Lupine Publishers | Palauamine and Olympiadane Nano Molecules Incorporation into the Nano Polymeric Matrix (NPM) by Immersion of the Nano Polymeric Modified Electrode (NPME) as Molecular Enzymes and Drug Targets for Human Cancer Cells, Tissues and Tumors Treatment under Synchrotron and Synchrocyclotron Radiations
Editorial
In the current editorial, we study Palau’amine and Olympiadane Nano molecules (Figures 1 & 2) incorporation into the Nano Polymeric Matrix (NPM) by immersion of the Nano Polymeric Modified Electrode (NPME) as molecular enzymes and drug targets for human cancer cells, tissues and tumors treatment under synchrotron and synchrocyclotron radiations. In this regard, the development of Chemical Modified Electrodes (CEMs) is at present an area of great interest. CEMs can be divided broadly into two main categories; namely, surface modified and bulk modified electrodes. Methods of surface modification include adsorption, covalent bonding, attachment of polymer Nano films, etc. Polymer Nano film coated electrodes can be differentiated from other modification methods such as adsorption and covalent bonding in that they usually involve multilayer as opposed to monolayer frequently encountered for the latter methods. The thicker Nano films imply more active sites which lead to larger analytical signals. This advantage coupled with other, their versatility and wide applicability, makes polymer Nano film modified electrodes particularly suitable for analytical applications [1–27].
Electrochemical polymerization offers the advantage of reproducible deposition in terms of Nano film thickness and loading, making the immobilization procedure of a metal–based electro catalyst very simple and reliable for Palau’ amine and Olympiadane Nano molecules–encapsulating Carbon nanotubes incorporation into the Nano Polymeric Matrix (NPM) by immersion of the Nano Polymeric Modified Electrode (NPME) as molecular enzymes and drug targets for human cancer cells, tissues and tumors treatment under synchrotron and synchrocyclotron radiations. Also, it must be notice that the nature of working electrode substrate in electro preparation of polymeric Nano film is very important, because properties of polymeric Nano films depend on the working electrode anti–cancer Nano materials. The ease and fast preparation and of obtaining a new reproducible surface, the low residual current, porous surface and low cost of Multi–Walled Carbon Nanotubes (MWCNTs) paste are some advantages of Carbon Paste Electrode (CPE) over all other solid electrodes [28–92].
On the other hand, it has been shown that, macrocyclic complexes of Palau’amine and Olympiadane Nano molecules– encapsulating Carbon nanotubes are interest as modifying agents because in basic media Palau’amine and Olympiadane Nano molecules–encapsulating Carbon nanotubes redox centers show high catalytic activity towards the oxidation of small organic anti-cancer Nano compounds. The high–valence species of Palau’amine and Olympiadane Nano molecules–encapsulating Carbon nanotubes seem to act as strong oxidizing agents for low-electroactivity organic substrates. 1,2–Dioxetane (1,2– Dioxacyclobutane), 1,3–Dioxetane (1,3– Dioxacyclobutane), DMDM Hydantoin and Sulphobe as the anti–cancer organic intermediate products of methanol oxidation as well as formic acid, is important to investigate its electrochemical oxidation behavior in Palau’ amine and Olympiadane Nano molecules-encapsulating Carbon nanotubes incorporation into the Nano Polymeric Matrix (NPM) by immersion of the Nano Polymeric Modified Electrode (NPME) as molecular enzymes and drug targets for human cancer cells, tissues and tumors treatment under synchrotron and synchrocyclotron radiations [93–110].
In this editorial, we decided to combine the above mentioned advantageous features for the aim of Palau’ amine and Olympiadane Nano molecules–encapsulating Carbon nanotubes incorporation into the Nano Polymeric Matrix (NPM) by immersion of the Nano Polymeric Modified Electrode (NPME) as molecular enzymes and drug targets for human cancer cells, tissues and tumors treatment under synchrotron and synchrocyclotron radiations. Furthermore, in this editorial, we prepared poly Nano films by electropolymerization at the surface of Multi-Walled Carbon Nanotubes (MWCNTs) paste electrode. Then, Palau’amine and Olympiadane Nano molecules–encapsulating Carbon nanotubes were incorporated into the Nano Polymeric Matrix (NPM) by immersion of the Nano Polymeric Modified Electrode (NPME) in a solution. The modifier layer of Palau’amine and Olympiadane Nano molecules–encapsulating Carbon nanotubes at the electrode surface acts as a Nano catalyst for the treatment of human cancer cells, tissues and tumors under synchrotron and synchrocyclotron radiations. Suitability of this Palau’amine and Olympiadane Nano molecules–encapsulating Carbon nanotubes–modified polymeric Multi–Walled Carbon Nano tubes (MWCNTs) paste electrode toward the electrocatalytic treatment of human cancer cells, tissues and tumors under synchrotron and synchrocyclotron radiations in alkaline medium at ambient temperature was investigated [111– 153].
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Ne figure paraqitet mekanizmi i veprimit te barnave qe mjekojne migrenen. Migrena eshte nje crregullim neurovaskular qe karakterizohet nga dhimbje koke me intensitet te moderuar deri ne te forte me lokalizim unilateral qe perkeqesohet nga aktiviteti fizik. Simptoma te tjera perfshijne nauze te vjella dhe ndjemerine ndaj drites deh zhurmave (fotofobi dhe phonofobi).
Barnat qe bllokjne receptorin e CGRP ne ne qelizat endoteliale te arteries meningeale media. Ketu perfshihen antikorpet monoklonale si erenumab dhe barna te quajtura gepante si alogepant, rimegepant, ubrogepant.
Bllokimi i molekules CGRP me antikorpe monoklonale si eptinezumab.
stimulimi i receptorit 5 HT1B/1D ku perfshihet triptanet si sumatriptan, zolmitriptan.
stimulimi i receptorit 5 HT1F me ditanet si Lasmiditan.
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MY GOODBYE.
w/o text under the cut (+ au lore?)
They're both hurt by each other's actions, they're both suffering and dealing with their grief in their own way. Clara lashes out in response to being hurt, meanwhile Phil just stays silent and keeps to himself, not uttering a single word as he lets himself register what has been done.
They're both good, but also both in the wrong. Just unfortunate events, and unfortunate timing. And to clear and add things up:
Clara has no relation to Phil (Springtrap), they've only known each other for a short period amount of time (which means they aren't married or any of that)
That also doesn't mean they weren't friends during this though, but unfortunate things happen. A lot more than people would want, so their relationship is very rocky and bad, as for now.
Clara and Phil have a potential of getting together, but it isn't guaranteed. Nonetheless they care a lot about each other and act like a sweet old couple, with occasional teasing the other here and there, but it's all in good fun
Both have lost someone during this.
They'll still remain friends later in the story, their relationship isn't tainted forever
Both fought each other during this, the only sign of it happening is Clara's subtle bruises on her face in the panel. Phil can manage himself just fine, however Clara is just human. (?)
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1. Why do you like or dislike this character? - Percy and/or Keyleth?
I like both of them, so:
I like Percy for the surface reasons of intelligence and witty comebacks and the general Taliesin Jaffe Arrogant Guy Is Confidently Wrong About Many Things reasons, but more specifically I like how incredibly aware he is of social structures and doesn't dismiss them as stupid or fake or meaningless just because he is aware how much artifice is involved. I love how much he validates Vex in this, as someone who's been on the other side of that social divide most of her life and who knows she "shouldn't" care but does, deeply. It would be so easy for him to say "look, titles are stupid and fake, I should know, I have one," but instead he says "no, I see what this means to you, because yes it's all an accident of birth and yes it is kind of stupid and fake, but it's also the reason why you lived rough for your teens and early 20s, and you are not silly for wanting this security." I also think he's a great exploration of guilt and of someone who has a lot of complicated feelings from the gods but does value their counsel; we don't get a lot of characters with that sort of nuance. His scene with the Raven Queen remains a standout for me and for all he can be melodramatic and obnoxious at times, he is also like 25, traumatized, and should be at the club. I think the question he answers (why would someone invent the gun) is an interesting one, and I think the way that his story ends up with the obvious inevitable happening and yet he still finds happiness is unexpected and wonderful to see.
I like Keyleth for a lot of reasons people will probably be annoyed about, which is...she is annoying. Annoying women: may we know them, may we be them, and may we raise them. Anyway, I think her terror of doing the wrong thing at the cost of doing anything sets up a fantastic arc for someone who is expected to become a leader. I admire how she knows she's not the most eloquent and is scared of her responsibilities but does not back down from speaking up when she disagrees with the party. I like how she's perhaps the only example of lifespan angst that is actually portrayed as making a lot of sense, especially since she is also extremely young (probably shouldn't be at the club given the bar crawling results. She should be at ZooLights and have like, one cider.) I think in general her fears are incredibly real and make sense for the character and shape her, and that's not something you see portrayed with this amount of depth very often. I stuck with the VM-era portrayal of Percy but I will say I especially love how Keyleth is portrayed in Campaign 3, because Percy hasn't changed a ton in adulthood, merely mellowed out a little, but Keyleth very much has as she's grown in confidence, as she was only at the beginning of that during the Campaign. I think her relationship with Vax is incredibly good for both of them; her sense of belonging to a place and his ability to support. I do like that she gets angry, especially after so much time being insecure, but I feel much has been made of her anger and I don't have a ton to add there, and also while I like that she is angry and expresses it, there are other characters I gravitate to for that specifically. Also I have incredible respect for her having to take on a much bigger magical burden than expected; I have said this before but my longest-running character was in a campaign where the player playing sorcerer switched to ranger, and the cleric left, leaving me as the only full caster and primary healer (though thankfully we got a baller paladin shortly after). The fact that Keyleth had to, and could, be whatever the party needed mechanically was a godsend. I know VM died a lot but they would have died like 20 times more without her and Scanlan and especially without her.
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magic + spookycorp
supercorptober 2023
“Time expands, then contracts, all in tune with the stirrings of the heart.” ― Haruki Murakami
Or Lena learns to move through the world by actions at every distance. She fall in love with Kara somewhere along the way.
----
When she was little it made sense. The world made sense. And she fit neatly in it.
There was a predictability in it.
In days becoming nights becoming mornings. In peeling pages off the calendar on the wall her mother had hung in the kitchen.
There was a simplicity in it.
In the way it hurt when she tripped over the garden wall and scraped her knee. In how it felt better when her mother kissed the bandage she placed over the cut.
Time and gravity and love all falling into order.
Until the day they don't.
Her mother dies and she doesn't know why.
When she is four she is angry at the water.
She gets older she believe's in God just enough to hate him instead.
One day she learns to hate herself for it instead.
And even when see learns the truth of it, buried somewhere in the science of currents and silt and fluid dynamics — it is easier to keep hating herself.
But it is never really the nature of the universe we are angry at, but ourselves, and the conceptions we try to impose on it.
She tries to remember that.
Tries to ground herself in equations and numbers and theorems that reason with the intention every bit of cause and every bit of effect. The trajectory of planets, the dance of electrons, each with a purpose, a path.
She moves with them.
But less easily.
Less predictably.
Her motion through the world less elegant than the science she covers herself with — buries herself in.
She keeps moving though. Because what else is she to do. The universe pushes her forward with the rest of it.
It is a motion that is mechanical, constant — personal.
She collides with the world and it collides with her, over and over and over.
She tries to make herself bend to meet them, to stretch, to compress so that she can remain whole.
Sometimes the world hits her so hard she can still feel the marks on her skin.
She will learn that it is not always bad to be left changed.
She keeps moving. She keeps moving until moving feels less like she colliding with the world and more like falling through it.
Supergirl pulls her out of the sky.
Supergirl pulls her out of the sky and she doesn't know what to do with that.
She calculates odds and statistics and free body diagrams in her head.
She tries to ignore the feeling in the back of her head and somewhere louder in her chest that utters out quantum equations instead.
Tries to tell herself that this is not action at distance. This is not the movement of particles and quanta. This is one body meeting another — nothing more.
It is something more.
It is something more but action at a distance feels no kinder than action up close.
It is full of chaos and uncertainty.
She tries to fit it neatly into boxes.
Puts Kara neatly into a box too.
And even when the science makes sense, it feels too much like fate, like magic, to believe it.
It takes time to believe it.
It takes time and destruction and time again to be put back together.
The first light of dawn crept through the kitchen window, casting a warm glow over Lena's face as she sat at the table, the cup of tea between her hands keeping them warm against the Autumn air drifting in.
"Morning," Kara murmurs as she enters the kitchen, rubbing sleep from her eyes. The corners of Lena's lips turn up in a small smile at the sight of her
Good morning," she replies, taking a sip of her tea.
Kara stretched her arms above her head, the long figure of her body scattering the light on the floor. She pours herself a cup of tea and settls across from her.
Lena contemplated the predictability of it all – that the sun would rise, that they would find themselves at this table, that they would drink tea together.
It's easier to call it fate or magic.
But it was uncertainty that made it possible. The dance of particles and quanta, and for once she was not just their observer, but the result of their movements.
Lena reached across the table and took Kara's hand in hers. She could feel the warmth of her skin, the steady beating of her heart just beneath.
She gives it a small pull.
Kara leans forward at the motion.
They meet as they always seem to do.
As she always hopes they will.
Kara's lips meet hers, warm and familiar.
Her thumb traces the small scar that sits just behind her ear as her hands wander up to thread themselves in her hair.
She leans into her touch.
Bending, stretching, compressing — is made whole by it.
It feels like colliding.
It feels like falling.
It feels a little bit like magic after all.
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read and follow along on Ao3 too
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Why does Vash keep smiling?
I love how Milly and Wolfwood are getting a clearer picture of Vash, particularly with his vulnerability. In both scenes, Vash has been through traumatic events; his home was invaded, and a great deal of the people he loved were killed, then Meryl gets captured, Vash recalls July, and the townsfolk (at least the adults) turn on Vash and drive him out based on his reputation (and his wing saving Meryl from a bullet, a monstrous image that does heroic action, which is a whole other post). We with Meryl, Milly, and Wolfwood have seen the Humanoid Typhoon, the sixty-billion double dollar bounty, the Stampede stripped away to Vash. Vash, who has every reason to cry, storm, and beat his fists on the ground. Vash, who keeps on smiling.
Wolfwood and Milly ask: Why?
They conclude this: The world is ugly, but Vash makes a choice and tries to say, It doesn't have to be.
I also find it interesting—given their characters—that Wolfwood seems to gain a sense of peace, almost soft satisfaction, in his realization, while Milly is distraught and takes a more pessimistic view. Wolfwood sees Vash's smile as a choice, and Milly does, too, but directly as a mask. Milly sees the pain, and Wolfwood, the resilience.
But Vash himself weighs in: he has to, even if he can't remember why. He's not smiling for joy, for hope, for tomorrow; he's living to keep Rem alive and eventually stop Knives.
For Vash, it's not exactly a full and conscious choice. Like most things in his life, it's what he's been forced to bear, and he has to keep going.
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