you know what, I'm done being a coward and holding this headcanon close to my chest: Kravitz is a sex-favorable kinky ace who thinks boys are cute and all, but the main determinant for whether they turn him on or not is more along the lines of whether or not there's also tentacles.

dawg my body is so ready for seeing your human versions of the gang. like the need to draw these sillies is JUST TOO DAMN GREAT--(please don't take this as "OMG HURRY UP", i'm just very excited to see your interpretations!)

well shit now i gotta buckle down on brushing up + improving upon my human scribbling skills, which - meager to begin with - have deteriorated due to Puppet Disease (and i say this with playful exasperation. i've been needing an excuse to Practice and this is a damn good one)

though i will say! i'll be adhering to the ~canon~ human versions we've been gifted via Clown's pokemon au. ofc since we don't know what Howdy, Poppy, Sally, and Eddie look like, i'll have to think of something myself

my space LARP is very vocally conscious of demanding good behaviour with respect to mispronouning, which is all well and good, but I do find it means I have to actively tell people they're allowed to 'it' me when I'm playing my weird xenomorph 😉

Anne's ability to hold the king off for seven years is part of her legend. The brilliance of her strategy was to cast herself in the role of the courtly lady, requiring Henry to play to perfect knight. Henry was nothing if not dogged in the pursuit of all the roles in which he cast himself—philosopher-king, warrior, even husband—and 'this persona of courtly lover...was fully formed in Henry and had been signaling...for an answering adept to come and lift its latch. In Anne, he had her: she was the mistress of Petrarchan contraries [...] the perfect [player] for the king's tender interest.'

Renaissance Prince: Elizabeth, Lisa Hilton

Ur tags about how Miles and Pavitr are the ones who say "I can do both" because it IS quintessential spiderman thinking AND because they're too young to have seen that devastatingly not work yet. BUT the thing is they are RIGHT but only if it's "we"! Spiderman's mythos is inherently a lonely one reinforced by Miles and Gwen's isolation and by every. single. intro. reminding us that every spider person is the "one and only spider person"! And yet!! These films are just about relationships (1/2)

YES YEAH YOU GET IT !!!! and (quite recently rewatched it and mentioning it here cause i can't believe i forgot to mention it in the post you're talking about) it really gets me that gwen also says 'i was doing both' in regards to protecting miles and protecting the canon event, and i love that the phrase was reflected like that, even tho (at this point of the movie) miles and gwen pretty much oppose each other in views/priority !!

it also absolutely kills me the way that gwen begins (like you say) atsv quitting the band and isolates herself, and then throughout the whole thing she finds something/someone that she wants to take that leap for, all over again :') she (and the entire spider-team!!) is willing to bet everything on miles and is ready to fight for him, and i really just love the idea that miles just is a force that inspires good !!!! IT REALLY IS ALL ABOUT LOVE!!!

considering how "heavy sleepers" (wink wink) kaz and jun are, i bet if both were around to raise jin, they wouldve enacted that "Your son is awake"/"before sunrise, hes your son" scene from the lion king

@scalproie omg yes I love that scene so much and smol Jin totally would be having those Simba-levels of energy haha. 100% cosigned!!

I really do think that given the chance to raise Jin together they would've been a very 'normal' couple despite both being such extraordinary people, and can definitely envision little moments like this. Something about how their energies mesh just feels like they would have a low-drama relationship, perfectly content to be in their own little bubble with each other. Maybe it's the introvert vibes they both give off, or how heavily they complement each other in ways that nobody else could match and that speak to the potential of deep mutual understanding.

what if i dropped out of school and became the clown i was born to be

was thinking about how i would hypothetically divide up characters between welsh miners / london lgsm for the au and well. let’s just say we are looking at a situation in which r does not have any friends. except for his mum. who you (<- r) will be pleased to hear would still have breath in her lungs for once

not to be a hater but i miss when they talked about the episodes. on the talk back episodes

Perhaps I’m projecting, but I think Rimmer would be genderqueer (in some direction) if he was like, 50% less repressed

I hope you enjoy Robocop if you actually watch it! It’s in my top ten stupid action movies for sure

Hi I just finished it!!! Very good very silly very violent. Especially loved the robot who ate shit because he was too big to use the stairs lol

So far my second-favourite Paul Verhoeven movie out of the three I've seen. I've really liked all of them so far but sometimes I just think he doesn't address the impact of things that happened in the film enough yknow. idk they're all good I just love thinking about potential all the time lol

I don't even write Diluc, but I hc that if he gets enraged enough and/or gets caught in a particulaly dicey battle, he tends to outright blue fire and that's how you can tell shit is goin DOWN-

biggest ego boost For Me is drawing a person and flipping the canvas and it still looks good

SHADOWBRINGERS.... listening to the song again n oh god i love the lyrics so so much we r ignoring the fact that i have to wake up in like less than 4 hours

the reason the thriday show doesn't work is that hailey and sean both have bratty younger sibling vibes.

everybody’s always on writing prompts like “what if there was a world where everyone had a timer ticking down to their death… but you met someone whose timer said infinity!” or “what if everyone had their cause of death tattooed across their forehead… but you met someone whose forehead said THE CREATURE!” Enough -

enough. stop with the shock value. there is no need to insert THE CREATURE; the benign concept of such a world is horrifying enough. not even in urgency, but just in banal, everyday interaction. imagine you meet someone and their timer says two years. not tomorrow, not urgently soon, but two years. enough to do quite a lot. they could fall in love in that time - could they get engaged? have a baby? you might otherwise get to know them, befriend them, but perhaps you opt not to, make a conscious choice not to invest in your own grief. what balancing act would every individual person have to participate in - I have ten years, is that long enough to be a good mother to children? is that long enough to secure a caretaker for my own mother? my wife will die a few months before me. my newborn’s timer reads nineteen years.

and cause of death. you interview for a job and emblazoned across the healthy, smiling face of the HR lady is MALNUTRITION. your country is prospering, safe, but every person you meet on the street from the babies to the old women read BOMB. BOMB. what kind of havoc would fate wreak on the world? what about the loss of privacy? how would that shape our notions of hope? idk man I think a lot of those ancient poems were right, and the fates are monsters. I’m interested by the framing of these ideas as trite horror tales when the premises themselves are so much more disturbing if simply taken to their logical ends