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#jennifer hasty
selfieignite · 1 year
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Selfie (2014) - S01E08: Traumatic Party Stress Disorder
Larry: Happy office party, Henry. Is this great or what? Eliza got work bagels! 
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greensparty · 1 year
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Hasty Pudding Woman of the Year 2023 Wrap Up
I was very happy to see only a few days after they had their Man of the Year ceremony for Bob Odenkirk, Hasty Pudding Theatricals of Harvard University had their 2023 Woman of the Year (given to a significant contributor to the world of entertainment) is Jennifer Coolidge. I’ve been a fan since she appeared in “The Masseuse” episode of Seinfeld as Jerry’s masseuse girlfriend who doesn’t give him a massage. Comedy Gold! Since then she has popped up in tons of films and TV shows, including tons of Christopher Guest films (Best in Show, A Mighty Wind, For Your Consideration). For a very long time she was the actress known as Stifler’s Mom, the MILF from the American Pie movies, but now thanks to her excellent performance on HBO’s The White Lotus, everyone knows Jennifer Coolidge.
On one of the coldest days in recent memory, some brave fans gathered in Harvard Square Saturday afternoon to see Ms. Coolidge celebrated by Hasty Pudding Theatricals. I did not attend, but it looked like fun!
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Coolidge in the parade in Harvard Square, Cambridge, MA
That night at Farkas Hall, Coolidge was roasted by the Hasty Pudding Theatrical in front of an audience. In the introduction, they mentioned the Harvard connection for her. In addition to being born in Boston, raised in Norwell, MA, graduating from Emerson College, and appearing in the Legally Blonde movies that are set at Harvard, Ms. Coolidge’s father graduated from Harvard and her uncles went there and were actually members of Hasty Pudding Theatricals. So she came out, cracked some jokes about the mic issue, then they had some jokes about her peers Sandra Bullock and Reese Witherspoon and easy targets like her voice work in The Emoji Movie, but the roast kicked into gear with Coolidge ranking several Hasty Pudding members impressions of her. Then they had her play a dolphin, which she ran with. But the most moving and emotional moment of the night was when Ms. Coolidge accepted her pudding pot and got choked up and said what a big deal it was for her that her father went to Harvard and she wished he could see this.
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Ms. Coolidge receives her pudding pot from members of Hasty Pudding Theatricals
Then afterwards, there was a press conference in the press room. She talked a little about her time at Emerson College and how this award was beyond her wildest dreams. She talked about what a game-changer The White Lotus was for her to have Mike White write a role that had dramatic parts and how it changed everything for her. She talked a little about when she was a struggling actress and some of the negative feedback she got from casting directors and how she worked through it by performing them in shows with the Groundlings and how she turned something negative around.
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Coolidge feels the love at the press conference
After the press conference, she attended a preview of the Hasty Pudding Theatricals’ 174th production Cosmic Relief.For tickets to Cosmic Relief (Feb. 5 to March 5, 2023 at Farkas Hall) go to https://www.hastypudding.org/buy-tickets/ or email [email protected]
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tailschannel · 1 year
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Here's your first look at IDW Sonic the Hedgehog Issue 64
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The 64th issue, written by Ian Flynn and Evan Stanley, with illustrations by Stanley and Aaron Hammerstrom, is "all about Silver the Hedgehog."
Solicitation
First, he’s incredibly suspicious of the Diamond Cutters’ new member and he jumps to a conclusion that leads him to some hasty accusations. Awkwardness ensues. Then, Blaze comforts Silver as they bond over being away from home and in Sonic’s world.
Cover artwork
Cover A: Jack Lawrence and Reggie Graham
Cover B: Jennifer Hernandez
Retailer incentive cover: Nathalie Fourdraine
Issue 64 of IDW Sonic the Hedgehog was scheduled for a tentative release date of 23 August 2023.
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idwsonicnews · 1 year
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Solicitation for Sonic the Hedgehog #64
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This issue is all about Silver the Hedgehog! First, he’s incredibly suspicious of the Diamond Cutters' new member and he jumps to a conclusion that leads him to some hasty accusations. Awkwardness ensues. Then, Blaze comforts Silver as they bond over being away from home and in Sonic’s world.
Authors: Ian Flynn & Evan Stanley
Artists: Mauro Fonseca & Evan Stanley
Cover A: Jack Lawrence (with Reggie Graham)
Cover B: Jennifer Hernandez
1:10 Retailer Incentive Variant: Nathalie Fourdraine
Tentative Release Date: August 23rd 2023
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toga-003 · 30 days
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Since you said requests are open!
I would like to order the first year Tokyo jujutsu high trio (nobara, megumi, Yuji) with a reader who's exactly their type!!
Order coming right up! 🛎️
Characters: nobara kugisaki, Yuji Itadori, megumi fushiguro.
Warnings: none.
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Megumi:
megumi stated that he doesn't have a type but he loves someone who has an unshakable character.
Meeting you after you joined jujutsu high was.... pleasing to megumi, throughout missions he couldn't help but notice your unique personality and character, let alone your looks which he didn't care much about, he started to grow fond of you, hanging out more.... Which probably didn't go great with Yuji, nobara and gojo's teasing him about it.
Nobara:
Nobara loves joking around in civil situations and is a huge trash talker in combative ones and is seen as a very judging person, whether by personality or appearance, mostly looks.
So when it comes to nobara finding someone she liked, it was a huge surprise to even herself when she first met you. She loved the way you carried yourself, engaging in small talk with her And she mostly loved that it was always something that caught her interest (constantly trash talking about people and shopping are absolutely necessary in your relationship.)
Yuji:
Yuji's type is....very known. tall girls with big butts like Jennifer Lawrence.
So the first moment he saw you, oh lord that overly sweet hasty boy was smitten. Poor Yuji was embarrassingly stopping himself from gazing at you for too long, yet he managed to keep his composure on missions being himself didn't stop him from forwardly confessing (with todo's help of course)
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By: Eliza Mondegreen
Published: Nov 23, 2023
For years, the American Academy of Pediatrics (AAP) has attempted to suppress internal dissent on the issue of child gender transition by any means necessary, bending and breaking its own rules in the process.  
This summer, the Academy board voted to reaffirm its controversial 2018 policy statement endorsing puberty blockers, cross-sex hormones and surgeries for gender-distressed kids. It also promised to conduct a systematic review of the evidence — something the AAP had evidently not found necessary before endorsing gender-affirming care in the first place. At the time, I observed that this is how organisations start to walk back from a medical scandal: “Quietly, slowly — ideally so quietly and so slowly that no one notices they’ve retreated from shaky to solid ground at all.”
But it turns out I was too hasty. Rather than waiting for the systematic review of the evidence, the Academy has announced it will be issuing “practical guidance” on gender-affirming care for kids early next year. 
The new guidance is a rare bright spot for co-author Jason Rafferty, a paediatrician and child psychiatrist who has weathered a stormy autumn that saw him sued by two former patients. Rafferty was also featured in an unflattering piece in the Boston Globe, in which he described his approach to gender-affirming care as “affirming and validating the child’s sense of identity from day one through to the end”. Reporter Jennifer Block spells out what that means in practice: 
Rafferty told me patients who live with harms or regrets do not signal a failure of the affirmative care model. If a child or patient doesn’t like the effects of an intervention, or begins to feel different in their identity, then the provider continues to affirm by discontinuing treatment. ‘They’re not treatment failures if that’s what’s affirming,’ he said.   - JENNIFER BLOCK
In other words, the solution to gender-affirming care gone wrong is more affirmation, more hormones, more surgeries.
Critics and young people who’ve come to see being affirmed in their transgender identity as a form of medical harm beg to differ. Just last month, FAIR in Medicine smuggled dissent into the heart of the Academy’s annual conference, renting a booth in the exhibition hall to bring paediatricians face-to-face with detransitioners. While some paediatricians were eager to learn more, others were furious to be confronted with the underside of gender-affirming care, “refus[ing] to look at any materials, responding with ‘I already know all that, I already know.’ They were sure they knew what we had to say, sure they’d been fully informed, sure that anyone who wanted to talk was a bigot and a transphobe and nothing more.” 
Rafferty and the American Academy of Pediatrics have fallen into what Megan McCardle termed “the Oedipus trap”. This holds that “there are some mistakes no one can live with, no matter how innocently they were made […] If you have made such a mistake, it is obviously better not to know you have done so.” 
Confronted with evidence of medical harm, regret, and detransition, organisations such the American Academy of Pediatrics and clinicians such as Dr. Rafferty have two options: plug their ears, cover their eyes, and charge straight ahead — or look at the evidence and consider changing course. In other words: fall into the trap, or dare to climb out.
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the solution to gender-affirming care gone wrong is more affirmation, more hormones, more surgeries.
Anything that is unfalsifiable is, by definition, logically incoherent, and can be dismissed, as it's not just not-wrong, it's also not-right. This also designates it as a tenet of religious faith.
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henrypreppy · 1 year
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Barrington Estates: Prologue
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Barrington Estates is the gem of the tri-county area for gated living communities. It has everything a member of the upper echelons could want: large, beautiful houses; meticulously manicured landscapes; fantastic schools; and the exclusive Barrington Country Club to rub shoulders with the elite that all but govern the southeast from its private rooms and putting greens. Not many make it here without significant contributions to the HOA. Grant and Jennifer Dean, however, were one of the few exceptions.
The Dean family was one of the founding families of the club and community. They had the house on the hill that was envied by everyone. The late Donald Dean, grandfather of Grant Dean, made sure to keep it immaculate. It was a sort of slap in the face to Truman McMaster, the general manager of Barrington Country Club; the house on the hill—the one all the pictures and magazine spreads loved to showcase—was owned by the board member who opposed McMaster at every turn. Rumors abound regarding their feud. Some speculated it was a result of a business deal gone awry, others posited that they needed some form of drama to keep themselves entertained. Only Donald and Truman knew the truth of the matter, and now one half of that truth was buried with Donald.
Grant was not particularly familiar with Barrington Estates, his father, Don Junior, being the prodigal of the family. Junior let his father’s house at eighteen with a large sum to his name and spoke to his father only two years later when it was nearly gone and Grant was on the way. Junior refused to move back in to the estate, but was funneled money from Donald so that Grant may not have to bear the sins of his father. Junior, ever-bent on regaining what he had, drove his wife Therese away when he began selling drugs.
“I don’t care if Grant is at college!” Therese would scream again and again, “I don’t want to have that dangerous business near me or my son!” After many of such arguments, she filed for divorce and cut Junior off.
A year later, Junior’s hand was cut off for stealing five kilos from the wrong cartel. He didn’t die immediately, though he couldn’t clap as his son walked across the stage to graduate. Only a few short months later, his stump turned septic and the infection withered the rest of him away. Had he less pride, perhaps Junior could have lived. Nevertheless, Grant turned to his grandfather for assistance with the funeral costs—which was all-too-high for the all-too-low head count—and moved in with his grandfather, who died all-too-soon from the grief of having failed to save his only son.
Now, upon returning from their hasty honeymoon and keeping with his grandfather’s request to not cohabitate with his college sweetheart, Grant was helping Jennifer move in with him.
Jennifer was a curvy woman, the areas under which she calculated from the nudes she sent Grant in their senior year. She graduated with a degree in physics and landed a job as a teacher in a high school one district away. She was smart, witty, and had green eyes that seemed dull unless they were in the right light; her hair was a wavy dark brown butterfly cut that flowed just past her shoulder blades.
Grant, by contrast, was plain but not unattractive. He kept his black hair in a shaggy mop and had nice cheekbones covered by a short scraggly beard. His gangly appearance frequently made others think of him as a stoner, which seemed fitting for a political science graduate. Though, a stoner could have never kept up with the stress of his internship as an aide to the governor. So far, that was his only achievement of note, outside of getting to marry the nerdy firecracker, Jennifer.
Jennifer didn’t have much of her own to move in; she was barely out of college. Still, a beat pickup truck packed with boxes is bound to look out of place in Barrington. Jennifer barreled up the large circular driveway to the McMansion, the rusted sides of the old Ford a stark contrast to the immaculate ivory-colored pillars she pulled toward.
Grant had already emerged from the house, having heard the beater booming a mile away. The houses were spaced out well enough, but the sights and sounds certainly brought some attention. He glared at the rustled curtains that indicated they were being watched from neighbors’ windows. As Jennifer approached, he waved and jogged toward the truck to open the door for her.
“M’lady,” he snickered with equal parts irony and sincerity as he opened the driver side door.
“M’sir,” she retorted, rolling her eyes. She stepped out of the truck and slammed the door behind her. Stepping forward, her mild exasperation faded to a wide smile and then to a kiss for Grant.
Grant embraced her, and his hand drifted from her back to her ass as he attempted to go for more than a gentle peck.
Still smiling, she pushed him away playfully. “Babe, didn’t you say your neighbors are super nosy?”
“Yeah, but what are they going to say? We just got married.” Grant planted a kiss on her cheek before breaking the hug.
Jennifer chuckled lightly. “I’d at least like to wait before hearing them ask about kids, though. I can already hear some old heiress down the street: ‘I saw that hussy from the other side o’ town pull up in a rusted out truck and start trying to make love right on the concrete!’” She said mimicking an elderly raspy voice.
“The neighborhood is not like that. They’re older and they’re traditional, but we’re married. So, it’s fine. Either way, you live here now, and they can’t change that.” He pecked her again on the cheek and began leading her inside by the hand, a middle finger raised to the neighbor’s window with the other hand.
Jennifer gave another signature eye roll and followed Grant. “You’re ridiculous,” she chortled crossed the threshold. The large foyer opened before her, decorated with a combination of farmhouse and mid-century modern decor. “This…” she announced, hearing her own echo, “This is also ridiculous.”
“Yeah, my grandfather was a pretty wealthy dude, but not out of touch. He wasn’t stodgy or anything. Still feels weird with him gone,” Grant trailed off and sighed.
“You okay?” Jennifer asked.
“Things have just been moving too fast. Graduation, a funeral, a wedding, another funeral, and a honeymoon all in like four months.”
“It’s okay, baby,” she assured him. “We’ll get settled in and settle down for a moment.”
“I know. I just want to slow down for a bit. You just mentioned it, but can we hold off on baby talk. I know I’ll hear enough of it from the neighbors.” Grant suppressed a grin.
“There’s a smile. I knew you still had some wit in you,” Jennifer prodded. “Now, where’s the bathroom?”
“First hallway on the left, first door on the left. I’ll start unloading your truck in a moment.”
“Thanks,” she cooed before pecking him on the cheek and rushing briskly around the corner. “This place is huge,” she bellowed back.
“Yeah, just like my—“
Ding dong! The doorbell chimed.
“You’re a child.” Grant heard before a door closed.
“Were get already walking up the fucking driveway?” Grant grumbled to himself. He gathered himself before yanking the door ajar. “Hey!” He said, shifting to a bright chatter. “How can I help you?”
Grant was greeted by a man and woman appearing to be in their late thirties or early forties. The man stood tall and was slightly overweight. His chestnut brown hair was in a generic left-parted business cut. A thick chevron mustache rested above his light smile. He wore a white golf shirt with the country club’s logo—a “B” with two smaller “C”s stacked directly to the right—on the chest, and pleated khaki pants that did little to hide the two huge lumps at the top of either leg. The woman had red hair pulled back into a sporty ponytail. Her cheekbones were high on her slender face, and her makeup was subtle outside the fiery red lipstick. She was dressed more casually in a bright athletic top, black leggings, and neon running shoes.
The man spoke in a low tenor: “Hey! Welcome to the neighborhood. I’m Franklin and this is Jess. We live just next door to you.” He gestured to his right, even though the next house was a good hundred yards away. “We’re the Mullinses.” Franklin continued, extending his hand, and growing his light smile to a bleached Hollywood grin.
“Thanks for the introduction,” Grant offered cautiously but genuinely. “I’m Grant. My wife Jennifer has just started to move in. She stepped off to explore.” He turned around and called back into the house, “Honey! Come meet our neighbors, the Mullinses!” Turning back to the new neighbors, he gestured, “Come in! Come in!” The couple crossed the threshold and was guided toward the kitchen.
“Why, thank you!” Jess said brightly with a slight southern twang. The Mullinses took an extensive look around the house as they walked, noting the decor and size of the house. “Y’all have a lovely home,” Jess continued as they began to settle into the kitchen.
The small talk continued in the kitchen over some coffee and tea. A toilet flush and sink running announced Jennifer’s impending arrival. As her footsteps approached, Grant approached the doorway, made a grand gesture and announced his wife’s less-than-grand entrance: “Introducing, the reason for hastily closed curtains and prying eyes, my lovely wife, Jennifer!”
Jennifer silently walked through the display to the coffee pot and poured herself a cup. She leaned against the counter, took a small sip, and acknowledged the guests in stark contrast to her husband’s introduction: “Hey. I’m Jennifer.” Her face contorted, suppressing a smile that turned into a chortle.
The stark facade broke after the Mullinses introduced themselves and realized the humorous intention behind her introduction. They actually got along quite well, despite worries of stuffiness from both parties. As it turned out, Franklin was an investor and Jess was close to launching her fashion line of women’s clothing with actual pockets. Grant had to fill in the history of his last four months and his relationship with his late grandfather. Grant himself had only dropped off his things two weeks ago and was still settling in. Jennifer, of course, had just arrived that day; so, her few items from the bachelorette pad were still in the truck.
Mr. and Mrs. Mullins helped them bring in the boxes—only around twelve in total. It was light work, but stomachs grumbled by the end of it. Reading the room, Franklin spoke up, “How would you like to join Jess and I for dinner?”
“Someone finally suggested food!” Jennifer immediately replied. “I’m down. Are you, babe?” She turned to Grant.
“Let’s do it. You a good cook, Jess?” Grant challenged.
“I’m awful, but Franklin is worse,” Jess laughed. “We were going to the club tonight.”
“Ohh! The country club! Excuse me!” Jennifer mocked.
Jess shrugged and smirked. “We make due.”
“My grandfather said just a little about the club before he passed. I’m sure you do,” Grant intuited. “We’ll have to change before we go, though.”
“Of course!” Franklin said. “Jess will have to as well. Just come over to our place in a few and we’ll head down together.”
“Hell yeah! I’m down for some bougie food,” Jennifer announced before hoisting a wardrobe box and hiking upstairs.
Grant walked with the Mullinses to the door. “We’ll be over there in just a few. Next house down the road, right?”
“Yep! 127,” Franklin confirmed. “See you soon!” He called, walking out the door with his wife.
Grant waved after them, watching them walk down the driveway before shutting the door.
Grant changed from his regular streetwear to a pale blue dress shirt and khakis. Jennifer stripped her sweats and was in a day dress within three minutes. It was not long before the Deans were knocking on their neighbors’ door, eager for food. Inside, the sound of hard-soled shoes echoed through the hall like a metronome. The rhythm concluded as the door opened and the tall Mr. Mullins stood before them, having only changed into a pair of black penny loafers.
“Come on in,” he said, ushering the Deans over to a couch. He himself sat in a chair opposite them, legs spread, and abnormally large bulge all the more defined. “Jess should be down in a moment.”
Grant and Jennifer had a hard time not sneaking glances at the pronounced moose knuckle in front of them. Grant blushed as Franklin noticed and locked eye contact with him. Eventually, Grant broke the silence: “So how long have you and Jess lived here?”
“I’ve lived here since I was a kid,” Franklin replied without breaking eye contact.
Heels clacked down the stairs as Grant finally looked away, peaking at the bulge again. His eyes immediately darted back up to see a smile and wink from Franklin.
“Sounds like she’s ready,” Franklin said, rising from his seat. Grant attempted to sneak another glance as the bulge settled into place before rising himself.
Jess reached the bottom of the stairs and announced herself, “Ready to go.” She wore a pale green blouse, black skirt, and black heels. She shook her head, showing off her wavy red hair released from its workout ponytail. She impatiently waved the lot to the door as she proceeded.
Franklin took the opportunity to put his arm around Grant and began walking him out, declaring with a grin: “You’re going to love steakhouse Fridays. They’ve got every cut of meat you could want.”
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knickynoo · 1 year
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Back to the Future: The Animated Series, s01ep04 "Witchcraft"
Previous episodes linked HERE.
I'm really getting into a groove with watching and posting about these episodes. My brain hardly ever hurts anymore. I am becoming desensitized to the nonsense.
In this episode: an extremely out of character Marty proves why he shouldn't be left without adult supervision ever.
First things first: Some quality time with Real Doc. He's talking about the Salem witch trials and how a lot of scientific principles back then were seen as magic. As he's passionately teaching about the topic, he accidentally puts his fingers into a mysterious, burning hot beaker of liquid.
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I like that Doc is such a brilliant man, yet at the same time, he is. Like this. <3
As he continues his story, he says that he and Marty learned about the witch trials the hard way. (Yay, we get to see Marty! We haven't spent longer than 10 seconds with him in the last 2 episodes.)
We begin with Marty walking through town with a friend named Liz. He's super bummed because he got a C- on a music appreciation test. He crushes up the test into a little ball and throws it away, then catches sight of Jennifer talking to a popular jock and is told by Liz that Jen and Kelp (the jock) are going on a date Saturday night. Marty loses his mind. Here he is confronting a guy who could pick him up and throw him halfway across the country with little to no effort.
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Marty yells at the guy to leave Jennifer alone, "or else I'll cut ya down to size."
"Whose size, McFly? Yours or a normal person's?" replies Kelp. Oooohhh, burn.
Fun fact: this episode gives us the first-ever mention of Marty's middle name! (because Jennifer angrily says his full name after he interrupts her conversation with Kelp) Prior to this, the only mention of a middle name for him is in the original draft for BTTF part II, where it's revealed to be "Hopkins"—after the Mark Hopkins hotel where he was conceived.
I'm quite glad we ended up with Martin Seamus instead. I know that Hopkins is a real name and all, but I just cannot read it without picturing a bunny rabbit. It's the "Hop" part, for sure. I can't help it.
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Marty accuses Jennifer of cheating on him and forbids her to talk to him, not even allowing her to explain her side of the story. And this is where Marty's cartoon character takes his first step away from what I'd consider to be "our" Marty's characterization. I know he's impulsive and hot-headed, but I don't think that movie Marty would be as quick to jump to the conclusion that Jennifer is cheating on him.
Jennifer is not happy, and she pushes him into a nearby fountain.
Real Doc then momentarily interrupts the scene to mention what was going on with him, Clara, and the boys while Marty was busy being weird. We go back to the cartoon and find ourselves in ancient Egypt, where the family is attempting a hasty escape after Verne angered the locals by placing a giant pair of Groucho Marx glasses on the Sphinx. Just as they're about to take off, a spear is thrown at the train, damaging the flux capacitor. As the smoke from the explosion clears, we get another surprise visit from Real Doc! He should interject in these stories more often. I'll include a gif because I love how wild and prone to flailing he is in these live-action segments. He's unhinged. It's delightful.
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Meanwhile, Marty is sullenly riding his hoverboard around Hill Valley, lamenting the tragic state of his life. He's just. On the hoverboard in broad daylight. He is not making good choices today.
As he rides, he also whips out a harmonica to play some blues tunes. And while I disapprove of the dangerous hoverboard usage, I DO approve of Marty knowing how to play the harmonica. I especially approve of him playing it when he's sad and have now crafted a headcanon where our "real" Marty plays it while he skateboards around town sometimes, prompting very bewildered stares from the townfolk and comments of, "Was that kid who just whizzed by playing the blues on a harmonica?"
Anyway, as much as Marty's interaction with Jen falls into the "Not Marty Behavior" category, what happens to him next is firmly in the "Very Marty Behavior" one. In his highly distracted and agitated state, he flies the hoverboard straight into a tree branch, gets spun around said branch like a hundred times, then gets catapulted through the air, across the entire Brown house property, and into Doc's garage.
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LEFT: That unidentifiable circular blur is none other than our dear Marty. He is being whirled around the branch at an alarmingly high rate of speed. RIGHT: Marty sailing headfirst through the wooden door of Doc's garage.
After somewhat composing himself, a tiny mail truck-looking vehicle appears in the garage and delivers a letter to Marty. The letter contains a "scratch and listen" postcard, in which Doc informs Marty via a pre-recorded message that the malfunction with the flux capacitor has landed him and the family in Salem, Massachusetts in 1692. He asks Marty to bring the DeLorean and a spare flux capacitor over to the designated time to help him at once. There's a funny moment here where Marty says to Einstein, "Okay, Einie, we'll take off right after I comb my hair," to which Postcard Message Doc yells, "I SAID AT ONCE!" (recorded messages, tv shows, radio stations, etc "replying" back to something someone has said is one of those tropes that always gets me lol)
Marty and Einie leave immediately for Salem, and upon arriving, Marty is too busy looking at a map to see where he's driving, and the DeLorean crashes straight into a lake and sinks. As Marty is flipping out, preparing for their inevitable demise, Einstein activates the car's floatation device and saves them. Good boy, Einstein. Marty meets up with Doc, and they stop to hear someone giving a speech about being able to detect witches by their "speaking in strange tongues, " having "convulsive fits," and "making devil's music." Remember this for a little later on.
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I like how Einstein is wearing a hat, too.
We meet one of Biff's relatives, Goodman Tannen, and learn that Doc and the fam have been living there for a month. (It took that time for him to analyze the damaged train and build the time-traveling mail truck) Later in the evening, Clara, Marty, Einie, and the boys attend the town social while Doc stays back to work on the train repairs.
While there, Marty wanders away from Clara and is left unsupervised (never a good thing) and gets himself into trouble. He's approached by a flirtatious girl named Mercy, at which point Marty just. Goes absolutely off the rails. He starts moonwalking and twirling around and howling and calling to her and cannot control himself.
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*slaps this in the NOT MARTY BEHAVIOR column*
What is happening here?
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Naturally, Marty is assumed to be experiencing convulsive fits. And, I mean...yeah. Understandable. Mercy then asks Marty to take a walk with her, but he soon discovers that Mercy is Goodman Tannen's daughter, so he turns her down. Mercy is not happy at being told no. She tells her father that Marty made inappropriate advances toward her and spoke in tongues. Goodman is outraged.
Outside, Marty is playing his harmonica, which only makes things worse for him, as the music is considered by the citizens to be the result of dark influences. Marty is accused of being a witch and promptly dragged away by an angry mob. He's put on trial the next day, unanimously declared to be guilty, and sentenced to the water test.
Thankfully, Doc and the gang come up with a plan, using the DeLorean's underwater feature. After Marty is thrown into the lake, Doc rescues him in the car without any of the town's people seeing. They assume that Marty has drowned—thus, making him innocent. They're saddened at having condemned an innocent boy (except for Goodman, of course).
After arriving safely back in the present, Marty goes to apologize to Jennifer. Being wrongly accused of witchcraft has taught him the very valuable lesson of not jumping to conclusions. It turns out Jennifer wasn't going on a date with Kelp; she was just tutoring him. They hug and make up.
Back at Real Doc's lab, we learn a bit about water pressure and how it increases with depth. Doc delights us with a demonstration during which he makes some great faces.
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And that's the end of our episode! I hope Marty is more Marty-like next time. I never want to see him howling at a woman again, thanks. But I did like the scene where he got spun around the tree. Also a good amount of Real Doc content in this one! He's fun. He's a fun guy. Good ol' zany Doctor Brown.
Join me next time to see Doc get thrown to the lions in ancient Rome.
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'Tis now February...
Disney stills plans, per their latest release schedule update, to release a Walt Disney Animation Studios movie on Thanksgiving week later this year...
I also happen to know that at least one person has started animating on this movie, as of this past month or so...
So, I think... Yeah... We probably still are getting a WDAS movie in November of this year... Even though it's February, and they still haven't told us - officially - what this movie even is. Usually, we know these things in at least a year in advance. The extreme end of this is DreamWorks' hasty rollout of their RUBY GILLMAN, TEENAGE KRAKEN. Where they said *nothing* about the movie's existence until 3 1/2 months before release. The movie itself, the poster, and the trailer. All in one go. Unfortunately, it wasn't a 10 CLOVERFIELD LANE situation, the movie lost a lot of money for DreamWorks and is one of their lowest-earning movies period.
I don't think WDAS will cut it *that* close, but I suspect we should hear something pretty soon? The company as a whole doesn't have a mainline movie out until THE FIRST OMEN in April, so they have time to at least tell us what's up? They're running a little late on at least announcing that this movie *exists*. I mean, the lot of us know it does because that's how these things work, but the public doesn't. We only know that a cluster of movies that are being directed by Suzi Yoonessi, Josie Trinidad, and Marc Smith have been in the works for years. So in a way, the next one has been announced? But not really? Typically, we get some kind of confirmation on a movie that fills the slot... About a year in advance. For example, WISH was announced in September 2022, and the movie was released this past November.
Regardless of how poorly STRANGE WORLD and WISH performed, the latter critically... I was initially under the impression that WDAS was going to have one of those "what should we be doing?" episodes whenever a string of movies fail at the box office, *or* if morale is low. A new movie wasn't announced, so I figured... Yeah, they might skip this year and re-evaluate their movie slate?
After all, Mark Henn recently called it quits and remarked that he - once one of the remaining 2D animators at the studio - wasn't doing anything "meaningful" in his final years there as a full-time animator. He's sticking around, somewhat, for a short film that producer Clark Spencer is a champion of... But that's about it. So many other people have departed either during current CCO Jennifer Lee's leadership, or during John Lasseter's leadership... Couple that with the last two movies not doing great, and that's not really a good look for this 100-year-old studio. And usually studios stop and evaluate when stuff happens. Sometimes it just means making different movies, other times it's more drastic and it unfairly affects the staff... But usually, something happens.
Luckily, a ZOOTOPIA sequel and a few more FROZEN flicks are there as a safety net, and I wouldn't put it past them to announce more sequels (ENCANTO seems likelier, and MOANA as well, given how well that movie regularly does on streaming Top 10s year by year)... but originals will always be important at these studios. Even the studios that are criticized for making too many sequels (like Illumination) still need a new franchise to launch.
But... Yeah, it seems like everyone's staying the course? There have been swirling talks throughout fan circles, as per usual, with what will happen. "Does Jennifer Lee get fired?" "Do they delay the 2024 movie into 2025 and retool it?" "Is there a change in direction in what kind of movies they make?"
It doesn't seem to be? I get the sense that, whether this untitled fantasy movie is in good shape or not, it's coming. They're just gonna make it and meet the release date, apparently.
I mean, look at STRANGE WORLD. Director Don Hall pitched the film in early 2017 and development started thereafter, but in around mid-2019, he got yanked off of the movie to take over RAYA AND THE LAST DRAGON. Which they finished around late 2020/early 2021, and it came out in March of that year... Meaning that once Don was done with RAYA, he had about a year and a half to return to STRANGE WORLD and get it ready for a 2022 theatrical release. Which he did. And for some observers, myself included, the movie was maybe a few drafts away from being better. The finished film feels very undercooked in its character work and worldbuilding, but that's just me speculating.
After all, remember how Pixar turned TOY STORY 2 completely around with less than a year to go? Turned out fantastic, despite the stress and the rushing. FROZEN was literally rewritten top to bottom within its release year! And people loved that movie, it made a billion and became a worldwide phenomenon! Sometimes the end product miraculously works on audiences, sometimes it doesn't. Maybe it doesn't matter, because to some 6-year-old out there, STRANGE WORLD rocked their world. It probably would've been one of my favorite movies at age 8, that's for sure. And it'll be a favorite of theirs once they're in college or something, it'll be a case of "This SLAPPED! Why did it flop 20 years ago???"
So, it looks like the movie is happening. I have heard from the trenches that the 2024 slot went to a fantasy tale set in the Middle East, presumably from director Suzi Yoonessi, who is of Iranian descent. Jennifer Lee stated in late 2019 that Yoonessi was directing a feature film for the studio, so if this is hers... They had five years to get this story together. Good sign, right? Should make that release date just fine, then!
The execution of it is what matters in the end, and looking at WISH's poor scores and blah legs domestically, it appears that this is WDAS' problem. WISH took about five years to come together, so there was plenty of time. What went wrong? This currently-untitled 2024 movie could've had all the time in the world to come together as a strong piece of storytelling and appeal to audiences, *but* if you execute it in a way that turns moviegoers away? You've got a problem. And when I read from some of the filmmakers/staffers that the studio brass regularly test screens early versions of these movies for toddlers, and then they cut lots of potentially good stuff that could've really worked because little Jimmy got scared? Couple that with so many talents leaving the place over the last few years? I kinda think that's the problem.
While FROZEN II, which suffered a lot of cuts and dumbing down because of test screenings, went and made over $1.4b worldwide... WISH lost a lot of money, yet it's still looking to become the studio's highest-earning movie since FROZEN II. Some four years ago... Possibly set to outgross the much-more beloved ENCANTO (which probably also suffered from needless focus group nonsense), a Delta/Omicron-era release which currently sits at $256m worldwide.
The studio is undoubtedly in a weird spot right now from my outsider perspective, and they appear to be meeting this one-a-year quota still. Curiously, some of Pixar's staff is to be laid off this year, staff that were involved with Disney+ projects like DUG DAYS and WIN OR LOSE. Disney Animation recently opened a Vancouver unit meant for Disney+ shows, like the upcoming MOANA series. IWAJU, which is a month away, was outsourced to Canadian house Cinesite. "WDAS Vancouver" still operating for now, despite the company reducing their focus on making stuff for Disney+. It would suck to see them close down just a few years after being set up, much like what happened to Pixar Canada over a decade ago.
So yeah... We'll learn soon, I believe, what's going on here. Speculation is always rampant when it comes to animation, and just the movies in general. You know, I came across a website that hasn't been updated since the mid-2000s. A site run by some dedicated animation fan, who collected pretty much all the major news articles on movies that were new at the time of the blog's operation: Stuff from FINDING NEMO to MADAGASCAR to BROTHER BEAR to ROBOTS... I spent quite some time reading through all of it, as I was becoming internet-aware at the time. And by looking at what was cited and sourced, this is all nothing new. There was so much speculation with all of those now-classic movies, and a lot of it was UTTER BULLSHIT. Like how FINDING NEMO was really gearing up to be Pixar's first flop, and it ended up being - for a period - the highest-grossing animated movie ever and an Oscar winner.
And I'm sure whatever is being cooked up about Untitled WDAS 2024 and many other productions today is also UTTER BULLSHIT. Hearing from the trenches is one thing, but there's lots of made up stuff, and there's probably some of it floating around now.
Anyways, all I know is, WDAS does this focus group thing with their movies, and people are leaving... But other than that, it appears that the new movie is still coming out this year. But things always change, so we shall see...
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silverspleen · 11 months
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I have an OC question, any girls?
I mean yes, but I won't apologize for my blatant bias towards male characters. But it's very present.
You'll like Titan best I think. She's a Warhammer 40k OC, and the daughter of an Inquisitor who settled on an agri planet with a farmer lady he liked. Titan is his genestealer mutant daughter, she was born looking uncannily human and didn't develop her genestealer traits until she was older, in direct contrast to normal 1st gen genestealers. Basically this girl hit puberty and started growing extra limbs and weird armor and huge fangs. She's also significantly larger and smarter than normal, and has some mild psyker abilities. After her parents passed away she used her extensive knowledge of inquisition tactics (thanks dad!) combined with her genestealer canniness to take over her planet and start inserting her children, grandchildren, and greatgrandchildren into every aspect of planetary life.
Spooky South wise, the same setting Jake and basic bitch no AU Silas live in, I have Eliza, Friday, and Lillian.
Eliza is werecat James' ghost girlfriend/sugar baby. She helps both James and Silas out mostly for selfish reasons (they're hot and she want to bone them, also they get into SO much shit it's entertaining). Her attitude toward being dead is like "ooooh guess I can do what I want now >:3" and is a huge party girl and fashion diva. She's the brunette with branches and flowers growing out of her partially skeleton face that I've posted here a few times. She has notably powerful ghost abilities and can control plants to some degree as well.
Friday is the like, classic angsty monster hunter, her husband got killed by supernatural nonsense (James again) and she didn't handle it well and is basically in a very deep "dig two graves" revenge mindset. She spends basically all of her time prepping to hunt and hunting, mostly using surplus military gear, hunting gear, and sports equipment. She mellows out a little after she gets like... found family to hunt with.
Lillian, is the Found Family to hunt with that Friday gets, she was Silas' old cop partner but their paths almost completely diverged, he got so corrupt that he was bored with standard cop corruption and moved on the full criminal, and she got so bone-deep tired of official law enforcement corruption that she left the force completely. She's basically a private investigator now and works/lives with with Friday as her like... platonic life partner and they investigate supernatural stuff. Silas used to have a crush on her, but Lillian is very ace and he was savvy enough not to make it weird, it was just one more secret for the pile. Lillian (and their third team member Johnny) is the like "let's not be hasty and just randomly execute supernatural creatures" part of the team and basically took the knowledge of the supernatural existing with nothing but grace and patience.
Also I have various RP characters and character concepts that haven't been fully developed yet too so there's that.
Jennifer - RP character, a very normal teenage girl who's courier job basically got her involved in the supernatural and she cried into her iced coffee about it. </3
Ran - my Starbound character, a hylotl (alien amphibian people with a heavy japanese culture inspiration). I miss her and need to play again. She's very softspoken and kind and likes to stab things with the fart spear (toxic gas spear Q gave me that I adore).
"Mace" - in development, a mercenary who works escorts dinosaur embryos, she's got that "pathetic until she's super invested in a job and then becomes super efficient" thing going on. Ned to draw her more because I've been craving "dinosaurs and modern tech" stuff again.
Mother of Sin - big tiddy worm lady, a demon. Probably in the Spooky South setting if I can hammer her worm form down, though she's a little too fantasy leaning for the setting.
I keep trying to manifest another nasty trash dumpster girlfriend for Silas but so far nothing has stuck but it's always in the back of my mind.
I've also got monster lesbians but they're loose concepts and more just for drawing for fun. Plus some designs that need developing.
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selfieignite · 1 month
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Selfie (2014) - Behind the scenes
Patti Troisi, David Harewood, Samm Levine, Nikhil Pai, Vernee Watson, and Jennifer Hasty
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greensparty · 1 year
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Hasty Pudding Woman of the Year 2023 Today
Only a few days after they had their Man of the Year ceremony for Bob Odenkirk, Hasty Pudding Theatricals of Harvard University have announced their 2023 Woman of the Year (given to a significant contributor to the world of entertainment) is Jennifer Coolidge. It needs to be said that she is a hometown hero: born in Boston, raised in Norwell, MA, graduated Emerson College, and she appeared in the Legally Blonde movies that are set at Harvard. For a very long time she was the actress known as Stifler’s Mom, the MILF from the American Pie movies, but now thanks to her excellent performance on HBO’s The White Lotus, everyone knows Jennifer Coolidge.
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Coolidge
In addition to both American Pie and White Lotus, Coolidge has delivered great performances in “The Masseuse” episode of Seinfeld, Best in Show, A Mighty Wind, For Your Consideration (she’s part of Christopher Guest’s stock company for sure), Click, 2 Broke Girls, Promising Young Woman, and countless other films. Now she’s winning awards and having Chloe Fineman do impressions of her on SNL! 
The Woman of the Year festivities will begin at 1:45pm today February 4th, 2023, when Ms. Coolidge will lead a parade through the streets of Harvard Square. Following the parade, the Hasty Pudding Theatricals will host a celebratory roast for Ms. Coolidge at 7:00pm, after which she will be presented with her Pudding Pot at Farkas Hall, the Hasty Pudding’s historic home in Harvard Square since 1888. A press conference will follow the presentation at 7:30pm. Afterwards, Ms. Coolidge will attend the opening night of the Hasty Pudding Theatricals’ 174th production Cosmic Relief.
For tickets to Cosmic Relief (Feb. 5 to March 5, 2023 at Farkas Hall) go to https://www.hastypudding.org/buy-tickets/ or email [email protected]
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yessadirichards · 2 months
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Annette Bening honored as Harvard's Hasty Pudding Woman of the Year
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CAMBRIDGE, Mass.
Annette Bening, a two-time Golden Globe winner who recently received her fifth Oscar nomination, was feted Tuesday with a raucous parade full of colorful costumes and drag performers as part of festivities honoring her as Harvard University’s Hasty Pudding Theatricals 2024 Woman of the Year.
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The Pudding is the oldest theatrical organization in the nation and one of the oldest in the world. Since 1951, it has bestowed this award annually on women “who have made lasting and impressive contributions to the world of entertainment.” Other winners have included Meryl Streep, Julia Roberts, Scarlett Johansson and Jennifer Coolidge.
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As the parade made its way through Cambridge, Bening, wearing a brown coat, hat and sunglasses, blew kisses to the crowd, and at point, was pecked on both cheeks by drag performers. Benning, who will also be roasted Tuesday night before attending a performance of the Hasty Pudding Theatricals’ 175th production, “Heist Heist Baby,” launched into can can dance with several other people as the parade ended.
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“We’re absolutely thrilled to honor Annette Bening in this milestone 175th anniversary year for the Hasty Pudding,” said Josh Hillers, the organization’s president. “Hot off her Oscars nomination for Best Actress, we’re excited to present her with the most prestigious award in the entertainment industry.”
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Bening, who also has won a Screen Actors Guild Award and starred in “The Grifters” and “American Beauty,” earned her fifth Oscar nomination, this one for best actress, for playing the prickly long-distance swimmer Diana Nyad in the movie “Nyad.”
Barry Keoghan, best known for his roles in “Saltburn,” “Dunkirk,” “The Killing of a Sacred Deer,” “Eternals,” and “The Banshees of Inisherin,” is the recipient of its 2024 Man of the Year Award. He will be honored Friday night.
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dxrkenedheights · 3 months
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Name: Jennifer Zhou
Age & Birthday: 28 years old, December 1st 1996
Gender/Pronouns: cis woman she/her
Birthplace: Lions Bay, BC
Time in Hollow Cove: x
Species: Witch / Fire
Role: Patrol, Watch, Runner
Positives: curious, determined, resilient
Negatives: overzealous, defiant, sensitive
ABOUT
Jennifer was born and raised in a coven of witches in Lions Bay, BC. Immersed with nature and the elements, the coven was home to a host of different magic and Jennifer's arrived in the form of flames. She was always a slight sensitive and curious girl, prone to feeling things intensely or taking them personally. This only meant that her power manifested in the same way, tuned closely to her emotions and betraying the way she tried to internalize everything she was feeling. Kids at school weren't the kindest to her quiet and somewhat quirky demeanor, but Jennifer had to learn quickly how to avoid questions about Becky with the singed hair.
She became hesitant about her fire magic and she avoided how to make it stronger and instead focused on how to control it so she could blend into life seamlessly with humans. Jen always admired her older half sister Jo, who seemed able to handle her power with ease but their relationship wasn't the closest that it could have been. Like many things, Jennifer took their distance as a personal fault, assuming it was because she was the uncool younger sister.
As Jennifer got older, she found her confidence to be exactly who she was. She learned to accept that she was a naturally curious and sensitive person, but not at all as weak as bullies wanted to make her feel. She was defiant in her own way, tackling things in life head on and with a hastiness that was sometimes a blessing or a curse. She had a gift, however, to problem solve and organize and she navigated herself towards a future in architecture with clear goals in place to create sustainable off-grid towns specifically for supernaturals.
But this didn't mean she was any closer to accepting her actual gift of fire. It still betrayed her in moments she wished it never would, almost piping hot from her finger tips when she had to take a snarky comment from a rude barista. And there's been several dates she hates to remember when passion became a little too heated for even her to handle. Her coven was there to support her in learning how to control it, but Jennifer's distrust towards herself and her magic was part of the problem and was the biggest hurdle to overcome.
When the war began in 2020, Jennifer had barely made a dent in the future she planned for herself. Everything was turned on it's head, and the coven moved from their home to find a safetown among other supernaturals with the idea of more protection. They existed here for a year without issue, Jennifer slowly warming to the idea of finally tuning to her fire. But in 2021, their lives were changed again. The wolves turned on the peace, wanting the town as their own and it wasn't long until reinforcements arrived from the military. The entire town was engulfed in flames, Jennifer escaping with only one other person. Her sister, Joanna.
Since then, it's been the two of them and they have managed to bridge a gap that existed between them throughout their lives. Not without difficulty, of course. But with no other choice but to rely on one other, their differences are easy to set aside and Jennifer has come to learn that there weren't very many of them to begin with. Not when they both share the same goal of survival, and the very new one of having each other's backs. Now, Jennifer can't imagine her life without Joanna and grows more and more thankful for the bond they're forming. Not to mention how Jo has been a grounding force for Jennifer's magic. After a lifetime of suppressing the flames, she's accepted that now is the time fire is needed more than ever before. With Jo's help and guidance, Jennifer is learning how to work with her magic rather against it.
In the November of 2023, the safetown they were planning on leaving was attacked and they were subsequently captured after years of evading it. Then they were transported to Thunder River, BC in the December of 2023 and have been there since. Unable to use magic but sticking by one another, with the hope and plan of escape when the best opportunity presents itself.
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thejacksmit · 5 months
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First Take: Wish - Disney's 100th ends not with a bang, but with 100+ easter eggs
SYNOPSIS: A young girl named Asha wishes on a star and gets a more direct answer than she bargained for when a trouble-making star comes down from the sky to join her.
Well. there it is. Disney's big 100th birthday celebrations have been wrapped with the film that they claim has been a century in the making, tying together all the iconic franchises within a new IP. But sadly, Wish feels like it is a victim of their soon to be phased out 'quantity over quality' mantra to get content on Disney+
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They've brought out the big guns to make this one, as Chris Buck of Frozen fame co-directs with Fawn Veerasunthorn (stepping up to the big directors chair having worked in art and story for Disney Animation's last few releases), and they turn in a relatively fine 1 hour 35 minute film that gets the job done. Sure, it is predictable at times, as any of these films would be, but Buck, along with veteran co-writers Jennifer Lee and Allison Moore also pack the runtime with so many easter eggs, to a point that they are more memorable than the entire plotline. Admitttedly the score from Dave Metzger just about does the job (building to a post credits moment that wraps up the film nicely), plus crucially, they have a contender for Original Song at the Oscars as a result. But while the animation is stunning, if the reports are true, the studios were pushed to their absolute limit to get this film over the line with this new style, a style which crucially, feels like Spider-Verse's frame rate tinkering has trickled to the house of mouse.
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As for this cast, Ariana DeBose carries this film, mostly - and with Chris Pine, Alan Tudyk, Angelique Cabral, Victor Garbra, Evan Peters, Ramy Youssef and more rounding out this ensemble, this has the makings of what should've been a much better, more faithful film for the 62nd movie from Disney Animation. Plus, as is customary for the UK market these days - Rochelle Humes of This Morning (and formerly The Saturdays) takes on a minor role in the usual localisation of the film, which again, serves no purpose but to get ticket sales in. Sadly it didn't work - Napoleon of all things destroyed it at the box office on opening week, and even this week, it's not doing the numbers we all expected.
THE VERDICT
Wish could've played better had it come out a month earlier for the October family film boom, and sure, while the easter eggs on their own are worth it, as a standalone film it just feels like a Disney+ commission that had hasty rewrites to make it fit for the 100th. To put it simply - this feels like a budget Disney film from Wish.com.
RATING: 3/5
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thenookienostradamus · 5 months
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"Anyone who has ever tried to write a novel knows what an arduous task it is, undoubtedly one of the worst ways of occupying oneself. You have to remain within yourself all the time, in solitary confinement. It’s a controlled psychosis, an obsessive paranoia manacled to work, completely lacking in the feather pens and bustles and Venetian masks we would ordinarily associate with it, clothed instead in a butcher’s apron and rubber boots, eviscerating knife in hand. You can only barely see from that writerly cellar the feet of passersby, hear the rapping of their heels. Every so often someone stops and bends down and glances in through the window, and then you get a glimpse of a human face, maybe even exchange a few words. But ultimately the mind is so occupied with its own act, a play staged by the self for the self in a hasty, makeshift cabinet of curiosities peopled by author and character, narrator and reader, the person describing and the person being described, that feet, shoes, heels, and faces become, sooner or later, mere components of that act."
- Olga Tokarczuk, from Flights
Translated from the original Polish by Jennifer Croft
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