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#nana vibes
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haven’t uploaded here in a hot minute
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bread-wizards · 5 days
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The Crown Keeper and Fearne&Orym reunion is going to be very interesting because you have Fearne, who hesitated to take the shard because of the impact seeing dark!Fearne had on her, possibly seeing Opal again.. like this. She gets a front row seat to one of her very good friends heading down that path of corruption that she herself was scared of.
Then you have the Crown Keepers just seeing the toll these last few months have had on Orym and Fearne. I wonder if there would be any guilt from Dorian, knowing he left and came back to such a drastic change.
That Orym did get the answers he was looking for and he is crumbling under the weight of them. That Fearne has had to experience so much more loss and anger in these last few months than she had in over 100 years and she still doesn't know what to do with some of these feelings.
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mettywiththenotes · 14 days
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Ngl Mic's reaction is giving me Nana vibes. The whole grief of their situations being brought up and wanting so desperately for it to end already, to choose the easy way out just so it stops hurting
Nana going from crying because Izuku wanted to save Tomura and feeling grateful to then shouting at Izuku to kill him already. Mic going from "if you aren't Shirakumo fade away but if you are come back to us" to then grabbing Kurogiri by his clothes ready to punch him and yelling about how he shouldn't have given him the benefit of the doubt
I think it's also shown in the way Mic lists things that dehumanise Kurogiri too. "He's not crying, it's just the rain" "he has no tear ducts, he's a noumu" It's so clear he wants this to be over already
Same thing happened with Nana and Tomura. The vestiges too. They kept saying how he is destruction incarnate, how it's too late for him, how he's a "thing" "not human", just like Tomura said himself
Mic and Nana just let themselves think that way because it's the easy way out. They put a lid on their feelings, and in the final war arc it's like the lids got ripped off and it's all coming out now
That's why I think Aizawa and Izuku sort of parallel here. They wonder about their supposed enemies. "Why didn't he get rid of us? Why didn't he kill us when he could have?" Aizawa asks, physically reaching out to Kurogiri. "I have to ask why he can't let go of that sad lonely past of his!" Izuku says, also attempting to reach out to Tomura in his own way
"That's where their origins lie" Aizawa says as he thinks back to those school days. And Izuku was in Tomura's mind, literally at the center of his "origin"
Even though it's painful for Nana, Tomura and Mic, Aizawa and Izuku press on anyway because they can't help but wonder whether things can change. If things don't have to be this way
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fractiflos · 6 months
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tojisun · 28 days
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if ghoap but its soap drunkenly telling ghost, “if y’were a woman, i’d date in you in a heartbeat,” while for ghost, it has always just been soap (“you’re it for me”) what then?
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upathosarts · 6 months
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angry kuro
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caramelmochacrow · 7 months
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happy birthday junna !! nana slow danced her silly like <3
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shih-coulda-had-it · 1 year
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odd duck
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class1akids · 1 month
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What do you think of Nana as a character?
She was really intriguing for me when she was introduced in the Kamino fight. I thought that reveal was a great twist and couldn't wait to find more out about her.
But in the end, I have to say, her character just didn't add up very well for me. She's another one of the "buff, pretty women" who people really love for their design (Nagant, Star, Nana, Mirko), but their characterization relies on a lot of tropes and "cool factor" and remains pretty shallow.
The bits and pieces we get from Nana just feel like a lot of wasted potential instead of really digging into an important theme of the story - the pain caused by self-sacrifice for the people left behind.
She is kind of a contradictory person: she tries to hide her son to protect him and cut him off from the hero world but at the same time she burdens another child - All Might - with OFA and the fight against AFO, but leaves him with at least some support. Gran Torino supporting Toshinori helps him rise and her forbidding GT to look after Kotaro is a factor in his spiral.
Hero Nana feels like all the tropes of "badass woman hero": she grins at AFO in her death, talking about how All Might will take him down, also telling a young Toshinori to keep smiling because that's what makes him "strong". And ironically, that smile to Tomura becomes the symbol of everything he hates about hero society, pretending not to see the suffering they cause or simply ignore.
Hero Nana seems like someone who successfully compartmentalized Mother Nana and shut her inside a box when she gave up her son for adoption and seems to have severed that part of herself until the end. The feelings of guilt only come after she sees what Tomura has become.
Vestige Nana with her "testing of Izuku" and "can you kill Tomura - oh I was just kidding" is also tropey as hell. I would have preferred some real introspection, or at least some good interaction with Izuku about the moral dilemma of what to do about Tomura, but Horikoshi is not great with that when it comes to female characters.
So in the end, she is just kind of a crying mess of a vestige, flip-flopping on Tomura's fate. I'd like to say that her finally taking responsibility moved me, but it being between two dead people in vestige land, just doesn't carry the same weight to me (like as opposed to Rei running into the fire).
I always say that Horikoshi is mostly a visual storyteller, and he knows exactly the stuff 99% of his audience wants. I'm in the minority and I actively dislike when I feel like he's trying to manipulate me with sentimental visuals instead of solid storytelling (like last week's episode of Anya x Damien in MHA).
But at least the way he used Nana wasn't too bad - even if it had to be really spelled out for her that leaving her son behind like that was kind of bad for him - hugging and stopping Dreamland Kotaro is stepping up both as mother and hero - reuniting her two halves. She couldn't get through the barrier until she reintegrates the mother into the hero and becomes the hero to save her family. And she is the final piece to help Izuku get through. Thank you. I get the theme. It's about as subtle as a sledgehammer.
I guess it's a decent cap for a character who embodies a key theme. But I think she could have been fleshed out (not just drawing her in a lot of detail), but in actual character nuance and storytelling (things like how she met En, why did she take OFA, her state of mind after losing her husband, etc.)
On another note, it would be nice if this was finally the end of the vestige peanut gallery (I absolutely came to hate their parts in the final fight), but considering Yoichi and Vestige Might just seemed to have gone poof, unfortunately, I wouldn't be surprised to see again all of them.
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etereostare · 1 year
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𓈒 ♡︎ ˚ 𓈒 ˚ ༘🥡*🍜⋆。˚ 🎧 ⋆ ˚ ❀
𝚍𝚎𝚕𝚒𝚛𝚒𝚘𝚜
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· * ✫  * ✷ ⊹ * ˚⊹ 🍓 * ˚ * ✷ ⊹ * ˚⊹ * ˚
╰────────────────────╯
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bl00dbitch · 7 months
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My @infamous-if OC Eris "Eden" Adler for the Infamous template by @cozmiccore! This was a lot of fun & I'm excited to see how it develops/changes as the game continues!
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renjwoo · 9 months
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⁂ ੈ ˖* ⋆✶ ꙳໋͙ ⌑
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⋆ ✶ ꙳໋͙ ⌑ ˖*ੈ ⁂
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aretheyyknow · 9 months
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Season one pardison will always be famous to me
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softkiseu · 10 months
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taking a walk on the wild side
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embrace the love of nature.
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boxwinebaddie · 2 months
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once again, this has nothing to do with anything but i had this massive brainworm abt jer starring in a crimson dawn music video where he can reprise his role as Gone But Not ForThotten Shameless Slut Era Jersey and gets to be a super hot, scary, sexc vampire king that seduces nice boys and turns them into his little vampire thralls ;)
in my head the aesthetic is very punk-rock bram stoker dracula x howl's moving castle, with strong romantic goth esqe energy, lots of catholic religious imagery sex-cept its being totally sacralized by cd.
but anyways, back to vampire king jersey, like...excuse me, jers in the dramatic high waisted riding pants and the frilly, lacey, billowy shirt with the big puff sleeves, open just enough to invite temptation but not enough to let it in...completely dripped out in the big, fancy costume jewelry and little raven rings except they're all gold & dainty, with his long, beautiful, luxuriously bouncy ginger hair falling over his shoulders like fire and lightly billowing in the breeze w/ his tunic???
not to mention the scarlet streams of fake blood dripping from his freckled lips as he smirks at you and licks them!!! HELLLOO!!!!!!!
anyways, i could talk about this for hours, but i just want y'all to know that jersey kyle played that role far too convincingly, made extremely intense, heart-racing, sexually charged eye contact with stan like the entire time and i have this very vivid image in my head of them finally getting to Kiss during this one part of the song bc it was scripted...
and its just them like aggressively making out against a huge coffin or an victorian banquet table with an antique candelabra on it and the director keeps yelling "CUT! CUT! CUT!" but they can't hear anything over the sounds they're making in each other's mouths, breathless gasps, soft shudders, desperate hands everywhere, shirts hung off collarbones, makeup smeared, expensive props fallin all over the floor
anyways, they only needed about 35 seconds of film and at the end, they ended up with 8:23 minutes of footage they didn't need...Slay.
-uncle nina, whose brain is just a super gross girl terrarium for down horrendous nasty boy brain worms
p.s. i think the song tagline goes something like
'they say you are what you eat...'
'and i eat boys' ;)
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haunting-myown-zombie · 8 months
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I love how Nana always starts dancing when swerve's music hits
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