Honour among thieves is good in ways that drive me a bit insane thinking about the state of modern fantasy in film/television.
Like, the scenes in the underdark were visible?!?! You know that in GoT or whatever other production that shit would be impossible to see because it's the underdark or whatever. But like no!?! The place was conveyed to be underground and fucked up and I could hear everything?!!
Also, Edgin expresses complicated feelings like sadness and self loathing and he's not belittles for it! The party sits on the rock with him and then he introspects and is framed as a positive male character who's not the most physically capable in a fight!
Holga's divorce, Simon's arc, these things drive me fucking insane because there's a lot of angsty shit in this film but it's not a sad film! There is love and joy and happiness in this shitty found family who bicker and support each other. I just, need shit like this, I need Avengers Tower Fics of the party because I genuinely believe they care about each other and that feels like almost a rarity
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heyyyyy sooooo i just watched nimona and of course being me i have to get aro about it and i am Still Thinking about the moment where ballister says “she’s my friend” and ambrosius replies “aren’t i more than that” and the thing that’s great about it is that he’s in the wrong. yes the two do get back together romantically at the end but this line, its reception in context, and the subsequent emotional core of the movie reject a hierarchy with romance at the top. like. this is a line in a scene where ambrosius is explicitly antagonising our main character, being manipulated by the main villain, and himself using the relationship between himself and ballister in an emotionally manipulative way, whether deliberate or not. in this context, the romance is not the highest or purest form of love, it is not above criticism, and it is certainly not ranked above the friendship. the relationship at the centre of the film is that of ballister and nimona, the one that bal prioritises — both in this moment and throughout the film — is nimona. they are Friends and Family (and of course evil coworkers) and that is the most important thing in the whole entire world. i love to see it <3
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ok hear me out here. wb and denis want to turn dune into a franchise, they have that bene gesserit show already in production. you don't end your main series after 3 movies so I think they might adapt children of dune, and maybe even god emperor just to wrap up the story. the last 2 books in the series are way too weird so that's never happening. or they might do children of dune as a tv series. bottom line is if the movies are making money they're not gonna stop making them. and dune messiah is also going to make a lot of money when it comes out because people like these movies they're events.
why are u saying such nightmarish things im shaking crying already wtf 😭 the worst thing that can happen to a good film (trilogy) is franchise building. I trust denis to stand his ground and end it with messiah. he knows what he wants and what he's doing and he should walk away from it exactly when he intends to do so.
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Randomly remembered all those times someone on a forum or wherever would ask, like, "if your comic was ever turned into a movie or a tv-show, what would you want it to be like", and I was always spewing something about obvious answers like Fortiche or whatever
BUT ACTUALLY. That's wrong.
The correct answer is that I would want it to be filmed as one of those film-student-project fan movies. Where no one has any money and their camera isn't stabilized and the 'sets' are all local buildings but everyone is very committed to making it work with what they have. And all the actors are friends or classmates or someone's parents and therefore look especially real and human.
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I again come to you, my all knowing dude, since last time you gave me some badass recs on fantasy books that I really ended up liking!
Do you know some good anime, TVshow or movie you would like to recommend? I just don’t like straight romcom stuff!
Ooh I'm glad you liked the books!
I'm not a great person to ask for recs for visual media to be honest, I don't watch a lot of TV or films and generally don't enjoy them as a medium. I watch a lot of TV with my eyes shut lol
That said, there are of course exceptions! But my apologies in advance if these are all old news to you xxx Again, putting this under the cut to save clogging up the dash!
I went to the cinema three times last year, and every one of the films I saw was a banger. They were Everything Everywhere All At Once, Glass Onion, and Banshees of Inish Erin. Really brilliant, highly recommend them all.
I actually love rom-coms but will resist the urge to rec those here. The exception is Big Eden, which is sweet and gay and lovely and makes me cry. It's a pure regular 2000s rom com, but gay, but like, actually gay, not just "we made the two main characters both men but didn't actually deal with the fact they're queer". I love it.
Emma is my favourite Austen, and my favourite adaptation of it is the 2009 four-parter with Romola Garai.
Black Sails starts slow but is worth every second of slowness, especially if, like me, you're more for the "rip someone's throat out with your bare teeth and howl in ungodly gay rage" kind of queer content than the "nice boys kissing" kind of content.
Speaking of men in boats, the Terror is very very good. Ooh it's very good.
And hey, while we're talking Jared Harris (as I often am), Chernobyl was also very very good! Also made me cry, unsurprisingly.
If these feel a little heavy, RTD-era Doctor Who is my go-to comfort telly! I was once in the middle of bad depressive episode and had been sitting on the sofa crying in front of Gilmore Girls for a good few hours when I realised I was too sad for Gilmore Girls, and had to stop mid-episode to watch the Agatha Christie episode of 10ant/Donna to actually calm down. Don't talk to me about Steven Moffat.
And finally, if you're at all into Star Wars then I really recommend the Clone Wars! The first season is a little janky but it's good craic and also has lots of my favourite and best boy, Darth Maul, a man who is kept alive purely by homosexual rage and, for a brief time, robot spider legs.
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I do like Marvel, and it saddens me to say this, but Spiderman: Far From Home is just not a good film.
it’s seriously confused about whether it is a Spiderman film or an Iron Man film. I know, I know. that’s the point, that it’s Peter realizing he doesn’t have to “live up” to the mantle of Iron Man because even Tony struggled to do that (???). but my point is it doesn’t work. it tells you that Tony didn’t intend for Peter to “be” Iron Man and then it shows you Peter...being Iron Man. it plucks Peter out of NYC (and then switches locations so often you get whiplash). the villain is Tony’s villain, Peter merely caught in the crosshairs of an old feud. after they have a nice heart-to-heart about Tony’s expectations, Peter turns around and picks up Tony’s tech like he was born to it while "Back In Black” plays and Tony’s old assistant gazes on fondly. is this Spiderman coming into his own or is this the new Iron Man? the audience is getting VERY mixed messages.
Mysterio is a weird choice for a supervillain without any superpowers (especially because, again, this puts him in the realm of typical Iron Man supervillains and not Spiderman ones). the sequences where Peter is trapped in an illusion don’t work for me because I keep thinking “wait, how is this working with drones??” those sequences might have been okay if Mysterio had initially claimed to have illusion powers. but he doesn’t make that claim, and even after Peter finds out it’s all illusion, there’s no point at which he thinks it’s “real” magical illusion, so he knows it’s drones, too. drones and projections laid onto real people? so when a whole crew of spidermen jump on top of Peter, smothering him, that’s just regular people jumping on top of him for the Aesthetic? what???
Mysterio’s desire to “become the next Iron Man” makes very little sense. the movie candidly admits that if there were any other avengers around he would get his ass kicked five ways to wednesday, so Mysterio’s plan is only going to work for as long as they’re off-world. and even if the avengers stay off-world, what’s Mysterio’s plan for when something actually bad happens? and you can’t tell me he’s just unhinged, because he got dozens of people to sign onto this plan with him, so the plan ought to make sense.
as previously stated by others more insightful than I, the whole conceit of who “ought” to have EDITH is absolutely insane. nobody ought to have EDITH. all those weaponized drones should be launched into the effing sun. Captain America didn’t almost drown taking down the hellicarriers for Project Insight for this kind of bs to continue--and Tony didn’t repent of creating Ultron to just turn around and create something like this! it’s bad character writing! and it’s bad morality!!
the plotline with Peter’s spider sense not working (??) needed to be way more spelled out. this could have been at the center of the film, Peter’s exhaustion and uncertainty of whether he’s Spiderman or Iron Man leading to the loss of his spider sense. they could have showed it slowing him down in the fights, and letting him be tripped up in his regular life, making him look even more awkward than usual. but as is, it’s just a plot device which allows him to get stuck in those aforementioned illusion sequences, and magically disappears just in time for Peter to stop Mysterio from shooting him in the head.
the final post-credits scene with Nick Fury being not the real Nick Fury is an absolutely off-the-wall terrible decision. in a movie which is in some sense about Peter learning to see through illusions to what’s underneath, to what’s real and what matters, to then turn around at the end and say “but not this, haha, you were all fooled!” leads to just feeling cheated, and for no good reason. and the movie is already struggling to deal with the loss of Tony as Peter’s mentor figure, so to replace Tony with Happy and Not-Even-The-Real-Nick-Fury is a crazy move.
the Happy and May subplot drives me nuts. the writers dance around it--do they have a thing? don’t they?--but then they refuse to commit at the last second because it’s only interesting to them insofar as it’s funny, they don’t want to actually have to deal with the emotional implications of Peter’s aunt having a new relationship, which is LAZY and CHEAP. and it’s worsened by the fact that Ned and Betty break up at the end of the film, too. everything is played for laughs, not played for keeps.
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