I think it's important to mention that Mike and Bryan didn't plan anything beyond these concepts. That Bryke always decided and planned to end ATLA at Book 3 (since the initial draft of ATLA), even in The Search's notes Mike mentioned they had no idea what to do with Azula post-war so they followed on Gene Yang's ideas.
What post-ATLA content suffers from is that it's not planned. Even the comic writer Gene Yang revealed in an interview that they only thinking about finishing each comic book one by one and that nothing is set on stone. That made post-ATLA content badly paced and inconsistent, it even become hard for the fans to take it seriously however "official" it might be. Besides nothing mind blowing happened in these projects other than bringing Ursa back, but as a fully retconned, hollowed-out, butchered character.
Furthermore, Bryke left the live action project with Netflix owning rights to ATLA too and they established Avatar Studios probably in a rivalry against the latter.
So, it's such a mess because there are too many hands, too many projects, no plans. Meanwhile you can also say that Gene Yang's take pretty much created a rotten foundation for ATLA as a franchise post-war.
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tristamp post-S1 mashwood sillies and tri98(?) merylwood :]
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So I'm well aware this is probably a case of "it isn't that deep" but I love looking at all the fiddly little accessories and bits and bobs of Hoyo designs and trying to justify them. Sampo's is particularly funny, because. What even is all that dkkxjdkd
His outfit has so many straps wrapped around him, like they're restraining or holding something in to keep it from bursting at the seams, and not all of them look like they're even connected to anything! But I'd like to think they are useful in certain situations, like if Sampo takes a hit out in the Fragmentum from one of the monsters.
He's hurt, his arm is bleeding, but he is ALMOST done, he just needs a couple more things to fulfill his quota to Natasha and he doesn't want to turn around and go back now. So Sampo frees a strap from his shirt, winds it around his arm above the cut, pulls it tight with his free hand and his teeth. He'll treat it properly in a minute, once he's done scavenging.
There's also the strange chains that resemble snake spines. Given how they're way longer in his splash art and the way they wind around-
I'd like to think they can extend somehow, and Sampo can use them to scale heights. Firefly clocks him as a covert fighter without even being within 20 feet of him, so it would make sense for Sampo to have ways to get around that don't involve usual/obvious methods, like stairs. Think assassin skill sets.
He's also the only one known to be able to get between the Underground and the overworld, and while he's pretty tight-lipped about his method, having some sort of device to help traverse vertical heights is probably insanely helpful there.
And the little metal ornaments across the backs of his wrists! You can see it a bit better in his reference sheet (everyone say thanks @/dragaliareferencearchive!) as opposed to his splash art-
they aren't flat, they stick up a bit off his arms. And so I wonder if Gepard has ever gone to arrest Sampo, and found that they interfere with his handcuffs haha
The ornaments don't match, the one on his right wrist is actually shorter and doesn't extend down to the back of his hand. Which probably doesn't make it nearly as annoying for handcuffs as the left one, but it would make sense for Sampo to have them like that, since he seems to be right-handed! I think a certain proficiency in being ambidextrous is necessary to dual wield daggers like he does, but. Sampo uses his right hand to
hold his blade in his splash art
throw his blade in his skill
play/show off with his dagger in his idle
lob smoke bombs in his technique
cross over his heart when he bows
and to flip his bangs during the cutscene where he saves the trailblazers from Bronya
So a shorter guard on his right hand would help him keep his wrist's flexibility to be able to do all that unimpeded (loving the thought now that Sampo is naturally right-handed and still better with it, but he practiced constantly with his left until he could do things passably ambidextrous).
I also love them because I wonder if they're in the perfect place to help block a hit, along with the chain wrapped around his left forearm.
Like I love the image of a hired killer soundlessly sneaking up behind Sampo in some shady dark alley, knife sloooooowly raising, and then all at once, they strike!
And instead of feeling the blade sink into his back, they get the unpleasant resonating of metal-on-metal shivering up their arm and rattling their bones, because Sampo has turned around at the last second and raised his crossed his arms to let the knife glance off the guards on his wrists.
And the mercenary is left to realize that oh, they are fucked.
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really and truly unless it's a discussion about why peggy/steggy fans shouldn't like endgame, at this point idk why people feel the need to continually make the argument about her having a family as if that's the biggest problem about the ending especially when i figure most people are of the belief that it was another timeline or whatever idk what the current consensus on that is in the mcu and i don't care
but what about the fact that it destroyed steve's family? does that not matter because it's not the standard spouse and children but is instead a family he built for himself with sam and nat and bucky? because it's easier to decide steve is a selfish asshole and always has been instead of acknowledging that that storyline did more of a disservice to him than to anyone else? like oh maybe peggy's family was erased and that's horrible but it doesn't matter that steve's family was abandoned in the midst of the kind of trauma he knows very well?
i've said it before but it makes me so sad that so many people just turned on steve and decided a decade of movies don't matter in the face of one shitty desperate attempt of a movie to make him look like a pathetic creep just so they could justify their heterosexual nonsense ending
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My aunt is very sensitive to strong scents (buys my deodorant so that we know it won't harm her, because other than a couple brands, they give her migraines, we don't have scented candles, and I have a couple of perfumes, but I never wear them), so we're super careful there, but we also can't go into some stores because the perfume counter is Right There. When we go shopping, she knows to look for me in the candle aisle because I'll stand there sniffing each candle and giving a review to whoever is with me at the time
.
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I thought I was gonna be normal about Evangelion but then I got to Kaworu
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wish i had a consistent character to show for this, but since i don't i just used icons :0]
blank template for those that want it under the cut
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just finished playing portal revolution. I like evil science lady and her rabid vacuum cleaner
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Unpopular Opinion: Every time a black female character (especially if this black female character is dark skinned) enters into a relationship with the popular fan-favorite white male character usually one of three things happen a. the black female character is now headcanoned as a lesbian (never bisexual or queer or anything that would leave the character with the possibility of still entering into a relationship with a man) b. white male character is now shipped with other popular fan-favorite white male character/other white female character (the popular fan-favorite white male character is usually headcanoned to be bisexual and when he is, shipped with a woman that woman is always white) or c. black female character (and sometimes their actresses) is now being talked about as if they are the devil himself.
Wanting characters to explore their sexuality is fine but I always find it odd how this always happens when one member of the relationship is a black/blackish woman. *forgot to mention the suddenly polyamorous relationship the three (black female, white male and white male/woman) characters are now without a doubt in*
Anon you spoke nothing, but facts right here 🙌🏽
(The only thing I’d add is that they don’t just do this when the woman in question is with a white man, see Namor and Shuri and the backlash some shippers got for shipping them).
You aren’t the only one who has been noticing this trend.
I say trend loosely because really just a new stereotype to add to the bunch😒
It would be one thing if it was a want for actual representation, but every time now like clockwork. as soon as they see a Black woman who looks like she’s going to have a romantic arc with said popular fandom man, boom she must be gay😑
Hell, it’s getting so bad that these shows/movies are automatically just writing their Black women characters in that way.
If people can’t see how this can be harmful/dangerous, that’s cool, but anytime you want to paint all of a group a certain way and won’t show them in any other setting, that’s how you end up birthing new stereotypes.
This isn’t creating diversity. It’s limiting it(once again).
It’s so all or nothing with our media representation. Black women don’t want to be shown as one thing(which seems to go right over most people’s heads).
We just want the same opportunities as everybody else and not to be put into one or two narrow boxes of acceptable characterization that doesn’t threaten the status quo(aka you can't have Black women looking desirable especially not when there is an available white woman right there next to her).
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Tbhk has a really bad pacing problem, among a few other things
Ever since the Picture Perfect arc it’s just been… unbearably slow.. the pacing in the recent chapters compared to the beginning is so strange. Tbhk has always been pretty slow paced compared to other mangas, so much so it really warped my perception with other mangas. And the pacing doesn’t really add to much, it’s not like the lore of tbhk is anywhere near being somewhat understandable. And it has its pros! The art is beautiful, and character banter is fun. But so much of the time is spent explaining yet somehow also…not? New things are introduced, partially explained, and then either forgotten or become a major feature of the story.
Boundaries being a pretty big example. they ARE explained..barely. The rules and purpose of them isn’t exactly clear? Are specified boundaries just for the mysteries? It doesn’t seem so since they show a specific boundary in the spin-off (which canonicity is highly debatable, but it’s never been denounced from canon, so i literally don’t know), along with mentioning a boundary in Brazil (which brings a lot of other things into question about wherethe hell the boundaries even are). So is it just boundaries with a yorishiro that are specific to the mysteries?
With Yako, Tsuchigomori, and Shijima, their yorishiros are in the farthest reaches of the boundary. and the same can partially be said for The Hell of Mirrors (I’m not sure). And the rule seems to partially follow for Hakubo, but Sumire is also shown leaving the boundary with no issue so idk. But the Clock-Keeper’s is just?? Inside Kako?? That’s not the farthest reaches?? Same with Hanako, unless Tsukasa originally resided inside of Hanako’s boundary before he was removed (presumably for Sakura). So does the rule just not include them? Or is it not a rule and instead just a common trend or whatever.
I also literally do not get Mitsuba as The Hell of Mirrors, aren’t boundaries supposed to be unique to the spirit in charge?? Or did Tsukasa specifically make Mitsuba with having him be The Hell of Mirrors in mind?
Back to pacing though. The recent chapters have been unnecessarily slow, like so slow that barely anything is happening. And I’m losing hope for some big interesting action cause it’s just been…bad. The fandom has been so dead and it’s obvious the pacing currently is why. Literally nothing is happening, nothing even brainrot worthy. Like the pacing for the previous arcs was slow but this is another level of drawn out.
Personal anecdote rq but I was so used to tbhk’s slow pace that reading literally any other manga feels like whiplash, reading chainsaw man was so difficult because I was expecting it to be slow and i ended up never understanding what was going on at all. Or maybe I’m just illiterate uhm
Mayhaps I’m just dumb and going stir crazy but whatever. I don’t have any closing notes cause this is pretty short so uh ninja out
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okay wait laughingstock concept Incoming: so im imagining some of the neighbors (maybe Julie & Frank) noticing that Barnaby & Howdy are a lil fruity, yk yk. and Julie's like damn, i guess we have to play matchmaker here.
so naturally they wind up getting the whole neighborhood involved. everybody's a wingman here. Poppy's dropping hints when Howdy drops off groceries, Wally is constantly asking Barnaby to go get him things from the bodega, etc etc. Howdy and Barnaby are facing this sudden change in town-wide behavior with slight concern and bemusement
eventually - lets say Julie, Sally, and Wally - get Barnaby into the bodega and then abruptly leave like "don't have too much fun without us you two *wink wink nudge nudge*". once they're gone (read: very obviously hiding outside & watching through the window) Barnaby & Howdy turn to each other like:
Barnaby: you think we should tell them we're already married?
Howdy: let them have their fun - they'll figure it out eventually
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Shinjiham is cute when it’s romantic but tbh I think i vastly prefer the idea of them being best friends instead. Like, neither of them really saw it coming and weren’t really looking to get another best friend (Shinji has Akihiko, Kotone has Junpei and Yukari respectively) but it happens anyway. Kotone takes a liking to Shinji much faster than she does anyone else and I’d say a big reason is just the fact that he’s so reserved that it allows Kotone to do most of the talking while he just listens and they love this arrangement cuz Kotone doesn’t get to talk about her own interests very much. Though I think some of her needs to talk to Shinji stems from this insecurity that he isn’t happy in the group and she has this people pleasing problem and wants everyone to be happy so she makes a much bigger effort to talk to Shinji. And it’s very unfortunate because Shinji intentionally acts cold and distant because he doesn’t want to form any attachments because he wants to die soon, but aaaaaaaagh dammit this girl just keeps talking to him and being sweet and encouraging him to engage in his interests and share them with the others and he just can’t seem to say no when she’s got those damn puppy eyes. And Kotone is just able to get him out of his shell by being persistent but not in an overwhelming way, she’s very cheerful and supportive of him. And Shinji is able to offer her support by encouraging her to talk about herself and by making sure she’s taking care of herself. They just click really well and make such a positive dent in each other’s lives and it’s all about basic acts of kindness going a long way you know?
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I’d like to headcanon that some of the squad have shared playlists , and one giant one for them all . They check out each others Spotify or Amazon or YouTube idk what they use anyway they check it out and if it pairs similar to their own , they join together and create one to play when they are chilling or showing to the others . The BIG one is them all together , meaning lots and lots and lots of bickering over what song gets put in and what doesn’t . Usually , it’s just Aiden complaining about the songs he can’t add ( VERY mixed style , some songs are a little too goofy . But don’t worry , he’ll add them on when no one’s looking )
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Sub title: 100% Toxic yandere kidnaps you! (BE CAREFUL)
Sub Affs: Yandere ill never ever hurt you or anyone you care about, never isolates you or holds you hostage, respects your privacy and boundaries and treats you like a person, and like, 50 other safety affs
Me: My brother in christ do you know what toxic means
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She was driven mad by the truth (Clover and Emmeline love Hunter to pieces)
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