Fic things I will never have enough of/get over:
“Oh no, they’re hot.”
“Great, now there’s two of them.”
See above but with more swearing and feelings of dread and impending doom
BAMFs with swords
Old wise person causing 90% of the chaos
“They’ve never met in canon.” “Actually, they’re dating.”
“They’re mortal enemies.” “Actually, they’re married.”
The keeper of the braincell
Sharing one braincell but they lost it
The cinnamon roll goes feral
Tiny feral child and their supportive, enabling, non-parental background adults
“I’m your problem now”
“Welp, guess I’m a parent now”
Accidental world domination
Competence
Competence kink
Calmly sipping tea while everything behind them is on fire
Trying to be a good, supportive adult but you have no point of reference so you end up giving a sword to a ten-year-old
Time travel
Person A and person B start dating and when they tell everyone persons C-Q are confused because haven’t they been dating for like three years now and persons R-Z thought they were already married
*does something previously thought to be impossible* “What, like it’s hard?”
Platonic besties that will help hide the bodies
Fake dating
Accidental baby acquisition
Accidental baby acquisition but they’re a middle-aged to senior adult with like five thirty-something-year-olds that are now their children
Crossovers that shouldn’t work but do
“I need help” “I’ll grab the shovel” “Not that kind of help”
“I didn’t know where else to go.”
Well-written non-canon pairings for characters that have other firmly established canon pairings. Like, fully alters the entire story line non-canon pairings. But done in a way that feels like a reasonable possible outcome.
A protagonist with a million problems to solve still taking the time to be kind
Forehead kisses
Time traveller going apeshit and fixing everything preferably in as Mary-Sue a way as possible
OP character who is oblivious to the fact that they are indeed OP
Character who spouts off increasingly concerning details of their life while not realizing everyone else’s growing concern or the fact that they’re probably about to be mother-henned for the next decade
Character who chooses a parental figure and informs said parental figure of this new development with little to no forewarning
Strong, stoic character is actually the most chaotic one there
Everything in the chaotic portion of the alignment chart
Getting back at a bad guy in as petty a way as possible
Time travel with two or more time travellers who don’t realize they’re not the only time traveller
The guy everyone thinks is going to beat up all the bad guys sitting back and watching the person previously believed to be as strong as an uncooked noodle absolutely demolish them
Any situation where characters play hot potato with a position of great power. “Congrats, you’re king now.” “Not if you can’t catch me, I’m not.”
Unexpected language skills
Unexpected skills in general, particularly if they’re as niche as hell
Two extremely competent individuals who lose all brain cells when within a close proximity of each other
Fixing problems on accident
Fixing problems on accident while actively trying to cause problems on purpose
Surviving primarily due to spite
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you know that post about how addiction isnt the only way to read Jon's journey in s4, there's also a reading where it's about what you're willing and ethically allowed to do to live (and several readings can coexist)-
it reminded of an older reading i havent seen around in a bit; that cynical lens, about what you do when you realize you're part of a system that benefits you only on the back of other people's suffering. Not the only or the best reading, but i did want to share it for people who might not have seen it before
So there's a way of gaining power that's maybe always been with humanity, but perfected by rich british men in the 1700s and 1800s. they made it into a science. the system has been used for centuries, by old rich families, organized religion, the police. And you, a young british man, have been set up to benefit from it nearly from birth, without knowing, without your consent.
And that doesn't mean it's kind to you; it will gladly feed on you if you don't play by its rules... but. play by its rules, and it will give you power.
This system only functions by the suffering of others. by the time you really truly understand what it's doing, it's unfathomable that you could break free from it. your well-being depends on it, the lives of the people you care about are shaped around it. so you perpetuate it. to live with it, you tell yourself; that it's really not so bad as it seems; that the hurt you cause is not in your control; that it's justified because you will use this power for the better; that you're not a bad person because while you harm these people just as much as the real monsters, you feel bad about it, and that has to mean something... right?
Eventually these powers cause the end of the world. the realization sets in that there is never a way to do good with this system, no matter who uses it or who is in charge: it must be destroyed entirely. but by this point in the story it's so interwoven with the world that destroying it causes terrible collateral damage - or you look away; once again; pass the consequences on, to people you will never meet.
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One major factor missing from most debates on Arya and Lyanna's beauty is that they're being judged by their society's extremely patriarchal values. In both looks and personality, that context is essential to understanding how others perceive them. George explores the misogyny experienced by non-conforming women, especially with Arya, and it's interesting how he plays with that regarding their physical beauty.
Her mother used to say she could be pretty if she would just wash and brush her hair and take more care with her dress, the way her sister did. (The Blind Girl, ADWD)
"You never knew Lyanna as I did, Robert," Ned told him. "You saw her beauty, but not the iron underneath. She would have told you that you have no business in the melee." (Eddard VII, AGOT)
These two quotes offer a nice summation of this idea. With Arya, her supposed lack of beauty is defined by her being a non-conforming wild child. Her hair is messy, her face is dirty, and she's often in "lower class" clothing while engaging in unladylike activities. None of this says anything about her physical beauty but it tells us everything about how she's perceived. Arya could be pretty...If she conforms to society's standards for a highborn Lady. With Lyanna, however, we get the opposite. Where Arya is judged based on her personality, Robert's romanticization of Lyanna is rooted solely in her looks. He doesn't know anything about the person she really was. There is an assumption that, because she looked a certain way, her personality must fit and Robert imagines her much softer and more passive than she actually was.
That Arya isn't pretty or Lyanna wasn't wild are two perceptions that George specifically pushes back against. This is where people miss the brilliance of them being linked as literary mirrors; it is largely about us learning more about Lyanna, but it touches on more than that. The significance of them being written as wild, willful, and with their own beauty is that George isn't writing his female characters around patriarchal expectations. When people debate their beauty, that's often the trapping they fall into. Beauty and non-conformity are treated as mutually exclusive factors when the story itself never makes that point; this is also the logic that leads people to the (incorrect) conclusion that Lyanna and Arya aren't meant to be similar. Arya's self-esteem issues around her looks and being a Lady make this a topic certain to be addressed in the future; George has made it a part of the story. The conclusion shouldn't be that "looks don't matter", but that looks aren't indicative of a character's value, personality, or morality.
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I do think we as a fandom need to have an honest conversation about how discord has kinda taken so many of us away from communicating and interacting with the fandom as a whole.
I understand there are certain bonds and friendships formed and people you start talking to consistently over others. But if it’s gotten to the point where those are the ONLY people you interact with, whether on discord or the tumblr dash, it can become extremely alienating to the rest of the fandom.
Things across the fandom have gotten kinda cliquey. And I am more than sure I have contributed to this as well! So in a way, this is a realization for myself too.
Don’t become so invested in the two or three groups of friends you’re apart of that you forget everyone else. There are always new people on here to interact with and if people realize that you’re in some kind of group in a different space that they arent they can become intimidated or feel like they’re intruding. I never want to make anyone feel that way.
I want to talk to everyone. I want everyone to feel like they can share thoughts on each others posts. I want everyone to feel like they can comment on someone’s works again.
I’m not saying discord is the main reason why tumblr fandom has been really off lately. (Because let’s be honest there’s been a myriad of other issues from tumblr itself that has led people to seek out other sites and I don’t blame them) but I think it’s contributing to making fandom spaces feel so selective and small and I really want to put a stop to that the best way I can.
We’re literally all just nerds on this site obsessed with the same crazy fandom shit and I want to do my best to get back to the inclusive and collaborative space this used to be.
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