A-qing is such a tragic figure and i care her so much but one thing I love is this quiet character arc she has from a little girl doing what she has to do to survive, already more wordly and bitter than Xiao Xingchen even at her young age, a girl who isn't cruel but isn't here to help other people either, into genuinely a kind of guardian figure. After her death she sticks around and dedicates her non-life to protecting people, leading visitors away from Xue Yang and warning wwx and the juniors about him. And it works, in the end, without her they wouldn't have made it.
The yi city arc can seem so cynical sometimes. Idealism fails, helping a dying stranger by the side of the road only leads to tragedy, but a-qing cares and it helps! She's a counterpart to both xiao xingchen and song lan in that way, and thematically also a kind of counterpart to xue yang, where tragedy becomes a motivation for caring instead of against it. It's a weird thing to say since she's a kid that dies and her soul is shattered, but I think yi city would have come off a lot darker without her.
86 notes
·
View notes
ok actual hot take uhhh chommy should've died when he did and he should've stayed dead
strongly agree / agree / ambivalent / disagree / strongly disagree / don’t care whatsoever
too much of a lorehead to agree with this, i fear. but have u considered how fucking funny it was to see c!inniters at the time bawling their eyes out only for c!tommy to be revived like 2 days later . bc that was HILARIOUS
33 notes
·
View notes
i will always be on my high horse about believing henry equals one equals vecna when i first watched st4, and STILL believing he didn't deserve to be trapped in the lab for decades and getting a genuine pit in my stomach when baby henry was strapped down, branded, and visibly afraid/uncomfortable under brenner's care. like idk man it seems like something went wrong in your life if you saw a child pinned like a bug, no matter their supposed circumstances, and thought they deserved it. sounds like a huge moral failing on your part
13 notes
·
View notes
do you ever think about how will probably wishes he was braver?
that he could tell mike the truth about himself without having to speak in code. that he could stick to his guns when he's been wronged and stand up for himself rather than tucking tail and turning the other cheek. that he could be less shy, less sensitive, less cowardly, and maybe then his loved ones wouldn't forget about him as often as they do.
maybe then they would pick him first, rather than leaving him for last. maybe then they would want to hang out with him and hear what he has to say. maybe then they would treat him like they used to, like he can still take care of himself just like they can, instead of like a fragile little thing that they pick up only when they need him. maybe then they would care about him as much as he cares about them. maybe then he wouldn't doubt that it could all come crashing down once they know who he really is, and always has been, because the rest of him would've been enough.
like, maybe he wishes he didn't freeze or run away so much. maybe he wishes he wasn't so afraid all the time, of every little thing. that he could be brave like mike, el, or his mom. i mean, el's been through so much, too. why can't he be more like her? why does he have to hide behind her? he hides behind her when the monsters come crawling back, and he hides behind her when he can't bring himself to say what he really means—even after getting on her case about it.
he spent so much time on that painting. he didn't let anyone see it—it was that special to him. why couldn't he own up to that? there's no monster in the van with him; it's just him and mike and this painting of the party, nothing inherently incriminating or romantic, and still—he can't help himself. he retreats back into the shadow, shrinks into himself, and tells lie after lie to the person that he never lies to, that he knows doesn't fucking deserve that, just because he's too scared.
of course he'd feel like a mistake sometimes. of course he'd hate who he is (if That script is to be believed), when he can't even talk to the one person that would understand without lying straight to his face, over and over again, like a fucking hypocrite. of course he'd feel so lost without the person that tells him it's okay to be this way and shows him that there is indeed strength in it. of course he'd hate who he is when he's encouraging someone to be true and speaking about their courage, all while being incapable of taking his own advice, and giving the credit for all of his love and efforts and emotions to someone else.
so many people died to bring him back, so many people died just because he didn't stay dead when maybe he should have, and for what? so that he can continue to hide rather than live his life? so that he can turn into a "worse" version of himself? so that he can live in fear? so that he can continue to ache for a past that he can never return to, while everyone else moves forward and berates him for not doing the same? time stopped in the upside down when will went missing, and he's been stuck there ever since, too. too much has happened for him to move on from. too much has changed—he's changed. he's too different now, in every way, and the older he gets the more clear it becomes.
of course he'd feel like a mistake. of course he'd hate who he is. he's the common denominator here: in his loneliness and in this war. the boy who came back to life when others didn't. the boy that got possessed and couldn't fight it. the boy that turned into a liar and a coward and must learn to live with it, even if it's at his own expense. the boy that can't let go of the past and whom the past won't let go of either, because even after everything, he's still connected to this great evil that won't let him go. they got it out of him, and yet the tether remains, because of-fucking-course it would.
just—why? why him? why can't anything ever go right with him? why is he always the outlier? i think that overwhelming amount of fear, shame, grief, guilt, exhaustion, and loneliness would wear anyone down, let alone a teenager that never asked for any of it and has experiences so unfathomably unique that the only other people that could have possibly understood are literally dead.
64 notes
·
View notes
In the "a day in the life of eclipse" it wasn't the first time Solar's Moon treated him badly. Remember when Lunar first showed up in Solar's dimension, Solar told Moon that there's a dimensional traveler and he'll deal with it. And his Moon responded with "good because I don't care!" it looks like his Moon has been aggressive/treated him badly to him from the start. Sorry, I just didn't understand what you meant by you ignoring the lore from a day in the life of eclipse because it is part of the lore now
You're new on my blog which i frequently ignore things in my headcanons from time to time. And that canon changes from how its interpreted.
Anyway, stems from Solar's explaining his moons situation. The lore SLIGHTLY changed. In terms of Moon, being slightly Glitched due to killcodes removal/memory loss. He never mentioned Moon being mean before that (at least not on the terms before he left his dimension). Not unlike things to be slightly aggressive from Moon tho, just it wasnt PERCIEVED moon was a jerk to Solar UNTIL Solar reveals this later on (after Lunars death). They didn't really develop his story until later a little more. So I'm sticking to my previous headcanon of Moon having a glitch, which is canon to s degree? SOLAR himself has mentioned he wanted to fix his MOON AND SUN. Which was forgotten/changed and turned into just sun then into Solar leaving forever.
24 notes
·
View notes
Always assume I'm at least vaguely thinking about how his family is lucky Paris has little to no ambition and thus didn't choose Hera (regardless of if she would be the correct choice or not).
11 notes
·
View notes
when it comes down to it, however much i think about eiffel's memory, whatever my reasoning might be, i think there's a much simpler core explanation for why i feel the way i do. i've said before that, if eiffel did regain his memory, i would want it to happen through 'an eiffel version of change of mind' i.e. a personal inner journey where the narrative he tells himself amounts to some greater reminder, self-confrontation, and self-realization. and that's just it:
eiffel regaining his memory wouldn't be a cop out to me for the same reason that lovelace not actually dying isn't a cop out: it's not just a story beat, it's a catalyst for character development & a better understanding of lovelace as a person. eiffel has spent his whole life trying not to be the person he is, and i just don't feel wolf 359 is the type of story to let him off the hook for that, when the ending is as much about accountability (to ourselves and to others and all the ways those responsibilities overlap) as it is about hope. i think there are ways you could argue that eiffel can still be eiffel without regaining his memory, but i think i've convinced myself that the symbolic resurrection / self-confrontation and acceptance of all the people he's been in the past, in order to move forward, is the more compelling option, especially for what it parallels, and the "eiffel is still eiffel" part is non-negotiable. it doesn't even feel like a question to me.
(and it makes the most sense to me in the context of eiffel's survivor's guilt - "of course i was fine. the driver's always fine." - and tendency towards a type of self-sacrifice and self-punishment that the show ultimately denies him / that doesn't address his real problem. he thinks sacrificing himself for the people he cares about will make up for something, but it won't. having him make that sacrifice and then keep living and keep being doug eiffel, with everything that means, feels like the natural extension of constructive criticism.)
in another story, or in a more theoretical context, there are all kinds of questions you could ask about whether eiffel's memory loss means he's a different person now, but in this case... i think it's better understood in narrative terms and what it represents for him as a character than any broader philosophical conclusion about the nature of the self and human consciousness. (and it is in no way as absolute as people sometimes behave like it is, considering he still has a concept of, like... everything. but that's a whole other topic of discussion.) most importantly, i just don't believe wolf 359 is a story about ideas as much as it is a story about people, these people, and in order to (hypothetically) continue to tell a story about doug eiffel, well. he has to still be doug eiffel. one way or another.
100 notes
·
View notes
I absolutely LOVE your croco dad, Au, but it also makes me sad thinking about the other strawhats! Nami is being forced to work with arlon, and Usopp is still being home island, zoeo probably loses his way and accidently get into the base so iam not as worried but still worried about him to
the east blue crew will slowly make their way into the au, this is the bad timeline but all things considered theyre doing pretty well actually, dont worry too much about them! since theyre not the main focus they wont suffer (on screen) too much.
26 notes
·
View notes