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fuckyeahgoodomens · 9 months

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David and Michael interview with Vanessa Armstrong and Valerie Ettenhofer for SlashFilm, 10.7.2023

Film's Vanessa Armstrong got the answers in an interview with Sheen and Tennant, which it should be noted took place before the ongoing SAG-AFTRA strike began. When asked about how and when Gaiman, who created and showruns the series, pitched the second season, Tennant revealed that "it gradually came into focus over a couple of years, probably." The actor notes that "the initial idea that there might be more story to tell" might have actually "had its genesis way, way back as a sort of fantasy idea, really, where we were shooting [season] 1." Like many a TV show these days, the show was initially marketed as a limited series, but that didn't last; it was officially renewed in 2021, two years after it aired.

While it sounds like Gaiman and the cast perhaps daydreamed about keeping the fun going with another season during production on the first, Tennant says the pieces still didn't come together until after it aired. "Then [season] 1 came out, and I think from that point, there was a slow realization that actually there might be more to come," he told /Film. "Neil was clearly excited at the idea, and I think Amazon were keen to do it." Some limited series clearly have aspirations for a sophomore season, but Tennant insists that he and Sheen "always thought it was a one-off," having signed contracts for one season and only been pitched on one season. When they got the go-ahead for another, though, he explained, "Michael and I were thrilled that we would get to return to [these] characters."

"When we started off on that journey, there was never a sense to go further, but what a treat that it was going to," Tennant explained. It took a long time for the full season 2 picture to come into focus: "I think Neil would drop us little nuggets down the months and years, really," he told /Film. Sheen, meanwhile, says he has "no memory whatsoever' of how Gaiman told him about the plans for Aziraphale in season 2. He did, however, have an inkling based on conversations Gaiman had described having with Pratchett about a continuation of the story before the author's death in 2015. "I know what we wanted to explore," Sheen said, "and I always remember what he was aiming to get to by the end of the second series, because of ideas that he and Terry had talked about with where the story might go."

Sheen says he thinks the first thing Gaiman told him about season 2 involved "the idea of Gabriel coming into their lives again in a very unexpected way, and then that eventually building to the point that they get to at the end of this series." Tennant, meanwhile, remembers being in Romania on a shoot for "Around The World in 80 Days" when Gaiman shared the first scene of season 2 with him and Sheen over Zoom. "Neil read us the first scene, the opening scene, which is, if you've seen it, you'll know we meet a very youthful Crowley and Aziraphale, very much way back at the beginning of time." (fygo: NGK FUCKING NGK!!!) Tennant says Gaiman "then gave us a quick sketch of what the rest of the series was going to be." Though both actors are understandably trying to keep mum about the ending of season 2, they note that Gaiman told them what it would be early on.

"That was all worked out, and it just felt delicious, really," Tennant says after recalling the Zoom meeting. "I mean from that moment on, it just felt like it was always meant to be. It felt like it was such a perfectly formed idea. I think it's fair to say that Michael and I didn't need much persuading." That's great to hear, because we certainly didn't need persuading to sign up for a season 2, either. The new "Good Omens" adventure begins on Prime Video on July 28, 2023.

#good omens #gos2 #season 2 #david tennant #michael sheen #interview #david interview #michael interview #s2 opening scene #angel crowley #good omens spoilers #spoilers #crowley and aziraphale meeting in heaven #s2 interview #slashfilm #slashfilm 2023

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mister-a-z-fell · 9 months

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I had a dream that it was revealed that this account was run by Michael Sheen and I just. I have to ask now.

I’m sure Mister Sheen is far too busy being a Very Serious Actor to lollygag about on-the-line pretending to be me.

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invisibleicewands · 3 months

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Michael Sheen: Prince Andrew, Port Talbot and why I quit Hollywood

When Michael Sheen had an idea for a dystopian TV series based in his home town of Port Talbot, in which riots erupt when the steel works close, he had no idea said works would actually close — a month before the show came to air. “Devastating,” he says, simply, of last month’s decision by Tata Steel to shut the plant’s two blast furnaces and put 2,800 jobs at risk.

“Those furnaces are part of our psyche,” he says. “When the Queen died we talked about how psychologically massive it was for the country because people couldn’t imagine life without her. The steel works are like that for Port Talbot.”

Sheen’s show — The Way — was never meant to be this serious. The BBC1 three-parter is directed by Sheen, was written by James Graham and has the montage king Adam Curtis on board as an executive producer. The plot revolves around a family who, when the steel works are closed by foreign investors, galvanise the town into a revolt that leads to the Welsh border being shut. Polemical, yes, but it has a lightness of touch. “A mix of sitcom and war film,” Sheen says, beaming.

But that was then. Now it has become the most febrile TV show since, well, Mr Bates vs the Post Office. “We wanted to get this out quickly,” Sheen says. With heavy surveillance, police clamping down on protesters and nods to Westminster abandoning parts of the country, the series could be thought of as a tad political. “The concern was if it was too close to an election the BBC would get nervous.”

I meet Sheen in London, where he is ensconced in the National Theatre rehearsing for his forthcoming starring role in Nye, a “fantasia” play based on the life of the NHS founder, Labour’s Aneurin “Nye” Bevan. He is dressed down, with stubble and messy hair, and is a terrific raconteur, with a lot to discuss. As well as The Way and Nye, this year the actor will also transform himself into Prince Andrew for a BBC adaptation of the Emily Maitlis Newsnight interview.

Sheen has played a rum bunch, from David Frost to Tony Blair and Chris Tarrant. And we will get to Bevan and Andrew, but first Wales, where Sheen, 55, was born in 1969 and, after a stint in Los Angeles, returned to a few years ago. He has settled outside Port Talbot with his partner, Anna Lundberg, a 30-year-old actress, and their two children. Sheen’s parents still live in the area, so the move was partly for family, but mostly to be a figurehead. The actor has been investing in local arts, charities and more, putting his money where his mouth is to such an extent that there is a mural of his face up on Forge Road.

“It’s home,” Sheen says, shrugging, when I ask why he abandoned his A-list life for southwest Wales. “I feel a deep connection to it.” The seed was sown in 2011 when he played Jesus in Port Talbot in an epic three-day staging of the Passion, starring many locals who were struggling with job cuts and the rising cost of living in their town. “Once you become aware of difficulties in the area you come from you don’t have to do anything,” he says, with a wry smile. “You can live somewhere else, visit family at Christmas and turn a blind eye to injustice. It doesn’t make you a bad person, but I’d seen something I couldn’t unsee. I had to apply myself, and I might not have the impact I’d like, but the one thing that I can say is that I’m doing stuff. I know I am — I’m paying for it!”

The Way is his latest idea to boost the area. The show, which was shot in Port Talbot last year, employed residents in front of and behind the camera. The extras in a scene in which fictional steel workers discuss possible strike action came from the works themselves. How strange they will feel watching it now. The director shakes his head. “It felt very present and crackling.”

One line in the show feels especially crucial: “The British don’t revolt, they grumble.” How revolutionary does Sheen think Britain is? “It happens in flare-ups,” he reasons. “You could say Brexit was a form of it and there is something in us that is frustrated and wants to vent. But these flare-ups get cracked down, so the idea of properly organised revolution is hard to imagine. Yet the more anger there is, the more fear about the cost of living crisis. Well, something’s got to give.”

I mention the Brecon Beacons. “Ah, yes, Bannau Brycheiniog,” Sheen says with a flourish. Last year he spearheaded the celebration of the renaming of the national park to Welsh, which led some to ponder whether Sheen might go further in the name of Welsh nationalism. Owen Williams, a member of the independence campaigners YesCymru, described him to me as “Nye Bevan via Che Guevara” and added that the actor might one day be head of state in an independent Wales.

Sheen bursts out laughing. “Right!” he booms. “Well, for a long time [the head of state] was either me or Huw Edwards, so I suppose that’s changed.” He laughs again. “Gosh. I don’t know what to say.” Has he, though, become a sort of icon for an independent Wales? “I’ve never actually spoken about independence,” he says. “The only thing I’ve said is that it’s worth a conversation. Talking about independence is a catalyst for other issues that need to be talked about. Shutting that conversation down is of no value at all. People say Wales couldn’t survive economically. Well, why not? And is that good? Is that a good reason to stay in the union?”

On a roll, he talks about how you can’t travel from north to south Wales by train without going into England because the rail network was set up to move stuff out of Wales, not round it. He mentions the collapse of local journalism and funding cuts to National Theatre Wales, and says these are the conversations he wants to have — but where in Wales are they taking place?

So, for Sheen, the discussion is about thinking of Wales as independent in identity, not necessarily as an independent state? “As a living entity,” he says, is how he wants people to think about his country. “It’s much more, for me, about exploring what that cultural identity of now is, rather than it being all about the past,” he says. “We had a great rugby team in the 1970s, but it’s not the 1970s anymore and, yes, male-voice choirs make us cry, but there are few left. Mines aren’t there either. All the things that are part of the cultural identity of Wales are to do with the past and, for me, it’s much more about exploring what is alive about Welsh identity now.”

You could easily forget that Sheen is an actor. He calls himself a “not for profit” thesp, meaning he funds social projects, from addiction to disability sports. “I juggle things more,” he says. “Also I have young kids again and I don’t want to be away much.”

Sheen has an empathetic face, a knack of making the difficult feel personable. And there are two big roles incoming — a relief to fans.

Which leads us to Prince Andrew. “Of course it does.” This year he plays the troubled duke in A Very Royal Scandal — a retelling of the Emily Maitlis fiasco with Ruth Wilson as the interviewer. Does the show go to Pizza Express in Woking? “No,” Sheen says, grinning. Why play the prince? He thinks about this a lot. “Inevitably you bring humanity to a character — that’s certainly what I try to do.” He pauses. “I don’t want people to say, ‘It was Sheen who got everybody behind Andrew again.’ But I also don’t want to do a hatchet job.”

So what is he trying to do? “Well, it is a story about privilege really,” he says. “And how easy it is for privilege to exploit. We’ve found a way of keeping the ambiguity, because, legally, you can’t show stuff that you cannot prove, but whether guilty or not, his privilege is a major factor in whatever exploitation was going on. Beyond the specifics of Andrew and Epstein, no matter who you are, privilege has the potential to exploit someone. For Andrew, it’s: ‘This girl is being brought to me and I don’t really care where she comes from, or how old she is, this is just what happens for people like me.’”

It must have been odd having the prince and Bevan — the worst and best of our ruling classes — in his head at the same time. What, if anything, links the men? “What is power and what can you do with it?” Sheen muses, which seems to speak to his position in Port Talbot too. Nye at the National portrays the Welsh politician on his deathbed, in an NHS hospital, moving through his memories while doped up on meds. Sheen wants the audience to think: “Is there a Bevan in politics now and, if not, why not?”

Which takes us back to The Way. At the start one rioter yells about wanting to “change everything” — he means politically, sociologically. However, assuming that changing everything is not possible, what is the one thing Sheen would change? “Something practical? Not ‘I want world peace’. I would create a people’s chamber as another branch of government — like the Lords, there’d be a House of People, representing their community. Our political system has become restrictive and nonrepresentational, so something to open that up would be good.”

The actor is a thousand miles from his old Hollywood life. “It’d take a lot for me to work in America again — my life is elsewhere.” It is in Port Talbot instead. “The last man on the battlefield” is how one MP describes the steel works in The Way, and Sheen is unsure what happens when that last man goes. “Some people say it’s to do with net zero aims,” he says about the closure. “Others blame Brexit. But, ultimately, the people of Port Talbot have been let down — and there is no easy answer about what comes next.”

#Michael Sheen #Times #Interview #Nye #The Way #A Very Royal Scandal

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michaelsheendaily · 4 months

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Anna posted: Merry Christmas Eve from me and serious actor/husky Michael Sheen 🎄x

#michael sheen #michaelsheenedit #anna lundberg #annalundbergedit #christmas eve #michael's puppy ears ❤️#welsh seduction machine #michaelsheendaily

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thealogie · 3 months

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the only actors on actors I need is Jeremy strong Michael sheen. And yeah Jeremy strong fans will watch it being like who is this but just trust me they are the only two people equally mentally unwell and too serious about acting, let them at each other

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mysticaltastemakerwitch · 4 months

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Michael Sheen... This man❤️

#michael sheen #welsh seduction machine #neil gaiman #prodigal son #Mad Welshman #Adorable #Serious actor #Actual father

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child-of-divorce21 · 2 months

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I love that even though DT is hosting BAFTA he still can’t help but include a serious actor Michael sheen. I love their relationship.

(Also I need David to twirl in the kilt. not a want, a need.)

#good omens #good omens fandom #david tennant #ineffable idiots #michael sheen #bafta #bafta awards

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some-siren · 9 months

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Alright last post before I go to sleep

Kinda obsessed with how Aziraphale’s voice changes when Furfur can’t pronounce his name and he goes "Aziraphale" and you just KNOW it’s serious

Michael Sheen is such a talented actor I swear to god

#good omens #good omens 2 #good omens spoilers #kinda #good omens season 2 #aziraphale #furfur #michael sheen

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greekmythcomix · 9 months

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Fantasy Odyssey cast

I’m working on the choose-your-own-path Odyssey book/game today, and I thought a good way of trying to write a bit faster (and stop being distracted by the fact that I have a day off from the world to do with as I like and I’m spending it stuck to the computer) would be to visualise the characters as actors I like. Or at least work out whom I have been visualising all this time. I’ll add to this list as I write other sections.

NB: I live in the UK, was a child in the 90s, and like comedies and dramas, so these are probably going to end up all British and aren’t necessarily going to be very exciting choices! Please feel free to make your own suggestions.

PS: I know there’s a film coming out with Ralph Fiennes as Odysseus and Juliette Binoche as Penelope coming out in a year or so, but that casting is just too serious for me (and Binoche is forever Antigone to me after using her NT run to teach the play for coursework, so…)

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Odysseus:

Michael Sheen

Odysseus is complicated. Apparently he looks like a country boob, but has a voice that commands all and speaks words like falling snowflakes. He can lie at a second’s notice, but is also loyal and magnetic enough for his wife to have wanted to wait for him all this time. The role needs Sheen: the sheer *range* of the man, who can be sweet *and* prickly inside one sentence. His Nero is terrifying yet also somehow vulnerable. He also looks excellently the part - stocky, sturdy, with a woolly beard and hair (perfect streak of weathered white through the front). He’d be captivating.

Telemachus:

Alex Lawther

I’m a bit sick of portrayals of Telemachus making him a total one-note whinge bag (you know which portrayal I mean in particular) and in the text he’s angry yet well-behaved and does a lot of growing up. He’s been brought up by only his clever mother and her loyal servants/enslaved people so he should be a little soft but sharp around the edges (the suitors are almost all the same age as him give or take a handful of years), and he also takes after his father - Homer really paints that comparison on thick - so he should be clever too.

That’s Lawther in a nutshell.

And, if you look at photos of a younger Michael Sheen, there’s a lot of similarity there, so that works too. (And they’ve both played Hamlet, so that would be fun to talk about)

Menelaus

Brendan Gleeson/ Brian Gleeson

The film Troy rather ruined this one, as Brendan Gleeson played Menelaus rather perfectly for me. Only I’m imagining he gets a lot nicer once he gets Helen back. However, he's rather aged out of the part, but his son Brian is almost old enough to play him (yes, nepotism). In Frank of Ireland he’s a lil bit daft and that’s how I’m seeing Menelaus in Book 4, all memories and wrapped around his wife’s littlest finger.

Helen

Right now, possibly Emilia Clarke, but I’m not certain (see below)

Helen is a confident trickster. She’s effectively been abused her whole life, treated as a prize and a sexual object since childhood, can’t trust anyone, and is now leaning into it (see Book 3). But all she wants is stability. It’s probably a choice a little influenced by Clarke’s former roles, but her apple-cheeked visage and winning smile suggest she can get herself out of trouble by getting men to fight eachother for the privilege.

EDIT: wait wait wait... let's go left-field and get Natasia Demetriou. Her Helen would be manipulative, dismissive, sometimes incredibly sweet and naive but only on the surface. She'll dope you to make sure you don't ruin a good time. She's in charge. Oh yes.

Penelope

Nina Sosanya/Olivia Colman

Our Penelope is so sassy, totally on it (Odysseus-in-disguise praises her as a ‘king’, the highest era-appropriate compliment on her rule he can give), but willing to make way for her son. She’s clever, no-nonsense, totally in love but also a realist. I couldn’t pick between these two brilliant actors so I’m picking bits of them: Sosanya’s needliness and Colman’s ability to dismiss you kindly and both of their wit.

Athene

Ruth Wilson

Calculating, sexy, kind of ruthless. Enough said.

Diomedes

Kayvan Novak

He’s not in it for long, though there’s potential for plenty of flashbacks. Diomedes is pretty serious, businesslike, a bit meat-headed, deadly as a sword between your ribs, and while Novak is a lot funnier than that I think he could pull off the character without being unlikeable.

Antinous and Eurymachus

Timothee Chalamet and… TBD

Ok so technically Chalamet is a teensy bit younger than Lawther rather than older, but it’s within tolerance. I think he could pull off older and haughtier, full of insouciance knowing how much he’s worth compared to the rest of them, and properly intimidating and manipulative. The murder plot the suitors attempt against Telemachus becomes a bit of a dark peer prank, with Chalamet as the leader of a group of obnoxious rich boys who only have one impediment between them as suitors and one of them as king, and I can see a face-off between Chalamet-Antinous and Lawther-Telemachus with Ruth Wilson’s delighted Athene bobbing between them.

Eurylochus and Polites

Simon Farnaby and Jim Howick (Ghosts, Horrible Histories)

Obviously these two need bigger roles than in the original text, so they pop up in the alternate storylines. Eurylochus is smarmy and annoying, and Polites is an adorable yes-man. At one point Odysseus wonders whether or not he should actually cut Eurylochus’ head off, and I can see Farnaby and Sheen facing off in my head. And there have to be some comedic characters in here to relieve the tension.

More like 20 years, amirite?

Eumaeus

Not sure yet. Eumaeus is such an important and underrated character, earnest and loyal to the last, but with the bearing of a prince (as he once was before becoming enslaved). I’m fluctuating between Idris Elba, Riz Ahmed and David Tennant, which is a bit mad, but I’m getting back to writing this bit soon and I may have a better idea after they’ve sat down for an interminable amount of time to eat roast piglet. But, now I've seen Good Omens 2, maybe just Michael Tennant with heart-eyes for Odysseus is pretty accurate.

I am desperate to get Matt Berry in here somewhere. I think he’s going to be Medon the herald, who has covered himself in an ox-hide and is hiding under a chair during the suitor-slaughter. BUT WOULDN'T HE BE BRILLIANT AS AGAMEMNON???

Proteus, god of the Sea

Proteus is both king of Memphis in mythology, but also a sea-god (like Nereus) who shepherds seals and cannot lie. I've made them different characters, but I think they could pull off being played by the same actor. Proteus of the sea is a shape-changer, changing into a lion, snake, water and fire (!), but is often thought of as being half-man-half-seasnake.

Hello Sir Derek Jacobi, I love you but am also very cross with you right now, be a seasnake-seal-shepherd.

I’ll edit this post when I think of more.

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pippin-katz · 2 years

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Colin Morgan is a Master of Acting

This is a “duh obviously” statement, but I want to gush for a moment! Specifically, his performance as Dragoon and the Dolma!

I genuinely have trouble trying to register that these are the same person. I know they are, my brain knows they are, but trying to attach Colin to the Dolma is genuinely difficult.

The makeup is a huge factor, because he doesn’t really look like himself anymore, but his acting is the main reason. The voice he uses is the selling point. Colin is the one speaking. That’s his voice, but it sounds so completely different from his normal voice that it’s hard to mentally register that it’s Colin talking.

The same goes for Dragoon. His speaking voice is much higher than Colin’s, but he also speaks much deeper sometimes. The line in the GIF is the best example, because his voice turns so deep and hoarse while yelling at Uther. It is so difficult to connect this, to this:

There’s plenty of actors who make appearances in cinema in costumes or makeup that obscures most of their identity, but 99.9% I can see through it to the actor underneath. In this case, I have to force myself to see through it, to imagine the Dolma walking around talking like Colin, or Colin speaking like Dragoon while dressed as Merlin. Trying to imagine that is difficult to comprehend even though my brain knows it’s true.

Johnny Depp is a good example, but I can always see through it to him. Same with Michael Sheen! Both are incredibly talented and do become their characters entirely, but somehow I can always see them.

I can see Colin when I watch other shows with him in it, like Humans or benjamin, but that’s because he looks like himself so I can literally see Colin on screen. With the Dolma and Dragoon, it’s like having blinders on. I can’t see Colin.

That takes serious talent, to disappear so entirely into a role that viewers have trouble imagining it’s you.

#merlin #merlin bbc #bbc merlin #colin morgan #merlin emrys #dragoon the great #the dolma #leo elster #benjamin #humans #the once and future fandom

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