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feels-like-floating · 11 months

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Colloboh (a portmanteau of Collins Oboh) is a Nigerian-born, Los Angeles-based experimental producer and composer who has spent the past several years cultivating genre-spanning modular wizardry. We had a chance to chat with Colloboh about music as meditation, his summer residency with us, and trusting in the guide and the glide.

Let’s get started. What drives you to make music and what do you hope to share with it?

Collins: Making music is more like a meditation for me. It's just the way I express myself because I'm not the best at verbally expressing emotions, I'm still getting better at that. Music is an outlet for me to express myself.

What do you mean by music being a meditation?

Collins: It's like getting into a zone where I can spend hours listening to one loop. It feels meditative, you know? It's hard to explain. It's getting in a zone where your mind is clear, and you just flow into it. It's a way to practice intuition for me. When I'm making music, something pops out, and I'm like, "Okay, let's keep going with that idea." It's about flowing and practicing intuition, trusting the process of things.

Like being in a stable flow, I totally feel that. Is your interest in loops what got you into synthesizers?

Collins: Not necessarily synthesizers. I just like the idea of sculpting something. It's pretty analogous to being a sculptor with a marble piece: you have this raw thing that you can sculpt into anything you want. That's what attracts me to synthesis and using synthesizers. Starting with raw waveforms like sine waves, saw waves, and square waves, you can sculpt those sounds by filtering, adding delays, and other effects, combining different elements. It's just fun, you know?

Is there anything that led you to start playing with synthesizers in that way?

Well, I started making music with some friends back in high school. I was making beats for them, and we were in a little rap group. Then I watched this one YouTube video that convinced me to get into modular synthesizers. It's been about eight or nine years now. Shout out to YouTube.

Literally. It's free information. Love it. I heard that you used to study some kind of science before?

Oh yeah, I was into data engineering.

Do you feel like that has any crossover with your music practice?

I actually get asked that a lot, but it's funny because it feels like the other way around. When I was doing data engineering for a living, I was already into the synthesizer world. There are similar concepts, like having a sound source or data source, transforming it, and then outputting it in a different way. It was a concept I was already familiar with through electronic music. It actually helped my real life.

That's awesome. You do music full time now though, right?

Yeah, I do music full time. It's been almost a year now since I stopped my day job. We're trying to make it work. It's fucking hard as hell.

What kind of struggles have you experienced, especially with that transition?

Financial struggles, like most other artists. But we're making it work. You know, I have a lot of faith, maybe a foolish amount of faith (laughs), that things work out if you just follow the greater path, just quoting "Trust the Guide and Glide," a record by MatthewDavid. But I feel like it's a true thing. When I had my job, I was financially secure but not happy. Now it's flipped. I'm not financially secure, but I feel very happy and present. It's a priceless feeling. I'd rather have that than anything.

Yeah, I definitely feel there's truth to the idea that as long as you're true to yourself, you spread that energy and attract the right things. And maybe the money will come eventually.

Yeah, I believe in that. Mm-hmm.

I see that you grew up in the DMV area?

Yeah, I was born in Nigeria and then moved to Maryland when I was seven. I lived in Maryland until about a year and a half ago.

Do you feel like moving here influenced the way you see things or make music?

In a way, it's hard to say. I don't really feel like I'm fully American or fully Nigerian. I guess I'm just an Earth person (laughs). It's a benefit because I don't have to align with any particular thing. I can just be myself.

Growing up in Maryland was cool. There's a lot of diversity, especially in Montgomery County where I grew up. I'm grateful because I got to meet people from different cultures and befriend them. It influenced my taste in music and my openness to different things. Living in Baltimore for five years was a big part of my coming of age. I learned a lot about caring for others, empathy, and music experimentation. Baltimore has a huge experimentation scene. It was a big influence on my creativity.

How was your experience transitioning to LA? What kind of impression did you have of the city?

I feel very lucky because before I moved here, about a month or two before, I came and played one of the park shows for Leaving Records. That's when I got to meet everyone and actually met Sam. Sam was really nice and let me crash at her place (laughs). So I got so lucky because I met so many people at that show who I'm still close friends with today. Moving here made so much sense.

That's awesome.

Yeah, I feel so grateful. Everything feels so right. I have no doubt and no fear.

Being here has taught me a lot about community and the importance of having a shared mindset, shared vision, and uplifting each other to reach our fullest potentials. That's the vibe.

So sweet. For your residency, do you have any particular intention with regards to experimentation or challenging your current practice?

Definitely, I'll be challenged. The first show, which is gonna be on the ship, that's gonna be fucking amazing. I can't even believe that's happening now (laughs). It's been on my bucket list to go whale watching, and it was just a surreal thing when Noah was like, "Yeah, we're thinking about this whale watching thing." It was another moment where I was like, "Oh fuck yeah, this all feels so right." I'm so excited for that. I have no idea what I'm gonna play. I'm excited to see Green-House play, MatthewDavid is gonna play too. I'm probably gonna mess around with some of the aquatic microphones, but honestly I don't even really care too much about the music (laughs), I'm just excited for the whales.

And the next show, which is at the Hollyhock, I'm excited for that because I keep hearing how beautiful that space is. I've never been there. It's gonna be a good challenge because it's gonna be like a whole band with me, hopefully Mickey, Qur'an and Spencer. The three of us are gonna play my latest EP front to back, with some other songs here and there.

Saana Sahel is a gorgeous EP. It feels very elegant.

Thank you, I appreciate it. I made that while I was in LA and I was going through a breakup. It was kind of chaotic, but also there were moments of crazy energy and moments of super peacefulness, which is how my emotions were when I was going through all that shit. Living in LA for the first time, going through lots of changes, quitting my job, breaking up, moving to a new place. It's been a huge life change, but also just a blessing.

Totally. Through change, you kind of disintegrate and rebuild yourself, and then you're this new version of yourself, and it feels really exciting and sad. What about your last show in the Japanese Garden?

I'm actually gonna play a solo version of what I play with the whole band, but I'm gonna be on the side, and my friend Stephanie is gonna be doing a dance performance. So it'll be more of an elegant, low-key thing where she dances to it. She's one of my favorite dancers, and I'm just excited to see what she creates.

There's also a legendary poet named Kamau Daaood, and I'm trying to see if I can get him to read some poetry for that last show. So I would do this solo set with my friend Stephanie dancing, and then it would end with a poetry reading from Kamau Daaood. I feel like it would be a special thing, just to pay homage to the Pan African People's Arkestra, which has been super influential to my recent music. From their actual music to my friends like Mickey and Qur'an and Leaving Records. He can have all the money honestly.

It's literally just a labor of love, and I'm excited for the experience of it.

Do you have any particular relationship with the outdoors or sound in the outdoors?

I love being outdoors. The ocean, especially. It's a grounding space for me. I was at the beach two days ago, felt like I was recalibrating my energy. Now I sound like an LA girl.

(Laughs) You're centering yourself in Mother Nature.

But honestly, being by the ocean feels like that. Actually, my EP "Saana Sahel" on vinyl, the tracks are split into two sides. The first three tracks remind me of the desert, and the last three tracks remind me of the ocean. Those are two important spaces for me. When I moved to LA, I had psychedelic experiences in the desert, and I've always loved the ocean. It's one of the main reasons I moved here. The ocean reminds me of my ex because we both loved it. It holds a lot of personal meaning.

They're both endless expanses but extreme opposites of each other.

Beautifully said. I might steal that.

Go for it (laughs). What does "Saana Sahel" mean?

It's something I made up, actually. Making music is like a meditative space for me. "Saana Sahel" represents this place I strive to reach inward, a place of greater peace, higher self, and responsibility as a human. It's a made-up place, like a Mount Everest, where I'm working towards.

Like enlightenment.

Exactly.

Do you have a favorite plant?

Damn, I love that question. That's tough. Well, I like hydrangeas. I remember when I worked at Home Depot in the plant section, I learned about hydrangeas. They're pretty.

I also like thyme. It's an herb, but it's strong. I planted it, and it made it through the winter. Like, bitch you won't die. It's just always there, I never have to worry. When a recipe needs thyme, I can just go outside. Not like fucking parsley, which might be dead. (Laughs)

It's reliable. It shows up. Is there anything else you want to add or talk about? Anything on your mind?

Yeah, I feel really grateful for this. The Floating community, the staff at Floating, shout out to Noah, Nina, Sam, and everyone else. You guys make this a no-brainer.

Aww, thanks. That's what we try to do.

Hopefully you guys get a bigger budget one day. It's tough right now for what we're trying to do, but if we all believe in it and don't give up, that's what matters.

For sure. Something will manifest, even if it's not what we can imagine right now.

Save the dates for Colloboh’s summer residency! For more info visit our website at https://www.feelslikefloating.com/colloboh-summer-residency

#music #interview #ambient music #music outdoors #nature #music outside #indie #electronic music #art #synthesizer #whales #colloboh #matthewdavid #leaving records #pan afrikan people's arkestra #Bandcamp

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ohworm-writes · 8 months

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Thinking about Firefighter!Price.

Imagine him coming home after a long, exhausting day of working, keys jingling as he unlocks the door at some ungodly hour of the night, footsteps falling heavy against the floor as he walks inside, exhaustion and fatigue lingering along his form.

He's still dressed in his station wear - a fitted, navy blue t-shirt with Station 141's logo printed onto the front of it, small, right on the right side of his chest, and a pair of trousers in the same color to match, hanging loosely onto him.

He should take a shower, he knows he should. He smells of sweat and sulfur, the scents clinging to his clothes and skin like a second skin, and he know that the two of you'll have to wash the bedding come morning.

But god, the sight of you in bed, dressed in a loose pair of your own shorts and one of his spare shirts, face smushed against one of the pillows as your breathing comes slow, in and out, steady - it's far too enticing to pass up so easily.

So he unbuckles his belt in a daze, stripping off his shirt, undershirt and trouser, tossing the articles haphazardly onto the floor (he tries to toss them towards the hamper, but he knows he misses, given the way his belt buckle clanks loudly against the hardwood floor of the bedroom, but, honestly, he could care less).

And he gets right into bed beside you, fingers grazing lightly over the exposed skin of your thighs, traversing upwards, fingers splayed as his palm travels over the fabric of your shorts, sneaking their way under the loose shirt of his that you wear, hand pressing against your tummy as he pulls you close.

He presses his nose into your shoulder, eyes fluttering closed as he deeply inhales the scent of your body wash, softly shushing you as you start to rouse, the way your body gently begins to shuffle as you let out the softest, sleepiest yawn, listening as he grumbles softly against your skin.

"Didn't mean to wake you, love. Go back to sleep."

His voice is so hoarse, so strained and rough from the events of the day - yelling and barking out commands to the firefighters within the ladder and engine crews that he guides - but, at the same time, it's runs smooth like honey, settling just right in your sleepy, hazy mind.

He hugs you tighter, pressing your back flush against his chest as he curls his body around you in a subtly protective manner, littering tender kisses against your neck, trying to coax you back to sleep as he lets out a soft sigh, infatuated with the way your body molds perfectly into his.

"Mmm... s'fine, John. Wha... what time s'it?"

"None of your business, that's what time. Go back to sleep. I'll be here in the mornin'... promise you that. Okay?"

He doesn't let you ask your questions. If you try to think, he knows you'll wake up, and he already feels guilty about waking you up in the first place, so he doesn't even entertain your sleepy question, giving you a promise - two, technically. That he's here now and that it'll stay that way until the two of you wake up in the dawn.

"Stubborn..."

"Always. We c'n talk in the mornin'. Sleep."

"Mmm... glad you're back home safe. Love you."

"Love you, too."

But by the time he says the words, you've already fallen back asleep, and a deep, rumbling chuckle erupts from within his chest, amused, pressing one last kiss to the corner of your jaw before letting himself fall asleep behind you, his breaths, his heartbeat falling into sync with your own.

#There was a firetruck driving outside my place with it's sirens blaring at like 9 o'clock at night and it inspired me to write this #I'm playing with the dog tags I bought as I write this - half asleep in the middle of playing the MW3 beta while listening to Italian music #I don't even know Italian #Call this multitasking #price x reader #john price x reader #captain price x reader #captain john price x reader #call of duty x reader #cod x reader #firefighter price #firefighter!price

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