They were nothing more than people, by themselves. Even paired, any pairing, they would have been nothing more than people by themselves. But all together, they have become the heart and muscles and mind of something perilous and new, something strange and growing and great. Together, all together, they are the instruments of change.

Keri Hulme, The Bone People

i forgot about this but, radioegg.

i'm an egg....... i'm a huevooo..... what the hell am i doing here.... i don't beeeelooong hereee.....

I'm Just Neutral About Taylor Swift

with 2 "nick rocks" appearances and a shout-out on "clarissa explains it all", it does seem the most appropriate station for them. here's what they look like uncrusted.

Would Sokka, Suki and Zuko form a band? And would they call it boiling rock (but Zuko still gets on stage with like... a grand piano or a violin or smth to make it more emo) ?

zuko plays the tsungi horn, sokka plays …

this thing . and suki probably plays the pipa.

sokka writes the lyrics (they just flow out of him, he has a gift!), zuko edits the lyrics to be more poetical by employing more allusions and using more symbolic language, and suki sings (she’s the only one who can sing while she plays, but also, i genuinely doubt zuko or sokka would have nice singing voices anyway).

the idea of them calling their band the boiling rock is so funny it’s like the ultimate fuck you.

and most importantly, iroh gets to see his dream of zuko playing the tsungi horn during music night finally realized.

getting into milgram without knowing much at all about vocaloid is really, really funny when it comes to the cover songs. bc ive listened to all the milgram cover songs. but i almost never Already Know The Original.

we all know the "wait salamander is about what?" moment when this happens ofc. the classic "hold on fuuta sang that and its about cup noodles ?" moment. but i just had another one of these moments tonight and im losing it a little.

nobody told me the original of psychogram started off so fucking LOUD .

magnus bane the first ever fallen victims of alec unacknowledge pretty privilege

ohhh the whole vibe is completely different!! bojan's voice sounds incredible, the bass slaps, jan on keys nearly made me cry, the whole instrumentals are amazing i loved it!

if anyone wants to listen it's still available here

a bynche of self indulgent oscillo dudles ... GIGGLE 😁 @cephalonheadquarters @superbellsubways ooohhh

the chapter songs in Alan Wake 2,, flawless

One of the biggest regrets of my life (so far) is falling off of The Mortal Instruments universe. When I tell you those books filled my every thought when I was in high school, but after CoHF I just didn’t know there was going to be more and now there’s just so much and it feels impossible to get back into. With that said Magnus Bane & Alexander Gideon Lightwood never left me, they’re my everything

Do you ever worry that now that we see the horizon of the shadowhunter books coming to an end, the community or fandom will become a diaspora? Do you think you will fan over them as intensely as you are now say five years post-TWP? Does it give you anxiety and all or make you lonely? :(

And how do you reckon you’ll cope with it?

(Asking for a friend 🎈)

honestly, i’m trying not to think too much about tsc ending bc it makes me super sad bc wdym there won’t be anymore stories with amazing, loveable characters and addicting plots and insane angst? it’s so hard to picture cassie not writing tsc.

but do i think the fandom will die out? i honestly don’t think so, there are too many stories that have changed peoples lives and one does not simply forget about their favourite characters in the blink of an eye, but i do think it might become more quiet… kind of like the 1d fandom… and yes, i suppose it does make me feel quite lonely bc currently i’m just having so much fun talking about the shadowhunter world with people on here and it’s wholesome and so so nice to be surrounded by people who love the same thing as me🫶🏻 thinking about that excitement being diminished is a bit anxiety enducing i suppose.

but no matter what happens, i hope i can still fangirl about tsc with people be that 5, 10 or 15 years in the future. maybe not as intensely or as often and who knows what person i will be then, but kit and tsc are so special to me right now that i don’t think i can ever say my heart will truly leave the fandom.

people can say what they want about cassie’s work but i think she left a legacy and her books won’t easily be forgotten. and it’s less lonely when i focus on the fact that she can still get new readers who have never picked up her books, people who will read tid or twp for the first time in idk like 2028 and then they will be sucked into this world and have the same experiences as us and just fall in love and that truly brings me a lot of comfort (and makes me kind of emotional)! but let's pls not let these books be forgotten <3

it's sad how many reviews and stuff around tmbg seem to centre linnell as the sole dark and creepy writer of the band, never really crediting flansburgh too. do "hide away folk family," "dirt bike," "rabid child," "black ops," "cloisonné" mean nothing to them, smh.

"Caroline deleted" is such a gutpunch and makes me sad to listen to, but i think it's so cool that it goes from a harp arrangement with some synth, then after the flatline, goes back to the signature noise music modern aperture has. Wow

you smoke then ate seven bars of chocolate. we declare rock solid panda should be a bigger artist