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bakuhatsufallinlove · 19 days

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Does Izuku Think His Feelings For Katsuki Are Gross? (or, DvK2's Endless Emporium of Nuance)

This is a pretty common sentiment I see repeated, and we all know the source of it: Deku vs. Kacchan 2.

Original Japanese and official English translation.

Crunchyroll subtitles

In one translation, Izuku expresses discomfort over this topic; in the other, he outright declares it to be gross.

That is quite the difference. I gotta say, Crunchyroll’s direct “This is gross” kind of shocks me, because it functionally ignores the key adverb “sasuga ni” and translates the line the same as you would if he hadn’t said it at all. The official manga translator, on the other hand, clearly made a decision about what Izuku meant by that phrase and then dispersed that meaning across the line as a whole.

So I understand why people have this straight-forward interpretation.

I’m here to offer some linguistic nuance, because my main problem with “Izuku thinks his feelings are gross” is not that it is completely wrong. It’s that it isn’t the whole story.

There are two really important phrases to take into account: kimi ni wa ienai and sasuga ni.

To illustrate their meaning, let’s split the line into two sections:

Note: Grammatically, kara belongs in the first section. I’m lumping it into the second section for the sake of isolating the core ideas expressed in the first section and maintaining clarity in the second.

Now we’re going to break the sections down into their constituent parts. This looks like a verbatim nightmare of a translation, because it is, but trust me, it’s a useful exercise.

Kara links the two sections by showing that the first section directly causes the second. Something worth noting is that Izuku does not use past tense here—he uses present tense and indicates a continuous, unchanged state. He has not been able to before and still cannot tell this to Katsuki. I would argue this also suggests he thinks the circumstances will not change for the foreseeable future.

Important Phrase #1: kimi ni wa ienai

Ienai is the negative potential form of “to say,” which means it is not possible for him to say it. Iwanai, on the other hand, is the negative present tense, and if he had used iwanai instead, that might suggest that he has some choice in the matter. Examples in English might be, “That’s why I don’t tell you this,” “That’s why I’m not telling you this,” and “That’s why I haven’t told you this,” which all express intentional withholding despite opportunity. To use a form that specifically denies the possibility serves to center limitation, regardless of desire.

The combination of the two particles ni and wa are used to emphasize, compare, and contrast. This is extremely telling just on its own. Izuku is emphasizing the fact that, compared to everyone he could possibly tell, he cannot tell Katsuki this. He might be able to tell other people, but when it comes to Katsuki, he cannot. Ienai does not specify where the limitation stems from, but ni wa sure implies it.

Now let’s dig into the phrase that does the most heavy-lifting in the first section.

Important Phrase #2: sasuga ni

Sasuga ni is the adverb Izuku attaches to the adjective kimochi warui (gross or creepy). It is typically translated “as expected” because this kind of adverb sounds awkward in English. “This is expectedly gross” is not a sentence people say much. You might also see it translated “as I thought,” “naturally,” “obviously,” or “indeed.”

And there is something interesting here: Izuku uses a second word that means “as expected” on this page.

Yappari, which can also be translated as “in the end,” “sure enough,” or “after all is said and done.”

I researched the nuances of these two phrases, synthesizing definitions and examples from four different Japanese dictionaries/encyclopedias and two forum boards for language tutoring from native speakers. My conclusions as related to their usage here:

Yappari indicates:

an outcome that was expected (example: “I tried, but sure enough, I failed.”)

something that remains unchanged [in the state it was previously or in other circumstances]

a situation where, no matter how you think about it, you end up with the same result (example: “I was really torn over it, but in the end I gave up on going.”)

Sasuga ni indicates:

[you, the speaker] must acknowledge that this is the natural result of the situation up to this point (example: “they grew up in a big family, so naturally they are good with kids.”)

something exceeds the permissible range, or that it may be permissible under certain conditions, but not others (example: “no matter how nice a guy he is, if he was accused of something unfairly, he’s bound to get angry.”)

You can see the meanings overlap, but the sentiments are a bit different. I saw someone learning Japanese say that every time they used one of these phrases, native speakers told them they should have used the other one instead. Another learner responded that, from their observations, the distinction appeared to be that yappari is used when the speaker had personally thought about and expected this outcome, while sasuga ni suggests that everyone would agree with this statement.

I’m not sure this is true across the board; usage always varies, even among native speakers, so generalizations are only useful up to a point, but I have to admit, a bunch of little things I noticed in my research do support this line of thinking.

If yappari tends to be more reflective of the speaker’s personal thoughts and expectations, sasuga ni’s “acknowledgment of a natural result” could indeed imply external validation. This is true of the equivalent English words, at least: naturally and obviously both suggest that any reasonable person would accept it as fact.

In fact, permissible as an idea kind of hinges on social norms—what is reasonable for someone to put up with? What behaviors sit within the realms of welcome, allowable, or excusable based on your relationship?

In my opinion, Izuku feels like he cannot say this to Katsuki because it exceeds the bounds of what is permissible between them. If sasuga ni implies Izuku feels sure that anyone would agree with his assessment, Katsuki is absolutely included in that.

Izuku is not saying, “I alone think this is gross, so I can’t tell you.”

He is saying, “Considering everything that has happened between us up till now, you would obviously see this as gross, so I can’t tell you.” Its grossness is a natural result of the situation—their history, the way their relationship fell apart, the way Katsuki lashes out, how he can barely stand Izuku’s presence, let alone his emotional honesty.

Chapter 10, during Deku vs. Kacchan 1

But remember that this sentence is a fragment: the subject of Izuku’s sentence is revealed in the second half, and it is the fact that he runs his mouth when he wants to win more than he wants to save.

This is what is gross. Izuku acknowledges that the behavior itself is unpleasant, and that any reasonable person would agree with that. His whole identity as a hero is based on saving people, so he feels some real discomfort when he has to recognize that sometimes he just wants to win. In fact, he can want victory so much that it supersedes his desire to help people.

Izuku has intentionally emulated Katsuki’s practical tactics, but this is about instinctive response. He wasn’t standing there facing Muscular, thinking the winning move was definitely to scream, “shut up.” He was furious, so he wanted to win and make that guy shut up.

When the scale tips, he acts out. He talks shit. He screams at people and insults them, because that’s what Katsuki does. These are all unacceptable behaviors, socially-speaking. Katsuki constantly and intentionally acts the exact opposite of how he should to qualify as a Good Japanese Boy. Izuku, on the other hand, plays the part faithfully, at least until it demands he betray his core values.

Deku vs. Kacchan 2 showcases how neither Izuku nor Katsuki had fully accepted the heroism of their counterpart. Katsuki is uncomfortable with Izuku’s innate capacity to help others, to see their need and meet it without question. Izuku is uncomfortable with craving victory, with that indomitable drive to seek glory. They each admired All Might for the value they themselves embody, and they admired each other for the value they lacked, but that doesn’t mean their admiration was uncomplicated.

Katsuki is a loud-mouthed, aggressive jerk, but Izuku ends up acting just like him. He clearly feels conflicted about it. He’s annoyed and hurt that Katsuki pushed him away by being such a jerk in the first place. And, from his perspective, he fails every time he tries to wrangle their relationship into something less miserable. He might even be embarrassed over the simple fact that he has held on to these deep-seated emotions for years over someone who wants nothing to do with him. He wishes things were different. He doesn’t know how they could be, anymore. He wants to connect, but he can’t.

Izuku frames his inability to express this specific thought as natural and reasonable. Obviously, there’s no way I could do this. And honestly, he is probably right. After all, this is a very intimate, revealing thing to tell someone who seems to hate your guts and has for years.

At any other point in the story, Katsuki probably would have curled his lip in disgust and barked out Izuku’s exact words, “Gross.”

But in DvK2, Katsuki bears his heart to Izuku without restraint.

Katsuki confesses something painful and private to Izuku twice, at two separate moments.

Izuku has two confessions, too. Here's the first:

But the second he admits only to himself and the audience.

Maybe if Izuku had said his “image of victory” monologue out loud, Katsuki could have had his own moment of understanding:

Izuku’s reaction after Katsuki’s second confession.

Maybe Katsuki wasn’t ready to hear it, or maybe Izuku was too chicken to believe he was ready. Either way, he needed to voice both confessions, and he didn’t.

So the narrative punishes Izuku for failing to push past his own limitations.

In the battle of revealing their honne—their true feelings, their truest selves—Katsuki risked it all.

Izuku couldn’t do the same, and that’s why he loses.

Don’t forget that underestimating your opponent is one of the easiest ways to lose a fight in MHA.

But I want to reiterate, Izuku feels conflicted about this behavior and his own feelings, not ashamed.

Emotional conflict is borne from two or more simultaneous, contradictory feelings. Izuku admits that any reasonable person would see the way he unconsciously imitates even Katsuki’s bad habits as gross, but he also clearly tells us something else.

Izuku is directly expressing his own thoughts about it, and the most important phrase is nanoni, which according to online encyclopedia Kotobank, “indicates that the following is contradictory to the preceding matter” and specifically, “includes critical feelings about the contradiction between” those two things. The latter point is unique because other words often used for “but” (such as kedo, which he used earlier in the form of dakedo) do not necessarily do this.

In the final line, one little detail here is the orange highlighted nda. This is used to explain and correlate topics of discussion. The most obvious point of explanation is why he acts this way. But the use of nanoni to connect this thought to the previous one tells us that this line is also explaining why Izuku doesn’t hate it.

Katsuki is his image of victory, and that alone is the reason he does not find this part of himself unacceptable. Just like with sasuga ni, Izuku is telling us that he understands the way other people would see this situation, and he knows what he “should” feel, but then he tells us that he does not feel that way.

I know it is very easy to see “This is gross, so I can’t tell you” at the start of this monologue, skip right to “image of victory,” and walk away thinking that Izuku is ashamed of that specifically, but the details show that the opposite is true.

And let’s not forget the nuance of yappari, which implies that Izuku has personally thought about this fact over and over, but it has always been this way.

I have seen people say that Katsuki is the one letting Izuku set the pace of their new relationship and that Izuku holds back, with this presumed shame as the cause. But I don’t think that acknowledges Izuku’s perspective on their dynamic, nor the casual mutualism they build together.

Katsuki initiated DvK2: a unique, closed “event” wherein, for the first time, they each expressed their vulnerabilities as much as they were able. But immediately outside the confines of DvK2, Izuku is the one who reaches out, as a gesture of reciprocation towards Katsuki for having initiated this change.

He is asking Katsuki's opinion, but what this gesture means is, “I don’t want us being honest with each other to end there. I still want you in my life.”

And maybe for the first time in years, Katsuki actually understands what Izuku means, and reaches back.

Look at these fucking nerds.

Notice that Izuku responds to Katsuki twice. At the first response, Katsuki has offered his observations and given him valid criticism on his technique, which is a show of goodwill. But then, Katsuki continues even when the admission reflects a personal weakness, with Izuku's punch having caught him off guard. This is actual honesty, and it means that they didn't just resolve their aggression and reset to neutral peers, but that Katsuki wants to be close, too. And just like during their fight, understanding comes the second time around.

I’ve said it before and I’ll say it again: from Izuku’s point of view, Katsuki’s shitty behavior was the only thing that stood between them, because Izuku’s core feelings for him never changed.

Izuku lets Katsuki decide what is permissible between them, because Katsuki is the one who pushed him away in the first place. He opens the door just enough to say, “Whatever you want to give of yourself, I will accept.”

After that, Katsuki is the one making the big gestures by taking time out of his own life to discuss OFA with Izuku and All Might and help Izuku by training with him, even inserting himself into situations when he isn't asked. At every point, we see Izuku receive Katsuki with warmth and then follow up with smaller gestures of his own.

Chapters 202, 209, 249, and 327.

The reason we see so much of Katsuki’s side of their relationship, especially after DvK2, is because his feelings are the ones that change the most: from dysfunctional to self-aware and accepting. He has struggled for years over Izuku’s place in his life. He didn’t understand Izuku or his own feelings, and he was wrapped up in denial. He tells himself again and again that Izuku is “beneath him,” when we know the truth is he always thought Izuku was better than him.

Comparatively, Izuku resolves his conflicted feelings about his admiration for Katsuki much quicker, because the source of his conflict was primarily external while Katsuki's was primarily internal.

Chapter 257

A little detail I love about the "I'm too blessed" moment is that Izuku thinks of his conversations with Katsuki as "normal(?)" with a literal question mark attached. Is this normal? He doesn't really know. But it's enough. Kacchan is Kacchan, explosive and outrageous and way too much, all the time. Maybe they'll never be what other people think of as "normal," but Izuku is happy just to have Kacchan as he is, and be there however Kacchan will have him.

Katsuki's ideal has always been Izuku; he tried to outrun that fact and failed every time. Meanwhile, Izuku’s image of victory has always been Kacchan, and he has just been waiting for Kacchan to want to hear that from him.

Everyone has been wondering if Izuku will ever tell him. Me, personally, I'm hoping their story will end with a mutual declaration of their shared truth.

"You have always been my hero."

#bkdk #bakudeku #mha 10 #mha 118 #mha 119 #mha 120 #mha 121 #mha 202 #mha 209 #mha 249 #mha 257 #mha 327 #deku vs kacchan 2 #meta #I hope you all appreciate the neurotic depths my research went to #never again shall I forget the difference between yappari and sasuga ni #I didn't mean to give a grand tour of Izuku being incredibly in love and receptive to whatever Kacchan wants to give him #it just happened!

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epickiya722 · 2 years

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I personally feel like it's a fashion show for Best Jeanist every single day no matter what he's doing.

You're gonna hate how right you're going to be when you get a certain green haired student in a certain class, Aizawa.

😆😆😆

Don't be excited about that, you're in danger, man!

(... honestly same though... still RUN!)

😭😭😭😭😭😭

🤧😭😭😭😭🤧

PAIN

#kiya reads #bnha #mha #bnha vigilantes #bnha vigilantes 121 #shota aizawa #eraserhead #best jeanist #hizashi yamada #present mic #koichi haimawari

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suddenlymicah · 4 months

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i've been many screenshots coming off of the provisional license exam, most of which being proof that aizawa needs to send his kids to therapy. among the others, this is one of my favorites. toga in a shiketsu high uniform❤️❤️❤️

#mha spoilers #i guess #im on like chapter 121 #toga himiko #my hero academia #boku no hero academia #himiko toga

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my-main-character-moment · 2 years

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What the fuck was that ending!?!?! Nothing I repeat NOTHING SHOULD HAPPEN TO AIZAWA!!!! AND GRAN TORINO!?!?!? Pls tell me he is fine!!! God this episode just kept going downhill like give the heroes a break dammit!!! And why doesn't the giant fucking sleep!?!? Kirishima threw the sedative in his mouth and in turn he just got more deadly wtf!?!? I need the next episode now!!!!! This show will be the death of me!!!

#my hero academia #someone pls tell me everything will be fine pls i cant sleep like this #if it weren't for the exams I'd be reading the manga rn!!!#fuck exams #also kirishima my beloved really did it my man not only saved ashido but also gave the sedative🤩🤩#and the ua heroes teamwork!!!! im crying i love them so much🛐🛐#bnha #ep 121 #my rants #mha #boko no hero academia #aizawa shouta #gran torino #izuku midoriya #katsuki bakugo #ikuya kirishima #mha spoilers #bnha spoilers

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goodwhump-temp · 6 months

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Izuku Midoriya Whump | MHA

Ep.01 - Crying x2, bullied x10, bruised (flashback), scared Ep.02 - Scared, suicidal, crying, breakdown Ep.03 - Crying x3, training torture, breakdown, collapses, carried, trips Ep.04 - Crying x2, arm busted, falling from the sky, unconscious, nervous Ep.05 - Finger busted Ep.06 - Knocked down (explosion), bullied Ep.07 - Knocked down (explosion), hit from the back, punched, thrown, crying, arm busted, passes out Ep.08 - Unconscious, weak, sling Ep.09 - Squeezed/pushed around Ep.10 - Fingers busted, protected Ep.11 - [ep. includes Aizawa whump❗] Ep.13 - Legs busted, crying, bandaged Ep.15 - Paralyzed fear Ep.16 - Crying Ep.19 - Crying Ep.20 - Fingers busted, punched x2, manhandled Ep.23 - Finger busted x5, arm busted, pain, unconscious Ep.24 - Bandaged, right arm shattered, hand disfigured Ep.25 - [ep. includes Bakugo, Shoto, Iida whump❗] Ep.27 - Punched (back) x2, pinned, splat on the wall x2, bloody nose, exhausted Ep.28 - Thrown x2, bloody nose Ep.29 - Small cut grazed, paralyzed [ep. includes Iida whump❗] Ep.30 - Leg sliced, arm hurt, exhausted, carried, face kicked, SNATCHED Ep.31 - Bandaged Ep.33 - Slips Ep.37 - Backhanded/knocked down, punched, used as human hammer, thrown, spine-slammed, pain Ep.38 - Threatened, choked, terrified Ep.40 - Blown off cliff, exhausted, nuts punched, comforted Ep.41 - Punched Ep.42 - Gut-kicked into wall, bleeding forehead, knocked down, arm busted, crushed Ep.43 - Carried Ep.44 - Arms bandaged [ep. includes Tokoyami whump❗] Ep.45 - Knocked down, tumbles x2, devastated, ambulance-care, says 2-days of unconsciousness/fever, crying, guilt Ep.46 - Arms disfigured, punched Ep.48 - Paralyzed fear Ep.49 - Crying Ep.50 - Punched, crying, comforted Ep.51 - Crying Ep.52 - Knocked down (explosion) Ep.54 - Pinned, scratched Ep.60 - Crying Ep.61 - Knee'd in the face, thrown, angry, pinned, restrained Ep.63 - Gut-punched Ep.66 - Slams into wall, bloody nose, exhausted Ep.67 - Bottling feelings/can't concentrate Ep.72/73 - [eps. includes Kirishima whump❗] Ep.75 - Knocked down, pinned by spikes, spike grazes [ep includes Lemillion & Nighteye whump❗] Ep.76 - Multiple cuts, bleeding, 100% power/extreme pain (delay) Ep.77 - Power overload/dying, crying [ep. includes Lemillion, Nighteye, & Overhaul whump❗] Ep.83 - Fingers-internal bleeding Ep.84 - Thrown x2, shot with beam, stuck holding beam up Ep.85 - Knocked down, knocked unconscious, pinned, thrown x2, kicked Ep.90 - Vision Ep.98 - New power/uncontrollable, panic, vision, slapped x2 Ep.99 - [ep. includes Shinso whump❗] Ep.101 - Paralyzed fear (interview) Ep.105 - [ep. includes Shoto trauma❗] Ep.106 - [ep. includes Natsu whump❗] Ep.107 - Head stabbed with hat, bleeding [ep. includes Aizawa trauma❗] Ep.108 - [ep. includes Shigaraki trauma❗] Ep.117 - [ep. includes Shigaraki whump❗] Ep.118 - Uneasy Ep.120 - Protected [ep. includes Aizawa whump❗] Ep.121 - Arm bit Ep.122 - Knocked back, angry, crying, arms busted x2 [ep. includes Aizawa & Hawk whump❗] Ep.123 - Feral, pinned, protected [ep. includes Bakugo whump❗] Ep.124 - Body exhausted [ep. includes Dabi trauma❗] Ep.125 - Body exhausted, knocked back Ep.126 - Shard headache pain x2, passes out, knocked down, body exhaustion Ep.128 - Bandaged, comatose Ep.129 - [ep. includes Hawk trauma & whump❗] Ep.130 - Coma cont. Ep.132 - Hospital flashback, scars Ep.134 - Gut-punched, bullet grazed x2 Ep.135 - Suicidal/depressed, trampled, confronted Ep.136 - Intervention; depressed, restrained x3, thrown, emotion anguish, pierced ice wall, guilt, body exhausted, crying, scared, collapse, passes out Ep.137 - Scared, mental breakdown Ep.138 - Comforted

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dekusheroacademia · 2 years

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My Hero Academia stage play information + subtitles project

Welcome to the Ultra Stage (colloquially called the MHA musicals) info post! In this post I will give a brief description of the musicals, tell you where to find them or buy them, and talk about the actors and promotional material. You will also find links to pics, videos and, of course, the subtitles. And easy weebly version of this post can be found at this link.

SUBTITLES

We are making English subtitles for all four musicals! At the moment, subs for musical 2 are out.

MUSICAL 1: ENGLISH SUBTITLES DOWNLOAD - coming soon, 80% done

MUSICAL 2: ENGLISH SUBTITLES DOWNLOAD

MUSICAL 3: ENGLISH SUBTITLES DOWNLOAD

MUSICAL 3´4: ENGLISH SUBTITLES DOWNLOAD - coming soon, 40% done

Wanna help with making subtitles? Or donate on kofi to help us commission missing dialogue to translate

VIDEOS AND GIFS (in this blog)

I also have been posting some gifs and pics from the four BNHA musical (official musicals) which are out at the moment. You can find them at the tag bnha musical. I also post comparisons of scenes between the musical and the manga, and I post snipped of subtitled videos at this tag ultra stage video.

INFO: THE MUSICALS

There are, at the moment, four musicals, in chronological order, covering the bnha manga plot from chapter 1 till the end of Deku vs Kacchan 2. I will add their Japanese tiltes if you wanna look for them on Amazon Japan.

The first musical is called "My Hero Academia: The "Ultra" Stage" and came out in 2019. It adapts the beginning of the manga, up to the sport festival (chapter 1 to 44). This is the Japanese title: 「僕のヒーローアカデミア」The “Ultra” Stage (ジ・ウルトラ・ステージ). And the musical is about 2 hours. This is also the only musical that can be found on bilibili.

The second musical had some troubles due to covid, so, as far as I know there were two versions. The first one was interrupted by covid, but the second one run in 2021 and had some extra scenes too. The title is "My Hero Academia: The "Ultra" Stage A True Hero, Plus Ultra version" and it covers the Stain arc, the internship, the final exams and it ends with the mall scene where Deku meets Shigaraki (chapter 45 to 70). The "Plus Ultra version" is specifically added because it is the second version of the second musical. The Japanese title is 「僕のヒーローアカデミア」The “Ultra"Stage 本物の英雄ヒーローPLUS ULTRA ver.. And the musical is about 2 hours and 20 minutes.

The third musical came out in 2022 and it is called "My Hero Academia" The "Ultra" Stage Symbol of Peace" and it covers the forest training arc and Kamino (chapter 70 to 95). Title: 「僕のヒーローアカデミア」The “Ultra" Stage 平和の象徴(法人特典なし).

The fourth musical has been announced at Jump Festa 2022, the 17/12/22 and is called "My Hero Academia" The "Ultra" Stage The Greatest Hero mode (the link of the website and the cast is here). The musical run until 21st of May 2023 (from the 29th of April 2023). The dvd is out for preorder and you can find it on amazon with this title: 「僕のヒーローアカデミア」The “Ultra” Stage 最高のヒーロー. It will come out the 20th of September. The musical covers from the teachers meeting the students' parents to the aftermath of Deku vs Kacchan 2 (up till chapter 121).

DVDS

The musicals all run live in different theaters, but luckily they were all filmed. The title I used are also the title used in the dvds. Each dvd copy comes with two discs, one with zoom in on faces and camera work, and the second one with a still camera, so you can see the whole stage. The dvds comes without subtitles, but the dialogues are very similar to the anime.

At the moment all the musicals (1, 2 and 3) can be purchased on Amazon Japan, or rented on Amazon Prime Japan (only 1 and 2).

Musical 4 can be pre-ordered.

Other options for purchases are: YesAsia and CdJapan.

For the exact titles to search (with covers, to make sure you get the right one), please check this page.

PROMOTIONAL MATERIAL

The Kacchako cooking video went quite popular, it was a promotional material for the second musical being filmed for dvd. You can find the transcript here and the subtitled video here (it is two parts, so you can find part 2 in that post). These videos were created for a special series of mini videos called Smash! Unfortunately no other Smash! was recorded or shared.

The actors also shared a lot of pictures from behind the scenes, so I will link their twitter accounts to their names. I will also try to share as much twitter pics as I can here on my blog, with the tag "musical twitter promo".

THE ACTORS

This information comes from the dvds and the wikia. I tried to link all twitter accounts I could find, as the actors usually share pictures.

Class 1A

Shin Tamura as Izuku Midoriya (instagram)

Ryota Kobayashi as Katsuki Bakugo (instagram)

Yume Takeuchi as Ochaco Uraraka and Mt Lady (instagram)

Naoki Takeshi as Tenya Iida, from musical 2 onwards. In the first musical Hiroki Ino played Iida.

Ryo Kitamura as Shoto Todoroki

Mao Noguchi as Tsuyu Asui

Naoki Tanaka as Eijiro Kirishima

Yugo Sato as Denki Kaminari (instagram)

Shinichi Hashimoto as Yuga Aoyama

Saaya Yamasaki as Momo Yaoyorozu

Nagato Okui as Minoru Mineta

Rin Matsubara as Fumikage Tokoyami (instagram)

Akari Kawakami as Kyoka Jiro (instagram)

Shin Ikeda as Hanta Sero

Yume Nagatoshi as Mina Ashido (instagram)

Keisuke Ohkubo as Mezo Shoji

Yuta Chatani as Ojiro

Sakaue Shoma as Sato

Other students

Marino Baba as Mei Hatsume (instagram) in musical 1, while in musical 4 Mirano Takei plays Hatsume Mei.

Daisuke Matsukawa as Hitoshi Shinso

Judai Shirakashi as Inasa (and Masaru Bakugou)

Mirano Takei as Camie and Hatsume Mei (only in musical 4)

Shunto Imai as Shishikura Seiji

Haruna Morodomi as Tatami Nakagame (and Inko Midoriya)

Akiyoshi Tsujimura as Shindo Yo

Villains

Raita as Tomura Shigaraki (instagram)

Kosuke Yonhara as Gran Torino and Giran (instagram)

Bishin Kawasumi as Stain

Yuta Osumi as Dabi

Anju Inami as Himiko Toga and Thirteen

Yusaku Kawasaki as Twice

Shin Koyanagi as Muscular

Daisuke Hosomi as All For One

Tasuku Yoshioka as Mr. Compress

Tanabe Ken as Magne

Kawashima Tatsuki as Spinner

Heroes

Yusuke Seto as Eraser Head (instagram)

Hiroaki Iwanaga as All Might Muscle form (instagram)

Yuki Okamoto as Present Mic and Tiger (instagram)

Yusuke Ueda as Endeavor (instagram)

Tasuku Yoshioka as Small Might from musical 2 onwards. He also plays Mr Compress and Yokumiru Mera. In musical 1, Tsuyoshi Hayashi played Small Might.

Kosuke Yonhara as Gran Torino and Giran (instagram)

Anju Inami as Himiko Toga and Thirteen

Ami Kiuchi as Midnight, Uwabami and Pixie-Bob

Changae as Best Jeanist and Moonfish (instagram)

Ohara Mayuko as Nana Shimura and Mandalay

Fukui Shota as Tensei Iida and Naomasa Tsukauchi

Ohara Mayuko as Ms Joke

Others

Inomata Rei and Ina Seiran as Kota

Haruna Morodomi as Inko Midoriya

Ohara Mayuko as Mitsuki Bakugou

Judai Shirakashi as Masaru Bakugou

enjoy!!

#my hero academia #bkdk #kiribaku #bnha #boku no hero academia #mha musical #bnha musical #resource #mine

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shayberri789 · 1 year

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I posted 15,968 times in 2022

That's 9,190 more posts than 2021!

64 posts created (0%)

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Blogs I reblogged the most:

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I tagged 3,574 of my posts in 2022

#cosmere - 477 posts

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#trc - 145 posts

#dctf - 138 posts

#mistborn - 126 posts

#american politics - 123 posts

#linkeduniverse - 121 posts

#mha - 69 posts

Longest Tag: 139 characters

#i say as someone who’s joined basically every fandom after it’s existed for a good number of years & is no longer quite the media obsession

My Top Posts in 2022:

I want a one shot about a child of Athena who shows up her second summer at CHB with the fluffiest fucking rabbit ever and an alpaca, and a truck full of spinning equipment.

She just keeps her fluffy pets at CHB (maybe she’s a year rounder) and combs their wool and spins it into yarn and threat and she knits/crochets jumpers and beanies for her friends.

She bullies the Demeter cabin to grow certain types of fibers and stuff so she can make her own threads and weave fabric on the loom and sew

I just want a child of Athena that embodies the “goddess of weaving/woven crafts” side of Athena, not just the wisdom and war. I like to think that the cloth and yarn she makes has magical properties, and maybe she has some kind of magic WITH it

Annabeth comes by one summer and sees all this and remembers her time on her quest in Rome, and asks her sister to teach her more. Soon, all of the cabin has enchanted clothing and bags they made themselves (with the aid of Demeter or Hecate’s cabins) and become even MORE deadly bc on top of their wisdom and battle tactics and strategy, they can weave a trap in 5 minutes and good luck getting out. They can make their own beanies that turn you invisible, or make you lighter, or blind you, gloves that enable them to throw liquid fire at you. The most “unmagical” cabin suddenly has an offensive magic akin to artificing but with wool, and with a little bit of brains and prep they are D E A D L Y.

Also also so many ugly sweaters

83 notes - Posted March 18, 2022

Ya know the number of times a friend or acquaintance after a breakup (bad or even good) has said to me "I am never dating again" or "I wish I was aromantic (or if they're more misinformed: ace) like you. [Gender of ex] are trouble" is no longer annoying it has passed straight into hilariousness like

I don't wanna perpetuate amatonormativity but experience has shown you're going to be simping after someone new in a couple months

105 notes - Posted August 24, 2022

Is it just me or do these two passages have the same energy

172 notes - Posted February 14, 2022

you ever see a post in a fandom tag or a fanon version of the characters and wonder if you and the op read the same book?

313 notes - Posted May 27, 2022

My #1 post of 2022

Okay one thing I really really like about heartstopper are the hugs. Like every single hug looks genuine and close and real, not stiff and awkward, and EVERYONE hugs. Guys hug. Girls hug. Boys and girls hug. Partners hug. Parents and kids hug. Siblings hug. And they always give hugs when they’re needed and they all cling to each other like they’re afraid to let go or like they need the other person and…. It makes me really happy

384 notes - Posted May 8, 2022

Get your Tumblr 2022 Year in Review →

#tumblr2022 #year in review #my 2022 tumblr year in review #your tumblr year in review #Yesssssssss they did this again #Better than last year imo #shay posts

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