so… in the additional media of stranger things (specifically the comics i’m mentioning), it was initially brenner’s idea/plan to kill off the other test subjects because they weren’t performing as well as eleven was. it was his best solution because that way, all the resources, time, and money could instead be placed only to her. and i just…. sure henry is a fine character and the massacre makes a lot of sense to me, but i think i am once again gonna change up my canon to actually fit this potential narrative instead.
i genuinely think the comic canon of the lab and brenner is far more intriguing than the show. everything with 9/9.5, ricky, and francine. eleven being the only one who grew up completely in the lab. those other kids were either volunteers, well into their teens, or had some semblance of a home life. eleven was the only one practically moulded from the womb. and they all had such a range of interesting powers. i firmly stand with the idea that jane is the only one who can contact the void.
brenner’s entire point of view on the lab subjects changed the second he found out terry was pregnant. he discovered he could steal this baby and make her his own. there would be no convincing the child because it’s all she would have ever known. because of this, i would not put it past a man like brenner to kill the other subjects for the sake of the “greater good” in this case, eleven.
eleven’s gifts just continue thriving beyond his wildest expectations. brenner would never dare assume that having moulded her from the womb, she would still be able to grow into her own person, her own mind, and one day be able to see him for exactly who he was.
back before season four aired, it was obvious there were other test subjects because jane was 011. so there were at least ten kids before her. but i always liked the idea/assumed that she was the last experiment because she was the most successful. that they didn’t need anyone after her because she was fulfilling everything they set out for her to do. with flying colours.
i just think the whole rainbow room idea, pitting the kids against each other thing… been there, done that. boring and predictable. i think at this point my portrayal of her time in hawkins lab really stems from the complete isolation she endured. where having the rainbow room, although eleven was obviously the most isolated out of the kids, brings that sense of community and sister/brotherhood. albeit extremely warped and toxic. knowing that she wasn’t alone in that experience just. doesn’t sit well with me. i think it’s important to note that she was alone, physically and mentally. which is why kali is also so important to her growth. i thought a lot of the flashbacks of her time in the lab during season four was really boring, repetitive, and just very predictable. although peter becoming vecna was a surprise to me, and was a nice little twist, the idea of her having an ally on the inside was really interesting.
maybe they did get as far as they do in canon, peter ballad was telling the truth about everything, about some of the workers there being prisoners like him, and he really wanted to get her out and to safety. but before they can escape through the pipes, they’re caught. peter is shot on the spot, and eleven is put into the isolation room for a few days as punishment. in this timeline, henry would be vecna, but henry would not be peter ballad.
when eleven turned seven, and was already showing extreme promise, where the other children were average at best, brenner had the eight children killed. kali had already escaped. this was the main cause for peter to gain eleven’s trust and try to get her out. because if brenner could murder his “children” in cold blood, there’s no way eleven was safe even in spite of her power.
when eleven is allowed out of the isolation room, her testing becomes more rigorous in attempt to distance and make her forget about what she attempted to do with peter. brenner begins gaslighting her, saying that there was never a peter, that she must have been dreaming. eleven does ask “papa” about “mama”, given peter told her of the day terry broke in the lab, but brenner is convincing enough to make eleven believe it was all in her head. say she is around eight years old, meaning the same timeline of season fours canon flashbacks.
i still do wanna keep the henry creel canon, and keep him as 001. brenner didn’t have him killed alongside the other test subjects, because who knows, one day he could become an even better asset than 011. brenner definitely wants to be able to control henry, but keeps the chip in him because, for the moment, doesn’t know how. killing him would be too big of a loss.
when eleven is ten years old, henry’s concealed powers break free and he manages to get the chip out himself, and unleashes hell onto hawkins lab. he almost kills brenner by snapping his bones, but eleven manages to stop him. her extreme abilities are unleashed, and she sends henry to the upside down. she does fall into a coma due to the extremity of the situation, but she does not forget what happened. brenner believes she’s the perfect weapon as she stepped in to save him without a second thought, was able to defeat henry, and opened a door to something he never thought possible. eleven is rewarded for her efforts. although she remembers the entire battle / confrontation, her memories regarding the portal are very hazy.
brenner decides not to focus on the portal straight away, instead gets her training harder and harder to see what else she can accomplish. also loved the idea of brenner sending her into the void to “look for him” so that will definitely be kept.
by the time she escapes and season one begins, her knowledge of the upside down is basically what we see in canon. because she passed out the moment after she sent henry away, she was once again gaslighted into believing she merely threw him through the glass and killed him. for two years she believed this, until making contact with the demogorgan, and those memories return completely.
due to her saving brenner’s life, (it was pure instinct. she happened to be there. saw her “papa” hurt and knew she had to make him better.) brenner constantly thanks her. but in a very condescending way. tells her: “you saved me so i can continue saving you.” aka, harness your abilities and see what else i can achieve from you. despite the fact that she saved his life, these words and phrases make her feel indebted to him. that she owes him something further.
i don't realistically see her thriving with her speech improvement until she's well into her twenties at least. her slowed development, sensory and social deprivation causes a serious delay in language. surrounded by other children she would have overheard conversations, some would have spoken to her. her conveniently forgetting her upbringing pre the battle with henry just isn't good enough for me anymore. it makes more sense for her to have been raised alone.
it also helps indicate why she gravitated towards the boys when they found her in the woods. they would have been the first people her age she ever remembered seeing. as far as she knew, during the lab there was no one like her. everyone was much older, they were adults-- although she stayed with benny, i'm not sure if she would have stuck around very long. where she followed the boys home without thought.
also it's important to note that after time, jane does understand that peter ballad was a real person, and was truly the first person (aside from terry) who wanted the best for her. when she remembers him, knows that brenner was lying, she deals with immense guilt regarding his death. he was shot right in front of her eyes, because he was trying to help her. this is another catalyst as to why after season two, jane never refers to brenner as papa. she does not give him that sort of credit.
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Emotional roller coaster of an episode. Just a few random thoughts.
Love any and every scene we get of Jeng and Jaab. And Jaab comforting Jeng was so sweet.
Pat’s parents are so cute. But Pat’s stepdad doesn’t come to visit with his mom?
Your chef dad was at your house cooking, Pat, so where was the chef’s hat?
They really had me worried something bad was going to happen to Ae and Kanun’s baby there. But then they kept cutting to the two jokers on the bike.
Everyone looking at the photo Ae posted and having their own issues they’re going through, but congratulating her and being awed by new life was poignant.
But they just threw us into the end of her pregnancy. I’m not clear about when the time skip happened. But did they also get married for real? Because I think they also referred to each other as wife/hubby in ep. 1.
Jeng has such attractive friends.
I loved Tiger going to timeout because of Jeng.
Does Pat have a heart-shaped birthmark?
I hope Krit tells his family about Chot eventually 🥺
Did not like all the Jeng tears. Or Pat's. But Jeng's were more unexpected.
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I know I say this every time I read my own work, but Speak for the Dead really is the best chapter in ILM.
“Well, you know for the first time in a long time this actually feels like fall?”
Jane Romero was smiling at him, sitting propped up against a tree in what had sort of become her usual ‘therapy’ corner in the past almost two weeks. And she was right, it did feel like fall. The air wasn’t as sharply cold as normal, and honestly ‘sharply’ cold was a nice break in and of itself when it happened—usually the weather here was somehow just cold—cold with no adjectives attached. But today it was nicer. It was the kind of waiting fall cold that came when it wasn’t biting outside yet, and it was almost pleasant. A promise of a change in the seasons. Tapp wondered why.
The trees hadn’t started to change color with it, or fall in piles, and as far as he’d gathered there weren’t seasons in here. Everything looked the same. Tall, thick woods, undergrowth and moss and rocks and fallen logs, a slight breeze on and off. Dark sky overhead, full moon, at this point long since throwing off everyone’s idea of what day and night were supposed to mean. All the usual. Except, somehow, the kind of cold in the weather. Who knew, maybe nothing had changed. Maybe they had just started to feel better.
LIKE. Those opening lines mean nothing but environmental flavor when you read them. But they’re a lead in for the thesis of the entire chapter.
“Well, you know for the first time in a long time this actually feels like fall?” - A promise of a change in the seasons. - Who knew, maybe nothing had changed. Maybe they had just started to feel better.
Like that’s it. Speak for the Dead is about a lot of things, but at its heart it’s about healing. It’s about forgiveness and healing, that exists between the living and the dead. It’s about how you can only speak for them, by speaking for them. Not how you want to punish yourself or live for them, but by how you know they would forgive you, or would ask you to live. Very little other than exchanges of information happen, but so much happens at the same time. All of it significant. It’s hope. It’s about how Tapp (and Meg) have spent every day here fighting in their own way to cope with the agony and failure of their lives, and the loss of people they couldn’t save, and have only dug their wounds deeper. About love. About nothing stoping the lambs from screaming except accepting that they want to let you go.
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