Murderbot is MurderBACK in the next installment of Martha Wells’s NYT bestselling Murderbot Diaries series System Collapse 🤖🚀
WHAT’S IT ABOUT
Following the events of Network Effect, our favorite lethally cybernetic television fiend has done the previously unthinkable: agreed to accompany the sentient spaceship Perihelion (dubbed ART by Murderbot, short for Asshole Research Transport) and crew on its next mission.
Unfortunately, they’re not going to get too far.
Having failed to harvest dangerous artifacts from their target planet by way of Murderbot misadventure, the Barish-Estranza corporation is much angered and determined to recoup their considerable losses. And when you’re a lethally opportunistic space corp, blood and muscle are valuable currency.
Murderbot, ART’s crew, and the Preservation humans have planetside work to do as Barish-Estranza seeks to claim the planet’s beleaguered colony as a conscripted workforce.
But for Murderbot, the challenge is as internal as it is external. Something is deeply, deeply wrong with it. Normal operational parameters are unmet, but with the corp’s SecUnit-heavy persuasion teams en route, Murderbot needs to resolve its issues, and fast!
Network Effect is killinggggg meeeee 😭 I stayed up late to find out if ART was still alive and now murderbot is pissed at it “because it endangered mb’s humans” but really because it was scared 😭 it thought its only remaining friend was dead just like mikki (and we know how well it handled that) and it’s still brand new to being a person and it doesn’t know how to handle these stupid emotions like grief and loss so it’s taking the whiplash and turning that into anger at being tricked so it doesn’t have to deal with it
And then on the other hand ART knew it was going to be killed and enacted a last ditch plan to get murderbot involved because it trusted mb to save it and it worked but now its only friend in the entire universe is pissed at it and neither of them is capable of understanding why!!
I have finished my Network Effect reread and noted another difference.
(Also, can I say? Martha Wells managing completely different voices for 1.0 and 3 is truly amazing given their similar backgrounds and the much shorter amount of time 3 gets to be on screen? I'm not as sure about how 2.0's voice differs or not from 1.0 but there's still some great POV shift happening here.)
During my reread, I'd idly noted that Murderbot's perspective was always past-tense. I though this was a little odd for how it seemed to be narrating current events, though maybe it was a carryover from how the first book was essentially a retrospective diary that it left on Mensah's nightstand.
But it came back to the fore when I realized:
3 thinks in present-tense.
Its narration style differs from 1.0 anyways - more standardized report-style at first, though whether its headers becoming shorter is a personal choice or Wells' decision to speed things up could be read either way. But, 3 always thinks in the present tense! It even throws "is" into sentences with a verb that ends with "-ed" to make clear that everything is present. It's interesting, and I think is part of what contributes to it sounding "younger" than MB - everything is old news for Murderbot, who's been doing this a while, while everything is new (and has no protocol to prep around) for 3. Just a fun detail.
Ok, so, I don't know if there will ever be a Murderbot TV show, but if there was I really hope it would be
Animated
Shown entirely from Murderbot's POV
I think this is a really unique opportunity because MB is a character with multiple points of view!
Between it's drone cameras and hacked security cameras you can get a wide variety of angles. It's own eyes can be used in scenes where it doesn't have access to any external cameras (which could result in some jerky found film horror style footage) or when a scene involves Feeling Some Emotions at someone. Imagine how creepy Network Effect could be as it gradually loses drones for no visible reason.
Some shots could have a HUD style overlay indicating performance reliability and such, with a little box in the corner playing various serials when appropriate.
We would be able to see recorded footage it gets from other constructs and bots too, seeing Ganaka pit from the POV's of the four ComfortUnits could be terrifyingly impactful.
We would hardly see it's own face, just when it stops to check what it's expression is doing with it's own cameras and occasional accidental camera angles or reflections. I'm picturing a scene where it stops to check itself out in the hygiene facility mirror after ART finishes the surgery in AC.
Basically this is a really unique opportunity to show something from a single character's POV without the typical problems that come with that.
Murderbot is MurderBACK in the next installment of Martha Wells’s NYT bestselling Murderbot Diaries series System Collapse 🤖🚀
WHAT’S IT ABOUT
Following the events of Network Effect, our favorite lethally cybernetic television fiend has done the previously unthinkable: agreed to accompany the sentient spaceship Perihelion (dubbed ART by Murderbot, short for Asshole Research Transport) and crew on its next mission.
Unfortunately, they’re not going to get too far.
Having failed to harvest dangerous artifacts from their target planet by way of Murderbot misadventure, the Barish-Estranza corporation is much angered and determined to recoup their considerable losses. And when you’re a lethally opportunistic space corp, blood and muscle are valuable currency.
Murderbot, ART’s crew, and the Preservation humans have planetside work to do as Barish-Estranza seeks to claim the planet’s beleaguered colony as a conscripted workforce.
But for Murderbot, the challenge is as internal as it is external. Something is deeply, deeply wrong with it. Normal operational parameters are unmet, but with the corp’s SecUnit-heavy persuasion teams en route, Murderbot needs to resolve its issues, and fast!
nothing funnier than Murderbot -- someone who hacked its own governing code, and once given an out, proceeded to do what it wanted -- being shocked and alarmed that a fully sentient copy of its kernel would modify its own directive code
every time I get to this point (which is twice now) I have to stop and have a moment, bc when I first read a tumblr post mentioning that ART and Murderbot had a baby I immediately dismissed it as part of some vague fanon extrapolated from a barely relevant drop of canon.
but no.
Amena literally says it would be their baby. it's right there. spelled out in the sentence. that she says.
ALSO re: Network Effect, the bit where Murderbot realizes the thing sending a distress call almost certainly needs to be exploded with high ordinance and extreme prejudice,
and when that thing asks if it will help, it still says yes, with the narration reading "We were probably going to have to kill this thing, but that's no reason to be mean in the meantime."
AND THEN when shit starts going down and it's. It's upset. And you realize, like it says, that it considered these entities victims. Even the one in the process of trying to remove Murderbot's consciousness from its body and turn it into an eldritch horror. It's angry because it sympathizes with them and it can't not care about people and it knows what it's like, not having control over your own body or even mind while being told to kill people, maybe people you were trying to protect AUGH.....