It makes sense why she didn't maybe but Chani might have saved billions of people including her own by simply knifing Jessica for compelling her, or knifing Paul after he went off the deep end or knifing Stilgar in the assembly. Which would even have been acceptable and traditional! But I guess it's an example of feeling like you're helpless in the face of history.
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I’m begging people at this point to realize that hate towards intersex people isn’t just. Fucking misdirected transphobia. Please for fucks sake learn that intersexism is a thing and that while transphobia and intersexism often go hand in hand and are used to reenforce the other, intersexism is not collateral damage from transphobia. They don’t just hate us because of a perceived proximity to transness, they hate us because we’re intersex. And will go about acting on this hate as such
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thinking about mizu from blue eye samurai. thinking. thinking so much. thinking about how mizu operates outside of gender. like we joke about her gender being revenge but straight up? it literally is. like she grew up as a boy and is most comfortable being a man, but behind that is the feeling of betraying himself because he isn't being honest about who he is and he lives in fear of being discovered. and when he lived as a woman, she found joy there as well. she fell in love, and though she wasn't good at it, she liked being a wife and enjoying a simple life. but in that life too, she isn't being honest about who she is. and when she reveals her true self, it's not a woman, she's a demon, a weapon. she's to masculine to be a woman, and too feminine to be a man. ultimately, mizu is most comfortable when they are being a murder machine. that's when they feel they are being the most true to themself. like a sword, they are neither man nor woman, but a blend of both, which makes them stronger.
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was talkin to a friend about how tADC (good) was inspired by I Have No Mouth and I Must Scream (also good), which unsurprisingly is a major source of inspo for MantleDwellers (hope it is good) too, doodled a thing,
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there's something about the way people talk about john gaius (incl the way the author writes him) that is like. so absent of any connection to te ao māori that it's really discomforting. like even in posts that acknowledge him as not being white, they still talk about him like a white, american leftist guy in a way that makes it clear people just AREN'T perceiving him as a māori man from aotearoa.
and it's just really serves to hammer home how powerful and pervasive whiteness and american hegemony is. because TLT is probably the single most Kiwi series in years to explode on the global stage, and all the things i find fraught about it as a pākehā woman reading a series by a pākehā author are illegible to a greater fandom of americans discoursing about whether or not memes are a valid way of portraying queer love.
idk the part of my brain that lights up every time i see a capital Z printed somewhere because of the New Zealand Mentioned??? instinct will always be proud of these books and muir. but i find myself caught in this midpoint of excitement and validation over my culture finding a place on the global stage, frustration at how kiwi humour and means of conveying emotion is misinterpreted or declared facile by an international audience, frustrated also by how that international audience runs the characters in this book through a filter of american whiteness before it bothers to interpret them, and ESPECIALLY frustrated by how muir has done a pretty middling job of portraying te ao māori and the māoriness of her characters, but tht conversation doesn't circulate in the same way* because a big part of the audience doesn't even realise the conversation is there to be had.
which is not to say that muir has done a huge glaring racism that non-kiwis haven't noticed or anything, but rather that there are very definitely things that she has done well, things that she has done poorly, things that she didn't think about in the first book that she has tacked on or expanded upon in the later books, that are all worthy of discussion and critique that can't happen when the popular posts that float past my dash are about how this indigenous man is 'guy who won't shut up about having gone to oxford'
*to be clear here, i'm not saying these conversations have never happened, just that in terms of like, ambient posts that float round my very dykey dash, the discussions and meta that circulate on this the lesbian social media, are overwhelmingly stripped of any connection to aotearoa in general, let alone te ao māori in specific. and because of the nature of american internet hegemony this just,,,isn't noticed, because how does a fish know it's in the ocean u know? i have seen discussions along these lines come up, and it's there if i specifically go looking for it, but it's not present in the bulk of tlt content that has its own circulatory life and i jut find that grim and a part of why the fandom is difficult to engage with.
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the line “the doctor is male and female and neither and more” is exactly the type of line ive been waiting for from the show for YEARS . a canon reference to the doctor’s non-binary identity and it’s done in the most nebulous-fuck-labels gendequeer way possible . fuck yes . im so damn happy
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Crimes Against Existence
The High Queen Phantom has expressed concerns about the state of law within the Mortal Realms.
Walker, sensing a chance to redeem himself in her eyes, volunteers to go out and report the state of the lands to the Queen. She seems pensive, but agrees. Under strict conditions that Walker must NOT detain nor arrest any mortals that would not have been taken into custody or otherwise punished by mortal authorities in the same situation.
She hands him an addendum to his book the Duke has written up for him to use as reference while he operates in the Mortal Realms.
He reluctantly agrees and makes his way to a mortal settlement with that he can sense has strong criminal influence.
He follows the trail to one of most crime-infested cities on Earth: Gotham. His guards clean out an old office, and he sits himself down into a desk.
He turns on the TV and tunes into a random channel. A man who seems like he'd fit with the Far Frozen is locked in combat with a skilled mortal in some sort of outfit. After a bit of research, Walker learns these are the rogues and vigilantes.
Well, this explained quite a few of the High Queen's problems. Though she doesn't know of them just yet.
Now, how do we rectify that?
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