Do you have any thoughts about the opposite of the "Im afraid to confess because our friendship could get ruined"? As in, "I'm afraid to reject you because I don't want to lose this friendship so I accept your confession even though I don't feel that way for you and never will".
Like the protagonist tries to convince themselves that this is just like being friends only that we now kiss (and more). I feel like it would fit with a yandere that is a bit delusional or desperate, eveb insecure so whenever the protagonist doesnt seem as into this relationship as them, they just try to convince themselves otherwise, or love bomb the protagonist.
Idk lately Ive been into reversing the tropes and I found this one particularly interesting to me when it comes to a yandere. In HSR i was thinking of Argenti as he seems like the delusional type. Or even Aventurine who would have had to put down a lot of walls to be friends with you and then even more walls just to confess, so rejecting him doesnt seem like an option to the protag (out of pity and care).
THIS THIS THIS!!!! qnon ur brain is so wrinkly and soggy with brain juice..... this used to be my favorite trope at some point idk why i forgot about it i remember eating up any fanfics out there based on this
Tw: yandere (obv), manipulation, intimacy (mainly romantic, only hints of sexual), emotional blackmailing, whatever yadda yadda
But anyways, under the cut!
Okay, so, I imagine this is possible with literally... almost all of hsr's cast. Mainly because most of them have such tragic backstories, and most of them out of that have a really shrewd and cunning mind, so they'll exploit this to hell and back.
I also imagine this is with a people pleasing reader, so lets go with a bit of implication of that.
Anyways, since Aventurine and Argenti are the ones mentioned specifically, I'll probably dive in on them first.
Aventurine is so hard to not feel pity for. Every stolen glance at the marking on his neck makes you feel worse and worse for "rejecting him", knowing he's been throwing signs of wanting more than a friendship quite possibly everywhere and you're most likely ignoring them in hopes of keeping your friendship. It's not like he hasn't quite caught on, either. He knows people's hearts quite well. And where there's opportunity, he seizes it.
It's a bit frustrating for him – just why can't you see he wants more? Or rather, just why aren't you accepting him? You're the first thing on his mind when he wakes up, when he clutches his chip and bets on his life, the last thing on his mind when he goes to sleep. Hell, he's even tried to dream of you, forcefully. But then he realizes.. how easy you are to just push around. He goes ahead with the confession, and it's almost a sadistic kind of pleasure when he sees you even try and stutter out any kind of a rejection when he's leaning in a perfect angle that shows off his little marking (out of all the times he curses it, it seems like this time it's worked in his favor). He watches carefully as your eyes nervously flit to his neck and you shut up immediately for a second, before accepting. And when you do.. he's over the moon! Coddles you, kisses your cheeks, becomes so much more grabby, as his keen eyes watch your discomfort. Well.. you didn't reject him, so this is what you should expect.
Again, the frustration doesn't wear off easily, but just seeing you writhe and try to create distance while he suffocates you in affection far from platonic nature, is so sadistically pleasuring to him. He loves watching you in that state, bending to his will so easily, as he waits for you to snap. But he'll probably find it easier to squeeze water out of a rock than to squeeze a rejection out of you – which is precisely what he exploits. You're not going anywhere, are you? He puts on his best, pleading little eyes that he used to have to put on, shaking, trembling voice, desperate hands that cling to you; all the things he acts out like his life depends on it when he senses even a waver of your hesitation.
Oh, fine.. he hates seeing you so queasy almost all the time, so he'll give you a reprieve from time to time. Plans and schedules things you used to do "back when you were friends" (he emphasizes this – you don't think you can just ignore everything, right?), and makes sure to at least crack a few smiles and giggles from you. Of course.. his hand is still loosely hanging around your waist, pecks you on the lips from time to time, just as a small reminder of what you guys really are now.
Argenti on the other hand, has no awareness of your discomfort at all.
He's like a huge dog, the way he's so happy about you accepting his confession and doesn't even stop to think afterwards just why you were so hesitant during it.
Constantly praises you, and it's not soon before it gets to a more intimate nature. He wants to do all the romantic things – kissing under the rain, protecting you from something, twirling you in the air and then kissing you again after putting you down, telling everyone proudly that you two are a couple, buying more and more "romantic" gifts that turn more intimate sooner or later. You have no way out of this without completely ruining everything.
It's.. almost painful the way he doesn't realise. At some point your discomfort probably gets so.. obvious, but he just shrugs it off; perhaps he hasn't been paying you enough attention? Or you're just too shy to ask something of him? Oh, how sweet! How adorable! He thinks. He simply falls deeper and deeper into this delusion, stringing you along and stretching your patience thin. Unfortunately, unlike Aventurine, you can't find most, if any bits of the things you both used to do as platonic companions in the relationship you have with Argenti. He's just a full-blown romantic who wants to do only that. It makes you even more queasy when people look at you in pity, if they realize just what happened between you two.
You can't back out, even if you tried. If you somehow manage to find a way to squeeze out a rejection, or have any kind of a reservation about things getting more intimate/romantic stuff, he's so devastated. Did he do something wrong? Perhaps he's not as experienced as you wanted him to be? Or you're not satisfied with some of the things he's said? Don't fret, he's right on it! Constantly holding you so close you're afraid your bones will break, whispering incessant praises into your ear that slowly spiral into affirmations that you belong to him, spoiled rotten with everything you want; yet, even then.. you can't shake off the intention they were given in. Not when you're suffocated by it.
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Reemerging theme of fate as something to avoid in Genshin made me think.
This could actually be what shattered Childe's dreams. Imagine dreaming of having a grand and glorious fate and finding out fate is a cage and a rather disgusting one. And all the heroes of eld were stuck in a miserable circle.
(would explain why he wears Parsifal's ring too. "I'll do it for myself and for that fellow.")
As Saoki said, I too would react to finding that out with "wtf, I'll punch god personally for this!"
It also made me think of how he compared the Traveler with the morning star. There's the obvious Luciferian parallel, of course, but something something watsonian doylist.
The Boy doesn't know the Lucifer legend (even if authors intended this specific reference) but he knows some other context (so he meant something else). So what did he reference? Why the morning star is surpising?
The thing about our world Venus is that its phases and changes of visible size couldn't be predicted by geocentric model. It was something that didn't fit into the concepts of the world.
(something true that doesn't fit the fake laws of Teyvat... hmmm)
If I understand that right, in especially early astronomy (think Babylonian times) calculating even its trajectory was a pain and we have fewer records on Venus than on everything else.
So maybe it's that. The unpredictability. Childe doesn't seem like the type interested in astronomy but maybe he came into contact with the metaphor through poetry or seafaring. These two seem up his alley.
I assume he values defying fate very highly (conflicts, change, him being called unpredictable, the Narcissenkreuz theme of imposing one's will over the world, etc).
Also there's that legend about moon sisters being in love with morning stars.
And Tsurumi island murals that produce absolutely insane theories.
So the concept means something in Teyvat, we just don't know what (a bit like rose in Teyvat is a symbol for secrets but not all the other things it means in our world).
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GUYS okay hear me out majoras mask boat boys au
I love legend of zelda I love boat boys this is like the ultimate combination of my interests you cannot understand the brainrot. Idk what to call it yet tho... majoras minecraft? Anyway prepare for an essay
OKAY so we have the Hero of Time, Etho, who stopped ganons plans before they started, and would be stuck in a child's body if not for the fact I think that'd be a lil weird for the more shippy aspects of this au that all the running through time aged his soul and his body followed suit (he's still got a young appearance, and the mask doesn't make him look older like he thinks). Same reason he has the scar over his eye (from the ganon fight); no matter how much the body may heal or rewind the mind will not forget.
Then navi (maybe bdubs?) left him, and he went with epona (maybe bdubs instead? (eponas a horse iydk)) and he sets out on a journey aka the beginning of mm:
Wandering through the woods on epona, gets jumped by skull kid. For those unaware, there is skull kid, a lonely lil sweetheart, and he wears the mask, an entity on its own. He also has two fairies, siblings tael and tatl.
So I was a little unsure about this for a while, but I think I've decided on grian for the skull kid and Jimmy for tael, grian bc watchers and Jimmy bc skull kid is not very nice to tael (bc of the mask) and like a listeners reference or smth blah blah blah
TATL. that's who's interesting. At the beginning she gets separated from her friends and becomes your companion. So naturally for this au she is our favourite joel smallishbeans. It works so well. Tatl is mean but cares, and that's joels dynamic with the bad boys and with etho, guys it's literally perfect idc what you say
I think it doesn't change much throughout like the story of the game, but just taking dialogue tatl says to link and its so perfect for a sassy joel to a "can't believe I'm dealing with this shit again" etho. Uh one thing different though; in hylian form etho doesn't have an ocarina but instead a mini marimba. Just because. I think it's cool, and for potential things later on.
Now, fairies in this au are just tiny glowing people shaped things with wings. The glow around them is their magic, and depending on emotions/energy the brightness changes (thats why they look like flying balls of light). Some fairies have the ability to make projections of themselves, more hylian sized in nature. This can be intimidation or distraction or w/e, but they cant do it for long periods of time bc its exhausting. These forms aren't physical. Just sized up light projections of their actual bodies.
So for a lot of their journey, joel is just a cute pocket sized ball of rage and sarcasm, who helps with ethos aim for fighting. Bc that's a game mechanic and also ethos like half blind. But like when joel calms down imagine him crawling into ethos hat and just dozing off. He can fit in the palm of your hand like guys it's so cute. But he is also capable of being worse than a mozzie
Oh probably a good point to put in what I imagine etho looks like. So it's typical link green (maybe a bit dampened?), weird pointy hat, short hair (white ofc), his shirt is more of a jacket with a fluffy cold weather collar, it's a bit too big for him but he knows he'll grow into it, he's all knobbly and thin (underfed a lil, boy was never taught how to care for himself beyond basic survival). His injured eye is red bc of ganon, and often gives him phantom pains. It can't be healed.
Anyway, at some point in their journey together, etho and joel learn a song that let's fairies have a larger physical form, no wings, sorta like the great fairies (who they learnt it from prolly). It isn't permanent, slowly draining ethos magic meter, the spell ends when you run out of magic. This is because I want them to actually be able to stand side by side or maybe hug, and also bc its hard to block a blow with your body when ur tennis ball sized.
Aaaaand, this ties back in with with marimba. What if ethos injured, or unconscious, and he obviously can't defend himself, so joel panics and plays the marimba in what he hopes is the right order to give himself a body. I imagine that being that small, you could not play an ocarina. And hey maybe joel carries etho away after that, and when the spell ends he has barely any light emitting from himself because he spent nearly all his magic (what he is made of) saving etho.
But this song isn't used much, because of its draining nature, and you can't really do any other magic things while it's going. So it's mostly just in the final fight (over and over) or tough moments or maybe joel wants to experience something like hoe hylians do. It's obviously inferior to how he experiences things as a fairy, of course, he's just curious thats all. He totally doesn't want etho to do it more.
Okay I think ill sorta stop here, I am NOT done, I will probably post some art I've done for this later lol, and I want help with who everyone else is (mumbo is the moon. You cannot stop me nor change my mind) with mcyts to npcs
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25, 12, 7, and 5 for grimora? :]
25. What was your first impression of this character? How about now?
I think i was in too much seeing-act-2 shock to form an opinion on her straight away but seeing what her whole Deal was by the end of the game made me REALLY enjoy her, especially since i have a thing for undead characters and themes! and seeing her 3d model especially bought me over because i was head over heels for a tall, TALL dead fat goth woman
she's still cemented as my favorite scrybe next to leshy after learning how interesting she really is i love her ILOVE HER
12. What's a headcanon you have for this character?
despite being a corpse i think she doesn't smell like one at all, she uses a lot of perfume. leshy, however, personally thinks that that unnatural scent smells bad, which is why he thinks stinkbug was the best fit. LOL
i also hc that she and magnificus were actually married or romantically close, but fell apart
7. What's something the fandom does when it comes to this character that you like?
draw her tall and old and FAT...really just drawing how she's supposed to look canonically😭
5. What's the first song that comes to mind when you think about them?
the traditional folk song Death and the Lady, especially this version because i can easily imagine this as a voice claim for her :3
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And here I am with one reference sheet done! Only a FUCK-ton more to go haha,,,
Reblogs are appreciated! :3
===============================================
Biography (long read):
-General Info-
Full Name: Alfred Thorn
Age: 18
Height: 6'0'' ft
Gender: Male
Sex: Male
Species: Human
Homeplace: Huntstrail, Michigan (USA)
Romantic/Sexual Orientation: Greyromantic asexual
-Other Info-
Personality?: Seemingly a nonchalant type of guy, just living his life and avoids attracting attention. Often feeling like he doesn't fit in with society or any kind of community. He's not much for showing strong emotions, not near random people at least. Typical for him to carry around an "I don't care" attitude and crack jokes during bad times, but it also serves as a means of protecting himself. Being well enough taught that showing his vulnerable side to the wrong people, can possibly be used back against him. The calm exterior hides an emotionally struggling artist, who's suffered through past childhood abuse from his own mother. Sometimes that pain rises to the surface, and accidentally shows up through unexpected mood swings or frustrated/defensive outbursts. However, Alfred knows how badly he manages his own negative emotions. This kind of heated temper shows up when heavily provoked or felt like he's backed into a corner. He may seem like a loner, yet in actuality, he's got a few close select people he cares about a lot. And depends on, more than he'd like to admit. But solely because of that, he shows a strong willingness to go far to protect them. Even if it means he might somehow risk his own life in the process. Seen in these instances, his more assertive and bold-self comes out.
Thinks Before Acting?: It's mixed with him, either does or doesn't depending on the situation. Typically, he'll try thinking over his actions and words. Especially when he can sense a bad outcome if he's not careful. Though, he's far from being the most calculated guy.
Positive Traits?: Mellow, modest, imaginative, soft-hearted, protective and audacious.
Negative Traits?: Reserved, insecure, confrontational, defensive, self-destructive and resentful.
Way Of Speaking?: Can talk in two languages, the main one is American English. Has knowledge in speaking Spanish, but it's kinda subpar. Remembers mostly from the lessons he had in school. On the odd occasion only uses it around his closest friend, Simon, who encourages him to improve. His voice is calm and soft, with no particular accent. At times, loves using a mocking or sarcastic tone. (Headcanon voice: https://youtu.be/2rHRztFGOm8?t=1)
Occupation?: Works as a stock clerk at a furniture store. Assists with unpacking delivered items, organizing the stockroom, inspecting inventory and so forth. Also, he takes overnight shifts when possible for extra cash. Of course, the entire job itself is for financial stability. Otherwise, he cares little about it. Had hoped to get into some kind of art career instead, possibly becoming a cartoonist. Sadly, he's never gotten such an opportunity as he grew up. Didn't help that he lacked complete confidence, and still does to this day. So it all remains but a little fantasy he thinks about.
Powers/Skills?: With Alfred being human, don't expect any overpowered abilities like how demons and angels have. However, in his very rare case, having a supernatural being, more precisely a simulacrum, for a parent did unexpectedly help him improve physically, and made him able to defend himself. At a younger age of sixteen, he was gifted his first weapon which was a pistol Glock 19. With help from his father, he trained in remote areas. Shooting useless items that were used as targets. Now, he's well-practiced enough in using it properly, discreetly carrying it when out at nighttime. Of course, not limited to just a pistol. He's also got a metal bat safely tucked away in his bedroom. But for as long as he's known, anything can be a weapon. In a fight, he'll manage some inventive ways to beat someone up. Not exactly a person with a strong-build, yet he makes up for it in endurance. Fairly fast when running, most likely to outrun anyone. The type of guy to pick his fights. Besides all that, survival skills. Learned a few tricks throughout all the times he's gone out camping, moderately skilled living in the wilderness. Particularly good at starting a fire. Maybe a little too good.
Hobbies?: Main hobby is drawing, pretty much remained so since he was a kid. His art style is very stylized, expressive and exaggerated. Taken inspiration from his favorite animated shows and movies. He'll usually use a regular sketchbook with a pencil and pen to draw. But he dabbles in other unique methods like graffiti, and pastel art. A more recent past time is using a camcorder. What he chooses to record is random. Can either be a quick recording of his father’s cat, or footage of activities and ramblings. For whatever reason, he just finds it relaxing. Not to mention, it's his way of better preserving memories besides taking photos. Something else he does to unwind is watching movies and TV series, or playing video games. His favorite genres are horror and thriller. On the lighter side, he loves all stuff that's animated, comedy and adventure fiction. Also, collects merchandise related to his favored media. Considers it a luxury, so he's not gung-ho about it. While these are things he typically does alone. Camping and exploring abandoned places, are done together with his dad. Since they can't hang out together in broad daylight, they always go out during the night. Their activities start regularly, but sometimes end in some sort of chaos when they get overboard. With property ending up mysteriously ruined. Just a not so subtle clue into what exactly happens on their trips.
Habits?: Often smokes and drinks. The first one is easier for him to keep controlled, the other one is an addiction. Possibly inherited from his mother's side of the family. He's aware of that, yet doesn't seem to grasp how poorly it could affect him in the future. Both substances are used when stressed or annoyed, but gravitates towards the alcohol mostly. An insomniac, his sleep schedule has been, and still is, irregular. Tends to be active out of nowhere during later hours, and taking overnight shifts doesn't help him. All coupled together, it's easy to imagine his self-care is kinda non-existent. Not to say he's lacking in it, it's out of sheer tiredness and apathy. Irritability is a rather serious tendency due to trauma, and a main fueling reason for the reliance on bad tendencies. It only worsens when experiencing a chain of obstacles, no matter if minor or severe. There's no clear pattern as he can seem fine in the moment, yet takes but one nudge to tip him off the edge. Resulting in sudden outbursts, causing to shut himself off from others.
Relationships? (Simplified): Alfred's dad has remained an integral part of his life. Who in fact, happens to be a simulacrum from Hell, named Him. It's been the only figure he's ever looked up to and known as family. Same demon was originally supposed to replace his actual biological father. In a rather malicious, literal sense. That never happened, as the target left his family behind during the early years of Alfred's childhood before anything transpired. Then living with an abusive mother got him in a worse vulnerable state. So getting attached to something inhuman, but caring, shouldn't be surprising. Their steady bond continued while no one else had a clue on any of it. Entering his young teenage years, Alfred was unphased about his own father figure not being exactly human, once Him revealed so. Despite the few times he had to see or hear it lashing out onto other members of its own species, he never seemed disturbed by its more violent actions. Him's raw wrathful nature is no secret, for sure. He looks past as it being over-protective since so far, he's only seen it attack out of defense for the both of them. Many times he has wished to be as reliable, strength-wise. Since Him's the only father, best friend, and role-model he's ever had, he holds it up in high regard. Alfred would go to Hell and back for it. But the relationship is far from perfect, both struggle a lot with communication. Opening up emotionally is hard especially. For Him, it's worse. As they say: like father, like son. They stay silent about their relationship, for safety's sake and to avoid unwanted attention. Nowadays, they live together in a little run-down apartment. Finally secure, in a place they can call home.
Interacting with a simulacrum for nearly his whole childhood didn't make Alfred the most extroverted person. After frequently having trouble socializing, he gave up trying to befriend people his age. At some point, he simply preferred hanging about on his own. However, one person managed to start a friendship with him, Simon Belrose. A new student that had joined the same high-school, and class, as Alfred. They were both young teens, around the same age, when they first met. His outgoing and amicable personality had Alfred spooked, he reasonably assumed that he'd be left alone by him. Having not much thought about the new guy, becoming friends with him was even less on his mind. Up until they both had an interaction, in which Simon had shown genuine interest in his art. While the compliments were validating for Alfred, he was wary of the other anyway. Took a bit to get acquainted properly. Over the years, they've grown a lot closer as friends. But Alfred still remains secretive on a lot of stuff happening in his personal life. Usually for understandable reasons, yet Simon would appreciate it if they were more open with one another. Nonetheless, they get along pretty great. Both admire certain qualities the other has, that of which they don't themselves. They enjoy pissing each other off until someone breaks first. Random screaming matches over absolutely nothing happen frequently. And their silly scuffles always get hectic.
Moving back onto otherworldly beings. Due to Alfred's long bond with a simulacrum, a certain figure grew interested in finding out more about the two. One way or the other. After a major event, involved with a rather unpleasant (putting it lightly) "person". A series of unusual circumstances followed suit for Alfred. Which all led to meeting a theraangel, called Xanthan. When their first proper interaction happened, there was nerve-wracking tension. He wasn't sure what to make of them, or what the angel's true intentions were. Heavy convincing was needed to earn Alfred's trust. To his own surprise, a mutual respect developed as they bonded over certain grievances each had. Later on a different date, Xanthan becomes his guardian angel. Part of a deal made with his father, Him. Solely due to this guardianship, they find more things in common. Eventually gaining a deeper understanding of each other. Their shared connection with art helps them be more open and start an eventual friendship. Alfred slowly views them as a sort of mentor. Maybe even as another father figure. Seeing how he appreciated Xanthan's longer living experience, once he felt comfortable he'd seek out advice from Xan alone on the rare occasion. Very few people manage to break down all the high sturdy walls that angel puts up, Alfred managed to be one of those people. He proved to be pretty insistent in making that guy a close part of his life.
Speaking of enemies, there's no one in particular who really fits in with this definition for Alfred. Besides perhaps some bitter students from his high-school that he got into fights with, or his mother and sister he has distanced himself away from. Still none of them fit such a defining strong label as "enemy". As he just wants to forget about these people entirely. Yet, that doesn't mean he won't make adversaries in the future.
================================================
General rules for all of my FCs and OCs:
-While I'm fine with getting inspired by my work, please do not just steal the designs.
-I am uncomfortable with my characters being unknowingly shipped with other people's characters.
-Fanart is all well, great and welcomed! As long as it isn't sexual. I'm fine with gore but please, keep my characters away from your own sexual material.
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lose my mind every time the doctor takes rose's last name in fics. brilliant, amazing, splendid, absolutely perfect.
like, what do you MEAN she'd be the one to change her last name? he doesn't even HAVE a bloody name like us! plus, she's rose tyler. you think he's going to want that to be different? it's the doctor and rose tyler in the tardis (or I suppose whatever they do in pete's world, but that's still the doctor and rose tyler having their new adventure)!!
she's rose tyler and he is whatever-he-wants tyler. end of discussion. the whole pond diabolical should've been clue enough imo
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might be worth noting that tubbo got lore today because he made it canon he warped back from the boat.
i think this was confusing bc he wasn't sure initially how to play it (he is not a lore guy by trade we all know this), and waffled back and forth with it (with fun bits like "it's tuesday" or "it's a time rift"), but he definitely did make it canon.
he has the story: the boat didn't leave, he had his warpstone. he knew they would just steal him back, like they did the first time.
he has the reason: he desperately needed to see sunny before he left; couldn't sit idly by
and he made it clear that's what he wants to have happened. he told his chat to stop "-rp point"-ing him about it multiple times bc he's trying to make it canon (and told fit the same when he came back post-ghost bit).
he also asked sunny's admin whether she wanted their interactions to be filler or canon and she chose canon
plus he had a canon interaction with forever explaining it and asking him to watch over his daughter
and he and sunny built things and interacted with each other based specifically off the info he was kidnapped, that he will have to go, and that they both knew it was coming
so while you may have to ignore or recontextualize some of the goofier interactions when he initially came back (phil/etoiles/fit stuff esp), tubbo did come back, the code attack did happen, it's already been fit into the lore, and i don't doubt sunny is going to tell fit about it this week!!
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“Amore et Timore” - King Fernando I “El Animoso”
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stupid asshole who lives in my brain
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Crack idea but
Nimona, Marcy, and Camilo meeting each other and creating a shapeshifters club
Their respective parental figures are mildly concerned but glad their kids found people lile them
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We’ve talked in the past about Julia’s red shirt (in her season 1/season 4 outfit) showing her sympathy towards Carmen. What about other parts of her outfits?
First, to contrast with the red shirt peeking through her dark pantsuit, we have Julia’s ACME suit.
[ID : two cropped screenshots from the 2019 show Carmen Sandiego. The first one shows Julia Argent on the train in India, in her dark suit with red shirt outfit. The second one shows Julia in Rio de Janeiro, in her ACME suit. End ID]
The ACME suits, being uniforms, are all the same (the biggest difference being skirts for the women vs pants for the men), the same way the agents are asked for uniformity, conformity and following orders.
The suits have no color apart from a navy so dark it’s close to black - in fact, depending on the lighting they look almost black and white. Quite like their way of thinking.
[ID : a screenshot from the 2019 show Carmen Sandiego. Agent Zari and Random White Agent stand on either side of a door. They are in the shadows and their uniforms look dark and desaturated. End ID]
As I noted on a previous post, at the same time Julia receives her suit and as such lets go of her red shirt, she is asked to renounce her feelings that Carmen is innocent. Season 2, where she almost exclusively wears the ACME uniform, is the one where Julia briefly doubts Carmen and struggles to reconcile following her superior’s orders with her convictions. Ultimately, when she does not manage it, she resigns (season 3) and as such goes back to her red shirt outfit. It is in that outfit that she teams up with Carmen in a substantial way in season 4.
Other agents (and, notably, agent Zari, the most featured ACME agent apart from Julia and Chase) tend to wear black gloves. In line with their behavior, this suggests keeping a distance with their environment, refusing to feel things too deeply. Julia doesn’t wear gloves, however, not even in Stockholm where the weather would definitely justify it. Despite Chief's insistance, Julia keeps paying attention to her feelings.
Then, Julia’s glasses. Her glasses in seasons 2-3 are ACME regulation eyewear : once again, they’re part of the uniform, so the same model as the other ACME agents. Big, bulky, they’re almost rectangle in shape, all sharp angles : this suggests rigidity and an absence of flexibility in ACME’s mentality. Also note the dark lenses : they symbolically obscure the vision.
[ID : a screenshot from the 2019 show Carmen Sandiego. In Indonesia, Zari and Random White Agent stand against the sky. Their glasses' lenses are noticeably very dark. End ID]
And what about Julia’s original glasses, the ones she wears before joining ACME and those she returns to as she leaves ? They are the exact opposite of the ACME glasses : round and clear, what you need to look at the world as it is.
[ID : a cropped screenshot from the 2019 show Carmen Sandiego. In San Francisco, Julia wears her red shirt outfit with her round glasses. End ID]
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finally tackled the absolute mountain of laundry in various states of cleanliness around my room. now all of it is sorted and put into its respective zones of "away".
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trying to lay out my interpretation of why brad and judy are simultaneously awful and really goddamn sad, beyond just having lost their baby under traumatic circumstances as already-traumatized autistic young adults with zero support system left but each other, is wild because it includes in full seriousness the word 'sheepnado'
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I'm thinking again on the fact that so often comments, criticism and readings on Jack dwell a lot on how he is barely human/a person/doesn't have a personality at the point of the story and, while I somewhat understand these points, I find them so lacking. I find them... ableist? I'm always doubtful to use the word here because I'm not sure if it's applied in this kind (mental health) of context, but something like that. And I find them extremely simplistic.
However, honestly, a big part of the reason for these readings being so popular is that the manga itself words it that way. But that's one of the problems I find in the manga. When I say P.andora Hear.ts is very good but unfortunately it is very manga-like at times, besides the 2000s homojokes and the like, I'm usually thinking about things like this. I feel like often characters and situations that are (potentially) very intricate instead of getting insightful deep overviews often get screwed by the writing itself, which falls into very manga tropes a lot in a bad way (not that every manga has to fall into them, or that every manga trope has to be bad or written badly).
I don't know... For instance, I'd argue R.askolnikov's capacity for love in Cr.ime and Punishmen.t is debatable, but it's never treated as if it made him less of a person, a human being or made him not have a personality. I'd say not even Svidrigailo.v, who is as much a Bad Guy™ as a character can be, gets that treatment by the writing. I'd say that even him or Mikol.ka are written as fully fleshed human beings with their intricate internal lives and feelings. Svidrig.ailov's last scene with D.unya is fascinating for both characters and spins the whole dynamic and makes you question the entire narrative and veracity of not only those two characters, but brings to mind several other conversations among different characters and throws light (and doubt!) on the main plot between R.askolnikov and Porf.iry.
In similar situations, Jack's humanity, personhood and personality are debated, doubted and even full on accepted as vanished. No one reads Crim.e and Punishmen.t and comes to the same conclusions about Raskolni.kov, Svidrig.ailov, Sony.a or Razu.mikhin. The writing doesn't allow it. The writing doesn't allow you to forget that humanity is diverse and multifaceted, that it can be sad and cruel and loving and monstrous, even all at the same time, or that a person may struggle with feeling at all; and one is still a person.
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sorry i can't take this chapter seriously the flying head took me out whekshej
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