#it's about grief. it's about love. it's about how they're both the same thing | Explore Tumblr Posts and Blogs

kentopedia · 9 months

Text

when nanami dies, there's a box of letters waiting for you.

months pass before you find it. it's not until you're cleaning out his things, wondering if you can stand to get rid of them, that the letters are there waiting for you.

its no bigger than a shoebox, dark wood engraved with an intricate design, one that you're certain kento picked out specifically for you. you've never seen it before, and you open it with shaky hands, tears already pooling in your eyes at all the memories your lover left behind.

inside, there's a stack of letters, each one dated at the top with kento's name intricately signed at the end. some are in sealed envelopes with beautiful stamps. some multiple pages long and include some little haikus that are far too lovely to be about someone like you. and some are just quick little notes scribbled on napkins.

your spread them across the floor, staring down at each of the tiny little hearts he'd drawn next to your name on each note. even though you'd been together for years, you had no idea that he'd been writing all of them—hours of his life dedicated to this little pastime, and you'd been clueless.

they're like journal entires. insights into kento's life and your relationship, both the good moments and the tough ones. he leaves behind everything to you, entrusting you to keep his entire existence safe in your hands.

you read the letters with tears streaming down your face, and you choke on your sobs, trying so hard not to smear the ink from the wetness on your cheeks.

when you pull one out with shaky hands, you realize it's a decade old. the writing has faded a bit, and the paper is yellowing, but it's kento's handwriting, nonetheless.

it makes you near sick to read it. for a minute, you have to set it aside, cry into your knees as you curl into a ball, wondering when you'll ever stop feeling this empty.

this letter is from a sixteen year old kento; a quiet boy who had a silly little crush on girl in his year that was much too pretty for him. and in the letter, he says he knows you're too good for him, but he can't help but love you. he can't help but hope that one day, in a few years, you'll want to marry him as much as he wants to marry you.

it hurts, burns in your chest because even back then, kento had known you were the one. he'd known and he wrote you these letters because he'd felt that his life would be cut short. he'd felt like that since haibara died, and geto left, and it started to seem like the life of a sorcerer was always doomed to be an unhappy one.

kento had been so afraid that his friend died without knowing how much he meant to him, and he refused to make the same mistake with you.

there are letters from even when you weren't together. from the years that you were eighteen, nineteen, twenty, and kento had been so desperate to leave jujutsu behind that it meant he had to leave you too. even then, even when you were nothing more than a shadow from his past, he adored you.

you feel so outside of yourself, nauseous and filled with so much grief that you're not sure where to put it.

sometimes, you’d doubted if kento felt as loved by you as you did by him. but there's pages and pages of him speaking of how special you make him feel, even when you were separated, and he missed you so much that the thoughts of you consumed him.

you spend hours going through the letters, and then, you see one dated halloween, 2018. even breathing feels hard, but you can't stop yourself from reading it, even though you know it will destroy you, know that you won't be able to leave the house for days after reading it.

in the letter, kento says he loves you. he talks about the day before, when you'd convinced him to watch some halloween movies, and though most of them were silly, he didn't care how he spent his time with you as long as it made you smile.

he says that he feels bad for cancelling your dinner plans, and he's going to be thinking of you when he's in shibuya. that it's such a shame that being a sorcerer is so much more fulfilling than a salaryman, because it cuts into your time together, and you’re the most important part of his life.

he says he loves you again. that he really hopes he makes it back from shibuya because even though he's never told you, he wants a family with you.

he says he’s decided he'll bring it up when he gets home safe and sound. he’s not sure how you’ll feel about it, but you better know that he’ll always love you no matter what you decide, even if what he really wants is a little girl that looks just like you. and lastly, he hopes that you don't stay up too late waiting up for him—you’ve been so tired lately, and it’s making him feel bad.

his name is at the bottom with another little heart.

you let the letter fall from your hands.

#AHHH #so this is the aforementioned nanami thought <3 #im definitely coping very well #i miss him :( i love him :(#beloved kento 💋 ୧⋆ ˚｡⋆#nanami x reader #kento nanami x reader #nanami angst #xoxo rylie 💌 ୧⋆ ˚｡⋆

3K notes · View notes

mylittleredgirl · 3 months

Text

i know some of you have been pressing your faces to the glass waiting for me to see this one in particular SO i saw "the nurses" the other night and am still thinking about it!!

i love love love it when characters get pushed to a point where you can almost see their childhood selves pop out, like are they even talking about what's happening right now? or are their 12-year-old hearts just screaming?? i love that margaret's outburst is both irrational (the hostile work environment is coming from inside the house; i was yelling at my tv "baby it's your fault!!!") and so so honest.

[this turned into a bit of a character thesis, so not only is there a readmore, there will also be a reblog soon with the rest of the post because i maxed out the image limit] [edit: part ii now in the reblogs!]

this whole time, margaret has treated her subordinates with a heavy hand because she thinks it's the right and fair thing to do. the rules say this is how it works!

she maintains a high standard of excellence in brutal circumstances, but she's also reactive, moody, and unforgiving. she's often shown on the edge of losing control and authority, she inflames situations by overreacting, and the thing she punishes most egregiously is disrespect (toward frank, toward the army, toward herself). she intentionally underlines the distance between herself and the other nurses at every turn.

from season 3 "there's nothing like a nurse": [all IDs in alt]

really, everything she thinks and does comes from a place of "they're not supposed to like me," but the childish part of her that is completely unable to see her own behavior is confused and hurt because "i'm just doing my job so why don’t they like me???"

it's her job to maintain discipline, but especially here in 4077-land, she doesn't have to lead with the whip. henry was beloved because he was an overly permissive clown, which will never be her speed, but colonel potter has all the same training as she does. he's loved and respected as the Good Regular Army Guy because he leads with discernment and mutual respect.

it's easier for him. he's more experienced, he's respected and supported from above and below, and he has a calm temperament — which isn't nothing.

from season 4 "the interview":

whether she's aware of this as a problem or not, we at home can see how margaret's inability to control her emotional reactivity causes her as much grief as her inability to control other people.

if she were capable of laughing off small slights, hawkeye and trapper wouldn't have used her as a chew toy so much, and henry might have taken her real concerns more seriously if they weren't lost in the noise of daily fits, you know? she rarely started it, so i'm not blaming her for the hostile chaos circus of seasons 1-3, but i am saying she would have had a better time if she knew how to take a few deep breaths.

this description from the script, after the near-brawl in the nurses' tent in act one, is basically her character thesis statement:

and here, when she's reacting fully emotionally, the truth comes out! the reason that she won't be flexible and show compassion to the nurses isn't because of the rules, but because they're mean to her!!

that's obviously a very bad place to lead from. she has enormous institutional power over them, including controlling their freedom of movement, but she feels like all the other girls in school are hanging out together and they hate her. because they are! and they do! the fight in act one boils over when they make fun of her hair, and that sent all of them back to middle school.

and in many ways, that's where margaret's emotional maturity is stuck (which is, i think, why i find her so endearing). she can't see herself. she knows they don't like her, trust her, or want her around, but she doesn't understand how she dug this hole herself, or how to get out of it.

to add insult to jealous injury, one of the nurses (mary jo, who gets between margaret and baker to stop the fight and takes care of the others in different ways) is margaret's age, and the others look to her as their chosen leader and personal support.

and i'm sure margaret had NO IDEA this was the messy truth until she heard it come out of her mouth.

and her emotionally breaking on the "one lousy cup of coffee" in particular…

i wonder, how often does some version of that first tent scene happen? does she deliver their assignments every night? she walks in already defensive, they immediately stop laughing, and then... she either finds a reason to scold them or they ice her out until she leaves. (and they probably start laughing again as soon as she does!)

from her perspective, when she arrived for the dreaded sleepover and they turned out the lights the minute she walked in, it's like they cancelled the nightly coffee klatch just to avoid spending one social minute with her.

i also think the nurses are right when they assumed that she wouldn't have accepted an invitation to hang out with them (and might even have snapped at them for being inappropriate for asking). she doesn't cross that emotional line, even when she should — she didn't know gaynor was spiraling after losing so many patients in a row, and didn't respond compassionately when she learned.

has she ever invited them for coffee or a friendly chat? no.

...... but her circumstances have recently changed.

[reblog with the rest of it is here!]

#margaret houlihan #mash #mashblogging #margaret is a holy hot mess and i love her sooooo much

404 notes · View notes

whorerificstuff · 2 years

Text

What if you and this male character were expecting a baby....

At first he was so excited to meet them, you were too after trial and errors to conceive a child. He knew you wanted a baby and he was there to give that. He knew you were pregnant the moment you ran through the bathroom door. The same symptoms that of a pregnant woman. But you wanted to make sure you really have a life growing inside of you. And you were. You were happy, he was happy to start a family with you.

Sometimes he would see you check yourself in the mirror everyday. And each passing day your stomach grew bigger and bigger till it was visible to everyone that you, his adorable and beautiful wife is carrying his child.

He saw how much you love the unborn baby. No, Words could not comprehend how much you anticipate to meet them.

Then there was that time he woke up with you gone. That made him jolt right up in panic only to see you grinning ear to ear, eyes sparkling in ecstasy at him. He let out a sigh of relief.

"They're kicking"

That's what you said, your cheeks now dusted in pink. He couldn't help but stare at you, your hair was a little messy, a few strands in disarray but nevertheless you were still ethereal in his eyes.

You reached out for him to stand up and led his hand to your baby bump. He was very careful and gentle as he pressed his palm on you. He couldn't help but smile too when he felt the kick. He knelt down telling the unborn child that he wishes to see them and to not make things hard for you during labour. He felt you brush his unruly hair as you told him, eyes heartfelt and like a loving wife and mother would, that no matter what the cost, no matter how painful it is, you wish for your baby to be healthy and see the world. You smiled your eyes squinting a bit. They were full of undisputed love and he wish to see them every waking moment.

•

The skies were in their darkest shades of gray and the pour of rain was unforgiving. The atmosphere was mournful, somber very appropriate for a funeral.

He held the umbrella to protect himself and the little bundle from the rain. He stared down at a grave, his eyes were tired, dull, a very expressive lament in them as if he had been crying for the longest time till he couldn't anymore, and on that stone protruding on the surface of the wet earthly floor carved, is your name. You didn't make it. He was unable to shed any more tears. He already cried far too much. All he felt was loss and an immeasurable amount of grief. He hears the baby coo in his arm, the baby that you left him, the child that you both made out of love for each other, the only thing connected to you.

Everyone that attended your funeral all left and shared their grief and respect. It was only him and a few concerned friends that stayed watching him mourn from the background.

Your brother decided to finally approach him, he has the same doleful expression as the others that attended your funeral and the same look of sympathy for him, the husband, and the father of your child. Your brother told him it was time to leave, that the rain is cold for the baby. He was hesitant to leave but complied for the baby's sake.

His and your friends and relatives were worried for him. Your mother offered to stay with him till he knows how to care for the baby himself. It didn't take long for him though, but even without anyone's help he would still learn how to care for his baby daughter, but he'd rather much have you see him struggle, to try and try until he got the hang of it. He wanted you to praise him to tell him he was doing well, but alas, you aren't there. The home you used to share feels painfully quiet without you. His heart aches everytime he sees every trinkets that you bought and decorated all over the house. Everything reminds him of you. Especially the little baby who's soundly sleeping on the comfiest cradle that you have chosen, you were right about the baby being a girl, he could never argue with you, you're always right, all except when you told him you're gonna be there for your baby girl, to hold her, to feed her, to wake up every night, to watch her grow into a beautiful young lady, like her mother.

He couldn't sleep in his first night without you, and the next day, and the days after that. The bed was cold and too big for him. His friends called and asked him if they could be of any help but he told him that he can manage with taking care of the little baby.

But what about him? You weren't there to scold him for not eating, you weren't there to shoo away his intrusive thoughts. He was hopeless, the only thing that kept him moving was his daughter. She looks so much like you and it hurts so much. He misses you so much. There was never a night where he would not cry, where he would accidentally call for your name and expect for a reply. He had to be there for your baby. The baby that you grew to love each and every passing time and day. He'll try to make his daughter feel the same love that you've been giving to her. He'll let her know and feel how much you love your baby girl.

It was in the middle of the night that he hears the loud cries of his baby daughter. It had been a few weeks after your death, the empty space beside him, the space where you used to lie grew cold. That's right you're not here and never going to be.

He went to where the little pink crib was, his daughter was squirming and crying. If the neighbors weren't so understanding they would be knocking at his door every night.

The baby's crying was getting louder. He tried feeding the baby but she wasn't even hungry, he tried cradling but the crying kept coming, there was no sign of her stopping anytime soon. He wishes you were here, you would know what to do. Your touches were able to calm him down when he was stressed before, and he believes it'll be the same for his daughter too. No baby would ever reject a mother's touch.

He tried rocking the cradle gently hoping it what his daughter wants. He grew frustrated at himself. He doesn't know what to do, why his daughter couldn't stop crying unlike before where she was very lenient of her father.

"Please stop crying" He begged his daughter. She didn't, she kept wailing.

He wished you were here. He wanted to see you holding the baby to stop her crying and calm your baby down.

He couldn't help but also weep with his daughter. He missed you so much. And with that thought a few tears drip down at the infant's face.

He wiped the tears on his daughters face, but it was useless as new tears kept sliding down on her plushed cheeks.

He couldn't even wipe his own.

Then another memory dread his mind as his breathe hitched suddenly remembering what the doctor had said.

Newborns could not live without their mothers.

He couldn't help but only pray and beg

"Please be healthy"

"Please don't get sick"

"I'll buy all the things you want"

He closed his eyes kissing the temple of his daughter. He was scared that he might lose her too.

"Just please-..please don't leave dad too"

NOT REVISED AND SUBJECT TO CHANGE

5K notes · View notes

hollowingearth · 3 months

Text

I'm sorry but the more I think about the Rebirth ending the more I love it actually like. The whole trilogy has been a meta commentary of sorts and, specially, Aerith's death is at the epicenter of it. She both dies and doesn't die exactly because us, as an audience, want both things to happen.

People have been clamoring to be able to save Aerith since 1997, there were fake hidden hacks, AU fictions, retellings, everything. Everyone has been at Squeenix's doorsteps begging them to let us save her. Like, it's at a point where the "Square will let us save Aerith if you pay for the DLC" joke is much more than a decade old.

On the other side, there's this very expressive unwant for any change whatsoever from the source material. It's not a feeling that is exclusive to FF7 either, there's this very clear pushback against any new remake/adaptation that deviates, even slightly, from it's original. People don't want new content, they want the old one they experienced when they were younger, but prettier, they want to both feel the nostalgia and experience everything as if for the first time again.

From that camp, I think the most prominent argument is that FF7 is about loss, right? And they're not wrong. Aerith's death is the crux of the story, it's the very thing that made FF7 as known as it is, there would be no actual weight to what it's trying to tell if the heroine doesn't die in the middle of it, an unexpected, hurtful, avoidable death. What's the point of a narrative about grief if you can just... avoid losing someone? Avoid having it be cruelly taken from you?

And yet, you see, if want someone to die, if you want something to be taken from you, are you really losing it? In the original, part of the impact was that no one could see it coming, it was a straight representation about how death is sudden and takes away opportunity from you. Aerith doesn't go into the sleeping forest willing to make a sacrifice for the greater good, she has barely started her adventure, she makes a promise to go on the highwind, the group is one location away from finding out more about her ancestry and her family.

That's not true for the remake, tho. Everyone knows about her fate, about what is going to happen to her. That's probably the most spoiled moment in video game history. I personally knew about her death before I truly understood what Final Fantasy even was. So now we have an audience that is extremely aware of what, when and how her death is going to happen. That's why the Confluence of Worlds is put at that moment, because it's the single most expected moment in the entire triology, it's the one moment that made the narrative resonate so well.

The impact is impossible to recreate now, even for newer fans of the series. People want a 1:1 retranslation but such a thing would always be a gimmicky shadow of it's original. It's why the focus shifts, now the most emotionally impactful scene is not the killing of her but of her goodbye, in the church after the dream date. "Thank you," Aerith echoes "It's been fun", a callback to her conclusion on Remake where she says "I'm grateful for all the words we shared. All the moments and the memories. You've made me more happy than you know."

So she dies and she doesn't, both at the same time. Effectively in limbo now, narratively explained by lifestream shenaningans. We put her there ourselves, by refusing to move on, refusing to accept her death but also refusing to change, allowing a different outcome. I don't think that's necessarily a bad thing, at least, Aerith's words sound like the very sincere feelings of the developers, who are grateful for all the love we all have powered into their work all these years.

I just love it so much, I could spend hours talking about it.

#ff7 rebirth #ff7 rebirth spoilers #ff7 remake #final fantasy vii #aerith gainsborough #aerith #meta analysis #ff7

256 notes · View notes

punkshort · 7 months

Text

18+ account - minors do not interact warnings/tags included on each individual work.

No use of Y/N in anything.

I'm open to requests but it might take a few weeks.

Thank you for reading ❤️

Series

The Way We Were [complete] : You worked for Joel and Tommy a few months before the outbreak. When the outbreak happens, you and Joel get stuck traveling the country and keeping each other safe. Neither of you spoke about the feelings you had for one another pre-outbreak, and in a post-apocalyptic world, it seems like survival should be your only focus. But feelings can't be ignored forever.

Look What We've Become [sequel to TWWW - complete] : You are tasked with taking a young girl back to her family while trying to salvage your relationship with Joel after certain events cause the biggest strain either of you have ever had to face.

I'll Be Home For Christmas [complete, but on-going updates] Having just caught your fiancé cheating on you, you decide to come back home from the big city to Austin for the month of December to try to figure out your next step. You had no idea you would be getting more than you bargained for with the handsome single dad who built your parents' house.

Somewhere to Run [complete] : You move to a small town in the middle of Texas to escape your past and start over. You don't expect to fall for the town's handsome sheriff.

I Know Who You Are [complete]: A fall on patrol causes you to lose your long term memory, forgetting the identities of your friends and loved ones. You have to learn all over again how to survive in a post-apocalyptic world, and you learn things about yourself along the way.

Roommates [in progress]: Your roommate, Maria, introduces you to her boyfriend's brother. You hit it off immediately, but when you find out the true nature of his profession, you both decide to remain just friends. But once the four of you eventually move in together, things get... complicated.

Evergreen [coming soon]: Two unlikely strangers meet and bond over a shared trauma. But what happens when the lines unexpectedly blur and they're both overcome with guilt? Will they allow themselves to love again, or will they choose to drown in their grief?

Swept Away [in progress]: Detached, closed off, and hardened by failed relationships (romantic and otherwise), hotel mogul Joel Miller is looking to expand his empire to an exclusive tropical island off the coast of Fiji. The problem is, he's not the only one looking to stake his claim in the tropics. The owner of the island, a family man first and foremost, invites all the bidders to the island for a month long retreat to help him decide which mogul will be crowned the winner. And to make himself look more appealing, Joel hires you to accompany him as his significant other. But it's strictly business... right?

One-Shots/Requests

I hate when you're right : After a heated argument with Joel, you finally convince him to leave Jackson so you could explore a store for new clothes, and what happens could change your life forever.

Have A Good Night: Every week like clockwork, the same devastatingly handsome man comes into the grocery store where you work to buy flowers. It's not until he asks you out when you realize the flowers aren't for his wife or girlfriend.

Night Shift: It was a relatively quiet night in the emergency room until a handsome contractor gets admitted and adds some excitement to your life.

Hard to Handle: One year after Joel cheats on you and gets someone else pregnant, you run into him for the first time.

Collections

Hitman [on-going]: Fresh on the heels of a breakup, you move into a new apartment in a shady part of town. When a mysterious man breaks in, insisting he knew the prior tenant and needs to recover something left behind, you get caught up in a whirlwind of danger and attraction.

One-Shots

Hot Chocolate [coming soon]: You lead a quiet, boring life in a podunk town, but when a certain secret agent stumbles into your world needing your help to catch a criminal at the local carnival, your quiet little life changes forever.

credit to @saradika-graphics for the dividers

Headers were made on canva by myself

444 notes · View notes

grandtyphoonpoetry · 7 months

Text

I know it's been said before, but I feel like Katniss gets compared to Lucy Gray a lot because they're both victors from 12 and both women, but its actually Sejanus that she's really similar to. Side note- forgive me if i get a few things wrong, I just saw the new movie and re-watched all the old ones but I haven't read the books in a while.

We see Sejanus thrust into a world he doesn't feel like he belongs to, and we can assume he wasn't a revolutionary until he was directly faced with the horrors of the capital where he became one of the only people willing to speak up. On the other hand, years later, we see Katniss willing to do her own thing and not be involved until the games directly involve her and suddenly she's fighting like hell against the capital specifically, not the other tributes.

The funny thing about them is that the only thing they have going for them, or their cause, is their passion. Neither of them are charismatic, neither of them are particularly likeable or make good impressions. They're brusque, disconnected, determined and absolutely unwilling to play a part, no matter how it may alter the outcome. How other people view them matters very little and they operate on a one track mind. Sejanus made a statement to the game makers and honored a friend when he broke into the arena for Marcus, filled with grief and only half thinking. Katniss did the same when she covered Rue with flowers and when she hanged the dummy of Seneca Crane. Both are calculated but are shortsighted when it comes to their actions. They're sensitive and caring but it's not an immediately obvious character trait, and not something that they're generally known for.

They both just wanted there to be peace, they wanted there to be change, but they didn't want to be the ones to have to do it, unable to handle that kind of weight on their shoulders, and unable to put on an act. Katniss was ready to run from the fight as long as she had the people she loved with her and they were taken care of. Towards the end, all she wanted was for her and Peeta and her family to be safe and away from the fighting. Sejanus tried to help a group of people run away, and tried to run with them, and away from the mess Panem was becoming. He didn't want to be in the middle of it anymore, and as long as he could help a few less fortunate than himself and be away, he was okay. Both of them have break downs on several occasions when their quick actions of what they thought was kindness have consequences they NEVER wanted for anybody (after Katniss speaks in 11 or when Sejanus accidentally gets the rebels in 12 weapons).

Snow was definitely triggered by Katniss because she sang Lucy Gray's song. But he was probably fascinated and enraged by her at the start when she, and her lover boy(artist, performer, lover of people, Lucy Gray) START the games unconventionally -together- and Katniss is passionate, and she's calculated and at the same time so so so impulsive and myopic, and she reminds him of someone. Somebody he betrayed a lifetime ago but that betrayal was his tipping point of NEVER coming back to ANY good he had left in him. And she cries for tributes she knew for a day, and she can't act, even if her life depended on it (and it does), and she lashes out without forethought creating another mess Snow has to clean up, and he can't get a handle of her, and she's a disaster, and all he can think is Sejanus, Sejanus, Sejanus while he tries to control her more and everything spins out farther than he could've imagined.

Sejanus trusted Snow, and Snow outsmarted him, and in the end it was Sejanus's traits he went up against, and he underestimated her and he lost everything for it.

Me and @diamondsunbursts-and-marblehalls have been breaking down all the characters and their connections so thank you to them for helping me flesh this out.

#sorry this is a mess #there may be a lucy gray/peeta post coming soon #i just have so many thoughts #it was devastating #the ballad of songbirds and snakes #coriolanus snow #sejanus plinth #katniss everdeen #peeta mellark #lucy gray baird #the hunger games #suzanne collins

466 notes · View notes

a-doubleh-x · 1 month

Text

Buttonblossom Analysis in TADC Episode 2

(Background rainbows: hint, hint)

Ragatha was so sweet to Pomni in episode 2 🥺💖 Most people caught onto the obvious fact that Raggs is being codependant and leans onto toxic positivity on the way she tries to cheer up Pomni, but I still think for the most part her heart is in the right place.

I liked their dynamic in episode 1, but I liked it so much in 2 I decided to write a little analysis on it (plus the ship fuel 👀) in preparation for the romance fic I'm writing about them.

Without further ado, let's go!

Looking back at Ragatha, on the good side, she made some very strong, active efforts to help her during her transition into the digital realm. She checked first thing in the morning if she was okay, she tried to make her feel included in the adventure at the beginning and showed care for her safety overall.

My favorite scene, though, is when the circus gang falls into the fudge river and after checking in on them, the first thing she says is: "Poor Pomni!" 😭 Girlie is so empathetic she even manages to care for someone who's not even there, while she's in a terrible situation herself!

I think this proves how much of a good person Raggs is. She doesn't just help people to feel good or superior, she does it because she geniuenly cares for other people's wellbeing and I find that very noble 😊

On the negative side, she seems to have some very particular communication issues with Pomni, even though she seems to be the circus memeber she cares the most about at the moment.

For starters, her attitude comes off as a little condescending very often. She hardly asks questions to Pomni and tends to assume for her. She hardly acknowledges some of her struggles and tries to downplay them, like when she degrades their experience as "larping". Also, she makes Pomni feel like a child when she tries to "hype her up" in her own words.

If we take Pomni's nightmare into consideration, it seems she believes Ragatha thinks Pomni is not "cut out for it", which might be a result of her condescending behavior I just mentioned.

This makes sense to me and also sheds a little bit of light on how Pomni sees herself as: small and insignificant. It's unclear at the moment how she was before on the physical world, but I speculate based on this evidence she probably didn't think she had much agency in her life (just how she feels in the circus).

At the end, however, thanks to her experience with Gummigoo and looking at the crew grief over Kaufmo's abstraction, Pomni opens herself more to the crew, which is a very good sign.

I think her current dynamic with Ragatha is wicked cool! ��️ There's a lot of room for growth, which is good in my opinion. Ragatha clearly cares a lot about Pomni and I think with time she could grow to reciprocate her as well.

Despite her cowardness in episode 1, I always had the feeling that Pomz was deep down a caring individual as well, which was solidly proven in 2 with her interactions with Gummi.

On the fanon side, I saw a lot of fans foaming at the mouth (myself included) over the fact that Ragatha was such a tryhard with Pomni (which was anticipated to be the contrary). Some fans have interpreted their potential dynamics as both being shy, which I really, really like.

I believe I will definitely include that in my future fanfic. Another idea I wanted to explore is Pomni talking to Ragatha about her overbearing issues, while still appreciating her good qualities at the same time.

I think it's going to be great ☺️❤ I already look forward to what the end result is going to be. I love mutual pining and I love sweet lesbians caring for each other (even when they're silly girlfails). I'm planning to start by submitting chapter 1 by next Friday and submit a new one every following one, as I've done before.

Get ready for digital lesbian shenanigans 🎪💙🎀 See ya!

#the amazing digital circus #pomni #tadc ragatha #pomni x ragatha #ragapom #buttonblossom #ship dynamics

192 notes · View notes

salamander-spark · 2 months

Text

Disguised forms for the other Basilisks!

(Including my interpretation of Number II's appearance)

+ headcanons, as well as backstory for my AU highlighted in green.

Number II, aka Tulip🌷

Age≈ late 20's/early 30's (~15 years older than Vee)

Goes by They/Them, Is the second oldest of the experimented Basilisks. They firsthand witnessed Number One(Greater basilisk that attacks Hexide)'s descent into madness and animalistic hunger. They were scared of what they could become, so they fought extra hard to retain their sanity, vowing to protect their younger kin. Tulip often risked taking punishments from the captors in the other's stead.

(Hight comparison for Tulip's true form (Vee for reference)

At around 15 years old, Tulip hears scouts talk about a new test subject that hatched recently and will soon be ready for experiments. Tulip breaks out and rescues the infant number five. A month of laying low later, and they are both hiding in a cave. Tulip finds a pool of Titan's blood trapped deep within, and they both enter into the human realm.

Tulip can't stay. They know they need to protect Treble and Ivy. So they watch in the shadows as Vee is taken into the care of a couple of humans before leaving her behind, where she can grow up in a place far from the Emperor's grasp. They absorb the remaining magic in the portal, severing this temporary link so that nobody can follow their child.

🎼Treble & Ivy🌿

Ages≈ Mid twenties

Treble: He/They, Ivy: She/Her

I got the idea to name him Treble from The Angel of the Owl house, by OwlHouseAngel on A03. I thought fit well, considering they're playing Eda's Citern in the finale, and the Idea of a basilisk playing instruments sounds cool. (even inspired some things for my AU)

Both were created from the same set of samples at the same time, making them twins. They've got a close-knit sibling bond, very protective of each other. Treble gets headstrong and does risky things like attack coven scouts. Ivy often has to reign Treble in to prevent him from being too reckless. She tends to take an overly cautious approach to anything new.

I'm still not entirely sure how they play into the AU, but they meet Vee and are introduced to Camila to be accepted into their family

I loved this shot when I first saw it, I'm glad to see at least someone in the crew cares about them

& 🌺Viola "Vee" Noceda

I like to think she has a collection of different sweaters and chooses to wear them to keep her warm. Basilisks are mostly cold-blooded but passivly use up their magic to keep warm in cold temperatures. Vee likes to conserve energy by dressing warm during the colder months

She ended up in the human realm thanks to Tulip and was quickly adopted by the Nocedas. Not knowing about her origins, she's horrified learning what her kin has gone through.

She's less timid when confronting danger and hasn't gone through her canon trauma (minus a few fears like sharp objects and dark basements from ). She does, however, have trauma and grief from Manny's sickness and death.

244 notes · View notes

llamagoddessofficial · 8 months

Note

Hello hello! This is Relating to the prison au and the idea suddenly came to me but how would it differ if the mc was a a lot younger like an intern? I tried searching more if it was even allowed to be a med student intern in a prison but I dunno I just thought it was a neat idea, like if she appeared like an optimistic platonic younger sister more than a romantic interest? Aaaa sorry English isn't my first language I hope the idea got through ^^'

I want to congratulate you, anon... you're the first person in a long time to ask something related to prison au that has never been asked before!

Sans: Unfortunately, he'll be even worse. More manipulative, more possessive... more evil. With an older Mc he might see her as easy to manipulate, but he still absolutely views her as her own person- he'd do bad stuff but he (at least) would still respect her opinions and choices. When she's young, he does not respect her opinions and choices. She's just a kid who doesn't know better, someone who needs him to make the big decisions on her behalf.

The worst part is, once he attaches, he sees her like a little sister. It really fucks up his mind- all of those messy, dark, painful feelings about Papyrus, all that unresolved grief from losing one younger sibling... he doesn't care what happens to anyone. Or anything. So long as he doesn't lose any more family.

He's kind to her; oh-so-kind, a sweet and goofy older brother figure who makes terrible puns and chats to her for hours about her favourite videogames. But he's a terrifying empty creature, and he's absolutely going to use her youth and inexperience to his advantage, to make her trust him more than everyone else. Nothing is off the table.

Red: Red adores her. Much like Sans, he ends up in something of a 'big brother' role- the difference is that Red's connection with her is a lot healthier and gentler, with a decent amount of friendly 'fighting' (tossing harmless insults at each other). He turns into a different person around her; he minds his language somewhat, he manages his temper better, although he teases her his teasing never has any venom and he'll drop jokes that upset her. He was built to be a big brother, and he misses his Papyrus a lot- it feels good to have a bond like that with someone again.

(Speaking of Papyrus- he loves Mc too. He sees the effect she has on Red and he absolutely wants to encourage the positive growth. Also... he always wanted a younger sibling.)

Red makes jokes about giving her contraband or getting her in trouble, and her presence in his life has put her firmly on the inmate no-touch list. Red may be a criminal, and he may associate with people who have done terrible things... but he reserves the worst of the worst punishments for those who hurt kids, and his family. Let alone both.

She's been adopted by the mob.

Skull: Skull's intense feelings about Mc in the prison aus aren't really specifically romantic or platonic in the first place. It's his Soul crying out for love and connection after so long alone. They're just Skull Feelings- so a platonic Mc would see the same degree of insanity, desperation and clinginess from our darling cannibal as her older nurse counterpart.

But... I think he would be a bit better with her, overall. Mc being noticeably younger, in his eyes, makes her more 'fragile'- both emotionally and physically. That nagging thought of i need to be careful and responsible would centre him a little more, make him more aware, gentle and slow. In the same way he wouldn't want to frighten a small child, he doesn't want to frighten her; he moves like hes trying not to spook away a small animal. He'd be better at smiling.

... He would still get moments where he can't help himself. Moments where he snaps out of restraints and grabs her, moments where he attacks other staff for getting too close to her. But he tries.

#llamagines #prison au #i can never escape it #not that im complaining #love this au #sans 24/7 manages his image so she'll always come to him first... he's so silly and easy to speak to #she tells him everything and he 'tells her everything' too #meanwhile red is like ''hey shortie. short lil hobbit. you keep talkin' to me like that and ill put knives in your bag to get you fired.''

581 notes · View notes

captainmera · 8 months

Note

i never realised just how much tgb had changed how i thought about the characters (mostly vee) until yesterday when i was re-looking over my toh fan-art. You wrote them so well that i forgot that it wasnt all in the show. like how vee and gus weren't shown to being best friends, vee never got to be angry/shocked by hunter or just willow still holding a little grudge against amity. They are just cool details and im so clad they were added! ps your great

Thank you! Wow that's very flattering! I'm glad you are enjoying it!

I really like Vee, and the more I think about the gang's time in the human-realm, the more I sit back in my chair and think "Ah man, these arcs are really necessary and interesting though.."

Vee also holds a lot of plot, as a basilisk. We can speculate what the reason is that they were extinct, for example (grimwalkers were extinct too).

Wat I really enjoy about TOH's characters are how easily and smoothly they weave into each other's themes and arcs. Their personalities and histories makes them all perfect friends to both build them up and break them down. It's a chefs kiss.

Vee is no different! The set-up for her character was perfectly slotted in to what the other characters needed for their time in the human-realm. And the theme I think the human-realm was supposed to embody.

The demon-realm arc for Luz was a hero's journey, but because of the foil of the trope, and that the point was that: there is no hero/chosen one actually, and the rebels didn't make it in time like in the books, and just because it's a different realm it didn't mean Luz could escape - escapism is temporary.

Dana has said grief and hope are core elements of the story, and she chose to tell it through a foiled trope of being chosen/hero's journey, layered with a religious trauma lens.

To me, looking at Luz as the main character, means looking at her as a nerdy girl in need of escapism, wanting to find purpose, and avoiding her emotions about her dad's passing.

The return to human-realm would be, for Luz, a turning point where TOH turns from being about a hero's journey and a journey about the steps of grief and healing - at the end of it, she will find the light.

Vee, to me, is kind of like a new take on the guide character. She is not a guide, in the sense that she has all the answers, but rather all the truths.

She was right when she told Luz she had everything and still chose to run away. They're not the same. Vee is also a lot better than Luz at being normal and fitting in, something Luz has been playing off and avoiding facing. Luz sees herself as being different as a bad thing, she tried to run away to a place where "weird" was normal and that didn't work out. Now she's back home and feels that it's all her fault bad things happened, because she is herself. And the person she is is different. And different didn't mean special, just different. Of course she's depressed.

The same is true for all the other characters. Vee gets to reflect their truths too, simply by being crafted, narratively, into being the guide.

Hunter gets to face his actions as the GG, come to terms with the nuances of his bad actions, whatever reason he committed what he did. Find forgiveness not just from Vee but himself too. He gets to start over, just like her. She shows him it's possible.

Gus gets someone to share his dream with, his love and enthusiasm for the human realm. A place that Vee feels is more home than where she came from. Gus gets to grow as a person, both morally and intelligently. As does Vee, she gets somebody who shows her that she doesn't just have to be a refugee, she can have a purpose here. She can be an ambassador.

Willow was set up to have an arc where she mistook her newfound magical and physical strengths (she is working out a lot in canon after she changed track), for inner strengths. Willow is a sensitive girl, and a bit of a berserk (I mean she was willing to burn her own mind just to hurt Amity). Willow having to face Vee, who isn't physically stronger than her but is significantly further down the road of being internally strong, is something Willow can learn from. Perhaps even have conflict with! (but more so a conflict with herself than with Vee, really.)

With Amity, Vee has a simpler role. I think to Amity it's more so showing that it's possible to live in the human realm, and giving her hope that going back and forth is a future for everyone who wishes to do so. Creatively speaking, I think Amity and Vee more so to bounce off one another for the plot, rather than character growth or decline.

Camila, I think, is the most interesting. Because she has now spent approximately a year with Vee, half of it thinking she was Luz and having feelings about her daughter having changed so much, the line "I'm glad youre still creative" comes to mind. As well as the terror of losing Luz again. But also, because she has had her own unseen arc and development with Vee, and them having bonded into a foster family that we never got to see glimpses of, it goes without saying that Camila has already done the internal work to take on more kids if that's necessary. I think she saw these kids by her door and thought "yep. They're mine now too." Vee, I think, is interesting to toss into the family dynamic between Luz and Camila, who seemingly are misunderstanding one another significantly. Vee sees them both, and can be a voice of reason when it comes to it. Or if it would come to it.

ANYWAY MY RANTS ARE LONG. IM DONE. THANKS FOR READING.

#TOH #the owl house #toh vee #vee noceda

422 notes · View notes

lurkingshan · 2 months

Text

10 Things I Love About Only Boo!

*kicks down the door* I'm a few weeks late but I have arrived and I am here to yell about this fucking adorable show. Have you heard that it's the cutest shit you've ever seen in a fresh new package of all your favorite silly old romance tropes? Besties, this is truly the Sunday Serotonin we need. Here are the top 10 things I love about it:

The main romance is between a confident sunshine protagonist and a kind older boy working through his grief and an artistic block. Mok (Moo) and Kang are such nice boys, two cinnamon rolls too sweet and pure for this world, and I loved them instantly. They have a nice crackly chemistry between them and really solid communication right from the start.

The setting is rural and refreshing. Moo moves to Nakhom Pathom to attend school for a semester because his mom wants him to focus on his studies before she will allow him to pursue a career as an idol. Little did she know she was delivering him to a cute boy who would become the new distraction.

The crushing and flirting starts immediately, and it's mutual. They just like each other, man. Kang is (slightly) older and trying to be responsible about keeping Moo focused on his studies so he's putting up some token resistance, but it's very very token. They both find excuses to keep seeing each other after they meet.

There's a side couple with a long-term pining friends to lovers arc. The way I squealed when they revealed that photo wall. I support you, Payos, you will get your boo. These two also have a lovely, easy chemistry and seem so comfortable around each other. Their characterization also gets a fun twist in the beginning of the story.

The writing is strong and assured. This was written by the same screenwriting team as Cooking Crush, aka the best written original Thai bl of last season. These folks know their way around a smart romcom. They know how to deploy classic tropes so they feel fresh, build authentic character arcs, and make all the beats of the story feel confident. We are in good hands and don't need to worry about any out of left field conflicts or weird plot turns with this one.

A fresh new cast brings a ton of energy. I really love all four of the main actors for this show. They're young and bright and breathing some new life into an old formula. And both pairs have solid chemistry and seem comfortable in their scenes together.

Some of our old favorites are here too. They've made the smart decision to bolster the young main cast by surrounding them with more experienced seniors like our lady Milk, here playing Kang's friend and neighbor who is all up in his crush on Moo. Louis and Book are also going to show up at some point.

The show incorporates music and dancing in such a charming way. Moo is one of those kids who just has to dance, and the show mines a lot of comedy around his efforts to stifle the impulse as his mom ordered. I don't think he'll hold out for long, though, because Payos and Tae are on him to train with them. And of course the music supervisor is having a great time working in some classic GMMTV music gags (yes, Love Score and Too Cute To Handle both make memorable appearances).

It's a high school story brimming with youthful energy without being mired in immaturity. The tone of this show reminds me of My School President in the best way, in that it has all the sweetness and innocence of a high school romance without making the characters so immature and bad at communication that it's annoying to watch. As expected from the CC writers, these characters may be inexperienced but they are going to talk to each other and honesty will prevail every time.

We are only three episodes in and the romance is already well underway. This is the kind of show where we will see the main pair flirt and date and face obstacles together. The swoony moments started immediately and Moo is already throwing around the faen title. We know from the synopsis that the core conflict will come when Moo is forced to choose between his relationship with Kang and his dream of being an idol, and I expect he will be finding a way around that choice. I'll be strapped in for the ride because I already believe in these two.

#only boo #only boo the series #thai bl #10 things #shan recommends #shan shouts into the void

153 notes · View notes

iamanoccasionaldoodler · 11 months

Text

I don't know if the paperback bonus content is available online anywhere and I'm not sure whether this comes from HtN or GtN (I read both their bonus content at the same time in a bookstore - thematically I feel like it's a Gideon bonus bit? But I'm not sure) but the bit about cavalier/necromancer relations makes me INSANE. Like they go ON AND ON about how you CANNOT be too attached to your partner and it is totally taboo for your partner to be your lover but ALSO to be a family member of yours - to the point that apparently the third house (who get paired up in childhood) has faced scrutiny from other houses because being raised together might lead to the development of a sibling relationship.

And post GtN this seems very sinister. Gideon even notes that cavalier's use of the rapier makes sense considering it's the lightest sword and thus the easiest for a necromancer-turned-Lyctor to use. It really feels at the end of the book like this has been the end point of the Necro/cav dynamic all along. Cavaliers are just there as meat bags to be eaten, and you're not allowed to love them because obviously they're just there to learn the sword for you and then get gobbled.

And then we get to Harrow and we find out that no!!!! That's not what it was supposed to be at all!!!!! Abigail and Magnus, Camilla and Palamedes, Gideon and Harrow - they haven't gotten cavalierhood wrong, they got it right! That's what it always was! It was original Lyctorhood that ruined the relationship of necromancer and cavalier!

The thing that makes necros hold their cavs at arms length (and vice versa) isn't a sinister plot; it's /grief/. It's ten thousand year old grief. It's an ENTIRE SOCIETY running on the logic that grieving people so often find themselves clinging to in the wake of loss: love like this hurts too much to lose, so I won't ever love like that again.

AND IT DOESNT EVEN FUCKING WORK! YOU CANT JUST NOT LOVE PEOPLE!!!! ITS IMPOSSIBLE!!!!!! THATS THE THESIS OF THIS ENTIRE GODDAMNED SERIES!!!! YOU CAN NEVER ESCAPE LOVE. AND SO YOU CAN NEVER ESCAPE GRIEF.

#tlt spoilers #gideon the ninth #harrow the ninth #the locked tomb #gtn #htn #tlt

906 notes · View notes

icedragonlizard · 3 months

Text

I might get torn apart for posting this, but imo it must be said.

To make it crystal clear, I don't excuse Susie's actions in Planet Robobot. But I don't excuse Taranza's actions in Triple Deluxe either.

I think people in the Kirby fandom infantilize Taranza way too much.

I am not joking when I say that I've seen people go as far as to say that he was "never a villain in the first place". That he's "innocent".

I'm sorry, but that's just flat out wrong. He was objectively the villain during Triple Deluxe. "He was just following orders!" is not proof of innocence when he was following the orders of a dictator. Taranza was a dictator-enabler. A dictator's right-hand man. That's not innocent. He lowkey kidnapped people in the name of this dictator.

Who knows what he could've done off-screen during the game while dragging Dedede around with him... probably could've tormented a lot of unshown Floralians while Kirby was trying to stop the takeover.

I also believe that Taranza loved playing the villain. He looks incredibly smug while dragging Dedede around and provoking bosses into fighting Kirby. Not to mention the very things that he says in his monologue right before he uses Dedede like a puppet to fight Kirby.

.... So much for the claims of "never a villain in the first place".

I very much believe he's reformed (Susie too, tbh) but I wish people would stop totally erasing his actions and pretending he did no bad.

This is not meant to demonize Taranza in any way. It's just... I absolutely hate that people treat him like a poor little innocent baby while simultaneously treating Susie like an irredeemable, unforgivable monster. They committed very similar crimes, but somehow get treated like they're opposite ends of the spectrum morality-wise.

Now, when comparing them, Susie is indeed the worse of the two overall, because her actions were done on multiple planets vs. one country. But that doesn't change the fact that it's still hypocritical to treat one of them like they're innocent while demonizing the other.

Regardless of the different scales of their crimes, they're both ultimately just second-in-commands to corrupt higher-ups that then helped give Kirby something to fight the final boss when it mattered.

I like to think that Taranza and Susie are both rather morally grey people with good and bad qualities. To me, they're friends with Kirby now, but they still have flaws despite not being as bad as they were before. I'd put Magolor on the same boat alongside with them too.

Taranza can both have grief and still have flaws. And I think Susie 100% has had grief for her dad too, even if she's less open about it.

One of the reasons why Susie discourse is so aggravating is because people simultaneously downplay and infantilize other villains, especially Taranza. People are hypocrites. I bet people wouldn't give a crap if Taranza or Magolor were to turn Meta Knight into a robot.

I get why the colonization and capitalism themes for both Susie and Planet Robobot as a whole can strike a nerve to some people and elicit discomfort, but I don't really think that warrants a massive and unfair discrepancy to how she gets treated compared to the others.

While I can get why those themes can make some people not like her as much as others, I don't think it makes it fair to treat her like an unforgivable demon because her villainy happens to be more real.

Just because the others are less real doesn't mean they're innocent.

The double standards suck.

#kirby #taranza #taranza kirby #susie haltmann #susie kirby #susanna patrya haltmann #magolor #kirby triple deluxe #kirby planet robobot #kirby star allies #queen sectonia #max profitt haltmann

176 notes · View notes

evilbihan · 4 months

Text

This is probably the most unpopular of all unpopular opinions out there, but hear me out for just a second:

Can we please start to acknowledge Kuai Liang's flaws? It's perfectly fine to like a character while also acknowledging their negative traits and the bad things they've done. I'm genuinely confused by the whole "aww Kuai Liang is so nice :)" thing the fandom has going on. I understand that, being a Bi-Han fan, I might sound biased, but I promise this is coming from a completely neutral standpoint.

I don't see how any of the positive traits fans associate with Kuai Liang (kindness, selflessness, a caring nature) are backed up by any canon material we know of. Those traits belong to Tomas, not Kuai Liang. The version of Kuai Liang that is a loving brother to Tomas and the prime example of a good man only exists in fanon.

Vengeful, short-tempered, regressive — those are Kuai Liang's actual traits.

May I remind you, the real Kuai Liang looks like this.

His face expresses arrogance, he's looking down on whoever is in front of him. He doesn't smile, doesn't display any expression that one could interpret for kindness. He looks cold. Does that arrogance and coldness look familiar at all?

It's the same expression as this one. Bi-Han is also shown looking down on others, with the exact same confidence stemming from the idea that he is superior to others. Kuai Liang mirrors that expression perfectly. They're brothers, they're similar in the way they act and think, in the way they were raised. Let's not forget that Kuai Liang was second in line for the grandmaster title while with the Lin Kuei. He is grandmaster of the Shirai Ryu now. They are both arrogant.

Tomas is the only one of the three who smiles and has a warm, kind aura to him. I'm not saying he's a perfect ray of sunshine, he's certainly capable of being ruthless just like his brothers, but he doesn't share their overwhelmingly negative traits.

There is no warmth to Kuai Liang at all, which is ironic given that his element is fire. Kuai Liang's fire, however, burns cold to match Bi-Han's ice. They are not opposites, they are the same.

Hanzo as Scorpion was driven by grief and ultimately love for his family, Kuai Liang's fire is only fueled by hatred for his brother.

While Bi-Han is obsessed with power, Kuai Liang's obsession with honor and tradition is crossing the line to fanaticism. Am I the only one to find it concerning how he worships his father and his father's ideals almost religiously? It's pretty much all he ever talks about at any given chance.

to Bi-Han: "His teachings did not pass with him. They should still guide us." to Bi-Han: "Father would turn in his grave if he saw this." to Smoke: "We must chart a new course. One that both honors our Father's legacy and serves Earthrealm." to Kitana: "Death before dishonor." to Smoke: "Only if we honor tradition."

Is this how a normal person talks? I don't think so. Admittedly, Bi-Han's methods are wrong, but since when is it a good thing to be completely against progress? Kuai Liang is stuck holding onto outdated traditions that don't allow for growth. It's not necessarily a bad thing that he looks up to his father, but idolizing someone to the point of never questioning anything they do or say and giving up any critical thinking is dangerous.

There's plenty more examples in the story mode and intros where Kuai Liang brings up honor and tradition, but this post is going to be long enough as it is so I only named a few.

I want to focus more on how Kuai Liang treats other characters throughout the story.

Tomas:

Why does the fandom claim he's such a good brother to Tomas when this is the only scene in the story mode where Kuai Liang expresses any sort of care towards Tomas — in a moment where he needs Tomas on his side?

Oddly enough, he's playing at Tomas' vulnerability here by bringing up family and reassuring him that they're brothers even if they don't share blood, in direct contrast to how Bi-Han said Tomas' blood was not Lin Kuei earlier. Words he chose carefully and deliberately, not out of the goodness of his heart because he wanted to comfort Tomas, but to achieve the desired effect: to sway Tomas to his side.

Similar to Bi-Han, Kuai Liang is a manipulative and calculating character. I would even dare to go as far as to say he's even more manipulative since Bi-Han lacks the charisma and patience to be a successful manipulator. Bi-Han makes no effort to convince Tomas to join him. He can't even keep up the lie he told Kuai Liang for very long. Bi-Han's actions are impulsive and poorly planned out, he's the naive one being manipulated by characters like Shang Tsung while Kuai Liang makes smart, calculated moves. He knew exactly what he was doing when speaking to Tomas.

I don't see how that was even necessary since Tomas would have picked Kuai Liang's side regardless simply because it's the one aligning with his own beliefs, but Kuai Liang's words were a subtle "Hey, remember that I'm the one who considers you part of this family and he does not. If you don't side with me, you're going to betray your own brother."

One of the key signs to recognize a manipulator by is how they try and convince a person close to them that it's "the two of them against everyone else" or in this case "them against their older brother". Manipulators know someone's weaknesses (Tomas' desire to be a part of their family) and how to exploit them to get what they want.

There was never even the slightest chance that Tomas would have sided with Bi-Han in that fight anyway, but he also appears way more passive in it as opposed to Kuai Liang. Tomas doesn't want to fight his own brother, but at the end of the day he cares more about doing the right thing and saving innocent lives than about his inner conflict. For Kuai Liang, it's a quest for vengeance and the pursue of his own goals above all else.

I also think it's interesting that Tomas looks slightly surprised/ confused at the hand being placed on his arm by Kuai Liang. It's almost like he's not used to being reassured like this which makes you wonder how often Kuai Liang really comforted Tomas or showed any support towards him. Like Liu Kang and everyone else, Kuai Liang barely acknowledged Smoke's presence before. They're only seen exchanging occasional glances.

What has me doubt the sincerety of Kuai Liang's words even more is this scene.

Personally, I don't believe that Bi-Han has ever snapped at Tomas like that before this incident here, but I know the fandom likes to think otherwise so just for this take let's go with the wrong assumption that Bi-Han used to put Tomas down like that regularly.

Why did Kuai Liang not step in to defend Tomas in this scene? If he knew where this was going why did he let Bi-Han finish his sentence? It's certainly not out of respect or because Bi-Han is their grandmaster. Kuai Liang has no issue talking back to him and contradicting him in other situations but he was surprisingly silent when this whole thing went down.

He was either just as surprised as Tomas that Bi-Han would snap at their brother like that because it hasn't happened before or because he simply didn't care to interrupt since he had nothing to gain from it, unlike later when he wanted Tomas' loyalty for himself.

Kuai Liang could have been standing up for Tomas in this situation if he was the good brother everyone sees him as, but for some reason he didn't. Make of that what you will.

As for the intros between them, there's only one where Kuai Liang asks about Tomas' family. In every other intro with Tomas he only speaks of his own goals. Honor, tradition, training the Shirai Ryu, defeating the Lin Kuei... At one point he praises Tomas for his loyalty towards him, only to question said loyalty later on.

Scorpion: Our resolve cannot waver, brother. Smoke: I'm offended that you think mine has.

If I'm not mistaken, that's a prime example of manipulation right here. Guilt tripping/shaming someone into doing something they don't even want to do.

Kuai Liang seems to always be working an angle with Tomas. Why is he suddenly doubting him? Because he knows Tomas wants peace, not war between the brothers?

Ultimately, it seems he doesn't care about what Tomas wants. We know that Tomas is torn in this conflict, he resents Bi-Han, but he also doesn't want his brothers to fight. Otherwise, he wouldn't have asked for Liu Kang to reunite them.

Tomas' intros are a whole paradox of their own.

Smoke: Are we to be enemies for life? Sub-Zero: Unless you submit, Tomas.

Smoke: I'll never forgive Bi-Han. Scorpion: His betrayal has seared both our hearts.

Scorpion: We'll soon meet the Lin Kuei in battle. Smoke: It will be our last with them. Smoke: For Earthrealm's sake, my brothers must reunite. Raiden: There's little hope for that, Tomas.

Smoke: Can I get the brothers to reconcile? Liu Kang: They must choose their own path, Tomas.

What Tomas says to other characters contradicts everything he says to Kuai Liang. But why? Why does he never tell Kuai Liang directly that he'd just wish him and Bi-Han would stop fighting? Why if not because he's afraid of Kuai Liang's reaction and that he will lose him as a brother unless he agrees with everything Kuai Liang says?

SPOILERS: It's interesting how Kuai Liang in this scene asks Tomas to help him bring Bi-Han back with them so he won't be able to aid Shang Tsung, but according to leaks he's going to leave Bi-Han behind with Havik in the dlc, not even caring about the consequences that might have for Bi-Han or for Earthrealm. Now that Tomas isn't there he no longer has to keep up the facade. Tomas' absence also makes me wonder if he maybe got tired of Kuai Liang's spitefulness and blind hatred.

To sum it up, here's what we know about how Kuai Liang treats Tomas:

Kuai Liang initialy doesn't defend Tomas against Bi-Han's harsh words

He picks an odd timing to comfort Tomas at the Ying Fortress, possibly to assure that Tomas will join his side, not Bi-Han's

He's trying to push his own agenda onto Tomas who agrees with him in their intros but doesn't seem to share Kuai Liang's goals when speaking to other characters like Liu Kang or Raiden

SPOILERS: It seems that Tomas won't be attending Kuai Liang's wedding as he's not mentioned at all in any of the dlc leaks. He might be trying to stay out of the fight between his brothers entirely.

Bi-Han:

Another detail I've noticed is how quickly Kuai Liang comes up with the idea to create the Shirai Ryu. How likely is it that he made the decision to form an entire new clan on the spot? He seems way too prepared for this scenario.

Smoke: Once he's exposed, won't you be grandmaster? Scorpion: You forget Cyrax and Sektor. Their loyalty to Bi-Han is absolute. They'll sooner abet his corruption than follow me. We must chart a new course.

Why did Tomas not know about this when they're part of the same clan but Kuai Liang knows the answer immediately? It's almost like he has thought it through before, tried to figure out exactly who would side with him and who wouldn't if it came down to important Lin Kuei members choosing between him and Bi-Han. And that's because he has. It even says so in his official bio.

Kuai Liang always intended to overthrow Bi-Han.

He admitted that he was aware of Bi-Han's frustrations all along and yet he never brought up his concerns to Liu Kang or anyone else. It seems that he intended to take advantage of how mentally unstable his brother was in order to become grandmaster himself. I'm not saying he always wanted the title to himself, Kuai Liang doesn't care about power, but his obsession with tradition equals Bi-Han's obsession with power. He wanted to rule the Lin Kuei himself to enforce his own ideals and when he realized that wouldn't work out, he settled for the next best thing: creating his own clan.

Kitana in comparison also knows that Mileena is impulsive and many people doubt that she's fit to lead but she supports her sister regardless. Her loyalty to Mileena is unwavering. Kitana loves and supports her sister unconditionally. It doesn't even once cross her mind to take Mileena's place on the throne.

Kuai Liang and Kitana share similar values, yet Kitana's loyalty to her sister outweighs all that while Kuai Liang didn't hesitate to plot against Bi-Han way before Bi-Han even sided with Shang Tsung. Just Bi-Han's frustration alone was reason enough for Kuai Liang to want to overthrow his brother.

Ashrah, a complete stranger, cares more about redeeming Bi-Han than his own brother does. And no, Kuai Liang's actions can't be justified by bringing up that Bi-Han let their father die or betrayed Earthrealm etc. because Kuai Liang gave up on him long before any of that happened. In fact, the way Kuai Liang constantly brings up their father at every chance he gets probably added to Bi-Han's frustrations and is part of the reason why he was driven to madness.

Scorpion: Glory? We fight for duty. Sub-Zero: Does our father's ghost possess you? All I hear is his voice.

Bi-Han seems haunted by their father's ghost and Kuai Liang knows, yet he doesn't shy away from bringing it up at every opportunity. Was it done on purpose? Who knows.

But it's noteworthy that it's again manipulative behavior. The way Kuai Liang constantly criticizes Bi-Han, undermines his authority, compares him to their father whenever he can although he knows about Bi-Han's frustrations, then claims a shadow has fallen on Bi-Han's soul when he at the very least partially helped cast that shadow.

I'm not sure why people claim Kuai Liang was supportive of Bi-Han before his betrayal because there's no evidence of that at all. At least, none that I could find. Kuai Liang seems reluctant to follow Bi-Han's orders and he also doesn't seem to respect him much. Again, compare that to how Kitana shows actual concern for Mileena while Kuai Liang just seems fed up with Bi-Han.

Personally, I believe Kuai Liang's goals are far bigger than we know at this point. Something about the line "The Shirai Ryu won't rest until Bi-Han is defeated and the Lin Kuei's honor is restored" suggests that, while he built his own clan, Kuai Liang still has some interest in the Lin Kuei. I doubt that he's just planning to take down Bi-Han to let someone else be grandmaster in his place. I think that Kuai Liang wants to merge both clans once Bi-Han is defeated. After all, Kuai Liang's bio mentions that he's willing to fight his brother for control of the Lin Kuei's legacy. He might think it would be in his father's interest if he became grandmaster of both clans. However, that's just an educated guess and might not be true at all.

How Kuai Liang treats Bi-Han:

Kuai Liang never trusted Bi-Han's leadership skills or acknowledged his authority

The conflict of interest between the brothers always existed, even before Bi-Han switched sides and Kuai Liang always planned to take the grandmaster title from Bi-Han

Kuai Liang attempted to (and would have) killed Bi-Han but was interrupted in doing so

He's eager to fight Bi-Han, while Tomas is reluctant

He seems to have always held very little love for Bi-Han, if any at all, although he claims they used to be close once

Harumi:

Does no one else think it's a little bit suspicious that the woman Kuai Liang ends up "falling in love with" is a capable fighter and head of her own clan, someone with exactly the resources, knowledge and means to provide Kuai Liang with everything he needs to build his own clan? He even names the Shirai Ryu after Harumi, a clan whose goal it is to take down Kuai Liang's hated brother, someone Harumi probably knows little about or never even met. Maybe I'm the only one to think that's kind of messed up and not a romantic gesture, but at least he's giving her some credit, right? Does Harumi lead the Shirai Ryu with Kuai Liang or did he take her own clan from her to build his own? I couldn't really find any information regarding that but it would be even more messed up if the Shirai Ryu are originally Harumi's clan that Kuai Liang simply took over.

Another weird detail is how Smoke calls Harumi Kuai Liang's "good friend" in his own ending, which makes you wonder if he left the Shirai Ryu before Kuai Liang and Harumi became a couple? Does he know Kuai Liang doesn't actually love Harumi? It's confusing because Tomas is the person closest to Kuai Liang. Shouldn't he be the first to know if his brother fell in love and is planning to get married?

Kuai Liang's reaction when Kitana congratulates him on his marriage is rather cold as well. He doesn't seem like a happy, newly married man and it makes me think their marriage wasn't necessarily out of love, at least not on Kuai Liang's side.

How Kuai Liang treats Harumi:

There's not enough known about their relationship yet to really know if Kuai Liang's love for Harumi is genuine

He benefitted a lot from his friendship with her when creating the Shirai Ryu

It's strange that Tomas only calls Harumi Kuai Liang's "good friend"

Final conclusion:

Kuai Liang seems to follow a pattern of binding people to him emotionally (Tomas, Harumi... ) to be able to use them to his own advantage. I'm not saying that he doesn't care about them at all, but first and foremost, they're assets to him and family second.

For someone who claims to care about honor, Kuai Liang sure has very little of it. SPOILERS: The fact that Kuai Liang is willing to let Bi-Han die and deny him treatment when he gets infected with chaos magic says a lot about the type of person he is. How is it honorable to kick a man when he's down? How is it honorable that he wants to kill Frost during his own wedding and Harumi has to beg him to spare her life?

To get this straight, this is not an attempt to paint Kuai Liang as the epitome of all evil or to say he doesn't care at all about the people in his life, just that he's much more cold and calculating than people give him credit for. Just because Kuai Liang has chosen the good side while Bi-Han went down the wrong path doesn't necessarily make him a nice person. He's still vindictive and selfish. He still shows toxic behavior.

I know someone will try and twist this post into something it isn't, so let me say this is NOT a personal attack on Kuai Liang fans or an attempt to spread negativity, it's just my opinion that you're free to disagree with. I blame the writers and their obvious bias for Scorpion that Kuai Liang's bad traits are so often overlooked. This post is only me sharing my thoughts. If it offends you, block me. I don't want to see this reblogged with paragraphs from people trying to defend Kuai Liang.

#kuai liang #mk scorpion #bi han #mk sub zero #tomas vrbada #mk smoke #lin kuei brothers #mortal kombat 1 #mk1 2023

382 notes · View notes