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#jjk satosugu analysis
lxmelle · 28 days
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JJK0: Gojo’s secret words and Chapter 236: A Satirical translation Geto’s “……”
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Gojo: "I love everyone, so I'm not lonely anymore..."
Geto: ........... (Another love confession? Srsly - translations in edit were my own, lol)
Give him a break Gege 😂 how many times does he have to witness people telling him that they love someone else?
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Yuta: From here onwards, let’s really be together forever. I love you Rika. (愛してる used; a more traditional “embarrassing” way to profess a romantic love).
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Rika: “daidaidaidaidaidaidai daisuki da yo!!” (Uh, it’s like “so so so so so so so- I love you SO much!!!")
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Riko: Kuroi, I love you! From now, and until forever!
Kuroi: me too...!! I love you...
No wonder love is like a curse - people seem to die if they get confessed to.
People loved Geto and I think it's not a stretch to imagine that when love was directed to him, it might not have been voiced out. Geto witnessed confessions made to other people. If they loved him, he probably never got told because this isn't really a part of the Japanese culture.
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The twins: love, love, love.
It is interesting to note that they don’t actually say they love him. Just 「大好き」 which literally translates to “big liking/affection”. It is implied through.
But the panels above and below refers to Gojo (above, Geto: “my best friend” in the past tense, “there was a fight and that was that.” And below, MimiNana: “we couldn’t forgive the Gojo Satoru who killed our Geto-sama, but we were willing to let it be...” it is cut off in my screenshot, but it goes onto say because Gojo was Geto’s one and only best friend).
One could also stretch the interpretation and say that because they recognised the love Geto has for Gojo, they were be willing to let it be. Just like Yuta recognised the love Gojo has for Geto and sought to slay Kenjaku so he didn’t have to do it again.
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Larue and Miguel again noting in their exchange that they all loved Geto, and they cared for each other like family. There was another time where they referred to being familial, but loving wasn’t mentioned, so I left it out on purpose. But it was implied. Geto had a set of scrolls hanging behind him at the temple that said, “Death to the foolish, Punishment for the weak, Love for the strong.” I guess he felt all those things were true. But when it was his end, he only wanted Gojo Satoru there. I’m glad he got to choose who killed him I guess. And his family escaped.
So with Gege’s love for foreshadowing, maybe all of those scenes of confession-witnessing and love implications parallel with this moment:
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Ha.
It really would make so much more sense if Gojo’s last words were, in fact, 「大好きだよ、僕の親友」 (“I love you, my best friend.” - in fact, it makes more sense than simply, “you’re my one and only best friend.” It is pure headcanon though (´∀`)
As I mentioned earlier: The phrase 「大好き」 and usage of it doesn’t necessarily mean romantic love, but rather “to like a lot”. I’ll hold my hand up and say I’m not native speaker though, so please accept my apologies if I’m wrong and please correct me if I am! My understanding is that the context matters a lot. The English VA said it was three words in the English language - “my best friend” sounds weird conversationally. “You did well” seems oddly placed and may not illicit a blushing smile. “I love you” seems more apt. Personally, anyway.
I don’t think the same word-limit is imposed in the Japanese version. So again, I think it’s a phrase like “I love you my best friend”. Because it was also apparently embarrassing and said before within jjk0 (could be anyone’s words) but never between them.
So the criteria is met as Gojo is likely to use Rika’s version of “I love you” (daisuki da yo) over Yuta’s “I love you” (aishiteru). Not likely said between them in their friendship.
Also, because he has used it in chapter 236 to refer to the students - so! It is not a stretch for him to say that to Geto. It also explains why Geto goes, “…..” as the phrase of affection may have been familiar to him. He may be thinking about how Gojo has grown and reflected on how distant they felt - when the line was drawn. He notices that Gojo recognised the shift in him. Or, it could be that he “overthinked” that he was replaced.
And then the clincher is, ofc, where as soon as Geto thinks he can conclude that Gojo has been fulfilled by his students cuz he said he is no longer lonely and he had an all-out brawl with another man that he (Geto) never managed to give the Strongest, he is told: his presence would have likely made Gojo satisfied. Bahahaha!! Yes, you shed those tears... you’re loved, you dumbo. (I say that lovingly.)
Gojo Satoru as the Strongest may have needed something you can’t give, but Gojo Satoru as himself was only satisfied with you. Can you be honest now?!? Gojo, is it really enough for him to be by your side and waiting for you at the airport, huh??? Or was it enough for you to see the millennia-old Kenjaku be shocked silly by Geto’s body proving his undying love for you by moving when you called out his first name?? lol. These boys make me feel like a giddy schoolgirl at times; yeah, if only this story wasn’t so dark.
Anyway, it’s an overdone analysis, I know. The common consensus is that Gojo tells Geto he is his best friend. But to me, it makes the most sense for his last, most sincere words to Geto, to be a confession of his feelings for him. It aligns well with Gojo saying he needed him to feel fulfilled in chapter 236 and his tearful / heartfelt chuckle. It aligns well with the love is a curse theme, and love following Geto everywhere, and him witnessing people professing their love too. He just never really knew that he was loved, or if he did, the one that mattered the most was Gojo and if he had known, it may have helped him receive love (be happier) in this world.
I mentioned earlier that love was seen to be a curse by Gojo. And through what Geto knows about cursing and what he has witnessed through the deaths and burdens carried by those who have loved and lost... could this be a reason for why Geto doesn't say it back to Gojo?
We will never know. Nanami chose his words to Yuji as well. So saying something like, 'I deserve to be cussed out at the end' is vague and as much as an apology.
I've said in a previous post too, that I personally feel his heartfelt smile was like a thanks and a nod to how he could smile sincerely - recognising the same bond they shared over their blue spring.
Like the hidden words kept between them, I hope his way of communicating was something also understood just between them.
That’s it from me on this topic - thanks for reading if you did.
Sorry if some of it is repetitive.
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sasukesun · 9 months
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the directing choice of putting the soft music playing the moment kenjaku says “yo, satoru” and make it stop the moment gojou realises it was a trap, the moment he falls back into reality and asks who is he, as if in the meantime he was dumbstruck by the possibility of having suguru back while also being flooded with the memories of his first and last blue spring of youth and the warmth that those memories bring him, to make him subtly smile when his six eyes tell him that it’s suguru, and then to play the same song but in a sinister way when kenjaku reveals himself and gojou realises his best friend’s body was violated like that, the sickening feeling. you could say the music expresses how gojou was feeling inside. and would also like to highlight the excellent job getou’s va did here, he speaks in a much somber way than real getou. great choices mappa.
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justrustandstardust · 4 months
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in the season two op, we see gojo with an umbrella, rushing over to meet geto. despite the fact that he literally doesn't need one, gojo very clearly brings the umbrella for geto; this is made obvious because this scene is intercut with shots of geto impatiently waiting in the rain and holding a bag over his head.
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in the season one op, he's once again walking through the rain, but this time he doesn't have an umbrella.
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the absence of an umbrella in the rain is stark in comparison to the season 2 op, where the umbrella is the focal point of gojo's stroll through the rain. in season 1, literally everyone else in the opening has an umbrella, making the absence of gojo's even more noticeable.
in both openings, he's walking in the rain. but only in one of them does he have an umbrella, despite the fact that he doesn't need it in either of them.
if you notice something is missing from a room, it's still there, isn't it?
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The way that Gojo cares so much about protecting his students’ right to be young and have fun…
In JJK0, with Yuta
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In JJK S1, with Yuji
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Because Gojo's own youth (especially his early years at Jujutsu high) was so precious to him. Probably the happiest times of his life.
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rk-tmblr · 13 days
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And I said “take my body, use it as you need”, because the only one I wanted to be buried with didn't have a grave, so why should I?
-Gojo Satoru/Geto Suguru
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redrocketpanda · 11 months
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Something that has been driving me insane about the credits are these sections with the fish so please bear with me whilst I do a mini deep dive (hehe) into fish discourse because YO, we need to talk about these fish!
Notice how at the beginning of the credits we actually have two white fish swimming along beside one another; one with bright turquoise eyes and the other with black.
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A little while later the fish begin to circle each other and a droplet falls into the water between them. As the disturbance ripples out from the center, one of the fish dives deeper into the water and changes its colour to black; symbolizing Geto's change and descent into darkness
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Then we have this heartbreakingly beautiful moment with Gojo and Geto:
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I cannot stop thinking about how long Gojo watches the black fish for as it swims across the screen, whereas Geto's eyes are lowered the moment the white fish appears and he closes them as it swims past.
Gojo cannot bear to tear his eyes away, whilst Geto cannot bear to look
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Throughout the credits, Gojo and Geto have been making their way towards each other through the pouring rain (or mostly sitting and waiting in Geto's case). At the end, they meet each other under a bridge and as they walk away together we see the fish a final time, swimming together again in a puddle formed by the heavy rain.
Geto walks on the left in the light, as the white fish swims close to his head, almost invisible in the brightness of the light. Whilst Gojo walks on the right in the shadow with the black fish swimming further away but still close by.
The fish speed after the two men before disappearing completely under the water just before the camera pans up and we watch as Gojo pulls Geto in for a hug as they walk away, before he's playfully shoved away by Geto.
There's a lot going on the credits (+ opening) that is absolutely killing me but man, these fish?! Breathtaking.
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bliss-in-the-void · 7 months
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The way Suguru looks at Satoru has me by the neck already, but the way Satoru looks at Suguru?? Oh my god.
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That’s his entire world right there. I don’t know how to explain it but these frames just scream “all Satoru sees is Suguru.” Like. He adores Suguru.
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Don’t get me started on the look in his eyes when Suguru expresses his concern over his overuse of his technique. The vulnerability? The way he looks surprised, the way it looks as though he feels seen for the first time ever? There is something so tender about this. I can’t even describe it but it’s just there.
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“I’m fine.”
Satoru knew damn well he wasn’t okay. No one sneaks up on him. I know he had to have been freaking out on the inside. How did he sneak in? How did I not sense him? No one gets behind me, no one is stronger than me, what’s going to happen?
But he held it together for Suguru. I feel like it’s instinct for him to automatically reassure Suguru, regardless of if it’s true or not. He schooled that expression on his face and looked so gently at Suguru…man.
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You can just see how absolutely devastated this man is in the moment he has to kill the man he loves.
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The split second he defied all logic and believed that, even though he’d killed Suguru with his own hands, Suguru had somehow survived? The elation on his face to see him one last time?
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“It might be goodnight for me, but it’s about time for you to wake up.” This is the smile he had on his face before calling out to Suguru, attempting to reach into the land of the dead for him. It’s like in this frame instead of the monster inhabiting Suguru, he just saw Suguru.
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The last thing he sees before he gets sealed is Suguru’s face, smiling. I can’t imagine the anguish he must have felt here. It’s almost as if he’s clinging to it, trying to pretend that it really is Suguru. Trying to convince himself what he knows isn’t true.
Conclusion: there is no one that loves anyone as much as Satoru loves Suguru.
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anulithots · 3 months
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Him
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But... apparently Gojo's stronger alone. Without Geto.
And... just look at how he fought before Riko's death:
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Versus after Riko's death:
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He really did blame himself for Riko's death.
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(Imagine if we saw the scene where he found her body?!)
And decided to not spend so much time deliberating (like he did in the Toji fight) and instead he'll use full force on his opponents with near reckless abandon.
And the thing that hurts me the most is that technically if Gojo's alone, then he's the strongest.
But he was so much happier with Geto.
love is the most twisted curse of all
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exstasyplague · 9 months
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geto shedding a tear after gojo tells him he wished he'd be there to cheer on him will never cease to break me.
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after he got released from the prison realm, he instantly teleported where geto's body was.
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just realising that back then, his gaze was so cold because he sought suguru in the crowd is..... GEGE WHEN I CATCH YOU GEGE
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lucielmars · 22 days
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I can't hate Suguru Geto because to me everything he did was a way to kill himself.
Like the way he didn't even try to manipulate anyone and proclaimed himself the enemy ? The way he never tried to fight Satoru even though he would obviously stop him ?
Also he wants to put an end to curses, like he's not the one who has plenty inside him.
To me one way or another his parents called him crazy because of the whole seeing curses thing, and now he can't ask for help because that would just prove them right. So he just hopes Satoru will kill him instead.
Also his whole forced to swallow curses thing is an analogy for pills. So he's just repeating his trauma. Bye.
And like yes he's still wrong, but he's also 16 and burnt out like crazy. So wtw.
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sscarletvenus · 12 days
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yes suguru's plans to exterminate a vast majority of humanity is undeniably evil, but to say that he is murderous from the very start, cruel for the sake of being so, or lacks compassion or any emotional nuance is a gross disservice to his character's writing.
suguru is a case study of a romantic idealist and self-sacrificial saviour whose absurdly rigid, quixotic ideals are shattered brutally by reality intervening. the intense hatred he has for humanity is born out of, is an inverse of, the intense love he once possessesed for it. this is also why even though satoru is portrayed as brash and selfish and arrogant in the hidden inventory arc, it is suguru that turns "villainous."
suguru places his faith in the goodness of humanity, believes the duty of shamans is to protect the weak, their existence solely hinged upon saving the lives of non-sorcerers, and for that he is disappointed so tremendously, betrayed to an extent that makes it impossible for him to recover his ideals and past self.
ultimately there are also more than one reasons why satoru doesn't become "evil" : 1) "protecting humanity" was never his cause to begin with. he hardly cared about preserving human life, as is evident in his intentions to kill the cultists who cheered on riko's death, and 2) he had someone shielding his inner self : suguru. for it is suguru that tells him the duty of shamans is to protect non-shamans and the weak, suguru who asks him to sympathise with riko, suguru who persuades him to not kill meaninglessly.
satoru is indeed attached to riko, as well. he is the one who decides not to hand riko over to tengen if she wishes to return home, and tries to enliven her last days as a lucid person. it would thus not surpass one’s expectations if satoru turned to villainy post riko's demise, since he never even liked non-shamans to begin with. and yet, he doesn't. suguru protects his heart, which is a part of why he is able to steadily process his grief and anguish over riko's death.
suguru doesn't have anyone to do that for him, he is strong in his own right but not the "strongest", nobody notices how deep of an abyss his soul has sunken in, and he succumbs to the lethal loneliness, falters in this marathon of sorcery.
suguru is brimming with love and compassion: it is what drives his heroism in youth and villainy as a cult leader. he is able to protect gojo's heart but not his own. he fluctuates between two polar extremes : utter distaste of humanity Vs. a duty to protect it despite its horrors. three things serve as final nails to the metaphorical coffin : yuki's words, haibara's death, miminana's abuse. he describes imbibing curses for curse manipulation is "like eating a rag used to clean vomit". how macabre, how grotesque, how enlightening - who is he doing all this for? the humans who killed riko? it was these humans haibara died serving, these same humans violently mistreated miminana.
toji and sonoda encapsulate evil very blatantly, and aren't enough to shake suguru's belief in humanity. but the turning point is the non-shaman cultists rejoicing : suguru is thus forced to confront the banality of evil.
and suguru responds by rejecting what he once loved, embraces the darkness plaguing him. believes the only way to eradicate curses is to uproot their source : humanity. humans, for as long as they will live, will give rise to curses born out of their negative emotions. there is no one to tell him any better, or protect his self-identity. he loses himself to his own sense of empathy, his own ideals.
he isn't indifferent at all, cannot pick and choose whom he loves and doesn't. his love and hatred is collective, in both he gives his all. even amidst his hatred, he doesn't lose his love.
who does he choose to target first, once amassing enough money, power, and reputation? sonoda, the man who ordered riko's assassination. someone who lies in wait to enact vengeance does it out of love. if he was nothing more than a corrupt tyrant, he wouldn't remember the circumstances of riko's demise or care enough about them. suguru's rise as a hero and his subsequent fall as a villain has always been about love. and it seems, to me, up until his death, he prioritizes satoru over himself. doesn't see satoru as a weapon at all, or he would have directly asked satoru to join his cause. instead he poses to satoru a question, presents him with a choice - which in turn makes satoru shaken enough to question his identity, his place in the system, becoming a teacher and dedicating his all to a fitting reformist centrism from an isolated and dare i say, individualistic person such as himself, who stands on the pinnacle of power. but he wouldn't have come to such a conclusion without suguru's experiences shaping his worldview (he himself apologizes to riko during his fight with toji because rather than feeling depressed over her death, he feels the pure pleasure of the world in that moment. killing toji endows him with a sense of duty towards megumi, and riko's death but obviously impacts him, but the change from full apathy, to neutral indifference except in the case of his students, was losing suguru.)
as evil as suguru becomes, he is not a hypocrite. that he kills his own parents is to show the seriousness and conviction he has in his ideals. his code of operation is consistent, even when it turns from pro-human to pro-shaman.
reminds you of what mahito tells yuuji: does yuuji ever consider how many curses he kills? so why should mahito account for how many humans he kills? suguru geto presents us with a possible answer : someone has to care about how many shamans are killed.
you can condemn him for his use of collective punishment, but suguru is a villain!
you can criticize his killing of innocents, but jjk conveys the carefully crafted narrative of a villain who once held staunch traditional and moral ideals.
suguru is evil for proposing collective punishment, but it is incredibly consistent with how emotional he is. he is empathetic because he cares about a girl like riko, doomed by the actions of the rest of the world, forgotten in her misery. he cares and it drives him to the deepest pits of despair, where life loses all color and meaning, despite only knowing her for so long and haibara as well, he enshrines haibara in his memory, when no one other than nanami does. hardly anyone remembers riko's existence, haibara's laughing face, but he does! and for that he spends each moment sinking in the quagmire of his grief and torment. his empathy is a sword of damocles hanging over his neck! to say that he is cruel and unfeeling is to contradict the very agony that drives his (wrongful?) actions. and he is indeed wrong for externalizing this indelible pain, wanting to inflict it upon innocents. but suguru is a villain! has been set up as such!
mahito raises this question to junpei,"is the opposite of love really indifference?" to satoru, it is. but to suguru, it is hatred which is the opposite of love.
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lxmelle · 3 months
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Megumi and Yuji are a bit like Geto and Gojo ... If Gojo was more honest (or emotionally-intelligent?) he would’ve been a bit more determined to save Geto, even if he had given up on himself to pursue some crazy ideal at the expense of himself. Maybe even before. But - Geto had already killed his family (parents) and there was no turning back. He had burned all his bridges and barely left any room for Gojo to talk to him, walking away as soon as he felt slighted.
Geto convinced himself he was cast away. Gojo couldn’t find the words to convey what he truly felt. They both felt the weight of responsibility (loosely, to protect: with power / influence) to sit solely on their own shoulders, instead of being shared.
I’m not assigning any blame whatsoever or attributing the situation to either one of them. They likely had very emotionally-isolating upbringings, and the one secure connection they had (between them) was not able to be repaired when it ruptured. They did their absolute best in the years apart to compensate for whatever they lacked, for the sake of a higher good.
If Gojo self-reflected over the years (which he had in abundance) over any similarities with his students, I wonder if he’d be proud (and inspired) by their determination to fight for each other, even if their methods to fight alone mimic his own pursuit and style of strength that practically requires him to fight on his own.
What the students end up doing to protect and preserve each other to defeat Sukuna following his death - by fighting relay-style - may have been something an AU “Gojo-Geto-Nanami as teachers” may have developed so solo fighters can do their thing and tap out for another (or two or three) to join the fighting ring - but this is a “what if” scenario about the best outcome, but jjk isn’t like that, and hindsight is a wonderful thing.
But back to what I wanted to say: it seems like Gojo had changed and recognised what he wished was different.
Love being the most twisted of curses. Geto was his only weakness; maybe his biggest regret.
Following their reunion, Gojo was seen to be more honest than ever with Geto - almost like he was trying to make up for the distance, to close it back up, to reach out like he never did before. Saying embarrassing things he’d never have thought to say. Geto, too, softening in response to Gojo’s admission of trust, admitting he had been suffering all this while.
For Gojo, it was like a confession twice over. Maybe things he wished he had said that Geto should have known; whether or not it would have made a difference. You’re my best friend (I hope we meet again), if you were there I might’ve been satisfied (I need you).
And if you count in the first time they met again (with the pelican arriving at Jujutsu High), Gojo said, “Leaving? Not on my watch.” (Don’t leave.) — but I’m sure this was more out of protection for the kids, lol.
Let me dream a little 😂
How could they go back? What could have been different? At the KFC breakup,… It wasn’t as if Gojo wanted to insult Geto, but young Gojo didn’t know it wasn’t actually about STRENGTH, was it? It never was. Strength was the thing that tore them apart.
And instead of - you know, saying what he actually felt: Why? Don’t leave. You’re my best friend; my one and only (I love you). I need you with me. What can we do?
I wonder if Gojo kept all this in his heart … and when they got to meet again, these words just kept tumbling out. It’s so nice to see him being honest without a persona on.
I can only hope they keep talking and talking in the afterlife, or in a life happier than what they had following their separation.
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justrustandstardust · 3 months
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i saw an incredible post on tiktok and i wanted to expand on it, because it's genuinely amazing. all the credit to @noesbf on tt for the idea that inspired these thoughts.
geto's character is threaded through with motifs of consumption. he takes things in, whether they be curses or daughters, and is spurred by intense empathy that ends up going in the "wrong" direction once he takes the entire jujutsu world under his wing.
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when we're introduced to him in hidden inventory, our first glimpse is of him consuming a curse. he's also alone, in a dark alleyway, a symbolic image that parallels his journey throughout the story. he's a consumptive force, a facet of his being that ultimately leads to his undoing because he consumes the responsibility of "saving" the strong, who are burdened by the weak.
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gojo, on the other hand, repels. he's an outward force, extending out a physical barrier that creates distance between his body and the world. where geto invites, gojo rejects. their abilities are constructed as diametrically opposed to one another's.
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through the motif of gojo's abilities, this image captures their consume/repel dynamic in a singular shot. after riko's death, gojo leans into red, which repels. he focuses on growing stronger and in doing so, isolates himself from the world (and subsequently, geto). on the other hand, geto leans into blue, which aligns with the consumptive nature of his character. he harbours riko's death inside of himself and it festers, like a curse.
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black holes are all-consuming vacuums. they subsume everything around them and create an inescapable vortex— once you're pulled in, you're never getting out. it will literally eat you and in doing so, makes you an everlasting part of it.
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white holes, on the other hand, function in opposition to black ones along the same axis. where black holes pull, white holes push. nothing can enter them; they're doomed to a lonely eternity because of the force that holds the universe at a distance. nothing outside of it can affect what goes on within, yet it affects everything around it.
however, white holes can be subsumed by black holes. while nothing can enter them, if a white hole were to cross paths with a black hole, its consumptive force is so powerful that it would eat them too.
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after geto and gojo experience a rapture in their relationship, gojo withdraws from the world, holding everyone at a literal and figurative distance. yet, even while he's alone, he's endlessly drawn towards geto. his eyes are bound but his soul isn't— it's tied to the piece of him inside of someone else, and gojo visibly feels the pull.
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white/black holes also correspond to the colours associated with gojo and geto's characters (they align with their yin/yang dynamic, where yin (black) symbolizes darkness & the moon and yang (white) symbolizes light & the sun).
yin/yang are more than two halves; they form an indivisible whole. they become one another: light turns to dark, the moon replaces the sun in the sky, life transitions into death only to be born as life again.
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if two celestial bodies exert oppositional forces upon each other, they function in equilibrium. geto's consumption was growing alongside gojo's repelling, reaching an event horizon when he took the lives of 112 villagers and forcing the two of them out of equilibrium. he continued to consume (curses, money, vulnerable people through his cult) until he died and took gojo's soul with him.
consumption can only exist if there's a repellant force pushing back. geto and gojo are not opposites, instead, they each contain the other— every yin has yang within it and vice versa.
they are borne of each other, they are unknowable without the other. they are more than matching; together, they are complete.
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Let’s talk about how much Geto (canonically) loved Gojo. He saw Gojo in a way no one else did.
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The way that Geto answers this question is deceptively meaningful. Let me explain…
This is a flashback, but we can assume this interaction is roughly 10 years after Geto’s defection, based on Nanako and Mimiko’s (Geto’s adopted-ish daughters) apparent ages. Right around the time of JJK0.
For context, let’s remember that the last time Geto and Gojo spoke as friends (KFC breakup), Geto said this:
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Geto was being intentionally hurtful here. He knew that everyone (except him) sees Gojo, first and foremost, as “the strongest.” Gojo is barely even a real person to them; he’s just a savior or threat or deus ex machina.
Geto used that to twist a knife and ask: “Is there actually anything more to who you are than just being the strongest sorcerer?” He knew this would be devastating to Gojo. Gojo’s best and only friend is saying: “even I don’t know if there is anything else that’s important about you other than your strength.”
Let’s go back to Nanako's question.
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She sets this question up in an important way. Like every (non-Geto) person, she sees Gojo’s fundamental defining quality as “strong." So, naturally, her immediate sub-question to “who is he?” is “he’s super strong, right?”
She’s asked the question in a way that Geto could very easily answer it: “yes, that’s right. He’s the strongest sorcerer.”
BUT
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Geto gets contemplative. (“Hm…” - he’s thinking about how to answer because “Who is X?” is either a very basic question or a very philosophical question).
He ends up not even acknowledging the second part of the question about Gojo’s strength and instead tells her who Gojo is to him.
Because when they were best friends and even a decade later, he never actually thought of Gojo as just the strongest. Gojo was always something more to him.
“He was my best friend.”
As an adult, an ex-best friend from high school isn’t necessarily someone meaningful to you. Is Geto saying this actually significant? Yes.
This memory (“who is Satoru Gojo anyway?”) is what Nanako remembers as the context to this next thought:
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This is WILD.
This thought is during Nanako’s interaction with Sukuna where she is essentially blackmailing Sukuna into helping get Geto’s body back.
She loves Geto so much that she’d risk pissing off the most dangerous curse/demon/sorcerer just to get Geto’s body back. That’s how much she loves him.
But the man who actually killed Geto she will (never fully forgive but) “let things be” with. Because Gojo was Geto’s one and only best friend in a way that was deeply meaningful to him up until his death.
..
“Are you the strongest because you’re Satoru Gojo or are you Satoru Gojo because you’re the strongest?” is just what you say to someone you love when you need to hurt him enough that you can stay away from each other.
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sasukesun · 8 months
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watching this in the anime has hit me hard after gojou’s [redacted] because let’s talk about regret. at first i thought this moment could just be kenjaku’s villainous side being “ohhh i’m so evil and my plans are working well, i don’t remember what’s like to feel regret” and not to talk about directing choices again (i’m physically unable to stop), but the way the anime focuses on only one blue eye of prison realm (while the eye looks back at him) when kenjaku wonders about regrets has changed this moment for me. because maybe kenjaku himself doesn’t remember what’s like to feel it, but he is in another body now and has access to all of its memories, getou’s. is he thinking of getou’s regrets towards gojou?
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and it hits different too when you know about this moment
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or should i say… when you’re aware of gojou’s one and only regret?
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bliss-in-the-void · 8 months
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I—
This is why language barrier SUCKS. In the manga (and the Japanese dub), the way Satoru replies to Suguru’s concern for him on Okinawa beach is so nuanced, it gets lost in translation.
Chapter 70, Satoru’s english line is “you’re here too.”
The original Japanese version is “オマエもいる”. (Omae mo iru). On the surface, that also means “you’re here too.” But there is so much nuance with the chosen word for “you”, オマエ.
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Generally speaking pronouns are avoided altogether in Japanese, but especially the ones addressing someone as “you.” It can be seen as derogatory, rude, or weird, so a lot of people avoid it and use someone’s name or title instead.
Especially for “Omae”, generally it’s used to signify the speaker sees the other person as lower than themselves. When it doesn’t mean that, it can mean:
- addressing a very very close friend (usually between men only) and this implies a certain level of trust and understanding between the two for the point to come across as closeness and not disrespect
- addressing one’s beloved as a sign of protectiveness (this is a more recent and modern application of the word)
Satoru wouldn’t be addressing Suguru in a rude way. We all know how deeply he respects him, no matter what. What I think is very interesting is that Akutami chooses to write it out in Katakana (オマエ) instead of Hiragana (おまえ) or Kanji (お前). Generally speaking Katakana is only reserved for foreign words, which makes it stand out more. It could be stylistic. Or it could be to put emphasis on the word.
I think it’s meant to add depth to the bond between Suguru and Satoru. It’s as if to convey, these two characters share a special closeness that isn’t present between themselves and others outside of the bond.
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