#make a public post about the theft but like... you removed it - all I care about. Other gif makers will defend their own gifs like | Explore Tumblr Posts and Blogs

xitsensunmoon · 1 year

Text

Main FAQ

First of all, let's make it clear - this blog is my home. You're not a "customer" and you're not "always right", you are a guest. If you don't like anything that happens here, just leave, scroll away or block. I will not change anything just because you don't like it.

Before sending an ask, please also check my bio. Surprisingly a lot of people don't do even that. Let's go.

Can I use your work for a profile picture/wallpaper on my device? Can I print your stuff?

You can take my work for personal use if you don't get any profit from it. If it's online - credit me.

Can I dub/translate your comics?

Yes but with few conditions.

1. You credit me as an original creator. If it's a video you put the credits in the video, not in the description. If it's a post you put them in the post itself, not in the comments.

2. You do not put your watermark on my work/do not erase my watermark. You also don't colour it/don't "fix" it. It's my work and my work alone.

3. You do not change the dialogue/add phrases that weren't said by the characters. Again, it is my work, it's my interpretation and I will not tolerate you taking my work and changing it to your liking.

4. If you want to profit from my work - you don't have my permission.

5. You take down videos/posts with my work if I ask you to.

If any of these don't suit you - you don't have my permission.

Can I make an AI bot of your character?

Hard no. Roleplay bots are almost always using public fanfiction without the consent of the authors, not paying for their hard work but using it for profit, it's theft and I'm not going to contribute to that. I'm already considering removing my own bots from Character AI, as ch.ai still doesn't tell the public how they're training their bots so we'll see about that.

Anything that is absolutely off the table when sending an ask?

- Please don't vent to me. I'm not a professional phycologist and I never agreed to play the role of one. I also avoid questions like "I had a bad day, can you draw[ ]?" because after them my inbox becomes a venting place. Please seek professional help if you feel like every day is worse than the previous.

- Please do not send me anything NS///FW. As much as I can support suggestive content, explicit stuff will be immediately deleted and if you make me uncomfortable I probably will block you. No hard feelings but Tumblr is an SFW place for me. If you see me reblog something not SFW, it was probably made by my friend or with previous discussion and proper mature labels for everything.

Can I send you a DM, not an ask?

After some not-very-pleasant experiences that made me uncomfortable, I closed my DM's for everyone except my mutuals. But you're still free to send me asks about anything(within reasonable limits ofc).

Can I write a fic based on your art? Can I use your ideas in my works?

About ideas - ask first. I can get protective over one idea but completely don't care about the other one. If I said yes, credit me as an original source.

Can I draw a fanart/write you a fic?

Of course!! I'm absolutely happy to see anything! Also please tag me when you're done. If it's one of my au's - use specific tags for fanart so even if dumb Tumblr doesn't send me your tag, I will eventually bump into it browsing the tag!<3 (you can also tag me again if you think I didn't see your fan work, I absolutely don't mind!!) Also, feel free to drop an ask with a link too!

Can I tag you in other stuff?

As I already said you can absolutely tag me for any type of fan content(it doesn't even need to be yours). Memes are fine too, just don't do it every day alright?

Why don’t you answer my ask?

It can be one of these reasons:

1. I want to answer your ask with an art piece/comic. It takes time.

2. Your question contains spoilers so I'm keeping it for later when the truth can be revealed =]

3. I'm busy. Yeah.

4. I've already answered something similar/I don't want to answer your question so your ask got deleted.

When will you continue working on [insert whatever]?

When I can. I'm not pausing my things just to spite you. Most of the time I'm just busy or I simply don't have the energy to do anything. To everyone who says stuff like "oh well we've been waiting for a few months already!!" - I'm not here to entertain you. I'm here to have fun and share it with other people and you're currently ruining it. I will block anyone who is doing this continuously.

Can you draw my characters?

For free? No, I don't accept requests like that. You can commission me though. When my commissions are open of course. I will open DMs when it happens.

What content are you okay/not okay with?

Admiring of any of these in real life: terrorism, racism, rape, war, sexism, misogyny, transphobia, homo/queerphobia, pedophilia, sex trafficking, mental illnesses. If the content tries to show how terrible these things are I am mostly okay with it.

Is there anything I should watch out for on your page?

Dark themes, suggestive themes, and sometimes negative ones. I'm not afraid to draw violence, blood and gore. Dark humour. In general, I don't recommend anyone who's under 16 to be here but it's always your responsibility for what you're about to see.

In your bio, it says russians DNI? Is it about every russian or only those who support the war?

I don't care if you're a good russian or not, I don't care about your opinions and worldview. I don't want you in here. I have no time nor desire to try and understand how good you are. As a Ukrainian, I have all the right to tell all russians and people who admire anything connected to them to go fuck yourself. It's my safe place and I don't feel safe with zz's in it. Do you feel like I'm being "too categorical"? Don't make it my problem and leave. End of conversation.

Even WITHOUT war context (which I actually huge and should NOT be ignored) this post explains pretty well why this boundary exists.

What is your stance on reposting your artwork/fics?

The only cases when I allow reposting are dubs/translations with credits and all the other rules that I mentioned earlier. In other cases, no, do not repost my artwork. Doesn’t matter if you credit, I said no.

I saw your art somewhere but I'm sure you weren't the one to post it.

I post on Tumblr and Tiktok, my nickname always contains "xitsen" in it. You also could possibly see the dubs of my stuff on YouTube, as I allow these. Please send me an ask with a link to the repost if it's somewhere else. I will try to solve the situation myself.

Can I use your work as a reference? Can I trace/copy it?

Reference? Yes. If it's very obvious - credit me too. Trace/copy? No. No. And no. It's straight-up stealing.

What pronouns do you use?

She/they. Please don't refer to me in masculine terms.

What art program(s) do you use? Drawing tablet? Brushes?

For art pieces 90% of the time it's Paint Tool Sai 2, sometimes Photoshop and Krita. For animations, it's rather Toon Boom Premium or Krita.

My tablet is fucking 6 years old, Wacom something. They don't sell these anymore so I couldn't even find the model lmao.

Brushes - standard SAI brushes, watercolour for shading and brush for line art. If it's textured I use my custom one, you can create it yourself if you use SAI.

Don't mind the text quality please lmao. I literally had to copy it from Google for English translation. But the settings are mine yeah

Your "r" looks like "z"-

I know. Just let me be with my handwriting please lmao.

If you struggle with reading it this post with my alphabet can help you.

Why do you call [character] a whore??

It's an inside joke that suddenly became bigger than we expected. A silly, a funny, a goofy. It's not slut shaming if you thought it was. I love to joke about characters being whores in the most affectionate and lighthearted way possible even when the character clearly has no bitches. It even doesn't need to be sexual. Just a hee-hee ha-ha.

Probably gonna update it in future because I'm fucking sure I forgor something.

#for pinned post

90 notes · View notes

indig0g0 · 3 years

Note

If you are so against theft, why you friends with gabriel tho? There has been HOW MUCH evidence against him? I don't know, Newt. Seems Pretty Sus To Me. SEEMS LIKE YOU ARE TRYING TO TAKE THE HEAT OFF THE CURRENT SHIT AGAINST GABE I'M JUST SAYING-

Hi kids, first of all! His name is GABRIEL! Calling him not his name, when he doesn’t like it! Is just like misgendering! Anyway! Lets sit down for this! I was waiting for you (or maybe it was someone else!) to come back for this!

Did you know that its possible, as an adult human being, to disagree with everyone in a situation? Did you also know.... That there’s a difference.... Between using the same concepts? And OUTRIGHT TRACING SOMEONE’S ART? Did you know...... That there was more to the story... than bo’s callout post made it out to be? Did you know there was a third whole design in the mix?

Also before we get started I want to state that as a 25 year old man, who has been in multiple different art communities. You cannot steal a concept. You cannot steal a concept. YOU CANNOT STEAL A CONCEPT. There are 800 trolls with white porcelain masks! There are 800 trans masc jadeblood trolls! These are all concepts! Iridescence as a concept! Is a CONCEPT.

Opalescence is a concept that is similar but different to iridescence.

ANYWAY!!!

LETS SIT DOWN FOR THE WHOLE STORY BECAUSE BOY HAVE I HAD ENOUGH OF BEING ASKED WHERE I STAND ON THIS!

Okay! So! Here’s the thing (the thing! Which I got from someone who WASN’T either Bo or Gabriel! Surprise! There’s AN OUTSIDE PARTY!)

Bo made an iridescent adopt! Gabriel wanted the adopt! But Liam bought the adopt first! Whatever! That’s the end of it of whatever that is! Bo and Gabriel stopped being friends in this time, i think, but that’s not my fucking business because i’m 25 years old and other people’s interpersonal problems aren’t my fucking business!!

Its reasonable here, then, to like the concept behind a design right? And you you probably think “oh this is where gabriel ripped off cosmit, right?” and you’d be wrong!

We’re going to cut to my favorite third party, a loving friend and wonderful person... Echo! Who makes adopts! As a source of income!

Who was like! Hey party people! Suggest themes for me to use in my next batch! of adopts! and now you think... oh... here comes opal.. WRONG AGAIN!

So what happened was... gabriel had been like “i saw this cool iridescent design, and the concept was really cool! maybe you should do an opalescent design!” and echo was like oh fuck yeah i’d love to do that! and so.... they did. Now i’m sure you’re thinking..... Oh it’s Opal!

Except. Actually it wasn’t.

The opalescent (NOT iridescent, they aren’t the same if you were wondering!) troll Echo original made? One of the ones that bo linked in their call out? Isnt opal.

It’s the original opalescent design that echo made! Which they.. Kept! That’s their Magiro!

This is magiro on the end! This is the original design!

this image? the girl on the bottom? THATS FUCKING MAGIRO. THAT IS ART. FROM ECHO’S BLOG. OF ECHO’S CHARACTER.

which looks..... NOTHING like...

this absurdly small screenshot i also pilfered from bo’s callout post! Of cosmit!

Who’s sprites I will not post out of respect for Liam because I have not asked him if I can use it! But the original is necessary so it’s here anyway. (I have permission from Echo to post the originals here! FYI!)

Now because they ended up keeping Magiro! They said! I’ll make you one for free with the same general concept! And lo!

Opal was born! This was the design that Echo did for gabriel! This is opal! As you can see... She looks nothing like cosmit! Except for the fact that she has

dark skin is meant to be black coded and has a similar theme. she even has a nose rings You can see it under her glasses!

and so these are the sprites Gabriel made based off the design ECHO made him

‘

Now! Here’s where it gets hinky!

Here’s where I don’t agree with either party!

Bo and Liam were upset that Gabriel (and Gabriel alone) apparently ripped off Opal! I don’t see it, and I don’t think you can steal a concept either! But whatever theyre adults they can make their own conclusions!

Now where I don’t agree with Gabriel is... Gabriel started making posts (after being told he was accused the first time, idk by who) about Opal being the BEST opalescent troll in the community! Which is fucked up! It’s immature and I was upset with him for it! And then it spiralled a little!

Gabriel got a call out blog made about him for reasons OTHER than opal! The callout blog tried to bring up opal! Liam made a public statement that he and gabriel were handling it privately! And I thought that was going to be that on that!

or was it!

So in private, and bo’s “call out” will confirm this, the whole party eventually agreed that Gabriel would be making edits to opal to make her theme different instead of white opalescent blah blah, this all is NOT my business and frankly I don’t fucking care.

My problem comes in when it become not enough for bo that Gabriel to make changes to or stop using Opal altogether and started... Boxing gabriel into a new solution? Because Gabriel apparently wasn’t bending over backwards enough? I don’t fucking know! It’s not my fucking business! DURING a time of crisis. DURING. BO DID THIS WHEN GABRIEL WAS ALREADY IN A POSITION TO HAVE A HARD TIME SAYING NO. THIS IS FUCKED UP NO? But! I don’t know how you can post screenshots of you saying “You’re having a bad time because of this tropical storm about to rock your shit and I hate you and want you to go away Take this Hilariously Low sum of money for a character with tons of art and effort” and then think you’re like. In the right here? Bo admits they were stupid angry and that they cancelled the deal on a whim IN Their call out post! And then turned around, in their anger, and started threatening gabriel ! That’s literally blackmailing him! Because he wasn’t doing what they wanted! it’s all literally in the post! I read the whole thing! Gabriel came back with a counter, which was getting rid of Opal altogether including making the replacement in the story NOT black coded, NOT a woman (explicitly stated to be transmasc for the new concept), No piercings etc.

Bo then, later AGAIN during a time of Financial and real life crisis (their confrontation was sent within HOURS of the announcement of another hurricane about to rock houston) decided to turn around and verbally berate Gabriel about how he failed to deliver his apology, turned around, and tried to post a largely evidence-less call out about him.

The reason for Bo doing this?

Gabriel reblogged female-coded aesthetic into the tag. And that was all the proof Bo needed that GABRIEL IS A LIAR BLAH BLAH

heres the thing.

gabriel and i are in a different artist’s server together.

Gabriel has posted the wip of the new design into the server. I’ve seen it. with my own two fucking eyes.

in fact. the new design. BARELY EVEN LOOKS LIKE A FUCKING TROLL AT ALL

IT LOOKS NOTHING LIKE COSMIT

IT DOESNT EVEN FUCKING LOOK LIKE OPAL

BO WENT OFF THE RAILS

FOR LITERALLY NO FUCKING REASON

AND NOW A BUNCH OF 17 YEAR OLDS ON TUMBLR

ARE TRYING TO RUIN NOT ONLY HIS LIVELIHOODS, BUT ALSO EVERYONE AROUND HIM

OVER A DESIGN THAT WAS 3 CONCEPTS REMOVED FROM THE ORIGINAL

ANYWAY TLDR: they both handled this extremely poorly! I do NOT agree with Gabriel’s handling of Bo’s and Liam’s initial concerns! But I SUPER don’t agree with “i own blackcoded opalescent characters as a concept bc i said so” and but mostly?

I really disagree with bo’s attempts to use the crisis of a TROPICAL STORM to solicit the response THEY ALONE wanted.

THIS is why I have bo blocked. I could give a shit LESS about all the other bullshit. Do I like it? No. It is my business? no.

But the sheer fucking LACK OF EMPATHY displayed here is FUCKING ASTOUNDING.

Theres actually OTHER reasons I don’t like bo, which are all 100% unrelated to all this fucking horse shit! But that’s my fucking business!! anyway!! fuck off!!

#newtnewt #read this if you want #i've been effectively blacklisted from the community since that one toddler called gabriel out in april anyway so what do i really have to l #drama #i fucking GUESS #Anonymous

29 notes · View notes

rosethornewrites · 3 years

Text

Fic: the thread may stretch or tangle but it will never break, ch. 14

Additional Tags: Pre-Slash, Alternate Universe - Canon Divergence, Secrets, Crying, Masks, Soulmates, Truth, Self-Esteem Issues, Regret, It was supposed to be a one-shot, Fix-It, Eventual Relationships, Angst and Hurt/Comfort, wwx needs a hug, Nightmares, Post-Traumatic Stress Disorder - PTSD, Filial Piety, Handfasting, Phobias, Sleeping Together, Fear, Panic Attacks, Love Confessions, Getting Together, First Kiss, Kissing, Boys Kissing, Family, and they were married, Bathing/Washing, Hair Braiding, Hair Brushing, Feels, Sex Education, Implied Sexual Content, First Time, Aftercare, Morning After, Afterglow, Implied/Referenced Alcohol Abuse/Alcoholism, Implied/Referenced Torture, Scars, Eventual Happy Ending, Hand Jobs, Chronic Pain, Biting, Conversations

Summary: With Wei Wuxian on the mend, Wen Qing sends him into town with A-Yuan, Lan Wangji, and Wen Ning to keep him out of trouble. They run into someone unexpectedly.

Notes: See end.

AO3 link | FFN link (no smut)

Chapters: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13

-----------

Wei Ying seems happy to be in town for the first time since his near-possession, cleared after nearly a week by Wen Qing. Lan Wangji is of the opinion that the surplus of radishes and need to sell them was more the reason for her clearance, along with the fact a bored Wei Ying was dangerous.

The musical acupuncture helped him heal rapidly for someone without a golden core, according to Wen Qing. And Wei Ying had started to theorize about ways this could potentially be adapted to help Wen Ning—apparently one of the concerns was whether spiritual energy used in such a way would hurt him, or if using resentful energy could damage Wen Ning’s control. He didn’t feel ready to experiment just yet.

There was only so much Lan Wangji could do to keep Wei Ying distracted once he was recovering, though the tidy rewritten notes thrilled his husband. After the third small explosion while he worked on the Compass of Evil, Wen Qing decided he’d do less damage selling radishes with Wen Ning in town, and insisted they take A-Yuan with them so Granny could rest.

Damage is a perhaps relative idea, when a fake Yiling Laozu disciple sets up shop next to them to hawk his counterfeit wares.

Lan Wangji is surprised when Wei Ying finds the whole thing amusing, and says nothing when he steals the charlatan’s Compass of Evil, replacing it with a radish. Truthfully, the theft satisfies him; it grates on him to hear the lies gossips spew, to see people slander his zhiji for their own gain.

The day is otherwise long, with Wen Ning too shy to effectively call attention to their radishes. Adorably, A-Yuan is a bit of a help there, enthusiastically calling the attention of young women who find him adorable (but at least purchased radishes), but he grows bored easily and needs redirection.

It doesn’t help that Wei Ying keeps rubbing his hand over his collar with a dreamy expression, which more than once leads Lan Wangji to recite the Lan precepts mentally lest he act inappropriately in public—Wei Ying is wearing his ribbon at his crown, so that restraint is absent.

Under his collar is the evidence of his lack of restraint—a bruise in the shape of Lan Wangji’s teeth.

He is careful, on the whole, given Wei Ying bruises easily in his unhealthy state, bruises that take too long to fade for Wangji’s comfort. But with Wei Ying straddling his lap and moaning obscenities in his ear, moving his hips just so, as he was tasting the sweat on his collar, his control had broken.

At the bite, Wei Ying had come with an exultant “yes!” Their stomachs slick with it between them, his nails scraping at Lan Wangji’s back, clenching so hard around him his vision whited out with the force of his own orgasm. He can’t think about the bruise without remembering.

Wei Ying likes the bruise, to Lan Wangji’s mortification. Likes being marked by him, little reminders of their every day.

“I know you’d never really hurt me, Lan Zhan,” he’d said, his voice filled with a trust Lan Wangji didn’t feel he deserved. “And I liked it, in case you couldn’t tell.”

Watching Wei Ying rub it here in town is a special kind of hell, him at arm’s length and too far from their bed.

It becomes worse when Wei Ying glances his way and catches him looking, immediately reddening as though he knows exactly what he is thinking, which makes restraint all the more difficult. He looks beautiful, blushing. But he has always looked beautiful, and Lan Wangji had previously managed restraint—that was, however, before he had acknowledged their relationship, before they had consummated. Somehow the longing, the dreams and fantasies, had been much more manageable before he knew how Wei Ying’s sweat-slick skin tasted, how he felt coming apart.

The sale of the last of the radishes is a relief, but they still need to purchase items on Wen Qing’s list before returning to Burial Mounds. He lets Wei Ying focus on A-Yuan, who insists on being carried, and walks alongside him without touching him. A-Yuan is practically hanging backward from Wei Ying’s arms, giggling at silly faces he’s making. Wen Ning takes up the rear with the cart, where he’ll have Wei Ying sit if his strength fails him.

He is so focused on Wei Ying beside him that he doesn’t notice Jiang Wanyin in front of them until he halts, the smile on his face freezing, his stream of nonsense conversation with A-Yuan trailing into silence.

Jiang Wanyin does not look happy.

But, then, he rarely does.

Lan Wangji has to steel himself, doing his best not to look at the lower dantian where Wei Ying’s core now rests. Instead he bows politely.

“Sect Leader Jiang.”

Beside him, Wei Ying bows as best he can with A-Yuan in his arms, and he can sense movement behind him that tells him Wen Ning has followed suit.

Jiang Wanyin’s lip curls, but he just silently tosses his head in a beckoning gesture.

He can hear the way Wei Ying’s breath quickens, the bit of perspiration on his upper lip. Can sense his nervousness over what is to come, what he has decided to reveal. Lan Wangji takes a breath to calm himself. His husband needs him steady now.

The moment Jiang Wanyin turns to lead the way to wherever he intends them to speak, Lan Wangji puts a steadying hand on Wei Ying’s elbow as they follow and receives a wan smile in response.

Lan Wangji is relieved he is wearing the clothing the aunties sewed for him today, wearing a simpler guan Wei Ying had carved for him personally after he had expressed reluctance to continue wearing the one he had worn to befit and show his station. Wei Ying had carved two rabbits on the guan, one wearing a forehead ribbon and the other stained a darker color with leftover dye from the dock root. The craftwork had distracted him nicely for a while.

The clothing is of a heavier weave than he is used to, but he doesn’t mind it. If the plainer clothing has distracted Jiang Wanyin from noticing Lan Wangji is not wearing his forehead ribbon, that it is woven around Wei Ying’s crown and plaited with his red ribbon down his back, it is a relief. Jiang Wanyin is not known for an even temper, and his inattention has staved off what might be an argument until they are out of public.

Wei Ying will find the coming conversations stressful enough in private. He doesn’t need it to start publicly and draw attention from the locals.

Despite all the rumors about Wei Ying floating around Yiling, none of the regular citizens seem to know what he looks like. Any rumors imported speak of him as a demon or monster, and so any talismans purporting to show his features show him as such—talismans Wei Ying had decorated his cave with, and which Lan Wangji has successfully convinced him to allow him to remove. As infamous and reviled as Wei Ying is, he has managed to stay anonymous outside the gentry, anonymity that affords him some safety, and Lan Wangji would rather it not be shattered by one of Jiang Wanyin’s temper tantrums.

They are led to a courtyard, and though Jiang Wanyin first tries to close the door to keep Lan Wangji and Wen Ning out, he is able to stop this by blocking the shutting door with his sheathed sword. The Jiang sect heir must see something in the narrowing of Lan Wangji’s eyes, because he doesn’t attempt it again, instead closing and locking the door behind them.

Aside from a single figure in a long black cloak, they are alone, and Lan Wangji is unsurprised but pleased when it turns out to be Jiang Yanli in her wedding robes and headdress, come to show Wei Ying so he is not completely left out—he has seen his husband’s pain over this, how much he misses the sister who raised him, knows she is as close to his blood as can be, and he hopes this eases it somewhat.

Lan Wangji can feel Wei Ying’s arms drooping under the weight of A-Yuan, so he carefully takes the boy from him so he can greet his sister.

“A-Xian,” she calls him, untying the cloak and letting it fall. “What do you think?”

He’s close enough to hear Wei Ying’s breath catch, and is taken back to his disappointment over being excluded from the wedding. He himself is reminded of seeing Wei Ying in red following the Sunshot Campaign, in his underrobes after waking for a coma, the only time he has seen him in only in red. He realizes with a pang he will never see his husband in wedding robes.

“What, she’s not marrying you.”

Jiang Wanyin’s snide tone grates on Lan Wangji, but Wei Ying responds in kind, and he recalls watching them snipe verbally at each other during the lecture in Cloud Recesses, back before the world fell apart.

Jiang Yanli calms them, and he marvels at her ability to bring them together as they try to convince her she looks lovely in her wedding garb.

“You’ll only believe it if he says it,” Wei Ying says, faking petulance. “Lan Zhan, what do you think?”

He had been trying to avert his eyes politely, but even Jiang Wanyin seems to be watching for his reaction, so he studies them, the delicate stitching, the fall of the layers.

Lan Wangji wishes he could see Wei Ying in wedding robes.

“Elegant,” he says with a nod.

“Zhan-gege, who’s Pretty-jiejie?” A-Yuan asks, twisting in his hold.

Wei Ying smiles at the boy, taking him back.

“Even A-Yuan knows you’re pretty, shijie, so you don’t need to worry.”

Jiang Yanli folds the cloak and gestures to the nearby table.

“Come now, I’ve made soup.”

When Wei Ying sits, Jiang Yanli’s expression shifts to surprise, and he notices her looking at his forehead ribbon in his hair. She looks to him, a question in her expression, and he simply nods. Her responding smile is filled with relief, but also regret.

He is surprised when she doesn’t address it immediately, instead gesturing to him to sit and opening the basket. He takes a seat beside Wei Ying. The smell of the soup fills the air, a scent unfamiliar to Lan Wangji, but one that reminds him of his husband. This, he realizes, must be the lotus root and pork rib soup he has heard him talk about.

“I apologize. I only have three bowls,” she says, sounding truly disappointed. “I did not expect…”

Lan Wangji is about to demur and insist he does not intend to eat when Jiang Wanyin, surprisingly, pulls out a pouch of money.

“We can purchase a couple from the market, A-jie.”

Wen Ning bows.

“Jiang-zongzhu, Jiang-guniang, I can g-go for you.”

Jiang Wanyin frowns at Wen Ning with thinly veiled hostility that baffles Lan Wangji, but hands him some silver.

As Wen Ning flees, he wonders if it is to avoid Jiang Wanyin, or to avoid being present for at least part of the conversation to come.

He knows Wei Ying would prefer to flee, and he strokes his arm briefly with his thumb. The smile he receives from his husband is tremulous, but he can see his determination.

Jiang Yanli smiles at A-Yuan, her attention drawn by the movement.

“Who is this little one?” she asks, crouching slightly so she’s at the child’s height.

“A-Yuan is A-Yuan, Pretty-jiejie!”

Wei Ying shifts, catching his hand briefly and squeezing it; Lan Wangji realizes he’s decided to start here, with A-Yuan, in the multitude of revelations that are to be made.

“A-Yuan, this is my shijie,” he says softly. “You can call her guma.”

Jiang Yanli gasps in delight when A-Yuan dutifully calls her guma.

“A-Xian, is he yours?”

She is obviously unable to take him into her arms, wearing her wedding robes as she is, but she reaches out to take A-Yuan’s hand.

“Not by blood, but he started calling me a-die.”

He offers a wan smile to both his siblings.

“Meet Wei Yuan. Or he will be, once I’ve introduced him properly to my parents.”

“He’s a Wen,” Jiang Wanyin states.

Lan Wangji levels him with a stare, though it’s unclear in his tone how he feels.

“He’s an orphan and he’s three years old,” Wei Ying shoots back.

Jiang Wanyin’s face softens, but Jiang Yanli looks alarmed.

“A-Xian, he was at the work camp? At Qiongqi Path?”

Her face hardens when he nods.

“The children, the civilians, all were supposed to be let go. How could they…?”

Lan Wangji stays silent, knowing Wei Ying would prefer to shield her from some of the uglier realities of the war, but is reminded of coming upon Jin Zixun shooting unarmed civilians in chains, and his lie that it was sanctioned by the Lan and Nie clans.

“I couldn’t leave them there, shijie,” he whispers. “Wen Ning and Wen Qing sheltered us, and the others were held as Wen Ruohan’s hostages against her during the war.”

A-Yuan is watching Wei Ying quietly, with the same air of concern he had at the restaurant in Yiling not so many days ago. Lan Wangji shifts again to put the child on Wei Ying’s lap, watching as the boy hugs him.

Wei Ying manages a smile for him, then leans his head close to him and points to Jiang Wanyin.

“And the fussy gege is your shushu,” he says conspiratorially.

“You—!”

Jiang Yanli silences Jiang Wanyin with a look.

“Like Ning-shushu?” A-Yuan asks. “Do I call him nao-shushu?”

“That’s your Jiang-shushu,” Wei Ying clarifies before Jiang Cheng can take offense, but nearly chokes on the title and falls quiet.

Lan Wangji remembers abruptly that Wei Ying had once referred to Jiang Fengmian by that very name, and he watches his husband in concern. He has expressed feeling as though the attack on Lotus Pier was his fault, and he can see the guilt and grief Wei Ying is struggling to hold back.

“Yes,” Jiang Wanyin says, his voice strained as though he is fighting his own emotional turmoil, ending an awkward silence. “You can call me Jiang-shushu.”

When A-Yuan does, it is perhaps the closest Lan Wangji has ever seen Jiang Wanyin come to smiling.

Wen Ning returns with several bowls and soup spoons, an inexpensive wooden variety they have at the Burial Mounds. He tries to give Jiang Wanyin his change and is waved off.

“You can use it to get something sweet for… for my zhizi,” he says, his tone brusque. “Or a toy or something.”

Wei Ying smiles, his posture relaxing just slightly—A-Yuan’s acceptance by his siblings as their nephew has eased his nerves somewhat. But this is only the first of three difficult revelations that must be made, and arguably the easiest of them.

Jiang Yanli serves each of them, putting a generous portion of meat in A-Yuan’s bowl, and takes a seat. She herself is not eating, likely concerned about staining her wedding robes. Instead she seems content to watch them eat.

Wei Ying alternates between himself and A-Yuan, one spoon each.

“Be sure to chew the lotus root,” Wen Ning tells the boy softly.

A-Yuan nods enthusiastically, clearly enamored of the flavors; Lan Wangji can’t blame him. Though there is more spice than he is accustomed to, as is the norm in Yunmeng cuisine, the flavor is somehow warm and comforting. He completely understands how this soup is his husband’s favorite.

“You’re not eating,” Jiang Yanli says.

Wen Ning jerks in surprise.

“Oh… I was going to save this for jiejie so she could try it.”

Jiang Yanli smiles warmly.

“We will be coming to Burial Mounds, once I change at the inn. I brought enough ingredients to make some for everyone.”

Wei Ying nearly chokes on a bite of soup. She pats his back until he’s recovered.

“Wen Qing sent me a letter. We have things to discuss.”

Jiang Wanyin looks sour about this.

“Speaking of, Zewu-Jun sent an interesting letter. Said you have news to share. I’m assuming it has to do with why Hanguang-Jun is here?”

Wei Ying puts his soup spoon down and hands A-Yuan off to Wen Ning with his bowl. Wen Ning doesn’t seem surprised by this and takes over feeding him.

He tries not to be nervous over his husband getting the boy out of the potential line of fire. He rather hopes it is unnecessary, but he has seen Jiang Wanyin’s temper.

“About that,” Wei Ying says, then pauses, glancing at Lan Wangji. “Um, well… We’re married.”

For a moment, there is stunned hurt on Jiang Wanyin’s features, but it’s quickly replaced by wrath, powerful enough that zidian sparks.

“You couldn’t even invite us?!”

Lan Wangji will not have him blame Wei Ying for that. He knows there will be enough of that when they get to the next revelation. He would rather the focus be on him.

“He did not know we were married until recently.”

Jiang Wanyin’s eyes snap to him, and he carefully keeps his gaze cool in response to what is almost a volcano. He sputters, almost too angry to speak, zidian sparking even more dangerously, leaving the scent of ozone in the air.

“You— Without his consent?! This, from the honorable Hanguang-Jun?!”

“Jiang Wanyin!”

Wei Ying’s voice is low and cutting, startlingly powerful despite the lack of volume. It’s enough to startle his brother out of his anger, at least momentarily.

“He handfasted me in the Cold Spring cave,” he explains. “Lan Yi’s guqin was attacking me because I wasn’t Lan.”

Jiang Yanli stands and levels a look at Jiang Wanyin that somehow makes him quail; Lan Wangji only understands why when she levels it at him—the fury of a mother figure.

“Please explain, Lan-er-gongzi.”

Her voice is clipped in the same manner it was when she chastised Jin Zixun at the Phoenix Mountain hunt, and leaves no doubt that she will find a way to harm him if his explanation is deemed unsatisfactory. She is mildly terrifying.

“Wei Ying was being attacked with Chord Assassination,” he says. “The headband would afford him protection. I did not expect Lan Yi’s appearance. Or that we would bow. Regardless, I did not regret it.”

“You married him by accident?” Jiang Wanyin mutters, the rage gone and replaced with confusion.

“Lan Yi did not disapprove.”

“And you never told A-Xian?” Jiang Yanli asks.

She also seems more confused than angry now.

Wei Ying sighs tiredly.

“Aiya, Jiang Cheng, shijie… When would he have had time? When we were searching for the yin iron? Indoctrination? The Xuanwu cave? After—”

He breaks off. His siblings look pained, remembering the fate of Lotus Pier, though they don’t know what came after for Wei Ying. Yet.

“There was never time,” Lan Wangji agrees. “I did not expect my regard for him to be reciprocated. But now, with the danger to Wei Ying… even were it solely political, I could help protect him.”

“It’s not solely political,” Wei Ying chirps, his tone almost smug. “It’s very reciprocated—and can’t be annulled now!”

Lan Wangji can feel his ears heating. Just under Wei Ying’s collar lurks the proof of that, as he’s been acutely aware all day. He has to avoid looking at him for a moment—not out of embarrassment, but because if he does, if he sees the heat in Wei Ying’s gaze, he might lose control and kiss him in front of his siblings.

As much as his husband might prefer the distraction, he doubts it will help much.

“I didn’t need to know that, ever,” Jiang Wanyin grouses, making a face.

Jiang Yanli takes her seat again, her face serious.

“A-Xian is in danger?”

Lan Wangji nods.

“The rumors make him out to be a monster raising an army of Wen cultivators, as though he is an enemy. The truth is quite different. The lies Jin Guangshan has spread to imply he disrespects Jiang Wanyin were meant to isolate him. They want the amulet.”

“Wait, what’s this about me not respecting Jiang Cheng?” Wei Ying demands, clearly affronted.

“One of the claims made after Qiongqi Path,” Lan Wangji tells him. “That you were speaking ill of Jiang Wanyin at the Phoenix Mountain hunt.”

Wei Ying looks stunned, and his gaze darts to his brother. He evidently doesn’t like what he sees, his expression shuttering.

“I see,” he says, the words heavy in the air. “And you believed them.”

Jiang Wanyin has the decency to look ashamed.

Jiang Yanli seems at a loss. Lan Wangji suspects she has heard none of this. Had she been aware, he has no doubt the offenders would have regretted speaking ill of Wei Ying.

“Maybe you’re right not to trust me,” Wei Ying murmurs finally. “I’ve lied to both of you.”

The admission startles a flinch from his siblings. Lan Wangji can feel the tension in Wei Ying, like a guqin string stretched too taut, ready to snap at the slightest touch. He reaches for Wei Ying’s hand under the table and places his on top of it. He is relieved when his husband relaxes slightly, a slight tremor running through him.

Wei Ying’s hand, when he laces theirs together, is clammy and cold, his grip tighter than normal. As much as Lan Wangji wishes he could do more, the best he can do is be here for him.

The quiet stretches, seeming to freeze them in time, broken only when A-Yuan asks Wen Ning for another bite of soup.

Jiang Yanli reaches forward, touches Wei Ying’s arm.

“About what, A-Xian?”

She looks concerned and a little afraid, and the same look lurks on Jiang Wanyin’s features. They know, Lan Wangji realizes that Wei Ying has been hiding something, maybe even suspect how terrible it is. Whatever they might imagine, he knows the truth will be much worse.

Wei Ying swallows hard, his fingers tightening. He seems to be trying to find the words, deciding how to say it in a way that might soften the blow.

But there is no way to soften it.

“I didn’t know how to find Baoshan Sanren,” he admits finally.

------------

The conversation is a lot longer than I expected it to be, and this is a good stopping point, even if it is a bit of a cliffhanger. This went in directions I didn’t always expect, in part because Jiang Yanli is terrifying.

Lan Wangji has feelings about Jiang Cheng. They’re not always the nicest feelings, but he has them regardless. It’s ok, because Jiang Cheng has similar feelings in return.

It might take me a bit to pick this up again. I’m participating in the WangXian Lunar New Year gift exchange, so I’m working on my piece for that and putting my other fics on hold for a little while. Also, the new semester just started, and I’ve probably fielded about 50 emails from panicked students today alone.

7 notes · View notes

rwrbreversebang · 3 years

Text

Rules

First and foremost, because this is a general event meant to celebrate the novel in all its entirety, all ships—or lack thereof—are welcome in the fan works created. And below we will describe the rules of participation.

Propriety

Though there is a screen between us, please do remember that all participants and we Mods are all humans. Always remember to speak with respect and kindness.

A huge part of this event is collaborative, so all participants must be mindful and respect one another’s squicks and no gos within the artist/writer teams.

General Requirements

Do not post the entirety of your works to any social media until your assigned posting date, however teasers are permitted to an extent. If you have a question about whether or not your teaser is too revealing, please ask us, that’s why we’re here.

You must comply with mandatory deadlines and check-ins; failure to do so will result in ineligibility to participate in the bang. This will make your art invalid to claim or require a pinch hitter to write the story in your stead. Though, we understand emergencies and life issues can get in the way, just please be open and honest with your Mods.

Artist Requirements

All art pieces must be created for this specific event by your own two hands, you cannot turn in an already published piece or anything of the like.

You cannot claim your own art if you decide to also participate as an author.

I know you’ve read this a thousand times over, but this is a—let’s say it together now—collaborative event! So you are highly (HIGHLY) suggested to be in contact with your author and to communicate with them through the process. Due to this, please give each other up-to-date contact information whether through Tumblr, Discord, Twitter, or email when you begin communicating.

Artist Specifics

Digital traditional art: Your final piece must be no smaller than 800x600 pixels, and the idea of a completed art piece is up to uour discretion, what you would ordinarily post on ur own blog. You are permitted to create more pieces to accompany the story if you so wish once you and your author begin collaborating (but this is completely optional).

Comics must be at least one full page.

Playlist entries should have at least 12 tracks in the queue, with a completed front and back cover, and a accessible link.

Graphic edits should include a coherent story arc, while adhering to Tumblr sizing limitations.

For any other inquiries, please message us through the ask box or email.

Author Specifics

You cannot claim your own work if you also signed up as an artist.

The minimum word count is five thousand (5,000) words and absolutely no maximum, but do take caution that your fic must be completed and beta’d by the final submission date.

All writing pieces must be beta read before publication. You may use your own beta or request a beta through the bang.

Again, this event hinges on the fact that it is CALLABORTIVE! This means means that you are highly (HIGHLY) suggested to get in contact and stay in contact with your artists as you create your project with one another.

As authors, you are required to take into consideration your artist’s squicks, no gos, triggers and etc. You want to stay respectful and thoughtful to your partner.

Please! Please! Do NOT claim a NSFW artwork unless you are 18+, we know that this is mainly based off of trust, but if you do lie about this and we somehow figure it out, you will be removed from the event and prevented from participating in any future events.

How To Sign Up

The sign up date and check in date are all published in our schedule.

Signups for the event will be through a google forms link, but for now we want to simply get a head count of how many people are interested and or excited to participate.

All forms—amidst the four separate ones for artists, authors, pinch hitters, and betas—will ask for your name, contact email, and one reliable social media contact (tumblr, twitter, instagram, discord) which are all required. If you agree to be a pinch hitter as an author in your form, you will not have to fill out the pinch hitter form separately. Beta forms have slightly different questions asking on their strengths and preferences for what to beta.

The discord link will be sent in the confirmation email once you’ve signed up.

Once Artists Complete Their Works

One of the most important rules we hold is that when an artist completes their piece for the claiming rounds, that you do NOT include a watermark or signature for the preview page. We want folks to choose anonymously to try and make this as much of a fair playing field as possible.

We know art theft is a concern, but we promise that the preview page is simply a google doc with limited permissions, with the art works all shown in a column and it will not expand from that private viewing.

The preview will only be open to participants of the event, and we ask kindly for no one to share the link anywhere to anyone.

The only information in the preview page is simply the art piece, with a number indicating it for claims. The NSFW work will be divided with a distinct warning. But that is all, anything else the artist wishes to clarify to their author will be discussed once we pair everyone up.

You will be able to edit your artwork as much as you please once linked up with your artist, but it must be recognizable from your original submission.

Look above for the mandatory aspects of your art medium.

No artworks or artists can be accepted once the previews are opened to the authors.

Claiming

Artworks are anonymous, without any watermarks or signatures by the artist. So they will be claimed based off the artwork and that is all.

All art pieces will be given a number to make claiming run smoothly.

All claims, once submitted to us, are final. So please authors be careful in choosing artworks you can and are excited to write for.

Take your time with claims, they are not done on a first come/first serve basis. But we will do our best to match everyone up with their preferred choices.

Authors should not choose an art piece with a possible trigger/squick already in mind before they even speak to the author.

Check-ins

All check-ins are mandatory. You will receive the check-in forms through a link via email and posted on the discord server. We really hope everyone is honest and consistent with communication.

All check-in dates are already scheduled and you can see them on our schedule post, though if you have a conflict on any of those dates, please communicate that to us before hand.

When you sign up for the event, you are required to give us an email that you check regularly and can communicate easily through.

You are only “required” to communicate with your artist/author directly after claiming and directly before posting begins. But again, we highly suggest you communicate throughout.

Always stay as kind as possible to one another.

How To Contact The Mods In Order Of Preference

Email » [email protected]

Discord DM

Tumblr Inbox

Tumblr DM

Instagram DM

Posting

Posting is obviously the final part of this event, please as stated above, do not post your works anywhere publicly before hand, besides small teasers that shouldn’t give much of anything away.

Your posting dates will be assigned by your Mods, but if there is any sort of conflict just message us ASAP.

There are no requirements for actual posting, besides the fact that the artist/author duo discuss with one another when they’d like to publish, and tag this blog on the post for round up.

There will be an AO3 collection that you can opt into joining, whether through the link or search box. It will be revealed and not-anonymous from the start.

There is also no posting standard, but in your posts we do ask that you both link to one another’s pieces so to help the folks consuming your works understand the full picture.

Because tumblr is unreliable, we ask you to both tag the blog, RWRBREVERSEBANG, and also send us the links through the submissions form.

If you miss your posting date, please contact us and speak with us to figure out when and how you can publish your work.

All stories and art works will be included in daily roundup posts, and a final master list of works.

Feedback

Please, whether participating as an author, artist, beta, pinch hitter, or simply enjoying the works, let’s spread love to one another’s creations. Reblogging means so much more than just a like on tumblr, and kudos are sweet, but comments are a God send. I promise that literally anything you say in the comments will make the creator feel like there is a legion of birds fluttering around in their heart.

And of course, if you have any feedback for the Mods or the blog in general, our ask box is wide open!

7 notes · View notes

secondhand-sheep-shack · 4 years

Text

Artists and Musicians a small musician needs your help.

There's a song called Savage Daughter. The original is by a woman in the SCA by the name of: https://www.facebook.com/Wyndreth-BerginsdottirShieldmaidSavage-Daughter-160419690663365/

https://www.facebook.com/Wyndreth/

The song was written in 1990. There's documentation of the original author performing it at an event in South Dakota in 1996, long before the thief was writing bad comedy.

There's a women who has recorded a version of the song and posted it for sale on pretty much every single platform available to sell individual songs.

The problem is, the song's lyrics and music were written by the original artist. There was zero communication from the woman selling her version of the song. Until someone spitted it online and reported the problem to the original author.

You can read the original author's words on the subject here: https://www.facebook.com/160419690663365/posts/3166570820048222/

The stolen version's been removed from Bandcamp only at this point.

Apple. Amazon. Tiktok. Spotify. Google Music. YouTube music, regular YouTube (now under 3 different accounts uploading the unauthorized and monetized version.) Tiktok has removed it twice now. And it's back.

The version not authorized is by Sarah Hester Ross. It wouldn't have bothered the original author much except for the blatant lies and Sarah claiming she wrote it on her Amazon Music profile and then deleting any complaints, bad reviews or public condemnation of her theft. And most of all, making money off the theft, while the original artist is losing money for her own version. (Patreon and more in first 2 links)

I won't give a link to the stolen piece of crap on amazon instead have a picture of the cover from Amazon

Ms. Ross is only otherwise published for explicit comedy.

She then has the gall on her Facebook to post shit about paying for use.

https://m.facebook.com/story.php?story_fbid=10100662028767008&id=116700564&sfnsn=mo

I care not about her other crap, I care that a small, independent musician has had her intellectual property stolen by a woman claiming that the work was approved by the author of the song, while still claiming that the new musician is also the author.

@takashi0 @nunyabizni @coyotecom @brosefvondudehomie can y'all boost this? Same goes for everyone else.

If she's done it to one person she's done it to others or will.

#copyright infringement #music theft #copyright violation #DMCA #small musician #small musician support #copyright theft #small artit support

21 notes · View notes

dabistits · 4 years

Note

im super conflicted abt hawks atm but i was thinking abt his parallels with shigaraki and i was wondering kinda why there's a difference between wanting 'redemption' (i dont think this is the right word but i cant think of a better one 'want better' maybe?) for shigaraki but not for hawks? is it bc he made a permanent decision to kill twice as essentially an agent of the state?

Just to preface, I don’t think I’m objectively right for just wanting Hawks to eat shit immediately in the next chapter. I’m just complaining because a lot of people who “love both Hawks and Twice” and “think Hawks was wrong, but…” are hard to get away from without going in the other direction toward a group of people who have shitty fandom behavior, whose opinions about the Hawks/Twice situation are (unfortunately) much closer to my own. I don’t think there’s necessarily a “correct” way to feel about Hawks, but I feel differently than a lot of people I see around (who, ironically, are the ones insisting that there’s a “correct” way to feel about Hawks), and that’s frustrating. I want to be done with Hawks. I don’t want him to get any more focus in canon, I don’t want to see more posts about how Hawks committing murder is an indication of inner turmoil instead of him choosing a side, I don’t want to keep running into posts that tack on “but Hawks is also sad/a victim” in discussing what’s pretty clearly a tragedy for Jin and the LOV that Hawks was completely and 100% solely responsible for.

But, yeah, sure. I’ll also explain what I think is the difference between Tomura and Hawks:

1. Part of it is emotional and not logical for sure. I love Jin a lot. He embodies the person who has faced incredible adversity, and still comes out on the other side ready to love and open his heart to others, moreover to protect others. I’m not like that at all, but I think it’s very admirable. So in that sense, it hurts on a personal level to lose him over anyone else, and I can’t not associate that with Hawks, since he’s the killer.

2. Jin is a significant death. The nameless minions that Tomura has killed (many of whom were active “Quirk supremacists”) don’t mean anything to me compared to Jin, and?? Through the lens of narrative, I think that makes Tomura more forgivable, because I genuinely have no interest in there being any plot “resolution” with, like, the dead anti-mutant cultists, because I just do not care about them.

3. Tomura, especially early Tomura, has threatened to go places that are unforgivable, like leaving All Might’s students dead and forcibly bringing Bakugou over to their side (whatever terrible procedure that may have entailed). The difference is that the narrative never actually allowed him to cross that line by actually killing the kids, who we do care about as characters, so while the intent in itself is pretty awful, he was never allowed to complete the action that would take him over to the point of no return. Hawks, however, did cross the line by killing someone who we care about and who is narratively established as a “good person,” who even Hawks concedes is a good person.

3. a. I don’t like the MLA ideologically and I don’t like the decision to have the LOV team up with them. But, again, their takeover plan has been stopped in its tracks, which I’m actually fine with to prevent the LOV from crossing the moral event horizon, but that’s, like… completely irrelevant to me thinking Hawks shouldn’t have killed Jin.

3. b. Though there’s still a chance for Tomura to cross the moral event horizon, and I’m not going to convince myself that it won’t happen. If it’s going to happen, I think it’s highly possible that it might happen in this arc, because now Jin is dead and we know how Tomura and the LOV have historically responded to their friends getting hurt. I, and many others, have called Jin the “heart” of the LOV (his name is also literally written with the kanji for “benevolence”), and now without him, there is no remaining heart nor goodwill.

4. Although both Tomura and Hawks are, on one level, fighting on behalf of the ideals that they were “raised into,” their fights happen in very different ways. The MLA arc in particular made clear that the villains are, in part, fighting for their very survival in ways heroes just aren’t. The threat that the LOV were living under was constant—when it wasn’t heroes or other villain groups, it was trying to find money and shelter and essential upkeep. Hawks may not be “free” from the HPSC or the occasional villain attack, but he’s free from those constant material struggles. He’s not an “underdog.”

4. a. Tomura is also, in part, fighting to protect his marginalized friends. It’s for sure not on behalf of every marginalized person, but it’s certainly more than we’ve seen any pro hero fight for. The people Tomura is surrounded with are people who have never been protected nor cared for before, because they were not deemed “innocent” enough to deserve that care and protection, and Tomura continued to care for them even when it was troublesome for him to do so, when they disagreed with him, when they threatened him, and when they fucked up very, very badly.

4. a. i. Eri is an example of a victim who the heroes fought for, but she’s an easy case to want to love and protect: Overhaul was inarguably an abuser who wanted to elevate the yakuza, she was being used in extended torture-experiment sessions, she killed her father on accident, she’s a child, she’s innocent, she’s selfless, she’s well-behaved. It’s basically not even a question whether or not she “deserves” help.

4. b. It’s people who are difficult who get overlooked. Hawks and hero society are completely unprepared to protect and care for people who don’t behave as they’re supposed to. Hawks did not care for the LOV who didn’t personally befriend him. For the one he did, when Jin didn’t cooperate the way Hawks wanted, he went for the kill. It’s either being easy and “manageable,” or die.

4. b. i. Tomura has specifically spared two people who tried to kill him or actually succeeded in killing his ally, people who he explicitly hated or did not care for. So make of that what you will, I guess.

5. From a leftist perspective, it’s just impossible not to account for the fact that Hawks helps maintain a social structure that creates so much suffering. The question isn’t really whether AFO’s teachings to Tomura are better (they’re not, and I want Tomura to break away from them), but it can’t really be ignored that Hawks is enforcing an ideal that’s wildly popular. Why this matters is that Tomura doing the wrong things will be roundly condemned, and he’ll probably be “punished” for them; but heroes are very unlikely to be punished or held accountable for committing murder, especially if it’s “justified.”

5. a. This is problematic because it allows heroes, and the state, to define what a justified “emergency situation” is, and who can die in those emergencies. The people who are deemed killable “in an emergency” are usually those who are already marginalized; hence heroes can wait until those marginalized people get desperate enough to commit villainous acts, and then they can swoop in to arrest or kill them to widespread public acclaim.

5. b. Heroes (and law enforcement IRL) don’t address the roots of crime that lie in overarching oppressive structures like misogyny and capitalism. They don’t prevent theft by bringing people financial stability; they arrest people who were desperate enough to steal, and use those people to send a message to poor people everywhere. They make these conditions of desperation more permanent by punishing the most vulnerable people when they slip up, while doing absolutely nothing until the slip-up happens.

5. c. Heroes are punching down, and villains are punching up. That may not be the case with AFO, but I believe it with the LOV specifically, and I believe this matters because it’s exemplified between Hawks and Twice. Hawks targets someone who reached out to him, despite being hurt over and over again by types like him, who has dealt with poverty and fantasy mentally illness completely on his own, and kills him in defense of the very society that allowed all those things to happen to Jin. Hawks was given a choice: sympathize and relate to Jin, and acknowledge his well-founded grievances toward a dysfunctional society, or prioritize the safety and security of that dysfunctional society by permanently removing Jin from the equation. The choice he believes in is the choice he made.

5. d. In order for Tomura to make the same choice with the same implications, they’d have to be living in an alternate universe, in the Kingdom of AFO, where Tomura is a respected noble who infiltrates a rebel group who were going to “commit atrocities,” kills the one person who offered him a way out of AFO’s control, and possibly screws the rebels altogether, but everyone is happy that the rebels are gone. Even if you think Tomura is capable of that, it’s irrelevant because canon!BNHA has completely different power dynamics. Because Tomura’s violence will always be unpopular and persecuted, rather than justified and glorified by the state, he physically cannot replicate a choice like Hawks’. Tomura can approximate it, but even if he does, he’ll be hunted down by heroes for doing so. The circumstances and consequences for making such a choice are totally different.

So. That’s why I don’t think Tomura and Hawks can be equated. Suggesting that this is a level playing field is essentially believing that criminals and law enforcement exist on level playing fields, and they absolutely do not at all. Hawks is particularly abhorrent because he’s already followed through with his choice. He holds power by being part of the policing class, and regardless of how he came into it, he behaves exactly the same as everyone else who “freely” joined, and in his position of power he made the choice to eliminate someone who was socially powerless.

#ask #commentary #long post /

38 notes · View notes

cocopwtb292 · 3 years

Text

10 Things We All Hate About consignment furniture

9 Simple Techniques For What Is Consignment Furniture?

The manufacturer will certainly have a virtually ensured continuous, restored stock of required materials. Yet the benefits do not quit right here: Consignment sales allow the producer to put its goods in wholesale and also retail electrical outlets. It makes the supplier much more visible in the marketplace. It can encourage the dealer and also merchant to equip things.

It might trigger dealers and also retailers to take right into stock seasonal or brand-new items that they would certainly otherwise decline in the lack of any type of demand. It offers the manufacturer the opportunity to reveal their stuff on the market. They do not have to save them in a shop while waiting on a feasible order.

Going further, to obtain things from the storehouse would need the application of the taxes rate for domestic deals. The relationship between the consignor as well as the consignee is a firm relationship-- that is, this implies that the consignee never seizes the items. Instead, the consignee functions as the representative of the consignor to move possession to the buyer.

Excitement About Benefits Of Selling On Consignment

The duty for any kind of loss of the products rests with the consignor. This indicates that the consignor and also the consignee can make specific plans. This will enable each one of them to birth a share of the loss in case of theft or other damages to the goods. If not, the consignor will be in charge of the loss-- also if the products were shoplifted from the consignee's premises while the consignee was taking typical treatment in taking care of and offering them to buy.

Thankfully, Modern Resale makes sure that the consignee's goods are securely readily available available to buyers, so this is less of a problem with our store. In the case of consignment sales, it is necessary not to overlook the trouble of obligation for the products. Possession of the items is never ever transferred from the consignor to the consignee.

This indicates that if the items are ruined by water, fire or smoke while in the consignee's stock, the consignor assumes the losses. This problem, in particular, is worthy of special interest. There is an additional kind of sale that some people equate with consignment sales, and also this can position a legal problem for the consignor.

More About What Is Consignment Furniture?

The task of the international supplier is unseen for tax settlements in the United States. The distributor is not subject to registration for tax obligation negotiations. The distributor is also not obliged to check the residential supply right now that the customer takes the goods from the warehouse. The tax obligation settlement occurs only at the buyer's properties when the goods are collected from the stores.

At the time of non-compliance-- i. e. lack of goods kept in the consignment storehouse or their full damage-- the storage facility operator is required to inform the head of the tax obligation workplace. If it is difficult to figure out the day on which it was found that the items were missing out on or ruined, it is considered that the removal of the goods happened on the day that the case took place.

youtube

Unlike small antique stores, Modern Resale is a substantial warehouse where you will certainly find the living-room couch, side table, or modern-day chair of your desires. These things are left on consignment and also showed like in a furniture display room. What's various is that they're not new. Why is that? It's because these furnishings products are enthusiast's products.

Examine This Report about Selling Your Furniture At A Local Consignment Store

Some items are just a few months old, while others resemble brand-new despite their age. Modern Resale has gorgeous mahogany tables, ash chairs, pine and maple sideboards. The major quality of this supply is that everything is of incredibly top quality. They only accept furnishings in good problem and of terrific worth.

For any kind of inquiries on marketing or buying consignment furnishings, obtain in touch with the Modern Resale team. They will gladly respond to supply tips and also valuable details.

Do you have furniture or clothes in good problem that you wish to sell? Wish to avoid the headaches of on the internet public auctions and also shipping? Learn exactly how to consign your furnishings, clothing and also accessories at our members' regional consignment stores. Whether your house contains furnishings or clothing that you no more desire, or if you have just a solitary device, it's time to transform your things right into cash with the assistance of a local consignment shop.

What Does Selling Products On Consignment Mean?

A reputable consignment shop gets great deals of customers who enjoy getting consigned products. They are used to making quick acquiring decisions, so your product can market very quickly. 2. Online auctions like eBay bill you a fee to post a thing also if the product does not offer. Then if the item does offer, you are liable for delivering the product.

And also the buyer, not you, is liable for any kind of shipment plans. 3. The consignment store will know reasonable market value for your items. This gives you self-confidence in knowing you'll receive one of the most for your sale. 4. Unlike identified ads, you don't have to area phone calls or welcome unfamiliar people to your house.

You do not have to fret about jumped checks or managing cash. 5. Ultimately, if your consignment store features an internet showroom on their internet site or on ShowroomFinder. com, your thing will be seen by tens of countless possible buyers in your area. This considerably raises your possibilities of a sale, as more purchasers are likely to acquire locally if they know they can check your thing firsthand.

The Advantages Of Buying Used Furniture for Dummies

For furnishings, that indicates no extreme scrapes, damages, or fading. Fabrics has to be without splits, openings or stains. Clothes must be in good condition, stain-free and also not Additional hints custom furniture as well used. We advise dry-cleaning matches and shirts prior to you provide them since you only wish to reveal clean as well as wrinkle-free best furniture try this items.

Modern Resale, 4413 W Jefferson Blvd, Los Angeles, CA 90016

$1310-838-3800

#{furniture | furniture sale | luxury furniture | consignment furniture |

1 note · View note

sociallyintroverteddumbass · 5 years

Text

The Toxic people in the HH Fandom

Now this is something I wanted to talk about.

I have been in this community for some time now and it has been the most eventful, yet exciting time of my years. Seeing a large group of fans support a passion project / show made by talented and independent people is pretty damn great and I love it. But, there have been some situations that had reeked some havoc here and I think it’s time we talked about some of them.

Unfortunately, I could not fit everything I wanted to talk about in this post since it’s a bit overdue , I will be discussing 5 types of toxic people and some situations that had happened in the HH community.

Note: Most of the stories I’m going to talk about were either made public or had been told by my friends or people who have experienced these situations.

I will not reveal the names of the toxic individuals or their social media names as I don’t want anyone to witch-hunting any of these people. As much as I hate these types of people, it would be inhumane to go and attack them. In this community, we are trying to bring positivity to the fandom and not attract any drama here. Despite this, I will offer the details of what these individuals have done that should have some light dazzled to help and inform of these disgusting crimes in the community. Also if you go out of your way to harass any of these people I will beat you up and eat your fingers. You know better then to do that.

1. Harassment

Harassment is no uncommon thing. It can happen to everyone, but that doesn’t mean it’s ok. If you are being harassed or spammed by someone, BLOCK THEM. It is never ok for you to stay silent, especially when that harassment is continuous. If you disagree with someone about something, do not go spamming them in their dms or comments, cause’ that just make you look stupid and immature af.

Allow me to explain. Role-Play / Role-Players are seemingly the most common in the HH Fandom and often answer questions from others to the the character they are rp-ing as or their ocs. But sometimes they are going to get weird fucking questions.

For example, my good friend @carol1826 is a roleplayer. She roleplays Charlie and asks / answers ask from others (HH related or not). One day, she had a very annoying anon asking her the question “Are you single?” on her posts and ask box. Of course, she was uncomfortable about that question and deleted those until the anon finally said:

“Dumb bitch deleting questions I was only asking a question...”

“I bet the real Charlie would answer my questions...”

Ok, first of all what the actual fuck and what type of human being would ask someone that question, especially to a Charlie rp blog. More specifically, why would anyone ask a roleplayer that question. It disgusts me that this anon would do this and I hope they get what’s coming to them.

---- ------ --- -------- ---------- -- ---------------- ----- ------- Another example of this comes from Tumblr and DeviantArt. You see, a strange user (we will refer to as “the User”) has been asking artists (minors and adults) a specific request in the HH fandom:

“Draw Angel Dust’s butt looking like his fluffy chest” Or sometimes even these asks: “Draw Angel Dust swallowing bullets” ”Draw angel dust smuggling drugs up his butt” “Draw Alastor killing Pentious with a penance stare” “Can I get a shot of Pentious' eye on his hat?” But it seems that the User would often ask artists to draw Angel Dust with his butt out or doing weird shit, but mostly Angel Dust’s butt.

Of course, they would be constantly asking and spamming artists to do this, even if the artist didn’t want to. They even went as far as asking a 13 yr old artist to draw his request. The User has also admitted that it was a fetish (butt fetish to be specific), which is ok but that doesn’t excuse their actions. Fetishes are normal and I have nothing against anyone who has one but it is not ok to try and demand and spam someone to draw it if they don’t want to. The User has been also stealing art, not crediting artists, participating in art trades but never doing their part, begging or persuading for artists to give free art to them (despite some artists who only do commissions), making fake accounts and harassing / impersonating people, acting racist, etc. I recommend any HH artist to block this user immediately if you get an ask from them.

If the artist doesn't want to draw your request, then you should leave them alone.

It is not ok to spam an artist’s askbox or DMs the same request they rejected over and over again. It’s not going to do any good for you if you do this.

Not only that,

The User also does this to HH roleplayers, sending really weird rp asks to them, mainly those who roleplay Angel Dust. In fact, there was one instance where they sent an ask to a Angel Dust roleplayer in which they basically raped Angel or asked very perverted question about their “Fluffy Butt” (the worst one is when they asked Angel rp-ers to swallow a rat and see if it comes out through the butt), along with other weird asks and it’s fucking disgusting / disturbing as this makes the User look like an extreme creep. It is not uncommon for these types of people to ask others to satisfy their fetishes or sexual desires, and will do whatever it takes to get that fetish / desire expressed from anyone (minors or adults) they can contact, even if it is illegal.

Unfortunately, this User has also ask artists these requests on DA as well, but way worse than you could ever imagine. The worst instance was where they’d ask various artists to draw a frog with worms up its ass. Yeah, I’m calling the Art Police. Recently, the User had posted on DA discussing this issue. Of course they were acting very perverse, deny that they spam artists (even though it’s the truth) and trying to pull a bullshit pity party / sob story by explaining how they used to be homeless for 2 years, abused and attacked, which (I clearly doubt is true). The fact they tried to defend themselves by talking about how shitty their life used to be fucking disgusts me and is so very pathetic, it makes me gag knowing that these people exist and we are forced to live among them. The User is obviously trying to pull people away from the situation by using the pity card, and it failed. Why the hell should anyone give you the benefit of the doubt that you have done these sick, twisted, and inhumane things to artists by spamming them gross requests and being a big baby when people call you out, as if you should even deserve pity to begin with? Now of course, what the User is saying does sound very hard to deal with and very sad, but once it crosses the line (due to these actions the User has done and has been very immature and uncompromising about it) people won’t care about how you got there nor feel pity about it. Besides, I doubt anything that the User said is actually true, especially the “homeless for 2 years” part, since if that were the case, you’d be more focused on money and rent rather than asking artists to draw a character clapping their ass-cheeks. Currently on this user’s DA page, they’ve been doing these abominations of status posts for some time, posting pity-post stories in order to get sympathy and just bad. In one of their posts, they go completely ape-shit. Like, this is what happens when desperation and lies is your only option to escape your problems because you’re to perverse to try and fix those issues. I doubt anything this guy says is real anymore since, at this point, anything they say is just a way for them to get pity-points. Here are the posts btw -----v

Overall, this user is a art thief, spammer, pedophile, manipulating, lying disgusting immature pig that should be eradicated from the internet and all communities for they have been nothing but harassed and cause problems in the fandoms they entered.

In conclusion, If you are an HH rp / art blog and you are getting uncomfortable asks like these, do not respond and / or block the person asking, you have that right and these people can’t tell you otherwise. If you are harassing people like this, then shame on you for your actions and you seriously need to stop. Its not fucking ok and it will never be ok. NEVER FUCKIN’ EVER.

2. Art Theft

Now those of you who have been here for a long time in the Vivziepop Fandom, you will know that many people would sometimes repost Vivz’s artwork. Most of the time we usually don’t do this in the intent of stealing it but to share it or even criticize it. Seemingly Vivz doesn't have a problem with this, unless you are stealing it for you own personal gain and lie that it’s their art. That’s right, these bastards steal her art and claim its theirs. If you been frequently going to Vivz’s Twitter back in 2017, you might remember her calling out a blog that was stealing her art and saying it was theirs.

If you thought that was bad, not only does this happen to Vivz, it happens to other artists in the the HH fandom, the two I’m going to talk about come from @rabbit1225 and @ztoonsz.

Rabbit1225 makes beautifully drawn artwork of characters, and they are especially well known for their fanart on HH characters in the fandom (Lucifer from HH to be specific). But, unfortunately as Rabbit continues with the fanart, others take it without permission. In fact, there was one instant where someone had ask Rabbit if they could use their picture of Lucifer in the Hazbin Hotel Wiki for Lucifer’s bio in a conversation on DeviantArt. Rabbit said no, but they didn’t care. They not only posted it on the wiki, they spelled Rabbit’s DeviantArt name wrong. Fortunately, Rabbit told the person to remove the pic immediately and told them off for not listening, and so far the pic was removed from the wiki.

This would soon lead to Rabbit putting big watermarks over most their artwork so art thieves couldn’t steal them. I mean, the watermarks are so big they take up the whole pic, which is smart. But still it is a very sad thing to see this happen to artist like Rabbit just because they make some good art of their favorite characters. Sure, asking artists for permission to use their artwork is ok, but taking their art (even if the artist said no) without permission is extremely wrong and disgraceful. ------- ---- ------------ -------------------------- ----- ----------

Ztoonz is also an artist who draws HH characters, including their HH oc. Suddenly, an Instagram user was not only stealing their HH art, but stealing various ones from another artist. Ztoonz confronted this thief, and it went pretty bad to say the least. The thief kept saying it was “Their art” and kept calling them insults like “Bitch” or “British Cunt”. What really put the nail in the coffin was when the thief threaten to repost Ztoonz’s art and claim that Ztoonz was the one stealing it. Now that’s just cold. Of course, Ztoonz made a post regarding this and everyone started to report this thief. Thankfully, the thief deleted all of the art because they knew they fucked up and they deserved it.

If an you are reposting another person’s art, you must ask for permission first. If don’t and just straight up do it anyway, be sure to credit them at least.

If the artist asks you to remove the reposted art, Do IT, as the art is theirs and not yours and you could get sued or even arrested by the artist for stealing their art.

Respect an artist’s request to leave their art alone or credit them and move on with your life.

It’s not that difficult. You’ll look bad.

This also goes for Ocs as well, of course.

It is despicable and stealing another person’s character and / or art , it makes you look like you are devoid of creativity to make your own and it’s scummy.

3. The Attack Of HH Shippings

This is a tweet Vivzie made on her Twitter. I hope you read or at least acknowledged this tweet, because I’m going to talk about a certain issue regarding this. You see, the reason why Vivz made this tweet was because of the fact that there was an increase of actual people bullying other for certain ships, canon or not, which I must say is just sad. Like, guys they’re just cartoon characters, calm the fuck down. If you’re seriously going to debate others about a certain ship and whether or not it’s canon for 2 hours, then you are the real fool here. I don’t know what’s worse: -People shipping real-life people that don’t know each other / have no love or sexual relations with. OR -People getting into heated arguments about certain fictional character ships from cartoons or shows. What more do we need to tell you? How many fucking times do we all need to say it to you people? Doing this is just going to make you look like a shit person, and an immature one at that. There is no reason for you to do this.There is no reason to attack someone for having some ship of an HH character because you disagree with it. I’ve said it, everyone has said it, even Vivzie herself has said it. I know this is common in almost all fandoms and communities, but come on, ya’ll should be mature enough to know that being a bitch about stupid shit is just stupid. You guys are old enough to learn how to respect an opinion / interest, yet you people are crying like babies about how some people are shipping Vaggie and Angel Dust cause’ he is gay and not straight. THEY’RE JUST SHIPS! Not only that, even if Angel Dust and Vaggie used to be a couple in the older version of HH and it’s not canon anymore, you can still ship them regardless.

Sure, we all love our demons guys n’ gals but we need to remember they’re just characters and we can do whatever ships we want. Of course, there are going to be the weird looking ships, but we need to respect those ships. You have no authority to tell a person to kill themselves all because they shipped Charlie with Alastor. You are not the God of Ships, nor are you entitled to say you are.

Speaking of the Vaggie x Angel Dust ship, my friend @scarecrowinc93 told me about someone supporting that ship here on Tumblr. They loved it so much, they made a kickstarter to make the ship canon. Fucking Madlad. But when people tried to tell them that it might not come true, they went ape-shit. They responded to all of this in a post and were extremely rude and bitter about it, though they tried to cover their tracks by deleting it as soon as they realize they fucked up. Now as much as we love fan ships and wish they could be canon, it might not happen and you need to except that fact.

Just because you’re in a fandom that have excepting ships does not mean you can harass people for disagreeing with your ship or anyone else. I get it people should have free opinions here and there, but you don’t have the right to speak in a rude manner because someone didn’t like your ship. That’s not right and you know that.

4.”Is Hazbin Hotel a Scam?” Bullshit and Clickbait Slander

What happens when someone is desperate for views on YouTube? Slander and attempting to start drama of course! There had been two videos that have caused a bit of a steer.

The first one was at the day of Christmas Eve, a video called “Is Hazbin Hotel a Scam?” was uploaded by some random person, and I gotta say I was pissed off and disgusted. This might as well be the most infamous video slandering Hazbin Hotel to exist. Words cannot describe this video, and the only way I can describe it is with this image:

I’m pretty sure everyone knows that Hazbin Hotel isn’t a scam. For one, Vivzie and the HH crew do not want to let the fans down, especially at this point in time as Hazbin Hotel is popular with a majority of fans, who are excited for the upcoming show. Do you really think Vivziepop would want to let her own fans down and lie about the upcoming show just to gain money? Yeah uh, how about no motherfucker. They’ve been working so hard to even stop the project at this point. Multiple clips from the pilot have been released to the public, and you can clearly see that the HH crew are working hard to make this show real. Animation that could make Disney cry, colors that pop and vibrate with beauty, and characters with designs that defy our ability to comprehend. For example, Ashely Nichols is one of the HH animators / artists working on the project. She is well known for the many streams she broadcasts. Most of them are usually of her animating various scenes, but with a bit of a twist. You see, to make these streams more entertaining, she brings in one of the several voice actors of Hazbin Hotel to the stream and have the viewers give voice requests said voice actor. In fact, she is currently in a relationship with Micheal Kovach, the voice of Angel Dust. Sometimes even Vivzie makes streams. During those streams some viewers would ask her various questions about Hazbin Hotel, and you know what she does? She answers their questions. Vivzie likes to talk about the Hazbin Hotel’s universe, especially her characters and want to share them with her fans. So how is that a scam? If Hazbin Hotel was a scam, then why is the HH crew so dedicated to make this project successful? Explain that, cause’ it seems that the person who made this video might have something to say about this. I question whether or not this person is a troll or not, but I’m on the notion they did this for views since in their channel they have never talked about animation or anything related to that and probably doesn’t even know anything about it. Literally, when I first went on this person’s channel, there was barely anything in there that related to animation, art, or anything of that sort but (what I can assume to be) video blogs with barely any views. When I saw this, I could just feel the desperateness for views radiating from their channel. It’s like the equivalent of someone cashing in on a famous person’s death because they’re so desperate for views and attention. When first watching this “exposed video”, I honestly couldn’t even watch it at it’s fully entirety because it was that bad. The points this person made were too idiotic to take seriously and I feel bad for those who believed these disgusting lies. Here are just some of the “points” this person made about the so called “Hazbin Hotel scam”: - Having merch before the show has been released - Having no official release date - The crew only caring about money, not the fans - Having two Patreon pages (One is Vivziepop, the other’s Hazbin Hotel) These are just some of the “points” the person made in the video, and oh believe me it gets worse. While some seem understandable, most of them sound too abysmal to be true. Like seriously, “Having no official release date...”? How petty do you have to be to make up this shit? I get it, the internet can be a sketchy place and you can’t always trust the things you believe, but that statement does not make sense. Let me explain, most animation projects take time to make, like it can 5-7 hours to make a 10 second clip. Now imagine 30 minutes (which is how long the Hazbin Hotel pilot will be), imagine how long it would take to animate. Drawing every single frame neatly and correctly, making sure every scene is right, taking time and making it perfect. The amount of time and effort animators take on animating is astounding. Animation is hard and whether you animate or not, you know that it takes a great deal of toil and energy to do something like this, especially when it comes to 2D animation (which is the main animation style for Hazbin Hotel), where you have to draw each and every frame by hand. Animators need time to do this stuff and sometimes don’t when they’ll be done. Hell, animation companies like Disney, Pixar, Dreamworks, etc. need time for this shit and it could take them months or even years to even start the animation process. Even if these companies have a larger budget then Vivzie, that doesn’t mean she can’t full-fill her animation dream. Like I said before, Vivziepop has already released multiple clips from the pilot, talked about the universe of Hazbin Hotel and it’s characters, and overall make the wait for the pilot something everyone can enjoy. If it were a scam, the animation wouldn’t look completed / smooth, Vivzie would not be talking about the HH universe as much, there wouldn’t be as many animation streams being made, etc.

Apparently, the video was so bad, misleading, and plain retarded, Jakeneutron (who is an animator well known for doing stuff related for Steven Universe), told the person off in the comment section along with other people who actually have a brain. This person, this fucking person, was just spouting bullshit claims like how:

“They only care about money than the project”

and

“It takes 6 animators to make the merch line and several days to release the merch line”

This person obviously doesn’t know how to tell a good lie because his claims are total bullshit and easily debunkable. The video might have been deleted since it hasn’t been seen near the top when you search “Hazbin Hotel” on Youtube but I don’t want to say it too soon, but if the video is still up then I recommend to not watch it as, like I said, just an attempt to start drama and get views from a pathetic troll / leech. Seriously, these lies are so bad I feel like my brain cells are slowly dying just reading them.

----------- -------- ------------------- --- ------------------ ----------- - ----

Next one, a video was uploaded seemingly in December of another random person’s “reaction” to the Hazbin Hotel trailer and was pretty bad. One of the most idiotic claims this person kept dragging was that this was for children and it is very inappropriate. How? HOW?!

How is a show about demons, murderers, villains in Hell (with mild cursing and sex jokes) for children? This person literally thinks that anything animated is for children. I swear people with that mentality about animation always being “Family Friendly” are just plain idiots. Like look at Family Guy / American Dad / Bojack Horseman / Mr.Pickles / The NutShack, they all have mature and inappropriate themes in them, and they’re animated.

Generally speaking here, yes I do think young children shouldn’t watch HH for obvious reasons. Yes, even though the characters are really funny and enjoyable and the animation beautiful, it’s not mean’t for a very young audience. You could tell Hazbin Hotel isn’t family friendly the moment they talk about drugs, Hell, murder, genocide, etc. but this person acts like it’s going to corrupt our kids the nano-second they watch it. Not only that, they were involving religion into the video. Unfortunately, due my poor memory, I couldn’t remember what they said, but what I do remember was the title saying “I’m never leaving my church ever again...” and the thumbnail being the person seemingly holding a mini bible. Unsurprisingly, they got a lot of hate from that video, but for some reason the person was liking every comment (including the ones that were going against him), which begs the question, What the fuck? The video was deleted, of course.

Now, oddly enough this person is special in a way. They may just seem like your average slanderer towards HH, but they’re a weird one. You see for some reason this person kept making “review videos” on the HH clips or videos apparently supporting HH. Yeah, excuse me but what the fuck? Are they trying to cover their tracks?

It’s hard to tell if they’re a troll or not because at this point I don’t know. First they slander HH, now they supporting it? What is this person doing and why?

One of my most biggest problems with their HH ‘review’ videos is how the jokes they make are bland, unfunny, and just confusing (to me at least). When they make an attempt at a joke, it’s hard to even call it a joke because it makes you debate whether to laugh or not.

For example, in their “review” to “A Cautionary Tale”, Angel Dust says he’s “Not too big on politics”, and then the person takes out a MAGA hat, wears it, and says “Well, then you and I are gonna get along great!” I think it’s suppose to be a political joke since in the corner it said *Republican joke*, but at the same time it comes across as not really funny.

My second biggest issue I have about them is how they literally have no fucking clue on what they’re saying. Like they have no idea who the characters are, the universe of the show, etc. and honestly comparing them to an average HH fan, they have the IQ of a penny when talking about HH. In their “A Cautionary Tale” review video, they literally claimed there was no such thing as an “overnight” in Hell and that they’ve been hearing people say that everyone in the main cast of HH died in the 1940s (even though most of the characters have different personalities based on when they died, which is not just the 1940s). Yeah, this ain’t it chief.

One of the most stupidest things this guy said was that Alastor was Adolf Hitler himself... Yeah no. Like I’m not sure if this is suppose to be some sort of joke, but judging from this guy’s low knowledge on HH and them being obsessed the 1900s, it seems likely.

Firstly, Alastor died in 1933, New Orleans (which was told by Vivz in one of Ashely’s streams) during the great depression before WW2, while Hitler died in 1945, Berlin during WW2. Literally, you could just google “Adolf Hitler” and it would show you his date of death on the right side of the screen when you google him, and for Alastor you would go to the Hazbin Hotel Wiki. It’s not that hard.

Secondly, if Alastor was Hitler, then he would have spoken in german or german accent, hate Jews / African Americans / Gays / Hipsanics / etc., have a swastika on this arm, and have the signature mustache or at least something like Hitler. Alastor speaks in a 1930′s voice and speaks english, literally (seemingly) doesn’t care about what race or sexual orientation you are, has no mustache.

If you went and researched about these characters more on the Hazbin Hotel Wiki, then you wouldn’t look so stupid especially if you want to be invested in the show’s characters or the show in general.

If you haven’t noticed yet, this person is into some war history judging by his interest of World War stuff. I can understand that they may not know, but (like I said) you could literally go to the Hazbin Hotel Wiki to learn more about the story, rather than make dumb assumptions on things you don’t know. You have the internet, use it.

If you think that making video’s slandering a show or person gonna get you good-ass views, then fuck you. Doing this will do nothing but bring angry fans and confused people believing the things you say. If you find satisfaction from that, you are fucking disgusting and a trashy human being.

5. Roleplay Bullying

Much like HH ship-bullying, roleplayers are being bullied by their way of roleplaying. One that has come to attention is one coming from the Twitter RP-Verse. They roleplay as Alastor and has been acting like a tyrant. You see, they are also an artist who do HH fanart and are well-known for it actually (but I won’t tell who). They would insult roleplayers for their ability or way of roleplaying behind their backs and it’s quite childish for someone to be mad at something so small and idiotic. The roleplayer would use their fans to try and force other rp-ers from the roleplay, as if they control it, which is false and you can’t really control a roleplay, unless someone’s being annoying af and I doubt that this Alastor roleplayer is doing what their doing for that reason. I can understand that territories like this can get pretty hostile, but regards to this specific situation there isn’t really an excuse. I’m not going to go too deep into this topic since (let’s be honest) is another version of HH ship-bullying but except it’s roleplay. Maybe next time I’ll go deeper into this.

So what did we learn today?

Today we learn how truly pathetic us humans can be. How people would go out of their way to conduct such petty crimes to satisfy themselves because they have nothing else better to do in their sad little lives.

I might make a part 2 of this post, since I couldn’t talk about everything I wanted to say in this post since that would take forever to make.

-------- - - - ----- ------- ------------- - ----------- - - - - - - - ----------- - -----------------

Thank you all for read my post!

I wish everyone in this community the greatest and to be safe on the internet. Toxic people are crawling left and right and it is important that we don’t let these people get to us, we are better than these people.

If any of you guys want to make a similar post like this, then go ahead! It would be much appreciated to help spread this awareness and make our or other communities less toxic.

#This post was a bit overdue but I'm still proud of it #vivziepop #zoophobia #zoophobia memes #hazbin hotel #hazbin hotel memes #clickbait slander #false accusations #harassment #art theft #roleplay bullying #HH shipping harassment #this is unreal #this is disgusting

154 notes · View notes

intersex-ionality · 5 years

Text

What follows is a continuation of this discussion with @korrasera .I’m unclear on whether korrasera wants to continue talking about the matter, and that thread is itself extremely long. So, I’m making a new post to explore the matter further and explain my reasoning.

Brooklyn 99 is a magnificent show that portrays black men as wholly rounded, sympathetic characters. That portrays Latina women as diverse and intelligent. That portrays the exhaustion of being a Jew in a Christian society with grace and humour. That portrays the complexities and hurdles of queer life, without turning queerness into a tragedy.

All of these things are true, and all of them are good.

And all of this goodness comes from police.

The show consistently, relentlessly, presents police as good people who sometimes get caught up in a bad or corrupt system.

In fact, these police are so good that they can single-handedly counter the entire history of police violence in the lives of the people around them.

Let’s begin with Captain Holt’s husband, Kevin.

When introduced, Kevin is cold, passive-aggressive, and generally unpleasant towards the police his husband works with. This is portrayed as a terrible character flaw which he must ultimately overcome.

It’s revealed that his distaste for Holt’s coworkers is because for the last 40 years, they have been destroying Holt’s life and their marriage, through sustained, relentless bigotry, both racism and homophobia. But, you see, those were the bad cops. Good cops like the show’s main characters would never do something so horrible.

Therefore, Kevin's perfectly justified, and frankly, correct discomfort around police is a flaw that he needs to fix, and that he is ultimately able to fix when the good cops prove to him that, actually, those other cops were just some bad apples and there are good apples too (and please don’t pay any attention to the fact that bad apples spread rot so quickly through an entire warehouse).

It is only once he gives up his completely justified distrust of people who have been destroying his family for decades, that he is seen as a compassionate and caring character. Only once he accepts that Not All Cops Are Like That does he become the empathetic and kind character we see in later seasons.

There are people who believe, wholeheartedly, that because B99 shows that there are bad cops in the world, it cannot be pro-police. But, most people in the world don’t think all cops are good people, just that most cops are, and that when police violate human rights, they do so for a justified reason. A reason like imprisoning murderers or removing other, corrupt cops from the force.

The reasons that the main characters of B99 also always have for their actions. In the narratives of B99, when police violate human rights, they are always justified in doing so.

When Captain Holt makes a deal to help a mob boss, rather than facing any meaningful consequences for this action, his whole precinct joins together to cover up the deal. They do so by “ensuring” that the mob boss can’t do any harm to anyone. But, they nonetheless engage in a department-wide cover-up of police corruption. This is portrayed positively, as a coming together for the team.

The fact that the department reveals and overcomes other forms of police corruption on sere to prove that when these cops, the good cops do it, it’s justified. It’s righteous. Because they are doing it for good reasons, not bad ones.

When Holt and Jake take recording and observation hardware from the precinct without permission (this is theft, this equipment is stolen), and use it to trick someone into making a confession on tape, then use this recording as a bartering chip to get the criminal to do what they want, this too is justified narrative. They don’t have another choice! Besides, undisclosed recording is legal in New York (though, blackmailing people with those recordings is still illegal, and so is stealing police grades observation equipment, but don’t pay that any mind).

And just in case that early-season blackmail story-line wasn’t enough, the latest season ends with almost beat for beat the same blackmail story-line, except this time the recording equipment isn’t stolen. Instead, a confidential cell phone is illegally cloned and used as evidence to blackmail the chief of police into stepping down. But it’s okay for the heroes to steal the private property of a public figure because he’s a bad guy and they’re doing it for the right reasons.

And, if you’re already inclined to think positively about police, then, when in the real world you see someone do the same thing, you might be just that little bit more willing to believe that their justifications make up for it. Because, again and again, even on exceptionally progressive, well-crafted shows like B99, when the “good cops” engage in flagrant violations of human rights, they’re doing it for the right reasons. They’re working outside the law, but it’s okay because we can trust them to ignore the safety protocols.

Any time the narrative discusses the rightful consequences the main characters should face for these absurd miscarriages of justice, they are proven to have been right all along. Jake goes to prison for being a “corrupt cop” because he is framed by a much worse policeman. But the things he’s framed for are all things he has actually done. Breaking the chain of evidence, taking restricted materiel out of lock-up, keeping confidential case records in his home instead of in the records rooms. He’s “framed” in that we, as the audience, know he did those things for “the right reasons.”

And that gives people a reasonable doubt, when a real-world corrupt cop does all the same things, except he actually is doing them for the sake of corruption. Because we have been primed to see those actions as “technically against the rules, but only if you’re a bad guy.” And the cops on B99 aren’t bad guys. They’re the good cops! The progressive ones! The compassionate ones!

The ones who lock sex workers up in & make fun of them for having STIs. But it’s fine when the good cops do it, again and again, as a recurring gag. Because, hey, they’re diverse!

When Jake Peralta keeps a man trapped in an interrogation room for almost a full 24 hours without sleep or food and screams loud, relentless music at him, lies to him about what they know, threatens a young black man with jail time to force a confession out of him?

Sleep deprivation, isolation, exposure to loud noises, threats, all of these are forms of torture. But Jake’s right. The man was a murderer. And technically, those tortures are legal, so it’s fine. Jake himself, in the episode, talks about how it’s actually really fucked up that he can do all of these things. And then he does them anyway and is rewarded for it.

Again and again, the show says, “police malpractice and violence is bad,” and again and again, it tacks on, “except when our protagonists do it because they're doing it for the right reasons.” The thesis of the show could easily be described as, “police malpractice is a horrible crime that must be overcome., and the only way to overcome it is with more police malpractice.”

And that feeds directly into people believing that when the cops in their home town do something horrible, they were probably justified too. Because the police in their town are “the good ones” too.

This isn’t like anti-shippers with their proclamations that fan-fiction is making people think raping children is totally a good thing. As a general rule, it’s accepted in our culture that raping children is fucking heinous. Fan-fiction isn’t going to stand up in the face of that. In fact, it’s so accepted that actual science doesn’t stand up in the face of it (what a great time to remind everyone that most rape of children is not perpetrated because of sexual attraction but because of violent power-seeking behaviour, the same as any other type of rape, and pretending otherwise makes it harder to combat this specific form of rape).

The general opinion of policing in the US, however, is positive. The consensus of most people is that “most cops are good, it’s just a few bad apples who need to be thrown out before they rot the rest of the barrel.” B99 espouses that exact same message. It completely matches the general perspective of police in the US. And for people who already hold those views because they’re the dominant ideological framework? Shows like B99 reinforce them. For people who are on the fence, shows like B99 make supporting police even when they’re miscarrying justice and abusing human rights, seem normal.

Pretending that this unfortunate truth is just “overly simplistic” and an attempt to silence discussion is wildly misrepresenting the facts of the show, the fandom, and the way propaganda works.

Propaganda is biased media that influences other people to share those same biases. And while most of B99’s biases are positive, and most of its goals are laudable, the fact of the matter is, it’s a show where cops are the heroes. Full stop. There are bad cops, too, but the heroes of the show are the police. And their heroic actions are justified, no matter how extrajudicial or immoral they are. Their ends always justify their means, because they’re the heroes.

B99 is magnificent as a piece of representative media. It strives to make the world a better place!

It also does so by portraying cops as the ones making the world a better place even when they’re behaving immorally.

Both of these things are true, and in fact, it is the excellence of the show as a whole that makes it such compelling police propaganda.

ETA: For whatever reason, korrasera is now claiming that I blocked her so that she would not have the chance to respond to this post. That’s incorrect. I have not blocked korrasera, and she is welcome to respond if she likes, just as you all are. I’m happy to continue this discussion if you all like.

I misunderstood that post, but nonetheless, I’m open to continuing this discussion.

#propaganda #police #copaganda #b99 #Police propaganda

164 notes · View notes

repost-this-image · 4 years

Text

I made a PSA. I hereby give you permission to post it wherever. (Again, you can do this because I, the creator of these images, specifically have given you that permission.) Please support independent artists. A transcription is at the bottom of the post for those who need it.

Transcription:

Digital Art Theft: What it is, and why you should care The story of art and art theft goes hand in hand with the history of copyright. So why does that exist, anyway?

Whose genius idea was copyright law??

In the beginning, there was no such thing as copyright. ⦁ Books and artwork had to be carefully produced by hand. ⦁ Each new copy of a book took the same amount of time to produce, no matter how many copies you wanted, so there weren’t a lot of copies of books that weren’t religious texts (like the Vedas or the Bible). ⦁ Because it took so long to write and bind a new copy of a book, an author’s livelihood wasn’t affected by other people making a copy.

Gutenberg Changed Everything

The invention of the movable-type printing press was HUGE, y’all. ⦁ You didn’t have to write really slowly to make each letter neat and legible; the type blocks were already made before you produced a book. ⦁ Once you’d set up a page, you could make as many exact copies of that page as you wanted, which meant you could print hundreds of copies of a book at a time. ⦁ Because it was easier to print a lot of books, you didn’t have to charge as much, so lots more people could afford to buy your books!

There was just one problem. ⦁ When it’s easy to publish and print lots of copies of your books, other people can also print lots of copies of YOUR books. And make money off them. And if their copies are cheaper than yours, you lose sales, which means YOU DON’T MAKE MONEY and could become a STARVING ARTIST. (Or author. Whatever.) ⦁ But that’s not all. That other printing house? Doesn’t give nearly as much of a shit about your book as you do. They’re printing out the bargain-basement version of your book, after all, so it doesn’t have to be as nice as your Super Official Version. So they’re gonna make a lot more printing errors than the official copy that you originally ordered. ⦁ Oh, and if they don’t like the ending? They could just fucking change it, and then people don’t know which ending is the real one that you wrote. ⦁ So in addition to not making that sweet, sweet sales money, your reputation takes a hit. Ouch.

Copyright was the solution, but it wasn't perfect. ⦁ On the one hand, an author got to choose which printers had the right to make copies of their books, and nobody else would get to print copies for 14 years after the original print date. So you could control the quality and sales of your books, and actually make enough money to support you while you wrote a second book. ⦁ BUT without those cheap, shitty bootlegs, books got a bit more expensive again, so fewer of the unwashed masses could afford books. It’s a tradeoff. ⦁ Why 14 years? Because it was assumed that most of the people who were gonna buy your book, would buy it within that amount of time. Sure, some people would buy it later than that, but not enough for you to really rely on those later sales.

Wait, only 14 years? ⦁ That’s right. In 1710, when England and Scotland created the first copyright laws, your copyright expired after just 14 years. ⦁ Copyright law has been changed several times over the centuries to make that period last longer. ⦁ The most recent change to US copyright law, for instance, was the Sonny Bono law in 1996 (yes, that Sonny Bono). This is why there were a lot of companies selling VHS tapes of popular cartoons before 1996, but when DVDs became mainstream a few years later, there were no DVD versions made—those cartoons had their copyright renewed right after the Sonny Bono Law passed, so it wasn’t legal for those other video producers to make and sell unlicensed copies of those cartoons anymore. ⦁ That’s right, the tapes in the photos on this slide, that look like cheap bootlegs, were LEGALLY PRODUCED. Because the old cartoons on them were, at that time, in the public domain. And they’re not anymore.

So what does this have to do with online art? ⦁ Copyright law still applies to art. Yes, even if it’s made on a computer. Yes, even if the artist chooses to post that art on the Internet. ⦁ Because the artist gets to choose how their art is distributed, an artist can say “Do not repost to other websites, and do not reblog without this caption,” and it is legally binding. ⦁ If an artist wants to sell prints of their own art, they can legally do that. But you can’t sell or distribute prints (or digital copies!!) of their art without their express permission. ⦁ Because we currently live in a capitalistic society, ARTISTS NEED TO MAKE MONEY OFF OF THEIR ART IN ORDER TO BE ABLE TO PRODUCE ART FULL-TIME. If they can’t make money off of it (say, because some asshole is off posting hi-res copies of it on other websites without permission and without giving the artist credit), then THEY HAVE TO GET ANOTHER JOB AND DON’T HAVE AS MUCH TIME TO PRODUCE ART. Which means you get less art.

Small-time artists aren't like major corporations. ⦁ When you make a bootleg of a Disney movie, or Disney’s promotional art (for legal reasons, I wish to point out that you SHOULD NOT DO THIS because it’s ILLEGAL and DISNEY CAN AND WILL SUE YOU INTO THE POORHOUSE), you’re preventing a massive, multinational corporation (which has unethically devoured hundreds of other corporations, btw), which already earns billions of dollars in profits every year, from making $20. That’s a drop in the bucket. ⦁ But when you make illegal copies of a small-time artist’s art, that’s just a regular, not-ludicrously-wealthy person, who relies on sales and commissions to earn a living. That money could be the difference between them buying groceries next week, or having to have a glass of water for dinner for a few days.

The moral of the story: ⦁ Support small artists and small businesses! ⦁ The only viable replacement for copyright laws that both allows artists to spend time Making Art and also allows you to make all the copies you want, is SOCIALISM. You just can’t have it both ways under capitalism. It doesn’t work. ⦁ This, by the way, is also a reason I support a Universal Basic Income: so that art theft doesn’t prevent independent artists from being able to do what they love full time, because their survival doesn’t depend on selling prints or drawing commissions for That One Guy who wants art of his unusual, weirdly-specific fetish that the artist REALLY isn’t into but hey, he’s shelling out $300 for it and money is money.

⦁ Also, if you remove an artist’s watermark to repost their art somewhere else, you’re both an art thief and a HUGE asshole. DON’T DO THAT.

#art theft #copyright #PSA #piracy

1 note · View note

laine-o · 5 years

Photo

Hi everyone.

I have been dealing with a lot of art theft and reposting this week. And honestly, I’m just tired of it. At some point, do I just accept it and hope the thieves just credit me or not remove my watermarks? So far one repost account didn’t put up a fight when I asked for my art to be deleted. One fic writer who was a follower ultimately blocked me on twitter after taking my art down, but had edited, filtered and removed my url/watermark when I discovered they had used my artwork for their cover art.

I’m so sick of this. I draw for free. Art isn’t my career. The least everyone can do is respect my art and not repost and ask for my permission to repost. I don’t want to have to resort to another art account on Instagram, I don’t want to maintain a second account in addition to my personal account.

My purpose in drawing was because I wanted to contribute to the SS fandom, keep the tag alive and make friends. If the url or credit is removed, the connection never makes it back to me.

I’m thankful for the friends I have made in the fandom from sharing my art. You have all been such wonderful people. I’m so grateful I have people to fangirl and just be excited with.

But I’m so torn. I’m at this crossroads where I have always known that people simply don’t care about artists. I have done my best to resist reposters, but now it’s starting to happen to me more and more and it’s starting to become painful to see my art yet again, on someone else’s account.

I’m not sure what I want to do at this point to address this. I have promised myself I would watermark my art more obviously so at least it can’t be removed easily and then just carry on as I have been? But will it be enough to see my watermarked art on another account but at least not cropped or blurred out? Should I just make a protected twitter and stop making my art public? I really understand now why many artists have left the fandom or stopped posting artwork online. It’s exhausting. I’m tired. I’m upset. I’m sad.

I’m sorry I’m posting this again, my other post isn’t showing in the tags and I really feel like I need to call attention to this issue, not for myself, but for artists, cosplayers, writers, for all the content creators everywhere. Thank you everyone.

#sasusaku #reposters suck #please stop this and respect content creators please #i dont know what to do at this point #my art #if at the very least #if you take anything away from this post #is to please not do this to artists

136 notes · View notes

kindabraveandlittlestupid · 5 years

Photo

Why Tumblr Chooses Censorship

It’s a strange day to jump online and suddenly hear about a major policy change on Tumblr from a few people I talk too. Words like “Total Bullshit”, “End of Tumblr”, “Burning Garbage Heap” and so on tossed among them to describe the policy change. Curious enough I logged on began reading over all the purposed changes and I admit I am a bit disheartened. Usually when a digital institution like AOL, Yahoo, Napster, or MySpace falls it because they didn't evolve and became stagnant in what they were providing the internet. I can’t think of a time where a site willfully regressed its own freedom of speech on a broad scale and basically swallowed a poison capsule that destroys their user base (perhaps deservingly so) but here we are.

That point aside, I am trying to have insight and hindsight to understand how/why they were pushed to this reckless conclusion (I will be leaving foresight out because I think Tumblr lacks foresight, the exodus from Tumblr will dramatically change the culture of this site likely for the worse). Tumblr like any social media medium is struggling in the current age of the internet; Bots, Far Right Extremists, Fake News, Illegal Porn, Data Theft, and so on. Many companies are walking this fine line between trying to combat these problems while preserving freedom of speech.

I struggle to find my own footing on this topic because I believe that society with LESS censorship historically does better. You look to countries in the past that repressed sexuality, individual thought, and so on; those countries were often the ones to invite the rise of repressive groups doing atrocious acts in history. While on the other hand because of this open and free social media platform we all see the echoing of those same repressive groups (who are also on Twitter, Facebook, Reddit, and Youtube) and to simply say/do nothing about their posts will inevitably allow them to rise still. This is where I struggle as I believe in that concept of a free society but I do feel that removing fake new stories is essential for the health of democracy.

I imagine the reason why sexual images are the target is that Tumblr makes things so easy to post. It's not hard to imagine pictures of minors getting liked or reposted from one blog or another happening. The problem is many of those pictures will circulate for a long period of time not being flagged as underage and there is good chance that every user has knowingly or unknowingly looked at an image like this on the web. I explore the porn side of Tumblr and have once or twice encountered a Tumblr full of these images at which point I couldn't close that tab fast enough and get the hell out of dodge. So Tumblrs solution of handling this problem instead of playing whack a mole with these underage accounts? Ban all adult content.

I can understand this motivation being a foolproof way of making sure there is no underage porn because there will be no porn. I imagine the result will be very effective, so effective that the various members of the community be they straight, bi, or gay who had their own private collection of legal adult material on Tumblr will stop visiting the site. A slow-moving exodus of users from Tumblr this site to perhaps a new blogging alternative that isn't so restrictive. I don’t suspect Tumblr will be closing its doors the week after the policy kick in (though they will see a HUGE decline in traffic) but even the PG accounts will likely move on because a sizeable user base shifted away and people want to be where the party is at. And much as I love Tumblr, it will not be here (sadly).

PC Culture VS Censorship Culture

One thing I noticed on the various posts is some people attempting to blame this policy change on the PC Culture. I am not sure I believe that as a valid argument. While I don't get along with PC Culture all the time (part of my free society is believing that humor is apart of it and PC Culture doesn't always like humor), I do think PC Culture has a broad/accepting view of orientation and sexuality. Just important is people having the right to explore those thoughts and feelings of their own free will. Tumblr has been one of those sites allowing emerging gay men and women to find others like them but also explore their sexuality with images/gifs/videos. What Tumblr might have not noticed is that the site itself is kind of a cultivation of the best images from the web, sure you can find some pretty hard porn on occasion but of all the adult sites on the web, Tumblr provides an almost artistic lense to the images that come thru the site.

Censorship can come from various political/social/religious groups but this sort of censorship against the human body, sex, and sexuality, in general, comes from a very conservative mindset. People who don’t wish to see nudity in any form on any medium; people who think a woman's nipple is lewd, that breastfeeding publically is disgusting, and that anything remotely sexual is a sin. And by the nature of Tumblrs policy change their beliefs align themselves alarmingly close to these individuals.

There is a thin veneer of progressive views on the site that remains where they say they are ok with this and that like gender orientation surgery but its just that a veneer. Once a person has transitioned anything that is shared of their new body (nudity or sex wise) beyond the initial transition falls into the realm of ‘smut’ by Tumblrs policies. I imagine the perception they are trying to sell us is “Hey we are still the same progressive safe haven for LGTBQ community! Stay with us!” but secretly thinking “Everything you enjoy in the bedroom is horrible and we fucking hate you.”

Perhaps I am being hyperbolic in that statement but damn if it doesn't feel like a vast policy of censorship on the human body. And whenever this happens (historically) it always comes from hyper-conservatives.

A General Attack On Expression and Orientation

I touched on this topic a little bit above but I feel it's worth stating again that Tumblr might be losing its safe-haven status for gender expression and sexual orientation. When scrolling through Tumblr you will likely see those new expressions of genders that is beyond that of ‘traditional’ male and female definitions. And while I don’t have any attraction to some of these new expressions, I understood why they are there and don’t get upset if/when the cross my feed. Like two men having sex my mind thinks “Not for me but I am sure that will make someones day”. I view sex (in all its forms) as natural, I don’t have to be into it for me to be ok with it (if that makes sense). It’s visual participation if that image you see isn't a turn on for you and does nothing for you, simply move on.

Tumblr’s policy doesn't seem to care about this concept of visual participation and while it is taking away my straight/lesbian porn I enjoy. It is also sweeping up all these new forms of expression and orientation in the process.

I am not sure what else to say... I am a straight male and I try to have a deep empathy for other people when I can. I feel this argument can be better structured but I also come from a position where I don’t know all the details. I add this to the post because Tumblr seemed to go out of their way to suggest that they would protect this community but from a long view that doesn't seem to be the case.

A Lessons To Be Learned

I am not going to say fuck Tumblr. I don’t want to see them fail. I liked what this space was about and what it provided. I prefer they reconsider changing the guidelines and consider a different course of action but I also understand why they want to do this. It’s “The Easy Way” to do things. If they ban all porn then it simplifies managing underage nudity and allows the site to have less criticism drawn to it.

I do, however, think this broad censorship approach will ultimately hurt the site and the community though. People will leave, alternative websites will arise and Tumblr will eventually become no more. I am not going to tell anyone to boycott or delete their accounts. I plan to collect my writing and images, backup my favorite adult gifs (might need to buy a hard drive) and settle into this new reality. I know I will personally be visiting the site less as I used to look at porn here at some of the better cultivated Tumblr archives. That lack of traffic by me and all the other users will hurt the company. I hope they understand eventually I won't show up at all and over time, eventually, no one else will either. Maybe the site will survive and change into something else but right now under these conservative policies of censorship, Tumblr won't last.

Sad Regards, Michael California

Update: Posted this originally with a woman in a shower with large censorship bars over the naughty bits. Flagged despite the fact she was more covered than most Sports Illustrated models. I know I just wrote above I am not advocating leaving the site... but after all this and the fact that Tumblr Support finally responded to a far-right Tumblr blogger photoshopping/doctoring a PM conversation we had before posting it to his blog. I feel as though Tumblr A) hates sex and sexuality B) not only enables but protects racism and harassment on this website. I think it’s time to move on.

#Tumblr #Tumblr Suppor #Staff #Policy Change #Tumblr Policy #RIP Tumblr #Censorship #Tumblr Ban #Tumblr Purge #Community Guidlines #Tumblr Community Guidlines

244 notes · View notes

moiraineswife · 6 years

Text

Autistic!Jasnah: Masterpost

Okaaay, so, as you might have guessed from the title, this post is a long list of reasons Jasnah Kholin is autistic af.

The short version: Jasnah is autistic because I, a Known Autism, say so. Have a nice day.

The long version (format): A long series of chronological quotes that all follow this pattern: Quote. *Insert ramble about why this is an Autistic Thing* *Possible and probable further ramble about why I’m emotional about that.

That’s literally it, people. Buckle up, I’ve picked through all three books (yes all three) to compose this post for y’all. It’s not going to be short.

To business:

The Way of Kings:

Jasnah glanced at Shallan, noting her, then returned to her conversation.

Introducing Jasnah ‘I don’t have time for social niceties I’m busy’ Kholin. From the first interaction she’s...Bad at interacting. Iconic.

“Then we shall do an evaluation. Answer truthfully and do not exaggerate, as I will soon discover your lies. Feign no false modesty, either. I haven’t the patience for a simperer.”

Jasnah is both blunt, direct, and honest in her speech as she is in her expectations from others. She doesn’t have the energy to deal with manipulation/lying/tarting up the truth to make it more socially acceptable bc she is a busy autistic lady with shit to do. (really, though, what she’s literally demanding here is the first rule of the autistic’s guide to easy conversation. Clear. Simple. To the point. To frills, no fuss.)

Jasnah didn’t argue further, and Shallan could see from her eyes that it was of no consequence to her if the king risked his life. The same apparently went for Shallan, for Jasnah didn’t order her away.

People do what people want to do and Jasnah doesn’t waste any time pretending she cares/that it matters to her for the sake of appearances. Again, this woman has a vendetta against typical social niceties and I love it.

“Now?” the king said, cradling his granddaughter. “But we are going to have a feast—”

“I appreciate the offer,” Jasnah said, “but I find myself with an abundance of everything but time.”

Do I need to point out the lack of social niceties again or are y’all sensing a pattern at this point? *King lovingly embraces his darling granddaughter that Jasnah just saved and orders a feast prepared in her honour* Jasnah: ‘Thanks but no I’m too busy to socialise.’

Jasnah was also a rationalist, a woman with the audacity to deny the existence of the Almighty himself based on her own reasoning. Jasnah would appreciate strength, but only if it was shaped by logic.

Jasnah feelings>>>>>>logic. This is a fairly common theme, of Jasnah being ruled less by emotions/sentiment/societal pressures/expectations and much more by logic/her own reasoning. She has her own way of looking at the world, her own rules for how it works, and she won’t be swayed by anyone else’s opinions on how she should feel/behave.

Jasnah turned to look out of the balcony into the dark space of the Veil. “I know what people say of me. I should hope that I am not as harsh as some say, though a woman could have far worse than a reputation for sternness. It can serve one well.”

Jasnah not being very self-aware in how people actually perceive her is also an autistic thing. Shallan notes several times that Jasnah is actually nowhere near as harsh/stern as she’s reputed to me, and, more importantly, she’s nowhere near as harsh/stern as she perceives herself to be. She also fails to note that Shallan actually enjoys the work/the challenge. This also implies that she takes what people say about her at face value and doesn’t have the necessary social skills to refute them.

Shallan tried to judge Jasnah’s mood, but the older woman’s emotions were impossible to read.

Again, this is a fairly common autistic trait. We struggle to read other people’s body language, but they often struggle to read ours as well. A part of this is probably Jasnah deliberately cultivating this kind of persona, but even so, she’s too unsure of how she comes across to have completely mastered this.

Jasnah carefully removed its contents, neatly lining up the brushes, pencils, pens, jar of lacquer, ink, and solvent. She placed the stacks of paper, the notebooks, and the finished pictures in a line.

Oh look, it’s one of the world’s biggest Autism Stereotypes (which I’m totally guilty of too): lining all the things up neatly, and making them Orderly.

At least with Jasnah one knew where one stood.

Jasnah of the straightforward, blunt honesty and ‘what you see is what you get’ strikes again.

When Jasnah was deeply immersed in one of her projects, she often ignored all else.

And here we see the Autistic Jasnah in her natural habitat: hyperfixating on her special interest.

The rest is under the cut for length!

Jasnah had elegant handwriting, of course—Jasnah rarely did anything without taking the time to perfect it.

Jasnah not doing anything unless it’s done Properly and Right according to her? Also Jasnah being indifferent towards things she hasn’t put any time into perfecting (such as drawing).

“I always forgive curiosity, Your Majesty,” Jasnah said. “It strikes me as one of the most genuine of emotions.”

Again, Jasnah encouraging/reacting positively to genuine/honest emotions because she doesn’t Understand the whole guile/lying/not being honest thing because honestly what is the point?

“Must someone, some unseen thing, declare what is right for it to be right? I believe that my own morality—which answers only to my heart—is more sure and true than the morality of those who do right only because they fear retribution.”

Honestly, just, this whole thing. For a start it’s a massive transgression of the Vorin social norms/expectations, especially for Jasnah as a prominent public figure as the sister to the king. For another it’s that internal rules thing again. Jasnah’s world operates according to Jasnah’s principles and Jasnah’s understanding of it, no-one else’s.

But Shallan had caught a handful of occasions, mostly when Jasnah had been distracted, and had apparently forgotten she wasn’t alone.

*Jasnah ignores social expectations so hard she literally forgets other people exist in the world* Also, again, the hyperfixation on special interest.

“And yet, those men are off the street. The people of this city are that much safer. The issue that Taravangian has been so worried about has been solved, and no more theatergoers will fall to those thugs. How many lives did I just save?”

“I know how many you just took,” Shallan said.

Jasnah has a habit of doing this, this very cold, calculated, logical and pragmatic way of seeing the world as well as morality. Shallan considers the lives taken, the emotional aspect of the moral dilemma, the horror of murder. Jasnah just sees it almost as statistics, as four lives taken to save many more. Shallan also focuses on the cold hard facts of ‘I know how many people you just killed’ while Jasnah is engaged in weighing up the probability of how many she just saved. (In theory, the thugs might never have attacked anyone again, so Jasnah might not have saved anyone by her actions, which I think is what Shallan is getting at here. But that’s just...A moot point as far as Jasnah is concerned)

This is also an example of her black and white thinking. There’s more net good in what she did than there is net bad. That’s where her questioning/reasoning stops because it makes sense to her. Shallan exists in the grey area, but I don’t think Jasnah even sees it in cases like this.

But it wasn’t the act itself so much as the cold callousness of it that bothered her.

This is an interesting one, and something I’ll talk about more a bit later, probably, but the way Jasnah comes across vs how she actually is. I totally get why Shallan views what she did as cold and callous, and in a way I suppose it was. It was fully planned and fully intentional. But I think for her it’s this kind of...separation between logic and sentiment. I think Jasnah feels very strongly and very deeply, but she doesn’t often display that to other people, and I also think she believes there’s a time and a place for that. Also, black and white thinking again. It comes off as cold to Shallan, but for Jasnah I think it feels more like common sense.

“You only needed to kill one of them.”

“No, I didn’t,” Jasnah said.

“Why? They would have been too frightened to do something like that again.”

“You don’t know that. I sincerely wanted those men gone. A careless barmaid walking home the wrong way cannot protect herself, but I can. And I will.”

Again, black and white thinking. (I’m also surprised this moment doesn’t generate more Discourse...Or maybe it does, I’ve just avoided it, either way) This is both a case for Jasnah not being able to predict people’s responses/behaviours, and also black and white thinking/internal rules at play. As far as she’s concerned those men are criminals. She has no assurances that they won’t hurt anyone else again. They’re already criminals, and there’s no chance for redemption or leeway, here. She’s made up her mind. They’re all criminals. They’re all dangerous. They all die.

Jasnah closed her eyes again, handing the brush toward Shallan. “Fifty strokes tonight, Shallan. It has been a fatiguing day.”

A)- routines the ‘tonight’ and the familiarity of this implies it’s something that happens every night. And the ‘fifty strokes’ is either another routine related thing, or an internal rule thing. Either way. Also this is probably a stim thing, since she’s using it to relax/de-stress.

Jasnah tapped her desktop with a fingernail.

Stimming.

“Brightness Jasnah does NOT like people entering her room. The maids have been told not to clean in there.” The king had promised that his maids were very carefully chosen, and there had never been issues of theft, but Jasnah still insisted that none enter her bedchamber.

Definitely, definitely, definitely an autistic thing. Issues with people entering Your Spaces or touching Your Things is a big autistic thing. (especially because the assurances about thieving don’t change her mind) Also the emphasis on not as in ‘this is a thing one absolutely does not do unless one wishes to die’.

“She’d believe me,” Shallan said. “She thinks she’s far more demanding than she is. Or…well, she is demanding. I just don’t mind as much as she thinks I do.”

Again, Jasnah taking what people say of her/how they say they perceive her at face value, and also lack of self-awareness in how people actually respond to her.

Jasnah regarded Shallan, face stiff, impassive. “I have been told that my tutelage is demanding, perhaps harsh. This is one reason why I often refuse to take wards.”

“I apologize for my weakness, Brightness,” Shallan said, looking down.

Jasnah seemed displeased. “I did not mean to suggest fault in you, child. I was attempting the opposite. Unfortunately I’m…unaccustomed to such behavior.”

Two things here: one, I’m like, 99% certain that Jasnah, who has been camped out at the hospital all this time waiting for Shallan to wake up is feeling anything but ‘impassive’ at this moment, in which case this is an example of her body language/facial expressions not matching up properly to her actual internal feelings, which is fairly common. And two: Jasnah’s apology being taken for a rebuttal and her obvious displeasure at it coming across that way when she literally intended the opposite (been there).

Also her general air of uncertainty/discomfort in this setting, which is one that’s obviously social/emotional. Also the fact that she pins her poor apology on lack of practice/familiarity with these kinds of interactions when, in theory, these kinds of things should come naturally to people. So like, lil bit of hinting/implication of scripting social things her, which I think her initial words reek of as well, as she’s said similar things before.

“You make it sound as if you were waiting out there.”

Jasnah didn’t reply.

“But your research!”

“Can be done in the hospital waiting chamber.” She hesitated. “It has been somewhat difficult for me to focus these last few days.”

“Jasnah! That’s quite nearly HUMAN of you!”

Again, a few things here, firstly that Jasnah is othered in a way by Shallan (and this isn’t the only time this happens, either) because of her lack of emotional response/social stuff. Secondly the fact that she’s clearly uncomfortable/struggles with this kind of conversation – the hesitation, the lack of responses are very much at odds with her usual composure and the way she has an answer for literally everything.

Words of Radiance:

She was all too glad to be leaving the stuffy room, which stank of too many perfumes mingling.

Prologue and we’ve already got Jasnah experiencing sensory issues in a crowded room with lots of perfume. What a way to kick things off.

“Many people consider that sort of thing enjoyable.”

“Many people, unfortunately, are idiots.”

Her father smiled. “Is it terribly difficult for you?” he asked softly. “Living with the rest of us, suffering our average wits and simple thoughts? Is it lonely to be so singular in your brilliance, Jasnah?”

A)- Jasnah obviously not enjoying social events/parties (she literally spends all of this one...contemplating the assassination she’s plotting. Like. Mood.)

B)- Gavilar’s comment is...Strangely sad, I think?? And perhaps a bit too on point. (This is very much just my reading of things but)...I don’t know. I see Jasnah trying to make a little quip/a joke here and it being misinterpreted because of her tone. And then, again, there’s that idea of othering that came up at the end of TWOK.

But I think the ‘is it lonely to be so singular in your brilliance?’ I think that....A huge part of that ‘brilliance’ comes from a mixture of Jasnah’s autistic traits: her special interest/her focus in them/her dedication to pursuing them...but also that sense of being other. Of not fitting in. The rest of “us” she doesn’t belong, she doesn’t fit.

And I think this idea of their ‘simple thoughts’ as opposed to Jasnah’s brilliant ones is a little like what we see with Renarin in Oathbringer, where Adolin explains that he isn’t trying to be lofty and brilliant, people sometimes just have difficulty following him. And I think this is what’s happening with Jasnah here (and in other places, she frequently talks about the difficulty she has in teaching, and how her methods are too intense and involved)

And also I think that....The saddest bit about this is that I think she was....Trying to joke here? Trying to fit in with those ordinary people, ‘the rest of us’, and just making a sarcastic joke on the back of her father’s comment about most people enjoying parties and she just sort of ‘well, most people are idiots aren’t they?’ And that’s what prompts this little moment here. So even when she’s trying to fit, and trying to belong, she’s still cast as the outcast, and misunderstood, and othered and it Hurts Me.

I, she thought, need to write this experience down.

She would do so, then analyze and consider. Later.

She literally topples into another world, effectively, and is just like ‘hm, I should make some notes on this and analyse them’. And. Yep. This is how she processes the world. By making sense of it, by treating everything according to Jasnah’s rules: it gets written down. It gets analysed. It gets understood. Bam.

Jasnah ignored the eyes of the sailors. It wasn’t that she didn’t notice men. Jasnah noticed everything and everyone. She simply didn’t seem to care, one way or another, how men perceived her.

Jasnah ‘I don’t have time for social expectations’ Kholin strikes again. Jasnah also just doesn’t care how anyone perceives her, social norms and expectations can go fuck themselves .

Jasnah grimaced at the thought. Shallan was always surprised to see visible emotion from her. Emotion was something relatable, something human—and Shallan’s mental image of Jasnah Kholin was of someone almost divine.

Again, the othering idea, as well as visible emotion being startling, as she’s typically so withdrawn/closed off/difficult to read. Yes friend, u guessed it, this is Peak Autism. Also the specific word in it being ‘relatable’ again marks that difference between Jasnah and...Everyone else. Again she’s different, again she doesn’t quite fit.

Jasnah relaxed visibly. “Yes, well, it did seem a workable solution. I had wondered, however, if you’d be offended.”

“Why on the winds would I be offended?”

“Because of the restriction of freedom implicit in a marriage,” Jasnah said.

Again, Jasnah misreading things/not being able to anticipate how people are going to react to different things. Also her view of marriage as ‘restricting’ says a lot about how she sees it/probably relationships in general.

Power is an illusion of perception.”

Shallan frowned.

“Don’t mistake me,” Jasnah continued. “Some kinds of power are real—power to command armies, power to Soulcast. These come into play far less often than you would think. On an individual basis, in most interactions, this thing we call power—authority—exists only as it is perceived.

“You say I have wealth. This is true, but you have also seen that I do not often use it. You say I have authority as the sister of a king. I do. And yet, the men of this ship would treat me exactly the same way if I were a beggar who had convinced them I was the sister to a king. In that case, my authority is not a real thing. It is mere vapors—an illusion. I can create that illusion for them, as can you.”

This right here is Jasnah explaining passing, without ever using the word ‘passing’. This is how Jasnah sees social interactions. They’re all illusions, they’re all, effectively, lies. They aren’t real to her. How people perceive others isn’t something that she can fit into her box of neat facts and logic. It’s this ever changing, insubstantial thing, ‘mere vapours’. And though she’s talking here about power and authority, the basic principle applies to literally every single social interaction ever. Aka: the secret behind how Jasnah Kholin (somehow) managed to convince ppl she’s allistic.

The orders of knights were a construct, just as all society is a construct, used by men to define and explain. Not every man who wields a spear is a soldier, and not every woman who makes bread is a baker. And yet weapons, or baking, become the hallmarks of certain professions.”

Actual footage of Jasnah Kholin going to war against social constructs and their flimsiness.

It was a picture of Jasnah, drawn by Shallan herself. Shallan had given it to the woman after being accepted as her ward. She’d assumed Jasnah had thrown it away—the woman had little fondness for visual arts, which she considered a frivolity.

Instead, she’d kept it here with her most precious things.

This is one of my favourite Underrated Jasnah Moments tbh because it says so much about her with such a simple gesture. We’ve established from the past book and a half that Jasnah is pretty bad when it comes to social interactions, and she’s even worse when it comes to displaying her emotions. But she’s not emotionless. She, personally, doesn’t see the value in visual arts, and hasn’t dedicated any time to it herself. Yet she keeps the gift that Shallan gives her. She understands how important this is to Shallan, and she quite literally treasures the art that Shallan gives her, and keeps it with her precious research/notes (and, like, Symbolism with her keeping her sentimental gifts and logic fuelled research in the same place/with the same level of importance/value, except one is hidden, and one is displayed)

And, like, Shall literally assumes Jasnah had just thrown away the picture?? And instead she’s got it kept safe with her most treasured possessions? Like??? The TL;DR version of this point is that Jasnah is horrendous at displaying her emotions/showing people how she feels about them/what they mean to her, but she feels things, goddammit. And now so am I.

What of this Sadeas? she thought, flipping to a page in the notebook. It listed him as conniving and dangerous, but noted that both he and his wife were sharp of wit. A man of intelligence might listen to Shallan’s arguments and understand them.

Aladar was listed as another highprince that Jasnah respected. Powerful, known for his brilliant political maneuvers. He was also fond of games of chance. Perhaps he would risk an expedition to find Urithiru, if Shallan highlighted the potential riches to be found.

Hatham was listed as a man of delicate politics and careful planning. Another potential ally. Jasnah didn’t think much of Thanadal, Bethab, or Sebarial. The first she called oily, the second a dullard, and the third outrageously rude.

She studied them and their motivations for some time.

Right. Now. Correct my autistic ass if I’m wrong, here, but I’m like 89% certain that ‘taking notes on the basic personalities/literally studying the people around you and making notes on the way they behave so you can actually understand them’ is not a typical allistic thing to do.

Shallan turned back toward him. That pride in his voice didn’t at all match what Jasnah had written of the man.

Jasnah can literally predict the oncoming apocalypse by the power of research, can she pin down some basic Facts about the people she’s observing around her? Nope. I wonder why.

“She wouldn’t let me be a mother to her, Dalinar,” Navani said, staring into the distance. “Do you know that? It was almost like . . . like once Jasnah climbed into adolescence, she no longer needed a mother. I would try to get close to her, and there was this coldness, like even being near me reminded her that she had once been a child. What happened to my little girl, so full of questions?”

Two things: one, this is probably (agonisingly) relating to whatever trauma Jasnah experienced as a child and I’ve got Painful Emotions about it. Secondly, Jasnah being very mature for her age/shucking Navani’s influence because it wasn’t what she thought she needed/wanted is, like, not exactly the most tactful/self-aware/socially conscious thing in the entire universe.

“You’re still human,” Shallan said, reaching across, putting her hand on Navani’s knee. “We can’t all be emotionless chunks of rock like Jasnah.”

Navani smiled. “She sometimes had the empathy of a corpse, didn’t she?”

Oh look, it’s canon low!empathy Jasnah: from the words of her own mother no less.

(Also, small note here, as a low!empathy autistic myself: I really love the way Jasnah is written because it complements my own understanding of empathy which is...Fairly complicated. Jasnah isn’t just like none and done here. It’s not that she just doesn’t feel empathy so she doesn’t care? She isn’t characterised as this brutal, unfeeling, robotic ice queen. There are a lot of nuances and complexities here as to how she relates to those around her and I love it.

She obviously loves her family very deeply, and is driven to protect and help them (in a very practical, logical way I might add. Which is typically how I relate to care/love as well. You want a shoulder to cry on? I’m going to sit there awkwardly, pat you on the head, and hope you stop soon. There’s a practical solution to your current problem? Heaven and earth will be moved to achieve it.) She keeps Shallan’s drawing, even treasures it. And I think that she obviously....Feels her lack of feeling (if that makes sense)

See: the hospital scene with Shallan where she attempts to apologise. She’s...Uncomfortable with the emotional aspect of things, and she’s completely wrong about Shallan’s intentions, and actually her actions as well. There’s a block there with the empathy...But that’s obviously something that doesn’t exactly...Sit right with her? She’s quite self-depreciating in that scene, actually, and it’s clear (to me, anyway) that there’s the sense of her being aware that there’s something...Missing. Something that...Doesn’t quite line up. Something that makes her different and stops her relating to people perhaps in the way that she wants to.

Anyway: don’t equate lack of empathy with lack of love: a novel by Brandon Sanderson. God bless. Intentional or not, this is one of the most relatable low!empathy characters I’ve ever read and I’m here for it.

“Chana knows, I wondered sometimes how I raised that child without strangling her. By age six, she was pointing out my logical fallacies as I tried to get her to go to bed on time.”

Shallan grinned. “I always just assumed she was born in her thirties.”

“Oh, she was. It just took thirty-some years for her body to catch up.” Navani smiled. “I won’t take this from you, but neither should I allow you to attempt a project so important on your own. I would be part. Figuring out the puzzles that captivated her . . . it will be like having her again. My little Jasnah, insufferable and wonderful.”

Again, a few things here: this concept of autistic children being far more mature/behaving like ‘little adults’ is actually pretty common. Also the puzzle-solving thing is just. Relatable.

Oathbringer

“Brightness?” Shallan said. “But … Shardblades aren’t fabrials. They’re spren, transformed by the bond.”

“As are fabrials, after a manner of speaking,” Jasnah said. “You do know how they’re made, don’t you?”

“Only vaguely,” Shallan said. This was how their reunion went? A lecture? Fitting.

Jasnah is believed dead for months on end, reunites with Shallan after who knows how long: immediately starts infodumping to her. Shallan:.......’Figured.’

People were always surprised to see emotion from Jasnah, but Dalinar considered that unfair. She did smile—she merely reserved the expression for when it was most genuine.

Jasnah back at it with the only bothering with emotions when they’re genuine. (Also Dalinar getting all indignant about people not understanding Jasnah/mischaracterising her is my favourite)

“They will try,” Jasnah said, “to define you by something you are not. Don’t let them. I can be a scholar, a woman, a historian, a Radiant. People will still try to classify me by the thing that makes me an outsider. They want, ironically, the thing I don’t do or believe to be the prime marker of my identity. I have always rejected that, and will continue to do so.”

Obviously she’s talking about her heresy here, but with a tiny smidge of tweaking it works well for her being autistic, too. She will always be a little bit different, always not fit, always be defined by being an outsider.

“In the face of such an atrocity, I would consider the sacrifice of one or more Heralds to be a small price.”

“Storms!” Kaladin said, standing up straight. “Have you no sympathy?”

“I have plenty, bridgeman. Fortunately, I temper it with logic. Perhaps you should consider acquiring some at a future date.”

Again on the feelings tempered by logic, thing. (Also Kaladin/Jasnah is interesting because they’re basically....polar opposites, and I enjoy the dynamic. But that’s for another day.)

“If you wish, Captain,” Jasnah snapped, “I can get you some mink kits to cuddle while the adults plan. None of us want to talk about this, but that does not make it any less inevitable.”

“I’d love that,” Kaladin responded. “In turn, I’ll get you some eels to cuddle. You’ll feel right at home.”

Jasnah, curiously, smiled.

Jasnah: approves of frank, honest comments. Even if they’re mildly insulting. As long as they’re genuine.

They didn’t talk tactics too specifically; that was a masculine art, and Dalinar would want his highprinces and generals to discuss the battlefields. Still, Shallan didn’t fail to notice the tactical terms Jasnah used now and then.

In things like this, Shallan had difficulty understanding the woman. In some ways, Jasnah seemed fiercely masculine. She studied whatever she pleased, and she talked tactics as easily as she talked poetry. She could be aggressive, even cold—Shallan had seen her straight-up execute thieves who had tried to rob her. Beyond that … well, it probably was best not to speculate on things with no meaning, but people did talk. Jasnah had turned down every suitor for her hand, including some very attractive and influential men. People wondered. Was she perhaps simply not interested?

All of this should have resulted in a person who was decidedly unfeminine. Yet Jasnah wore the finest makeup, and wore it well, with shadowed eyes and bright red lips. She kept her safehand covered, and preferred intricate and fetching styles of braids from her hairdresser. Her writings and her mind made her the very model of Vorin femininity.

Jasnah just not caring about social/cultural gender norms. Jasnah does what Jasnah wants. But also, gender roles, and tbh the entire concept of gender, is a social construct, it’s something a lot of autistic folks struggle with. (Also non-binary/agender!Jasnah just, as a fun little aside)

“Surely,” she said softly, “if Jasnah had known that I’d just confronted a deep insecurity of mine, she’d have shown some empathy. Right?”

“Jasnah?” Pattern asked. “I do not think you are paying attention, Shallan. She is not very empathetic.”

A)- Jasnah probably didn’t notice and B)- low!empathy Jasnah again.

Jasnah rubbed her temples. “Storms. This is why I never take wards.”

“Because they give you so much trouble.”

“Because I’m bad at it. I have scientific evidence of that fact, and you are but the latest experiment.” Jasnah shooed her away, rubbing her temples.

‘I have scientific evidence of the fact I’m not good at mentoring/teaching/with people in general’ actual quote from Jasnah herself. Also, just, the language here? The mentoring/taking of wards is an intimate social relationship in Vorin culture, but the way Jasnah speaks of it she uses words like ‘scientific evidence’ and ‘experiment’ which says a lot about how she views relationships in general tbh.

Also, I think her self-consciousness is something that’s interesting to note. This isn’t the first time she questions her teaching abilities/methods, in fact it’s one of her biggest and most obvious insecurities, it’s something that she’s very aware of. She knows she’s bad at this, and it bothers her.

“Ivory, you think all humans are unstable.”

“Not you,” he said, lifting his chin. “You are like a spren. You think by facts. You change not on simple whims. You are as you are.”

She gave him a flat stare.

“Mostly,” he added. “Mostly. But it is, Jasnah. Compared to other humans, you are practically a stone!”

[…]

“Jasnah?” Ivory asked. “Am I … in error?”

“I am not so much a stone as you think, Ivory. Sometimes I wish I were.”

And again with Jasnah being factual-based when it comes to her decisions ,and emotions based when it comes to her motivations. Jasnah Kholin feels things so deeply I will physically fight you over this matter. Also, given what we’ve seen, it definitely seems as though Ivory/Inkspren/Jasnah’s ideals are concerned with logic/reason/rightness, and that being a defining aspect of her/her order is interesting in the context of her being autistic.

Renarin still lurked at the far side of the room, mumbling to himself. Or perhaps to his spren? She absently read his lips.

Since, as far as we know, Jasnah isn’t deaf/hoh, the lip reading is something she acquired for other purposes. Probably as part of her paranoia/wish to protect her family, but it’d also probably help with auditory processing disorder. Which is basically where your ears hear words fine, but your brain scrambles them up and fails to make sense of them. Also a lot of autistic folks (self included) tend to watch people’s mouths instead of their eyes (bc eye contact Sucks) and I’m not saying I can lip-read, but if I could it’d definitely make life easier.

But when, before this, had she last heard him laugh?

“Maybe,” Navani said, “we should encourage him to take a break and go out with the bridgemen for the evening.”

“I’d rather keep him here,” Jasnah said, flipping through her pages. “His powers need additional study.”

Navani would talk to Renarin anyway and encourage him to go out more with the men. There was no arguing with Jasnah, any more than there was arguing with a boulder. You just stepped to the side and went around.

Jasnah being completely and utterly oblivious to the hidden agenda/undercurrent to Navani’s thoughts which is ‘Renarin is comfortable with the men/is enjoying himself with them, maybe we should encourage that?’ and just responds to her mother’s words and nothing else. The boulder analogy makes me laugh (but also recalls what Ivory said about her being ‘stone’ which is, again, a kind of othering, a setting apart of the ‘normal’ humans, based on how she emotes/deals with things/processes fact.

I’m sorry, Mother. I’ve been dealing with a lot of lesser ardents today. My didactic side might have inflated.”

“You have a didactic side? Dear, you hate teaching.”

“Which explains my mood, I should think. I—”

A lot of autistic folk find it difficult to teach people, largely because, if they explain something in a certain way, away in which they understand, they have trouble rephrasing it/altering it to make other people understand it as well. Can definitely, definitely see Jasnah struggling with this.

Jasnah preferred to work alone, which was odd, considering how good she was at getting people to do what she wanted.

This shocks me to my very core so it does.

Next to her, Jasnah stood with arms wrapped around herself, eyes red. Navani reached toward her, but Jasnah pulled away from the others and stalked off toward the palace proper.

Oh look, it’s touch!averse Jasnah. (she’s really not very touchy feely at all) Also Jasnah not knowing how to deal with her emotions/grief and withdrawing from people around her. Also I’m calling the arms wrapped around herself as a pressure stim. Fight me.

Jasnah met his eyes, chewing her lip as she’d always done as a child.

Jasnah having anxious!stims (that she probably forced herself to unlearn)

“Forget I asked,” Dalinar said, sharing a look with Navani and Jasnah. Navani smiled fondly at what was probably a huge social misstep, but he suspected Jasnah agreed with him. She’d probably have seized the banks and used them to fund the war.

Jasnah ‘fuck your social niceties, I have a war to win’ Kholin.

Suddenly they were young again. He was a trembling child, weeping on her shoulder for a father who didn’t seem to be able to feel love. Little Renarin, always so solemn. Always misunderstood, laughed at and condemned by people who said similar things about Jasnah behind her back.

Mm, who else was ‘solemn’ as a child? Maybe ‘correcting logical fallacies at age six’ ‘no longer needed a mother when she reached adolescence’ Jasnah. And, like, ‘people mock Renarin for his autistic traits...Jasnah is also mocked for having these exact same traits.’ It’s basically canon, people.

Jasnah fell to her knees, then pulled Renarin into an embrace. He broke down crying, like he had as a boy, burying his head in her shoulder.

Also, the fact that Renarin instinctively went to Jasnah for comfort, not Navani, who eagerly mothers literally everyone around her, or anyone else, he went to Jasnah ‘empathy of a corpse, made of literal stone’ Kholin for comfort and support tells me something. It tells me that these two had an understanding. That Jasnah understood Renarin, and that Renarin understood Jasnah, and that there perhaps a reason for that that has to do with their shared brain weirdness.

This is also the first time, as I recall, that Jasnah responds with physical affection. (And this doesn’t undermine what I said about her being touch!averse, she is, but a)- she initiates this contact and b)- it’s with someone she’s clearly comfortable with this level of contact)

Jasnah glanced over her shoulder at the gathering army. “And perhaps … this is one time when a lecture isn’t advisable. With all my complaints about not wanting wards, you’d think I would be able to resist instructing people at inopportune times. Keep moving.”

I have said it before and I will say it again, Jasnah infodumping to an exhausted Shallan in the middle of a fucking battlefield is the most autistic thing I have ever witnessed in my entire life.

These had always been right. Until today—until they had proclaimed that Jasnah Kholin’s love would fail.

And, to summarise it all neatly, Jasnah Kholin, empathy of a corpse, heart of a boulder, whose love in the end never failed her. *wipes tear* my beautiful autistic queen is good and full of love and feeling but just being really bad at showing it to people. We do not deserve her.

TL;DR: Jasnah is autistic af. It’s basically canon. Fight me.

323 notes · View notes