Tumgik
#kay talks to people
pedrito-friskito · 1 year
Text
Tumblr media
^me for the foreseeable future.
HOLY FUCKIN SHIT?????????
585 notes · View notes
hereforthecartoons · 1 year
Text
Ninjago fans will find the most convoluted and stupid story lines with barely explored relationships and characters and then make the most gutwrenching piece of art youve ever seen.
627 notes · View notes
kaiju-krew · 3 months
Note
Hello!!
Okay, first of all: I LOVE YOUR ART!!! I've been following you on Twitter because I didn't have tumblr until now (⁠。⁠•́⁠︿⁠•̀⁠。⁠)
Are you planning to do more gijinkas? Goji and Mothra are so beautiful and I'm curious if you are gonna do more characters? Like... Idk, Kong? (I'm sorry, I love that guy)... OR Shimo! I know Shimo is very new, but I think her/his design is very pretty.
That's all, have a nice day ⊂⁠(⁠(⁠・⁠▽⁠・⁠)⁠)⁠⊃
(Sorry if my english is bad, I'm spanish)
hallo!! ahh thank u sm<3 your english is great btw!! :D
oo welcome, tumblr is great imo =w= it may not be as popular as twitter but it's mostly chill and i love how much easier it is to chat with ppl
i am working on more actually! I'm currently working on a new set of 3, but I'm lowkey loving shimo a lot so i may have to sneak her in too she's a girl to me until the movie crushes my dreams but yess i'm currently working on rodan, kong, and biollante :3c
buuuuut it'll likely take me a while to get them out bcuz like 95% of my art time rn is dedicated to working on stuff for the comic con i'm gonna be vending at. but once that's done i'll be free and clear to spend all my free time on them.... im honestly dying to work on them more but im gonna make it a reward for myself for finishing all my con art lmao
as a littol bonus...... i used one of those height comparison things to make sure everyone is scaled properly - it'll give you a sneak peak on the other ones i'm thinking of doing in the future /o/
Tumblr media Tumblr media
79 notes · View notes
kayforpay · 6 months
Text
clowns!!!! I love clowns so much haha. I have a feeling this one will be a bit closer than the others, even including OG alternians in it
102 notes · View notes
starcrossedimps · 4 months
Text
Tumblr media Tumblr media
Bit late to the party, but this has been stuck in my head since "Look My Way" released. It's fascinating how similar yet different their relationships are. -Mams
70 notes · View notes
pathos-logical · 1 year
Text
I think when you are older than someone, it is your duty to ensure that people younger than you are optimistic about both their current place in life and their future. High schoolers should not tell elementary schoolers who love school that they're going to hate it one day and that they should consider themselves lucky for having relatively no homework. Adults should not tell college students that this period of their life will be over soon and when they have a job they'll wish they were back in high school.
I think it's both a courtesy and a responsibility. You, as someone in a potential position of authority or respect or even just Person Who Is Older Than Them (which counts for a lot for a very long time), must not tell younger people that their futures will be bleak and unhappy. Even if you're right about how that nine year old will grow to hate school. Even if you know intimately the humiliation and exhaustion of jobseeking. You have the moral responsibility to be kind to them without projecting your pain onto them.
472 notes · View notes
writer-room · 11 months
Text
Rewatching the earlier, and even pilots episodes, of Ninjago are so WILD man. First of all, you notice all the things that are just plain forgotten about or pushed aside in later seasons. Kai originally being the main character, sure, we all know that one, but Cole was heavily implied to be, or become, the leader of the Ninja, that was Cole’s thing. Zane was automatically described with having a sixth seer sense, when nowadays it shows up very, very infrequently. Lloyd used to basically be the Avatar, does anyone remember that? This kid was just the Avatar.
And then you remember the silly things. Like how the skeleton army was once a threat. Like...the skeletons. We battled a giant snake, smaller snakes, robot armies, sentient video games, Garmadon a billion different times, the Overlord, Oni...and the skeletons used to be a worthy adversary. The skeletons.
Did you all remember that Cole’s earth dragon used to...breathe earth? I’ve been forced to remember. Rocky used to breathe earth as a form of attack. It was shown through brown swirly wisps in that beautiful, incredibly shitty 2011 effect. The Underworld used to be implied to be the place where all dead people went, or at least the bad ones. We never heard of a Departed Realm. Do we remember the time Cole had a scene that was a direct parody of Michael Jackson? I sure do. Genuinely the highlight simply because I don’t know how to describe the emotion I felt upon seeing it.
184 notes · View notes
thresholdbb · 26 days
Text
I'm a Kai Winn apologist but not because I think she's a good person. She's a compelling tragic character
32 notes · View notes
saraanzu · 9 months
Text
it’s interesting how in the alternate sara minisode ending, her thought process isn’t really “if I loved joe more, I could’ve saved him”, the massacre ending she imagined with him is more focused on her guilt for killing everyone else rather than her guilt for not saving him. it’s “if I loved joe more, we would both end up with blood on our hands, that’s why I shouldn’t get too close to people.”
there’s no english translation of joe’s light novel sadly, but I remember reading a summary of it a while back, and joe actually has similar feelings about how escaping with sara would’ve been a bad choice. as he dies, he has a dream about what would happen: ryoko and all his friends would call him a murderer, he would become a cop so he could save people and make up for the people he killed, but the guilt would stay with him for the rest of his life. he hears sara crying, and his last thoughts are that he would do anything to make her stop.
both of them ultimately decide that the guilt of killing everyone else would not have been worth escaping together. they don’t want to be murderers, and they especially don’t want to make each other murderers.
118 notes · View notes
corleonies · 18 days
Text
Kay's abortion is what cemented her as a great character because even though maybe there was no intention behind it and the overwhelming male response to that scene is anger, it gives a female character agency for the first time in those movies and it's a great commentary on what it meant to be a woman in that context and time.
Everything leading up to that scene: Kay being frustrated with Michael not keeping up the promise of legitimizing the business, the shooting that put her and her kids in danger, (deleted scenes of Anthony trying to get close to mobsters his father received at home and Kay being distressed and taking him away), Michael concerned about the gender of a fetus when hearing his wife had a miscarriage because what is a baby girl worth in this world?, not talking to his wife when arriving home, taking her to court with him expecting her to be dumb or submissive enough to not care about how things went and what happened behind the scenes.
Then, the abortion scene when she tells him she got a SON killed because she would not put more children into the world to be turned into monsters. "Look what happened to our son" because that's what is meant to happen to boys in that world. Girls are expandable and boys are conditioned.
Kay was right. Kay got herself out and gave her children a real childhood, real chances to be something they wanted, away from the horrors of the life their father lived in. Kay saved herself and her children, but Michael pulls them back into danger anyway because that's the life.
He says he was a lot like Anthony, because once he wanted nothing to do with the family business. In a way, Mary was a lot like her mother too, because she remains close to that world out of love. But Michael never gets away like Tony did, Mary never leaves like Kay.
Mary takes a bullet meant for her father. She pays for her father's sins. What is a baby girl worth in this world?
27 notes · View notes
localguy2 · 9 months
Text
Heya folks, let's do something fun
what is in YOUR opinion your best Ninjago post?
It can be anything as long as its around Ninjago, that means Character analysis/rants, AUs, art, music, writing, just anything really...
106 notes · View notes
pedrito-friskito · 1 year
Text
strawberry wine - joel miller x fem!reader
Tumblr media
during - part seven
series masterlist | main masterlist | read on ao3
tommy takes care of joel as best he can, and you try and make a break for it.
a/n: y’all I am having way too much fun writing this story. part 7 earlier than planned, and tbh I’ll probably post part 8 tomorrow if I can. the inspo is REAL and thank you all for the comments and reblogs and messages and general love and support - you have no idea how happy it makes me!! 🤍
word count: 4.6k
warnings: MY BLOG IS 18+, MINORS DNI, angst, canon-typical violence and injuries, death, blood, near-death experiences, questionable decisions on the military’s part
✨follow @friskito-library for updates on new works/chapters!✨
Tumblr media
Tommy watches his brother fall apart.
It’s one thing after another, and he can’t blame Joel. The world’s ending; everything else is falling apart, it only makes sense that he would too. But still, it hurts. Watching his big brother — the only constant in his life for as long as he can remember — break down, it makes Tommy hurt in a way he can’t fully comprehend. It’s not fair.
He thinks about the soldier, in the days that follow. He’d come up the ridge just as the gunfire sounded, already looking for his brother and niece, never expecting to find them the way that he did. Joel was pleading, already hurt, his hands in the air, as good a white flag as any, and the soldier just didn’t care. It went against everything in Tommy, but when the soldier lifted the gun again, Tommy fired first.
But then…Sarah.
There was so much blood. He should be used to it, being who he is, seeing what he’s seen. But it’s different, it feels different, it sits in the back of his mind and haunts his every step. She was so young. So bright, so good. And then just, gone.
“Tommy, help me!”
He’d never heard Joel like that, so desperate, so lost. The only moment that rivalled it was when they’d been in the truck, Tommy driving, Joel with his cell phone pressed to his ear. Talking to you, asking where you were, if you were safe.
“It’s everywhere,” Joel had said, and Tommy had felt a distinct feeling of helplessness wash through him. Whatever was happening, it wasn’t just in Austin. He focused on the road, tried not to look too closely at the chaos in the distance. Shit was hitting the fan, in every sense.
He tightened his grip on the wheel as Joel continued talking to you. You were hurt, Joel telling you to patch yourself up. “I’m not hanging up until you do.”
Tommy could hear the ache in his brother’s voice. Joel had never let you go, not completely, and Tommy knew it. He didn’t blame Joel for it; having you around was the happiest he’d seen his brother in a long time. He liked you, too, liked your laugh and your sense of humour, the way you looked at Joel like you were seeing him for the first time, every time.
He had to swerve the truck as another car barrelled down the road in the opposite direction. Joel grabbed for the dashboard, phone still glued to his ear. “I’m gonna find you, you hear me? Just get out of Boston and I swear to you, I’m gonna find you!” A pause, and Joel stared at the phone. Tommy could see his brother’s hands shaking. “It’s dead.”
A moment later, the radio — which had been spewing news reports since Joel had picked Tommy up — went silent. Joel tossed his phone onto the truck floor, slammed his fist into the dash a moment later.
“Fuck!”
“She okay?” Tommy asked, and Joel scrubbed a hand over his face. “Joel?”
“Boyfriend attacked her,” Joel grumbled, rubbing his forehead again. “Tried to fuckin’ bite her. She said he’s dead.”
Tommy had balked. “She did that?”
“Dunno,” Joel had replied, and huffed a humourless laugh, the noise almost flat. “Is it fucked up if I say I hope she did?”
Tommy had pressed the gas a little harder, the truck speeding down the road. “Everything’s fucked up, seems like.” Silence hung over them only for a moment, punctuated a moment later by the loud whoosh of flames as a car down the road collided with a telephone pole. Joel cursed under his breath, Tommy kept on driving. “What are we gonna do, Joel?”
“We get Sarah, and we go,” his brother replied, and despite the waver in his voice, he sounded sure. Surer than Tommy felt. “East.”
East, Tommy thought. Boston. You. Like he’d expected anything different. “You really think you can find her?”
“I can sure as hell try.”
The conversation feels like a year ago, instead of the handful of days it has been. Maybe a week; he’s starting to lose track, already. They’ve been holed up for a few hours now, tucked in the garage of an abandoned house. They crossed the state line a few hours back, and so far, Arkansas looks the same as Texas: fucking ravaged. Joel sits on the floor, knees up to his chest, face buried in his arms. Tommy feels antsy.
“I’m gonna go look inside, see if there’s anything worth taking. You good?”
“Yeah.”
Seems like every neighbourhood they come across has been evacuated, the houses all empty. They have guns; he already had his own, and he’d swiped the rifle from the soldier that had attacked Joel and Sarah. Though he was quick to give Joel his, take the soldier’s for himself. Something about Joel touching the weapon that had killed Sarah made Tommy’s gut twist. He didn’t like it either, but it was out of necessity.
The house has obviously been picked through, toppled furniture and broken glass as far as he can tell, but they get lucky: a first aid kit, a mostly full bottle of whiskey, and some cans of beans. Tommy grabs it all, heads up the stairs. Clearly an older couple, but there’s a few men’s jackets in one of the closets, a pair of work boots, plain t-shirts. He takes the lot, offering the boots to Joel when he gets back to the garage. “These your size?”
His brother takes the boots with a flat expression, pulling the laces to peer at the sole. “About there, yeah. Don’t need ‘em though.”
“Take ‘em with us, for when you do,” Tommy counters, offering Joel one of the t-shirts next. “You should change.”
“M’fine.”
Tommy hooks the gun over his head, setting it on the ground beside him as he crouches in front of Joel. “You’re covered in blood,” he says, and his brother snatches the t-shirt. “Need to change your bandage, too.”
“And what exactly do you want me to—” Joel starts, but shuts up when Tommy tosses the first aid kit to him.
“Need help?” he asks as Joel gets to his feet, pulls his stained t-shirt off, tosses it aside. They’d found a half empty kit in a cafe back in Austin, dressed Joel’s wound before they took off completely. Joel was lucky, just a graze, but Tommy knows it must hurt like hell, and it’ll leave a scar, a reminder of that night, of what was lost.
Joel winces as he pulls of the old bandage, tossing it in the same direction as the t-shirt. “Don’t suppose you found any water in there?” He digs through the first aid kit. “No antiseptic.”
“No water,” Tommy confirms, but holds up the bottle of whiskey. “Just this.”
It’s not ideal, using the alcohol to clean the graze — and Joel nearly puts his fist through the wall despite the healthy sip he takes before Tommy wipes a piece of gauze damp with the whiskey over the wound — but it’ll work. They have to make do.
Joel sinks back onto the concrete floor once the wound is redressed, the new t-shirt pulled over his head. He takes the whiskey with him, and Tommy sits beside his brother, both of them with rifles in their laps. They sip the bottle in turn, and Tommy savours the burn as it slides down his throat, warmth spreading through his chest. It loosens his tongue, makes him regret the question the second it’s out of his mouth.
“You think she made it?” He knows he doesn’t have to call you by name. Not now.
“I have to,” is his brother’s only response.
+
They stop you at the gate.
You don’t know what you’re thinking, but after staking out the giant metal fence for a few hours, you at least know that trying to sneak over is only going to result in a bullet finding a home somewhere it shouldn’t. The soldiers were firing at anything that made a break for the gate, and running full-force didn’t make you brave, it made you stupid. It made you look like one of them. Infected. Mindless. Blood-thirsty. A few have come sprinting up to the post you’ve been watching, and the soldiers have put them down without batting an eye.
As you’ve watched, a few groups of people have approached the post. All the same, their hands in the air, desperation in their voices, carried to you on the smoke-tinged breeze. Please help us. You’ve watched them get directed away from the post, towards a still-standing building a few yards from the gate, where a military-issue tent is set up. Some of them walk back out, are directed towards an armoured truck parked along the gate, and then the truck disappears, only for a new one to reappear in its stead a few minutes later. It’s like clockwork, but only some end up in the trucks.
Others are carried out the back of the tent, bodies dumped into one of the pits left by the bombing. It makes your skin crawl.
It takes a while, lacking the confidence to put yourself in the line of fire when you could just keep hiding in the city. The soldiers might find you eventually — if the Infected didn’t find you first — but if you could just keep going, maybe there was a break in the fence somewhere, a way out besides what lies ahead of you. But finally, after a few hours of squatting in the rubble, your limbs aching from staying pressed against brick, you step out of the alley, and put your hands in the air. You’ve pulled down the sleeves of the hoodie you’re wearing, letting it cover the bandage around your arm, and you grip the cuffs with your fingers as you raise your arms.
“I’m not infected!”
A flash of movement, and the barrels of at least ten rifles are pointed directly at you. The hair on the back of your neck stands up, bile rising in the back of your throat. A suitable reaction, you think, and you swallow back the fear that makes you want to run. It’ll only get you killed that much faster.
“Name!” one of the soldier’s shouts. You can’t tell who; they’re all wearing helmets, visors covering their faces, turning it into a sea of darkness staring back at you. Your fingers flex, and you call you name back.
“I need to leave.”
One of them starts laughing. Another two look at each other, sharing a look you can’t suss out. A few lower their guns, and the prickle along your spine fizzles slightly. A visor lifts, revealing a soot-streaked face, a grim expression. “Why on earth would you wanna do that?”
“My family is in Texas,” you say, your voice surprisingly strong, if not a little thready from the smoke. “I have to go find them.”
“You’re gonna walk halfway across the country,” a faceless voice asks, “with a baseball bat? Girl, you don’t have a hope in hell.”
“Beats sitting around here, waiting to die,” you throw back, and the soldier that had lifted his visor lifts his brow. “Let me pass.”
“Can’t do that,” he replies, and steps up in front of you. He’s got a strange face, eyes a little too dark, hair hidden by the helmet, a scar on his mouth. Something about him reminds you of Dean, but a much harder version, his face more angular, the voice slightly deeper. “No one gets out of the city, we have orders.”
“You can’t hold me hostage here,” you start, stepping towards him. Your hands are still in the air. “My family is out there, I need to—”
“No one gets out,” another soldier interrupts. “FEDRA’s orders.”
Your brow creases. “FEDRA?”
“Federal Disaster Response Agency,” the strange-faced soldier answers.
“So the military is taking over?”
“I never said that.”
You sigh, rolling your eyes. “Just let me go, please? I can’t stay here, my family—”
“Is in Texas,” the soldier replies, nodding along. He hefts his gun slightly, adjusting his grip, and you don’t miss the meaning, the silent threat behind it. “And you’re here, in Boston. Now you don’t have a car, or any real weapons, and we have orders. You’re not going anywhere.”
You bite back the protest that crawls up your throat. If you’re getting out, it’s not through here. “Then where am I supposed to go?”
“There’s a shelter,” he tells you, “in the mall. There’s food, water, beds. It’s temporary, but it’s safe.”
“Temporary, like the gate?”
He gives you a long look, then gestures towards the tent you’ve been watching them shuffle people through. “Let’s get you checked out, and then we’ll get you there.”
You match his stare, setting your jaw, digging your heels in slightly. The muzzle of his rifle dips just slightly, and his eyes pinch, narrowing at you.
“I’ll only ask nicely once.”
Heart in your throat, you drop your hands, and when he gestures towards the tent again, you go. Every single part of you is shaking as you head for the canvas structure, and once you’re inside, it’s no different. It’s shockingly clean, a metal table in the middle, a smaller one to the side. “Put your bag there,” the soldier orders, that familiar stern military tone, pointing to the bigger table. “The bat, too.”
You do as you’re told, seeing from the corner of your eye that he’s still got both hands on his gun. “I’m keeping the bat,” you say over your shoulder, pulling it out from where you’d slid it between the straps of the bag, resting against your lower back. The metal rings when you set it on the table. “For the record.”
“Never said you couldn’t keep it, did I?”
“You want me to go to that shelter in the mall,” you say, sliding the bag off your shoulders, placing it next to the bat, and then turning back to the soldier, “with every other terrified person in this city, and you expect me to believe you’re gonna let me walk in with a weapon?”
The soldier’s jaw goes tight, eyes even tighter. “Strip.”
“Excuse me?”
“Take your clothes off,” he says, clearly getting exasperated. “I might let you keep the bat, but there’s no way I’m letting you into the mall shelter knowing you’ve been bitten. Strip.”
“Bitten?” you repeat, your mind sparking at the new information. “Is that how this is spreading?” To appease him, hoping he’ll give you a bit more information, you pull the hoodie off, disentangling your arms slowly. “That’s what’s turning people into those—”
The hoodie comes off, revealing your bandaged shoulder and forearm, and the gun is pointed back in your face again, a soft click reaching your ears. “You’re injured.”
“Y’know, I usually like to at least know a guy’s name before he sees me half-naked.”
He ignores you. “You’re injured.”
You heave a breath, tucking the edge of the gauze around your arm back into place. “You dropped bombs on this city. I dare you to find someone out there who isn’t injured.”
The soldier just stares at you. You just stare back.
“Take the bandages off,” he orders, and your hands curl into fists. “I need to see.”
“Tell me your name first,” you counter, still holding his gaze.
“This isn’t a negotiation.”
“I’m aware; you’re the one holding the gun. But I also know you’ve been taking bodies out of this tent more than you’ve been sending people to the shelter. So, again, tell me your name.”
He leans back slightly, takes a deep breath, eyes darting to the side before meeting yours again. “Corporal Nicholas Cowan, ma’am.”
“Ma’am?” you repeat, almost laughing. “That’s a bit much, but—”
“The bandages.”
“Okay, okay.”
Carefully, you peel back the gauze on your shoulder. It wasn’t deep enough to need stitches or anything, and you’d slathered it with some kind of ointment in the first aid kit. It still looks pretty awful, and the tape along the edge of the bandage has left little indents in your skin, but it’s definitely healing. Your arm is next, that wound fresher, and it starts to bleed as soon as you pull the gauze away. Cowan gives you a new piece of gauze a moment later, tossing it onto the table between you rather than handing it right to you. “What happened?”
“I was in the bookstore, down on South Street, when you all decided to start dropping bombs. Fucking lucky a bookshelf didn’t fall on my head.”
He still has the gun pointed at you, though the grip is slightly more relaxed, and he circles you slowly, eyes glued to your shoulder. “Those look like claw marks.”
“That’s because they are.”
“So that happened before the bombs.”
“It did.”
“I’m supposed to shoot, the moment I see anything like that. I have orders.”
“It’s not a bite.”
“I know that.” He swallows so hard you can see his throat bob. “They haven’t figured it all out. The bite seems to make it happen faster, but I don’t know if—”
“I’ll tell you what, Corporal,” you interrupt, reaching for your bag, pulling the first aid kit out and fishing out new bandages, “I start to turn into one of those things, and I give you my full permission to blow my fucking brains out.” Cowan balks, his eyes widening for a moment as he stares back at you. “But for the record, it’s been seven days, and I’m still here, faculties intact. So, politely, go fuck yourself, and just let me through the gate.”
+
He doesn’t.
Cowan lets you redress, once your bandages have been hastily rewrapped; you’d protested and he told you they’d give you proper treatment at the shelter. Once that was done, you grabbed your pack — and the bat, which Cowan barely seemed to notice — and he grabbed you roughly by the arm, dragging you out of the tent and steering you towards one of the armoured trucks parked at the fence.
You’re all but stuffed inside, and Cowan gets into the passenger’s seat, a masked soldier behind the wheel. “The mall,” he says simply, and the soldier just nods, and the engine rumbles to life, pulling away from the chain link and heading back into the city.
You keep the bat in your lap as they drive, your eyes glued to the window, to the mess that now only partially resembles Boston. You’d seen enough of the destruction running through the streets, but the truck takes a few pathways you hadn’t. Some roads aren’t as destroyed, obviously not targeted by the bombs, and the asphalt is even, still intact. There’s no getting past the bodies, however, and that pulls your eyes away, staring down at your bruised and dirty hands, wrapped around the bat.
When the truck stops outside the mall, the driver doesn’t get out. You lift your head then, taking in the space around you. It’s more of the same, but the mall looks mostly undisturbed, except for the broken windows, the burned displays. Cowan slides out of the passenger’s side, pulls open your door a moment later. “Let’s go.”
There are three more soldiers standing at the entrance, and as Cowan starts to lead you through, one of them stops you, lifting a hand. “You can’t take that in there,” the soldier says, pointing to the bat. “Give it here.”
“No.”
Cowan sighs, turning back to you, waving off the soldier. “C’mon, just—”
“No,” you say again, your voice harder. “You’re out of your fucking mind if you think I’m walking around this city without it.”
“You’re safe in the mall,” Cowan says, nearly rolling his eyes at you, but you just lift a brow. “It’s a shelter, and we’re patrolling from the outside.” He points over his shoulder, and sure enough, you see a few more armoured trucks rolling across the street, armed soldiers trailing behind it. Like it makes a difference.
You almost laugh. “Nowhere is safe anymore.” You tighten your grip on the bat. “You really think your chain link fence is gonna save us from those things?”
He gives you another one of those hard stares, but relents, waving off the other soldiers and grabbing the handle on your bag, all but dragging you through the entrance. “If she attacks someone, it’s on you, Cowan!” one of the soldier’s shouts, and he just grumbles under his breath.
“Do me a favour,” he says to you as he releases you, making you stumble a step before he falls into step beside you, “don’t be more trouble than you’re worth.”
“And what am I worth, Corporal?”
“You’re alive, and you’re not one of them,” he says, and you don’t miss the thread of…is that hope, in his voice? “So that makes you worth something.”
He’s quiet, the rest of the way. There’s no electricity, the overhead fluorescents dark, and Cowan clicks on a flashlight, lighting your path deeper into the mall. There’s the whir of generators, as you get closer, big lights that looks like they were taken from construction sites. You see the food court has been turned into a makeshift hospital, and Cowan tells you the big department store on the main level is where you’ll sleep, for the time being.
There aren’t that many people, which makes your throat go a little thick. How many people have died, how many have turned, how many made it out of Boston before they put up the fence?
Cowan takes your arm again as you walk towards the food court, calling for someone as you get closer. “Deanna! I got one for you.”
An older lady, maybe late fifties, pokes her head out from behind one of the triage curtains. Her face is both kind and harsh at the same time, bright green eyes, grey-streaked hair pulled into a long ponytail, blood-stained scrubs and a tool belt around her waist that’s filled with medical instruments instead of actual tools. It almost makes you laugh.
“Must be special,” she says, her voice a little gravelly as she approaches you, wiping her hands on her pants. “You don’t usually escort them all the way down here, Nicky.” Her eyes drop to the bat in your hands and her brows raise. “Or let them come in armed.”
Once she’s close enough, Cowan releases you and takes Deanna by the arm, steering her off to the side. You stand there awkwardly, the bat banging against your leg. Your forearm is a little sore, and you’re half-sure it’s soaked through the bandages you’d haphazardly retied after Cowan’s inspection. You glance over at the pair a few times, seeing them both shooting you looks before turning back to each other. Deanna looks confused, then upset, then almost forgiving. You can’t quite figure out Cowan’s expression.
After a few minutes, she just nods, and Cowan turns on his heel, heading back in the direction you came, leaving you alone. Deanna gives you a once-over as she walks towards you again, putting a warm hand on your back and starting to steer you towards one of the curtains. “Let’s get you cleaned up, honey.”
She leads you behind one of the curtains, then another, and once you’re in the little makeshift room, she pulls another curtain into place. “Nicky said we need to be quick about this,” she says, leaning up on her toes to peer over the curtains, assumedly to see if anyone is coming. “And quiet.”
“Okay.”
You let her take your bag, set it on the chair that’s set to the side. You’re reluctant to let go of the bat, but when you finally let her take it, she puts it beside you on the cot. “You’ve been out there this whole time?” she asks, her voice just above a whisper. You nod. “Even the bombs?” Another nod. “Show me where you’re hurt.”
You hold your breath as you peel off the hoodie. You were right, your arm has bled through the bandage, and your shoulder aches with the movement. Deanna doesn’t say a word at first, her brow furrowed as she looks you over.
She tends to your arm first, wiping the blood from your skin, using some sort of glue to close the wound before she wraps it in fresh gauze. She circles you slowly, just like Cowan had, and you hear her sharp inhale when she sees your shoulder. “What have we here?” She wipes at more of the blood, and the sting makes you tense, your hand twitching towards the bat at your side. “What did that?”
“…boyfriend.”
You look over your shoulder to see her staring at you, a look that toes the line between sympathy and fear on her face. “Was he…”
You give a slight nod. “He was.”
“And is he…?”
“Not anymore.”
Her brows raise. “You did that?”
Another nod. “I did that.”
She blows out a breath, shaking her head side to side. “Damn, girl. Remind me not to get on your bad side.”
It’s the first time you’ve actually laughed since your birthday.
They give you some clothes, stuff that actually fits, pilfered from one of the stores. Toiletries even, and you spend far too much time brushing your teeth. No showers, unfortunately, but the pack of baby wipes you’re offered instead makes up for it. It nearly makes you cry to see your skin clean of the dust and ash and blood.
They give you food, too. A grocery bag filled with non-perishables, more granola bars and cans of soup and whatnot. You try not to chug an entire bottle of water when they give you a second bag filled with drinks; not just water, but sports drinks, random cans of pop, clearly raided from the mall vending machines. And a hot meal, courtesy of one of the food court hot plates. It’s some kind of stew, noodles and meat and veggies, and for a moment, all you can think about is the Thai food that was waiting on your kitchen counter.
Feels like a lifetime ago.
Deanna walks you to the department store, gives your name to one of the soldier’s standing guard. He points you in the right direction, and she goes with you, a steady hand on your back, until you find the cot you’ve been assigned, tucked in the corner of the section where all the towels would have been, the displays still up on the walls. “We took them all already,” she tells you, giving you a half-grin as she picks up the blanket on your cot, unfolding the fabric. “Those extra-plush suckers make great bandages.”
You’re quiet, tucking your bag and your food and clothing under the cot. They’d refilled your first aid kit, too. Your knees are almost shaking as you lower yourself onto the edge of the bed, and the relief that washes over you is almost overwhelming. Tears spring in your eyes, but you don’t have the energy to wipe them away.
“Get some sleep, honey,” she tells you, and puts a soft hand on your shoulder as you slip sideways, collapsing onto the pillow. “You’ll be safe. Sleep as much as you need.”
She pulls the blankets over you, and it’s silly, but you clutch the bat to your chest. You’d wiped it down, too, cleaned the blood and dirt from the metal. Sleep takes hold as soon as you let your eyes close, and you pray no nightmares follow.
PREV | NEXT
523 notes · View notes
bijoumikhawal · 1 month
Text
Tumblr media
Hm. I have dealt with antisemitic star trek fans, but given the times we live in and the recency of this post, as well as me not hearing of any recent major events about antisemitism in Trek fandom, let me check OPs blog real quick
Tumblr media
Ah.
Anyway- DS9 intentionally paralleled the Occupation of Bajor with both the Holocaust and the Nakba, among other things, and one of the cast members who remarked on the similarity of Bajorans to Palestinians was Armin Shimerman, who is himself Jewish.
22 notes · View notes
kaiju-krew · 21 days
Note
Heya! After watching GXK at my local theater, it reawakened my old hyperfixation with Toho and the Monsterverse out of a long hiatus. And boy am I glad it did! I wanted to find the people who made the comics that some people dubbed awhile back when I watched them! (With credit of course!) And you and another artist by the name of Ruubesz are a HUGE driving point for my hyperfixation happening in the first place and I couldn't thank y'all enough! And plus your art and Ruubesz artworks are just FRICKIN AMAZING LIKE CRAP WISH I COULD DRAW MONSTERS LIKE THAT! But still you guys rock with your art and I couldn't be happier about it! (And I also ship Mosugoji as well too because I have a shipping lil goblin in my brain too! Soooo yeah there's that.)
(Also sorry if the thing is really long for you to read. -u-')
ruubesz .............. who tf is that.........................
jk @ruubesz-draws is my ride or die i luv them with my whole lil heart!!!!!! truly the only one who i know i will never annoy with my mosugoji hc dumpings. a real one. 1000/10. i would die without them. new collab soon btw stay tuned
anyways rrRAAAAAGHHH you're so sweet thank you!!! :'') the mosugoji agenda spreads daily aS IT SHOULD
i hope the goji/kaiju drawin tuts i got cookin can help simplify the scary starting parts of monster arts!! praying it wont take me 9 months to finish it i want more ppl to try it out, it's a lot of fun <3
45 notes · View notes
saline-coelacanth · 2 months
Text
What if... Beauty and the Beast Oppo Au... what then?
24 notes · View notes
miraculousninja-345 · 3 months
Text
Tumblr media Tumblr media Tumblr media
No little kai, that's not how that works
I was experimenting with a new brush and a fire practice with this kai pose, and i love how it turned out! I took a longer than expected break, but i plan to get into the swing of things while in school.
Anyway, I'm excited for dragons rising season 2!
40 notes · View notes