So suffer your fate, oh, come here and give me a hug
Nobody loves you like I love you, oh, my dear
But you should've known that this was gonna end in tears
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Yeah I went and finished it 👉👈 Silly as it sounds, it was bothering me so, so much to only have two stickers designed and not three when the third WIP was just sitting there PLS FORGIVE
Third design in the Evil Conan sticker series!! If we cross paths at COAF 2024 you might get to take one home :3 ...assuming I have them... :33 ...I finished this pretty late... :333 It is very unlikely I will get them in time GAH what was the point of me rushing this (sobbing)
Since three is a nice number for a set of things, this and the previous two stickers will be going up for sale on my shop as a bundle soon, so stay tuned!
(Previous sticker here)
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Headcanon: HUNK (and the other Legendary skins) are canonical characters. However The Entity saw HUNK hauling ass in Raccoon City and his skill with a knife so just forced him to be friends with The Legion.
And that's why the BFFs add on has five pieces, because there are now five Legion members. Sometimes a friend group can be a bunch of teenagers, a 20 year old man and a 30 something year old PMC member 🤗
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Frank : Rules are made to be broken
Hunk : They were made to be followed. Nothing is made to be broken
Julie : Uh, pinatas
Danny : Glow sticks
Joey : Karate boards
Susie : Spaghetti when you have a small pot
Frank : Rules
Hunk :
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august 28th 1996
[ID: a digital drawing of susie lavoie, julie kostenko, frank morrison, and joey, (in that order) from the legion (dead by daylight.) susie is a white woman with long, split dyed hair, the left side being pink, and the right side being teal, braces, acne. she is wearing a tealish blue hoodie, a red plaid skirt, black tights, and fingerless gloves. she is looking towards the camera and smiling awkwardly. to her right is julie, who is a white woman with long, blonde hair on the right side of her face. she is wearing a black jacket, a gray shirt, a gray hood, and camo pants. she is smiling happily and has her arm wrapped around julie. to julies left is frank. he is a white man with short, brown hair, the tips of which are dyed blonde, and a bit of stubble. he is wearing a red baseball jacket, a dark gray shirt, and brown pants. he has one arm wrapped around julie, and another wrapped around joey. he is looking towards the right and seems chill. joey is a black man with short black hair, wearing a black jacket, a light gray shirt, and grayish green pants. he is doing a "devil" sign with his left hand and is smiling. the background is snowy, with a few pine trees in the background. END ID/]
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Musical Guide to Evil
It took us way to long to figure it out but we've finally grasped enough to piece together something coherent about music in the Practical Guide to Evil.
How it took us four re-reads to notice it I have no idea, but better late than never?
The Guide comes with its own internal leitmotivs, songs that make an appearance paired together with a story, and once you realize it the songs stop being just a part of the setting and become another option in the narrative toolbox.
Songs live and die alongside the stories they represent, in the Practical Guide to Evil.
The Legionaries Song makes an appearance in the first chapter, and with it, so does the story of the Legions of Terror, the armies that devastated the Callowan forces, and spearheaded the Conquest. So much so that Catherine herself is at that point dead set on attending the War College to learn from a dangerous enemy. They are strong, and the song establishes that.
The last mention of the Legionaries Song takes place right after the Battle of Kala and at this point the Legions have shattered against each other, the machine of war turned against itself, and when the song is sung then it is bitter and weary, the last notes of the Legions' story, finally slain.
Most obvious is the Girl who Climbed the Tower, which is sticks in the mind of...apparently every claimant to the title of Dread Emperor? I'm guessing it comes back so many times in the Guide because the story of the Dread Emperor is a very old one, so the groove it is set in is deep like few others. From Black hearing it even at his low point at the end of Book 5 to Catherine humming it even in Book 2 after she extorts the High Lords; and of course Akua hearing for half the story.
Which brings me to perhaps the best use of these songs as a narrative tool. When Akua, having seemingly turned coat and half-heartedly plotting in Ater in Book 7, wonders with increasing desperation: "Why wasn't I hearing the damn song!!!?"
Because you've been hearing the leitmotiv for your current story of redemption for a few books now and you haven't even realized, girl. Or did you think the Tyranny of the Sun was stuck in your head for years for no reason?
Other examples coming to mind are the Fox is King when Catherine is dueling the Wandering Bard in the Arsenal in Book 6 (it's even lampshaded and we missed it the first three times...)...She even weaponizes that by lying about it to the Bard.
One of our favorites has to be related to Cordelia Hasenbach. She notably rejects the story, or at least the Role associated with it, but Too Many Cooks is mentioned or alluded to at least twice when she is putting the screws on the Princes. It might very well be a leitmotiv to the story of the First Prince if she had picked the name in Book 5 during the Salia plots.
I think that's all of them but there are a few songs which we couldn't fit within that theory, so...well, if you have takes I for one am curious!
Also there needs to be a melody for ALL OF THESE, like, YESTERDAY.
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