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monochrome-in-madness · 3 years

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My Top 10 Favourite Horrors

Within this top 10 list, some will include the prequels, sequels and any other follow ups as 1 ranking number. Some may be considered thriller, sci-fi, suspence etc, however, I do regard these as horrors myself.

I have take many aspects into account, such as videography, actor quality, SFX makeup quality, soundtrack, directors, CGI etc.

Note : this is my personal opinion. You do not have to agree with it, though if you haven't seen these, I highly reccomend them.

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1. The Conjuring

(1 & 2)

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The Conjuring 1 :

The Perron family moves into a farmhouse where they experience paranormal phenomena. They consult demonologists, Ed and Lorraine Warren, to help them get rid of the evil entity haunting them.

The Conjuring Trailer :

youtube

The Conjuring 2 :

Peggy, a single mother of four children, seeks the help of occult investigators Ed and Lorraine Warren when she and her children witness strange, paranormal events in their house

The Conjuring 2 Trailer :

youtube

My Opinion :

The Conjuring was the start of an incredible series of horrors that beat any other horror to the ground. It is absolutely fantastic and I basically worship these films. James Wan is my favourite director and he never ceases to amaze me.

Paranormal horror is my favourite and as someone who actually believes in the paranormal and who has had paranormal experiences, I can confirm that The Conjuring is much more realistic than any other paranormal films, which just makes it extra spooky.

The actors, camera angles, music, sfx makeup and storyline is just - chefs kiss -. I've been waiting for the 3rd one for so long, but they keep extending the release date. (R. I. P)

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2. Annabelle

(all of them)

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Annabelle :

John and Mia Form are attacked by a Satan worshipping couple, who uses their doll as a conduit to make their life miserable. This unleashes a string of paranormal events in the Forms' residence.

Annabelle Trailer :

youtube

Annabelle Creation :

Samuel and Elle embed their daughter's spirit into a doll, only to realise it is a demon. Years later, they open their home to a nun and six orphan girls, one of whom finds the doll.

Annabelle Creation Trailer :

youtube

Annabelle Comes Home :

Judy and her babysitter are left alone in her house after her parents leave to investigate a case. However, an unexpected guest sets Annabelle free, unleashing demonic activity in the house.

Annabelle Comes Home Trailer :

youtube

My Opinion :

Another great film series that was birthed form The Conjuring. Definitely less realistic, with many more jumpscares and spooky characters, which is appreciated in the horror world. Many people find dolls far more creepy than ghosts, myself included, so that's another perfect aspect that adds to the suspense.

I prefer Annabelle 3 over the others, mainly because I found that one to be more scary overall, even though Daniela is an idiot and she makes me so frustrated 😂

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3. Saw

(all of them)

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For the totally unindoctrinated, the Saw movie franchise revolves around the Jigsaw Killer (a.k.a. John Kramer), who tortures victims he believes are complacent or guilty, in order to make them appreciate their time on Earth.

All Saw Trailers :

youtube

Obviously I'm not going to list every Saw movie, because there are 7 (Jigsaw aka number 8, does NOT count. It is a disgrace).

My Opinion :

A classic for horror and gore lovers of all kinds. Of course I need to list this as number 3. I simply adore these movies. I even have the DVD set, so I am definitely a long term fan haha.

The obstacles and creativity regarding Saw as a whole needed a lot of thought put into it, plus it has a happy little side note of "make sure you don't cause harm to others in life and don't take anything for granted" which some may have not even noticed while being overwhelmed by the amount of fake blood.

Yes, a lot of characters are annoying, but that just makes us enjoy seeing them tortured even more (shh it's not real). Some of the blood doesn't look very realistic, the sfx can lack attention, BUT... It's still great and I can overlook these few flaws to appreciate the movies to the max.

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4. Blair Witch

(2016)

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A young man and his friends venture into the Black Hills Forest in Maryland to uncover the mystery surrounding his missing sister. Many believe her disappearance 17 years earlier is connected to the legend of the Blair Witch.

At first the group is hopeful, especially when two locals act as guides through the dark and winding woods. As the night wears on, a visit from a menacing presence soon makes them realize that the legend is all too real, and more sinister than they could have ever imagined.

Blair Witch Trailer :

youtube

My Opinion :

I love the camerawork. Not because it's perfect, because it's the opposite. It's a documentary style and this makes it feel more realistic, as if you are within the film yourself. I enjoy how they skip to the action at just the right time after a mild buildup.

The visuals are great as well and there were definitely some parts where I was disgusted and claustrophobic, which is good to experience while enjoying these types of films.

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5. Under The Skin

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Disguising itself as a human female, an extraterrestrial drives around Scotland attempting to lure unsuspecting men into her van. Once there, she seduces and sends them into another dimension where they are nothing more than meat.

Under The Skin Trailer :

youtube

My Opinion :

I would classify this as horror, but many won't. Either way, this is an amazingly artistic film with beautiful imagery and silent awe. It definitely makes you feel the suspense in a calming manner and it has some really dark moments. Without reading the description, one might be confused as to what is going on, but how art is supposed to be interpretated is by the imagination of individuals.

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6. Veronica

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During a solar eclipse, young Verónica and her friends want to summon the spirit of Verónica's father using an Ouija board. However, during the session she loses consciousness and soon it becomes clear that evil demons have arrived.

Veronica Trailer :

youtube

My Opinion :

A Spanish masterpiece, to put it simply. It's hard to find proper horrors like this in English. I really enjoyed this one and I watched it subbed not dubbed, because I feel like voiceovers tend to ruin the art of the original film. The buildup is perfect and unlike many horrors, it barely shows you the face of the "monster". That leaves it to the imagination, which in general makes it far more scary.

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7. Underwater

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Disaster strikes more than six miles below the ocean surface when water crashes through the walls of a drilling station. Led by their captain, the survivors realize that their only hope is to walk across the sea floor to reach the main part of the facility. But they soon find themselves in a fight for their lives when they come under attack from mysterious and deadly creatures that no one has ever seen.

Underwater Trailer :

youtube

My Opinion :

This movie was released quite recently and I didn't know what to expect. I was definitely blown away by how good it was. Being trapped underwater gives most people a sense of anxiety. Add being trapped underwater and being hunted by creepy sea monsters and you've got yourself a good horror. Kristen Stewarts general anxious personality definitely suits this film well.

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8. Split

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Kevin, who is suffering from dissociative identity disorder and has 23 alter egos, kidnaps three teenagers. They must figure out his friendly personas before he unleashes his 24th personality.

Split Trailer :

https://youtu.be/84TouqfIsiI

My Opinion :

An incredible film with phenomenal acting on the part of James McAvoy. You can get lost within his character and almost feel as if you are the character itself. Suspense is built up slowly and the climax of the film is released rapidly. People I know who do not enjoy horror, love this film themselves, which is saying something. It's definitely one of the best modern films that draws you in from the start.

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9. A Quiet Place

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A family struggles for survival in a world where most humans have been killed by blind but noise-sensitive creatures. They are forced to communicate in sign language to keep the creatures at bay.

A Quiet Place Trailer :

https://youtu.be/WR7cc5t7tv8

My Opinion :

As you can tell by now, I love anything alien related. This film has some of the most amazing looking aliens I've seen, I was honestly in awe by how great they looked. Another silent film, but in a different sense to the previous one. Instead of being the hunter, this family is being hunted and this adds more to the fear factor.

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10. Unfriended - Dark Web

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When a teen finds a laptop with a cache of hidden files, he and his friend discover that the previous owner has access to the dark web and is watching over them.

Unfriended - Dark Web Trailer :

https://youtu.be/XenTM_C9fxM

My Opinion :

A modern take on horror. Involving the actual dangers of the dark web and the use of technology and turning it into a horror was a magnificent idea. It definitely had me at the edge of my seat.

Due to another film type that is not often explored (thus being that most of the movie is equal to what it would be like to look at your computer and video chat), it makes it different and therefore more compelling than the usual videography styles.

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Thank you for reading, if you've made it this far! Feel free to share your top 10 in the comment section, I am definitely interested in your opinions and finding new movies to watch myself. Any questions are also welcome.

Until next time, take care and stay spooky!

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bibhabmishra · 4 years

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Steel Magnolias Women Are Interesting

Of all the many extraordinary qualities that eighties Hollywood movies pos- sess—the glorious hairstyles, their respect for power ballads, the endearing amount of confidence they had in the acting abilities of Steve Guttenberg— their depiction of women is not generally cited as being among their strengths. Eighties movies, the theory has long gone, were absolutely awful when it came to women, and no one argued this more vociferously at the time than feminist critics. “The backlash [against feminism] shaped much of Hollywood’s por- trayal of women in the eighties,” Susan Faludi writes in the 1990s Backlash, in her famous chapter looking specifically at mainstream eighties movies and how they expressed the social backlash against second-wave feminism. “Holly- wood restated and reinforced the backlash thesis: women were unhappy be- cause they were too free; their liberation had denied them marriage and moth- erhood . . . [whereas] in the 1970s, the film industry would have a brief infat- uation with the feminist cause.” Faludi is right about one thing: between the seventies and the eighties movies did change their attitude toward feminism.

In the seventies there was a slew of overtly feminist films about independent women, such as Private Benjamin, My Brilliant Career, Norma Rae, and Alice Doesn’t Live Here Anymore. Marriage was shown to be a prison for women in films such as, most fa- mously, The Stepford Wives. Of course, not all movies were so charmed with feminism: in 1979’s bafflingly much-lauded Kramer vs. Kramer, feminism is portrayed as something kooky and selfish. It is explicitly blamed for the break- down of Ted (Dustin Hoffman) and Joanna’s (Meryl Streep) marriageI and, the movie insinuates, will probably result in the couple’s doe-eyed son spending the rest of his life hating women BECAUSE FEMINISM RUINS EVERYTHING. But it is fair to say that movies weren’t as explicitly interested in feminism in the eighties as they were in the seventies—with the noted and glorious excep- tion of 1980’s 9 to 5. In this still very funny film, Dolly Parton, Jane Fonda, and the glorious Lily Tomlin fight their sexist pig of a boss (Dabney Coleman) for equal pay, flexible working hours, and an in-office nursery. (Come back, Dolly, Jane, and Lily! We working women of the twenty-first century still need you!) The popular argument that the eighties were terrible for women in movies is primarily based on one ridiculously OTT and all-dominating piece of evidence: Fatal Attraction. Directed by British former adman Adrian Lyne, Fatal Attraction was so clearly designed to needle liberal women that it might well have been written by Fox News. The film’s message is that women who work and aren’t married by the decrepit age of thirty-six are pathetic, crazed with baby hunger, and deserve to be shot by good and humble housewives (I am not exagger- ating—this is literally the message of the movie). Along with S&M romcom 91/2 Weeks, which was also directed by Lyne, Fatal Attraction tends to skew all discussions about women in eighties movies, and that’s a shame. Sure, Lyne and his fantasies about how all women are masochistic bunny boilers are pretty attention-grabbing, but to let them grab all the attention is essentially doing Lyne’s work for him.II Because, contrary to what Lyne seemed to think, there is a lot more to eighties women than stalkers and masochists. There were so many interesting female film characters in the eighties, and so many great movies about women. Not all of them were explicitly feminist, but the fact that these films were made at all, with largely female casts, featuring fe- male stories, feels so feminist compared with today’s movies they make An- drea Dworkin look a bit watered down. So much so, in fact, that feminist critics—ones who grew up reading Faludi—now look back to the eighties as the last high point for women in movies: “The status of women in movies has gotten worse since the 1980s,” wrote journalist Amanda Hess, in a 2014 dis- cussion of Backlash and eighties films. “Just look at 1983, for example. I don’t know what was going on but you had Yentl, Terms of Endearment, and Silkwood—all big films for women. Then there were movies like Frances, Places in the Heart, Gorillas in the Mist. . . . But now, well, we know what’s happened now,” says film writer Melissa Silverstein. This is all true, and it is dismayingly impossible to imagine these films being made now. But let’s not underestimate perhaps an even more main- stream depiction of women in eighties movies, and one that is equally difficult to envisage existing today: the classic women’s movies. Most people know about the Bechdel Test, which was coined by the car- toonist Alison Bechdel to ascertain how well represented women are in a film by posing the following rubric: 1. It has to have at least two women in it . . . 2. Who talk to each other . . . 3. About something besides a man. Well, I’d like to coin the Magnolia Test, named for a movie that is partic- ularly close to my heart, which judges whether or not a movie is a proper wom- en’s movie: 1. The cast is largely, maybe even solely female . . . 2. The female characters talk to each other about a million things other than men and genuinely like each other . . . 3. And the relationship between the women is far more important than any they have with a man . . . 4. Bonus points if any of the following are in the film: Shirley MacLaine, Dolly Parton, Bette Midler, Olympia Dukakis. Triple for Sally Field. In an ideal world, these films would just be known as “movies,” as opposed to “women’s movies.” But as the ongoing success of Michael Bay proves, we do not live in an ideal world. And so, for too long, when it comes to leading roles in movies, women have been seen as the exception rather than the norm. Movies that focus on women’s stories are—now more than ever—dismissed as “niche,” even though women make up more than half the human race and (arguably more to the point) cinema audiences. So the gendering is, gratingly, necessary, just as, apparently, Michael Bay is to Hollywood’s current financial success. Some people snark about women’s movies and dismiss them as “domes- tic,” as though that were a negative thing. Home is a place most of us know and to write off “domestic” as an embarrassment is to dismiss the lives that millions and millions of women lead as worthless. I’ve also heard complaints that whereas men get action movies and westerns, women “only” get domestic dramas and big ol’ weepies. Well, if I want to see movies set in jungles or outer space, I will, and thanks to eighties movies I can see those movies starring kick-ass women in the form of, respectively, Romancing the Stone and Aliens. What I love about classic women’s movies is that they tell women that their daily lives are interesting. Westerns and action movies and other genres con- sidered to be the area of menfolk do not, because they do not depict lives led by most men, although heaven knows there are plenty of other movies out there that depict nothing but the daily lives of men. Women’s movies show women living normal daily lives—raising their children, dealing with breast cancer, laughing with their friends, contending with unfaithful husbands, fight- ing sexist bosses: in other words, things that women around the world deal with every day. These movies also respect the value of women’s emotional lives and show women talking to each other about things other than men. Men see this about themselves in pretty much any other movie. Women? Not so much. In wom- en’s movies, women exist in their own right, not as appendages, not as lonely spinsters, or idealized quarries, or someone’s wife or someone’s mother, but as funny, sad, angry, kind, supportive, independent human beings—and how many movies can claim that? So yeah, sure, men have their westerns and their stoicism and tumbleweed. But women get to bond over cheesecake with Dolly Parton. If men make sneering comments about women’s films, it’s because they’re jealous, and I really can’t blame them. 9 to 5 amply passes the Magnolia Test, as do those ne plus ultra eighties women’s movies, Terms of Endearment and Beaches, two of the most classic women’s weepies of all time. These movies starred women, were made for women, told distinctly women’s stories involving breast cancer, straying hus- bands, and motherhood, and the few men on-screen are repeatedly shown to be a disappointment, whereas the women are there for one another until death. Beaches comes with the obvious added bonus of being the last film to provide truly great hairbrush-microphone-in-front-of-the-mirror singing, thanks to Bette Midler’s irresistible soundtrack, a quality frustratingly lacking from movies today, and it serves as some distraction from Barbara Hershey’s lips seemingly inflating and deflating during the film. Terms of Endearment is probably not a film you’ve seen recently, but you should—it is as delightful as you’d expect a movie to be featuring Shirley MacLaine as a crotchety busybody and Jack Nicholson as her astronaut (!) lover. But the real heart of the film is the rela- tionship between MacLaine and her charmingly daffy daughter (Debra Winger), who, while married to one useless man (Jeff Daniels) and being wooed by an- other (John Lithgow), develops breast cancer. These two films are both sad but, like the best weepies, they are also very funny, and this brings me to a quick defense of women’s weepies. American feminist film critic Mollie Haskell, writing a decade before the eighties, was very dismissive of women’s movies and, in particular, women’s weepies in her classic text From Reverence to Rape: The Treatment of Women in the Movies:III “The woman’s film,” she writes, “fills a masturbatory need, it is soft-core emotional porn for the frustrated housewife. The weepies are found- ed on a mock-Aristotelian and politically conservative aesthetic whereby women spectators are moved, not by pity and fear but by self-pity and tears to accept, rather than reject, their lot. That there should be a need and an audi- ence for such an opiate suggests an unholy amount of real misery.”

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comic-movieheroesranked · 7 years

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Cinematic Comic Characters Ranked! (Year 2005) Final Part

Another year, another ranking of our favorite comic book characters to grace the movie screen! This year we have the debut of several movies including: Aeon Flux, Batman Begins, Constantine, Fantastic Four, and Sin City; a spin-off movie centered on Elektra; and the final installment to an outer space trilogy, Star Wars: Episode Three-Revenge of the Sith! Here’s TOP 25!

*SPOILERS FOR ALL THE MOVIES HIGHLIGHTED ABOVE*

25. Dr. Jonathan Crane/Scarecrow (Batman Begins)

"There's nothing to fear but fear itself!"

The second-class criminal that becomes a threat to Batman in a new way. Even though Bruce trained his body physically to withstand anything, he had no preparation to deal with Scarecrow's fear toxin, an attack on the mind. It's Scarecrows toxin that threatens to destory all of Gotham via terrified citizens but it's clear he's not the one pulling the strings. When the toxin starts infecting people, Scarecrow goes on a terror spree until Rachel shuts him down with a taser to the face.

24. Satan (Constantine)

"Looks like someone doesn't have your back anymore."

Don't quite understand why Satan's feet are dipped in black paint all the time but this man is P-E-T-T-Y. John brings him in to save the day (it took me a minute to wrap that around my head too) and that's kinda what he does. He stops his son from trying to overthrow him and take over Earth and he puts the smack down on Gabriel. He really wants John in hell though so before he goes to heaven he brings him back to life so he could sin again because the man is what? PETTY!

23. Hartigan (Sin City)

"An old man dies. A young woman lives. A fair trade."

Hartigan is what I wanted Marv to be. Doing what needs to be done and stopping the bad guy because it's the right thing to do, not because he got great sex. He dedicated to stopping the pervs that keep going after Nancy and asks for nothing in return, he even turns down sex, which proves he isn't a perv either! I don't really think he had to go kill himself but he looked like he wasn't going to last long anyway so at least he went out nobly.

22. Abby Miller (Elektra)

"I don't respond well to authority and I don't take bullshit."

Abby is that annoying little sister you never had. As soon as she meets Elektra she wants to be just like her. She wants to learn how to kill, she wants to use sais, and she also wears her hair the same way. Turns out she's the "Treasure" which is a big deal for both sides. She knows how to fight with a fancy chain and her witty banter with Elektra is adorable so I definitely was happy when she was saved.

21. Rachel Dawes (Batman Begins)

"But it's not who you are underneath, it's what you do that defines you."

I like Rachel and she is a huge reason as to why Batman exists. She knows Gotham is falling apart and she decides to help save it in her own way: the courtroom. She becomes a great lawyer in the DA and won't back down when criminals try to scare her. She also lets Bruce know the huge difference between vengeance and justice and shows Bruce that fighting for the greater good is better than just fighting for yourself. I think this is also why she finds out his identity by the end of the film while most romantic interests like Mary Jane haven't found out their heroes identities until the sequels.

20. Reed Richards/Mr. Fantastic (Fantastic Four)

"I found a broken gasket from space."

Mr. Fantastic is the most boring out of the Fantastic Four, in my opinion. His flexible powers are really handy and make him near indestructible as long as you don't freeze him, but that's kinda it? He's mainly valued for his brains and it's the only thing he relied on when the team went up against Dr. Doom. Seriously, all he did was bark orders while Sue, Johnny, and Ben did all the heavy lifting.

19. Mace Windu (Star Wars: Episode III-Revenge of the Sith)

"May the Force be with us all."

Mace Windu is a boss. He knows how to shut shit down and if Anakin hadn't been a total back stabber (or hand slicer, really), none of the problems they're facing would've been a thing. Instead, Mace gets betrayed and killed by twp people he considered allies.

18. Gabriel (Constantine)

"You're fucked."

I kinda see Grabriel's frustrations in the film. Why should rapists go to heaven just because they repent? Like where's the justice in that? Do I think all humans need to prove their goodness by having Satan's son bring Armageddon to Earth? Absolutely not. Gabriel definitely goes a little insane and because he tries to help Satan Jr., God takes away his wings and makes him human.

17. Sithandra (Aeon Flux)

"You taught me a lot more than that."

Sithandra is a rebel and Aeon's best friend. She had a cool surgery done that replaced her feet with two extra hands. Her loyalty to Aeon is tested when it seems Aeon betrayed the rebels but their friendship prevails as she leads a team of rebels to protect Aeon and Trevor from Oren. Too bad she runs out of bullets just as Oren sends a missile her way, killing her in front of Aeon.

16. Chas Kramer (Constantine)

"You were right, John. It's not like in the books."

I was so angry when Chas died! Like here we have this young kid that just wants to help and actually does help in a huge way. At first all he does is drive John around in a taxi and fails miserably to get into Midnite's club, but turns out he really did his reading. When John couldn't muster up the chant to stop Satan Jr.'s birth, Chas came in and saved the day. And then he died, very brutally.

15. Anakin Skywalker/Darth Vader (Star Wars: Episode III-Revenge of the Sith)

"You underestimate my power!"

Anakin is the type of person who will literally do every shitty thing possible and then still try to make himself the victim. Like how can you justify calling the Jedi evil when you're out here killing children? He even admits he wants all the power in the world to Padme but still tries to act like the Jedi are selfish when Obi-Wan confronts him. Wack! I'm glad he burned to a crisp and I straight up GIGGLED when he got his legs sliced off (Obi-Wan literally told him not to and he does it anyway). He SOMEHOW survives and is transformed into the dangerous Darth Vader that fans of the series have come to know him by.

14. Gail (Sin City)

"Always and never."

I knew I was going to like Gail as soon as she listed tying people up in chairs as one of her specialties. She seems to be the leader of the prostitutes that run Old Town and isn't afraid to get her hands dirty. I think she actually prefers it, which is why I think its accurate that Dwight dubbed her as "Valkyrie." Only thing off about her, for me, was her relationship with Dwight. I mean it seemed obvious she was into him from the get go but I kinda hoped they didn't end up together.

13. Sue Storm/Invisible Woman (Fantastic Four)

"I can't believe I'm doing this again!"

Sue is still in love with Richard but since he isn't willing to courageously take their relationship to where it needed to go, she ended it and tried to move on with the douchebag known as Victor. After the space storm she learns she can not only turn invisible, but she can also create force fields. She spends most her time figuring out where she stands with Richard in their new lives as superheroes but when it comes down to the fighting she's quick and ready to get her hands dirty. Was the proposal a bit rushed at the end? Maybe, but it's clear her and Richard were meant for each other so positive vibes to them.

12. Alfred (Batman Begins)

"What is the point of all those push-ups if you can't even lift a bloody log?"

Alfred is way more than just Bruce Wayne's butler. After his parents are killed he basically takes responsibility over him and raises him. Now that Bruce is a grown adult and bringing the Batman to life, Alfred starts going on his own secret reason. While Ra's Al Ghul is teaching Bruce how to become a legend, something that will never die, Alfred is doing whatever he can to make sure Bruce doesn't lose his humanity. He keeps wanting him to enjoy life and embrace who he is when he isn't wearing the cowl.

11. Aeon Flux (Aeon Flux)

"We're meant to die, that's what makes anything about us matter."

Aeon is the best assassin working with the rebels. After the government kills her sister she's the one they send to take down their leader, Trevor Goodchild. Turns out he's actually good and used to be married to Aeon before the whole world fell apart. She has some really neat gadgets like tiny marbles that explode, shiny egg looking things that disrupt all technology, and she can make her eye pupil grow so she can see if someone spiked her drink. Plus she can do a bunch of flips and knows how to use a gun. It turns out she was meant to destroy everything about the society she lived in and lead it's people to the world outside, one they thought was a wasteland but turned out to be rich with nature and plant life.

10. Obi-Wan Kenobi (Star Wars: Epidsode III-Revenge of the Sith)

"You were the chosen one!"

Obi-Wan Kenobi wasn't as condescending as he was in the last film so that was nice. In fact I think he was very much on his way to seeing Anakin as his true equal until Anakin decided to turn to the Dark Side. His infamous speech to Anakin after he's forced to take him down is pretty sad, he really cared about the other dude and it sucks to see someone you care about ruin themselves like Anakin did.

9. Dwight (Sin City)

"I'm Shellie's new boyfriend and I'm out of my mind."

So he starts off his chapter in a relationship with Shellie, fighting for her honor and then ends his chapter in a relationship with Gail, shooting down all his enemies. Besides him being a bit of a player, he was actually my favorite hero in all the stories. He's not ridiculously unbeatable like Marv and has more of a personalty than Hartigan. He actually admits to needing help from Gail and Miho to stop his enemies. He's obviously pretty smart because he's able to come up with plans left and right once things keep getting shittier which is also nice because I feel like everyone else just goes about things guns ablazing. He does to, but I like that he has back up plans.

8. Elektra (Elektra)

"I died once."

Back from the dead, Elektra has turned into a deadly assassin with no emotion or attachments to anyone. To save her from this dark path, Stick has her tricked into protecting Abby from the Hand, a bunch of evil assassins. She takes care of them no problem, like it seems like she's afraid but when she faces them she pretty much kills them all with no problems. Despite the movie being kinda lame it was so good to finally see Elektra in her red outfit kicking ass with her pair of sai. Like most characters in the Daredevil universe, her tv counterpart ends up being a better version, but unlike the others I would go on record to say that movie Elektra wasn't bad, she was just decent.

7. Yoda (Star Wars: Episode III-Revenge of the Sith)

"At an end your rule is, and not short enough was it."

Yoda is my favorite and only because he really knows how to throw down when he needs to. Like some people try to talk the bad guy into seeing the error of his ways. Nope, not Yoda. He literally always just shows up and is like "So, we're fighting." Except, he mixes up his speech while he does it. His fight against the Emperor was epic and he totally won until the other got to his safety net of soldiers. Still, Yoda accepted failure with grace and decided to leave into exile.

6. Johnny Storm/Human Torch (Fantastic Four)

"Flame on!"

I feel like Johnny represents a lot of us in a situation where we discover we have powers and basically lose our minds because we've decided we're going to be superheroes. Like he changes their outfits, gives them their superhero names and basically creates the brand that is Fantastic Four because he's so excited to be a superhero. His fire/flying abilities definitely help feed the flame that is his confidence as he skyrockets to celebrity status via extreme sports and indulges in the pleasures of his female fans. Still, when it's time to actually be hero, he's there and ready to take on Doom, using his Super Nova heat to melt the metal man away.

5. Ducard/Ra's Al Ghul (Batman Begins)

"If someone stands in the way of true justice, you simply walk up behind them and stab them in the heart."

Ra's Al Ghul is the leader of the League of Shadows, a clan that serves their own justice against those who break the law. Wanting to take down Gotham, the international city of crime, he ends up training the city's prince, Bruce Wayne. Using the death of Wayne's parents as a tool, Al Ghul ends up basically creating the Batman. He's the one that really drills into Bruce's head that he won't fix anything as just a single man. Of course, his methods of justice are radical, to say the least, and it ends up putting him at odds with the new Dark Knight. This ends up being a classic battle of student vs teacher, with Wayne eventually outsmarting Al Ghul at the end.

4. John Constantine (Constantine)

"Gods a kid with an ant farm, lady. He's not planning anything."

My new aesthetic is John Constantine giving Satan the middle finger as he's ascending into heaven. I'm familiar of the character in the comics but I think I only know about the current magic-based one instead of the religious one they tried to portray in the movies. His goal is simple: get ins God's good graces so he doesn't get sent to hell. He doesn't accomplish this by defeating demons like he does throughout the whole movie, or by even stopping the birth of Satan's son, but by giving up his chance at life to spare one girl from a tortuous eternity in hell. He still doesn't end up in Heaven, but now he has a clean slate to live life right.

3. Ben Grimm/The Thing (Fantastic Four)

"It's clobberin' time!"

Ben definitely got the short end of the stick when it came to abilities. Sure he now has super strength but his new rock appearance has people, including his now EX-fiance, running away screaming. What's worse is that, unlike the others, Ben can't even turn it off or on, he's just stuck that way. So I totally get the depressed state he's in when he thinks Richard isn't trying to help him and appreciate so much that despite all that he's still loyal and quickly takes on the Thing again to help his friends go up against Doctor Doom and put a stop to him. In the end he does find happiness with Alicia and his witty banter with Johnny was one of the best parts of the film.

2. Miho (Sin City)

*Silently kills everyone*

Miho is the best damn thing about this entire movie. Each freaking story is about a man saving a helpless girl in some way, shape, or form and Miho just defies all that nonsense. She's a prostitute by day, assassin by night and she literally always gets shit done. She kills a car full of assholes all by herself and saves Dwight's ass several times during the chapter. She can handle several weapons including samurai swords, ninja stars, and a bow and arrow. I'm positive she could go toe to toe with every other character in this film and still come out on top, YES I'm even including Marv because his slow ass wouldn't even see her coming.

1. Bruce Wayne/Batman (Batman Begins)

"Bats frighten me. It's time my enemies shared my dread."

This is the first time we really get an in depth look at how Bruce Wayne becomes the Batman, Gotham's protector. The loss of his parents give him the anger, but its the teachings of Ra's Al Ghul as well as the advice from those close to him that give him the tools to truly serve justice in a city that knows no meaning of the word. It's a hard task getting the police on his side as he tries to rid the city of its most powerful criminals like Falcone and Scarecrow. There's even a personal struggle of keeping the bat separate from the man, as his romance with Rachel won't go any further unless he gives up the costume. Odds are he won't be giving it up soon after he investigates this new enemy that we all know very well. This film was a great birth to one of the most iconic super heroes in comics and one that finally gets DC rolling on it's feet.

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