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0bticeo · 5 months

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may the odds be in your favour | coriolanus snow x fem! reader

series masterlist.

part 1. part 2. part 3. part 4. part 5.

chapter summary: blood will have blood.

“what makes you think that, put in the same circumstances, we wouldn’t turn ourselves into beasts to survive?”

there’s silence. there are twenty four gazes pinning you down to your seat. there’s coriolanus snow, blue eyes a shade darker than they were before you started talking. you meet his gaze and sense something shifting. it’s in the way he leans a tad bit closer, lips parted as though to speak – no. to taste.

wc. approx. 2000 words.

cw. sexual tension. probably innacurate anatomical description. manipulation. reader and coriolanus being assholes. death threat (implied). religious imagery. sleep deprived author.

weeks pass. snow greets you every morning at your front door and extends his arm to you until you have no choice but to link it with your own. occasionally, he brings a rose, gently tucking it in the lapels of your coat. in your hair, fingers gently brushing your cheek. in your breast pocket.

you know it to be a blatant claim. here you are, proud descendent of the ash dynasty, allowing him to own you. you tell yourself it’s only for a few months. that, whatever the outcome may be, there’s no way that damned prize will escape you. you ignore the growing ache between your thighs, the way you lean into snow’s touch when he leads you back home.

let him think he’s playing you like a fiddle. let him think he’s turned your own game against you. let him think, and weaponize the truth to your advantage.

you have very few things left to your name. pride is one of them. you won’t discard it for his name.

what you will do is this. you will sit next to him in class, head held high, legs crossed under your skirt. you will not pretend you’re not enjoying the way his gaze burns into you whenever you turn one of his arguments against him in rhetoric class. oh, rhetoric.

etched in white remnants of chalk against the blackboard is the question you’ll have to treat today. there’s silence in the class, as you all take it in.

what are the hunger games for?

date’s fourth of february. in five months, maybe, you’ll get an answer that doesn’t rely solely on theory. that doesn’t rely on the minds of know-it-all, privileged bastards whose only experience of life has been luxury. for now, your only choice is to take your seat next to coriolanus snow and lean back ever so slightly, trying not to roll back your eyes.

they talk, all of them. felix ravinstill, arachne crane.

the hunger games are a proud display of savages from the districts—to remind us that we are better than them.

clemensia dovecote. lysistrata vickers.

the hunger games are a reminder of what befalls the districts. that they should not stand against the capitol.

sejanus plinth.

it’s barbaric.

at that, your attention shifts. you focus on him, the one from district 2. the one whose father’s wealth was enough to bring to the capitol. the one with the dark curls and passionate fire in his eyes—he dreams of justice and fairness. interesting.

he doesn’t talk. no, he argues. finally someone who understands the noble art of rhetoric.

“putting them in an arena to fight—they’re doomed the moment their names are chosen! it’s inhumane, having them slaughter each other for our own entertainment!”

you watch him, cheek cradled in your palm. he’d make a good lawyer, you muse. the naive, righteous type.

you watch the others. the way arachne crane rolls her eyes so far back in her skull you think they’ll stay stuck. the way felix ravinstill snickers, barely conceals his disdain for the district boy, for daddy’s precious boy. it’s palpable, the way they all disregard him. doesn’t matter if he’s wealthier than half the class—he’s district.

“what about you, ash?”

fucking snow.

you glance at him, from the corner of your eye. he’s been watching you, too. wonderful mise en abîme. you watch them, he watches you. who watches him? are you all being watched?

ah, he’s waiting. they all are. as if your opinion matters to them. as if it matters at all. but you have to put on your usual show, display your wit. so you lean back against your chair, lips drawn in a sharp, sharp smile, and say:

“why, it’s a dreadful reminder of human nature is all.”

there’s silence, then. twenty-four gazes are on you, and they’re waiting.

what are you, a messiah?

snow smile, judas dressed in red.

“go on, ash.”

you do, martyr thrown to the lions.

“so far, the general sentiment has been that we’re better than them, those savages from the districts—don’t look at me like that ravinstill, i’m only quoting you.”

you pause. you can’t outright tell them they’re influenced by a centuries-long tradition of countless philosophers. you’ll lose their interest.

“we think they’re savages. we see what we think is proof—footage of the games, of how they use anything at their disposal to slaughter themselves for our own entertainment, as plinth wonderfully put it.”

you nod in his direction and watch the glint of confusion is his eye, perceptible even from afar. poor boy will be torn to shreds if he doesn’t learn to conceal his emotions better. this is the capitol—worse arena known to panem.

(you think of your father’s flesh being torn by a man-beast’s bloody teeth in what was supposed to be a beacon of civilisation. you think of the dark abysses of his eyes, of the silent promise in them – you’d be next.)

you intend to make that fact known to those oblivious to it.

“what makes you think that, put in the same circumstances, we wouldn’t turn ourselves into beasts to survive?”

“those are bold words from such a young lady, miss ash. you shouldn’t speak so lightly of such grave matters.”

you realise that in the brief time your gaze met snow’s, your classmates have looked up. up towards esteemed casca highbottom who stares you down, short silhouette all-encompassing. there’s something in his tone that makes your blood boil.

you smile, sweet and sharp.

“then maybe we shouldn’t brooch the subject in rhetoric class, sir.”

the odds switch and twist and turn with each passing second. you might get a glimpse of what’s in store in the way the dean’s hand trembles as it reaches in the recesses of his robe – morphine.

he gulps down the contents of the small vial in one go.

“class is dismissed for today.”

when you leave the room, you feel the weight of his gaze like a knife between your shoulder blades.

you don’t like the feeling of it.

philosophy’s only worth it if you’ve got someone to discuss with. unfortunately, you don’t. rhetoric class doesn’t count. after the dean’s impromptu interruption, you don’t get to debate. not anymore. instead, he makes you pour over law texts – capital punishments for traitors. you think of it as a warning and keep your mouth shut.

what you do enjoy is anatomy class. which is why you’re currently in the library, pouring over a heavy tome, nibbling on your lip as your fingers trace over the shape of a drawing. it’s beautiful, an inked figure detailing the different veins in the neck. jugular. internal. external. carotid artery. dorsal scapular artery. your finger follows the pattern, lips parted in an inaudible murmur as you stare ahead. inferior thyroid vein-

“what are you doing?”

fucking snow.

you have half a mind to throw him an annoyed glare and go back to your drawing.

“what does it look like?”

he raises an eyebrow. inquisitive bastard, that one.

“studying. badly.”

this time, you raise your head.

“and does the great coriolanus snow have a better way to memorise the anatomy of the cervical region? enlighten me.”

he slides on the bench next to you. close. close enough for you to feel the warmth radiating from him. to smell him. roses, as usual. the same fragrance of the roses he gives to you each time he notices one withers away. (you don’t tell him you’ve kept them. each of them, pressed neatly between the pages of what books remain of your family’s once grandiose library.)

he unbuttons the top two buttons of his shirt, revealing the pale expanse of his neck. pale as snow. how very fitting.

“well? Where’s the external jugular?”

you let out a chuckle and move closer to him, until your fingers trail down his neck, following the path of his vein.

“what’s next, snow?”

he gulps, adam apple bobbing up and down ever so slightly. Leans into your touch as he glances down at the book – your fingers dig into his neck, until you feel his pulse, quick as the fluttering wings of a jay bird.

“inferior thyroid vein.”

there’s no pattern to the veins he’s asking you to map out on his skin. your fingers move slightly to the left. if you squint, you can make out its contours, faint blue line under the pale, pale skin. You wonder if you’d see it better if you’d blow on it. you do, softly, until you feel his breath catch in his throat – he coughs.

“next.”

“anterior jugular vein.”

you chose to start your path from the bottom, lightly pressing your finger over the button of his shirt – not yet undone, this one. you trail up.

“next.”

“external carotid artery.”

you chuckle at that. Ssomehow, you’ve moved closer to him. His hand has come to rest on your hip, steadying you as you trace the patterns that make up his life. you look up at him. he meets your stare, stark blue eyes darkening. pretty, deadly eyes.

“do you know the difference between the jugular vein and the carotid artery, snow?”

you move to his jaw, pressing your fingers lightly against the bone, until you’re all but cradling his face between your hands, a breath away from his lips.

“tell me.”

“the carotid’s harder to reach with a knife.” you lean forward. his eyes dart to your lips. “however, If i were to succeed, it would take you two minutes to die.”

when you lean back, you’re the one smiling.

"thank you for helping me study, snow. it's been most... enlighting."

#obticeo writes #tbosas #coriolanus snow #president snow #the hunger games #sejanus plinth #the ballad of songbirds and snakes #coriolanus snow x reader #coriolanus snow x you

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stra-tek · 5 months

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Lots and lots of random spoilerific things about Star Trek comics

Gold Key's old run was written by people who had never actually seen the show. Later they involved fans like Doug Drexler to make things a bit more authentic

This however made them, IMHO, amazing

Blond scotty. Wearing green.

Voodoo planet, with papier mache versions of Earth landmarks which, when blasted with a death ray, cause the real ones to collapse

Spock learns voodoo to combat this threat

The Enterprise completely razes a planet of hostile plant spore things. Like full on extermination of all life

There's a locked room on deck 7 full of evil Vulcan spirits. A yeoman blunders in and all hell breaks loose

Kirk doesn't know what a god damn black hole is

Spock is kidnapped by aliens, has their entire knowledge downloaded into his brain which makes him into a bobblehead for awhile

The Enterprise is briefly taken from Kirk and given to Captain Zarlo, who is a total bellend

Spock forgets to have pointed ears sometimes

The old UK newspaper comic strips were even worse. The first few issues feature "Captain Kurt" and he wears a red shirt. Bailey is also a lead character, giving away which one episode they had knowledge of

Depictions of the Enterprise in their very first strip will shock and horrify you, but after that the art becomes amazing and maintains a very high standard

Marvel did a series following The Motion Picture, and it was a vast improvement, although they technically had rights to the movie and not the series, which led to a little weirdness. Tons of references still were snuck in, though

There's a series of Book and Records, which you can listen to on YouTube and are goofy fun. The Enterprise desperately needs a meal in the art, though.

They draw Romulans as green wizards

They didn't have the rights to Nichelle Nichols or George Takei's likenesses, so get ready for White Uhura and Black Sulu!

They didn't have the rights to The Animated Series either, so M'Ress is a human with weird face paint and Arex is substituted for just some guy

There's an unlicensed Chinese adaptation of The Motion Picture's novelisation (made with zero prior knowledge of Star Trek), which features an all-star cast like O.J. Simpson as Decker and James Brolin as Kirk. It's called The Star Trek, which is a better name than The Motion Picture, IMHO.

DC comics' first run is considered some of the best Trek ever. They're made with love and a deep knowledge of the source material

You know how Star Trek III takes place right after II? WRONG. It was several months later and the crew (with Saavik taking over from Spock) had tons of adventures in the interim. It just seemed like it was right after😂

Before Worf and long long before Ash Tyler, Kirk had a Klingon on his crew

He was a cowardly Klingon named Konom who fled the Empire

He fell in love with a human woman named Bryce

They adopted an albino Klingon/human child with dwarfism which they named Bernie

Kirk has an unhinged, insubordinate crewman on board named Bearclaw and they hate each other

Tension escalates and eventually there's a stabbing

Sulu/M'Ress happens and I don't think people knew what furrys were in the 80's

You know how Spock comes back at the end of III but isn't his old self until the end of Star Trek IV? WRONG AGAIN. He came back just fine, and lost his marbles following an incident months later that just happened to line everything up to make it all seem like it was right after.

After STIII, Kirk becomes captain of the U.S.S. Excelsior NX-2000 and Spock becomes captain of the U.S.S. Surak. We get a few issues exclusively focusing on Spock's ship and his band of merry weirdos.

The U.S.S. Surak keeps changing design, starting off as a sort of Oberth-class ship, then randomly becoming an Excelsior-class ship and finally ending as the warp sled shuttlecraft from The Motion Picture

The Surak's crew include a giant chicken man, a Vulcan hating racist lady and a balding man with a bicycle

They all die horribly and a massive reset button is pressed so everyone is exactly where they were at the end of Star Trek III

In order to make that work they had to bs that the Klingon Bird of Prey was hidden in Excelsior's shuttlebay all this time despite it being way, way too big for that

There's a full on mirror universe invasion

Kirk becomes a celebrity from saving the galaxy all the time

Mr. Arex comes back and becomes chief of security but doesn't really do much

HORTA CREWMEMBER. It's as amazing as it sounds

The first Next Generation comic miniseries was made with knowledge of the first 2 or 3 TNG episodes and nothing else

Everyone is hench as fuck. Picard has washboard abs and bulging muscles

Data is emotional and Troi feels the emotions she senses a la "Encounter at Farpoint"

Wesley is drawn as if he's 10

The B-shift con and ops team are a husband and wife who wear caped superhero versions of Starfleet uniforms with bare legs.

They argue. A lot.

The crew meet an alien Santa Claus and Q loses his powers years before "Deja Q"

The whole Q Continuum visits the Enterprise and they're all John De Lancie but in Starfleet uniforms of every colour under the sun.

After that initial miniseries, the Next Gen crew lose a lot of their muscle mass and start resembling their on screen counterparts a lot better

Picard had a brother who fell down a hole and died as a child. Q offers to rewrite history so he doesn't die. Claude Picard grew up to be Space Superhitler and turns Starfleet and the Federation fascist.

Before all this Q turned Jean-Luc into a goat for the lolz

Marvel's The Early Voyages was very literally Strange New Worlds before Strange New Worlds.

They have a pyrokinetic security officer named Nano and he's awesome

Marvel lost the Trek license quite suddenly, and so the series ends on a cliffhanger where Admiral April is up to something iffy.

Marvel did a Starfleet Academy series featuring Nog and its utterly fantastic

A female Andorian cadet tries to make Nog feel at ease by greeting him in the nude, but Nog fails to take it as an innocent gesture and she immediately sends him flying across the room

Romulan agents with split personalities in Starfleet Academy!

They visit Talos IV and get help from Captain Pike, who's still alive

IDW comics did a prequel to the 2009 reboot where Picard is an ambassador, Data is captain of the Enterprise-E and Nero has hair. It was co-written by the movie writers and was considered sort of vaguely semi canon ish for a time

They originally wanted the Romulan supernova to destroy a lot more, including Earth and have Nero kill the TNG crew. It was the Star Trek Online devs that got them to scale things back because they'd have no universe left to set their game in.

Nero's ship looks like it does because after Romulus was destroyed he took it to a secret Romulan base and had it equipped with reverse-engineered Borg technology

You thought DC struggled to keep ship designs correct? IDW's comics keep using traced fan art from Google Images, and fan art (sometimes with unique ship designs) has shown up on multiple occasions as the Kelvinverse U.S.S. Enterprise

In one IDW TOS comic, the bridge is totally covered with TNG LCARS graphics.

In another, an Orion ship is a gigantic Stargate sticking out of the middle part of Battlestar Galactica.

Wanna see Kelvinverse versions of TOS episodes? That was their first comics run, picking up after the 2009 reboot movie. They start off very faithful and as the series goes on things diverge more and more

To the extent some stories have very different backstories and outcomes

We visit 2 Kelvin mirror universes and a genderswapped universe too. No, Kirk doesn't do what you're thinking.

Q visits the Kelvin Universe and brings the crew forward in time to their version of Deep Space Nine

Nero's time in Klingon prison (from the Star Trek 2009 deleted scenes) and escape is fleshed out

Nero meets V'ger.

Nero mind melds with V'ger.

V'ger turns away due to the sheer force of Nero's hatred.

I wish I was making that up.

Klingons get their hands on Narada's technology and go to war

We get a Khan backstory where the Eugenics Wars are a full on nuclear conflict and "Khan" is the title that little Noon Sing adopts when he takes power

After being revived in the 23rd century, Admiral Marcus has Khan surgically altered to look like Benedict Cumberbatch as part of his John Harrison cover identity

They did a series of shorts called Waypoint, and in the first one Geordi is captain of a future Enterprise and his crew is made up of holographic versions of Data and it's a really sweet concept (this was several years before before ST: Picard brought Data back twice)

There's a prequel series centred around Number One where nobody manages to say her name before being interrupted. If you put the bits together it seems her name was Eureka Robbins. Of course, this is long before novels and SNW made her Una Chin-Riley.

#star trek #star trek comics #star trek the original series #star trek the next generation #star trek aos #star trek kelvin timeline #tng #star trek the animated series #dc comics #gold key comics #idw comics #marvel comics #deep dive

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mutant-what-not · 5 months

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Classic Retrovision Milestones

64 years ago today, November 19, 1959, The Rocky & Bullwinkle Show premiered. (known as Rocky & His Friends during the first two seasons and as The Bullwinkle Show for the last three seasons) It originally aired from November 19, 1959, to June 27, 1964, on the ABC and NBC television networks. Produced by Jay Ward Productions, the series is structured as a variety show, with the main feature being the serialized adventures of the two title characters, the anthropomorphic moose Bullwinkle and flying squirrel Rocky. The main adversaries in most of their adventures are the Russian-like spies Boris Badenov and Natasha Fatale. Supporting segments include Dudley Do-Right (a parody of old-time melodrama), Peabody's Improbable History (a dog and his pet boy Sherman traveling through time), and Fractured Fairy Tales (classic fairy tales retold in comic fashion), among others.

Rocky & Bullwinkle is known for quality writing and wry humor. Mixing puns, cultural and topical satire, and self-referential humor, it appealed to adults as well as children. It was also one of the first cartoons whose animation was outsourced; storyboards were shipped to Gamma Productions, a Mexican studio also employed by Total Television. The art has a choppy, unpolished look and the animation is extremely limited even by television animation standards at the time. Yet the series has long been held in high esteem by those who have seen it; some critics described the series as a well-written radio program with pictures.

The show was shuffled around several times (airing in afternoon, prime time, and Saturday morning time slots), but was influential to other animated series from The Simpsons to Rocko's Modern Life. Segments from the series were later recycled in the Hoppity Hooper show.

There have been numerous feature film adaptations of the series' various segments, such as the 2000 film The Adventures of Rocky and Bullwinkle which blended live-action and computer animation and the 1999 live-action film Dudley Do-Right, which both received poor reviews and were financially unsuccessful. By contrast, an animated feature film adaptation of the "Peabody's Improbable History" segment, Mr. Peabody & Sherman, was released to good reviews in 2014.

Mr. Peabody will star in a new reboot series picked up for 13-episodes.

In 2013, Rocky and His Friends and The Bullwinkle Show were ranked the sixth Greatest TV Cartoon of All Time by TV Guide.

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dethkomic · 8 months

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On Army of the Doomstar Day - And Remembering Jon Schnepp

Hey Goofballs. I didn't really have anything like this planned until the moment hit me, spontaneously. Today's a very special day, as Dethklok the live band gears up to go on tour, we've been blessed with not only a new Dethalbum, but a conclusion to the whole series. This being a momentous finale, over a decade in the making, I again wanted to take a minute to remember someone, just as I did last year..

Jon Schnepp was a guy you could pick out, even if it weren't for the fact that he was usually the tallest dude in any given crowd. He loved comics, music, good vegetarian food that didn't suck, and loved meeting his sweaty nerd fans. As a comic book artist myself, I had the rare privilege of meeting Jon on several occasions through the years at various comic conventions. We also kept in touch on social media, leaving likes and words of praise on each other's projects. Genuine to a fault, Jon was always the biggest fan of anything his friends were doing. He had impeccable comedic timing too. I'll never forget the message he sent me on Facebook when friends and I attended the first ever 70,000 Tons of Metal Cruise:

"I want to go... :("

For as big a Metalocalypse fan as I've been through the years, Jon absolutely eclipsed me in all ways. He loved the show, loved talking about the show, loved discussing production and animation and the characters, whose likenesses he himself designed. One of my prized possessions is a comic book Jon signed and drew a Murderface on the inside frontispiece of. We all agreed that triangle-hair was the pinnacle of good character art.

When he died in 2018, I remember he was either going to be at, or had recently attended a convention in my former hometown of Columbus, Ohio. I remember letting him know I wasn't going to be able to make it, but promising to catch him on the next one. I never got the chance.

Jon Schnepp left behind a hole in the cartoon and comic industry that has yet to be filled to this day. But he also leaves a hell of a legacy. I've been in comics since the early 2000's and one thing I can guarantee you readers is that the rarest thing in the entertainment industry is this: Getting the ability to see a story through to its conclusion.

As artists, it's a sad fact that we don't always get to see what we create come full-circle. We're extra-super lucky still, to have that circle continue on after we're gone. Regardless of what you believe, I bet it would do Jon proud to know his work lives on, today. I bet he'd love the movie and it's wild animation and incredible art and music and story. I bet he'd be happy to have that closure. I know he'd love hearing how much we all enjoyed it, knowing the wild ride we all took to get here.

Jon, we miss you, man. Brendon, Tommy, writers, artists, animators, and any and all sweaty nerds reading this -- you did it. We the fans love you and we'll see you on the road. Hold your heads high. You carried the torch across that finish line.

We'll take it from here.

#dethkomic speaks #metalocalypse #dethklok #mtl #army of the doomstar #metalocalypse movie #jon schnepp #in remembrance

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canmom · 1 year

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Animation Night 155: Kunihiko Ikuhara

...or Ikuni to his fans. The Utena guy.

Since the very beginning of this series, Ikuhara’s been someone I’ve been desperate to cover. He’s exactly the kind of weirdo we like around here. And you know how much the Tumblr girlies love Utena.

But only now, at Animation Night 155, is Ikuni getting his due. Why so long? Well, let’s put it like this. Ikuni’s very much a TV guy. Revolutionary Girl Utena is 39 episodes and a movie. Mawaru Penguindrum: 26 episodes. Yurikuma Arashi is 13, as is Sarazanmai.

And if we’ve managed to cram in 13-episode series into this format, it’s always been with difficulty - take Heike Monogatari [AN91], Alexander Senki [AN125] or Houseki no Kuni [AN97]. It generally takes multiple nights. So I thought, that’s fine, we’ll do Adolescence of Utena, the movie, and, um... hmm.

Luckily for us they just made a new Penguindrum compilation movie! Problem solved let’s go!

And with such a long wait behind us, let’s try and do the guy some justice.

So. Who is this guy with the rabbit? (Picture from his website. Though this is a plain outfit by Ikuhara standards!)

If you were trying to summarise Ikuni’s works... you could probably say something like this: surreal, densely symbolic stories about the difficulties of real human connection. Sort of like the anime version of Lynch. But if that sounds too cerebral, let’s not forget that an episode of Utena involves a character gradually turning into a cow for no particular reason. He’s just as much a goofball who loves to tell lies.

Ikuni came into the business back in the mid eighties, at Toei. [c.f. AN149 for a brief history of Toei!]

So. In the late 70s, Toei had established a powerful niche to themselves in long-running, wildly popular series such as Galaxy Express 999, but most of their work was much less high-profile. Take a glance, see how many of these you recognise - I would guess not many! Hot out of art school, Ikuhara became an assistant director under the wing of Junichi Satō, later well known for shōjo anime such as the avant-garde Princess Tutu (2002-3), or Ojamajo Doremi (1999-2000).

But of course, the most renowned Satō project is Bishōjo Senshi Sailor Moon (1991-7, Pretty Soldier Sailor Moon). Satō directed the first half, and then Ikuhara took the reins for the rest. For Satō it was his debut as a director, I’ll talk more about his tenure on Sailor Moon in just a minute, but first, let’s get a little context about... magical girls!

(quick! tell me which sailor this is! you have five seconds)

Magical Girls! 魔法少女 mahō shōjo. An ordinary high school student makes contact with a powerful magical being, who may also be a cute mascot character, and agrees to help. Now she can transform: manifest a stylish outfit, gain suitably themed powers, and fight monsters of the week... but she’s got to maintain a double life as a regular student. The henshin (transformation) sequence itself will usually be an extremely elaborate sequence that is played regularly (a ‘bank’ shot).

By now it’s one of the absolutely central anime archetypes, one people are likely to recognise even if they’ve never watched a magical girl show. It’s been parodied, it’s been genderflipped, it’s spun off a dark otaku-oriented variant.

But it wasn’t always so! Everything must begin somewhere. Very quickly reeling this off then... Osamu Tezuka’s 1953 manga Princess Knight is seen as the earliest proto-magical-girl work; Himitsu no Akko-chan (1962-5) as the earliest true magical girl manga with the elements of the genre, and 1966′s Sally the Witch as the big populariser. In the 70s, Toei started producing them in a big way, known collectively as 魔女っ子 majokko series (‘little witch’).

The actual phrase 魔法少女 mahō shōjo was introduced in 1980 with 魔法少女ララベル Mahō Shōjo Lalabel. With the economic bubble in full swing, other studios started to join the party - notably AshiPro with Minky Momo, and Pierrot, the studio behind epoch-defining megahit Urusei Yatsura, who entered the arena with Creamy Mami, the Magic Angel (1983-4). Why is she creamy? I don’t know, but that’s her stage name as an idol; the manga was designed to promote an actual idol singer Takako Ōta. This business model proved wildly successful, and even today anime production committees usually include record companies who use the show as a vehicle to promote a song or group. Toei no longer had exclusive hold on the matter of girls, magical.

Visually here we’re seeing 80s-style bishōjo, the same as over the fence in sci-fi series such as Macross. Mostly the stories are comedies, following in the footsteps of Urusei Yatsura.

What was missing from the formula at this point? Surprisingly, the henshin sequences! It’s not that magical girls didn’t transform, but they would be more likely to transform into something like an aged-up version of themselves, and the act of transformation wouldn’t be given the same importance. This final ingredient was to be found over in tokusatsu land - Kamen Rider and Super Sentai.

So, that’s where Sailor Moon came in at the beginning of the 90s - first a wildly successful manga by Naoko Takeuchi, and in very short order a TV series at Toei. Takeuchi came up with the idea of fusing the magical girls with sentai: instead of a motorbike-like Rider suit, the girls would get sailor fuku. And that means every magical girl transformation is in a sense a homage to this one.

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Sailor Moon tells the story of a girl called Usagi. She’s a clumsy and forgetful audience-identification character - perhaps even to point of being a Huineng-type character? - but she’s informed by a talking cat that she’s the guardian of Earth, soon to be joined by a number of other girls from her area who are, collectively, the Sailor Guardians (セーラー戦士 sērā senshi). To fight, she activates a magical brooch and, that ^ happens.

Why? Well, the Dark Kingdom is invading! They want to free the villainous Queen Metaria. In past lives the Sailor Guardians fought those guys, and now they need to get back on the job. The forces of the Dark Kingdom (and numerous subsequent enemy factions) arrive in the form of a series of themed villains, much like the villains in a tokusatsu show. Outside of fighting those guys, it’s gentle comedy with a large cast, not so far from the works of Rumiko Takahashi. In fact it’s apparently a fair bit more comedic in tone than the manga, and a chunk of that can be credited to Ikuhara’s influence.

It’s hard to try and summarise the 90s for anime, it wasn’t just one thing. Even as the economic bubble popped, the movies got increasingly ambitious, reaching for more complex emotions and darker themes with incredibly complex animation to match. And to a certain extent, that was also true on TV, by which I mean “Evangelion happened”. But it was also an age of a return to more limited animation. If you wanted to make a TV anime, you had to be smart about using all the tools you could to cut corners. You could keep a bank of reused shots, or for a joke, transform a character into a much simpler caricatured design with more limited animation. At the same time, photography was getting more advanced, and animation techniques were getting more sophisticated.

Even so, a lot of the credit for the art of working effectively in limited animation goes way back to Osamu Dezaki, who back in the 60s and 70s established many of the iconic ‘anime’ techniques. I’ve written about him before back on Animation Night 95, but as much as that covers the history, it doesn’t say a lot about Dezaki’s style. So let me pull in this video, which will helpfully illustrate the important examples...

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The relevant period is when Dezaki directed on Aim for the Ace! (エースをねらえ! Ēsu o Nerae!) - where, in contrast to his earlier work which was comparatively cinematic, he started to push in a more theatrical, abstracted direction, prioritising conveying emotion over realism. Still frames (with the famous ‘postcard memory’ effect), simplified background details framed to draw attention to the important stuff, repeating an important shot multiple times - oh, that’s just Utena, huh? And while Dezaki influenced just about everyone, but for Ikuhara, he’s a massive touchpoint.

Designs were also changing - in contrast to the rounded bishōjo of the 80s came more angular and blocky designs. Take Slayers for example:

Hold onto that thought because we’re going to talk about Utena in a minute. Sailor Moon didn’t go quite that far, but Kazuko Tadano’s designs were very effective in conveying a lot of appeal in quite simple shapes. Usagi in particular has an instantly recognisable hairstyle. But it’s also a style very amenable to simplification.

TV anime in this period ran long. Nowadays, the norm is one cours (‘cour’ if you’re not feeling pedantic) of 12-13 episodes, sometimes not even that. Back then you could easily see counts in the 50s or even hundreds. Such is true of Sailor Moon: crazy popular in both Japan and, in its heavily localised dub, America, and with a premise flexible enough to run for years. In the end it racked up some 200 episodes and several movies.

The Ikuhara period starts with the Sailor Moon R movie in 1993, then the series proper starting mid Sailor Moon R and then Sailor Moon S in 1994. Not sure which episode he took over, but S begins at 90. This is a post about Ikuhara (no, really!) so we should ask, how did Sailor Moon change once he took the reins? Let’s have a look at some of his favourite themes, as they appear in the Sailor Moon R movie, based on his own notes...

Lesbians - Not so much in the R movie, but once S gets going... big controversy! Sailors Uranus and Neptune were a couple whose dynamic was one of the most popular in the show, but this would be heavily censored in nearly every localisation, notably the American one which made them cousins.

Flower imagery - Ikuhara decided to set his first project as director in a botanical garden, naturally.

Lost connections, the distance between people - to quote the linked blog...

Ikuhara compares the reunion between Fiore and Mamoru with that of being stuck on a train in-between stations when suddenly you notice you’re standing next to an old friend you haven’t seen in years.

At first you’re both excited to see each other again and kill the time by catching up on each other’s lives. But eventually you run out of things to say, and the conversation just kind of dies off, leaving you both standing there in awkward silence.

Creative editing, use of music - 18 second long scene of Tuxedo Mask getting stabbed? Musically timed fight? Mm.

Darker themes - let’s watch the girls incinerate a field of flower monsters! At one point Usagi would nearly die! Ikuhara tried to keep it ‘fun’ and lighthearted, but just couldn’t do it, he says. Nothing on the level of where his later work would go, but definitely harsher than your average episode.

Vaguely hinting that some element is key to understanding everything, and then refusing to elaborate further - oh yes.

Which isn’t to say that Ikuhara’s Sailor Moon instantly became Utena. Rather, the seeds of his interests as a director, the sort of emotional arcs he’d like to portray, were there. I regret that I can’t really comment in much detail on what Ikuhara did in his actual run on the TV series - I’m sure I have some big Sailor Moon fans here who could fill me in and tell me if I’ve described anything wrong.

Working on Sailor Moon, in any case, also got Ikuhara used to technical elements that would become part of his stylistic fingerprint. We mentioned the transformation sequence, the elaborate bank shot with accompanying music that would recur in nearly every episode. I am less sure about other Dezaki-esque elements, like jokes based on repeating the same sequence with minor variations.

Eventually, Ikuhara’s run on Sailor Moon would come to an end. The final arc of the show saw the Sailor Guardians facing... themselves, from a distant bad future. But for that final season, Ikuhara had already stepped down. Where did he go...?

You see, Ikuhara chafed under the creative restrictions placed on him by Toei. Turning down an offer from Anno to work on Eva(!), he set off to found his own group, Be-Papas, along with...

the famous shōjo manga artist Chiho Saito, animator Shinya Hasegawa, writer Yōji Enokido, and producer Yuuichiro Okuro

and before long also recruiting composer J.A. Seazer, known for his work with avant-garde dramatist-filmmaker-writer-poet Shūji Terayama - another big influence on Ikuni, incidentally. What did Be-Papas make? Just one anime, after which they disbanded. That anime was... Albert Ei-

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That anime was Utena.

Oh man. This is the one.

少女革命ウテナ - Shōjo Kakumei Utena. In English, Revolutionary Girl Utena. Now the time has finally come to write about it, I’m nervous. Could I possibly do justice to Utena in a single blog post? Is that why I spent so long writing about Sailor Moon?

Let’s start with the aesthetic: French Revolution-esque outfits that would be comfortable in Rose of Versailles. A school made of white stone; architecture that is strange, avant-garde. Roses. So many roses oh my fucking god. It draws heavily on the Takarazuka Revue, which I wrote about previously on Animation Night 92 in the context of Ikuhara’s protege Tomohiro Furukawa.

Utena is about a girl called (wait for it) Utena, who attends a school of sorts called Ohtori Academy. But it’s a school only in a fairly abstract sense - it’s more like a palace. She wears a distinctive masculine uniform, and shortly after transferring in, discovers a mysterious underground duelling society who go to a strange abstract battle arena outside of school hours. There, they attempt to strike the rose from the other duellist. The winner of the duel gains custody of Anthy Himemiya, the ‘Rose Bride’. At some point, whoever possesses Anthy will gain the nebulous power to ‘revolutionise the world’. With me so far?

Utena walks in and immediately wins her first duel, establishing an initially frosty relationship with Anthy. But the White Rose duellists won’t take this lying down. Over the first series of episodes, we learn about each of the duellists and their motivating conflicts, culminating in an attempt to defeat Utena. (She walks up the stairs every time.) They lose every time, but the point isn’t really about whether Utena will win or not - it’s about introducing us to a collection of fucked up guys, and then making them even more fucked up.

But it’s not all high drama. A lot of Utena is just straight-up antics, which is to say, just about any time Nanami is on the screen. There’s a greek chorus of shadow girls who comment on the events of the episode. The broad strokes are hard to miss, but the subtler, more obtuse stuff is the sort of thing that can get you into an almost endless rabbit hole of analysis. Don’t take things too literally! You could probably call it at least a little Brechtian in how much it foregrounds its own artifice.

After Utena’s defeated just about everyone at the White Rose, the Black Rose arc introduces a new element. Now, characters from beyond the duelling circle will go down an elevator to guy who renders a fucked up sort of anti-therapy which will motivate them give into their worst impulses and have a go at Utena. Utena, meanwhile, is harbouring a complex where she needs to live up to an ideal of fairytale prince following an incident from her childhood - and oblivious to what’s actually going on with Anthy.

Then at last Anthy’s brother Akio shows up - the actual prince from the upside-down castle in the sky that represents the power to revolutionise the world, and the architect of the monstrous system. It turns out he’s been incesting Anthy, that she’s complicit in all his shenanigans (guess who was behind the Black Rose thing). Moreover, Utena is pulled in to Akio’s orbit, an ugly, abusive relationship... that is conveyed mostly through visual metaphors involving cars.

The finale is... complicated to explain. But it gives us one of the most iconic pieces of cinematic lesbianism ever animated, as Utena reaches for Anthy, refusing to be pushed away (by stabbing) or let Anthy remain in her state of self-inflicted pain, and they are able to escape the academy and its system, at the cost of being separated. What future they have outside the academy is left unspoken...

And that’s just scratching the surface. If you ask the hardcore Utena fan, just about every element of every shot is dripping with meaning. You can’t take everything too literally, but you definitely have to take some portion of it literally or you don’t have a story and characters at all.

Visually, the characters in Utena are designed by Shinya Hasegawa - and as much as they are recognisably ‘90s’, they really push it. People are long and faces - noses and chins especially - are pointy. Characters tend to be reserved and stoic in their facial expressions, unless they’re Nanami, in which case all bets are off. Animation-wise, JC Staff did the work under Be-Papas’s direction - and as much as it uses limited animation for effect, it’s really got the goods, especially in the duel sequences and the bank shots (Utena climbing the stairs? Not CG!).

Did you know Yoh Yoshinari was on it? I didn’t until today! So too was Mamoru Hosoda.

Remarkably for such a deliberately challenging show Utena was pretty successful! This was the era between Eva and Lain: it was an excellent time to be making something really experimental and push those genre boundaries. (One thing I don’t really know is how Utena got funded in the first place, but all the big names attached to the project probably gave them some pull.)

Alongside the anime came a manga by Saito - but neither is really an adaptation of the other, they’re just two different interpretations of the same general concept and premise, produced at the same time. And in fact, Ikuhara and Saito clashed heavily over the direction of the series, particularly in regards to whether the relationship between Utena and Anthy should be presented as romantic. Saito did not believe that shōjo audiences would be on board with the yuri, but Ikuhara refused to back down. (Saito eventually changed her mind.)

With all this success, they went ahead to make a movie. Now, usually a compilation movie of a successful TV series will cut out down the story to fit the runtime, reanimate a few scenes and call it a day. But this would be all but impossible with Utena, which is so tied to its episodic structure and use of repetition. And in any case, Be-Papas had bigger ambitions!

The film would be titled 少女革命ウテナアドゥレセンス黙示録 Shōjo Kakumei Utena: Aduresensu Mokushiroku, literally Revolutionary Girl Utena: Adolescence Apocalypse, though in English it’s usually given the shorter title Adolescence of Utena. It is kinda sorta a condensed version of the series at first... and then in the latter half it goes completely off the rails. This time Akio is long dead. And he’s not the only one! It ends with this absolutely nuts sequence where Utena turns into a car to drive Anthy out of the academy, pursued by Shiori, who also turns into a car. I still can’t say I really understand it, or how it relates to the ‘car is a rape metaphor’ role in the TV series? But it looks beautiful.

Compared to the series, the movie features the expected higher drawing counts and flashier animation... but the really novel aspect is the architecture. This movie goes absolutely wild with it: the Ohtori Academy this time is far stranger and more intricate, looking less like a regular old European palace and more like something dreamed up by the Russian avant-garde.

It’s less of a summary of Utena and more of a companion piece. Seen on its own by someone who’s not familiar with either... I’m not sure how it would come across! Maybe you’ll just think I’m insane. Maybe you’ll be right.

So, some 3000 words into this post, I’ve finally told you the first movie we’ll be watching! That’s right: we’re going to jump in at the deep end and enjoy Adolescence of Utena. You don’t need to have seen the series.

After Adolescence, Be-Papas disbanded, as if following Monsieur Dupont’s injunction that radical groups must exist for a single purpose and then disband. Ikuhara left anime for a long time, like twelve years. He wasn’t entirely cut out from the industry, occasionally dropping in to storyboard an episode or two (for example, Episode 2 of Diebuster, or the OP to yuri series Aoi Hana). But for the most part, he turned his attentions to other mediums.

In that time he published a shōjo manga, which was poorly received for being a lot more conventional than Utena; he also wrote a novel called Schell Bullet which, get a load of this...

As a result of gene manipulation, society is segregated by genes into "Majors" – intersex humans who maintain a monopoly on stronger genetic material – and lesser dual-sex "Minors". (Ikuhara stated that he chose to make the Majors intersex because he wished to create "a race which combines the good parts of both women and men."[1]) Protagonist Ors Break is hired by the intergalactic trading company Balt Liner Corporation to pilot a schell, a bio-organic mecha, by claiming to be a Major. When the truth of his Minor status is revealed, he comes to an agreement with his superior, a Major named Delbee Ibus, to continue working for the organization.[1][2]

...and another serial novel called Nokomono to Hanayome, described as ‘Lolita hardboiled’ (I believe as in ‘Elegant Gothic’ rather than as in ‘Nabokov’s novel’). This last was a precursor to Penguindrum - animal costumes, the a story about the 1995 Tokyo sarin gas attacks.

In 2011, Ikuhara came back to anime. Why? And why did he leave in the first place? itsamystery.jpg. In any case, his new project was... Mawaru Penguindrum. It’s about, I guess you might say, the abandoned children of cultists who connect to a supernatural penguin being through a hat. But honestly it’s even tougher to attempt to summarise than Utena. There’s a “child broiler” involved. That’s just the start. And this post is already very long.

So, it’s time to split it. You’ll be able to read more about Penguindrum tomorrow (or later today, if you’re also staying up insanely late in the UK).

Animation Night 155, in its cosy new Sunday timeslot, will be running (if all goes according to plan) at 8pm UK time. That’s about 13 hours from the time of this post. The plan will be to watch Adolescence of Utena and the two movies of Re:cyle of the Penguindrum, for a total of about five and a half hours. (Sorry Sailor Moon fans! I’d really like to squeeze in the R movie too, but I underestimate how long Penguindrum is in movie form. We’ll find another day to do Sailor Moon though!)

If you’ve read all this so far, thanks so much! I’ve wanted to do a proper Animation Night on Ikuhara for ages, and there’s so much I can write about. So far it’s all history, but we wanna do some analysis too. For now... hold on tight.

#animation night

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tmntkiseki · 3 months

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Diary of an Idiot Trying to Learn to Draw Teenage Mutant Ninja Turtles (Part 1: Escaping the Comfort Zone)

Before we talk turtles and the early steps of my art journey with them, let's talk about me for a little bit.

Hello, most people know me by my online nickname, Star. I'm a perpetually tired gremlin in her late 20s from New England who still lives with her parents and two brothers. (I'm the middle child!) I love my two dogs to bits, I have a weird fascination with shipwrecks and maritime disasters, and I am a known art enjoyer to point of attempting to draw her own pictures. Sometimes it goes well, other times... ah, we'll get to that.

When I think about my history in terms of drawing, it all starts with anime. My first exposure anime was through a fairly obscure one called Sky Girls; I encountered it through Dance Dance Revolution: Super Nova 2 on the PS2, as the opening to the original OVA was one of the songs available in the game. I ended up watching most of the television series and I was quick to discover that, hey, there's an entire genre of animated television series that originate from Japan; subsequently, I ended up watching several anime that were popular during the late 2000s with Lucky Star, Haruhi Suzumiya, Clannad, and Higurashi no Naku Koro Ni all being shows that I watched during this period. It's difficult to say what entranced me so much about the art style quirks we so heavily associate with anime, but it's definitely had the biggest influences on my art; not just anime itself, but video games with anime art styles as well. If I had to name which pieces of Japanese media have affected me most in terms of art development, it would be Odin Sphere, KyoAni's works (especially Violet Evergarden), and Hidari (the character designer for three of the Atelier games and Fire Emblem Echoes: Shadows of Valentia.)

"Okay, but what about when you actually began to do your own art?" WELL, I can definitely say throughout elementary school I absolutely LOVED being in art class, but I didn't start seriously practicing until I was around 13; this was when my depression first reared its ugly head, but it was also about when I first got into fandom online. Now, the first fandom I actually made "content" for was Pokemon, but that wasn't drawing; that was fanfiction. The first fandom I actually drew for?

Call of Duty: Zombies. Yeah, I think we all have that one fandom we're embarrassed to mention that we were ever involved in. Regardless of the cringe factor, it was still important for me because that was when I first started interacting with other fanartists online and if I hadn't spent so much time drawing fanart of a bunch of WWII stereotypes while I was in high school, I wouldn't have laid the groundwork for what came afterwards.

In terms of overall skill, I'm definitely way better than I was back when I first started out, but there is still so much I have to learn; I do often look at other artists who are around my age or, hell, are even YOUNGER than me and think to myself "Why am I not that good?" and, ya know, art is an acquired skill that requires a lot of practice and due to my mental illness and lack of confidence/self-worth, there were periods where I would go for MONTHS without drawing anything, so the fact I'm not where I feel like I should be skill-wise is ultimately circumstantial (there are other personal shortcomings that have also been holding me back, but we'll get to those later). I have managed to learn to stop being so hard on myself and not be as perfectionistic, and I find myself drawing more and more for the fun of it and learning new techniques that'll result in better pieces rather than anything else. These are some of the Rune Factory 4 pieces I drew last year (all Arthur/Frey ship art, oops) and at this point I can look at them and think "Yeah, they're not perfect, but I also did a pretty good job."

All right, this is the part of the post where we finally get to talking about my experiences learning how to draw the Teenage Mutant Ninja Turtles--specifically, the 2003 versions. It's been about a month since I started studying the show's art and even if I'm not the best artist on the block, I still have a decent amount of experience under my belt that learning how to draw them shouldn't be too hard, right? Right? I mean how hard can it be to draw four humanoid turtles?

Oh boy, of all the fandoms I've drawn fanart for, TMNT 2003 probably has one of the steepest learning curves that I have EVER experienced.

All right, what are some of the advantages do I have going in? There is my existing experience drawing, but I'd argue the fact that my brain is so hardwired to draw anime is an advantage in some ways. When I first looked at the show's art style (more specifically that of seasons 1 - 5), I was thinking to myself "How the everliving FUCK am I supposed to draw this?!" However, when I actually sat down and studied the model sheets, I was delighted to discover that a lot of the basic fundamentals that I already learned drawing anime bodies can be applied to the turtles; one of the only major adjustments I had to make was exaggerating the muscles of the arms and legs. Not only that, but one of the less human aspects of the turtles IE the plastron is actually incredibly useful as a makeshift guideline for the torsos; it quite literally divides them into chest, abdomen, and pelvis areas and I absolutely love it!

Unfortunately, that's about where my happiness with drawing the turtles ends and where my actual struggles start.

("Nekomata Mikey" from January 7th, which is probably my best and favorite turtle attempt thus far)

So, I suffer from a little something called "not liking to leave my comfort zone." It's not something that I'm incapable of doing, but getting me to break out of a repetitive routine and try something new or challenging is insanely difficult--no idea if it's a result of my autism spectrum disorder or not, but it definitely explains why I've hesitated to experiment more with my art and try new things... which is important if you want to further develop your style and improve. Oooooooh boy.

Now, I'm not necessarily looking to accurately replicate TMNT 2003's style, but I am hoping to maintain certain aspects when I draw the turtles. Stuff that is definitely contradicting what I'm comfortable with when it comes to drawing; the thick lines you see in a lot of the official art, the fact this show really likes using sharp angles to define physical features, the dark color palette of the first five seasons, the fact those seasons break the rule of "don't shade with black" that I've been taught from the beginning--a lot of stuff that I'm just not used to. It's hard not to become frustrated because half the time you have no idea what you're doing and have no idea whether it's going to look good or not.

Beyond that, there is the matter of the less human aspects of the turtles that are giving me a run for my money. I can somewhat handle the chunky three fingered hands and large two toed feet, but when I get to the heads and shells, that's where I start tearing my hair out. Even with multiple reference screenshots from the show and sassatello's tutorial on the head structure handy, I still find myself fumbling and making heads that are too angular and chunky (especially in the cheek area) or heads that are too round to the point of almost looking babyish. The shells are another matter entirely; it's weird because they are basically a dome-shaped backpack, but something about those things keeps throwing me for the loop no matter what angle or pose I'm drawing a turtle from.

*LOUD SIGH*

For all the struggles and frustrations I have, I'm still very happy to be studying and practicing how to draw the turtles. It's been about a month since I started pouring over the model sheets, taking screencaps from individual episodes to examine and annotate, and just drawing, and I've already learned so much. Not only that, but this whole experience of trying to figure out how to draw the main characters from an (almost) 21 year old cartoon has pushed me to look up... A LOT of tutorials for art skills I've admittedly been neglecting. Basic shapes used in the structure of the body, color theory and shading, all that good stuff. It is also a fact that studying the art of TMNT 2003 is exactly what inspired me to start posting all the model sheets and concept arts I have saved on my laptop. When you have a ton of art resources at your disposal, why not share them? Someone else might need them as much as you do.

I'm hoping to make another post like this in a couple months or so just to see how much I've improved, where I'm still kicking and screaming, and what areas I ought to focus on. Until then, take care and have a good day!

#teenage mutant ninja turtles #tmnt #tmnt 2003 #tmnt 2k3 #tmnt art diary

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dreaminginthedeepsouth · 5 months

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Mr. Peabody will star in a new reboot series picked up for 13-episodes.

In 2013, Rocky and His Friends and The Bullwinkle Show were ranked the sixth Greatest TV Cartoon of All Time by TV Guide.

[Classic Retrovision Milestones]

Narrator: And so alls well that ends well for our high flying friend and his lowbrow companion. I think that it's safe to say that these boys put the moan in matrimony.

Snidely Whiplash: Oh that's terrible!

#Retrovision #Rocky and Bullwinkle #TV #vintage TV characters #cartoons #Rocky and His Friends

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bluepeachstudios · 1 year

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im attempting to watch 2003, for ghost, i am. but oh ky god im on the first episode, and i just find everything so ugly?? just like its a major ick for me i cant watch shows with art styles or colours i dislike??? im sorry?? and its just hitting me this is writtrn by millennials… it gets better right? also why is their home so ugly and bland?

honestly no hate against 2003, i havent liked any tmnt except rise, so its probably my fault and my tastes, is this to due to autism)???

This was the 2000s where everyone was going Dark and Gritty style-wise. It becomes more bright and colorful for Fast Forward and Back to the Sewers. They definitely let up on the black shadows as the series progresses.

The first episode, their home just got destroyed. The one they've been living in their whole lives. They're can't back there anymore. :') they've gotta find a new home, and yeah it's a mess when they do find it. They haven't put their own touches into it yet!

As for the writing, I believe almost everyone agrees that 2003 has some of the best plots in the TMNT franchise. If you watch 2003 you'll even see how many little things Rise got from it! (Lookin at you Ninja Tribunal.) Which. Imo Rise did the mystic powers thing way better, but Season 5 was a mess in its own right. Unfortunately Season 5 was supposed to be a finale, but it got short and they were given two more seasons to make Fast Forward, then they said "actually no Fast Forward season 2 we're sending them back to where they were but keep it super high tech" and it just got to be a mess.

But! You only have to watch up through most of season 3 to see what Ghost himself lived through. (Hun on the Run is the last episode Ghost lived, basically.) If you want some more secrets, I'd watch all the way through season 5. Fast Forward and Back to the Sewers aren't as important.

There is a moment in Back to the Sewers when you see what Donny gets like when he's lost someone important to him. It's a good way to see how Ghost was after he'd first fallen into the Rise universe. But otherwise, vibe.

Also like!! If you don't want to watch the show that's perfectly fine too! I think you can honestly get by without watching 2003. Having 2003 as context just makes it hurt a lil worse. :')

#asks #gits ask

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acquired-stardust · 6 months

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Anime Spotlight #2: Cowboy Bebop: Knockin' on Heaven's Door (2001)

Happy Halloween! Acquired Stardust's second anime spotlight caps off our two-part Halloween spotlight special. Join Ash for a look back at her favorite Halloween movie to celebrate the season.

Growing up, September ushered in my favorite time of year. Summer heat began to give way to the chill of an upstate New York fall and before you knew it October was here, the gateway to the holiday season, which meant a constant rotation of Halloween movies on the living room television which my mom would have on at virtually all hours of the day. Little traditions like that have colored my early childhood and remained something I enjoy keeping up and coming up with new ones. Eventually, I was overjoyed to be able to share my own favorite Halloween movie with my mother one year when we sat down to watch this together, and I distinctly remember her enjoying it and especially taking a liking to the lovable catlike hacker Radical Edward, a very popular and enduring character actually based on series composer Yoko Kanno. But perhaps we're getting a little ahead of ourselves.

Sometimes getting the band back together isn't all it's cracked up to be. People change. Sometimes creative desires diverge. For many bands there are distinct before and afters. Cowboy Bebop, with director/creator Shinichiro Watanabe's process of thinking of his works in the context of music, was a hell of a series. Anime conquered the west in several steps, from the college campuses importing laserdiscs to Toonami and then Adult Swim, Cowboy Bebop holds a special place in that movement particularly as a bridge for the uninitiated - because it was heavily inspired by western media and of an extremely high quality people into anime often used it to bring those unfamiliar into the fold to great success. Cowboy Bebop has a pretty enduring legacy of not just being the favorite anime of many, but also being the first anime of many who were turned off by the more battle shonen stylings of Dragonball Z that had swept countless youth up into anime fandom in the early 2000s. It's inspired countless people in their own creative endeavors such as the late Monty Oum of Haloid, Dead Fantasy and RWBY fame, and Adult Swim classic The Boondocks also featured tributes. The recent Final Fantasy VII Remake Intergrade also features an unmistakable musical allusion to Yoko Kanno's work on the series in a chase scene backed by a several-movement jazz track.

Sometimes it's hard for a band to recapture exactly what made it so special in its heyday, but that's absolutely not the case for Knockin' on Heaven's Door, the movie released in 2001 in Japan. Much of what makes the original series work so well, such as an iconic soundtrack and impeccable script, not just returns for the movie but is in top form. A large cast of distinct characters, including several introduced in this movie, are all utilized very effectively. Iconic anime dubbing studio Animaze knocks it out of the park yet again with not only returning actors reprising some of the most iconic roles in all of English-language dubbing but also impresses with Dave Wittenberg as hacker Lee Samson and even the rare anime role from Jennifer Hale before she became quite as ubiquitous as she is now.

Animation and art direction are in top form as well, with plenty of attractive uses of lighting and the framing of shots. Small details such as the hair or clothes blowing in the wind or the falling of an ashtray aboard the spaceship Bebop manage to be almost as impressive as some of the mesmerizing fight scenes. There are also some extremely dynamic uses of the point of view even in slower exposition scenes. You've also got the soundtrack that sees series composer Yoko Kanno return with plenty of the iconic and bombastic jazz the series is known for along with some other auditory treats, and vocalist Mai Yamane also returns for two tracks that are among her best contributions to the series which really says a lot.

Set largely between Halloween and the day before culminating in a tense action sequence at a Halloween parade, Knockin' on Heaven's Door sees the bounty hunting crew of the spaceship Bebop attempt to catch a large bounty in the wake of a mysterious terrorist attack on a freeway. Each character splinters off in their own direction as is series standard, chasing down their own individual leads through their own processes which helps to illustrate not only why this crew contrasts so well in its very distinct members but also showcases a strength of the series in its oozing of characterization with action and dialogue alike.

The captivating push and pull of dialogue between characters that the series is known for is never stronger than in this film, which is a real testament to not only the talents of the late frequent Watanabe collaborator Keiko Nobumoto but the returning writer-voice director duo of Marc Handler and Mary Elizabeth McGlynn, respectively, along with the incredible voice cast. There is a reason that Cowboy Bebop is widely believed to have one of if not the strongest English language dubs of any anime, and while other examples in that upper echelon come to mind for me I find it hard to disagree with anyone who finds it to indeed be the finest. Remarkable parity between the television series and movie is a common thread, and the movie even features a number of long running cameos, at least one of which pays off in a big way.

For anime fans of a certain age, Cowboy Bebop is held with an extreme reverence and often tops the list of favorites. While it may not be my personal favorite, it's pretty high up there. Regardless it's impossible to dispute the sheer quality in every single aspect of the series, and Knockin' on Heaven's Door exemplifies so many of the strengths of the series at an impressive feature-length runtime. It's also a tradition around our house to watch this every Halloween in celebration, inspired by all the movie marathons around my house growing up. The stunned silence I watched this film in for the very first time as a child will be something I never forget, and it goes without saying that it's my favorite Halloween movie pretty easily. Hopefully it will be an experience you don't forget any time soon either.

A gem hidden among the stones, Cowboy Bebop: Knockin' on Heaven's Door is undoubtedly stardust.

-Ash

#anime #retro anime #90s anime #halloween #halloween movies #adult swim #cowboy bebop #cowboy bebop: the movie #knockin on heavens door #acquired stardust #ash #anime spotlights #anime recommendation #studio bones #shinichiro watanabe #keiko nobumoto #yoko kanno

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krello-png · 8 months

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Feelings on Xicor and DB AF as a whole!

Posting a thread I had back on Twitter here, though I'll be expanding on a fair bit since I have MUCH more room to breath so, let's get into one of my favorite subjects in this fandom, AF fan culture!

The fandom in the 2000s is really fascinating to me as someone who wasn't "there", the show and manga were 100% DEAD, there were only games that retold the same story from Z to GT during that time and yet because of a certain localization that was happening the fanbase was kinda thriving, constantly making new stuff. There was ZERO actual new story content and yet the fans just took it upon themselves to make shit and keep that flame going! New transformations, endless sagas, whole multi work fan manga that just spawned from a dead series that happened to get an English Dub with a different soundtrack.

Arguably at the center of most of this was this guy right here, XICOR, third son of Goku and the main villain of AF (or at least, it's first arc.). People talk about how a character like Xicor is rather boring and yeah that is true, the character of Xicor is boring, but it's not he himself that's the fun part, it's what he represents that makes him interesting!

He's undeniably fascinating if ya think about it.

His design? Ripped from a fan form. This pic is from like, 04' if I recall correctly and it's not even a new character, it's Goku in Super Saiyan 9. That's why he has Goku's Gi but green, the spikes are there cause apparently it's a dragon form??? Who'd have thunk it eh?

His character? Basically every villain that came before him and then some, a high and mighty powerhouse with an ego to match. Eager to take the throne atop the universe where his father supposedly sat as West Kai had told him. Ruthlessly evil to his core and merciless, in other words, very generic.

His backstory? A hodgepodge of several different fanfics from around the same time that combined into what we know now. The illegitimate third son of Goku, born of West Kai and Goku's DNA because she had taken his blood (or seduced him depending on the fic!).

It's just endlessly interesting what he represents, he feels less like a real character to me and more like an icon. Something that embodies DB's OC culture and general fandom in a lot of ways, whether the fans would admit it or not, he's a mainstay in this fandom that won't go away. No matter how far removed we get from that era.

And that's not even getting into the story he's attached to, or rather the concept. DRAGON BALL AF, After Future! Or perhaps it's April Fools? AF is never concrete. It could be anything and everything. It's far beyond what it originally was, beyond what the creator of that "SSj5" image intended. Hell, it's not SSj5 at all, it isn't even Goku! But as far as the fandom is concerned, that didn't really matter.

What had originally began as one fan story, one image really, eventually became something that would define basically any Post GT story line. A lot of them having similar elements with wildly differing execution, from Goku's third son to Cellbuuzer or any manner of unholy creations one could dream up in their heads.

I think to some degree everyone involved in spreading the idea around knew it wasn't "real" but there's something insanely cool about how it became this big community fan project with ideas anyone could use in their own stories.

I honestly can't speak to the quality of AF Origins cause I've never read it myself but Toyble and Jiji's AF Doujinshis are probably the most well known versions of the story aside from maybe PGV's take, but I can't speak on that either cause it's insanely long and it's lore is.. complicated to put it lightly.

Toyble's version of the story takes the Xicor premise and runs whole hog with it, the majority of Xicor's agreed upon characterization is found here and the action is a damn fun read if you're into this kinda thing.

The real highlight is probably the art and what little bits of humor are present, it feels very Toriyama like at it's best and I've no doubt it's why he landed a job doing official work.

It's a darn shame that it never truly finished but the ending we did get was kinda sweet and I'm more than happy with that.

Jiji's AF is a lot longer and has the benefit of actually being finished, with multiple arcs that are quite fun. The highlight is probably the story with Marble and seeing Goten, Trunks and Uub handle a threat on their own.

The last arc being a repeat of the Shadow Dragons is not my favorite conceptually and their designs even less so but it's really nifty to see everyone handle their own Dragon so, I give it a pass.

Both are rife with heavy amounts of ripping shots from the original manga and tracing in some instances but I can't say I'm too bothered by it. As they're still fun to see as real takes on AF in some form. There's definitely better fan manga out there but these are the ones I wanted to highlight.

There's so many more fun and bizarre things from this era of DB's fandom history that I wanna highlight and go in depth on but I'd be here for a million years if I did so I'll leave on this:

I honestly believe there's no fandom that's like Dragon Ball's, Sonic's fandom is close, but that was never a dead franchise. This fandom can be annoying, offensive and quite unfun sometimes, but I adore it at it's best. It's a wildly interesting ride I'm happy to be part of!

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vendettasfanfictioning · 7 months

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Since I can't, y'know, shut my mouth, I decided it's better to make a whole ass post about this so thank you @juniperjello for asking.

Here are my Top 13 Destiel Traxx AKA Fic Recs:

And This, Your Living Kiss (M) is a GODSEND I've read this more times than I can count, I even have NerdyNerdenstein's podfic of it saved on my phone, it is that good. It stars poet! Dean relearning his love for the arts and Literature professor! Castiel, whose favorite author just so happens to be Jack Allen (AKA Dean). I also love love loved the family dynamics here, it's all so homey and cozy. The poetry in this is stunning too. Highly recommend this one!

A Thousand Lies (E) follows con artist! Dean on his latest assignment of unraveling rich businessman! Crowley's secrets by playing as his secretary, all the while juggling dates with accountant! Castiel. Except there's more to them than meets the eye, and the plot gets thicker and thicker until you find yourself stuck to your phone for more than 4 hours, hopping from one chapter to the next. Yes that's exactly what happened to me lmao I was hooked, and stories like these where the angel fam are humans are always so fun. I love spotting the parallels and whatnot.

(goldenraeofsun, author of the previous fic, has a ton of fics I highly recommend so if you vibe with their style, go check out their account! I was torn about what to put here between "The Original Apple Pie Latte", "Not the Fire, but the Spark" and this—also I'm pretty sure I have half of their works bookmarked by now 😭)

Forget-Me-Not Blues (E) has all the correct vibes of a classic early 2000s romcom. It's set in Sam and Jessica's wedding, with Dean as the former's best man and Castiel as the latter's. Oh, and did I mention they have history? A particularly roughly-broken high school love story? That they absolutely refuse to acknowledge so now the wedding prep is so full of tension it's choking everybody? Yeah... This is a good one.

An Exercise In 'Worthless' (M) is one of the first destiel fics I've ever read. At that point, I was only on S2 or S3 and had no idea what was happening or who most of the other cast was, but the vibes were immaculate and reading it again as I progressed through the show, it just kept getting better. It's got tattoo artist! Dean whose shop is set up beside Gabriel's cafe (it's called the Physical Graffitea heh). It's got grad student! Castiel attending the same uni as Sam for a niche course in dialects. It's got Dean thinking Cas is more interested than Sam (missing the heart eyes Sam and Gabe are giving each other). It's got family feels!!!!!! as these four idiots live normal, non-supernatural lives!!!!!!!

Kissing Strangers (T/E) is a happy(!!!!!) queer awakening story, wherein Castiel realizes he's not as straight as he thought when he gets kissed by Dean for a social experiment. There's actually three fics in the series, the first one covers The Kiss while the next two are insights on the progress of destiel's relationship. It's really neat, and the author—sharkfish—has a lot of fics I've been reading this past week. (They have a lot of good ace! dean and/or ace! cas fics!!!!!!!!!!)

In Due Time (Dean Winchester is Saved) (T) is not only touching as hell but also mind-blowing. 26-year-old Dean is zapped to the future by an unknown power, and what does he see? Himself, happily settled; married to an angel of the frickin' lord with a son; and his brother, still hunting. THIS FIC IS AN ABSOLUTE GEM!!!! Baby Dean interacting with Cas means So Much to me.

Broadway Musical (T) is, in my humble opinion, an absolute banger and a classic. It's got the fun, lighthearted tone of a romcom and my favorite trope of "they may all be dicks but at least there's no murder" with the angel family. It's a reimagining of the first ever Armageddon: what if, instead of being the Righteous Man himself, Dean was chosen to father the two brothers of old with Jo Harvelle, with the entire Host of angels excitedly chattering about it in heaven. Except the cupid's arrow doesn't sink in, to either Dean or Jo, and they don't fall in love. So good ol' Cas comes down to take matters into his own (awkward) hands.

Sand and Salt (E) continues off of S9 fallen angel! Castiel. The timeline is important to me for two reasons, namely: Kevin and Charlie. Destiel are highlighted at the second half but the first is just Sam, Dean, Kevin, and Charlie helping Cas settle in as a human. They go to a mall to shop and eat and bond and they are so, so precious to me.

Carnival Oasis (E) is a series as well, but it's honestly SO worth it. We have creature! Castiel who eats sin and extremely guilty! Dean who first confessed his sins to Cas as a way to gauge what the fuck he is. But then he kept coming back. They get all gooey and shit here, as they should be. Plus the reveal on Cas' background??? It made me go insane I swear.

Convenient Husbands (E) is honestly just. So good. I've reread it multiple times over the past few weeks and it never gets tiring. This one's about hunter! Dean and Garuda! Castiel forming a marriage bond... Purely for convenience, of course. I'm also obsessed with the set-up of the hunting community in this AU, they got a whole network and base and it's awesome you should definitely read it. (Annie D also has a lot of fics on AO3 that you should check out—I'm very partial to "It's Always the End of the World Somewhere"!!)

This Witch!Cas AU series is based off of probably my most favorite story prompts to ever trend in Tumblr history: it's about witch! Cas who's moved to town after his grandmother's passing. Madame Novak's will is all that everyone's talking about, as it states that Castiel needs to marry to not only inherit the estate but also to keep his magick. Gardener and shopkeeper! Dean finds this tasteless, what with everyone treating Cas like he's just some prize and not, y'know, a person. Then, Castiel makes an announcement: he ties the key to the estate to his cat's collar, and whoever gets the key may take his hand as well. Everyone scrambles to chase after the surprisingly smart feline... except for Dean, who's slowly warming up to the little guy, and the cat to him in return.

it's brighter now (G/T) is actually a series but!!! It's a babyjackverse like come on, how can you resist that? This speaks for itself and it says all you will ever need in a fic, which is BABY JACK!!!!!!!!!!

conversations between brother & sister (T) is, simply put, criminally short but perfectly encapsulated my ideal ending for Supernatural. It's two fics; the first is about Jack and Emma, and the second is about Jack and Claire. The reason this is here is because I am a firm believer that this deserves more recognition and love and we need more AUs like this. Destiel are so, so tender and sweet but the main focus is, of course, Jack's conflicting feelings. I would leave a hundred thousand kudos on this if I could.

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