I kiss you one more time?

I want to see that cute expression again.

If you don’t say no when you don’t want to, I’ll just assume you do.

You’re not trying to run away.

Does that mean I can?

Then, where should I kiss you?

Your ears?

Your cheeks?

Or…

Your lips?

Come on, tell me where you want me to kiss you.

Hm? Work?

You changed the topic, huh?

But I forgive you.

I have good news, after all.

Oops, I’m sorry.

Shall we sit down first?

Here, give me your hand.

The truth is…

We have a date for our first concert.

A √HAPPY+SUGAR solo one at that.

Are you happy?

Thank you.

God…

I came here to tell you that but your carelessness made me forget.

But that’s fine, because you were so cute.

We’ve started putting forward ideas for the staging and the track list for the concert.

It’s a big stage so there’s loads of things we can do.

I’m looking forward to it.

All the other members are in high spirits too.

We might even make our own individual segments.

Everyone’s quite opinionated so there might be a bit of conflict but…

We’re trying to make something we’re all proud of before time runs out.

So far, we’ve decided how many group songs we’re going to sing.

And also --

✿

You have to come and watch me.

I’m going to make it the best performance ever, for you.

Yes. Of course.

You’re more important to me than anything, after all.

Of course I want the guests to have fun too.

But if I can’t even entertain my girlfriend then there’s no point in me being an idol.

Don’t you think?

When our manager told us we were going to do a concert, I knew I wanted to tell you before anyone else.

This is the best chance to see me as the idol, Masato Fujie.

I’ll be busier than ever from now until the concert.

You might be lonely for a while.

But, I’m always…

Yours and yours alone.

I want you to remember that.

✿

√HAPPY+SUGAR’s first concert was a dream come true.

Our individual successes were influencing the group as a whole in the best way possible.

For me, I’d been receiving a lot more work as an actor.

Apparently, my acting had been popular, even when I had no lines.

Now I had a regular role in a drama and was busy with filming everyday.

Filming began early in the morning and ended late at night and it was busy.

There was so much to remember and so much you didn’t understand until you visited the set for the first time.

I couldn’t relax.

I was so busy I didn’t have much time to spend with my girlfriend.

And so I want to grow even more, for the girlfriend who cheered me on despite this.

#happy sugar idol #happy sugar #masato fujie #fujie masato #rejet #drama cd #drama cd translation

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