mob psycho is the greatest show ever made because reigen being cancelled on twitter is one of the most important moments for his character as well as one of the most emotionally heavy episodes of the show but him being trapped in alone in a purgatory dimension slowly starving to death is treated as a gag and never mentioned again

I find it incredibly funny seeing some fans complain that the movie wasn't "lore accurate" as if FNAF has ever been consistent with its lore, like

Wow, the movie changes a lot of stuff and is not accurate to what we thought we knew? *looks at The Silver Eyes trilogy* I can't believe that, how horrible *looks at The Silver Eyes trilogy* Who would've thought they'd change stuff that makes us doubt what we know about the series *looks at the fourth fucking closet*

I'M NOT OKAY

man, the concept of grayscaling is So Interesting. like... it's depression? but it's also Not. you're trapped, you're complacent, you're safe. you hallucinate a colorless simulation half the time you're awake. you walk through the world like it's fine, and it's normal, and you're fine but everything isn't fine and maybe your friends know or maybe they don't but either way it's not like they can do anything... do you even want them to? is it a bad thing, really, to be like this? to be protected from everything and everyone that could hurt you? there's no joy in it, but no pain, either. the only constant is constancy, and that means you're safe. safe. safe from everything.

is it really worth it?

That feeling when he can't stand to see you that way, no matter what you do, no matter what you say😩😭💔

I noticed most of your Emilute content suggests a past relationship because Lute has her arm.

How about some post-trial angst in which Emily can't bring herself to even look at Lute after her actions in the courtroom or post-finale angst of Lute being so changed by the battle she is emotionally distant from Emily?

Sweet delicious angst.

its actually supposed to be a prosthetic!

I do agree that if they were close before the trial there would be some great potential for angst, emily would probably be crushed that both sera and lute kept such a horrible secret from her

love reading the homestuck commentary stuff bc it makes me feel like i could grab a fucking corkboard and spend hours and hours tying together 50,000,000 different plot threads and still come up short of everything in the text

it has occurred to me that there hasn’t been a kiss in the entirety of the bnha series.

now can you imagine,, if the only one in the entire series,,, is a gay one.

Ugh im writing this on mobile but i’ve been thinking about it nonstop for an hour and I’m just- mmmmm thinking about Clone Danny and his wardrobe choice as Phantom. Cuz like, he doesn’t have any powers, right? He has no built-in secret identity and suit that he can change into in a flash of blinding circular light. If a ghost shows up he’s just got what he’s got on, and whatever he has in his bag.

And I’m just. I have a lot of thoughts about him and his canon self, thoughts that i dont think i can all fit on my phone and im. Thinking about the dichotomy between him and his canon counterpart. From an in-universe perspective, the halfa Danny Phantom looks remarkably human-like. Especially compared to the ghosts he fights, all of whom are unnatural colors, shapes, and sizes. From flaming hair to glowing eyes and pointed claws, there’s nothing about them that doesn’t scream “ghost!” “Inhuman!” “Unnatural!”

And then you look at Danny Phantom, the ghost boy fighting them. And he just… looks like a glowing human boy. The only unnatural thing about him is his white hair and green eyes - and green eyes is a natural human color. Maybe not the shade it’s in, but it occurs in human genetics. He’s about as close to human as he can get.

Think about that from an in-universe perspective, and then think about it with the idea that ghosts take pride in their ‘ghostly’ look. They pride themselves on looking scary; unnatural; inhuman. It’s a showcase of being unique, of their own individuality, of their interests and wants. Looking ‘scary’ is part of ghost culture, and if not scary, then unique and ‘inhuman’. They don’t want to fit in, they want to stand out.

And you look at Danny Phantom, as his canon self without any of the fanon customizations, and he’s none of that. He’s about as human-looking as a ghost can get. He’s got human-like skin, hell he’s even tanner than he is as a human! His hair is normal, his eyes are green but normal, his hands? Soft and round, not a claw in sight, and his teeth are blunt and ears are round.

His suit is all black, it doesn’t even tell you anything about him other than he probably died in a lab accident, and he looks like he’s straight out of a b-rate comic book. There’s no story to tell about him, he’s a book with the pages all blacked out in ink.

His name, if you take it as him only calling himself “Phantom” isn’t even all that unique. It’s a generic ghost term that you can find by googling ‘ghost’ and looking at its synonyms.

And then look at his behavior: yeah he fights ghosts, and fighting is all about ghost behavior. Its one of their social activities- but its clear from Phantom that he’s not being social. He’s being aggressive, he’s doing it for the sake of the living (which while fair, doesn’t make him look good in the context of everything else). Then he comes into the ghost zone, he doesn’t do much to integrate himself into the culture, and yeah he makes allies but it still doesn’t feel enough. He’s not participating in anything, he’s alienating himself.

All in all, Phantom looks like a ghost trying to pretend he’s human, that he’s still alive. And for a ghost culture that prides itself on not being alive? It’s insulting.

And then let’s circle back around to that human thing, but from a different angle. Probably one that’s more mindset than outside looking in. But Danny’s alienated by the rest of the town for ages despite helping them. And while him looking human likely has to do with his own mindset of viewing himself as “living, but with ghost powers” and thus reflects back as a ghost, it also makes it look like he’s trying to fit in with the humans.

“I am not a ghost” he says, with his human skin and blunt teeth. “I am human like you, see? See? I look like you.”

He’s making himself look approachable, friendly. ‘You can trust me, I’m not a ghost. I’m not like them. I’m not scary. I look just like you. I’m different.’ He looks about as harmless as a human child could be. He’s trying to be relatable. And in turn he’s giving his fellow ghosts a cold shoulder - i’m not like you, i’m better. I’m different. I’m not ghost. I may be dead, but I’m no ghost.

Danny is trying to tie his ghost self in with the living as much as possible - he wants them to think he’s almost human. The same way he wants to think that himself. He’s distancing himself from his ghost half and the ghostly qualities the others have. Whether intentional or not, he’s doing it.

He shows his face and goes ‘see? See? I’m just like you.’

And then lets look at clone Danny, mister not-a-halfa. Who doesn’t have his canon offensive capabilities, who only has his ghost sense and the ability to hit ghosts without gear, his scary eyes and pointed ears, and the ability to see weaker ghosts not visible to the mortal eye.

He has no ghost form, no powers. And yet the first time he goes out as Phantom, he wears a mask that looks like a skull. Instead of distancing himself from ghosts, he’s distancing himself from humans. And at first it stems from the need to be unrecognizable, the last thing he wants is for his parents to find out that he’s ghost hunting. To do that, he needs to hide his face. That’s the first step.

The next step is to act in such a way that people couldn’t possibly tie him back to Danny Fenton. He’s not distancing himself from ghosts, he’s distancing himself from humans. To do that, he acts inhuman. He wears his mask and wears baggy, shapeless clothes - his hoodie and his pants - and he learns how to act unsettling. His eyes glow green, unnatural and shining through his sunken-in, skull-like mask. But it’s not enough on its own. He must do more.

He wants to be the thing someone sees at night and turns the other way. See me and run, he says, crouched on all fours and crawling across a beam like a monster you see in a movie. Twisting his body in unnatural, fluid ways, like he’s not quite sure how having only four limbs work.

Run. He says, dead green eyes glowing through his mask, piercing through black night from the rooftop. I am wild thing. Come no closer, look no closer. I am not like you. I am not your friend. I bite. Run.

You cannot see my face. This is my face, I am not alive. I am not like you. I am an animal about to pounce.

He doesn’t want people to think he’s human, he doesn’t want them to think he’s anywhere close to it. Anything to prevent his parents from figuring out its him.

And the thing is, he doesn’t have to. He doesn’t have to appear ghost-like or inhuman to keep his identity safe, wearing a mask and wearing unidentifiable clothes is enough. But he’s choosing to act ghost-like; unsettling; scary.

And in doing so, he unintentionally participates in ghost culture. And while his clothes are not anything unique, or outstanding, his mask is. His clothes don’t tell anything about him, but that’s okay.

Imagine meeting this boy from a ghost perspective. This annoying, fleshy human boy who jumps into fights to stop you and catch you. You’ve heard stories of human ghost hunters, you know there are hunters on the other side. You have heard the horror stories, you have seen the scars.

And then this boy catches you. This human, fleshy boy who yells quips at you, who puns and insults you, who wears an unsettling mask and acts ghosty. He catches you, and you think you will be the next one on the chopping board.

And then you end up in the ghost zone, untouched. Unharmed. And you tell someone about it. You were caught and released by a human child who feels touched by death. And then you hear that the ones who’d been caught were freed by a fleshy human boy who was touched by death, and a boy who they call “Phantom”.

And, isn’t that the name of the child you fought?

And he talks to you, but then he’s in the daytime. There are living around. He doesn’t speak to them - he ignores them outright. He keeps his distance, he stays away. If he talks, it’s with his hands. They will not hear his voice.

I may be alive but I am no human.

And its just — ????? So good to think about. I’ll reblog later with more thoughts when I have my laptop, but god i just needed to get that out there.

My name is [BRUTUS] and my name means [HEAVY] so with a [HEAVY] heart I'll guide this dagger Into the heart of my enemy

Something about having absolutely no choice in who you marry. About being literally forced by the law to spill blood - to accept this stranger as your husband over a man you truly care for or accept the fact that the man you love might die because you put him in danger. Something about risking becoming the wife of a man you've never even seen before a few minutes prior because you know anything would be better than putting your beloved in harm's way. Something about the trust inherent in that decision and in the way she speaks of it after. Truthfully, T'Pring doesn't know the captain and she doesn't know Spock. Either one of them could have taken her as their wife but she does know Stonn. She knows that Stonn will remain by her side no matter what. They made a plan together. They have an agreement which T'Pring believes will be upheld even though the plan changed with the arrival of Kirk. Stonn will always be there, always, and Stonn will be hers. Something about the language used around T'Pring: Ownership, subservience, non-personhood. T'Pring is an object that Spock can win. She cannot reject him, she has no say in the matter other than having Stonn 'claim' her instead. Even when Spock leaves after being very clearly rejected by T'Pring he says "Stonn, she is yours." as if despite her clear rejection he still owns her and is must formally 'give' her to Stonn. But the language T'Pring uses around Stonn is a break from that: "There was Stonn who wanted very much to be my consort, and I wanted him." Stonn who wanted very much to be HER consort and she WANTED him. The language here is very particular - It's not, for example: "Stonn wanted me to be his wife" - he is HERS. And she WANTS him. There's a mutual affection there and a strong trust - a trust which seems to be well founded since Stonn (though silent) stands by her side at the end of the episode. <- That might seem small but if Spock would reject her for 'daring to challenge' (again, the language is not 'because I don't want you' but more of an implied disgust at her having the AUDACITY to reject him) then it's not a stretch to assume that it'd be considered an insult in the TOS Vulcan society to NOT choose Stonn as her champion after a prior agreement. Anyway T'Pring was a woman in an impossible situation within a society which saw her as more of an object than a person and she wanted Stonn and Stonn wanted to be hers and she trusted that he would understand if she had to publicly pick someone else to ensure his life would be spared and he did understand.

bbc: Some sweet #Silvacre content for your FYP ❤️

Ok we seriously need to see more sugishita love he's literally the funniest character 😭😭😭

Is it too soon to talk about the Tommy and Taylor Kelly parallel(s) we got in this episode??

Because @b-dwolf and I were just talking about the fact that the Buck Tommy kiss is literally paralleling the Buck taylor bathroom hook up in season 2 - down to the song choice and the way Madney are sitting - just without the bathroom! we even got a secondary parallel with Taylor dumping Buck to go to work with Tommy dropping out of the party to go to work.

so, Batman #147… rambling about the difference in how Zdarsky portrays the two current Robins

this is a fantastic run for Tim, and very much written like a return to form of what plenty consider the best dynamic duo, but even more so "the best Robin". once Damian's introduced in this run, Zdarsky really makes sure you still know that lol

1. "We don't need anyone else" VS "I need my family"

#147 clearly exemplifies the contrast, so i'll go through it first. Damian, having fallen for Zurr's lie and accepted him as the real Bruce, goes so far as to say in the very first page "We don't need anyone else." it's cold colors, machinery, and hollow declarations of "father and son" for these two.

towards the ending, Tim has deduced where the real Bruce is hiding and brings him food expecting Bruce's knack for self-neglect. it's all warmth, sunshine, and mutual understanding - also a cute back and forth of "Batman and Robin" between them. on top of this, where Damian isolates Batman & Robin from family, Tim is the one to remind Bruce about "helping each other." Bruce heartily agrees with "I need my family" for a weighty end.

along with this parallel, from #138 Tim makes it clear that even in opposition, he's only ever trying to help Bruce. Damian was still on the wrong side with Zurr-induced-Bruce here at the time too 😭

2. Tim's independence as both a hero and partner

Tim is written as the ideal Robin to Bruce's Batman, and has made Robin its own independent hero on equal footing rather than a sidekick - it's made in statements by both Tim and Bruce, and through the entire narrative. he takes initiative and tries to foresee what would ultimately help Bruce. beyond being great partners, there's many bits showing their emotional connection ("i'm scared of being lost, but i'm more scared of losing you, Bruce" hit me like a bag of bricks). tbh this almost could be a Batman and Robin run lol

added the first panel from #126 of Tim declaring he's his own hero outside of Bruce, proven plenty especially in his backups in #131-134!! the other panels are a few highlights from #128, #130, and #135 of the partnership between Tim and Bruce

granted it's Zurr, but Damian is mostly seen following orders and given pensive looking panels when there's something concerning. While Tim continued to represent Batman's ideals during his own solo quest to find Bruce, Damian doesn't question or take action against "Bruce's" sudden shift in ethics

Batman #134 Backup - Tim showing support toward Toyman VS Batman #146 - Zurr and Damian confront Harley as she pleads about her change of heart

another kiinda parallel in #147 is Bruce acknowledging Tim's hard work to become Robin compared to Damian who's out here going Batman and Robin/Father and Son. i don't think it's an intended parallel but just the state of continuing to show Tim in a better light - Tim put in the effort "to become the second-best Robin" while Damian is Robin because..."son." supposedly less effort on his part too, because LOA.

second pic is from Batman/Catwoman The Gotham War: Scorched Earth, felt fitting to add since Tim mentions needing to "know everything" in both. and the humble brag. which ofc Tim believes Dick is the best!! but also. jic we didn't know Tim is the best current Robin sdfgh

3. Damian's blind loyalty as "Bruce's son"

there's a weight to the Robin title when regarding Tim, whereas Damian's "Robin" role is excess and counterintuitive. he's delegated to desperate sidekick to Bruce, as well as becoming an obstacle to the family. being Robin only seems significant to Damian in how it ties himself to his father, and his single Robin quality is a loyalty that's been written to an extreme fault. the only positive angle i could see this in is Zdarsky aiming to put Damian in a sympathetic light in how far Damian was willing to fall to stay by his father's side, hence, fooled by that nightmare story/confession. the problem with this is that we have not seen a single emotional connection between the two in this run, so why should we care about that relationship.

also, Damian constantly bringing up his position as Bruce's son just makes him look entitled? since Bruce rightfully expressed his claim of having the others as his sons too (with the unfortunate exclusion of his daughter)! so it's like a "lol you're not that special" vibe when looking at it from the outside?? ykw concerning #138, Damian saying "You're the one trying to destroy my father" also could have been in contrast to Tim saying "We'll help our dad" at the end.

Zdarsky seems to believe the only meaningful part of Damian being Robin is he's the son of Bruce, and not a single nod to any noble aspect Damian's achieved beyond that. we're constantly reminded of Tim's greatest hits as Robin, from taking on the mantle to pull Bruce out of darkness (#135, #138), mastermind a whole takedown (Gotham War: Scorched Earth), and always being on the same wavelength with Bruce etc. the entire run sings Tim's praise, and it's deserved!! my problem is how it's in stark contrast to Damian's portrayal of being the other Robin who's only special because he believes he's the greatest son and wants to be at Bruce's side.

so all this to say, if your fav is Tim YOU'RE EATING WELL!! personally as a chronic enjoyer of things, this has been an entertaining run! as a chronic enjoyer of Damian, it's definitely not for many of his fans at this point in time.

i did like this part!! his grin!!

thinking abt the happy pills arc again but mostly importantly at how many references of brazilian history was there during forevers lives specially the music... like the clothes ccforever was using the video of rio in the 50s the references to vargas era and bossa nova. i saw an artist making an animatic of him using "construção" by chico buarque which is one of my fav songs from the anti ditactorship era along with "panis et circenses" and my brain got rewired as well. gosh it was soooooo so good and so well done you can even make a video essay about it ccforever rlly poped off with that i never felt so hyped with an arc bc im an history nerd AND seeing brazilian history implemented on a multilingual server was just *chefs kiss*

isaac & scott / mason & theo | sometimes all i think about is you