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ofoceansandtombsanew · 2 years

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Tohru Honda: a Subversion of Shoujo’s Nice Girl Trope

Fruits Basket absolutely nails subverting your expectations of character tropes in anime.

Momiji is introduced as the cute childish boy but boom we are slapped with the fact that he a mother who hated him so much she had her memories wiped of him. Shigure right off the bat looks like the typical perverted uncle of anime when in reality he is one the most manipulative characters in the series. Ayame is the flamboyant, boisterous one whose bravado hides his regret and desire to repent for his past neglect of his younger brother. Which ultimately brings me to the protagonist of Furuba itself, Tohru Honda.

I'll make it no secret that I have a huge soft spot for Fruits Basket as a series. It was the first manga I read, I watched the 2001 series and I was right on the hype train when I saw it was getting a remake that would follow the manga storyline. But I did my best to be as objective as possible in this essay of sorts saying why I believe Tohru is a great example of subverting the "Nice Girl Protagonist" of Shoujo. Tohru is the protagonist of Fruits Basket and when it comes to those who don't like her, it seems she can be hit or miss due to the assumption that she is perfect.

The general consensus of those who do not like her or find her bland compared to the rest of the cast is that Tohru is a perfect and bland protagonist with no issues of her own. That all she does is wave her healing wand of warm smiles and makes everything better for those around her.

However, that opinion couldn't be more misguided. In reality, Tohru is just as emotionally broken as the Sohmas and they mend her heart just as much as she mends theirs. As such, I hope to show those who find her bland or otherwise boring that there is more substance to Tohru's character than they believe.

At first glance, Tohru does seems like your typical Shoujo protagonist. She's nice, almost to a fault. She would rather talk her way out of a situation instead of throwing hands, she doesn't get mad in situations other typically would, and she has a hard time asking for help. Oh and with a dash of anime originality, she's an orphan. However even as early as episode 1, you can see hints that Tohru is not going to be the usual nice girl protagonist with her desire to work and be as independent as possible. The mangaka does a great job throughout the series showing with hints and broad examples that Tohru is just as complex as the colorful cast around her.

Ironically enough though, when hints of Tohru's trauma are sprinkled throughout the series it is seen as annoying even when the Furuba takes time to give insight into why she does the things she does.

She mentions her mother constantly in anecdotes of whimsical stories or snippets of wisdom her mother imparted her with.

Compared to the death of parents to other anime protagonists, Tohru's situation is a bit more unique. Tohru's father may have died when she was young but the same cannot be said for her mother, Kyoko, who died fairly recently. When the series begins, Kyoko has only been dead for a few months and it is more than apparent as early as episode 1 that Tohru is desperate to keep any semblance of her mother's existence alive. Kyoko died before Tohru's first year of high school even ended and worse, was told in the middle of class. Tohru has had barely any time to heal from this loss and it is evident in how she talks to her mother's photo.

Yes, in Japanese culture, it may be typical to have photos of departed family members, making a shrine for them and leaving offerings from time to time. But Tohru takes this to a completely different level, showcasing how deep her trauma runs.

When she is digging frantically to take out her mother's photo after the landslide destroyed her tent, she cries "She can't breathe in there. She's in pain." And that's just episode one.

Nobody completely over the death of their parent would speak like this, referring to a photo as a living person. She lost her mother and she didn't even get a chance to say goodbye, even feeling guilt to an extent about the situation. Tohru didn't wake up to tell her mother that she would see her later. There is no way that simply getting up to tell her mother goodbye would have changed the outcome of her fate, but Tohru still feels that way. That it didn't matter if she had tests or work or the next day, the one she should have put first was her mother.

Anyone who has or is currently experiencing the grief of losing a loved one has likely done the same. Wondering if, if the situation was anything other than illness or old age, there was something they could have done. Things they should have said or could have said differently. What more could they have done to help and the feeling is all consuming. Even if it is unprompted, they somehow will manage to insert their lost family or friend into a conversation that didn't include them or may randomly begin talking about them. A lot of the time, these people don't even realize that they're doing it which is shown in season 2 with Tohru when Hiro asks her why she talks about her mother so much.

She is too positive.

Tohru's positivity is one of the most easily seen aspects of her character. Where others might see the glass half-empty, Tohru sees it as half-full. Her positivity is even noted upon by characters within the show, Saki (Hanajima) mentioning that she doesn't believe she could personally smile like that so soon after the death of a loved one.

Tohru doesn't like thinking about her problems. She doesn't like expressing her sadness. She doesn't want to worry those around her when they likely have their own problems to worry about. Saki predicts that this ability Tohru has to act this way is because she would scold herself if she ever showed a hint of sadness. And Saki was right because we see Tohru later on doing exactly that, crying but forcing herself to try and smile and scolding herself for not keeping it together.

Rather than let Yuki comfort her when she is in tears, she smiles and completely changes the topic even though tears are coming down her face.Tohru tells Kyo that she needs a minute to get herself together because breaking down in tears in front of him wasn't what she planned. She was supposed to smile when she saw him again.

Tohru would rather pretend everything is fine even when she is seconds away from falling apart because toxic positivity is something she struggles with.

No one can be that positive all the time, not even Tohru.

Tohru has a hard time asking others for help.

Yes, Tohru is kind-hearted by nature but she genuinely does believe that she could burden those she troubles for help. Considering how her maternal side of the family wanted nothing to do with her and her paternal side of the family talks poorly about her, it isn't difficult to see where that frame of thinking came to be. When her mother died, her paternal side of the family didn't argue over who wanted to take Tohru in, they argued over who should take Tohru in and that is an important distinction. Even more so the fact, they had these arguments in front of her. When it was finally settled that she should live with her grandfather and that was uprooted due to upcoming renovations, it makes sense that she would rather be homeless in a tent than bother her friends who don't have the space to provide for an additional person even if that.

In Tohru's mind, it was shown very clearly by her family that she is a burden. She's an extra mouth to feed and an unwanted mouth at that, as her family never holds back in disparaging Kyoko even if Tohru is present.

As such, when Tohru is in a situation where she has no other choice than to accept their help, she believes she should be extremely grateful. They're taking their time to help her when they easily could have done otherwise, so why should she want more? Why should she complain? If she has any desires, she pushes it down because of that belief because she feels awful and that she shouldn't want for more when people are already going out of their way to help an extra mouth to feed. Because of this mentality cultivated by the bulk of her paternal relatives mistreatment, she will seldom voice her wants.

She never gets angry or upset.

To say Tohru never gets angry or close to physical in her reactions is far from the truth. Tohru gets angry when the issue impacts those that she cares about.

Tohru can tolerate being mistreated but she will always draw the line at the abuse being directed to someone else. When she first meets Akito and she sees Yuki's clear discomfort and fear, she pushes Akito away from him immediately. When she witnesses Momiji being punched by Akito, she immediately steps in and places herself in front of Momiji to physically shield him. When Rin tells her not to meddle with the curse and involve herself, Tohru, without cruelty, shoots back that she will absolutely meddle and involve herself because she refuses to lose the people she cares about to someone who has clearly been abusing them emotionally and physically for years. Tohru's tolerance for mistreatment has a limit, she is just unfortunately not included in that limit. So when we finally see her get angry in a scenario that includes herselfー when Kyo tries to run away because he feels he doesn't deserve her love, it's incredible.

There is so much more to Tohru than meets the eye. Tohu's reaction to Yuki getting a cold isn't just Tohru overreacting for the sake of being a nice girl, it's because her father died from a cold he brushed off and that cold turned into a fatal illness. For Tohru, colds aren't something that can just be brushed away because what if it turns into something worse.

Tohru would rather wear clothes until they practically fall apart than buy new clothes because she knows that she can't just spend her money haphazardly. But when it came to Valentine's Day and wanting to express her gratitude for those who cared about her, she had no problem dropping an entire check to purchase the ingredients to make enough chocolate for everyone.

She disregards herself and the efforts she puts forward. When she feels she has failed in helping Arisa, she specifically says "everyone around me has always helped me and when it is my turn to do the same, I can't." These aren't problems she overcomes herself by simply "smiling through the pain" as some who discredit her argue. Tohru is repeatedly loved and helped by those around her who care for her and opens herself up to receive that love and help over time. She is taught by her grandfather and Sohmas that is okay for her to be selfish and ask for things.

Her friends teach her that she helps them so much and that in reality they feel like they are never there to help her when she needs it.Her friends get upset that the same amount of money she would spend on them, she wouldn't spend on herself.

She is told that the way she villainized Katsuya after his death because doesn't make her dirty or a bad person because she was a child that was scared to lose her mother. That her fear and desperation to make her mother acknowledge her was understandable. That mimicking her father in her attempt to draw her mother's attention probably helped more than she realized.

Tohru is not just a "Nice Shoujo Girl" Protagonist, she is a girl with trauma who would rather focus on the issues someone else has than look to her own.

Like I said before, this isn't me trying to get Tohrus haters to like her. People are entitled to like and dislike whichever characters they please, but it is a complete disservice to Natsuki Takaya's writing to say Tohru is bland and has no struggles of her own. Tohru has many problems and struggles she has to deal with throughout the series and seeing those issues she overcomes being brushed aside as her being perfect and having no problems is a complete oversight. As such, I just simply wanted to peel back Tohru's layers and showcase that just as characters such as Momiji, Shigure and Ayame are more than the tropes they are introduced as, Tohru is as well.

[i wrote this on reddit too]

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romancemedia · 9 months

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Anime Romances + Family

#Inuyasha The Final Act #Clannad #Kamisama Kiss #Fruits Basket #Sword Art Online #Sailor Moon Crystal #Spy x Family #Itazura na Kiss #Anime #Moments #Miroku x Sango #Kenshin x Kaoru #Tomoya x Nagisa #Nanami x Tomoe #Asuna x Kirito #Usagi x Mamoru #Kyoko x Katsuya #Loid x Yor

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the-chikyuu-times · 1 year

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#yuki sohma #tohru honda #kyo sohma #shigure sohma #hatori sohma #ayame sohma #momiji sohma #hatsuharu sohma #kisa sohma #kyoko honda #katsuya honda #fruits basket #furuba #chibis #illustration #art #artwork #official art

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cinderella-ish · 6 days

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For the Fruits Basket asks: 2, 3, 19, and 18/20 for Momiji!

Oh, yay! I'm so glad you asked! (ask game here)

2. This might be the hardest question of all, because all the characters are so richly developed and I genuinely like (almost) all of them! I have a certain soft spot for Yuki and Momiji, of course, as the characters I relate to the most, and a similar soft spot for Ayame and Arisa, because I relate to them in a way as well, though to a lesser degree.

I've been writing a lot of Kyo, Saki, and (weirdly) Hiroshi, so I feel really attached to them right now. I mean, Kyo is a character whose happiness genuinely healed me. Saki's unapologetic weirdness is just the best (and uhhh my friend group in high school had a few people who shared several traits with Saki, so I was bound to like her). And Hiroshi and Yusuke are literally the best part of every scene they're in. (Especially Hiroshi in Cinderella-ish. Seriously, his narration is top tier!)

And Machi and Kakeru have a special place in my heart, too, partly because of their roles in Yuki's development, but also because of the ways I relate to each of them. And, of course, Tohru. I mean, there's so much to say about her, but her deep, deep empathy and the richness of her arc and development are just gorgeous.

I do keep coming back to Yuki and Momiji, though. They're central to two of the scenes that I found most surprisingly powerful; Yuki when he tells Kakeru "that isn't what I want!" and Momiji in his speech to Akito, when he says "a happiness might exist for me!" Outside of the major plot points of the series (which are nearly all centered around Tohru and Kyo), these two moments are, I think, some of the most satisfying developments for any of the characters, period.

(Oops, that turned into an essay 😅)

3. If we're sticking to named characters, I think Katsuya is the only choice. I know Takaya couldn't develop every single character in the series, but Katsuya is one whose development would have enriched not only him, but Kyoko, Tohru, and Grandpa Honda as well.

I think that the Katsuya-Kyoko relationship can be read as problematic and even predatory exactly as written. It reads as romanticized because it's told from Kyoko's point of view. But Katsuya himself remains kind of an enigma, and it's just really hard to like him when we don't even know what made him think pursuing a middle schooler was okay.

19. Oh gosh. You're going to get a few long answers, I fear. 😅

I have several favorite fanworks! Off the top of my head:

Ripples, by @proseprincess

So, canon divergent AUs are probably my favorite type of fic, and I especially love fics where one canon event changes, and everything that follows changes due to something like a butterfly effect. In this two-part series, Tohru never met Kureno in the park, which changes everything that came after in a big way. I love that this tackles some massive changes to canon, yet they all feel grounded in the world and characters we all know. The second installment is incomplete, but still very worth the read IMO, not only because part 1 ends with a massive cliffhanger, but because it's just so inventive and unlike anything else I've read. Maybe my very favorite fanwork.

I'll be Standing There By You, by Eboni_A

This is a beautiful, devastating AU told from Yuki's point of view where he finds out in the final weeks of her life that Tohru has terminal cancer. We see Yuki drop everything to come and support Kyo and be with Tohru in her final weeks, we see Tohru die, and we see Kyo and Yuki (and everyone else) try to keep going afterward. It's heartbreaking yet hopeful, and the author made relatively recent comments about a potential sequel! Fingers crossed!

Inertia, by miss_coverly @lesbian-kyoru

This is another canon divergent AU where Kyo and Tohru become friends with benefits before the curse breaks. It's honestly shocking how beautiful this work is. The prose is gorgeous, the angst is dialed all the way up, the sexual tension is dialed even higher, the characterization is crystal clear, it's honestly a masterclass in POV, the sex is sexy, and I could go on and on. I never thought a blowjob scene would make me cry, yet it did.

The Pursuit of Repeating History, by RiddleAfar @mistergrass

So, when I first started reading fanfiction, I stuck strictly with canon-compliant works. Then, I dipped my toes into canon divergence AUs like those above, but I heavily resisted reading anything with alternative pairings.

Then, I got curious about that one really popular Yuki/Kyo soulmates AU fic, and gave it a read. By the end of the first chapter, I couldn't put it down. And when I was finished reading, I knew I had to check out everything else by that author, which is how I ended up reading The Pursuit of Repeating History.

This story honestly showed me the power of fanfiction. The author legit crafted lore for the Fruits Basket universe. And the "lore" chapters (I think they're referred to as "intermissions") are each beautifully-told stories in their own right. But the author also grappled with how the curse might work, and I think they did an incredible job. I'm actually rereading this beast right now!

We'll Work it Out Together, by inheritanceofgeek @mrsmarymorstan

Okay, I'm a sucker for anything with lots of Hiroshi and Yusuke, and this story is probably the most Hiroshi-and-Yusuke-focused story on Ao3. (Probably worth mentioning the author's sideblog, @2d-iendfrays which is an absolute treasure!) In it, Kyo figures out he's asexual, then figures out he's demisexual, all with the help of his two wholesome buds.

Like almost all the authors on this list, inheritanceofgeek has some other really fantastic works that are worth checking out, from sexual humor to Yuki/Machi smut to a touching piece about new parenthood.

How Can I Thank You, by SharkFairy77

Another brilliant Yuki/Kyo piece, in which Yuki hosts Kakeru and Komaki for dinner (at the apartment he shares with Kyo), and at the last minute, Kakeru asks if Machi can come. (Machi is Yuki's ex in this universe)

The piece starts with dinner prep, and then dinner, and the character writing is just incredibly spot on. I loved the arc of the story through the dinner, and the way Kyo and Machi come to an understanding.

But then, we get into some A+ YukiKyo smut.

I'll Be Here, by Blanche2023 @biancanekoyokai

(Full disclosure - I beta read this work!)

This is a very sweet and sad piece about Kyo's first few days in Kazuma's care after his mother's death. Blanche's characterization is outstanding, and she handles tricky things (like writing a young Akito who's also performing head-of-the-family duties) in a really clever way.

I don't think there's enough pre-canon fic out there, nor enough gen fic, and this piece is just beautiful.

Escaping the future, by Modzy78

I really love the way Modzy78 thinks about the Fruits Basket universe, and her take on the canon-divergence of "what if Tohru never confessed to Kyo" is inventive, suspenseful, fluffy, and just such a fun read! I also really love her other canon divergent AU Cursing the Cursed. And Modzy78 is honestly a superhero for the fandom.

The Talk, by Geoduck @drgeoduck

Honestly, Geoduck has a ton of works you should read, but I'll mention this one because it's probably the funniest thing I've ever read. And then it somehow gets even funnier!

The Ones Who Walk Away From Sohma House, also by Geoduck

If you're a fan of Ursula K. Leguin (my very favorite author!), then you are probably familiar with her famous short story, The Ones Who Walk Away from Omelas, and this short fic is an absolute must-read.

no one is lost, by emphasis

Momiji bumps into Ritsu in a gay bar. Not a pairing I ever imagined, but an excellent fic that puts Momiji in the position of "elder queer" to Ritsu. (Honestly, I wish there were more Momiji-as-elder-queer fics!)

Some other favorites:

The Night We Met, by pettyimperfections

Hold On, by Danyu

Heart Strain, by Kitty0430

I think about you all the time, by lucybeee @riceballcatfb (incomplete)

Making Nice, by Itsalreadyhalloweenright @riza-rin-rose (incomplete)

What's a White Lie Between Friends (& My Family)? by AnxietyAvocado

My Hands on You is Just a Fantasy, by unscheduledmakeouts

This Air is Blessed, by KyoDoodles

Please, Let Her Live, by @goldfishoflove

And that isn't even touching the dozens of phenomenal Yukeru fics! Just a small selection of Yukeru favorites:

fit back in, by @luftballons99

woebegone, by a-bigail @yunsoh

The Other Side of Paradise, by reconquer @yukisohmasmokesweed

If I Ever Feel Better, also by reconquer

if i do anything i regret tonight, no i didn't, by sacrificialParsnip (another fic where Momiji is an elder queer!)

i wanna be dyed with your colors, by halfhope

Like Fireworks in the Night Sky, by Princely_Hairdos (incomplete, currently being updated!)

President Perfect, by draebelle

tongue tied, by b_o_i (note: heed the warnings!)

And if you're familiar with OnigiriCat4Ever's canon continuation series, Always and Forever, some of my favorite works from that series include My Brother, Truth and Consequences, You Don't Understand, I Want to Understand, and all of their smut (collected in a separate series called Tohru and Kyo's Amorous Adventures, plus one explicit Hajime/Mutsuki fic).

And, of course, I'm really proud of my longfic, Bloom Within Us, and wrote it because it's the sort of thing I'd want to read. It's currently in progress, and I took a break from writing due to a family emergency, but I'm back at it and hope to start regular posting within a month.

uhhhh so I think I'll have to make my Momiji headcanons another post (hopefully tomorrow) because this got long! 😅 Thank you again for asking!

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maisartworksstuff · 6 months

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Dҽʂιɾҽ αɾιʂҽ αʂ ʅσɳɠ αʂ ɯҽ ʅιʋҽ 🦋

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araphyra454 · 1 year

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⚠️⚠️Spoilers⚠️⚠️

Okay, so, I watched the prelude (finally!) and I know this is probably kinda obvious, but I’m gonna say it.

Arisa’s and Kyoko’s relationships have the same vibes.

Like, look at them,

A troubled, ex-delinquent, with a dark past who wants to escape and make a better life for herself.

And a lonely, older guy who wants to see the girl he loves, and make her happy. But I’m order to do so, he has to break the bonds made by their families that are keeping him from being with her.

(Being a teacher-in-training like his father, and being with Akito as a ‘Zodiac’)

The girl is about high school age when they get together, and the age difference is pretty big, but the couple is much happier once they’re together.

I would define both men as rational, realistic, and want to do what’s right, even if they don’t enjoy it.

Both girls are a bit more temperamental, are good people at heart, they worry about the ones they care about and can get protective over them.

#fruits basket #fruits basket 2019 #tohru honda #yuki sohma #yuki soma #furuba #fruits basket prelude #kureno sohma #arisa uotani #kyoko honda #katsuya honda

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anime-ships-all-good · 8 months

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Kyoko Honda x Katsuya Honda

Fruits Basket

#fruits basket #kyoko x katsuya #kyoko honda #katsuya honda #food m//#age gap//#ship

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chuthulhu-reads · 3 months

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[ID: a page from Fruits Basket. Kyoko, all in black, has collapsed to her knees on the floor, sobbing and looking up as she wails, "Don't leave me! Please!" The second panel is slim and hard to make out, but compared with a previous panel, it's Katsuya's shoulder as seen from behind, lightly shaded as if fading. The last panel is a close up of tears pouring from Kyoko's eyes as she cries, "Don't... leave me...!" End ID.]

Man this makes me cry every time and I just. Look. Here's the thing. Katsuya really loved Kyoko, for the right reasons, and really did his best to do the right thing for her and make her happy. He made her certain that she was loved, and that she deserved love. But, well... she was sixteen when they got married. She might not have broken twenty yet at his death. They got married right after her parents kicked her out, and that was right after she'd left her gang and flunked out of middle school. She had literally no social connections outside of Katsuya, unless you count Katsuya's father. We never see her, even briefly, interacting with any friends or neighbours; it seems like her world, by and large, consists of Katsuya and Tohru, and Katsuya was extremely load-bearing both financially and emotionally. She has absolutely zero experience with living in the world without Katsuya caring for her. Katsuya wasn't purposefully isolating her, it's just a flat out, tragic fact of her age and place in life at the time they get married. It's why, with the best will in the world and genuine love behind it, it's still a really bad idea for teenagers to get married, especially if they're going to be the homemaker of the relationship; they're lacking so much experience and connection in the world that you need to be a grounded person. The grief of losing the person you love more than anyone else so young and so abruptly is already a lot and it's more than fair for it to be overwhelming, but I think that complete lack of grounding is what so completely undoes Kyoko and nearly kills her. She has nobody in the world except a toddler and a father-in-law who, by his own admission is pretty shite at being emotionally supportive to people; she doesn't have the friends that Tohru does when she's grappling with her own grief over losing Kyoko, which I think is part of why it never gets quite so dark for Tohru. It's a thing I really like about this manga, showing characters developing many different kinds of important relationships, because even a good, loving relationship can be dangerous if it's the only one you have.

#Fruits Basket #Furuba #whoops an essay about Kyoko and Katsuya #like I love em and it's way too simplistic to call Katsuya creepy for marrying a teenager #in the circumstances they're astonishingly healthy and happy together #but it's still like. circumstantially risky?#Like I think Katsuya might have functioned better if it had been Kyoko that died #I think he would have been just as devastated #but he's also been an adult for years without support #he'd be more functional in the immediate aftermath #but I'm not sure he'd be as loving to Tohru in the long term

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