Coeli's Picks: Blue, part 2
(Multiple movies listed left to right.)
One Dress a Day Challenge
July: Blue Redux (+ Green Redux)
Love Me or Leave Me (1955) / Doris Day as Ruth Etting
Lady Macbeth (2016) / Florence Pugh as Katherine Lester
Mirror, Mirror (2012) / Lily Collins as Snow White
"I didn't realize until just now that this is a wedding dress! Ah well."
Dangerous Liaisons (1988) / Glenn Close as the Marquise de Merteuil
(I actually featured this one during the first month of blue--see here.)
Crimson Peak (2015) / Jessica Chastain as Lady Lucille Sharpe
Mad Men / Christina Hendricks as Joan Harris
"I've never watched the show, but the costuming, especially for this character, is stunning."
Murder on the Orient Express (1974) / Jacqueline Bisset as Countess Elena Andrenyi
"Tricky to find a good shot of this one, as she's often seen in a white fur stole that partially obscures it and is mostly sitting down."
(And what an interesting neckline!)
Singin' in the Rain (1952) / Debbie Reynolds as Kathy Selden
Immortal Beloved (1994) / Valeria Golino as Giulietta Guicciardi
The Revolt of Mamie Stover (1956) / Jane Russell as Mamie Stover
31 notes
·
View notes
Några äkta klassiska filmer på månadens lista, och som vanligt en den klassiker som flyttat till tuben på gamla dagar.
Alla Helgons Blodiga Natt / Halloween (1978) [👍]
Klassisk skräckis som förtjänar sin klassikerstatus. Kommer troligtvis inte se några av uppföljarna dock (det var heller inte avsikten med att se den).
Den 27e dagen / 27th Day, the (1957) [👍🆓]
Intressant brittisk SF som överraskar.
Djävulsflickan från Mars / Devil Girl from Mars (1954) [👎🆓]
Patricia Laffan gör en storartad Garboisk insats i en film med en relativt löjlig premiss.
Mordet på Orientexpressen / Murder on the Orient Express (1974) [_]
Albert Finney gör erkännes den märkligaste tolkningen av Poirot jag sett. Agatha Christie får säga vad hon vill om den, jag säger den ligger över filmen som en våt stickig filt.
Resident Evil: Welcome to Raccoon City (2021) [_]
Inte fullt så dålig som jag tippade på förhand, men kämpar för att försöka ta sig över ribban för "hjärndött våld". Svårt att se den här utan att få en viss respekt för Paul W.S. Andersons prestation 2002.
Rymdinvasion i Lappland (1959) [👍]
Kommer jag någonsin hitta en genuint bra svensk "se om"-film i färg*? Troligtvis inte --
Treasure of Matecumbe (1976) [_]
Kuligt Disney-äventyr som kanske inte håller spec:arna för politiskt korrekt idag.
Uncharted (2022) [👍]
Röjjigt actionäventyr av den moderna skolan. Helt klart värd att ses, och skulle inte ha något emot en uppföljare.
Vulcan, Son of Jupiter / Vulcano, figlio di Giove (1962) [🆓]
Spretig.
Warlords of Atlantis (1978) [🆓]
Den vite brittiske gentlemannen hittar Atlantis, har åsikter och anser sig givetvis vara dem som har rätt.
Så, vad skall @kulturdasset och alla porrbottar som följer mig ta med sig till tv:n från denna månads lista? Låt mig slå ett slag för Rymdinvasion i Lappland som jag måste erkänna var över alla förväntningar.
*) Givetvis är Göta Kanal och Sällskapsresan undantagna: jag är inte någon psykopat.
37 notes
·
View notes
In a fit of I know not what, I also watched the following:
MURDER ON THE ORIENT EXPRESS: Kenneth Branagh is an unlikely choice to play Agatha Christie's eccentric Belgian detective Hercule Poirot, and neither his performance nor his direction brings much life to this glossy but slapdash adaptation of one of Christie's most famous books. As with the 1974 film version with Albert Finney, the star-studded cast is both a major selling point and a central weakness: Many of the big names act like they've wandered in from completely different movies, preventing the film from ever feeling of a piece. (The casting of Johnny Depp, even as the film's most detestable character, also sits ill, as does a disagreeable opening sequence set in prewar Jerusalem.) Moreover, the prominence of the stars eventually underscores the absurdity of the story's ludicrous denouement. For all its popularity, MURDER ON THE ORIENT EXPRESS is really one of Christie's weaker mysteries, particularly now that the real-world Lindbergh kidnapping that obviously inspired the novel has faded from the popular consciousness. As a story, EXPRESS is best served by adaptations less burdened by stunt casting, like the 1992 BBC Radio 4 dramatization, with John Moffat as Poirot. If you're mostly interested in costume porn, stick with the 1974 film, which isn't a great movie either, but has superior costume design and fine cinematography to help keep you awake through its many lulls.
DEATH ON THE NILE: Perfectly dreadful big-budget adaptation of the Agatha Christie novel gets off to a bad start with a stupid framing sequence claiming that Poirot is a heroic (and heterosexual!) WW1 veteran who grew his famous mustache to cover battle scars, and gets worse from there. The main plot remains faithful enough to the original novel to make its variances all the more distracting (without changing the fact that anyone familiar with the book or the earlier adaptations already knows the solution to the mystery!), its slick production values are badly undermined by terrible CGI inserts, and many of the stars are miscast or just plain awful (with Gal Gadot, Armie Hammer, and Russell Brand particularly bad). Either the overstuffed 1978 feature version with Peter Ustinov or the 2004 David Suchet TV movie is a much better use of your time.
A HAUNTING IN VENICE: The third time's not the charm in this lavishly produced but unsatisfying reinvention of Christie's 1969 HALLOWE'EN PARTY, relocated from late-sixties England to postwar Vienna. Hercule Poirot's old friend, mystery novelist and Christie self-insert Ariadne Oliver (Tina Fey, fingernails-on-chalkboard bad), lures the great detective out of retirement to attend a Halloween party in the supposedly haunted palazzo of former diva Rowena Drake (Kelly Reilly), where noted spiritualist Joyce Reynolds (Michelle Yeoh) plans to hold a seance to contact the spirit of Drake's daughter, who recently committed suicide. The mystery itself is okay (and is so far removed from the original story as to be barely recognizable), but the gothic horror trappings seem misplaced (more Conan Doyle than Christie), Michelle Yeoh is completely wasted, some of the supporting cast is distractingly awful (like Kyle Allen as the dead girl's former fiancée), and Branagh remains wholly unconvincing as Poirot. Significantly better than its two predecessors, but that's no great achievement unless you just want to stare at the scenery, and any time you start thinking it's really not so bad, Tina Fey wanders back in to set your nerves on edge.
Why Branagh and screenwriter Michael Green are so determined to make Hercule Poirot into a bad pastiche of Dorothy L. Sayers' Lord Peter Wimsey is a bigger mystery than the plots of any of these movies, but I wish they'd cut it out — or at least turn their attention in some other direction. At that, Branagh would probably make a decent Peter Wimsey: He's the right age and temperament, and Lord Peter (who IS a haunted, more-or-less hetero WW1 veteran) seems much more in line with Branagh's predilections than Poirot.
6 notes
·
View notes
Agatha Christie Books in Order.
Hercule Poirot Books
Hercule Poirot Collections
Miss Marple Books
Miss Marple Collections
Tommy and Tuppence Books
Tommy and Tuppence Collections
Superintendent Battle Books
Standalone Novels
Short Story Collections
Non-Fiction Books
Agatha Christie Hercule Poirot books in order
Here are the names of Agatha Christie’s Hercule Poirot books in order. It will help you start with your reading while ensuring the best experience.
The Mysterious Affair at Styles (1920)
The Murder on the Links (1923)
The Murder of Roger Ackroyd (1926)
The Big Four (1927)
The Mystery of the Blue Train (1928)
Peril at End House (1932)
Lord Edgware Dies (1933)
Murder on the Orient Express (1934)
Three Act Tragedy (1935)
Death in the Clouds (1935)
The A.B.C. Murders (1936)
Murder in Mesopotamia (1936)
Cards on the Table (1936)
Dumb Witness (1937)
Death on the Nile (1937)
Appointment with Death (1938)
Hercule Poirot’s Christmas (1938)
One, Two, Buckle My Shoe (1940)
Sad Cypress (1940)
Evil Under the Sun (1941)
Five Little Pigs (1942)
The Hollow (1946)
Taken at the Flood (1948)
Mrs. McGinty’s Dead (1952)
After the Funeral (1953)
Hickory Dickory Dock (1955)
Dead Man’s Folly (1956)
Cat Among the Pigeons (1959)
The Clocks (1963)
Third Girl (1966)
Hallowe’en Party (1969)
Elephants Can Remember (1972)
Curtain (1975)
The Monogram Murders (2014)
Agatha Christie Hercule Poirot Collections in Order
Poirot Investigates (1924)
Murder in the Mews (1937)
The Labours of Hercules (1947)
Poirot’s Early Cases (1974)
Agatha Christie Miss Marple Books in Order
Here is the list of Agatha Christie’s books in order based on their publication date.
The Murder at the Vicarage (1930)
The Body in the Library (1942)
The Moving Finger (1942)
A Murder is Announced (1950)
They Do It with Mirrors (1952)
A Pocket Full of Rye (1953)
4:50 From Paddington (1957)
The Mirror Crack’d (1962)
A Caribbean Mystery (1964)
At Bertram’s Hotel (1965)
Nemesis (1971)
Sleeping Murder (1976)
Agatha Christie Miss Marple Collection in Order
The Thirteen Problems (1932)
Miss Marple’s Final Cases (1979)
Agatha Christie’s Tommy and Tuppence Books in Order
Here’s the list of Agatha Christie Tommy and Tuppence Books in Order
The Secret Adversary (1922)
N or M? (1941)
By the Pricking of My Thumbs (1968)
Postern of Fate (1973)
Agatha Christie’s Tommy and Tuppence Collections in Order
Partners in Crime (1929)
Agatha Christie’s Superintendent Battle Books in Order
Here’s the list of Agatha Christie Superintendent Battle Books in Order
The Secret of Chimneys (1925)
The Seven Dials Mystery (1929)
Cards on the Table (1936)
Murder is Easy (1939)
Towards Zero (1944)
Agatha Christie’s Standalone Novels in Order
Here’s the list of Agatha Christie Standalone Novels in Order
The Man in the Brown Suit (1924)
Giant’s Bread (1930)
The Sittaford Mystery (1931)
Unfinished Portrait (1934)
Why Didn’t They Ask Evans? (1934)
And Then There Were None (1939)
Absent in the Spring (1944)
Death Comes as the End (1944)
Sparkling Cyanide (1945)
The Rose and the Yew Tree (1948)
Crooked House (1949)
They Came to Baghdad (1951)
A Daughter’s a Daughter (1952)
Destination Unknown (1954)
The Burden (1956)
Ordeal by Innocence (1958)
The Pale Horse (1961)
Endless Night (1967)
13 at Dinner (1969)
Passenger to Frankfurt (1970)
The Murder at Hazelmoor (1984)
Agatha Christie’s Short Story Collections in Order
Here’s the list of Agatha Christie Short Story Collections in Order
The Mysterious Mr. Quin (1930)
The Hound of Death (1933)
The Listerdale Mystery (1934)
Parker Pyne Investigates (1934)
The Regetta Mystery and Other Stories (1939)
The Witness for the Prosecution and Other Stories (1948)
Three Blind Mice and Other Stories (1950)
The Under Dog and Other Stories (1951)
The Adventure of the Christmas Pudding (1960)
Double Sin and Other Stories (1961)
Star Over Bethlehem and Other Stories (1965)
The Golden Ball and Other Stories (1974)
The problem at Pollensa Bay and Other Stories (1991)
The Harlequin Tea Set (1997)
While the Light Lasts and Other Stories (1997)
Agatha Christie’s Non-Fiction Books in Order
Here’s the list of Agatha Christie Non-Fiction Books in Order
Come, Tell Me How You Live (1946)
Agatha Christie: An Autobiography (1977)
Top 10 Agatha Christie Books to Read
Given the number of books in the Agatha Christie series, readers generally hesitate to begin. Further, to understand the series well, one needs to read Agatha Christie’s novels in order. To ease things, the readers generally look for the best novels or books to read them directly and avoid all the hassle. So here are the top 10 Agatha Christie novels that will offer you the best mystery story reading experience.
71 notes
·
View notes