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#never can remember how many shows/etc i am a fan of....
foone · 22 hours
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weird thought: I think if I was a teenager now (or anytime in the last decade or so) I think I would have written (and read!) a lot more fanfic than I did in reality, where I was a teenager in the 90s.
See, I've never been hugely into fanfic. Never had anything against it exactly, but it just wasn't something I was into. But I think that has to do with an interesting combination of how my brain works and what time I was first really getting into being a fan.
I've got a "librarian" brain (I'm literally typing this from within a library, WHERE I WORK). It wants to know things like "what are all the works in this series/by this creator?" and "are they all accessible?" and "what info is available about how it was made?"
I'm the kind of person who will watch a show then go look it up on wikipedia to see how many seasons it has, who made it, if they're still making it, check tvtropes for any more info, etc. Or I hear a song I like by a band I've never heard of, so I go listen to their entire discography while researching them. I just focus on things I'm into that way, you know? I don't half-ass my interest. (this is probably related to my autism, of course)
So what does this have to do with fanfic? like, do I go read some fanfics as part of this process? No, and I think the reason for it is when I specifically first got into fandom, as a teen.
See, this sort of fandom-librarian was harder to do in 1997, you know? You couldn't just pull up the wikipedia for that new show and see how many episodes it had. You also couldn't just listen to the whole discography of that band! Forget Spotify or Google Music, even Napster didn't exist yet.
So my interest in fandom focused a lot more on very basic questions: How many episodes/albums/books/whatever are there? Where can I see/hear them all? Like, I remember getting excited because I found some fan magazine that had a list of all the Star Trek: The Next Generation episodes. Just a list! Not even descriptions or anything. I finally could take that list and see how many I'd seen, so I'd know when I saw them all in late-night reruns.
So I'm focusing on these very basic parts of being a fandom-librarian and I stumble across some fanfic. I'm like "oh, is this a transcript of an episode I haven't seen yet?" and I realize it's not, it's a story written by a fan, and I get a knee-jerk reaction of "that's not helpful to my quest to know and find all the episodes". It's like I am on a quest for the holy grail and I found a fake cup. It's not helpful to me, and at worst it's a distraction from my goal.
And the thing is, I think the fact I had that reaction is entirely due to the time and situation in which I first encountered fanfic. It was in that environment of "I can't even find a list of the episodes, let alone a way to watch them all!" and that anxiety that colored my response to finding fanfic.
I think if I instead was first introduced to fanfic NOW, where those fandom-librarian drives aren't so difficult to fulfill, I'd be way more positive about fanfic. If I could get a list of episodes with a quick google search, and watch them easily on netflix/prime/whatever, I'd be less "THIS DOESN'T HELP! I AM STRUGGLING WITH THE BASICS HERE!" and more "yay, more content for the fandom I'm obsessed with!"
Like I said, I'm not anti-fanfic, I never have been, I just never got into it. From the beginning I had this reaction that was "this is not useful" and I never developed any real interest in it. Which is a shame, honestly. Fanfic is great. It just never became one of my interests, and while I've written it and read it from time to time, I imagine I'd be way more into it if I didn't have the weird reaction to it due to the worries of the time in which I first encountered it.
I don't know how many other people have brains that work anything like mine, but if they exist, I'm glad they're now growing up in a world where they won't have these problems. They can get into fanfic without this weird baggage caused by a lack of information.
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aaeeart · 1 month
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anyone got any fanart requests? I wanna doodle something later today 👉👈
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skitskatdacat63 · 9 months
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Every time I read Fernando cursing in fic, I can only think about this clip and then my brain short-circuits
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lxmelle · 1 month
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Thoughts/Ponderings/Musings on ch 236. About Gojo reaching Sukuna, his death, his relationships, etc.
I know there are people who really dislike the characterisation here, expressing that Gojo is likely far more kind and caring for his students, etc.
Gege and his infinite wisdom over his creation seems to like encouraging headcanon kaisen, lol. He certainly keeps things quite true to life and allows the reader to make their own conclusions.
It is not my place as a casual reader to judge his writing, and I will defend it inasmuch as I also had hoped for more: Just because it isn’t explicitly said, doesn’t mean those things we have seen about Gojo aren’t true. I agree that it is also a shame that more wasn’t or couldn’t be included in this chapter to either dispel or confirm, but that’s masterful writing in itself, I guess.
I take small refuge in my interpretation that this is a glimpse of a conversation; as in real life, we ease into conversations. I enjoyed the dynamics and overall tone. I like to remember that each expression was a decision made, and these details can hold a lot of weight in meaning.
So we see that Gojo prefaces with something else and was responding rather specifically to Geto’s question regarding his fight, his end.
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Geto, a natural conversationalist, who is said to be good at being at Gojo’s level, enquires about his fight - entering into neutral territory after Gojo expressed frustration and being stunned after his sudden arrival there.
Geto reads him / the atmosphere well and responds to tune the conversation to a level he can reach Gojo, despite possibly having a lot to say and catch up on himself. (Like, we never hear him talk about his family aside from confirming they escaped.)
He is showing respect for his friend. What do they have to rush for, anyway? I don’t think there is a specific afterlife if they chose to go south. Time may be infinite?
A lot more under the cut. Feel free to skim and apologies in advance for tangents. I hope it makes sense overall. I tried to make it as cohesive as possible despite being lengthy.
:: Beware the Word Vomit, overall reaching, meta, interpretations, some satosugu shipping, and general weaving and stringing of themes. ::
Disclaimer: I’m fully aware I may be wrong, as I am with many things, and you’re welcome to drop me any comments or thoughts.
One of the glaring issues was the “Sukuna glazing” as some fans called it. To see Gojo having regard for Sukuna’s strength doesn’t take anything away from Gojo imho, but I get it. What was all this reaching that Gojo was expressing? Surely that doesn’t that precedence? Of all things, is this what he’s regretting in what is possibly his last significant scene in the manga?
A part of me relates to this outrage, but then I try to bring myself down, because we are often kept out of what intimacies are exchanged between Gojo and significant ones (Geto, students, etc.) and we aren’t / haven’t been privy to many deep and elaborate reflections of Gojo or Geto. All we get are ellipses “...” and depictions of longing stares that don’t quite betray their honest thoughts.
So, within the context of the above, Geto asks directly and Gojo describes. Of course he’d want to know how Gojo experienced it. He’s always been the one who cared about how Gojo actually feels or experiences things. He might join in a bit of friendly ribbing, but Geto and Gojo communicate on another level with banter, etc. there’s a reason they’re each other’s best friend.
I also see an interpretation where it cycles back to love is the most twisted curse: it can save people, but it may hold you back from being the strongest. Love has been a theme since the origin story in jjk 0. Gojo’s love for his students and Megumi may or may not have affected their chances of success, but he nevertheless cares and bets on the future (students).
Geto has always been shown to be Gojo’s significant person - a safe person, if you will. Thematically, their designs are two parts of a whole. Their fates intertwine in so many ways, only to be separated ultimately to death.
Since, he’s described not feeling lonely anymore, through love for this students (his legacy and will) and even more now (for himself) that he was wrong about dying alone. He had wanted to find a way to bring Geto home (to jujutsu high [Geto’s theme song “come back home” given by Gege is all about this after all]) but despite all that’s happened, he is with him at the airport, and Gojo is satisfied enough with that, but won’t waste time not bridging gaps any longer -
Gojo is so very forthcoming with Geto in his adult years. Given the opportunity in jjk 0, he not only asks for his last wishes, but conveys his as well. He then speaks his heart in his conversation with Geto; he is candid, yet serious.
I’d like to think it’s infused with more emotion than he ever did in their early days. He confirms his feelings to Geto and confesses his desire to have had him there to send him off. More on this later.
In the original version of the manga, Gojo momentarily reverts back to the use of “ore” just once, before it becomes “boku” again - a shift had taken place in him due to what Geto said in the past. To demonstrate that in a few short panels is quite something too. People change; we evolve through the influence of significant others.
Gojo knows loneliness as he has learnt about love in its different forms. To really know it is perchance what Sukuna doesn’t, despite saying he does.
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From this point of view, he says he is sorry for him, as he’s got empathy for Sukuna; that Sukuna couldn’t learn what he had wanted to convey, but perhaps the emphasis was more of a pity for him than feeling disappointed.
In a typical Gojo fashion, he captures it clumsily and makes it about strength in his speech, as if punches and skills thrown at each other could convey that it doesn’t have to be lonely and that they could understand each other - that having a peer would be interesting / satisfying - perhaps also seeking a sense of validation himself in Sukuna. It’s possibly also what prompts people like Nanami to call him out on the extreme emphasis on strength. But maybe that’s Gojo’s defence mechanism too, who knows. If Gojo had a love language, would it be fighting talk? Ha ha.
This reminds me of how Gojo was perhaps unintentionally condescending to Geto at the KFC breakup scene - it was the final nail in the coffin for Geto and he shut down completely, remarking the now infamous, “Are you Gojo Satoru because you’re the strongest or are you the strongest because you are Gojo Satoru?” But that’s by the by I guess. It wasn’t as if Sukuna was going in for therapy / love intervention with anyone, lol. Fighting was the conversation.
So moving on, what is Sukuna’s perspective and what could it be that Gojo wanted to convey, and presumably died trying? Looking at the next fight, he is asked directly about his perspective as the strongest in history who stands above the rest.
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Sukuna. The pinnacle; the epitome of strength, solitude, and one who has cast away everything - seemingly peacefully - in favour of being formidable at the top. Revered and feared in equal measure.
He is so strong yet he doesn’t need anything the others facing off with him seem to yearn. The all want to reach him for their own reasons. Maybe like disciples chasing the Buddha. What is his message? Can I understand him, and he, me? And then, ourselves?
This fight was supposedly for himself too - but what was he yearning? Gojo at first glance appears to wish to defend himself, everyone, and save megumi. Mourn Geto too. From what we understand, he's been lonely, despite this improving over the past year (through his admission to Geto later on in the airport scene).
The mark of The Strongest has been left: As soon as Gojo became strong, Geto left. Geto didn’t love him for his strength - he had to leave; in part, because feeling out of place and left behind in the a shadow of a person who is now living by “the strongest, alone” hurt, making the ills of the world unbearable, as it tipped the balance greatly for him. He could not see beyond Gojo’s apparent selfless selfishness, and he did the same with his own version of it. He had to pave his own way and build another family & world - even if it was a shell of what he had with Gojo.
But I digress. Gojo had strength but it wasn’t enough to reach Geto. He has been using his Strength as a teacher to foster a new generation, allies, in a bid to change the Jujutsu world in a different way to Geto. Yes, they shared a dream. (I hope this comes back into the picture with Geto's side fighting Sukuna too.)
He sees this curse taking shape - first with Yuji and then Megumi. I can’t imagine the outrage, and how it’s internalised by Gojo. He possibly dissociates to some degree, as one wouldn’t be able to function if they carried the weight of the world (in information and in sensation overload) all the time. He’s trained himself to be selective. So, nevertheless, there is a call to defend his title; he is also bored, wants to be a good example, and plays his part to assist with defeating Sukuna - tries to reach him but maybe it just wasn’t his message to relay. Gojo’s job was done here. He got what he wanted - a satisfying fight. More on this later.
We see the futility this far in reaching Sukuna across chapters. Responding to “love”… Harming those along the way carelessly, as he wanders simply proving his existence, as if that alone is enough to justify and bring it purpose. As a calamity or curse, he doesn’t need to consider what he is.
This is the extreme of what strength is - of what Gojo could have become. Perhaps if he wasn't so deeply touched by having someone complete him, so he could be a brat in his youth and actually trust someone to fall back on. And had he not suffered loss through Geto leaving, would've meant he never had to question himself or experience doubt or longing in his life, as he was gifted, was he not? Or was it actually a curse?
Is it meaningful to be the only one at the top of the mountain where nobody can even reach? What good does the embodiment of strength bring, if there is nobody to recognise that it is, no one to yield the power for to give it meaning, and no use for the sheer magnitude of what you can do to give it purpose?
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Sukuna says he knows love and cast it away, finding it worthless, that he responds to others’ strength with love through besting them in a fight. He gets his “kicks” like Gojo did to some degree like in the theme song for Gojo by Aviccii:
(Oh, my, my) That's what I get for lovin' you
(Lie, lie, lie) You know I can't live without you
(Why, why, why?) And all the things you put me through
(Cry, cry, cry) 'Cause I'll get my kicks without you
Life must be pretty monochromatic as The Strongest. Rinse repeat until no one is left.
Following the loss of love, Gojo tried to find meaning and pass the time in ways befitting of him too. Everyone has to find a way to move on, right? But it doesn’t mean everyone feels fulfilled or healed. He drilled skills into his tempered body throughout the years of his existence; he wanted to showcase it all to Sukuna - the reason he fought and battled and trained and developed his incredible sense - his spirit that does so for himself (yes he does get kicks from it) but also for others - because Gojo is an evolved form of The Strongest. Maybe The Strongest 2.0 and Yuta is version 3.0. You get my drift.
Gojo is representing the sorcerers of the modern world. Whilst Gege likes to poke fun and say he is devoid of a personality; I’d say that isn’t it quite natural when your role in life has already been partially determined for you at birth? Further, as a “victim” of circumstance due to the setting, trauma and heavy reliance on Gojo to fulfil all sorcerer duties from a young age (esp after Geto left) can certainly leave you in a state of emotional arrested development.
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To reiterate, Gojo, unlike Sukuna, DOES find meaning and purpose in his students. He wised up and found the sense in what he and Geto discussed, learning from the past and adopting certain philosophies that suited him.
But still, as the strongest, Gojo was lonely with the line drawn - as a human being (self/identity) hiding behind a living creature (of strength/facade); Gojo seemed to be saying through the blooming lotuses (flowers growing out of literal muddy waters - rich in religious and cultural sumbolism) that he loves everyone but despite that they couldn’t understand him, and him, them. This is the main interpretation that makes sense as Gojo is talking about himself, his allies (esp Megumi), even possibly Geto, but he is also talking about reaching Sukuna.
Considering the possible interpretations for who the lotuses symbolise... he less common one from my readings thus far would be Sukuna; but it kinda makes sense: Sukuna, who was born to unfavourable circumstances, and similar to Hakari who described the strong looking down at others as if they were dirt. And achieving so much like a rising from the ashes. We also see him glorified as the strongest of all time now.
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And it reinforces the “unreachability” (made up a word here) and how it was an impossible task in the first place.
The message being: How can Gojo reach someone who does not want to be reached? This cycles back to what he said to Yaga when Geto left. He cannot save anyone who does not want to be saved by others.
If Sukuna was the lotus, and was a beautiful flower in strength that defied odds to bloom in the murky depths of dirt - he certainly isn’t pure as the flower symbolises, but he certainly is some kind of divinity. But I really don’t want to glorify Sukuna.
I prefer the interpretation of the lotus being Gojo or those around him, but narratively, it is simply possible he is describing several people’s parallels here with how solitude accompanies being strong. Sukuna is like the unreachable Enlightened One. Yet, he strangely doesn’t seem to have a solid sense of identity - there is no “I am the strongest” that Gojo embraces, not that this is anything to hinge one’s identity upon, as it is part of Gojo’s problem.
And yet this still brings us to what Gojo wanted to reach Sukuna with aside from a demonstration of his skills. Does Yuta have anything to add to this, as the next Gojo Satoru?
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Yuta, if we can appeal to his character for parallels in messages, and if we can consider him The Strongest 3.0 asked Uro - don’t you have a lover or friends? Implying that if one fights so desperately for their own sake, it reaches a dead end fairly quickly. Just WHO are you fighting for, and doesn’t fighting for yourself get a little old after decades?
Even Toji (without his soul when ressurected) instinctively ended his rampage at the sight of what his reason for living was, his son, albeit he cared for Megumi in a very dodgy roundabout way, fearing his closeness would ruin / stain his son. I’m reminded here of how Geto’s body reacted to Gojo’s voice; momentarily seizing Kenjaku by the throat.
Somehow the bond between Gojo and Geto is marking its significance again, isn’t it? They all had reasons they fought for, and through the many evidences of these, we are allowed insight into recurring ones that may hold more significance than others. You know, like: my students are watching, let’s schedule it on the 24th of December.
These are important things to gojo, he is also showing Sukuna what he doesn’t have. He didn’t need to live like a cursed object for decades, etc and his significance doesn’t die when he does. Yes, a big part of Gojo had craved this “all out” but as he lives his life and engages in the battle, all the pieces of WHY, WHO, and WHAT he is wielding power for start to surface.
As the reader we are finding these Easter eggs along with him, because the narrator and Gojo don’t disclose this openly. Gojo has people modelling this for him throughout his short life, and he seems to be quick on the uptake, despite preaching about strength. Maybe he isn’t terribly aware, but he knows more than he lets on - Gojo had a persona.
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We probably can say the same about the “I’d win” scene that pretty much foreshadowed his defeat. That kind of a Champion enters the ring without fighting talk?
The scene depicting him reflecting upon his first ever defeat showed him to be chasing a “high” of satisfaction from going all out and fulfilling the itch of Boredom and Loneliness that plagues the unimaginably strong. Pursuing and honing his skill, getting stronger and stronger, drew him further and further away from anything meaningful - ending up in a state where he never really gets the satisfying release he craves.
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Like a runner who is only allowed to run at 5kmph for a short distance; an artist who isn’t able to paint their desired masterpiece; a singer whose voice can only whispered to an audience; the strongest weightlifter who can only utilise 20% of his max strength... How terribly dissatisfying.
How stifling it is to have such a limitation. And yes, his skill is limitless. How ironic indeed - the repression, the impotence strength imposes.
And while we are on skill/technique names, others have pointed out before - unlimited void? What a perfect description of what felt meaninglessness / existential emptiness is.
The underside of this however was how it also alluded to the possibility that he was going to experience another enlightenment - but of a final kind of his physical form. It implies he was tired from his isolation or that there was at least no remedy for it, and therefore his present sense of fulfilment was to engage in battle and enjoy it - although he recognised signs of defeat - it would be satisfying as he could go all out or die trying.
It would fulfill the purpose of his existence as The Strongest contender anyway. He, could be the victor, or the pawn, who plays his part in the universe. His reigning time as the champion needed to be defended with dignity anyway. It reminds me of his conversation with Megumi about death and being selfish.
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I mean, that's just imbued with meaning there. A whole post needs to be dedicated to It, and I'm not the subject matter expert by a long mile. Gojo’s bottom line was that strength did define him; he was born with it.
Watching Megumi possibly minimise his worth and clip his wings without pursuing / living up to his potential may be a waste, as a person who inherited the skills that took their ancestors down. However, the selfish path may not be for everyone.
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Other writers’ meta I’ve read seem to touch on this too - that Gojo unwittingly became a form of the old Jujutsu world himself due to being a product of it himself, but he did do his best by his students to inspire change. This, to me, speaks volumes about him entrusting them to live out their paths upon his passing - what could he do in death, anyway? He taught them the importance of accountability and his own version of the truth - that power and strength - living to your potential is certainly one way of living, and they can expect to die alone, so make the most of their youth!
We witnessed Gojo making preparations for the match, following setting the date on 24th December. How romantic of Geto, to try and either seek Rika in jjk 0 or die to Gojo’s hand - and then now, Gojo, who may mourn Geto again, or die trying on the same day. It begs the question: was he also secretly at peace with the possibility of dying to Sukuna? At not being the strongest? It seems that him being a pragmatist (or “resignation man” as Gege apparently once put it) he would find some peace, especially since he was Geto in the afterlife and could see that his soul wasn’t trapped in his physical body or something - their corpses could be left to the living and Shoko, which seems to be the faithful stance they both take in trusting the living to “carry on” their respective teachings.
Nevertheless, Gojo is trying to reach Megumi here. But as the incredibly gifted, talented, and strongest - albeit as cursed as it is to be afflicted with it all, Gojo may not empathise with the struggles of the weaker. It is reminiscent of how he approaches the battle with Sukuna in the first place. He was challenged and he accepted.
A sport. That's not to say he lost sight of the bigger picture - we saw Gojo making preparations for a possible reality where he does not return.
Unfortunately, his skills also lend towards fighting alone, unless they were back-to-back with him. (I still hold onto the belief he and Geto could be a dynamic duo). Which Sukuna also used against him in their match in order to not get hit. Gojo has never learnt what it would be like to fight with others and it's old-fashioned egoist rules about matches when viewing it as a sport rather than of survival. But, Gojo had changed enough to feel he could reach Sukuna and had desired to impart something - maybe to have significance or be regarded by an equal - once again - for this would be of utmost satisfaction for him to receive.
He had learnt a whole lot about things in his short life. He did well. In a final battle of 3 vs 1? Against Sukuna in the body of Megumi and the 10 shadows that his ancestors had died to? That’s already unprecedented. But strength aside, Gojo had reached many people and it’s time for him to pass on the baton and be where he wants to be, in the version of himself where he is the happiest.
Gojo admits to being wrong about dying alone, further listening to how Nanami and Haibara reflected on the former's death betting on the future seemed to solidify some kind of understanding for him.
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That he didn’t have regrets either. He, too, fought for a purpose beyond seeing satisfaction of being strong; it just became evident as it surfaced to his awareness. With his six eyes, he couldn’t see everything. With limitless, he couldn’t reach it all either. Even if you have everything, you can’t do anything. It is not enough to just be strong. And Gojo wasn’t just strong in the end.
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He may or may not have reached Sukuna, but maybe, just maybe, in being wrong about dying alone, the necessity for everyone to be both selfless and selfish, was enough for Gojo. To reach and arrive at: Acceptance.
Seems pretty good to me, to be at peace.
“The absolute strongest, the loneliness that follows, the one who will teach you about love is... “
Yorozu’s haunting words.
Gojo is not the strongest anymore
Gojo didn’t feel lonely anymore
The one who will teach has taught him about love is...
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You, Geto Suguru. It started with you, and it ends with you.
Yes, sound the alarm! It's satosugu brainrot headcanon.
Gojo seems to be saying, and I’ll phrase this as if he were speaking to Geto in his mind’s voice:
Yes, I was undeniably the strongest; until I wasn't. It was a fun fight. My students are my legacy; I trust them to take it from here too. They know they have the permission to be selfish. I trust that they have their own wisdom to know the difference; it is up to them now. I did my best to change the world that let us down in our youth; and fostered and shielded those under my care as best as I could with what I had. I think they had some good memories; I sought to give them a flavour of what we had, preserving the treasure that it was for us. I was never the teacher type, but I wanted to do something and clung onto a dream you and I shared.
I responded to others who loved me and surrounded me for my strength (living creature); but for me as a human, I am undeniably greedy and longed, pined for you (the only one who saw me: Satoru). You held the space as my one and only. I let you go back then in Shinjuku, and couldn’t let your body go when you died, and you came back as a puppet... I didn’t get to mourn you, but here we are: dying on the same date a year apart. Others still don’t quite get me (like Nanami and Haibara) but they understand the creature that is a part of me. They accept me; in itself, it’s enough, for a part of it is true.
As for the rest of me: you complete me with your understanding of me; parts of me that I don’t see or have forgotten. Just as unchanging as it was before, I’ve only ever needed you to satisfy me (and ease my solitude) ; no matter who filled the space around me, your absence spoke the loudest, because your presence alone would have been the most profound - I’d have felt satisfied / complete.
And yes, I am 100% romanticising here. Unashamedly!
A more pragmatic take would be:
He could be quite simply implying that he carried a guilt for the longest time and the one thing he couldn't achieve was to bring his best friend back home to Jujutsu High. I mean I adore Teacher AU and I'm totally open to this more shonen interpretation too.
The finale was as he entered the other land, in a dreamlike state, he sees Geto, remembers he’s tasked Shoko to tell Megumi, demonstrating he has infinite faith in the next generation to survive, and it’s sufficient, it seems, to have a death without regret.
We see Sukuna offering recognition of his skill and existence after he is slashed, laying on the floor, as it begins to snow. A small smirk appears that seems to also mirror the same on his expression in the cover of volume 26. Satisfaction. Gojo might’ve been a worthy opponent and reached Sukuna in that regard after all; maybe love was not his lesson to teach Sukuna. He has died a noble death befitting of a warrior to be surrounded by camellias.
Gojo Satoru passes onto the afterlife and heads south.
It’s controversial somehow; it is both enough, and leaves me wanting more. Here’s to hoping it’s not the last of Gojo (or Geto).
Maybe I did just want to dream a little. Thanks for reading if you made it this far. My tapestries tend to get quite complicated, and I wouldn’t blame anyone if they bailed!
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bunny342 · 5 months
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Hello— this is BigHit
Ugh—when I see that.
I’ve never written a blog. I don’t have many followers so I don’t know who might read this. I think I’m just writing this down so someday I can look back at this time and remember how I felt—I guess for many Army, how we felt.
I’ve been Army since 2016, with the release of “Wings” and ‘Blood, Sweat and Tears.’ I guess like most Army—I just understood the assignment, gladly. The more I watched their content on YouTube, listened to their music and got to know them through their programming I just came to adore them. All of them. It seems like during that time on any given day any of them could be my bias.
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For me though, as time passed, more songs/albums released, concerts etc, something became very apparent. And I wasn’t looking for it—it was Jimin and Jungkook. I cringe when I hear shipper. To me, shipping implies I wish them to be together. But, they showed me—that’s not a wish—that’s reality a deep, strong, trusting and committed friendship/relationship. I just would like to see them stay happy and healthy. I am grateful they are entering via the companion program.
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To be clear—I’m a grown woman, I don’t want to marry any of the members, I am not their wife, not their girlfriend. However, I am their devoted fan. I love them how a mom loves their child. I am proud of them, relish in their success and feel sad with their Iows. I am in it for the long haul. I am always going to support them. I always loved being Army—and spending time with Army, especially at concerts. But this Chapter Two—wow, it has brought out a darker side in many Army. Why? What’s the agenda? You’re angry because this is different than expected? Well, that’s how life goes— can’t we all just get along? The infighting in Army, the malicious rumors being propagated, are unhealthy for the members and for us. We must take care of them and ourselves.
💜Borahae💜
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khruschevshoe · 4 months
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OFMD Critique: Bad Faith, Fandom, and Respect
All right. You know what? Screw it. I saw one post I just cannot ignore anymore that encapsulated all of my problems with the fandom right now. Personal rant incoming.
I understand that there's a nuance to the discussion of season 2 of Our Flag Means Death, and that there are people going a little too far with both their critiques and their support of the show. But oh my God, I'm tired of being straw-manned and made fun of for legitimate critiques of the show.
I just used the block button on someone in this fandom for the first time. Some of you might think I'm overreacting for this, but I saw a post that I could not on any level stand. This person, who I will not name names of, because I'd rather just block them and never deal with their level of bad faith again, took their one legitimate criticism of those of us who critique the show, the back and forth on whether or not Izzy's death was homophobic or not, and used it as the first in a literal list of straw man critiques that no one I've read in the OFMD Critical tag has made (and I check it like once a day bc I like reading meta, sorry), proceeding to absolutely make fun of the legitimate critiques that people have of the show, parodying them in the worst possible ways. They took our legitimate critiques about everything from the sexist handling Zheng Yi Sao's character, the absolute ableism of the finale, the questionable optics of the handling of trauma, etc. and stretched them into things that they very much were not (two examples were that we were crying ableism bc of something to do with seagulls and that we thought the problem in the Stede&Zheng dynamic was the "emotional labor" involved).
Now I'm pretty sure this post was a joke. I *think* it was a joke. But how in the world am I supposed to feel comfortable in the main section of a fandom like this when the comments and replies to this post were full of people agreeing sincerely that this is what the critical section of the fandom is like? How am I supposed to feel when I just see people making fun of me for my analysis of the show? I love this show. I adore season 1 and I'm clearly still making fan related content (moodboards) for season 2 along with my critiques.
Sure, I vibe way more with fanfiction than the actual canon at this point, but I still genuinely engage with the show. And to have the critiques that I made in good faith, regarding issues that I sincerely care about such as ableism, sexism, homophobia, and the handling of trauma, made fun of and taken out of context and straw-manned to their extreme, makes me feel so absolutely unwelcome in this fandom.
Other than keeping up with the couple of fan series that I'm currently still reading, I don't know if I can stay in this fandom any longer. I can't say that I'm excited for the new season if this is the kind of response that any good faith critique of the show is going to get. I can't say that I feel safe or comfortable when there are this many people ready to dog pile on me for a critique I made with ACTUAL TEXTUAL EVIDENCE to back it up.
I would like to thank all the people who have been making excellent critiques of the show. Their meta-analysis is what got me into making my own critiques, which I was nervous about making in any other fandom. I don't think I've in any way tagged them all, but just a few I can remember off the top of my head. Go read their critiques/meta- it's really good!
@sky-fire-forever @carrymelikeimcute @blue-b-bro @bougiebutchbinch @treesofgreen @sixstepsaway @alex51324
And from the bottom of my heart, thank you to everyone who has engaged with my mood boards or my critiques or anything else that I've made, as well as the amazing writers and artists in this fandom (such as @ruecrown, @aletterinthenameofsanity, @fool-for-luv, and @possumsmushroom). You guys have kept me going with my love for the show and engaging with it for a while now. Despite the stuff that is making me take a step back now, I really did love this while it lasted! I'm still planning on making a few more mood boards, but other than that, I'm going to take a step back from engaging.
Hope this post can spread enough support/joy your way to counteract the ache I'm currently feeling!
Sincerely,
Ashley (aka @khruschevshoe)
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queenofthequillandink · 2 months
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I can't remember if you've described how the Everlasting Trio looks like aged up. Or if Dannys ghostform looks different, so official petition for a short list of descriptors? Like Height, Hair, general clothing etc. Maybe Ellie and Jazz as well ❤️
Sorry to bother you!
I have to go through what I wrote to make sure I don't contradict myself lol, but here we go:
Danny: 24, 5'6. He keeps his hair a little shorter than in the show, close on the sides and longer on top. He filled out a little and is a little broader in the shoulder, but he's still skinny and years of not getting enough food for his increased caloric needs left his growth more stunted than it would have been otherwise. He tends towards looser clothing, a habit from hiding how muscular he was in high school. Plus, he just likes to be comfy. When his death injury is acting up, he wears a wrist compression brace on his left arm. His canines (top and bottom) could properly be called fangs. He gets more sleep than he used to, but has pretty permanent dark circles.
Danny's ghost form is a little more ghostly than it used to be. His teeth are sharper, his ears are longer and pointed, and his skin has a green under tint to it. I am a big fan of the "constellation freckles" fanon, so I'm keeping it.
Sam: 24, 5'3. Sam keeps her hair a little longer than in the show, down past her shoulders, though she still likes the half up, half down style. She dresses punk/goth with a little more street fashion flair than you can get in a kids tv show.
Think this:
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She still likes dramatic makeup choices, like black or purple lipstick and heavy eyeliner.
Her canines are a little sharper, but not noticably inhuman. She's taken to wearing brown contacts day to day and only going out with her purple eyes (which I've decided are natural because fight me) as Aconite.
Tucker: 24, 5'10. Tuck's hair is longer and dreaded. Up until this moment, they were relatively short but then I tried to find a reference photo and found this
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-and fell in love instantly so he has long dreads that he wears like this. He is the master of comfy cozy. He wears a dress shirt and slacks to work, but as soon as he's home, he is in the biggest, comfiest sweater. This man owns so many cardigans. It's about the soft 🤌. He no longer wears the beret(?) thing from canon, but does love him a good beanie. He is never seen without tech of some kind. He teeth are sharp like Sam's.
I know in canon, Tucker's eyes are blue, but I always imagine them brown anyway. Whichever direction you go, the irises have gold threaded in them now (bleedover from being Pharaoh). I am very bad at picking new glasses for people, but I think he's switched to bigger frames. Maybe something like this:
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Jay: 15, 5'4. You've already nailed Jay's look in your art, but his skin is a touch darker than Danny's. They both have freckles and similar hair, though Jay's has a curl. He prefers simple, comfortable outfits: pretty much all of his wardrobe is jeans, tshirts, and sweatshirts. His eyes are teal. He doesn't (yet?) have fangs in human form.
Jazz: 26, 6'3. Jazz keeps her hair long like in canon, down to her waist. She typically dresses in business casual or equally sharp outfits. Even in her personal life, she's very well dressed. I absolutely imagine her as the kind of person who doesn't even dress down for travel, hence her wearing business casual on a plane. She usually keeps the makeup pretty light unless she's looking to be intimidating, in which case she has a special tube of maroon lipstick that Sam gave her. She has small but visible fangs in human form.
Elle: 21, 5'5. Ellie is visibly muscular, lean in the way those Super Outdoors people are. She also dresses in sturdy outdoors clothes and solid hiking boots, good for travelling, though she has some fun outfits that are a mishmash of fashion from all over the world. She has several ear piercings. Preferentially, she has long hair as an undercut, though it sometimes grows out as she travels.
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She's rarely without her backpack, in which she keeps all of her essentials. She has tons of interesting scar stories and I imagine more than one spur-of-the-moment tattoo. In fact, I've just decided that she has the silhouette of a bird flying into the sunrise on her right shoulder.
These are just guidelines, so feel free to make some decisions yourself!
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dgtn · 11 months
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Hey all! So I wanted to take a few to introduce myself. Another blogger did this a few days back and I was just like omg I need to do that too!
So my name is Diane and I am at midlife now in terms of age. I have been married for over 20 years and have 2 amazing kids, a young man and a daughter.
We live in Tennessee. I love so many different genres of music - my playlist has everything from BTS to Carrie Underwood, Troye Sivan, Coldplay, Bon Jovi, Metallica, Aretha Franklin…you name it…it’s probably on my list!
Outside of BTS and Jikook I love spending time with my family, health, fitness, and making jewelry, and yes that includes BTS themed jewelry of course 😏
My favorite shows to watch are crime dramas and anything sci fi. I’m a huge Star Wars fan (I still remember going to see A New Hope when it came out!)
I have 5 fur babies- 4 dogs and a cat. We also have a gecko.
I am a cancer survivor, coming up on 8 years now. I've also had brain surgery - crazy crazy!
So now that that’s out of the way….let’s talk BTS.
I’ve always heard the saying: you don’t find BTS, BTS finds you when you need them. This is true for me too (more on that later ).
I discovered BTS when I heard Butter for the first time back in 2021. I thought it was a catchy song and wanted to know more about the band behind the song. And so it began. I looked up BTS on the internet and the first member I came across? Jimin of course. My first thoughts were my god he is gorgeous. And his voice - are you kidding me! I’ve been around a long time and I have never heard a voice like that! So of course I needed to know more. Next came Jungkook. Uh….wow! That man is beautiful too! And his voice! I mean come on!!!! I had never heard of kpop before BTS so I had no idea about the world of kpop or any of its inner workings.
So into the world of BTS I dove. I went on line and started watching their music videos and started listening to more of their music and really really liking it. I slowly discovered the world of BTS online; Bangtan Bombs, In The Soop, Lives, Run Episodes, etc. Of course, watching all of these...I started to wonder, what's up with Jimin and Jungkook? Definitely caught a different vibe from them. So.....started watching jikook videos. Then, I discovered GCFT - and that sealed the deal for me. No looking back from that point. I remember the first time I watched it (yup, like yourself Ive watched it way more than once!!!) I was blown away and my reaction was "these 2 are in love with each other".
I absolutely love love love Jimin and Jungkook (as I’m sure you can tell from my blog!). I love them as individuals and I love them as a couple. They have something SO very special together and I just get so much joy out of seeing their relationship now and how it has grown over the years. They went from seriously crushing on each other in the early days of BTS to being in a long term fully committed monogomous relationship. I do believe that they are in this for life and have committed to each other for life. What that exactly looks like I'm not sure as they are still "In the Closet". My hope for them is that one day they will be able to show us their love for each freely and openly.
So getting back to BTS and how they found me when I needed them. I am officially mid life, in my 50's. I have always been a stay at home mom. My son is high functioning autistic. Throughout his schooling we really struggled with finding the right fit for him academically. When we moved to TN we eventually decided to home school him which became a huge priority of mine. Homeschooling was not easy. When he graduated high school it was such an accomplishment. I will admit that it also left me very emotionally drained. Being a mom in general is really hard (best job in the world!!!). We always put our children first before everything else; it's just what we do.
As my children have grown and continued to become more independent I actually started thinking about what I want to do for me. It's a foreign concept because as a mom I've never really thought that way. That was right about the time I discovered BTS (see where I'm going with this?). Their message of love yourself, take care of yourself, was something that really resonated with me. I know it might sound crazy but that "glow up" that some people have experienced through BTS happened to me too. I have found the time to "love myself" as BTS says. I am really putting myself first for the first time in my life. I am still here for my family 100% but I am also finding the time to take care of myself :) I am on that journey to find balance in my life and BTS has most definitely played a big role in that!
I absolutely love BTS as a band and as individuals. I have really enjoyed getting to know them and I look forward to sharing my love of BTS and jikook with all y'all for years to come :) I have met some wonderful people through Tumblr; some of whom I have become very close to and consider dear friends; and I feel so grateful and blessed to have these peeps in my life. I am really excited to see what the future holds for these 7 incredibly talented young men who came into our lives.
One thing for sure, The Best is Yet To Come.
Xoxo 😘
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lajikookbolala · 8 months
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I want to take a moment to thank an incredible YouTube channel, Wonsummernight. But first, let me explain why.
This story takes place about two years ago. It was summer of 2021. It was hot out and I was spending my days inside, laying lazily on my couch and listening to music on my earbuds. Then, one day, by coincidence, I stumbled across a song called Butter, by the band BTS.
At first, I was a bit hesitant to like it. I didn't know much about BTS or K-pop in general other than the fact that the fans were hated on relentlessly. But, I decided to push that thought to the side, and I listened to the song, on repeat, for a few days.
On June 28th, 2021, I watched the Butter music video for the first time. And the second time. And the third time. And the fifth time.
I was absolutely hooked. That one shot of Jungkook singing the chorus with his purple hair was enough to make me swoon, and swoon I did.
I showed my friends, but none of them saw what I saw.
So, I continued on my BTS journey by myself. I started digging deeper into the fandom. I began with learning about each member; their names, their roles in the group, etc. Then, I began watching compilations of funny moments.
I was obsessed, and I needed to share my obsession with someone, but I knew nobody would understand. So, I showed some of these videos to one of my very best friends: my mom. And, of course, being an extremely smart woman, she was immediately hooked as well. We basically became fans at the same time, laughing and crying and yelling together about these seven amazing men and how much we both loved them.
Then, about a week after I first joined the fandom, I stumbled across a video on YouTube, a type of video I had never seen before.
A Taekook video.
Intrigued, I clicked, and not knowing much about the boys at this time, I believed the video. Even though it was absolute garbage, I wasn't used to seeing anything like this, so I thought everything in the video was true, even though it obviously wasn't. My mom, however, didn't get it. She didn't even understand what shipping was or why people did it.
That was until one day, about a month later, when my mom stumbled across a video on her own YouTube home page.
A Jikook video.
She tried to show me, saying that she had never seen any two people more in love in her life. I was extremely against it at first, but since she was my mother I eventually gave in.
I still remember the feeling I got when I first watched that video. It was somehow a physical manifestation of what I was thinking. It was as if my body was yelling; oh shit, I was completely wrong.
I forgot about that video, as I'd watched so many others since, but today I remembered it.
youtube
This was the video that first got me into Jikook.
For the last two years, I've been on an emotional rollercoaster. Being a Jkkr can sure be stressful, but the small moments of joy are what make the shipping worth it. The small moments like watching videos like these.
I hope anyone reading this takes a moment to go and watch some of this channel's videos. It's been an intense day, and we all definitely need a break from the drama.
And last but not least I want to thank two people: Wonsummernight, and my mom. The two people who helped me get into Jikook. I am extremely grateful to both of you.
❤️❤️❤️❤️❤️❤️☀️🌙
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kynimdraws · 13 days
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INFO POST
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Name: Kylee (they/them). 30+
A totally normal Korean American mostly known for my drawings, specifically my Pokemon nuzlocke comics. But I will talk about other things on occasion because I do have periods of being fixated on certain topics. I also am a doctor!
Interests: Pokemon, League of Legends (everything except the game lmao), Fire Emblem, Advance Wars, Animal Crossing, Mother series, Korean history/culture, character design
General FYIs: 
General inquiries/commission work/etc should be sent thru kynimdraws [at] gmail [dot] com! Tumblr messaging/asks/etc is not 100% reliable
I will not follow NSFW accounts but I am fine talking/interacting with them. There may be suggestive shitposting but I like keeping my content on the SFW side
I am VERY picky about who I follow/interact with online. Fandom content in particular is a minefield for me aka I have many things I dislike and don’t want to see, even if it might be a popular thing in media that I otherwise enjoy. Therefore, I will unfollow/block/mute liberally. There are times I accidentally block a blog bc I mistake them for bots. So if you got hit with that, just send me an ask or email me
I am very open about what I like and dislike, and none of those things are a direct attack on your sensibilities. I have never gone out of my way to directly send hate or whatever have you if I end up seeing shit I don’t like. My complaints in my little online space ain't a personal attack on you.
My ask/submission box/DMs  are open for criticisms if you have any issues you want to resolve in private. No one is perfect and I may have done ignorant shit that needs to be pointed out. I have deleted or edited posts in the past if people tell me what I did wrong. PS I get that some of my stuff may upset you, but try to act civil when pointing shit out please.
I try to tag all my things whenever I can. Again, send me a message if anything bothers you. I am all for good debate but if you send me excessive hate or threats bc I have different opinions about matters that are trivial, I will block/delete them.
If you wish to use any of my hcs, please credit me. And if you are comfortable with it, send me the works so I can check them out! Or @ me if that is easier.
---
FIRE EMBLEM FYI: Specifically for 3Houses/3Hopes because I need a separate one for this franchise specificially given how many crazy things I got due to being involved in this fanbase via my fanworks:
DO NOT try to convince me to like or tolerate Byleth/student ships, ESPECIALLY the ones with the lords (aka CIaude, Dimitri, EdeIgard). I already summarized why I don’t like FE3H Byleth ships with student chars here. While the spinoff game FEW3H has now removed that teacher/student problematic situation, the fandom keeps putting the FE3H elements into the FEW3H fanworks (i.e. remembering Byleth from “another life” trope)...so no thanks!! DO NOT SHOW ME IT!!!
As for the Byleth ships with faculty members, my response is here so don’t try to bait me about that topic either thanks.
I do not care whom you ingame S-support. 3Houses limits the dating-sim part of the game to that character, so I cannot care less about how you play the game. The main issue I have is when people treat Byleth the “character” as a legit ship material when I personally think they are a cool character ruined by fans who are too obsessed with badly executed self insert otome tropes bc they self-project super hard onto them. Just to be clear, any FE3H or FEW3H OC/Canon >>>>>>Byleth ships personally. Even Byleth-sonas that remove the teacher/student aspects are better than canon FE3H!Byleth
Please don't drag FE VA statements as some sort of “gotcha” on my opinions like this post here. IDC what other people prefer with ship shit, that’s their problem and not mine. I am not gonna bother them about it. So don’t bother ME about it.
---
Links to check out:
Myths of Unova + Episode Grey (Pkmn White/White2 Comic)
Tales of Sinnoh (Pkmn Diamond Comic)
Art Site (Portfolio)
Twitter 
Instagram 
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melrosing · 4 months
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As your not a big fan of fantasy books in general. What drew you into loving asoiaf? What got you hooked?
now that I'm invested in asoiaf I do genuinely like the fantasy elements of the story, but the stuff that really pulled me in was the human drama and political intrigue etc. I love the character work, almost all of the POVs feel fully realised and subvert typical tropes in really interesting ways (imo). I like the inter-generational drama (the reasons I like succession are v similar to the reasons I like the Lannisters), like if I want to understand Jaime and Cersei and Tyrion I can look to Tywin, and if I want to understand Tywin I can look to Tytos, and if I was to understand Tytos I can look to Gerold, like it's a russian doll of intergenerational trauma what more could a girl want.
and on that note I really like the scope! GRRM obviously feels this need to account for all details minor and major, so that even with everything that's already on the page there's room to extrapolate so much more. i mean here I am writing who knows how many words about a fake 20-episode long robert's rebellion tv series lol like this all happened before the series even starts and yet I hardly need to make anything up bc there is so much to draw on just based on all the random little details we've got here and there from characters reflecting on the same events from different angles, and trying to piece together portraits of the people who died based on the recollections of those on the page who remember them..... it is so fun)
and yeah usually I prefer to read about that kind of thing on a smaller scale but the drama that plays out in AGOT is so engaging that upon initiation I didn't find it so much of a chore to keep track of all the various houses and lands etc in order to understand the full implications of each thing that happened - it felt like it was worth the effort. generally it's the 'keeping track' of it all that I find grating about fantasy bc I really want to just get on with the story rather than keep on top of a hundred magic systems and sub-species of pixie.
and obvs asoiaf is low fantasy rather than high fantasy, i.e. there aren't intricate systems to the magic and or complicated genus for each of the creatures, so that made it feel a lot more accessible for me as someone who just isn't very interested in those kinds of details. Dany's magic is made up as she goes along, it's never explained, and that's the same for pretty much all the fantastical elements - it's very show don't tell. and even though when you count it all up there are quite a lot of fantastical features and subplots, taken together with the rest of the story it's more like.... seasonings I wouldn't usually choose but ended up liking just fine in this overall dish lol
and finally asoiaf just really appealed to me from a fannish perspective! I really hate when you're trying to dig deeper with a work and you quickly start to realise that the writer(s) just weren't thinking that hard. it feels like striking concrete with a spade, like it's a one-sided conversation rather than something both the writer and the reader are participating in. I think some fans are perfectly fine with that and good for them - who cares if the author built the work to sustain your analysis if you're just having fun doing it - but for me it's a complete killjoy, I end up v frustrated and like the work isn't worth my time
so here's GRRM who is so fixated on the finer details that he's churned out a history book like 700 pages long and a bunch of short stories and also another history book just to add a bit more texture to the main story. and I don't have to worry about network input or co-writers or actors' intentions or whatever other external conflict or influence cos for better or worse it's all his story. and that just suits me better lol, it's one guy and his shitty computer, and me reading the shit he wrote with it. pure and simple living in the moment no phones in sight
also jaime and brienne are everything to me xo
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reides · 1 month
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today is the FIVE YEAR ANNIVERSARY of the dnd campaign that i am a member of...!! so you know that a long rambling post is 100% in order.
five years ago, i played dnd for the very first time. (the date on that post says the 16th but that's because we played for like a billion hours and it went past midnight. because of course it did.) i remember being so, so nervous about it bc i seriously knew next to nothing about dnd. i had never watched any tabletop shows or anything and i was pretty much totally new to improv. i had no idea what a d20 was. i wish i was kidding. i truly just dived right in there. (fitting, i guess, since the character i play is a triton... LMFAO).
i'm so glad that decided to try it out regardless bc it has paid off in ways that i can't even begin to express fully... this campaign has accompanied me through so many life events - both the good and the bad - and i cherish each and every one of our Merry Band of Misfits' adventures. even when shit hit the fan and encounters got tense or chaotic in some form, it ended up making for some absolutely wonderful memories. i'm so glad that that reides - my lil blue fish lad!!! - is a member of the champions valoris.
reides is a character who is extremely near & dear to my heart and he has really awakened a creative side of me during these past five years. i always strive to be a player who can live up to him and do his character the justice that it deserves. even 'beyond' the campaign, i have so much fun writing stuff related to him, making crafts related to him, coming up with art ideas for him and getting comms of him... simply rotating him in my mind. you know how it is. really, i think it's impossible to sum up what reides means to me because he's just... REIDES!!! (also, peep the original token i had for him vs his current one... so cute. just so cute.) i seriously love all of the stuff that everyone else at the table makes for their own characters, too! playing pretend with your friends is fr one of the most healing experiences ever; we all gently feed off each other's creativity in such a lovely way. the passion we all have for our respective characters and the overall setting of the campaign is infectuous, and that passion - coupled with a whole lot of hard (yet fun!!!) work - has made for a story that is nothing short of legendary.
so i just wanted to take a moment to express my gratitude and say that i am honored to share a table with these incredibly creative individuals who have saved me in so many ways!!! big shoutouts to my fellow player, @mintflavoredwindows, who plays kilwin, the EXTREMELY blessed (teehee cleric joke) blond lad standing next to reides in that little chibi line-up of our characters (and who also takes the time to write AMAZING!!!!!! session synopses which all of us read time and time again; they are fr a lifesaver not to mention an immortalization of everything we've been through), our dungeon master of legend, @killdragons, who puts a TON of effort into the campaign setting as a whole and was the person who offered me a position in the campaign to begin with, @brewswain who has accompanied us on tons of different arcs with his absolutely incredible array of characters AND @sangre who has guest starred with his lovely miré (AND WHO HAS SUPPORTED THE CAMPAIGN SOOO MUCH IN GENERAL i love talking abt alethustria with you bree)!!! nathan (who plays jorah) and cj (who plays ashara and played slumberjack during the first season of the campaign) aren't on tumblr dot com so i can't give their urls a little shout-out in this post, but i'm still going to restate that being able to share in this adventure with them - both in-character and out-of-character - has been fucking incredible. the adventurers formerly known as the pog champions are eternal. viva la champions valoris. etc etc etc.
i also want to thank everyone who's supported reides / the campaign as a whole on the sidelines, bc you guys are absolutely amazing. and i can't possibly post this without showing off our lovely campaign wiki. bc it's iconic.
thanks everyone :') so excited for future adventures!!!
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lol-jackles · 4 months
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https://twitter.com/CineGeekNews/status/1735028345794855200
Warner Bros Discovery currently has an over 60% Probability of Bankruptcy.
I honestly am not sure if this is good or bad for the SPN revival. On the one hand, WB is NOT going to want to spend money on such a niche IP (that will really mostly only draw ppl who were already fans) if they are in such dire straits financially. On the other hand, they could bring in money by selling the IP to another studio who would obviously then want to actually do something with it since they spent money on it. But that also depends on another studio or streaming service wanting to do something with it which will be tougher. Netflix would make sense since they currently have SPN for streaming, except they will be losing their streaming rights at the end of 2025. A revival wouldn't even be released until then so why would Netflix want to put money into a revival of show that will, at that time, be streaming on a competitor (most likely Max since it will revert back to WB). Amazon is a possibility since both Jensen and Kripke are there (especially if they want to bring Kripke on for it) and Kripke seems to have some sway over there. But again, unless they buy the rights to SPN to stream on their platform, why would they want to make a show that will inadvertently benefit their competitor?
Thoughts?
https://www.macroaxis.com/invest/ratio/WBD/Probability-Of-Bankruptcy#google_vignette
[full disclosure, I sent this same ask to someone else as well, I'm not trying to spam people with it, I just wanted both your opinions!]
I went cross eyed reading the article, it looks like it was written by an A.I, which is not out of the realm of possibility given how many "journalists" are fired and Sports Illustrated was busted for using AI to write articles.
It really does not take much to avoid bankruptcy. Usually when a company is going to go under, the signs of it are obvious inaction for a long time and it inevitably dooms the business.   The prime reason why WBD is not going broke is because they took immediate actions after the merger. What happens is the profitable parts of the business stays, while losses are either "turned around" or the business gets eliminated. Sometimes things like streaming subscribers will drop a quarter or two. Maybe a movie or two never gets released. But housecleaning is far more important than anything right now so that money is not wasted. The result is growing cash flow without losing much of the business.
Remember what I've said that cash flow is king? You can run a non-profitable company indefinitely with positive cash flow, but run a profitable company into the ground without cash flow. AT&T generated next to no cash flow. WBD exists for the very purpose of dismantling the legacy Time Warner conglomerate, that was the intention when AT&T sold it to Zaslav. It’s why they removed HBO from the name of Max. His job is to clean up its balance sheets, prepare its parts for sale, and pay himself handsomely in tune of $200 million last year. I begrudgingly admire Zaslav’s sticking with his controversial strategy, which saw other studios eventually following that same strategy.
By 2023, WBD paid off $12 billion in debt.  That was a demonstration of faith by management in the turnaround efforts or else they would have kept the cash "just in case."  The interest on the debt alone is eating $2 to $3 billion in free cash flow. Thats a lot of free growth in their bottom line when debt is paid down. Against all odds, WBD's streaming service HBO Max (and then just Max) is creating most of the cash flow improvement with $5 billion in cash flow. Advertising is growing in this segment at a robust pace. That said, the content decline for third-party licensing will have implications now that the strike is over and WBD has to start spending money on new contents on their prized IPs i.e. Lord of the Rings, Harry Potter, DC, etc.
For niche IPs like Supernatural, I see 50% chance of WBD still licensing it to Netflix because third-party licensing is the new king. WBD will also offload low-performing shows in the same bundle with higher-performing Supernatural because it will allow WBD to continue their 'creative accounting' to avoid paying residuals to low-tier actors. Then I can see Netflix doing what they did with Gilmore Girls and produce a revival limited series for Supernatural, which will increase viewership for the OG SPN and continue to help retain subscribers.
On the other hand, WBD is rebooting every niche IP under the sun and I'm pretty certain they will make the same attempt with Supernatural. The strike is over and WBD need to make new contents to attract back subscribers they lost over two quarters during the strike. When SPN goes back to Max in 2025, an announcement of a reboot/revival will mean free marketing from devoted fans and ensure continual interest and viewership of the OG SPN.
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bubbleonice · 6 months
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timothee and kylie were spotted talking and laughing at the innovater awards in New York. and she is wearing the matching cartier bracelet that he has in necklace form. are you sure they’ve broken up?
I have gotten many many many asks today about this particular situation. I don’t have time to reply to everyone at this moment, I appologize. ❤️And I also do not have my cards with me at the moment. However, I still want to comment a few things because I can feel the stress this is causing some of my readers. I feel the collective energy and worries.
I myself am still firm in my reply as to they have ended things. I pulled some cards of this a while back and I believe I said things ended right about the time Paris Fashion Week ended, actually a little before that. But it also can be around December. I stay firm to that reply.
I also said eventhough they end things, we will probably not know of it until months later. And form KJ side, they will still make it seem like they are together.
But to be fair, I also don’t want to say: I am absolutely right and always right. There will always be a possibility I am wrong. I do not want to get anyone’s hopes high. And we should ‘t really pray upon anyone’s misery such as a break up. But this has never been a real relationship. It was a hookup turned into a pr show. So I am even unsure about when I say things ended, that might lead to someone actually believing they had a thing for real.
So just to say a few words in comfort, I want everyone to trust their guts, stay calm and think a little about this:
- if it was indeed a real relationship, wouldn’t we have seen more candid photos accidentally snapped by fans or someone from the street? Two young people dating would be all over the place, resturants, concerts, movies, shopping, walks in the park…etc!
- the few times we have actually seen them together were always in arranged settings with lots of cameras. How does this apply to a couple in love wanting to be lowkey? And when they come out as a couple, why go in hiding when events over? Does it make any sense?
-every allerged sightings of them spread on internet were never proven by photos. But by robot accounts, telling a story. And no one else ever validates those stories but this one storyteller. And they are always very much about they are all over eachother, they look so good, they are so in love. Like why does anyone need to sound like they are convincing anyone?
-remember the Kardashians run many media and social media outlets. When I recieved these asks I had to go online to see what you are talking about, this award show. And from my knowledge Timothee was at the award show presenting an award and Kylie was there to recieve an award. They were invited for two different reasons. And now the tabloids are calling it a hot date! And Timothee being there to support Kylie. See hiw they manipulate the public into believing something that wasn’t the case? They did not even arrive or leave together. What does that say to you? How easy it is to make one thing seem like something completly different, right?
-In addition, Kylie was forward an award for her fashionline which she just launched, I think 1 day ago? This tells me she was not nominated, this award was purchased and paid for. This is planned. Her seat next to Timothee and at the same table as Martin Scorcese was probably arranged the same way. But did we see any loving interactions? Kisses? Hugs? Even a glance at eachother? No.
All I want to say is have faith and trust your guts. This is a media game. If someone is truly in love and truly a couple, there would be much less doubt. They won’t be trying this hard to show it off to the world. And they would be much more genuine and cozy around eachother. We would see more unstaged photos than actually staged ones. And no doubt, we can expect more to come.
Bless you all❤️❤️ I’ll reply to the rest of my asks this weekend. I wish everyone a pleasant day.
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noodlesha · 7 months
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Sex Education: Season 4 (2023) – Just some thoughts.
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Over a span of four days, my housemates and I sat down to watch the final season of sex education; the show had started in 2019 (which feels like a lie, but we move I guess) and was loved by the masses. People really resonated with it as they showcased people dealing with all sorts of different complexities and natures and it was truly wonderful to see so many demographics being represented.
And while I know some of the criticism comes from the fact they favour representation over solid writing, I can understand that sometimes it’s just nice to be seen on a tv show with no ulterior motive and to be frank, this show has some great writing with certain characters. But like most TV shows, it didn’t mean it didn’t have its faults much like this season. But I think the best way to talk about this show is through its characters, which are the driving force of this TV show and it both benefits and fails from it.
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The New Characters
When going into it, I was quite sceptical about the new characters, and coming out of it, I think I still am. I enjoyed the representation of ‘The Coven’ or whatever they were called, I think Aisha was written the best out of the three considering she had a broader storyline and I loved how they discussed accessibility for disabled people it was very refreshing. But coming out of the show, I don’t think I felt anything for these characters, and I found myself wishing they had Lily and Ola back.
O felt like a complete waste of a character – it felt like they made her very purposefully antagonistic, and yet when it came time to redeem her character it felt like a last-minute decision. I also think the way they handled her asexuality was very odd and felt quite forced at times, I remember during season one the writers seemed to be suggesting Otis was asexual but then didn’t push through to it, O just seemed like a rehash of that exact thing. There was clearly some stuff left out because O felt very antagonistic back at Otis, but Otis didn’t really do much towards their opposing sex clinics.
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Adam (and Michael too)
This storyline became a favourite when the show ended and I didn’t think it would hit me as hard as it did. Adam’s character arc through the show has been very interesting to see, when looking back to last season I was never really a fan of Adam and Eric’s love story but that was the storyline that made me like Adam so I guess there was something to it. I also enjoyed that Adam didn’t go into sixth form and instead followed what his interests were, it’s quite cool to show there are different options rather than just sixth form, then university etc. But I loved the interesting parallels between the son and father, both were coming into their own person which was needed for both of them so they could accept one another and their heart-to-heart at the end was very sweet.
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Jackson and Viv
I love the platonic bestie vibes this duo have, it’s so wholesome and I enjoy that the writers never compromised their friendship for a relationship because it’s something you don’t really see that often. I liked the storyline Jackson had surrounding the stigma of cancer in men, it was different and very unexpected but I liked that because it is scary and it weaved very well into his intrigue with his identity. One thing I was a bit confused about was Jackson’s journey with his sexuality; I feel like they slightly breached the topic but there was no clear closure for that storyline which was a big part of his character arc last season, but perhaps I missed something. With Viv, her storyline also quite surprised me; I truly didn’t expect her romance with Beau to take an abusive turn – but in retrospect it’s very interesting to see all the qualities of possessiveness and obsession that Beau had throughout the season. But either way I liked the resolutions in their ending (also loved that Aimee and Viv kind of became a duo), and I’m sad to let them go.
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Ruby
One thing I really didn’t like this season was Ruby’s storyline; it was just her pining over Otis again and Otis not giving her an inch despite using her to help his campaign. It felt very backwards to me, especially seeing as Otis didn’t even thank her (more on that later because I have so much more to say on Otis); although she found her own confidence at the end and didn’t dance with him, I honestly would’ve preferred if they were just friends, but I can understand the need to have tension and drama to make things more interesting, but I was just left wanting a bit more with her character rather than her problems being purely surface.
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Jean (and her sister… and her baby)
I will be honest, it was very odd to see Jean without Jakob (or Sven as my housemates and I referred to him), but truly I kind of didn’t miss him because they introduced a much more compelling duo with her younger sister. Jean’s storyline was quite interesting; to see a woman struggle with post-partum depression on-screen and not be villainised for it was very refreshing and I thought linking it with her fear of being like her own mother was very good. Her sister’s storyline was also very interesting, I liked how different they were and also that they had a very natural sisterly bond, which is something you don’t see among older women anymore in media.
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Cal
I really enjoyed that we got more of a look into Cal's life because that was one reason I didn't really connect with Cal last season was because we didn't get a sense of who they are. But this was majorly broached in this season and I was glad because I really enjoyed their character. Their story was wholly centered around their identity and I thought it was very heartwarming that the school charity came together for their top surgery. Two things that I struggled with though were the fact that their attempt to take their own life was very much brushed over and the fact that their and Jackson's storylines didn't really get completed either. But overall, I really enjoyed their character.
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Eric
Honestly, he and Aimee are the best characters on this show, and you can’t even change my mind. One thing I was very glad for was that they tabled the whole Eric and Adam relationship and that they recognised that someone shouldn’t be in a relationship with their bully (and because Eric can do so much better, and I say that while loving Adam as a character too). Something that surprised me but in a good way was his relationship with his religion, it’s so interesting to see because you don’t see a lot of this, especially nowadays. And it was nice to see him flourish with friends that understand him and his views on things (OTHER THAN OTIS WHO DOESN’T CARE), and his turmoil of wanting to be baptised but then realising he doesn’t need that to reaffirm his relationship with God. And Ncuti is just SO funny and charming as Eric, he’s going to be a star one day (especially since he’s been in Barbie and Doctor Who) and I genuinely can’t wait to see it.
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Aimee and Issac (but mostly Aimee)
Oh god where do I start, Aimee Gibbs is genuinely one of the best TV show characters ever; she is so likable and the journey her character has gone through is amazing. When the show opens with her documenting her recovery, I was immediately struck that she was going to have a fabulous ending to her story. I loved that she was trying different things like art to express her trauma and seeing her have fun with it was just so, so human and I love when media replicates that side of humanity. One thing that was a pleasant surprise was Issac and Aimee’s relationship; now this may be a controversial take, but I was never really an Issac hater… I know, how insane. So, seeing him get fleshed out more and more was really moving; their relationship was something very different and also made so much sense. I wouldn’t have put them together, but the actors had a lot of chemistry and I enjoyed that they uplifted one another but never crossed any barriers of their own agency.
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Maeve
Maeve is a very interesting character; now for another controversial take, I was never a big fan of Maeve, it’s nothing I could really pinpoint but she often seemed very abrasive. But on the flip side, I also respected that about her character, that the writers were never afraid to make her spunky and outspoken, and for her to not be punished for that either. Her storyline this season was great, it made me enjoy her character so much more than I thought I would; the way she acted around the death of her mother was so good and felt very real – and I loved how mature the ending of her, and Otis’ love story was as well. Again, I know some people may think differently but I’m glad they didn’t stay together because let’s be honest, the two wouldn’t last a week ESPECIALLY long distance. She got to focus on herself and her career in the end, which was something she wanted since the beginning of this show; and it was incredibly satisfying to see that on screen.
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Otis Dickhead
My, my… you know for the literal LEAD of the show, you’d think they’d write a character that’s at the very least tolerable. Because oh my god, now I’ve never liked the way Otis’ character is written, but Jesus Christ I think we’ve hit an all-time low. One thing he does that drives me up the wall is that he never texted anyone back; like when Ruby kept asking him where he was, he didn’t even message or anything and that was before Maeve’s mum passed away, he is just so inept.
Also, the fact that he’s a so-called sex therapist yet he struggles to article his own problems with BASIC problem-solving skills actually amazes me – I admire the writers for being able to write someone SO thick in the head without going braindead themselves, I really do. Okay rant over – Otis’ storyline really felt like a backdrop to everything in the season, the only interesting thing was his and Maeve’s story and that wasn’t even his main dilemma on the season. Overall, his character is shit and I’m so glad I never have to see his face again (sorry Asa Butterfield, love you!).
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jackoshadows · 9 months
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Why do you think there is so much animosity between Sansa fans and Dany fans? I can understand how conflict comes up between Sansa fans and Arya fans given the conflict between the characters but I can’t figure out what the issue is with Dany fans vs Sansa fans. It can’t JUST be because of shipping, right? I’m a big fan of Dany, Arya, and Jon, but I still do like (canon) Sansa as a character and honestly see a lot of similarities between her and Dany. Their stories have definite parallels and anti parallels and I don’t really know why I don’t see anyone else talk about it. Every time I try to talk to a Sansa blog or a fellow Dany blog about it, I never hear back. What gives??
I don't like the both siding in this ask. Sansa fans keep spewing hateful nonsense, farcical theories and made up headcanons in the form of 'intellectual' discourse in the Dany/Arya/Jon tags and then when book fans of those characters respond, the so called 'neutral' bnfs pretend both sides are to blame.
All this explained very clearly here.
And while I personally feel that Dany and Sansa have very little in common as characters, there's a lot of fandom metas/essays/gifsets and fanarts paralleling these two as fandom faves. You should be able to find them on many of the character blogs if you are interested in that sort of thing.
IMO, Daenerys is clearly written as a tier I main character. She drives her story more than any other character in the series as the sole representative of her house and considering how isolated she is from every other POV character. The story in her POV is about her.
If we are looking at parallels, then it's Daenerys and Arya who have a lot of commonality in their way of thinking, their concern for the little guy, in their ideas of justice and dispensing that justice, right and wrong, their toughing it out on their way to the top, their proactive nature in getting things done, to be in charge, their love of nature etc.
With respect to the increase in toxicity from the Sansa fandom post show, then yes, that's because of shipping and Jonsa. A lot of the hate that the character of Daenerys gets is from Sansa fans - especially on Tumblr - because of her foreshadowed future relationship with Jon Snow and they want fanon, self-insert Sansa to have Dany's plot importance and story in the books. It's different on asoiaf sites like Reddit and Westeros.org - the majority of Dany hate on there is from Stannis/Jon Snow fans who are not big fans of a female character being the prophesied chosen one/top dog of the series.
And I point to shipping being the big reason because of my personal fandom experience on this site. This is me going down memory lane but I remember around 2015/16, I wrote these angry, frustrated posts calling out the TV show for taking Jon's book plot and writing that for show Sansa and Sansa's actions in the Battle of the Bastards in season 6. At that time a lot of Dany fans were also big Sansa fans and attacked me for being a 'misogynistic dudebro'. I am not naming names - shit's in the past - but I used to get blocked and get hateful inbox messages for criticizing show Sansa's actions.
During season 6 there were so many posts about Jon Snow being an useless idiot who deserved to die, Sansa was right to not tell him because he's a moron, Sansa's the politician/general who knows best, she deserved to be queen, Jon's the worst for stealing Sansa's birthright else Sansa and Dany would have ruled as best queens of westeros etc. - all from Daenerys fans!!
This was some kind of superficial notion of girl power with Sansa and Dany girlbossing around Westeros, bow down before these Queens sort of thing and fuck the actual book story. Arya was never included in these conversations because she did not wear dresses and Maisie Williams was not conventionally beautiful like Emilia Clarke and Sophie Turner and therefore did not fit into these Girlboss headcanons.
And then before season 7 was when we got the leaked spoilers of Jonerys meeting at Dragonstone. And this was when the full toxicity of the Jonsa shippers was unleashed. This was when we got 'Political!Jon' and all sorts of vile hate for Daenerys and more and more Dany fans started to react to that hate from the Sansa fandom.
Fandom always, always influences our likes and dislikes of characters (This is why I stay away from some fandoms - I don't want to end up hating characters) And this is what happened here. The Sansa/Jonsa fandom was so vile that a lot of Dany fans on tumblr stopped stanning for Sansa.
Fast forward to 2019 and the same Dany stans - again, not naming names but the very same Dany stans - who attacked me for being a sexist, male dude for critiquing show Sansa in season 6, started critiquing show Sansa when Dany got the same treatment that Jon, Arya and Bran got before her with the show tearing down these characters to prop up Sansa. Suddenly it was no longer misogynistic to call out how these characters were being torn down in order to prop up Sansa when they share scenes with her 😂😂😂.
That’s why I don’t hold much stock in words like ‘misogyny’ and ‘sexist’ randomly thrown around without context by the stans of female characters to attack people for critiquing said female character. I have been at the receiving end of this for years from the Jonsa fandom because I call out their utter nonsense.
The sexism and misogyny occurs when a female character is criticized for doing the same thing a male character is praised for - for ex. Daenerys gets a lot of this because she has parallel arcs with Jon Snow and very often she gets attacked for doing the same things that Jon is praised for. Even the show did this - Dany getting unfair flack for executing traitors when Jon Snow and the North do it all the time. The sexism is in how Arya gets attacked as being ‘male-coded’ because she’s not the right kind of girl. The sexism is in the slut shaming and commentary about how Daenerys is not the right kind of rape victim. The sexism is in the popular theories like political!Jon - wherein Jon Snow turns into LF 2.0 and sexually manipulates and seduces a rape victim.
Sexism is not simply liking a male character or critiquing a female character - there needs to be context. One does not simply throw around these heavy words simply to attack other bloggers to win fandom points. The word then loses it’s meaning.
So yeah, I ended up going on a tangent about my fandom experiences when the show was running. I do think a lot of the beef and toxicity in this fandom comes from shipping and Sansa fans wanting her to be something she is not. They want her to be a tier I main character with the story revolving around her love life as she Disney princess rules the North with sewing and dancing. And this leads to them diminishing the actual main characters and taking away from main characters to give to her. Naturally fans of the main character are going to push back against this.
And Sansa is a classist, sexist character and so her fans espouse classist, sexist viewpoints to justify her actions. Their love for all things 'traditional' and sticking to the status quo - 'Jon being KITN would be boring, he should stay a bastard, Arya being lady of WF is not right as she does not want to wear dresses, Dany will be mad like her father she can't escape her genes, Tyrion is doomed' etc. is based on Sansa being a traditional, pro-status quo character. Hence why there is so much clashing of ideas and discourse happening in the fandom.
So yeah. Honestly, I am just tired of seeing all these posts bothsiding fandom drama and making it seem like all the stans are equally responsible when the majority of fandom toxicity is started by stans of one character - Sansa - with the result being fans of other characters pushing back against their nonsense.
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