the thing i really love about sherlock & co is that it’s just. ITS SO FUN. i love the creators coming onto platforms and rping as sherlock and john. i love that john talks about the patrons i love how Real it feels. it’s so. like it just really makes me feel like a kid again and you can tell how much the creators care about the audience which is so nice considering BBC Sherlock just felt insistent on making sure we knew we were idiots compared to Sherlock.

Plus sherlock is just so real in this adaption so human and so “no i don’t know everything i’m just autistic and have various special interests but i don’t know everything…just a lot.” Sherlock and John are such honest friends bumbling a bit trying to smooth out how their friendship works with no judgment Mariana (“ms. hudson”) is a respected and genuine part of the group while not feeling shoehorned in. i just. i really love this little podcast is so earnest. it’s so full of love.

very VERY belated and forgot to post this in Sept but happy bappy to Shen Qingqiu. I drew this in celebration (it was the 21st btw)!

His husband just spent the last 3 weeks trying to perfect a modern cake recipe in ancient China. SQQ just woke up from his 12 hour beauty nap. love that for them!

the whole body is surrounded by bananas, making the cat feel safe and concealed

Went insane a lil and drew Humanoid Golbetty :3

The first image is based on this concept sketch by one of the storyboard artists!!

Also cooked up some doodle of the idea I’m using for my first ever fan fiction … (just started writing but when I finish the first chapter I’ll post it here :D)

Click for Quality!!!

@userdramas event 15: something new

something old: ramking, who i've loved for a while something new: ayluna, who i love now something borrowed: layout inspiration and something (cyan) blue! 🩵💚

Do you think the “give the legendary Pokemon a sandwich thing” would work to befriend other legendaries. imagine some kid convincing Mewtwo to stop loathing humanity because they gave him a ham and swiss on rye

THEYRE EVERYTHING TO ME

and in that moment, knows himself a coward

she got too silly

(id in alt text)

UH OH HERE COME THE BOYS

PLEASE POST THE EDIT ?

(not my edit!!) EDIT DROP SORRY TO EVERYONE WHO HAS BEEN WAITING

tbh one of, if not my absolute favorite part about ffxiv, is the small little moments/sections where nothing super big or like. Plot Important happens, but that give both the characters and us, the players, some much appreciated down-time to just. Feel things. And to process what's happened and what's going on or to just. Let us exist, in the moment. In a much more grounded and human way than when there's Big And Important Things happening.

The biggest(imo) and earliest example of this is right after the Waking Sands get raided in ARR, and WoL turns to the church for guidance. The entire section of us helping them gather and bury our fallen comrades, and especially bringing Noraxia home to Little Solace so she can be laid to rest in her homeland, by her own people and in their own cultural ways, was so so important to me.

Because it wasn't just replacable allies cast aside for shock value anymore, it was real. These deaths were real and meant something. I got to actually process what just happened, and I got to watch Banana go through it right with me. And not only did it make it feel real, it also gave me a sense of closure. These people, these friends, are dead, but they also got to be treated with the respect they deserve and laid to rest properly.

And that, more than anything else, made me want to save the world. It's grounded and grounding. This world, and these people, meant something to me, the player.

And there's tons of stuff like that throughout the game, especially in shadowbringers and endwalker.

In shb we have, for example, Lyna venting her anger and frustration after the sin eater attack in Lakeland. She's on her knees yelling on the verge of tears while punching the ground, so furious at her helplessness and powerlessness, at everyone having come so far yet set back because some megalomaniacal tyrant deemed it so.

In ew we have Urianger being approached by Moenbryda's parents, who confront him about not confiding in them about his grief. When Bloewyda starts to scold him, he of course reacts guiltily, believing they blame him, only for him to be completely caught off guard when she instead goes in to hug him, telling him he should have let them grieve with him. And he just. Breaks down. He's been holding these feelings, this grief inside him all this time, and now that he is not only told it's okay to let it out, but by her very own parents at that, he just can't keep it in anymore. He cries for Moenbryda, right then and there, being held lovingly by her family.

And the thing is, these scenes aren't necessary, strictly speaking. The plot at large could go on without them, the events that happen around them are not changed by these moments in any way.

But still, they are so so important, to the world, to the characters, to the players. Everything feels real and impactful now, every death means something, every tragedy, every person, feels real.

And that, to me, is what makes this story so special.

thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.

I’m so tired with people continuing to tag me in posts with tags in the posts implying I’m attempting to gatekeep dpxdc.

I’m just asking folks to read some wikis or maybe watch a DC tv show to get more ideas because the content in DC is so expansive. I’ve been trying to push this since July of 2022.

I’m writing it like this so people just understand. I just want to show folks the cool thing I enjoy and That theres so much more content to play with when you either do (or don’t idk at this point bro) choose to look more into the greater fandoms of the Crossover.

You can write whatever you want, I would just think it would be cool to see the looking into cool DC stuff by the community.

I’m not gatekeeping or trying to prevent people from writing fanfic. I read all forms of dpxdc fics at every level of fanon to canon to AUs to Ghost AUs.

I’m just trying to push a cool thing I like to show other people the cool thing I like?

How the twins are doing:

The OG, White: "I will fuck my brother's nemesis to wake him up from a coma."

Sports boy, Sprite: "You will see my dick but you will not know my truth."

Actual idiot, Nont: "I will fuck you AND reveal all my secrets."

Because Franklin's funeral and Crozier's drunken eulogy is so eyes emoji I think it gets lost in the shuffle that it completely replaces any sort of memorial for Gore (his name being literally crossed out! no honors or prayers for him! no burial either but that's on the Tuunbaq) despite the fact that it is one of the most succint summaries of the show's themes, namely, Colonialism Bad and Supplanting of Identity.

Like Sir John, Thee Avatar of Empire, takes the very funeral honors and, in Victorian Society, the only chance Gore's immortal soul has of being at peace, because despite him liking Gore very much he still takes and takes and takes because of the corrosive hierarchy they cling to when it will be their ruin. And there's the very literal taking of his name and ceremony over, in the way individual identities and even personhood are eroded, stolen and warped beyond recognition over the course of the show until they are Gone and even Crozier is quite Dead, figuratively, because only Aglooka remains.