The new Roll For… chapter has been written finally!!! All on paper, all ready to be written up digitally.

Watch this space this Friday ✨

there's a message in yellowjackets that really resonates, about what it looks like to "overcome" trauma. you live through something indescribable, you're "rescued" from that thing, and you have a grace period. how long? a week? a month? a year? how long before the world stops giving you grace, how long before the world expects you to give them a pretty little story with a happy little ending so they can stop feeling weird when they look at you, for the way what you've been through makes them feel? how long before you have to be a wife and mother to prove you're fine, or a successful politician, or a respectable nurse. or, how long before they want to see you in the psych ward or rehab so they can frown and ooh and ahh at your failure to assimilate back into a world you can no longer see in the same light? they don't want to help you. they want to watch you. they want to make a feel-good story out of you. a quippy headline. and if they can't, they'll make you their cautionary tale. if you can give them neither, you'd better hide yourself away. everybody asks "what really happened out there?" what was it like how did it feel what did you have to do to survive it? and the answer is there is no answer. it is still happening. it is happening every night in your dreams, it is happening every time you look in the mirror, it is happening over and over and over again forever. hitting the "recovery milestones"–the socially acceptable You Did It life markers such as a successful career, a successful family, a successful whatever the fuck–meeting those marks isn't for you. you don't see the merit in those things anymore. and why would you? you know a different way of living now. it's for the audience who wants to be placated by your okayness or entertained by your insanity, and will not rest until you've given them one or the other. the wilderness may have taken indiscriminately, cruelly, violently. but society is worse. that's the difference between hunger and gluttony. you ate your friends to survive. they are eating you to throw you up to eat you again to complain about how unpalatable you are now. and then they still ask for more.

all of the yellowjackets are going to die.

i've had different versions of this theory bouncing around in my head since mid s1, and if you've seen final destination, you can just skip the rest of the post because you probably already know where i'm going with this.

natalie's death scene was overall unsatisfying in my opinion, but that's not because i don't think that the show was leading up to it eventually. her character arc was rushed and cut off too abruptly, but after sitting with the episode for a bit, i do think that natalie was always going to be the first of the survivors we saw die.

"we both know that's not true. this is exactly where we belong. we've been here for years."

now it's notable that natalie is appearing as she did the night of the party in the pilot. the last night before the plane crash. not just her outfit, but her hair and make up are the same. see how much of her roots are grown out, vs how much they're grown out in the 96 timeline.

when that plane went down 600 miles off course, no one was supposed to survive. not a single person on that plane should have made it out. The Wilderness, the lonely, violent, misunderstood Wilderness kept them alive when they crashed into It. when they found cabin guy's plane back in s1, lottie looked at the vines growing around the wheels and said "It didn't want him to leave", and she was right. laura lee's trip ending in spontaneous combustion should have been enough to prove that if only they were paying attention by then.

they all should have died when that plane crashed. The Wilderness allowed them to survive, to make a home. albeit violently, tragically, It nurtured them through two winters, and ungratefully, they all left anyway. eventually they're all going to have to go home to It, one way or another, dead or alive. It's already been inside them for years.

you know those lesbian breakup so bad you xxx memes? yeah, well. every yelllowjacket for real.

shauna shipman is so close to the one that inspired it all: lesbian breakup so bad you consider marrying a christian man and having two kids named brynleigh and hunter. except she’s shauna, so add some flavor and it’s: lesbian breakup (promptly followed by widowhood) so bad you cannibalize her, marry her idiot blonde man ex, have a kid, and only feel joy when you discuss murder.

van palmer, lesbian breakup so bad you move to fucking ohio.

taissa turner, lesbian breakup so bad you go into politics. (maybe your ex will even have to see you on tv, who knows!)

natalie scatorccio, lesbian breakup(s) so bad you’re not even sure who all you’ve technically broken up with, but you’re no longer phased by kidnapping, surveillance, or stalking by any of them, which says a whole lot.

lottie matthews, lesbian breakup (widowhood, rip laura lee) so bad you start a cult. followed by another lesbian breakup so bad you, uh, start another cult.

misty quigley, lesbian breakup so bad you run around with this fucking guy.

and finally, queen of bad lesbian breakups, jackie taylor, whose lesbian breakup was so bad she killed herself in a way that irrevocably altered the course of all her friends lives and potentially broke metaphysical laws of the universe!

Guys, really, stop shitting on the ending because of Nat's death. YES, it was was narratively unsatisfying. YES, she was just beginning to heal and build a life again and THAT IS THE ENTIRE POINT. It's supposed to be a fucking tragedy. It's supposed to make you cry with the injustice of it.

I finally finished yippieeee~ the template is by @amoexii (thank you!) ((updated?))

Riley is willing to break rules to keep his friends safe, gain an advantage or just for fun. He shows his affection through teasing and tends to be generally playful. Most of all Riley likes caring for his appearance and coordinating outfits together! Huge romantic at heart and unafraid to show affection platonically and romantically! He feels validated being able to express his love by being allowed to be affectionate. He DOES respect and understand boundaries of course!! If Riley notices the person is reserved and dislikes being touched, he shows affection in others ways like praises and gift giving. He’s a very passionate person! Riley is a very tricky person when it comes to his emotions. He is easily upset and quick to lose temper if he feels like he’s being mocked or humiliated. He holds grudges and he WILL let you know. Sneers, roll of eyes, sarcastic comments and nasty side eyes. Riley is actually quite a considerate person and tries to be patient but he is still young and immature. When Riley gets older he starts to slowly heal from past bad experiences and starts to be much more relaxed and less quick to anger. He feels his emotions intensely and it manifests in his magic control. When he loses control sometimes his spells won’t cast from lack of concentration or he accidentally casts destructive bursts of magic around him. Glass and objects flown around are typically at the scene after a really bad temper episode. But these are rare. Riley feels shame immediately after these. They were what started ‘the rumors and the whispers’ around him before he started attending hogwarts.

Slytherin traits(cunning, ambitious and a drive for success)-

Riley could have easily been placed in gryffindor due to his bold personality and decision making. But he best fit slytherin because of his unashamed ability to resort to manipulation and deception in order to get ahead of others or get what he wants. He’s aware of how important it is to make connections in order to get ahead in life. He keeps in mind everyone’s secrets that he discovers and information he gathers for future use(Just in case…). He’s not above blackmailing either. When he has his mind set on something he will see it to the end no matter how long it takes. He hates failing but he hates not taking initiative more. ‘What ifs’ and ‘but’ are things he tries actively to ignore.

"We want complex female characters"

You guys couldn't handle Lottie Matthews. You couldn't handle Jackie Taylor. You couldn't handle Taissa Turner. Actually you couldn't handle any of the Yellowjackets cast...

You guys couldn't handle Inej Ghafa, you couldn't handle Alina Starkov- hell you couldn't handle a single Grishaverse girls.

You guys couldn't handle Katniss Everdeen. Lucy Gray actually broke your fucking minds.

You guys couldn't handle any girl from Euphoria or Stranger things in any capacity.

You guys could not handle the female characters of motherfucking Bridgerton like- first off that's embarrassing and secondly actually shut up.

Get back to me when you give female characters grace, at least a fucking fraction of empathy and learn what nuance is jfc.

Gang's on the move

(a pipe burst in the hoard storage room)

“you were always It’s favourite”

and

“there is no It. It was always just us.”

“is there a difference?”

is quite crazy (and gay) when you think about it

YELLOWJACKETS | 2.06 “Qui”

Cute lil AU Klaroline one-shot coming Friday.

And Roll For... chapter 13. Unlucky 13... Hm...

crystal may be gone, but you're here with us. and you can still save shauna. you can save our baby.

isnt it so interesting and so reflective of being a teenage girl how the yellowjackets collectively and sort of automatically/instinctively assign certain roles to certain members of the group, often roles that involve getting their hands dirty and doing things that are anywhere from gross to ethically questionable to truly morally reprehensible but necessary for their survival, because no one else can stomach it, and then they punish her for acting out the exact same role that they assigned her?

I like that Yellowjackets went the "actually, the supposed mental patient is, in fact, a prophet" route.

It's the true horror for Lottie, the Wilderness being real. It's something inside, yes, but it's also a mystical force. It's everywhere. It's the true God (well, Goddess). It's so poetic, I love it. I could write a litany about it. The show executes the "actually, insanity would have been a comfort" trope so well.

I think, the Wilderness is a Lovecraft-level eldritch primordial entity, but folktale instead of sci-fi.

killingly by katharine beutner // yellowjackets (2021 - present)