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#laura retells
laurasimonsdaughter · 2 months
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Of a Wolf and a Gift
A folktale from Mégevette, France
One day, in the village of Cez, a husband and wife were just taking their baking of bread out of the great communal oven, when an animal appeared and sat down, looking at them. It looked like a dog, bit its head was far more like wolf’s and there was hunger in its eyes. The man took pity on the starving beast and tore a piece off a freshly baked loaf to offer it to them, but his wife prevented him. She took up a stick and shouted at the creature: “Get away you stupid thing! We barely have enough to feed ourselves!” And the animal fled.
Winter came, and because there was no other work to be had in that season, the husband did as he usually did and went off as a travelling merchant. He sold a great deal of his merchandise to a family in Alsace and to his surprise they told him that they knew Mégevette and were acquainted with his wife.
“She is the kindest, most generous lady who ever lived,” said the grandmother of the family. “Please take back this gift for her, to wear on Sundays.” And she handed the man a fine vest, knitted from the softest wool.
When the husband returned to his wife he presented her with the gift at once, but to his surprise she regarded it with great suspicion. “I know no one in Alsace who would give me a gift,” she declared and before her husband could say another word she took the vest and flung it out of the window.
It caught on a branch of the cherry tree beside the house and there it remained. But the following year, that tree did not bear fruit. Little by little it wilted and withered, until it eventually died. And the same would have happened to that woman, if she had worn the vest that her husband brought back for her, because the person who sent it to her was the very werewolf she had chased away.
Translated and retold from the French given in Joisten & Chanaud’s Les loups-garous en Savoie et Dauphiné; tale 20 (told by Louis Bron in 1965), which is a variant of tale 22 “Le don au loup” (told by Gustave Chevallier in 1965).
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elliepassmore · 7 months
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A Rush of Wings review
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5/5 stars Recommended if you like: retellings, witchy magic, fairytales The Swan Maiden is one of those fairytales that's 'lesser known' but everyone probably knows some version of. I also haven't seen too many retellings of it, so I enjoyed reading this one. I will say, it is insta-lovey and I don't really feel like there's enough buildup between Rowenna and Gawen. I couldn't quite tell what period of time the book took place over, but it couldn't've been more than a month, and for most of it Rowenna and Gawen couldn't even talk. They do fit together well, the romance just progressed quickly. I thought the setting was an interesting one. The book takes place in Scotland at a time when there's trouble brewing between the English prince on the Scottish throne and the Scottish people who want independence. In the mix of that there are some people accepting of magic and others who are more interested in scorning, or worse, people who bear magical gifts. I liked getting to know the world and the goings-on, and I also liked that not all of the tension was related to the main plot, it made things feel more fleshed-out. Rowenna, for all her supposed flaws, was actually a pretty good person. She was quick to temper, sure, but she was also good at keeping that temper in check and only occasionally let it out. She is also loyal and clearly loves her family dearly, even when they think the worst of her. I liked seeing her grow into her magic and her confidence, and her love and determination came back again and again to save the day, and not just with her family. I do wish she'd bite back more against her brothers' vitriol though. Gawen came across as kind and knowledgeable. He is one of the few who wasn't wary of Rowenna because of her temper or her magic. Yet Gawen is someone who keeps a lot of secrets and they didn't always rub me the right way. When he was being his normal self, I liked Gawen and his care and concern for Rowenna, as well as for the plight of the common people. Rowenna's brothers were a trickier matter. While they were understandably upset about the curse...why they just thought it was Rowenna made no sense to me, especially when they seemed to defend her at first. Thus far in their lives, Rowenna had been nothing but loving and loyal, so it seems strange to me that they'd instantly suspect her. I also wasn't a fan of how the one brother who knew the truth just seemed to double down on being angry with her. Later in the book this characterization seems to reverse and the brothers are more loving toward her, seeming to believe all his forgiven, and it was very jarring to see that with no explanation. The side plot with the prince/false king was...interesting. I wasn't a huge fan of the detour and mostly felt that the English prince took up page space that could've been used for more interesting things. That being said, it was useful to be in Inverness and have Rowenna learn more about magic and magical creatures. It also served as a way to show Rowenna her depths, the good and the bad. So while it was helpful and productive to the story for them to be there, I'm not sure I loved the prince playing such a major role. Overall, I enjoyed this book and thought it was a nice, light read. There are some flaws, but by and large it's a good retelling of the Swan Maiden.
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widowshill · 5 months
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reminder to myself to find and upload the article about the gendered enlightenment/scientific reason vs superstitious persecution in Carmilla and it’s resulting ambiguously supernatural narrative because. it’s so formative to the way I think and write about ds lmao it needs to be on some kind of blog syllabus.
#carmilla ... but written by dr hoffman instead of dr hesselius. when she eventually writes that book she was supposed to be doing.#more than anything anything else carolyn's death scene in hods is a PERFECT echo of carmilla's slaughter.#framed in that perfect condemnatory v of the male head of household figure surrounded by militant police – where carolyn's overall sin is#not lesbian transgressive female desire but incestuous (even though she's still a lesbian in my heart)#like ! i don't know. vampires real true they are both metaphorical AND literally going to suck ur blood. same with phoenixes.#but there's a lot there to .. consider. many fractured reflections of cut crystal rather than a pane of glass? you hear me?#➤ ooc. ┊ she’s nauseous,she’s hysterical,and she’s exhausted.#i think... this is true particularly at the end of arcs where the threat is vanquished. things are always rather abrupt in a way#that leaves me reeling a tiny bit and not always in a conclusion that's ... certain beyond all doubt? there's often some little qualifier.#or you hear it relayed back to the family. collinses noted always for their truth telling to their own clan! esp when making their own myth#and i always ALWAYS think the obfuscating that goes on between 1795 and the 60's. joshua concealing the nature of his son and#of his wife's death. barnabas choosing to retell the josette myth in a way that favors him and his desire.#the way institutions like the hospital or windcliff or laura's sanitarium in phoenix are resting on an uneasy boundary between#straight medicine and superstitious practice –– often as a tool to suppress supernatural wrongdoing or a bandaid to fix it.#and what makes the link to carmilla so compelling to me is that the Studied Experts are the ones with the supernatural knowledge that#makes them so certain in their course. characters like julia ; stokes ; even dr. guthrie –– all accredited ! all very bright !#and in a similar vein the endless quest for the Logical Explanation is seen as (somewhat rightfully) silly – i.e. roger's stubbornness#in refusing to buy into the time travel – witches – laura as reincarnated phoenix – etc etc#when We Know the monstrous truth and he's clinging to a silly fancy of logic – of reason.#anyways am i making sense. i fear not.#compels me though
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layalu · 2 years
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daaamn ok that was one hefty trauma dump if i've ever seen one. Caleb buddy you need some proper therapy
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friendofmordred · 2 years
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girl help i just found out juliana marguiles is morgaine in the mists of avalon miniseries. i cannot stand mists of avalon but im so fucking tempted for juliana marguiles
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wedontburnbookshere · 7 months
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☆☆☆
Technically, I'd give The Grimrose Girls 31/2 stars, while I would give The Wicked Remain 21/2, but overall for the duology, 3 stars feels fair. The books come with an interesting premise, two major parts of that premise immediately making me to grab both off the shelf: It takes place in a boarding school, and it deals with fairytales. I love fairytale retellings, but a difference in this duology is that not only do the fairytales the girls' lives are based off of known to them, but they try to study the stories in order to change their endings and break the curse.
There were parts of the books I really liked, some of the humor truthfully making me laugh. The girls -- Yuki, Ella, Nani, and Rory -- truly feel like teenagers making half-baked decisions you'd expect from teen girls finding out their classmates are dying because of a centuries-old curse based on a collection of fairytales. There really is something to be said about YA feeling like it's being written more for a 20-something audience that never grew out of the genre-demographic rather than it's intended teen audience (though I don't feel equipped to contribute to that discussion), so I enjoyed finding characterization that reminded me of my friends and I back when we were still figuring everything out while thinking we knew everything already (or at least telling ourselves we did).
The books juggles four main characters at an elite boarding school in Switzerland, where Nani is our Belle, Rory is our Princess Aurora, Yuki is our Snow White, and Ella is our Cinderella. For the most part, as much as I love both Yuki and Rory, I will focus more on Ella and Nani, as I feel like the books would have been stronger if they were the only POV characters, rather than juggling them along with Rory and Yuki.
Nani's only friends are characters in books while she pushes real people back, unwilling to give anyone the chance to hurt her. She wants to go back home, Switzerland a world away from Hawai'i, but she's determined to find out what happened to her dad, who had been a security guard at the school. Worse, Nani's bed was occupied only weeks ago by Ari, a girl who died before the new semester started, and Nani's roommates, Yuki and Rory, had been two of her closest friends, making her feel like she's being forced to replace their friend when she'd rather be by herself anyway.
Ella is at the school on scholarship, and she lives off-campus with her stepmother and stepsisters. She had also been best friends with Ari. A big part of her arc is standing up to take control of her narrative. She and Nani are learning lessons that mirror each other really well, and the books being limited to their voices could have made it stronger.
One nitpicky thing about Ella's arc is that a lot of it focuses on her needing to stand up for herself, rather than waiting to be saved (related, something that made me go :| was that several characters sounded similar when giving pep talks, reminding me of that one post critiquing so many characters using "therapy language"). There's even a scene where she'd lost her shoe, and when her love interest brings it to her, Ella states that she can put it on herself. Maybe I'm just burnt out from "girlboss" retellings of Cinderella, but while I would not describe Ella as being a girlboss-type character, I don't like when retellings of her fairytale say that she needs to save herself.
Asking and being willing to accept help can take huge amounts of strength, and while there were elements of that in Ella's story (from her friends but also her stepsisters helping her behind their mom's back), I wish it had leaned more into Ella's arc being her not just realizing her own power but also accepting help from her growing support system.
Sorry if this is a little all over the place, but without spoiling too much, the four main girls are not the only fairytale characters. Svenja, Nani's girlfriend, is meant to be Odette from Swan Lake, and Ari, who died before the start of the first book, is meant to be the mermaid from Andersen's "The Little Mermaid." Part of the books is that while trying to figure out how this curse started and how to break it, the girls are trying to figure out how to stop more of their classmates from meeting brutal fairytale deaths.
All of these overlapping stories disrupts the pacing sometimes, more-so in the second book than in the first. Despite being so excited to read it soon as I finished The Grimrose Girls, The Wicked Remain took a while for me to get through, and when Nani acknowledged the narrator, I grew confused, only for me to groan when Ella straight-up responded to the narrator.
Now, I do like meta-type storytelling, and it can definitely be done really well. I don't think it was done well here, with it popping out of nowhere and then never mentioned again. I feel like Pohl should have either committed to the bit or taken it out entirely.*
However, Pohl has a strong point in characterization and writing relationships. My favorite was actually the friendship between Ella and Yuki, partly due to my love of relationships that are so close, it's bordering or full-on toxic. Yuki would kill for Ella, and she has propped up Ella onto a pedestal, keeping her as an idol that she bases her moral compass on. I love this, and I loved Yuki's constant battle between her dark urges and her need to be like her best friend and also keep her in her life, even when Yuki believes Ella would be better off without her. Despite my opinion that the book would have been stronger if limited to Nani's and Ella's POVs, I did find Yuki's chapters to be interesting to read, especially after the seance scene in book one.
Overall, intriguing premise, and despite having read the books months ago, I still remember the characters and story clearly, which is more than I can say for other books I've read earlier this year.
*I took out the bit where I talked about my idea for how the meta part of the story could have been written instead, but then I decided to just add it at the very end, if anyone interested. I'm not convinced my idea would have been better; I just would have personally found it more interesting.
Personally, with how the girls break the curse, committing to the bit would be what I think is best, with crumbs in the first book with it kicking up a notch in book two. This could have helped lead more into that final fight scene, especially if it was eventually revealed that the narrator was actually one of those involved with casting this curse in the first place, with either Nani, Ella, or both eventually wrestling control to tell the rest of the book, changing it from 3rd person to 1st person. Them becoming more aware of a narrator pulling them along could have also done more to isolate them from their classmates and friends, which could have set stakes higher, since their classmates may now be less likely to listen to them when they try to help.
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polyanthea · 1 year
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As well as any other, Erato, I can dwell separately on what we know In common secrecy, And celebrate the old, adored rose, Retell — oh why — how similarly grows The last leaf of the tree.
-Laura Riding, “As Well as Any Other”
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sarahtori123 · 1 year
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"(Demeter)- Temí por tí, Persefone. Sola y prisionera en un reino de muerte, ¿Quien no habría hecho lo imposible por traerte de vuelta a mi casa?
- Yo habría hecho lo mismo que tú hiciste, madre. Has tenido todas las razones posibles a los ojos de todas las leyes, mortales y divinas. Sería un mentiroso si dijera o incluso pensara lo contrario ”
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Note
Am i the A-hole for trying to protect a women focused space?
I'm the mod from the super one sided retelling of the "Refusing to change OC's sexuality to bi/pan" situation. Shin (the person who wrote that post) know i don't use tumblr so of course he bring the drama here so that people would judge "Laura" and me without knowing the full truth. Thankfully, a dear friend of mine who followed this blog told me about this and was kind enough to allowed me to send this ask using her account.
First of all, it's pretty clear that Shin is lying about his identity. Shin said he is a trans man but he admitted that he don't want to transition beside wanting flat chest. Shin also said that he is south east asian but his display name and his OC's name are all japanese, which is a huge sign of white weeb fetishizing japanese culture. The fact that his english and understanding of slangs is way too good to be south east asian.
Secondly, Shin joining this server knowing that 90% of the members are yumejoshi, he should be grateful of the fact that we even allowed those yaoi characters invading what basically a space for women. I know we advertised the RP as a non-shipping focus death game story but you should have read the room and know what type of people this space is catering to and not bring your gay character in if you didn't want him to be shipped with women.
Thirdly, if Shin was uncomfortable then he should have made it clear from the start instead of letting "Laura"s character flirting with his, like having him respond rudely or out right rejecting her or something. Shin said he is having undiagnosed autism in his bio then he should have understand how it feel when people don't state what they mean clearly. His OC still being nice to "Laura"'s OC even if he didn't like the flirting, of course she would misunderstand that his OC developed romantic feeling for her OC.
Fourthly, Shin said before that he didn't count alternate timeline versions of a character from a visual novel he likes the same as the original timeline version because of their different life experiences then why can't he do the same to his OC? Why can't he just agree to let "Laura" make an alternate version of his character if in his logic they are completely different people? Hypocrite much?
And finally, "Laura" was very upset about this and it took her a while to move on, she could have hurt herself back then because of you. Also, we had to revised our server's rules and banned all the non-yumejoshies, which cut several RPs short.
So who is really the A-hole here?
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bettyfrommars · 4 months
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Dirty Metal Summer
a Dirty Dancing au
Part 1: Big Girls Don't Cry
Eddie x fem!Reader
MASTERLIST PLAYLIST
It's 1987, the same year the movie Dirty Dancing was originally released. 21-year-old reader is spending the summer with her dad and aunt at an all-inclusive resort in Indiana while she figures out what she wants to do with her life. After that summer, nothing will never be the same. Eddie is in his late 20’s and works as maintenance staff, he is also the frontman for the house band, begrudgingly delivering top 40 hits for the guests, and a secret third thing. When work is over, there is a completely different scene happening at a place the employees call The Hideout. Wayne is the head maintenance man, Chrissy is a metalhead, and a few other surprises. Bonus: Steve as a sexy, tattooed musician because I can't help myself.
my blog is always 18+only, MDNI please. The only warnings for the first chapter have to do with mention of a death of a parent, mention of grief, allusions to depression, a tiny bit of aggression, and alcohol consumption. But please read chapter warnings as the story progresses, because there will be angst, hurt/comfort, violence (fighting), and smut. Reader is called Bird as a nickname.
A/N: this is a rewrite of an OC fic I wrote over a year ago, and damn, I really needed to change a lot because my writing has evolved so much. I know I posted a snippet last week, but it's all been changed. Thank you to those who have been excited about this, I know Dirty Dancing is a cherished film, so I am treating this retelling with reverence, while adding some creative spins, and I truly hope you enjoy. The ST characters in this fic do not know each other in the same way they did in the show. For instance, Eddie, Steve, and Chrissy all grew up together, but I do my best to stick with their original character traits. This first part lines up very close with the film, but after that, it diverges and becomes a bit different. Same story line, but also not.
Part 1: Big Girls Don't Cry
word count: 6.3k
The soft murmur of a talk radio station hummed in the cement gray Mercedes-Benz 560, with your dad behind the wheel and his sister, your aunt Kim, in the passenger seat.  From the backseat, you stared out the window with your headphones on, wishing for rain.  The scenery was what you would expect from a place on earth that everyone considered idyllic, but you’d been exposed to so much lush greenery with that bright blue, theater backdrop of a sky for the last hour that you were starting to get a headache. 
You pushed your wayfarer sunglasses up to rub the bridge of  your nose, and then flipped the tape over in your Walkman before clicking it shut to press play.  You were listening to a mixtape you’d made especially for the trip, the spine even said “road trip from hell”, but the first one on side b was Everywhere by Fleetwood Mac, and you closed your eyes for the next several songs.  You were doing your best not to think about how you’d be trapped in BFE Indiana for a whole month.
You were also doing your best not to think about how your mother would not be home when you got back, or worse yet, the fact that you would never see her again.  Never feel her generous hugs in those Laura Ashley dresses, smelling of Shalimar; never hear her voice at the other end of the line reminding you to eat something.  
Your aunt said your name and your eyes snapped open.  It was perfect timing because tears were beginning to form at your lash line. She had turned around in her seat and was trying to get your attention.
You pulled your headphones down around your neck.  “Sorry?”
“The lake,” the expression on her face harbored more excitement than you’d ever felt in your entire life.  “Isn’t it gorgeous? We’re going to get pedicures at the spa tomorrow, I already booked it.”
You glanced at your father’s stoic profile and then back to Kim. You felt bad for your aunt, getting stuck on a trip with two sad, mopey fucks who were too depressed to get excited about the things that thrilled normal people.  You were the walking wounded.
“Pedicures, great,” your smile did not reach your eyes, but she didn’t seem to notice, as her enthusiasm doggedly refused to wane.  
It had been almost four months since you lost her, and the world was still too…bright.  Everyone was so talkative and alive and you couldn’t relate. 
You looked out over the smooth expanse of lake that was nestled perfectly in the trees like you were in some type of miniature scale model rebuild of a town.  Your aunt asked your dad, Owen, if he was still listening to the news, and when he shook his head, she changed the radio station to a golden oldies station and was satisfied with the tune Big Girls Don’t Cry by Frankie Vallie.
“You’ll love this cabin, Bird,” your dad said to you as the Mercedes crested the hill and began to maneuver down to your destination on a narrow, two-lane highway flanked with towering trees.  A big green and white sign welcomed them to Hawkins Landing.  “There’s a whole top floor where you can set up for your lessons.”
You turned away, back to the window, hiding the way your nose wrinkled.  You thought maybe a perk of this getaway would be to have a break from practicing the cello you’d been tied to for over a decade, but no luck.  He’d been forced to give up his dream of being a musician, and now you were expected to carry the torch for him.  
You tried to come up with one thing you did in life that was not to please someone else, or boost some idea they had about you, and couldn’t come up with squat.
Besides reading.  And taking long walks with music to clear your head.  Those two were yours, and they could only be taken from your cold, dead, hands.
From the Hawkins Landing brochure your aunt had given you, it was clear that the property was enormous.  Some 30 or 40 guest cabins scattered around, a main house that functioned as a hotel but also housed two different restaurants.  A golf course, boat rentals, tennis courts, an outdoor theater, and a third restaurant situated on the water.  Along with the full service spa, there were indoor and outdoor swimming pools, plus any class you could imagine wanting to take, from salsa dancing and water skiing, to chess and crochet. 
Hawkins Landing was like a camp for adults who enjoyed alcoholic beverages.
There was a security checkpoint at the main entrance with two guards inside.  The taller one with the neatly trimmed red beard recognized your father from the jacket cover on one of his many books.  Thrillers mostly, horror if you squint.  He nervously asked for an autograph, but Owen was very polite, adjusting his tortoise shell glass as he took the black marker that the guard was offering him.  
After the checkpoint, it wasn’t long before the road opened into an expansive rose garden with a large fountain dead center, and the big main house with its wrap-around porch just to the right.  You pushed your sunglasses up to get a look at the people mingling around, getting the idea that the median age there was 45, and it was mostly families.  
The guards had given your dad a foldout map of the property and told him to check in at the main house to get the keys to the cabin they were staying in. The car moved at a crawl at the roundabout, and then came to park where a sign announced new guest check-ins.  
Your dad told you to sit tight while he went in to grab the keys, and your attention trailed off to a black golf cart with a white awning that wheeled in like a racecar and took position in front of the Mercedes.  It sat there close to the curb, idling.  You could see there was a woman behind the wheel, and she was looking straight ahead, giving you her profile.  Chin length, dark gold hair, just long enough for a ponytail, and the words “Hawkins Landing Staff” written in yellow cursive on the back of her navy blue jacket.  Where her sleeve was pushed up at her elbow, you noticed some type of tattooed lettering there, and her fingernails were painted black.  
Up ahead, you caught sight of someone strolling down the sidewalk toward the car with a hand in his pocket. It was a guy with honey tipped chocolate hair styled in a pompadour with a curl that bounced at his forehead, wearing tan chinos and a maroon, button down short sleeve with the square bulge of a pack of smokes in his front pocket. A tattoo peeked out from the V of his shirt, and there was another design on his bicep. He wore a pinky ring on one hand and rolled a toothpick around in his mouth as he sidled up to the golf cart to say something to the woman driving it.  They bumped knuckles and talked for a bit like they were very familiar, him with one foot up on the running board of the cart.
“Steve, there you are,” from the open window, your attention bounced to a short, dark haired woman who’d just come out of the building and stood alongside your dad on the sidewalk.  A closer look told you that her name tag said Joyce.  
The guy with the toothpick in his mouth straightened, smoothing the front of his shirt with his hand.  “Hey Joyce, I was just—”
Apparently uninterested in what he was about to say, she took him by the crook of the arm.  She introduced you all by your family name, and let him know that you were “her special guests”, and you assumed that had to do with your dad being a famous author, or maybe she said that about every new family.  While you chose to not do much else than offer a small wave from the back seat like you had no autonomy, Kim got out to greet them properly.
“This is Steve,” Joyce gestured to him with a Vanna White hand. “If you ever want to take guitar lessons this summer, he’s one of our best.”
“Or, if you just want to have some fun,” Steve’s eyes seemed to be searching Kim’s face, and then he shrugged. “I mean, I run the boats on the dock too, so if you want to ski or—”
Kim got flustered and tried to find her words, fussing with the lapel of her corduroy jacket in a way you’d never witnessed before. “I’m…I mean, sure, who wouldn’t want to be on the lake at a place like this?”
Kim hated boats and got seasick very easily, so you found her new interest amusing.   
Joyce politely waved Steve off and he went, albeit reluctantly, backing up with slow steps to wave farewell.  The smile stretching across his face grew wider the longer Kim couldn’t take her eyes off of him. When he was finally jogging up the sidewalk to get to where he needed to be, Joyce continued to try and sell Kim and your dad on the resort, even though you were already booked for the month. 
“Sunday night is Bingo night. There’s karaoke in The Antler Room on Tuesdays and Thursdays, and you need to check out our house band if you can.  They’re playing tonight on the back patio, and the rhythm guitar is sensational.  She used to perform with Vixen and Lita Ford,” she handed over the necessary keys and pointed the way to get to the cabin on the map.  
“Just follow us,” Joyce said, hopping into the golf cart next to the girl with the forearm tattoo.  
They led the way down a long, winding stretch with lush lawn and manicured hedges on either side, littered with people coming up from the pool in their bathing suits.  There appeared to be a Tai Chi lesson happening on the lawn near the rose garden, and some type of painting class going on just above them on a balcony.  
Made you wonder why summer people always had to stay so busy.
The cabin you’d be staying in was down a side road, tucked at the end of a private driveway with a view of the lake. It had five bedrooms, which was more than enough, but one of them would immediately turn into Owen’s writing room so that he could work on his latest novel.  
You were careful to tuck your Walkman into your bag as the Mercedes coasted into its parking spot.  Squinting up at the place, you were somewhat distracted by how much you liked the creepy, old feel of the whitewashed cabin, and you underestimated how far from the curb you were when you stepped out, stumbling to the side.  
The girl with the forearm tattoo caught you in both arms, preventing you from putting all of your weight on your twisted ankle.
“Whoa,” she moved her supportive grip from your waist to your elbow as you righted yourself.  “You okay?”
Your heart shot into your throat, and then you coughed a laugh, covering your face. “What a way to start the summer.”
She said her name was Robin, and there was a polite handshake exchange. She tripped over her words a bit.  “It’s not every day that someone falls for me.”
“Well, I’m pretty clumsy, you might need to stay close,” and the two of you shared a self-conscious laugh as you led the way to the trunk full of baggage.  
When you reached in to grab your suitcase, Robin teased, “hey, that’s my job,” before leaning further in to take the oddly shaped black hard case, the satin of her jacket skimming your arm. She struggled with it at first, but then held it up by the handle and gave you a sideways look.
“This yours?” She asked, cocking one eyebrow up. “You’re a musician?”
“No, well, yes I am but no I, I play the cello,” you stammered, not sure why it was hard to get the words out. “But here, I can carry that. It’s big and heavy and—”
Robin winked.  “I got it,” and then she snatched another suitcase with the other hand and shuffled by you to make her way up to the porch.  
Once you were all settled inside and Joyce had explained all of the amenities, you and Kim pushed back the curtains and watched the two go from the living room window. Just before they took off in the cart, Robin sent you a wave.
“She looks like a nice girl,” Kim had her arms folded over her chest. “Maybe the two of you could—”
“I know you’re worried about me, okay, but I don’t need to make any friends this summer,” you were holding the case for your cello in front of you with both hands, using it as a metaphorical barrier. “I like being alone.”
By the time you put your stuff away in the bedroom you’d be staying in, your dad was already typing away in his writing room, you could hear the keys of his Selectric click-clacking.  
“I’ll be back in a bit,” you called across the rustic but spacious cabin living room.  “I’m going to look around the main house.”
Kim barely caught your words as she was struggling with her glasses to read an ingredient label as she put some dry goods away in the kitchen.  “Mhmm sounds good, have fun. Be back in time for dinner, we have reservations at…whatever that place is called. Your dad knows.”
You tapped the Swatch on your wrist and gave an absent wave over your shoulder.
With your headphones on, you made your way down to the main sidewalk that split off in two directions, bordering either side of the swimming pool and tennis courts.  You found the bike path that wound down along the lake to the boat dock, and then up into a lush pocket of dense forest.  Two teenage girls on rollerblades almost crashed into you as they bolted around the bend, giggling.  Trying to decide if you wanted to go toward the water or into the woods, you watched a staff member veer off onto an uneven stone pathway and your curiosity was piqued.
Creeping along in their wake, you marched up a hill for what felt like forever, with Bring on the Dancing Horses by Echo and the Bunnymen playing in your ears, until you realized with a start that you’d already arrived at the main building.  It loomed up ahead like a mansion from some old gothic romance novel. 
You continued to plod your way along the trunks of trees, until you spotted a group having a chat on the wide porch, and took a few steps back.
They were all leaning against the railing in a semicircle, facing each other,  so that you could see the Hawkins Landing Staff on the back of a few of their navy jackets.  
One of them was Steve from earlier, next to him was a girl with a blonde ponytail, and then two others.  
“I met that author guy today,” Steve took a drag and then blew the smoke up in the air, away from everyone’s face.  “The one who wrote Darkness on the Hill, that one they made into a movie.”
You realized that it was your dad he was talking about. 
Not looking where you were stepping, you caught your toe on a tree root and your arms windmilled before you were able to find your balance, floundering to duck behind another tree.  Your mouth opened in a silent scream, trying not to gasp at the pain in your foot.  Grimacing, you turned the volume down on the headphones that were around your neck to better hear what they were saying.
“That actor from that one show about law and order is staying in cabin 8,” the girl with the ponytail said.  “Housekeeping says he finishes a bottle of whiskey a night.”
But then, there was another voice. “Now that sounds like a great fucking vacation to me,” followed by the heavy footfalls of boots on wood as a new person approached the group.
The sight of the new arrival made you feel like your brain was wiped clean—-the whole world came to a screeching halt.
Swallowing hard, all of your attention tunneled on him; his long dark hair with bangs that crowded his eyes, a thin but muscular build, tattoos scattered over his exposed arms, and a leather jacket hooked over his shoulder with one finger. He combed a hand through his hair as he walked, chunky metal rings catching the light, and headed over to the blonde girl.  You took note of every movement as she passed him her half-smoked cig and he gave her a quick kiss on the temple.  
Was that his girlfriend?
He stepped back to introduce the younger guy he had with him.  “This Jamie, my new maintenance trainee,” he used the hand holding his smoke to point to each one on the balcony individually.  You really didn’t pay attention until he got to the blonde one.  “...that one there is the lovely Chrissy, and the moody one with the hairy chest is Steve.  They’re the other musicians I told you about.”
Jamie had short black, curly hair and a hoop piercing in one ear.  He lit his own smoke while the metalhead started in with a story about a pump exploding at the pool house, complete with wild hand gestures.  
“Hey, there the fuck you are.  I’ve been looking everywhere for you losers.”
Another voice, another person making their way down the long stretch of squeaky wood planks from the front of the building.  You stepped closer, snapping a twig under your foot, eliciting a worried lip bite.
Everyone stayed right where they were, but for Eddie who moved in front of Jamie in a protective way.  The guy approaching at a stroll had very nondescript good looks with his wheat blonde hair in a tight cut that looked freshly trimmed.  While the others were dressed more casually, this one wore a white dress shirt and tie with black trousers, as if he had some fancy place to be.
“You talking to me?” The metalhead flicked his cigarette ash and stepped forward to meet the new guy before he could come any closer to the group. “Cause, if so, you might want to change your tone, precious.”
“Eddie, don’t,” Chrissy said, and then she stood up, addressing the guy in the suit.  “Jason, what the fuck do you want?”
Eddie, you moved your lips, whispering the name to yourself.  His name was Eddie.  
Jason put his hands up in mock surrender.  “Why so hostile?” He turned to Eddie. “Joyce has been trying to find you for an hour.  There’s a toilet backed up in one of the cabins, and trash that needs to go to the dump. Sounds to me like you’re having a hard time doing your job, Munson.”
You scuttled like a crab, moving to a spot where you could see their faces instead of the backs of their heads.
So that you could see Eddie’s face. 
Steve checked his watch and pushed off of the railing to snub his cig out on the bottom of his shoe.  “I gotta run.  See you bastards at the show tonight,” he said in passing, shoving both hands into his trouser pockets.  He walked right into Jason, shoulder checking him, before casually going on his way.  Jason shot him an evil look.
“Well,” Eddie took a deep breath. “Tell Joyce I got the message,” and then he motioned for Jamie to follow him.
“Too bad we can’t take you out with the rest of the trash, freak,” Jason mumbled, loud enough for you to hear every word, and a tension crackled in the air.
The metalhead stopped dead in his tracks and drew his shoulders back.  
When he finally turned on his heel, he wore a satisfied smirk, inclining his head, as if he’d been waiting for Jason to say something all along. 
Chrissy moved as if she were about to go over and break up whatever was about to happen, but one of the others put a handout and stopped her.  
“Just keep sending your laundry home to mommy, baby boy, and leave the real work to me,” Eddie said, and then he flicked the butt of his cigarette at Jason’s face. 
Jason moved his head just in time so that the hot cherry missed his cheek by a hair and bounced off the wall behind him, spraying sparks.  Chrissy and the others snickered at how beet red Jason’s face got, but he didn’t say another word, he just waited for Eddie and Jamie to be far enough away before he went back around to the front entrance.
When the coast was clear, you stood and made your way to the path again.  With a curse you realized you were going to be late for that dinner reservation, and picked up speed to a slow, sad jog. 
You found yourself thinking that maybe being trapped at Hawkins Landing for the summer wouldn’t be so bad after all. 
—----
Your aunt Kim gave you an exasperated look when you all finally sat down for dinner, being that you’d made everyone 20 minutes late for the reservation.  There didn’t appear to be a single open table when you arrived, but Joyce had made sure to keep the one by the window facing the gardens open for your party.  She came around to introduce the guy who was to be your waiter, and you sat up a little straighter in your seat when you realized it was Jason from earlier.  The way he’d been dressed out on the porch made sense now, as his uniform was the same as all of the other waitstaff.  
Near the end of the meal, Joyce returned to the table in her black pencil skirt and fitted jacket, but this time, she was with a guy who you could tell wanted to look like Don Johnson in Miami Vice, but it came off more as Gary from Weird Science.  
“I'd like you to meet Troy, he’s the son of Mr. Brenner, the owner of the resort,” there was a reluctance about her, as if she’d been forced at gunpoint to introduce him.  
Troy stared at you with an uncomfortable intensity, making your attention fall to your plate.  
“I’m in charge when my father isn’t around,” Troy said with a smug grin, putting his hands in his white trouser pockets, and you spotted some type of metal retainer on his teeth.  
Joyce cleared her throat, annoyed that his statement was far from true.  But she recognized that it was part of her job to indulge the little shit.  
“I just graduated with a business degree from Georgetown,” he gloated, giving you a wink.  “This place will all be mine one day.”
Your father exchanged a look with your aunt over his chocolate mousse.  
“Well, it’s nice to know someone else your age here, isn’t it, Bird? Maybe you two kids should go have some fun tonight,” Kim chirped.  
If your aunt wasn’t so far away, you would’ve kicked her under the table. 
Troy bent at the waist so that his face wasn’t far from yours.  “I’d love to show you around after dinner, if you’re interested in a tour?”
Before you could issue a vague excuse like, “sorry I can’t, I have a headache,” Kim spoke for you again.
“I think that’s a great idea,” she even clapped her hands, applauding it. 
In the end, you went with him to make Kim happy, to get her off your back, hopefully for the rest of the trip.  
An hour or two with a pretentious prick wouldn’t hurt you.
—-------
Troy wasn’t bad company, but he was quite full of himself.  He had interesting stories about his extensive travels, but then he also told awkward stories that were possibly fibs about how many models he’d dated, and expanded on how he wanted to be married with two kids by the time he was 30.   
You, on the other hand, couldn’t imagine thinking that far ahead, and he wouldn’t let you get a word in edgewise.  
You followed close behind through the huge, busy kitchen of the restaurant you’d just dined in, and he tried to hold your hand when he introduced you to the head chef, but you were sly, and pulled it away to cross your arms over your chest.  He gave you a tour of the ballroom and took a stroll through the other restaurant on the opposite end of the building that had a much more relaxed feel, low lighting, red carpet, and a bar at the center.  
You went down to the boat docks and walked along the pier. The stars were breathtaking, but Troy didn’t notice, he was too busy trying to convince you to go out on his boat with him.  You declined, taking a page from Kim’s book to mention a freshly born curse of violent seasickness.  
You had your elbows on the railing at the pier, enjoying the velvet reflection of the crescent moon in the lake, and you could feel your jaw grow tense under the weight of Troy’s stare. 
On the verge of telling him you were ready to head back to your cabin, the sound of music drifted down from somewhere on the property. 
Yes, no mistaking, it was Take Me Home Tonight by Eddie Money, but it was being executed with someone else’s voice, and whoever that person was had some serious pipes.
And then there was the distinct sound of a feminine voice chiming in with the parts from the song Be My Baby Now by the Ronettes in the chorus.
"Is that a live band?" You turned away from him to try and find the source of the music.  It wasn’t coming from the restaurant on the water or any of the cabins to your right.  
"There's a cover band every Friday out behind the main house. You want to check it out?" He held the crook of his arm out to you and hesitated before you took it.  His ego sufficiently stroked now that you wanted to spend more time with him.
Around the side of the building, overlooking the golf course, was a huge, fenced in back patio garden area with a private hot tub and pool for hotel guests.  Troy led you through a white arbor wound with ivy to find that there were plenty of people mingling, drinking, and dancing.  The area was mostly manicured lawn, with stone pathways meandering around from a concrete floor that was right in front of the small riser that was meant to be a stage. You imagined that a million weddings had taken place there. 
At the door was a bar, and Troy got you a flute of champagne, which you downed with abandon and asked for another.  While he was getting your second glass, you made your way along under several boughs of white string lights to get a view of the stage and who was performing the top tier Eddie Money cover.
Just as you stepped into the crowd of people shuffling to the beat, you stopped dead in your tracks.
There he was at the mic: Eddie the metalhead.
Guitar slug low at his hips, wearing a tuxedo with light blue cummerbund and bow tie, his hair neatly combed back and fixed into a knot at the back of his head so that you could really see the curves of his face. If you didn’t know any better, you’d think he was performing the song against his will.
The rest of the band were dressed similarly, and you instantly knew the one strumming the bass guitar as Steve, and the woman on backup vocals rocking on the rhythm was Chrissy, who wore a conservative skirt and flats. There was also a keyboardist and a drummer, both of whom you did not recognize.
“What’s your major?” Troy asked, breaking your reverie to pass you the glass of champagne. “In college?”
You were confused for a second but then, “oh, I took the year off to…figure some things out.” The full truth of it was that you had dropped out completely and had no intention of going back.  
“I spent a summer in Greece my freshman year,” he offered, unprovoked. “The women there are, wow, so smoking hot.”
The song finished and Eddie took his tuxedo jacket off, rolling up his shirt sleeves to his elbows, exposing the scattered tattoos you’d noticed earlier.  He leaned over to whisper something to Chrissy, motioned at the drummer, and then stepped back into place, brushing a loose wisp of hair off his cheek.
“Find someone special for this next one,” he told the crowd, and was answered with a rush of murmurs.
The first notes to In Your Eyes by Peter Gabriel, a slow song, lit up the space, and your stomach tightened, fearing that Troy would ask you to dance. As he escorted you to the floor, you tried to keep your head down and stay to the back of the crowd, but Troy kept maneuvering you closer to the stage. 
I get so lost, sometimes
Days pass and this emptiness fills my heart
When I want to run away
I drive off in my car
But whichever way I go
I come back to the place you are
You watched the performance from over Troy’s shoulder and followed his lead, shifting from foot to foot.  You were mesmerized by the muscles in Eddie’s hands as he played each note, and the way Chrissy came in like an angel on the chorus.  
He’d captured the attention of everyone in the garden at that moment, and there was a group of women watching him from the sidelines, whispering to each other, possibly about how they wanted to eat him alive.
They were all thinking the same thing you were: Eddie was magic.  
He liked to close his eyes when he sang, so you weren’t expecting him to be staring right at you when he opened them again.  
All my instincts, they return
And the grand facade, so soon will burn
Without a noise, without my pride
I reach out from the inside
He wouldn’t break eye contact, so you eventually had to; the intensity of it was giving you butterflies.
Troy stepped back and tried to get your attention.  “Did you hear anything I just said?”
You nodded, but your gaze only drifted back to Eddie.  Troy followed your line of sight and then dropped both of his hands with a frustrated cluck of his tongue.
"What the hell is he doing up there?" He hissed to himself when it dawned on him that Eddie had been behind the mic that whole time. "That's our goddamn maintenance guy. He shouldn't be up there."
In a huff, Troy pushed through the crowd and headed over to one of the other staff members against the fence. Bird could see him shouting and pointing over at the stage. Whatever the staff guy said did not seem to cheer him up a bit, and he came back to your side, shrugging his shoulders.
"I guess our normal front man Drew has the flu," he reported back. "It's just so hard to find reliable help these days."
Eddie was making the song his own, and that was what you liked about it.
“Let’s get out of here,” Troy put his hand on your lower back to escort you out. “The music sucks.”
—--
It was 9:30 when you made it back to the main foyer, standing in the middle of the lobby next to an obnoxious floral arrangement, when Troy tried to get you to go back to his cabin and watch a movie, only to get respectfully declined.
“Don’t worry about your parents,” Troy said, brushing his finger over your chin. “They know you’re with me, so they’re probably the happiest parents at Hawkins Landing.”
The guy had quite an ego on him, you had to give him that. It was unsurpassed by most. 
In the end, you got away, and as soon as your Mary Jane’s hit the cobblestones outside the front door, you could feel yourself trotting at a quicker pace, eager to put some distance between you and Troy and everyone else, for that matter.  You didn’t stop until you were far enough away from the main hotel to be able to check over your shoulder and not see it through the trees.
It was then that you realized that you had a free chunk of time, and you could do with it whatever you wished.  Your dad would think you were still with Troy, and as long as you made it back to the cabin before midnight, they wouldn’t worry.  
As much as it was the dead of summer, Indiana by the water had very cool nights, and you buttoned up the jean jacket you were wearing just as you noticed a yellow sign on a lamppost to the right that said: Staff Quarters, No Guests Allowed Beyond This Point
And that made you want to venture in even more.
You checked around to make sure there was no one there to notice that you blatantly ignored the sign, and just kept going.  The path at your feet changed from stone to a well-worn dirt path through the grass, and it wasn’t long before you could hear the sound of music erupting in the distance.  
You passed by staff quarters, a few weathered red cabins with white trim, lined close together, and there were some people hanging out on their porches who gave you curious looks, but didn’t seem too concerned with your presence. 
Following the source of the music, you descended down into unknown, poorly lit territory that no longer looked like it was part of the Hawkins Landing property.  
(song playing in the distance is Dangerous Meeting by Mercyful Fate)
It was then that you noticed a pale yellow light coming from the windows of a building up ahead.  Just as the dirt path turned to gravel, you identified the music you were hearing as heavy metal, and it was bolstered by distinct shouts and cheers, even a high-pitched scream or two.  
“Hey,” a voice startled you from out of the dark and you jumped. “What are you going out here?”
Heart racing, you spun around to find out it was Robin.  
She was struggling to carry several things in her arms as she walked and you rushed over to her.
“Where did you come from?” You asked, grinning ear to ear at how glad you were to see someone familiar.
“My cabin is right over there,” she bucked her chin in a direction behind you.
She had a crossbody bag over her shoulder, an amp in one hand, and she was juggling two guitar cases, one of which she fumbled, and you managed to catch it before it hit the ground.  You wrapped your arms around the hard case with the Scorpions sticker on it, silently offering to carry it the rest of the way.
“You don’t have to—” Robin started, adjusting the bag over her shoulder.
“I want to,” you looked back up at the house where the music was coming from, assuming that was where she was headed.  “I carry that big cello around all the time, remember? I’m used to it.”
Robin moved her jaw from side to side and she looked conflicted.  “You’re not supposed to be here.”
Your eyes were still locked on the house hidden in the trees.  “What is that place?”
“Listen,” she gave you an imploring look. “I will get in so much trouble if they find out you came out here. Your dad won’t want you here, trust me.”
Her warning did nothing to squelch your curiosity. “I’m a big girl, I go wherever I want. Plus, I won’t tell anyone.”
“Besides,” she gave you a knowing look, raising her eyebrow. “If your boyfriend Troy finds out you were here, Brenner will fire all of us.”
“He’s not my boyfriend,” you snapped.  But then, softer, you added, “I barely just met him tonight.”
Robin wasn’t in the mood to try and rip the guitar out of your hands, and so, with a heavy sigh, she caved.
“Fine,” she sighed. “But stay close to me, okay? You’re not at the resort anymore, sweetheart.”
You nodded, waiting for her to lead the way.
She took a step forward and then stopped and turned on her heel to point at the instrument in your arms. 
“Be extra careful with that, it’s Eddie’s baby. He’ll grow horns if anything happens to it.”
----
Hi! If you are familiar with the movie Dirty Dancing, you have an idea about what scene is coming up next. I've really enjoyed lining up certain events with the movie, but things will obviously be different in this because I want it to have some surprises in store for you.
Every chapter from here on out will start with a list of the songs, ones that will give hints for what to expect. I wanted to make music a big part of this fic, because it was a huge deal in the movie, and the original soundtrack is still dear to me.
as always, thank you so much for reading and interacting with this story! Comments and reblogs are deeply appreciated. or send me an ask and let me know what you think ❤️
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taglist: @tlclick73 @micheledawn1975 @kurdtbean @katethetank @elvendria @spookysqaush86 @somethingvicked @stylesxmunson @laurenlokirby @sapphire4082
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zombie-bait · 3 months
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Highly recommend the 1872 novella Carmilla to all the wlw iwtv fans out there, it's about a gothic lesbian vampire-human romance and it lowkey changed my life. Like I cannot explain to you how shockingly gay and poetic this story that came out two decades before Dracula is. I'm a little devastated it took me this long to read it tbh
(And if you're looking for a good retelling that embraces the gay further I recommend Carmilla and Laura by S.D. Simper. It's not as poetic but it focuses on internalized homophobia, religion and has a happier ending)
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laurasimonsdaughter · 3 months
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The werewolf sisters
Please share my delight in this folktale collected by Charles Joisten, from Joseph Lauzier in Champoléon in 1960:
There once lived three girls in the old water mill at Mourinou. One evening, they dressed as wolves and warmed themselves around the stove.
Some young men from neighbouring villages came to see them at their evening gathering. They were known to be pretty girls! Before going inside, they looked through the window to see if anyone was there and they saw the three werewolves. One of the young men said: "We must go back and we will arrive singing."
So, when the young girls heard singing, they quickly took off their wolf skins and the young men returned. But the young girls had not had time to properly lock up their belongings in the cupboard; there was a wolf's paw or tail sticking out.
Then the young men asked: “Huh, what is that?”
Then one of the girls replied: “If you had come a moment before, well we were wolves and we would have eaten you!”
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deramin2 · 15 days
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(Spoilers for Critical Role Campaign 1)
I don't have any expectations for wherever FCG will stay dead or come back somehow because I've spent 9 years watching Sam Riegel totally subvert my expectations in a narratively compelling way.
But I will say that "FCG shouldn't come back because it would lessen the impact of a narratively perfect death" is EXACTLY what people were saying about Percy's first death after C1 E68. (The first televised character death.) If he had to have an end, it was a fitting end that, while tragic, neatly tied up the thesis of the story. Would Taliesin even want him to come back? With Whitestone saved and Ripply killed, was there even much left to explore?
They found Percy's death letter telling them he loved them all but please bury him in a ditch with all his designs so he could be forgotten by history. He was so sorry for all he'd done and he could never make it up.
But they tried anyway, having to wrest Percy's soul away from Orthax. The players knew what they said in the resurrection ritual was meaningful along with their rolls. But they did not know they were also having to convince Taliesin. If they'd tried to appeal to Percy's soul in the wrong way, dice be damned, Percy was going to refuse. What we got was really meaningful and powerful roleplay (especially from Marisha and Laura) that did convince Percy along with successful rolls.
Being brought back did not at all weaken Percy's own sacrifice or the impact of his death. It forced him to confront everything he'd been running from. It forced him to see that there were people who loved him and would not let him throw himself away for them. They didn't want a martyr, they wanted their friend. It utterly changed the trajectory of his character.
There's only four ways I can think of on the table to bring FCG back:
True Resurrection — Incredibly expensive high level spell. They would have to find the materials as well as someone who both can and is willing to cast the spell in the middle of a war to stop a second Calamity. None of this would be easy. The ritual could still fail. FCG could decline to come back and the other players would not know that until they went to all the effort. The Raven Queen views True Resurrection as heresy which is why they didn't try it on Vax. How would a second chance change them?
Reincarnate — Lower level and cheaper spell. FCG would come back as a fleshy being instead of an Aeormaton. Would the experience live up to FCG's fantasies about it? How would it change them to realize they are truely alive, and always were, but are now also mortal? Reverse Veth story? Wild ass Pinocchio retelling? What does it mean to get a second chance but everything about you is different?
Wish — I think this would count as duplicating True Resurrection. High component cost and requires a high level magic user. (If it's duplicating a spiral there's no risk of no longer being able to cast Wish.)
Hag Deal — They do know a fatestitcher Hag who likes them and limes making deals even more. Orym may be able to just extend his existing deal. What are the consequences for the deal marker as well as FCG? Would the robit feel responsible for that person's fate? How would that affect how they feel about coming back and the meaning they need to make from it.
I don't think there's a right or best option because whatever we speculate on, the actual result will be full of meaning and very poignant. I can't imagine that Bell's Hells won't try to bring him back. They've lost so much already. They couldn't bring back Eshteross or Bertrand or Will & Derrig. They couldn't live with not even trying. Maybe their method works, maybe it doesn't. But at least they tried.
And if FCG does come back, they have to live with knowing that even though they saved their friends and put an end to Otohan, they also hurt their friends by treating themselves as disposable. They forced their friends to confront that each of them might have done the same and that's deeply unhealthy. It will change the character development tremendously.
My favorite film and play genre is where the protagonist dies (or nearly dies) (usually self-inflicted) at the beginning and has to journey through purgatory to find themselves again before they can return to the living. Films like Wristcutters: A Love Story (2006) or Castaway on the Moon (김씨 표류기 2009). Death matters because it reminds you to live. The journey is finding meaning in both life and death and coming back utterly changed.
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some favourite fics
Emancipation by HarleyJQuin
Mature | 144k | 40/40
There are legends that in times of approaching chaos the Nemeton will create an Alpha Pack. 
Derek has no idea that the worst day of his life was the start of the best thing that ever happened to him. Abandoned by his family, his mother, his alpha, as an omega Derek remained with his comatose Uncle Peter, forging what bonds he could with two humans who fully accept him for who he is. A werewolf.
I Was A Teenage Werewolf by HaleHathNoFury (My_Trex_has_fleas)
Explicit | 456k | 50/50
Stiles just knows he’s going to get lost in the woods. There must be a Laura Palmer reference in there somewhere.
A fork in the road retelling of Teen Wolf where Stiles is the one to get bitten.
Daybreak by TheObsidianQuill
Mature | 70k | 10/10
“There …” Stiles swallowed and looked down at the bottle in his grasp as he slowly swirled the amber liquid inside. “There’s really nothing left. For me. Everyone is … gone, and it feels like I haven’t thought of tomorrow in years.” His words rang in the air like a gunshot, he took another heavy drink. “I would trade every last breath I take to just have another shot—not even a guarantee, just a chance to make things right and bring back even one of them.” —–
The pack was gone. He had nothing left. He had no one. With nothing to lose, Stiles puts everything on the line to go back in time to try to prevent the future from becoming his past. Broken, guarded, and haunted by his past, only one overgrown-pup of a wolf seems able to get past his defenses. Changing the future? Easy. Finding a place for himself in the Hale Pack? Impossible.
Divided We Stand by KouriArashi
Mature | 156k | 29/29
Derek is being pressured by his family to pick a mate, and somehow stumbles into a choice that they didn't expect and aren't sure they approve of....
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onyrica · 2 months
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Carmilla & Laura - [ Book Cover ]
I am so incredibly proud to finally reveal my cover design for the Deluxe Hardcover edition of Carmilla & Laura, the classic lesbian vampire novella retelling by bestselling author SD Simper!
First, and most importantly, please make sure you sign up to be notified when the project launches (even if you don't plan to pledge) as all interest/sharing will help a great deal: Kickstarter Page 
Secondly, I'm honestly so excited to be part of this project. I've always wanted to design book covers - or book art in general - and to see my work finally make it to people's shelves will definitely be one of my life's highlights.
I worked incredibly hard on this piece (which will extend to the full dustjacket in the hardcover edition) - from the characters, whose faces and tones were a huge challenge to align in a way that felt right, to well... the flowers. Of course it had to have flowers. Nobody even asked for the flowers - it just had to have flowers.
Someone save me from myself.
The kickstarter will feature several tiers with many bonus add-ons - one of which will be limited edition prints of the cover art hand-signed by yours truly - as well as art by other wonderful artists and annotated copies by the author, so please make sure that you come back for the launch and consider supporting the project and/or telling everyone you know about it.
As always, your thoughts are loved and if you have any questions about the Kickstarter make sure you drop them in the comments!
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Sapphic vampire fiction mini reviews, ranked from least favorite to most:
House of Hunger: Bland characters, a story that barely scratches the surface of the implications of its premise, and a central relationship with nothing underpinning it make for an aimless story with a climax that hits like a limp noodle. If the dynamic between a vampire and her indentured maid appeals to you, try The Wicked and the Willing instead.
An Education in Malice: For a Carmilla retelling, the titular character really lacks bite. Laura at least has some interesting contradictions in her, and De Lafontaine could be quite compelling if we saw things through her eyes, but the central relationship isn't built on a lot, and Carmilla herself is really disappointingly bland. The prose comes off as overwrought and melodramatic in the first act, and the constant leaning on poetry feels gratuitous, but it picks up steam and becomes appropriately gripping by the one-third mark, and it carries the book enough that I had an enjoyable but rather shallow experience. I struggle to think of a reason to recommend this over In the Roses of Pieria, which plays with similar thematic and aesthetic elements much more adeptly. Also, it's a pet peeve of mine when a story makes a point to establish a specific historical era for its setting but has characters that feel utterly modern.
The Deathless Girls: This book does a much better job with its sense of time and place, and the characters and their motivations are quite strong. I only rate this one low on this list because the main characters don't actually deal with vampirism as a condition until the very end of the book. On its surface, the premise might seem quite similar to A Dowry of Blood, but there's actually very little thematic or narrative overlap.
Ex-Wives of Dracula: An excellent exploration of the queer teenage experience in conservative small town ~2015 USA along with some pretty novel twists on vampire and horror movie tropes. Strong, vibrant characters with a rich, messy, and compelling relationship carry a solid mystery plot and some pretty pointed critiques of its setting, but the actual climax and resolution don't quite hold up to the quality of the rest. Also I simply must warn anyone who didn't grow up in the time and place this book explores about the profound and casual bigotry and nastiness of that setting, which this book replicates to a T.
The Wicked and the Willing: A thrilling and compelling dark romantic drama centered on a British vampire in 1920s Singapore, her newly hired and desperate to escape poverty personal maid, and her majordomo who is struggling to keep her conscience under control after years of aiding and abetting her mistress's dark appetites. Extremely strong character writing pairs with deft exploration of themes of colonialism, entitlement, class divisions, sexism, and the ways in which certain types of status can and cannot afford one leeway to be nonconforming in other ways. Intermixes diagetic and non-diagetic BDSM very organically also, if that's your thing.
In the Roses of Pieria: Rich prose dripping with atmosphere follows an obscure academic as she digs into a series of ancient correspondences and discovers a millenia spanning love story between two vampires. The character writing is solid, if not quite as impressive as some other entries on this list, but the quality of the prose more than elevates it. The text makes elegant and powerful references to Sappho throughout, and the whole experience is heady and compelling in ways that I struggle to describe in greater detail. Funnily enough, the vampires are the least interesting part of the world building. This one has a sequel coming, and I can't wait.
A Dowry of Blood: A darkly enchanting epistolary novel that takes the form of letters written by the first of Dracula's wives to him as she attempts to make peace with killing him. She unpicks a delicious and horrifying knot of feeling and history as she revisits their millenia together, recounting and reckoning with the manipulations and abuses that defined the good times and the bad. The characters are evocative and rich, the narrative voice by turns sparse, longing, furious, contemplative, and mournful, and the story simply springs to life. It accomplishes an incredible amount in approximately 200 pages, and I absolutely cannot recommend this one enough.
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