doomed valentines 🥀
aka what if kel and aubrey took over sweetheart’s castle ?
this is an au where if you interact with the keeper of sweethearts castle as anyone but omori, it unlocks a whole new optional level. you wake up in the picnic area with hero but no kel or aubrey. sweethearts castle is different and basil joins you for this level
the castle's main towers seem to have split into two, but the main building remains one, and smaller from the outside. but it turns out to be unnaturally spacious at times, as if the building was a psychological maze trying to separate... certain people apart
you find aubrey. she looks different, but happier. “it's like a princess' dream come true. it’s everything i could ever want and more.” she says, smiling at you. “now... all i need left is my lovely prince charming—”
“hey, guys !!”
enter kel.
“ugh.”
kel also looks different, if not for the fact hes wearing an obnoxious shade of pink, head to toe. he is happy to see you all. “everyone here LOVES me ! they respect me and trust me and all that kinda stuff. man, i feel so powerful ! im never leaving this place !”
that didnt seem to sit right, so hero intervened. “but.. if you stayed here, wouldn’t you miss everyone else ? omori, basil, me... mari ?”
“well, duh ! that’s why you guys will be staying with me too !”
that broke a new fight between kel and aubrey, but for the wrong reasons
it ends with aubrey dragging basil along with her, hero with kel, and you alone on the bridge connecting the two towers. you have a choice to follow one of them first. lets say, kel.
you head for kels tower and find hero talking with kel, trying to convince his brother.
“didja know ?? the sprout moles here love me so much they made me offerings, like, im a god or something ! pretty cool huh ?”
“..offerings ?”
“yeah ! oh man.. hero, youre not jealous, right ?”
“wh— no. its just.. a bit ridiculous.”
“...ridiculous ?” kels confused expression contorts into a smile, that of understanding. “i see whats going on. its okay, hero, i know its gotta be tough to be put to the side. and overlooked. bet its weird not being in the spotlight for once.”
you caught a quick flash of horror written on heros face. “kel.. are you saying this because—”
“but its ok ! as long as were here, neither of us will ever have to feel that way !”
remaining determined, hero put his foot down. “thats enough, kel. you cant stay here.”
“yea, thats a good one, bro.”
“im... serious. were leaving, kel.”
the younger boy stops laughing. ”...oh. youre— why ?”
“i dont think this place is anything like it seems. i think its a sham.”
kel barks with laughter.
“oh so when it benefits ME is it a sham. man, how selfish can you be ?”
“...what ?”
“you really cant stand it when its not all about you, huh ? but what about me ? what about kel ?”
“i-i think this place is affecting you. please, kel, listen to me.”
“no. if you wanna leave so bad, fine ! the sprout moles can send you out. but im not leaving. im happy here anyway, and you wont get it.”
with that, kel leaves you two in his tower. hero seems distracted, before suggesting you both go find basil
you head for aubreys tower, only to find a scared basil locked in a cell. upon freeing him, he stares over your shoulder.
“o-omori.” he whispers. “...behind you.”
“well, well.. well !”
enter aubrey.
“aubrey! why was basil locked in?” hero asks, perplexed.
“hm? well, he kept trying to leave! i couldnt let that happen, not when i was sharing my happiness with him.” aubrey frowns. “i thought he was my friend.”
basil looks terrified. “aubrey.. i am your friend.”
“hmhm, of course you are. friends dont leave each other behind, right omori?”
hero once again steps in. “aubrey, i think youre taking this too far. of course we want you to be happy, but kidnapping your friends isnt the way. this place is messing with your heads, so we should leave before it gets worse.”
but your path is blocked by kel in the doorway.
“that wont do.” aubrey hums behind you, brandishing her shiny pink bat. “no.. not at all. what do you think, kel ?”
“i think its rude to leave in the middle of a party. right, hero? you taught me that one!”
“kel..”
he then takes a bow as aubrey joins him. “so, friends, may we have this dance?”
“let us sweep the floor !”
boss battle mechanics !
you can not change aubrey or kels emotions even at the start of the battle. the only ones who can change their emotions are each other, so the best strategy is to adapt with your own party’s emotion play
there are 4 phases to this battle. a neutral state, tier one emotion, tier two, and lastly tier three, much like most emotion based bosses. between each phases, aubrey will make kel happier, while kel makes aubrey angrier. they are not made to have the sad emotion, however,
if you end third phase with an attack from hero, kel will start fourth phase with a depressed emotion instead of manic, giving your team good advantage on winning since he relies on speed. aubrey will still be furious, but its still one enemy disadvantaged
once you defeat them they will go snork mimi in your arms and you must carry them out of the castle and back to mari.
“aww, i guess its past their royal nap time !”
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I keep forgetting how annoying it is to watch a currently airing show with a large fanbase on tumblr. Stop tagging the ship name with silly complaints that make no sense. How is that fun for anyone who just wants to browse the tag in peace?
"Ugh Luke saying they're acting like a married couple is fanservice." A child? Saying a variation of 'Annabeth and Percy kissing in a tree, k i s s i n g' lmao please be serious. THEY ARE KIDS, teasing each other. Were y'all never teased when you hung out with another kid and your friends noticed y'all were looking a little too friendly? Oh brother.
"They're pushing Grover to the side in favor or percabeth :(" Huh? Did you read the books? Grover (i love) barely does much. If anything the show is giving him way more to do and say. The actor who plays Grover I genuinely think is the best actor out of the three, he's doing a very good job. Any Pan mention, the moment he found Ferdinand, all great scenes.
"It's not a slow burn! They're already too flirty." Once again, children. They have only hugged and even though I'm a lunatic that is reading into everything because I love percabeth... Not a damn thing came out of that hug lmao there was no nervousness, no 'how do I act around her/him now that I've hugged him oh no' type feelings. She was happy he was ALIVE. Simple.
Also the actual actors are finding their footings with each other as each episodes go by so there's a naturally progression happening both on and off screen. The actors also have said again and again they read all the books so they know their characters are endgame and probably are playing into that a bit. Maybe they don't even realize they're doing it because they were TWELVE at time of filming.
I wonder why so many people are so bothered by show-percabeth especially if they're fans of the books. This couple is the IT couple. They are hyped. Their story, what they do and go through for each other is legendary lmao so what exactly is the real issue? Do you not want parallels to happen? Seeds planted, sOME smiling??? Do you not want Annabeths found family brother who witnessed her shove Percy into the ocean just not mention he notices they seem to have gotten closer?
Very peculiar...
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while only a minority share this view, i do find it somewhat tone deaf when people claim jay's ending is the best outcome for an abuse survivor -- either directly or indirectly implying everyone in the holt house was an abuser that jay, their sole little victim, had to get away from. for starters, none of his endings are happy ones. not even the fugitive path where he's holed up amongst nature, has a dog, and is bathed in solitude. maybe if you close your ears to what jay's saying during that scene you could see this as good for him, but his dialogue is stifled with an achingly loneliness, a sadness. this idea that he craved being alone in the wilderness is not one jay paints himself, it's only something that's said by tyler ; someone who clearly doesn't understand the younger on any level, much less grasps his desires. yes, jay wanted out, he likes nature, though no human can stew in their own space for years without this affecting them mentally. and that's not even taking into account that his entire life is over! he can't travel, he can't visit other countries or get lost in other areas of wood lands or plains, jay is infinitely stuck where he is. it's not a prison cell but it's a cage nonetheless, as the old saying goes : a golden cage is still a cage, after all. he tells zoe these beautiful sights have grown dull on him, laments about missing his family, vanessa, and is so chained by his want for connection he reaches out to a desert dream victim of all people. like, what about this muted cynicism, this barren home, seems happy? maybe he wanted this, some whimsical dream of this, before. now though? it's not what jay thought it'd be, and he lacks any power to change it. this is not some amazing ending for abuse survivors, it's still sad in a melancholy way, simply because jay is visibly unhappy with said circumstances.
but moving on to this, ah, ‘poor little victim in a lion's den’ narrative ... what? i think a lot of people fail to grasp how complex the holt household is in terms of toxicity and abuse. something that's very common nowadays due to how much people project rather than see what's in front of them. and don't get me wrong! projection is fine, you do you, we all consume and parse through media differently -- but this narrative is, by canon evidence, rather fictional. to be completely blunt, jay is not the only victim stuck in the holt house ?? the abusers have always been bear ( physical abuse, verbal degradation ) and sharon ( passive in the face of her kids' abuse, emotional manipulation ) ... and we are literally told point blank by the story itself and another character that these two favored jay immensely compared to their other children. now i'm obviously not saying that he has not faced trauma, he has! favoritism in a house like this does not shield you from the toxicity, sometimes that favor makes things worse, but he was protected to an extent, in ways tyler and dale were not. those two very clearly faced the brunt of bear's physical abuse ; for each other, for jay, and just overall caught their dad's ire more because they stood up to him. tyler takes a beating, a sight that's not at all new by his grim acceptance of this and the fact he states he's been doing this since young :
so, this is normal for tyler. getting beaten by his dad ( which isn't even mentioning the horror story bear can tell to ash, about how he literally threatened to cut tyler's ear or finger off ) and having his mom overall turn a blind eye to it, even going as far as to dismiss this fighting as childish behavior rather than what it is. and dale? we don't see much of him and bear in general, yet the second he steps up to defend tyler, with something as measly as a shove back, bear wastes zero time in hitting him so hard he's practically out of commission for the rest of the fight. he didn't even think about it, merely swung at dale as hard as possible on instinct alone before tyler hastily stepped up to defend him. what happens when jay tries stopping the fight, though?
both parties grab for him so they can toss him out of the way so he doesn't possibly get hurt. you can speculate bear was only doing this in order to finish his punishment on tyler, he'd deal with jay later whatever, although why not punch him like dale? why, out of all the moves on his belt, does he do the more merciful option? bear, who is nothing if not made of violence and has been molded to respect it? his fist that's raised in the air isn't for jay, since the next frame is jay shoved out of the way and him hitting tyler again ... hell, in dialogue where bear and jay are sitting on their porch, the youngest can even say bear beats on tyler and dale specifically. why not say “you beat on us”? like, the game is heavily implying that while jay is traumatized, there are some methods of abuse he simply did not face. one of them being the physical abuse prominent at home. and no, i'm not counting whatever pranks dale's pulled on jay ( like shooting him six times with a bb gun lmao ) because honestly? that's just older brother behavior, and we know that despite the morbid pranks, he still looked out for jay in the ways that counted. like protecting him from pa and to an extent tyler, something which, again, jay says himself!
back on topic a bit, the notion people seem to have of jay and his family seems overly simplified to me. people just looked at dale being his usual asshole self and went ‘abuser’, people looked at tyler's rather drastic and not usually like himself reactions to a high stress situation and went ‘abuser’, and that's a bit ridiculous to me. can't say i'm shocked! since so many people nowadays just see someone mean to their favorite character and decide woobifying said fave while demonizing their opposing force is exactly what canon intended. as dusk falls couldn't be a game more clear about it's main theme of family and the fact there's no purely good or bad people in this world, two statements that correspond directly to the holt family. are they bad for each other? probably! but that's a different discussion compared to, say, every single soul in that house violently abused poor jay and they should reap the consequences of that. dale and tyler, like their beloved younger brother, are also victims of abusive parents and a toxic home life. in turn, they both show signs of this abuse in ways that aren't entirely sympathetic or easy to swallow, especially when they've been dealing with it longer than jay and have never had their parents' favor the way he did. i see people get angry at tyler for the famous cabin scene, but nobody turns a critical eye to sharon ; who for all intents and purposes is watching this unfold without a care. she never physically stops tyler and her attempts to kill the fight are weak compared to her previously steely commands. and, honestly, the fact that tyler was that stressed about sharon getting on that bike so she can be protected, when she's the most capable out of the three of them, is way more strange than tyler's outburst -- when he's in a high stress situation, his baby brother's dead, and his life as he knows it is over. a life he didn't even have to begin with, since it was stolen due to his abusive upbringing.
whether this excuses what he did or not is entirely up to the player! i personally don't think it does, though i also understand where this is coming from and the game makes it clear this is not usual tyler behavior. throughout other people's views it's hammered into us that tyler has a cool head relatively, is the most sensible and smart out of his brothers. so, no, i do not think he was choking jay out all the time for his misplaced resentment -- i think his obvious disliking came from his stilted interactions with jay, and his lack of bond with him at all. we see in book one two times he reaches out to jay, demanding that he eats ( a minor, small thing to fret and worry about ) as well as panicking when he sees jay away from the rest of them during a shoot out. dale constantly looks out for jay as well, going as far as to take the heat from romero if they get caught and something as small as taking blame for jay's mistake in the barn scene. are his brothers more prone to violence and apathy? sure! yet they clearly love jay regardless. abusive households are not easy and see through. in fact in many cases the different levels of abuse the kids suffer does breed life altering resentment later on, envy that can damage these bonds permanently. honestly the holt family intrigues me deeply because of how well written they were as a unit, the effects of abuse and toxicity subtle and not overt in a ‘psa message’ kinda way. and these horrible relationships and ideals shared do not negate from the even more horrible fact that there is love in this messed up family, even bear clearly loves his sons, but that doesn't make it better. it almost makes it worse, seeing all the good intentions and care. knowing it doesn't excuse what they've done to each other nor does it make them better. they're a picture perfect family of an ugly wound! which is fascinating! i only wish more people saw that wonderfully shown depth rather than this bland and lukewarm take on the holts overall.
jay is a victim, he is traumatized, he deserved to one day spread his wings and put some distance between himself and his family ... but he was not the only one who deserved that ending, and he was not the only victim there. he was merely the only one with easy to parse trauma responses.
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