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#long post ////:
staff · 23 hours
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Tumblr Tuesday: A Cozy Little Spot in the Underworld 
It’s a Hades art collection! All your favorite drapey ones, right here on your dash. Please join us in celebrating the incredibly talented artists in this fandom. They are doing us all such a solid while we anxiously await the official release and its delicious family drama.
@toydreamer:
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@sakitamish:
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@kitsunico:
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@alinamgh:
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@fleshgardens:
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@miyaneatworld:
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@lornaka:
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@mochipong:
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@moon-finch:
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@riotb0nes:
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@beneceadraws:
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@paseriptm:
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@ziriii:
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@ryuuna:
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@kkekaart:
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@corvophobia:
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@eclecticshadowwitch:
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magicomens · 3 days
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Fellas is it gay if you start having A Feeling when your ex-manservant holds your hand
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fondcrimes · 2 days
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the "labru chapter" is the kabru chapter
this is a dungeon meshi love manifesto, but not in the way you think. sorry not sorry for the labrubait
what makes chapter 76 so amazing is kabru’s desperation has little to do with laios specifically. it’s not just about kabru being obsessed with laios and making sure he doesn't cause tragedy, either. I think this chapter emphasizes kabru's struggle with the concept of love and companionship. the point of this chapter is that every critical part of kabru collides at once and renders him useless.
(disclaimer: this post includes a lot of projection/speculation but it's to understand kabru's character arc i promise. for clearer analysis and examination of how kabru's ideologies are constructed, check out this really great post)
kabru is a lone visionary
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in ch 76, kabru’s threatened by lycion exposing his true intentions to laios not only bc he wants to prevent laios from joining marcille in her destruction, but also bc laios is also from a short-lived race and kabru needs an ally in his power struggle against elves (esp when the chips are down)
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but has kabru really accepted his need for allies in his plight? kabru has spent his adult life suppressing a human urge to connect meaningfully with others. he even keeps rinsha et al. at arm's length in the name of achieving his masculine hero complex/survivor's guilt goals. he's already quite disillusioned bc most adventurers don't have the same goal as he does. so he uses people and gets on their good side for systematic support. he’s well-intentioned and takes care of his party. but the idea that an ally could also protect HIM and make HIM feel safe as well doesn’t really register with him until later on in the narrative bc camaraderie and allyship, at its core, is about acknowledging intimacy. kabru struggles with intimacy sub-textually (his self-neglect and social insincerity) even though he knows how to simulate it to gain others' trust.
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but he can’t crack laios, he can’t get him to listen. for lack of a better word, kabru is spoiled by the fruits of his superb perception and emotional intelligence. he also doesn’t cope well with failure (bc his goal is too valuable to ~not~ devote himself to) he puts too much value in conquering laios and when he thinks he's failed, he basically crashes out. the real problem is he still doesn’t understand his true feelings--not feelings for laios, but the root of his desire. the root of his goals and the endless search for companionship.
kabru is a strategic historian
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at his core, kabru is a storyteller. he tells himself a variety of stories about his trauma and his goals, which serve as motivation and to some extent, self-protection (as shown in his conversation w mithrun). he deeply understands the role of storytelling in regards to the construction of history and drastic shifts in power.
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as an utayan, he understands that the tragedy that overcame his people was not random, but resulted from elven negligence of a disenfranchised people. it is imperative for kabru to cement himself as a voice for otherwise voiceless people. in his story, he has no choice but to handle the hero, if not become the hero himself.
kabru even has a story about his pursuit of laios, mainly that laios is currently the most capable person of defeating the mage and that he must do whatever it takes to ensure laios doesn’t fuck it up. his instincts are right, sure, but at first, he places special value in laios’ capabilities that almost seems unearned… like yes he’s studied the island adventurers with frightening expertise, so it makes sense he would have a good idea about who is the most equipped to succeed. but his early suspicions of the toudens seems to complicate my perception of his knowledge by adding emotional depth and a layer of tinhattery so to speak.
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canonically, kabru has been rebuffed by laios multiple times (which is so... lolll) when he's talking with his party, kabru hides behind the excuse of dungeon but he’s been trying to get his attention this whole time. to me it reads like he's got a bruised ego from being ignored and is being a hater about it (so real lol). it's funny bc kabru is usually great at taking shit from others (esp elves) if it means nobody suspects/interrogates his true intentions and he can keep the peace. so why does laios tick him off so bad? now we have to get into the psychoanalysis of it all!
kabru is a cynic
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first and foremost, kabru’s cynical philosophy about humans is challenged by the touden mission. but plenty of people don’t care about the impact of their actions, so why does kabru obsess over the toudens at the start? I figured kui changed gears with kabru's characterization following his introduction, but I want to try to connect it to kabru's unresolved survivor's guilt. kabru is the sole survivor of a catastrophe caused by negligence and oversight. he criticizes the negative impact of the toudens' generosity and naïveté and confirms his cynical worldview (the road to hell is paved with best intentions), but still maintains a level-headed perspective. on the other hand, kabru's interactions with laios are tinged with irrational jealousy/resentment/desperation, even prior to kabru learning laios' character/intentions as an adventurer. I cannot emphasize enough that I am employing a neutral definition of jealousy here--it seems kabru is jealous of the freedom to not care the way laios does not care about the fate of the island. this isn't to say laios doesn't care about humans, he does, but he seems so singleminded compared to kabru esp in ch 76. kabru sees laios going to the literal end of the world to save his sister. laios gets to be human selfishly, kind-natured but ultimately self-prioritizing.
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kabru correctly assesses motives (besides his own maybe). falin said she’d do anything to protect laios and marcille. laios has been socially rejected by people his whole life, and at first, he only cares about his sister and monsters. kabru has survived horror but only by accident… he doesn't agree with their pov and more importantly, it doesn’t exactly compute with him. the toudens are wholly unaware of their impact, which does not sit well with kabru at all, who understands the impact of negligence better than anyone else, esp how it ends up harming the less fortunate and extremely marginalized in society. it's reminiscent of the age-old trolley problem. while kabru has been the victim of senseless pain, I suspect kabru can’t yet make sense of senseless love. he gets to look down at their cause and call it selfish because it directly contradicts his lived experience.
kabru is an ethicist with a heroic streak
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it's easy to glean that kabru wants to be the hero utaya should’ve had. while he's hardcore and intense, but not paranoid enough to do something rash. he uses violence as a means of achieving peace. he's self-aware enough to know his skill limits, which seems rational at a glance but the pressure he puts on himself suggests he views himself as inadequate until he achieves his goal. the races of humans are so split up and he sees that this is a matter of power first and foremost.
with the canaries, kabru submits to political pageantry to make a separate case for innocent people. senseless tragedy is unforgivable, but so is the "too little too late" reality of the canary system. he takes on the impossible task of rallying people together to save the dungeon. one read is that he's saving his childhood self from trauma perhaps by saving those like him… he's wishing someone did something before it got bad, wondering why nobody intervened when they had every opportunity to step in. it’s deeper than a sense of duty or fairness, this is about betrayal and retribution.
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throughout his life, kabru struggles with the material inequity and limits of love. the human population is fundamentally segmented into a hierarchy due to lifespans and access to power/resources. his mother was the only one who loved him in utaya and she was ostracized because of his appearance and then she was killed due to senseless tragedy. his frustration with the elves encapsulates this idea perfectly, because he is aware of of the limits of their empathy as a long-lived race and adjusts his strategy and rhetoric accordingly. I think milsiril’s love for kabru is genuine, but still infantilizing and smothering due to the racial imbalance. this continues to inform his politics, as he views their perception of short-lived races with contempt. the worst offense is that their bigotry is nonsensical, meaning their hearts cannot be reasoned with.
dungeon meshi is a story about power and politics, yes, but genuine love and acceptance are the catalysts of change and equality. the "invisible gulf" that marcille is referring to is the inability to view other races with love and care. such is the essence of camaraderie. kabru's backstory, family history, and beliefs/motivations raise two important questions for me: who gets to be loved enough to survive, and then to thrive?
kabru is a monster
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the emphasis on distinguishing between humans and monsters is quite interesting too. of all sentient beings, who qualifies as worthy of "human" treatment? who deserves empathy and acceptance? kabru seeks these answers to fix the world, but also to justify his place in it.
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kabru's lack of self-worth is evident here, but what’s more interesting is he knows many humans suffer worse fates than some monsters. the dehumanization/neglect of fellow humans does not compute, if the premise is humans are superior to demi-humans/non-humans because mutual empathy and understanding. he clings to the superiority of humanity as an appeal to ethos to those in power despite what he might actually believe about himself. to kabru, the true injustice is that humans won’t even save “inferior” humans despite being the same. his unclear heritage manifests as guilt, as he feels directly responsible for his mother's suffering because he is monstrous. then here comes laios, a human who somehow can find it in himself to love monsters.
kabru doesn’t want laios to love him, per se, but laios’ love for monsters and for falin reveals life-altering possibilities for kabru: there is a world where someone could love him even if he were a monster. there is a world where somebody would go to extreme measures just to save him. kabru does not know the extent of laios' trauma but recognizes a sort of kindred spirit but inverse. taking off the ship goggles here--it has less to do with laios specifically, and more to do with what his beliefs/abilities represent for the trajectory of the world (because kabru studies how beliefs/abilities manifest into material reality, after all)
kabru is seeking the power of love
in a different story, kabru would be laios’ archnemesis. they would have a disastrous battle of opposing worldviews in their struggle for dominion. kabru has every right to want to take laios out bc while his affinity for monsters is sympathetic and even charming, it is still a natural threat… kabru has the true hero pathology. he believes he only deserves to live if he can save people for a variety of reasons/traumas. he should do whatever it takes to exterminate laios. but the expectation is subverted in chapter 76 bc we see kabru’s curiosity and ongoing quest for understanding win over his worst fears.
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I feel like I’ve been projecting a lot but bear with me... a huge part of kabru’s character is him trying to figure out how to matter to people, or figuring out why people matter to others in general. it’s not to say he doesn’t matter to his friends or milsiril, but why else would he bother with all the manipulative people-pleasing? it would be less meaningful if he had ulterior motives like greed or power, but he plays into people's expectations/desires for a disastrously noble cause. he’s still actively living in his trauma as a deeply traumatized adult. it’s pure serendipity that laios can send him right back to his past and then pull him right out again. I don't think it's crazy to say kabru (correctly) projects a lot of shit on laios bc he doesn’t know how to deal with those injustices and barriers between people himself.
this is also why I believe kabru's beef with laios is as personal as it is strategic. we have to consider the trajectories of their character arcs (their big missions, respectively) in relation to one another as foils. if laios' love for falin can move mountains and do impossible things, kabru is subconsciously drawn to the magnitude of that love like a magnet. his response to cognitive dissonance is quite remarkable as well. at the root of his unbelievable capacity for understanding and curiosity is the deep wound of being unloved and unprotected. kabru does not avoid or run away from his fears, he quite literally keeps running toward them and follows it down to hell. he wants to identify the true source of his deepest wound.
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to me, this omake connects his childhood curiosity to his search for love, almost as to ask “is there enough room for me to be loved?" and the same can be said for marcille's character arc/ backstory. her biracial heritage has caused her great existential pain and social isolation.
in dungeon meshi, the issues of protection and justice continue to be interpreted through love. if kabru were to go back in time and save utaya, he would’ve needed incomprehensible magic, a supernatural power to save himself, his mother, his hometown. in contrast, laios' mission to save falin is just one manifestation of the surreality of love, all of the impossibilities it permits. the touden party wade through invisible gulfs to save falin, but also each other. kabru doesn’t hate their story, he just can’t fathom it yet.
kabru is a skilled strategist and communicator. and does not listen to his heart or body until he’s absolutely forced to do it. he has insane goals and expectations for himself and will go to great measures for those goals. as cerebral and cold as he might seem, it’s critical to understand that his character arc is about love too. in my opinion, it’s almost as if he’s trying to change his reality in hopes of finding love. my favorite thing about kabru is that he has all the narrative makings of the perfect misunderstood villain who self-destructs at the end of the story. but kabru is too smart for that, too focused on the big-picture impacts and the historical trajectory of the cause. instead, kabru finds the wherewithal to stand down once he understands that laios is capable of loving humanity like he does, or that he could help him see the value in humanity at all.
to love is to understand, and then to surrender.
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banchagu · 2 days
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From a distant sea town
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dunmeshistash · 2 days
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Do you have anything on the clothing of fashion of different races? Specially half-foots, but all are appreciated!
The new adventurer's bible and kui's blog have some pages about clothing! But there isn't much about half-foots specifically, theres pages about tallmen elf and dwarf fashion. I'll try to put everything I have here with the translated versions for the ones I can find (without much organization hope that's ok)
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zan0tix · 2 days
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REALLY LONG DUMB COMIC. It was based on a thing i did with my bf and then became really long winded. 😭 The lesson we learn here today is that Its okay to be cringe autistic and gay 🙏 This is like half projection so maybee its kind of ooc but its for comedic effect and this isnt meant to be a foray into character writing :p (my time for that will come tho🫶)
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habken · 22 hours
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really admite your way to make the characters always feel so... balanced???? I tried learning from your style and how you piece apart characters, but I feel like I'm missing something in keeping them like- idk- even still, I feel improved a bit? We'll see with my next drawing haha!
Any tips moving forwards??? I really want to start being able to draw scenes and stuff, but I just don't know how to get my poses to feel balanced and not looking like their seconds from falling over
I tried doing that study tip where you take artist’s you admire and ‘referencing’/‘breaking down’ their style
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It's important to think about weight distribution and centre of balance. There's definitely people that can explain it better than me but generally, the character's head is going to align with their centre of balance, and the rest of their body weight should be equally distributed on either side
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here's some examples in my stuff, I'm not always exact exact with it, but it's good enough that the weight and balance is believable
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If we take this drawing of deku, just lifting up his one leg and keeping everything else the same would make him topple over. He needs a counterweight to stay balanced, which means bringing the foot that's still grounded further under his head and pushing his hips out to counteract the weight on the other side
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Looking at this pose you drew, I think it would benefit from the same thing, the foot grounding the character should be further under them to make up for the weight of the raised leg and the back arm. This also helps create a much stronger line of action!
Hope that helps!! Your sketches look super cute !
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ottosbigtop · 11 hours
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Am I alone now?
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vincentbriggs · 3 days
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Do you need a sewing machine to start making shirts and vests? Is hand sewing an option worth considering, or should I invest in a machine, in your opinion?
That's really a matter of personal preference!
Do you need a machine? Absolutely not! Every garment ever made before the 1840's was sewn by hand, and a lot of them after that too. I've sewn many garments completely by hand, including the early 18th century tiddy-out-violinist shirt, these bright orange breeches, and this green waistcoat.
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Is it nice to have a machine? I think so, but again, individual opinions vary!
One of the costumers I follow sews everything 100% by hand because she finds it meditative and isn't interested in using a machine at all. Some people hate hand sewing and prefer to do everything by machine, with maybe a bit of hand finishing if they absolutely can't avoid it.
I do about a 50/50 split overall, maybe skewing a bit more towards hand sewing. I like to do pants, shirts, and nightgowns mostly by machine with some hand finishing, but for jackets and waistcoats I usually do considerably more hand sewing than machine, because I like 18th century tailoring techniques and think they give a nicer looking result. I do most of my buttonholes by hand, or I do them by machine first and then cover them in hand stitching.
Most people who sew do at least some of it by machine, but again, I don't know which way you prefer to work, so I'd suggest trying out both to see how you feel abut them.
For hand sewing, I suspect a lot of people hate it because they're using shitty needles and/or shitty thread, and perhaps haven't found good resources for hand sewing techniques.
Here's a post of hand sewing advice that I found quite helpful a decade ago. Use good needles because the eyes of the cheap ones have jagged edges and will ruin your thread! Use nice thread because the wrong kind will be twisty and tangly and will fray more!
Thimbles are good and useful, and typically they go on the middle finger of your dominant hand, and you use them to push the needle. I prefer metal thimbles and dislike using leather ones, but some people prefer the leather ones, or rubber ones.
The metal ones come in sizes, and I don't know how to find out your size aside from trying them on in person, but I know I'm a size 11.
One very important thing is that if you're hand sewing a garment, look for hand sewing specific instructions on how to do the construction techniques you're going for. A lot of the time when someone nowadays is trying to figure out how to hand sew a thing they'll just try and copy the machine sewn version, and a lot of the time that's inefficient and more difficult and the result looks worse, because machines and hands work very differently!
This is something I'm going to briefly discuss in the outro to the very long shirt video I'm working on, because it's so very common, and I've done it too! On several of my earlier hand sewn shirts I didn't know to turn the edge in on the front slit and do a little narrow hem, so I instead sewed on a facing for the front slit and cut and turned it, just like I'd seen on machine sewn shirts. This made it about 3x more time consuming, and the result was much bulkier and looked worse.
I've got so many more things to say about sewing but it's almost bedtime and I don't want to make this post too long.
For machine sewing, again there's a lot of personal choice. Some people like newer machines, some people like vintage or antique ones. I'm one of the ones who prefers solid metal vintage machines. I grew up using an old cast iron Singer, and the newer domestic machines just feel so plasticy and insubstantial to me. I'm used to ones that just do straight stitch and can also go backwards, but some people are perfectly happy with ones that can't even backstitch.
I do think that for a beginner the vintage machines are a better deal, because if you're patient and look around for a while you can snag one for really cheap at a thrift store, yard sale, facebook marketplace, etc. Also they're mostly metal and therefore harder to break.
I recently got a Pfaff (from I think the 1960's?) at an estate sale for 25 bucks. The zig zag mechanism is stuck and needs fixing, but I cleaned & oiled it up and it works just fine for regular straight stitching.
There are SO MANY online resources for how to clean, oil, and fix vintage sewing machines, especially the more popular brands, and a lot of the time cleaning & oiling is all they need. Read the manual and get an oil bottle with a nice long pointy thing so you can reach all the parts, and get some compressed air to whoosh out the fuzz. If it's old and hasn't been used in years, turn the hand wheel and observe every single place where metal rubs against metal, and Make It Greasy There.
(If you don't have the manual, you can often find those online too. I even found the service manual for my new-old Pfaff! I have the original users manual, but this one's for the people doing repairs.)
Oh this post is getting much too long! If you don't know yet if you like machine sewing, try seeing if you can use one without owning it, perhaps at a sewing class or in a makerspace. I know some libraries can loan out machines. A sewing class would probably be a good idea actually, if there are any available where you live!
Much like how you'll have a bad time hand sewing if you've got shitty supplies and no proper instructions on good techniques, you'll have a bad time machine sewing if it's not oiled well and if the tension is uneven.
There are so so very many things to learn about sewing and I hope I'm not making it sound too overwhelming, because I promise it's not if you take it one step at a time!
Also, when someone who's been sewing for a long time says "You may think you can ignore (piece of sewing advice), but actually that's bad and you will regret it", they're usually right. Oh, how I regret not learning to use a thimble years earlier than I did...
Sorry this post is so long, I hope it's helpful!
Basically, there's no one best way to sew anything, and you should try different stuff and see what works best for you, because everyone has different preferences.
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revvethasmythh · 17 hours
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"I reached out a lot." "I know." "But you still got me through."
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boygirl-rouge · 2 days
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it’s crazy how i went through my whole middle and high school life pushing away being a trans man because of horrid content creators like blaire white and kalvin garrah, who, yes, i used to be fans of waaaayy back in the day.
even after becoming more open minded, the idea of being a man still never crossed my mind, and when it did, i would once again push it away because “no, i just don’t fit that.”
and why was i pushing it away? because i’m feminine and don’t bind. that’s it. and it’s not like i ever chastised other feminine trans men, i loved them and cherished what they brought to the world. it was only MYSELF i ever criticized.
identifying as fem nonbinary for years did nothing but hurt me. i always felt like something was wrong. what was wrong, was me suppressing my manhood. allowing masculinity and femininity to exist within me as one has greatly improved my wellbeing.
i sincerely hope any other gnc trans guy or gal who’s struggling to come to terms with their identity because of their nonconformity can find comfort soon. it took me until adulthood to find it.
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starriestuff · 3 days
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older sibling disease
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0fps · 2 days
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WUTHERING WAVES ❖ waking of a world
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allergictocolor · 2 days
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The Addams Family Through the Years
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Before I get into character profiles, let me first do a run-through of the incarnations of the Addams family through the years.
As I wrote in my first post, Charles Addams created the nameless, bizarre family in some of the many comics he drew for The New Yorker starting in 1938. Morticia and Wednesday were named in 1962 when dolls of them were released. Charles Addams was asked for a list of names and descriptions for them and the other family members when the TV show was in development in 1963, but had little other involvement with the show.
The show ran for two seasons from 1964 to 1966, totalling 64 episodes. This was the same time that a similar show, The Munsters, was also on the air. Both shows were about wacky families of monstrous weirdos living in American suburbia. Both were in black and white, and both were canceled in 1966, possibly due to the rise of color television.
After a cross-over with Scooby-Doo, Hanna-Barbera produced a 16-episode animated series in 1973 which featured the family on a road trip in a creepy camper that looked like their mansion. It featured the same actors who played Lurch and Fester voicing their previous characters, and a 10-year-old Jodie Foster as the voice of Pugsley!
There was a reunion special in 1977, which reunited most of the cast of the show, called Halloween with the New Addams Family. The original show had remained popular, running in syndication for years. It was especially popular in Australia. According to one fan, this was because the Addams family was “less American” than the Munsters. 
In 1991, a feature film was released after a tumultuous production. Raul Julia became the new face of Gomez Addams in the popular consciousness. It was followed by a sequel called Addams Family Values in 1993, and in between there was another animated series. John Astin reprised his role as Gomez in that animated series. 
There were plans to continue the film series, but Raul Julia suffered from stomach cancer and died suddenly in 1994, canceling those plans. Although both films performed poorly at the box office, they gained a loyal following on home video and remain popular to this day. In 1992, an Addams family pinball machine was produced featuring original voice acting from Raul Julia as Gomez and Angelica Huston as Morticia. It became the most popular pinball machine of all time, selling over 20,000 units.
In 1998, a TV movie called Addams Family Reunion was produced by Saban, featuring Tim Curry as Gomez and Daryl Hannah as Morticia. The only returning actors from the 1991/93 movies were Carel Struycken and Christopher Hart's hand, who played Lurch and Thing, respectively. I have not seen it, and can not attest to its quality, or lack thereof. That movie was also meant to be the pilot for a TV show called The New Addams Family, but most of the cast was different. It ran for 65 episodes, none of which have I seen. (Hat tip to @tenthirtyone for pointing this out.)
After a try-out in Chicago, a musical debuted on Broadway in 2010. I was lucky enough to see that for my birthday that year. It starred Nathan Lane as Gomez and Bebe Neuwirth as Morticia. It was pretty entertaining. It would have been better if Lane wasn’t trying to be Raul Julia. He did a very fake Spanish accent, and it was terribly distracting. The musical was panned by critics and didn’t last long, but it was popular enough that it is now performed by high schools across the country. In fact, my friend Sarah and my cousin Charlie were both involved with different productions of it this past Spring.
That same year (2010), the rights were purchased by Illumination Entertainment, and they announced that they were going to produce a stop-motion film with Tim Burton. However, he decided to go with computer animation instead. That eventually turned into the 2019 film, after Tim Burton dropped out. This version was the closest in appearance to the original comics. Although the characters are rendered in 3D, the animators aimed to make them look as much like Charles Addams’ drawings as possible.
You’d think Tim Burton had been involved since at least the 1991 movie, but he hadn’t. Black and white stripes? Bats? Other goth things? That sounds like Tim Burton, but oddly enough, he actually hasn’t been attached to any Addams Family property until the Netflix show in 2022. It’s a natural pairing, and perhaps he would have been great friends with Charles Addams, had he been born several decades earlier. 
Now the Netflix show, centered on Wednesday, is in production for its second season after its first season was one of the streaming service's most popular shows to date. It's not the first time the Addams family has spawned a viral dance sensation. Way back in the 1960s, the original TV show started a dance craze called “the Lurch”.
In coming posts, I’ll go into how Charles Addams originally portrayed each of the nine characters in the Addams family pictured above (Gomez, Morticia, Pugsley, Wednesday, Fester, Grandmama, Lurch, Thing, and Cousin Itt) and how they evolved, or didn’t, over time.
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buddiebeginz · 3 days
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Okay everyone listen to me Tim posting a B/T video (if he even did because his FB is private and people are saying he posted it but took it down) does not mean he’s saying Buddie is a no go and T*mmy is Buck’s endgame.
First of all let’s remember that Tim wanted to do Buck’s bi storyline years ago particularly back in season 4 and this was likely going to lead to Buddie (look at how the shooting arc was handled).
Second so much of this season has been geared towards Buddie. We had a lot of joint interviews with Ryan and Oliver (more than ever before). We’ve had Buddie talked about in pretty much every interview Oliver and Ryan have done both together and separately this season. This is not something that happened (to this extent) previously, it’s clear Fox did not really want them talking about Buddie. Also remember that if Buddie wasn’t happening and if Tim and ABC didn’t want them talking about Buddie they wouldn’t be allowing these kinds of questions over and over again. They would answer the Buddie question once or twice and that would be the end of it. Everyone knows how much people ship Buddie especially Tim. I'm positive he knows it would be really stupid to keep bringing it up if he wanted the subject to die down.
More importantly let’s look at how this season has gone we’ve had Buck and Eddie together more than ever. Tim even explicitly stated he was trying to put Buddie scenes in almost every episode. Look at how he answered that person about the karaoke scene. Tim basically said he was a Buddie shipper too.
Also think about this Tim knew he was going to have Buck come out and naturally it stands to reason that when it happened people were going to speculate more than ever about Buddie. If Tim has no intention of making Buddie happen and if his long term goal has been to put Buck with T*mmy as Buck's forever love interest (Like Bathena and Madney) wouldn't he have handled this season differently?
I'm not saying Buck and Eddie wouldn't have scenes together if the plan is never for them to be a couple, obviously not they're best friends but I do think Tim would have been extra careful with this being the first season Buck is out as as a bi character. Yet like I said we've had Buddie together more than ever. We've had them talking about sexual tension, dressing in couples costumes (when the actual pair that is dating didn't), singing karaoke together (even if most of it got cut), Buck talking about Eddie's cologne, Buck being a parental figure to Chris, Buck coming out to Eddie in a private quiet scene (when he only had two coming out talks this season), a buddie hug when we haven't had one for years, Buck talking about how he wished he could help Eddie when Eddie was talking about being sexually frustrated.
Most importantly though and what really seals the deal for me on why I think Buddie is happening is that Buck's entire bi awakening episode was focused very heavily on Eddie. Buck was NOT jealous that Eddie was getting to spend time with T*mmy in that episode (i.e. jealous because he wanted to spend time with T*mmy) he was jealous because Eddie was spending so much time and sharing parts of himself with someone else. He was jealous of T*mmy getting to spend time with Eddie and felt like he was being replaced. He thought him and Eddie had something special but then he sees the connection Eddie so easily formed with T*mmy and it hurt him.
We just haven't (as of yet) seen Buck really be willing to dig deeper to understand what he was truly feeling during all of that. How it was all about Eddie and not T*mmy. At this point all Buck knows is that T*mmy kissed him and Buck realized oh I like guys and he's reveling in the newness of all of that. At some point though he's going to realize none of this was ever about T*mmy and that even the main things drawing him to T*mmy were because of his similarities to Eddie. (I wrote a whole post about this episode btw)
But back to my point and that's why would Tim make a whole episode about how Buck obviously has feelings for Eddie and make it in the same episode where the audience (especially the general audience) realizes that Buck isn't straight? Why do that if Buddie isn't in the plans? If Tim's goal is B/T he still could have had something with Buck being jealous. What if T*mmy was hanging out with Chim and the rest of the 118 and he started being friends with all of them. They could have had it where Buck felt threatened kind of like he did in season 2 with Eddie but what it really was about was that Buck liked T*mmy and didn't know how to express that. What I'm saying is that Tim wasn't backed into a corner with this bi Buck storyline and T*mmy there were so many different ways he could have told it. He chose to tell it where it revolved very heavily around Eddie. Buck was even talking about Eddie right before and after he kissed T*mmy what exactly are we supposed to take away from that?
I know B/T stans like to say we just see what we want to see but decisions like having Eddie feature so heavily in Buck's coming out ep aren't made on a whim these are very deliberate especially when the powers that be know how much people ship these characters. Very specific choices have been made to tell a story with Buck and Eddie this season that is leading them towards the same goal and that's eventually together. If you're not seeing that it's because you don't want to.
There's also the fact that if B/T is the ship we're supposed to be rooting for if it's the ship that's going to be as big to 911 as Bathena and Madney (at least according to B/T fans) why has there been so little focus on them? I know some people might say it's a shorter season and they already have so much to fit. Or that they're trying to go slow with B/T's story but here's the thing they rushed into having Buck come out to the audience in one episode and then rushed into having him come out to all the other characters a couple of episodes after that. If Tim wanted more focus on B/T there would be. They also wouldn't even have to do much with them. We've barely even seen them have an actual conversation and the few times we have most of it has been when there has been some kind of uncomfortableness or annoyance between them. Like when Buck was full of anxiety during the date (and then T*mmy made that closet joke) or when Buck was upset about T*mmy not dressing up and T*mmy seemed annoyed.
I don't know I've watched a ton of different shows and to me this doesn't feel like how you build a ship you want the audience to root for. And I'm not saying that you can't have two people at odds and then have them get together. I love a good enemies to lovers thing but that's not what this is. To me the show is trying to tell us that Buck and T*mmy have an attraction but they really aren't on the same wavelength in other areas. Plus the show is always having Buck either talking about Eddie or having Eddie show up. Like when Buck came out to Maddie and was more concerned about lying to Eddie than his date going bad. We had Maddie literally Telling Buck if he had something to tell Eddie he'd tell him in his own time. What am I supposed to think about a line like that? Or when you had Eddie there during the whole scene with B/T at the karaoke bar or how the scene immediately cut from the B/T hospital kiss to Eddie. Plus we haven't even had a mention of T*mmy since 7x06 and now we're going into the finale. You'd think that they would have at least had Buck mention T*mmy during that date night scene where Buck was watching Chris for Eddie but no instead we had Buck being rather flirty with Eddie talking about his cologne and throwing popcorn into his mouth.
Now let's look at this video. There’s a high probability Tim didn’t even watch it. It’s long and not good in my opinion (I saw it before today). B/T stans call us delusional but they’re yelling about how Tim must believe in this bs invisible string theory they came up with and because it’s mentioned in that video. But here’s what the cover looks like
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And this is why I think Tim posted it (if he even did) because it’s not about what’s in the video it’s about the title.
Has 911 found Buck’s perfect match?
This is what Tim wants us thinking about going into the finale. Is T*mmy the perfect match for Buck? Some like to think so but we know there is someone better and Buck is going to realize that.
No matter what happens with Buck and T*mmy at the end of this season and even if they're still together going into season 8 I 100% don't believe that T*mmy is meant to be Buck's endgame. Buck is for all intents and purposes the shows main character. We were basically introduced to the show through him we've watched him have the most growth, tim is not going to give him some lackluster love story.
Most primetime shows have a couple that the audience can root for. A couple where the audience isn't sure if they're going to get together but everything happening with them makes you want to see it happen so it keeps the audience tuning in waiting for the day it finally does. 911 had that for a long time with Madney before they got together and then later when they broke up and got back together. But now that they and all the main couples are happily married and rather settled 911 has no main couple like that not one that will garner media and audience attention, except oh wait they do it's Buddie. If B/T were going to be the couple they were betting on we would have had at least one Oliver and Lou on screen interview by now talking about them and we haven't. We definitely would have had more press promoting the couple but we haven't. The focus like I said before is on Buddie. The focus in the episodes is towards Buddie, the focus in the media, it's all a bright neon flashing sign that says BUDDIE. Nothing is pointing towards B/T in actuality I think Buck and Taylor may have even had more press than B/T has gotten so do with that information what you will.
I know a lot of you will hear about Tim posting this and think that's it Buddie is dead in the water but it's just not true. We are closer than ever to Buddie happening I promise you. We just have to be patient and let the story play out. Please don't pay attention to all the negativity coming from that other ship in fandom. Block as much as you need to so you can keep your peace. The best thing you can do right now is to show your love for Buddie as much as possible. Make sure you're tweeting about Buddie, leaving comments about Buddie on 911's official accounts (on ig YT tiktok etc), making new posts and graphics about Buddie on tumblr. We need to continue to be a loud (respectful) presence online and to remind everyone that we won't give up on Buddie.
Sending love to all of you ❤️
And remember:
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cheatsykoopa98 · 1 day
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1 AM ramble but someone just pointed out to me you can see zooble's room in their pin wrapping background
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not only do we get to see what their room looks like, we also get an official look of the zooble box, and a mirror for them to look at themself. now I think this might be important. pomni had a scene in ep 1 where she looks at the mirror in disbelief that she looks like that now, and we know zooble changes their parts every day. I think caine did that to "help" zooble with figuring out their gender identity, which maybe or not be helping, considering what I hear of people experiencing gender dysphoria not liking to see themselves in the mirror.
and I do think the mirror is important, we get to see a little bit of the others' bedrooms as well, kaufmo, ragatha and gangle's, and none of them have mirrors from what I can see. maybe caine noticed pomni looking in the mirror and thought pomni might want one in her room just like zooble, not realizing pomni probably hates to look in the mirror and not see herself
also lets look at the other characters bedrooms
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ragatha seems to be very tidy (assuming everyone has to clean up their rooms and considering how messy pomni's room is) and not have that much stuff. a box of toys that she might or not play with considering its positioned as a seat for the piano. we dont know if she knows how to play (according to goose she knows the cello, so she could know the piano as well) and having so little fingers in her hand might actually not let her play the piano properly. caine could have just heard she likes music and put a piano in her room. also notice the piano is in the middle of the room taking center stage and we cant see a bed (yet). ragatha has mentioned nobody needs to sleep even though they can. do you think she (tries to) play the piano at night while everyone else assumedly sleeps? there is a song sheet at the piano but I cant read if it has an actual song name written on it.
also she has a shelf full of things that might be of her interest or template things caine put there. like balls of yarn, books, a gloink (how did she have a gloink before ep 1?) and a framed picture, which if it has an actual photo of someone there could open up a lot of theories to who is there. also the gloink being there points to either ragatha having already lived through a gloink adventure and keeping one in her room or keeping one after an adventure where she was hurt by kaufmo and abandoned by pomni. why would she want to keep it if thats the case?
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gangle's room is very dark with black walls. we cant see much but I believe she is in a really deeper depression than pomni. I believe to the point where she doesnt have the energy to try to escape, just mask as much as she can before her happy mask is broken again, poor gangle :/
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we dont get to see kinger or jax's room, even though I think there is a kinger door in the corridor. maybe kinger is too paranoid to sleep in his room. jax's only shows his door with the void breaking into view. maybe we wont get to see his room until the very end. also I remember there was a theory jax knows where the exit is, but doesnt leave. I dont think its true considering goose said jax deserves to be stuck in the circus, implying he cant leave just like everyone, but since he "has keys to everywhere", what if he has been to the void without caine knowing? pomni never made it through the end but if jax did, maybe what he saw there pushed him to be how he is now. maybe he doesnt see hope in escaping and thats why he turns into such a bad person, he could be a nihilist in that way
anyway sorry for the long post, I just had a bunch of ideas popping up in my head from this little detail I should have noticed when pomni's pin was released
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not only do we get to see her room but we also see the blocks spelling CBA, not sure if the B is supposed to count or not but its the second time pomni is associated with C&A, I do believe she was an employee there
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