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#ibex band
mywifeleftme · 2 months
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339: Mahmoud Ahmed // ማሕሙድ ፡ ኣሕመድ
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ማሕሙድ ፡ ኣሕመድ Mahmoud Ahmed 1975, Kaifa (Bandcamp)
Says something extremely cool about Ethiopia circa 1975 that something like this was pop; not merely because the tracks are long and groovy (the case with most African music), but because of their sunblasted grandeur, their fervour. ማሕሙድ አሕመድ (Mahmoud Ahmed, also issued in the ‘80s as Erè mèla mèla) is a formidable work of fusion. I hear notes of the Afrobeat movement that was sweeping West Africa, and the heavy influence of Arabic music from the north and across the nearby Red Sea, but also American spiritual jazz (the latter itself partially derived from African and Eastern sounds). “Sedètègnash Nègn / Samerayé” and “Endénèsh Gèdawo” are among the most striking African recordings I’ve heard, built on mesmerizing, helixing odd-time double bass rhythms stabbed through by blurts of saxophone, like someone repeatedly skewering a serpent with a barbecue fork. The ritualistic air conjured by the Ibex Band and Ahmed’s tremulous, utterly committed vocal makes me think of Exuma and, oddly, Black Sabbath-era Ozzy—a frail, human figure both captivated by the musical powers he commands and pushed to the limits of his sanity.
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Much of the record is lighter fare, like “Abay Mado” and “Erè mèla mèla,” and they have their own sway, kissed by flickers of organ, electric guitar, and even flute. These tunes exude an ambient sense of good will, like some musical healing practice, and make a welcome contrast to the more intense jams—they’re so lulling in fact that if I’m doing something else while I listen I can almost forget what I’ve got on, until something freaky like “Ohoho Gédama” drops. I wish I could speak more to the lyrics, but online translators seem to brick Amharic, to the point I couldn’t even tell you what most of the titles mean. I’ve little doubt though that they deal with the same universal concerns as most music of the time and place: the love and fear of love and God. You can party to this, and you can meditate to it, and you can absolutely break in an extremely elaborate hookah to it. Highly recommended.
339/365
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Today, on 9th september, 1969Ibex band played 'The Sink', Liverpool, UK
- Freddie's first gig, with Brian May and Roger Taylor in attendance and taking the stage together for first time for the encore
(Ibex was a pre-Queen band consisting of Freddie Bulsara (Mercury) on vocals, Mike Bersin on guitar, John Taylor on bass, and Mick Smith on drums)
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On 13 August 1969 (as reported in the March 1996 issue of Record Collector magazine), young Freddie Bulsara (future Queen frontman) joined the group Ibex
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halcyone-of-the-sea · 10 months
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hello !! if it’s not too much of a bother can you write another piece featuring Lion 🫶 maybe another angsty piece, maybe a lil lion + farah combo or something else like lion and gaz getting separated from the 141 during a mission and having to fight their way back to the extraction point (?). totally up to you !!! also thank u for keeping us well fed 🙇‍♀️
Lions and Ibexes
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PAIRING: John Price x Wife!Reader 'Codename Lion'
SYNOPSIS: Impulsive was what John always called you - affectionately, of course. But he sure does worry when you disappear without him.
WORDCOUNT: 4.0k
WARNINGS: Blood, death, canon typical violence, a tiny bit of angst, fluff, banter, no connection to 'I'll Take the Night Shift' except codenames, protective!Price, suggestive jokes, etc.
A/N: I wanna give Farah a big smooch on her forehead.
*I do not give others permission to translate and/or re-publish my works on this or any other platform*
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“So this is the woman that the Captain won’t keep quiet about,” you smirk and place your hand into Farah Karim’s, eyes shimmering as you both share a tight grip. 
“Commander,” greeting the black-haired woman, your light gear hangs off of you easily and efficiently; clean and well-taken care of. 
“Lion,” she nods, smirking back. “A pleasure.”
“Please,” you huff a laugh, “I wish it could be.” Expressions dim as you instantly get to work, the hot sun and dry air sticking to your flesh like a second skin of humidity. Releasing Farah’s hand you sigh and look around the old town, skimming over the forms of other Urzikstan Liberation Force soldiers. 
Farah does the same, breathing lowly. 
“On that, I believe you’d be right.” Brown eyes flick to yours, looking you over before the woman nods. “Come, we have much to discuss.”
“Lead the way,” your feet push you onward, following behind the Commander as your wedding band clinks against your chest. Held on that long chain, a hand comes up to brush it carefully, letting the man who wears the mirrored piece bring you comfort even from so far away. 
John was set to ship out in two days—there were some other important operations that had taken precedence. While you could have stayed behind with him, as you had wanted to do, a plea from one of the far-distant operators of One-Four-One had caught your ear. The name Farah Karim was known. 
If you didn’t offer assistance, you’d never feel right with yourself. One call to Laswell and it was all set up. 
“I’ll be there in two days,” John had muttered into your scalp as you both lay in bed, tight to one another; lashes fluttering. “Wait for me, yeah? No running off.” 
Your smirk had made him sigh a chuckle. “No stunts of heroics, my Love? Please, do you know who you’re speaking to?”
“You’ll be the fuckin’ death of me, y’know?”
“Well,” the words are uttered into his neck and John pulls you tighter into him. “I think that’s just about the most romantic thing to happen to someone.” 
Smiling to yourself, you bring the ring to your lips and kiss it lightly before letting it drop. In your head, John is still in your shared flat in London, and you’ll be back by the hour. If only. 
“You contacted Laswell and said you had encountered more of Barkov's remaining cells?” Your voice carries easy authority; ingrained confidence. 
Farah looks back and nods firmly. 
“They’ve taken over a town in the mountains, my forces can’t break the line.” She sighs aggressively and you stare with a sliding frown. “Even dead, Barkov cannot leave my people alone.”
In the back of your throat, you hum, “Well, parasites tend to be resilient.” Farah leads you into a home with maps on the tables and low talking of strategies from others. They pause when you enter and you nod politely. Many here knew your husband as the Commander did—all those years back when he was still only a Lieutenant and had broken Farah and her brother Hadir out from the Russian’s jail; labeled as prisoners of war. 
John had told you about it during one of the many late nights in your joint offices. Eyes tired and his hands playing with your hair.
“What do you need me to do?” You ask genially, standing near the table and placing your hands down on it—standard M4A1 resting over your chest and your secondary weapon strapped to your thigh. Unlike most, you’d opted for lighter gear to allow you to move faster. 
Fewer packs sit on your vest, and the gleam of the knife on your shoulder was a testament to your preference to close, silent, encounters. Though you liked to use your silver tongue to get out of situations, unfortunately, that wouldn’t work in this instance. 
“Captain Price told me you’re one of the best undercover agents he’s seen.” You perk at this, looking over with raised brows.
“Hell,” your chuckle echoes, “when you said he couldn’t keep quiet I thought you were exaggerating.” 
Farah smiles cheekily at you before pointing to the map of a mountain town surrounded by red Xs.
“My soldiers have marked off choke points all around the area. They’re the only pathways to the town, but heavily guarded.” She glances around the room and you hear her sigh heavily. “I wouldn’t have asked for assistance unless I knew I needed it. I’d prefer to leave foreign fighters out of this conflict, unlike my enemy.” 
“I understand,” your head shakes. “It’s your home—I’ll go where you need me to. John should be here in two days to assist.”
Farah’s face flashes with surprise, her full brows rising on her head. “Price is coming?”
You shrug and laugh, “he’s stubborn.” 
The woman chuffs before moving to fold her arms over her chest. “I think perhaps he’s more of a smitten husband, hm?” At the sheepish expression on your face and dipping eyes, Farah barks a laugh.
The band around your neck clinks into the stock of your gun as you stand to your full height. 
“Is it that obvious,” you tease, tilting your head to her. You knew it was.
“I believe the simple action of asking is proof enough, Lion.” The commander looks at her work on the table, smiling easily but focusing still on her plan of attack. “But, regardless, I give my thanks for flying out on such short notice.”
“We help our own.” Resting your hands on the body of your weapon, you smile fondly. “Now, who do I need to kill?” 
As it turns out, killing was the very baseline of what you needed to do. 
Shuffling into the dark armor of the dead Russian soldier at your feet, you grunt at the slick spread of blood on the ground as you strap arm braces to your limbs. 
“Heavy as all hell,” you grumble under your breath, picking up the large helmet and shoving it over your head with a puff of air. 
Farah was going to lead a distraction on the far side of the western choke point while you slipped into the ranks, placing packs of C4 in some of the large-stocked weapons buildings. Easy enough for you, you admitted. You’d done things like this a million times over. 
When all was said and done, slipping your knife into the new belt at your waist, you gaze down at the dead man with a huff of air; seeing the blood still pooling from the very obvious signs of a slit up the left armpit. You blink and stuff your wedding band down your shirt. 
“Bad day, buddy,” grabbing his legs, you bare your heels and drag the body behind a large outcropping of rocks—long streaks of crimson left behind. “I’d hate to be you right now.” 
Grunting, you drop the limp flesh with a thump like a paper-towel roll meeting the counter. 
Shuffling back into the open, your feet make tracks to get you closer toward your targets. You hike the small pouch Farah gave you farther up your back without a word more. 
John had always said you were quick-witted, but when he got here he’d lose that hat of his in disbelief. The truth was that you had forgotten what little of the Russian language you’d initially known, and the situation you found yourself in now was frankly not ideal.
C’mon Lion, you think to yourself, just pick up social cues and you’ll be good. 
Oh, your husband was going to lose his shit.
“Come again?” The Captain barks. “What do you fuckin’ mean she’s in the base?!”
“I just explained it,” Farah levels, raising a brow. Blue eyes narrow with a growl until the Commander's lips flicker in a smirk. “We just had word three minutes ago. She’s fine, Captain.” Fingers find John’s nose bridge, digging deep into the flesh in large exasperation and worry.
He had caught a C17 and came here a day early after he’d gotten a bad feeling—internal wife radar going off as it usually did when you placed yourself in danger without him. Which was more often than not.  
I told her not to be impulsive. 
John sighs long and low, shaking his head. “Farah…you sent her in alone?” 
“She is quite capable, Price.”
“I fucking…” He stops himself and puts his hands on the table in the center of the building. Men and women were snickering from the corners, sending amused glances. “I know.”
Farah sends a glance to her soldiers and they turn away to cover their smiling mouths. Enjoyment was in her tone as she grabs the walkie-talkie from the table top and clips it to her vest. 
“There were more men than we anticipated—she had to be more careful when placing the charges. Captain,” John glares up at her when his eyes leave the maps. The Commander teases, “She is fine.”
As if on cue, the radio fizzles with your voice. Farah looks down with surprise and the Brit's eyes snap to it immediately; body tense. 
There’s a moment of garbled static where the Captain feels his heart beating out of his chest. The panic that had snapped through him when you hadn’t come out to greet him when he’d landed was primal; genuine fear stuck in his bones like spiky grass. The bond the two of you had was closer than anything on this plane of existence. It was rare to not see one without the other.
Your voice cuts through and John’s shoulders sag under a non-existent weight.
“You should tell your men to move unless they want to be scorched, Farah!” The woman in the room smiles ferally and raises a smug brow as she looks at John. 
“Copy, Lion. You have my thanks.” 
“I didn’t know you could improvise Russian—it’s like the Slavic blood just entered my body!” The Brit covers his eyes with his hand and groans at the base of his throat. 
“Tell her to get her arse back here before she gets bloody shot.” John takes off his bucket hat and tosses it to the table with a gloved hand, punching his hair back from his forehead. “Giving me gray hairs,” he grunts. 
Farah laughs and says eagerly into the walkie, “Someone’s here to say hello.”
“...Oh, fuck.” Your panting breath clears and after a long glare at the device, John hears you say in a slow and awkward tone, “Hello, my Love!”
Farah tilts the radio closer to him and looks highly pleased. 
“Get back here. Now.” John grunts out, fingers digging into his arms as he crosses them. “I told you to wait for me.”
You laugh nervously, deflecting, “...did you, Dear? I guess I misheard you.” The Brit’s jaw clenches but Farah can speak before he can.
“Lion, are all the charges set, then?” You seem thankful for the distraction, sighing over the line.
“All good over here! I just need the O.K from your men and then it’s about to get a whole lot brighter.” 
“I’ll relay the news—get away, as far as you can.”
“Already on it,” your breathy chuckle exits and you pause before saying. “See you soon, Love!” 
Tiny blue eyes bug, “Wait–!” The line clicks off and Farah is already tapping into the frequency for her soldiers, turning slightly away to converse in quick Arabic. 
Evening rolls around and you jog back into the Liberation Force’s base, greeting the guards stationed with a breathless sigh; utterly sweaty but happy you’d gotten half a ride back from some locals. You’re back in your original gear, sear marks on your cheeks and hair slightly burned, but nonetheless unharmed. 
Everyone welcomes you back with handshakes and pats on your shoulders—brushes to your arm as people pass. You guide yourself back to the main building with chuckles and deep smiles of achievement. 
“Someone’s happy.” John’s voice freezes you halfway into the home and you cringe like a leaf. After a moment your eyebrows slide up with a cheeky smile.
“John,” you draw out his name and turn, seeing him leaning against the house with his arms crossed and legs stiff. He looks unimpressed in all of his handsome glory. “Well, don’t you look nice—did you trim your beard before coming out?” 
Walking slowly towards him, you loop your hands around his waist and press kisses into his neck sweetly. The man sighs long and you feel his large palms rest on your hips heavily. You blink innocently into his orbs. 
“Your silver tongue won’t work on me, Love.” The glint in his expression eggs you on as his nose tints down to touch yours. You smile brightly, seeing the wrinkles on his forehead dim as he melts into you easily. 
Whispering, you utter to the air, “I’d say you like my tongue, you brute. Tell me often enough.” Not a beat is missed, but you feel his cheeks go slightly red.
“Keep it on a leash and maybe I’d like it more, yeah?” You snort loudly, head dipping only to feel his lips press into your scalp; his smile is teasing as his beard drags against you. 
John breathes you in along with the scent of sand. One of his hands travels up to lock into the back of your neck, playing with the chain of your necklace. The one that mirrors his own down to the very dents and scratches. 
“You alright?” The words are a murmur into your flesh. You let him play with your wedding band as your smile softens to the same sensation of warm pelts on a wooden floor. 
There was no use telling you to stop your crusades, the Brit knew that. You did what you wanted and damn the consequences; John was stuck with damage control but knew you had the skills and know-how to break all odds. You still held that same fire that the woman he married wore like a crown of fangs without fail.  
“Always,” you reassure him, hugging his waist tighter and staring into his eyes.
The both of you lapse into a delicate hold. John’s arms cage you in and you’d have it no other way as fingers drag over warm flesh, never mind the brutal dig of gear or the stain of blood. Neither could keep you away from the other. 
“When will you stop making my heart rip out of my chest, Sweetheart?” John asks, smirking down at you. “Trying to give me a heart attack before forty, eh?”
“Oh, please,” you whisper against his lips, eyes alight with mischief as he watches you closely—pulse pounding against yours. He could never be angry at you. “We both know that if you have one, I’ll be having one too. We’ll end up being brain-dead at the same damn time, no doubt.” 
He laughs against you lowly, having to pull back to shake his head at your bland confession. “You’re fuckin’ mental, Love.” He breathes in soft puffs of breath. You gaze up at him, laced with affection and care, as he rests his forehead on yours. “Ah, but that’s alright, isn’t it? We’re all a bit crazy.” 
“You might be a little bit higher on the metaphorical scale,” you tease, face serious but eyes betraying you. They always would when it came to John; the only person to break through that ‘cunning nuisance’ that everyone always mentioned in your file. 
“Really, now?” He blinks, smirking and rubbing at your hip absentmindedly and leaning closer—pushing your neck to the side. 
“Just a bit,” you huff, not even realizing. 
Before you can utter another word, firm lips capture you like a beast in iron bars, bulky forearms stuck at the curve of your spine. You chirp into John’s mouth in surprise but melt into him as his large purr resonates into your bloodstream. Singing, you bring your hands to his cheeks, digging through those bristles to feel the burn on your hands. 
Humming, your husband nuzzles his nose into your cheek like a dog would, letting him take in your scent as you feel your legs go weak. You enjoy the worship he gives you; always would. Your body is tightly held against his own and you gladly would have shown him how much you enjoyed him being here if only for the small fact you needed to talk to Farah. 
With one last pass of his reddened lips, you slip back and kiss his bristly cheek with a chuckle. 
“Later.” 
He groans into you. “Tease.” 
“I didn’t even do anything!” You laugh loudly, moving out of his hold to walk into the house as he follows at your heels. John’s hands go to the top of his vest collar to rest. 
He leans down and whispers, “Don’t need to, Love.” 
Your face burns for him and only him as he grumbles out chuckles at your blown pupils. Huffing, you turn and roll your eyes, trying to dispel your flaming blood. Farah waits for you and with a happy glance up she comes from around the table and claps you on both shoulders. You grunt in surprise but grip her elbows with a laugh. 
“Barkov’s remaining cell was wiped out—my soldiers are hunting down the remnants as we speak.” She squeezes your gear and you sigh in relief. “Thank you, Lion, for coming out when you did. The Captain was not wrong in his assessment.” 
You turn your head to the side and glance back at John. “Hear that my Love, I’ve heard you talk about me. That’s so precious.” 
His face goes red under his beard, and his feet shuffle as you and Farah share a joking glance. John releases under-the-breath grumbles before the Commander addresses him. The woman releases you but speaks past your person.
“Some of my younger soldiers wanted you to mentor them with the use of their weapons, do you plan on staying the night?” You and John share a look, a seeming telepathic communication going on. 
He nods at you and you smile. “Only tonight, we ship out at first light. I’ll do what I’m able.”
“Then you also have my thanks. They’ll learn much, I’m sure. Lion,” John comes and gives you a kiss on the cheek before leaving. You watch him go for a moment before rubbing at your dirty neck while you listen to Farah. “Come with me, there’s fresh water on the roof.” 
“Oh,” you perk, suddenly realizing the fatigue in your bones and the dryness of your throat. “Thank you, that’d be great.”
As you both ascend the stairs to the roof, there’s a still silence that falls, a calm nothingness. When you finally stand on the flat roof, you look over the vast land as Farah hands you a chilled water bottle from a mini-fridge. You take it with a small nod in thanks. 
“Nice view,” you motion with the bottle before taking a long sip—downing half of it in one go. 
Farah smiles and hums. “Urzikatan is a beautiful place,” you listen and wipe at your mouth; seeing people walk the streets below as the red sun grows even lower. In the wind, your nose twitches to sand and dust, with some hint of floral notes and arid cleanliness. Farah’s face seeps with a low sadness when she looks out to the land and you pause your drinking. Brows pulling in, you watch her. 
“Farah?” You ask, carefully. It’s a moment before she responds.
“I…” She crosses her arms and sets her feet. “I wonder if this place will ever see its freedom. We’ve been fighting for so long already. My family has known war more than anything else.” Brown eyes drift to you from the side of her eye. 
There’s a tightness in your chest. You can’t imagine what Farah feels right now, what she has felt. Years of this…and still her home is under foreign subjugation. A frown grows on your face and you put the half-full bottle to the small wooden table near the roof’s corner. 
“You’ll get your sovereignty, Farah.” You try your best to speak your mind to the woman but remain truthful to your belief. Farah stares out as you sigh lowly. “Maybe not now—maybe not in this generation—but someday the sun is going to set on a free Urzikatan. You’re plenty strong enough to assure that and you’ve done a proper job so far. The frames are already set.” 
The Commander hums and gazes at her soldiers below as they mull about, laughing with each other and enjoying the company of their fellow countrymen.
“Do you ever wonder what it would be like?” Farah asks you, and you study her genuine interest in her own thoughts. “Who we would be if nothing ever happened to us.” 
You stare for a moment, skull tilting down to gaze at the top of the roof. It’s not an easy question to answer. 
“Sometimes,” your lips admit. Farch eagerly pivots to your form like you hold the greatest answer imaginable. She’s been through so much—losing her family, and her home. Humming, your eyes shift to the setting sun; blinking at it. Against all of this, your lips flinch up into a smile. “But not often.” 
Farah’s eager gaze turns confused, her brows furrowing deeply with a scrunched face. 
“Because right here, right now,” John walks down the street below, and your eyes fall to him as easily as a leaf dances to the ground. The expression on your face eases. “It couldn’t have happened if there were never bad days.” Your husband looks up, and you see him pause among the ranks of other fighters. You chuckle softly, head tilting to the side. 
John stares at you as if you’re the only person to exist, moving one hand from his vest to jerk two fingers in a subtle greeting. Farsh watches the interaction closely, tension loosening from her body. Your head nods slowly to your husband and you say to the woman, absent-minded, “I’m right where I need to be…And the sun has never looked brighter.”
Farah huffs a laugh, eyes running back and forth between the two of you. 
“He loves you,” she says, “deeply.” 
“God,” your laugh echoes, “I sure hope so.” The both of you laugh. 
It felt easy to speak to the Commander, truthfully. Being surrounded by four men all of the time can get catty even with such a strong bond as you had with One-Four-One. 
You dare to share more.
"In my mind, John and I are still in Hertfordshire for our wedding,” The words come out of you slowly, unwrapping emotions one layer at a time as if swaddled in a dark veil of internal nostalgia. You watch John as he walks along, oddly sad but filled with something that makes you want to take him up into your arms with a wet laugh. “Sitting back on the grassy hills outside of town in my gown and him in his tux. The wind is cold…but neither of us can find it in ourselves to shiver. The sun's setting on our heads and making everything glow gold. His fingers are running through my hair…” You pause and hear Farah’s soft breath in the air, but you don’t look at her. Your eyes stay stuck on one person only. “When I die,” your words continue, “I can't ask for anything more than just a glimpse of that again. Just a flicker of that hill. Of those blue eyes looking into mine. I don't think it would be all that bad if I could live in that moment for senseless eternity. If I could live in it for only one second." 
John looks back at you from over his shoulder, your form shrouded in the setting sun as he slowly walks away from you. You gaze with melted eyes, the ring around your neck shining all the brighter. 
“I’m right where I need to be,” finishing, you turn your glossy eyes to Farah, who stares with a wide pull to her lids. “And you need to believe that even if you never get to see that freedom—that hill—you’ll make sure someone else can climb it just an inch farther.” 
It’s a long moment before Farah answers.
“The both of you will do this until one of you dies, hm?” You blink before you shrug. 
“Not one.” Your tone is easy, and John’s shadow turns a corner; out of sight. “I’d never let him go without me.”
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Sacred and Terrible Air: Ibex translation updated to v4.0
(crossposting from reddit)
When Group Ibex's translation went live last June, we called it version 1.0 after several months of covertly sharing an ever-updating work in progress. The updates... have not stopped. These new versions have since fixed a few whoopsies, edited stuff for flow and clarity, brought some more names in line with Disco Elysium's spelling, kept certain translation choices consistent and, of course, added footnotes. What is an ibex if not a dozen footnotes with horns on top.
As always, you can catch the latest version over here: https://old.reddit.com/r/DiscoElysium/comments/13e4tle/sacred_and_terrible_air_püha_ja_õudne_lõhn_full/
Abridged errata:
the big mistake is that Maj's age in chapter 1 was accidentally changed from 5 to 4 at an early editing stage. Our sincere apologies. It is now 5 as it should be, and as is listed later on in the book
and in chapter 2, at one point it's not jumpsuit girl who turns to speak to Khan, but rather von Fersen
the place you are most likely to get shot behind is now consistently a waste disposal facility
Yet more spellings brought in line with Disco Elysium include everyone's favourite polar settlement Yelinka and cool guy Baron von Kikkenberg
As per the inside cover lists, the nominative form of Viderundil is in fact Viderunt, not Viderund
ever wondered about those pesky diamat glasses? There is now a comprehensive footnote for that
you may have noticed that Khan is singing a Beatles song, but did you catch that lyrics by famous punk Estonian band Vennaskond were in Tereesz's mind as he thought of Frantiček the Brave? Checked the full context of that suruese rock? There's footnotes for that too
Finnish slang? Soviet Estonian expressions? Foot. notes.
Cheers, Group Ibex
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stillflight · 2 years
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I would like to offer this resource for therians, an extensive list of all of Sir David Attenborough’s nature documentaries that are available on soap2day, and a full list of what species* they each (notably, prominently) feature the natural behaviors of, separated by episode, and omitting species that were only shown dead, juvenile or being predated on. This took me a while (I have been working on it since Prehistoric Planet’s release) because I did in fact have to watch every single series in full in order to list all the species and the episodes are around 50 minutes long, but enjoy.
Long post ahead:
Most of these shows have closed captioning, which is why I’ve picked soap2day. Planet Earth is the only one that doesn’t. I did not include Dynasties and Dynasties II because each episode only features one species.
Thank you to Birch (@ambiguousmutt​) for his help (he watched about half of the episodes) so I didn’t have to do it individually. Credit goes to him as well.
*Sometimes Attenborough doesn’t say the specific species and I was too busy trying to get through the episodes to identify it. In those cases I just put the most specific name I could.
Planet Earth
Episode one (From Pole to Pole): emperor penguin, polar bear, caribou, arctic grey wolf, Amur leopard, six-plumed bird-of-paradise, superb bird-of-paradise, great white shark, African elephant, African buffalo, lechwe, baboon, African wild dog
Episode two (Mountains): gelada, walia ibex, Ethiopian wolf, guanaco, cougar, grizzly bear, markhor, snow leopard, golden eagle, grey wolf, panda, golden snub-nosed monkey, red panda, demoiselle crane
Episode three (Fresh Water): giant salamander, grizzly bear, smooth-coated otter, Nile crocodile, dolphin fish, midge, Amazon river dolphin, dorado, piranha, spectacled caiman, crab-eating macaque, snow goose
Episode four (Caves): wrinkle-lipped free-tailed bat, cockroach, bat hawk, cave swiftlet, yellow-red rat snake, Texas blind salamander
Episode five (Deserts): Bactrian camel, dromedary camel, red kangaroo, fennec fox, guanaco, long-nosed bat, Nubian ibex, flat lizard, lion, African elephant, locust
Episode six (Ice Worlds): snow petrel, Antarctic petrel, south polar skua, humpback whale, emperor penguin, eider, muskox, arctic grey wolf, polar bear, little auk, arctic fox
Episode seven (Great Plains): Mongolian gazelle, red-billed quelea, wildebeest, snow goose, arctic fox, arctic grey wolf, bison, wild ass, Tibetan fox, pygmy hog, African elephant, lion, baboon
Episode eight (Jungles): magnificent bird-of-paradise, spider monkey, howler monkey, siamang gibbon, gliding tree frog, colugo, red crab spider, African elephant, chimpanzee
Episode nine (The Shallow Seas): humpback whale, multiple corals, banded sea krait, trevally, dugong, bottlenose dolphin, Socotra cormorant, salp, comb jelly, sea lion, dusky dolphin, sea urchin, sunflower starfish, short-tailed stingray, great white shark, king penguin, fur seal
Episode ten (Seasonal Forests): Eurasian lynx, moose, crossbill, wolverine, western capercaillie, pine marten, great grey owl, pudu, kodkod, mandarin duck, cicada, red deer, Amur leopard, tiger, mouse lemur
Episode eleven (Ocean Deep): whale shark, oceanic whitetip shark, common dolphin, Cory's shearwater, manta ray, sea spider, vampire squid, spider crab, unnamed deep sea eel, giant isopod, chambered nautilus, Pacific spotted dolphin, mola mola, frigatebird, sailfish, blue whale
Planet Earth II
Episode one (Islands): pygmy three-toed sloth, Komodo dragon, sifaka, marine iguana, Galapagos racer, Buller's albatross, fairy tern, Christmas Island red crab, yellow crazy ant, chinstrap penguin
Episode two (Mountains): Nubian ibex, red fox, golden eagle, grizzly bear, bobcat, flamingo, mountain viscacha rat, snow leopard
Episode three (Jungles): spider monkey, flying lizard, sword-billed hummingbird, river dolphin, jaguar, glass frog, paper wasp, click beetle, red bird of paradise, Wilson's bird of paradise, indri
Episode four (Deserts): lion, Harris's hawk, shrike, locust, sand grouse, pale chanting goshawk, feral mustang, golden mole, desert long-eared bat, darkling beetle, Namaqua chameleon
Episode five (Grasslands): saiga antelope, lion, harvest mouse, carmine bee-eater, Kori bustard, African elephant, serval, Jackson's widowbird, grasscutter ant, compass termite, giant anteater, bison, red fox, arctic grey wolf
Episode six (Cities): langur, peregrine falcon, leopard, European starling, great bowerbird, raccoon, rhesus macaque, spotted hyena, wels catfish
Our Planet
Episode one (One Planet): lesser flamingo, orchid bee, golden-collared manakin, red-capped manakin, blue manakin, cormorant, booby, common dolphin, shearwater, African wild dog, timber wolf
Episode two (Frozen Worlds): gentoo penguin, wandering albatross, narwhal, Pacific walrus, humpback whale, orca, leopard seal, polar bear
Episode three (Jungles): lowland gorilla, forest elephant, black sicklebill, twelve-wired bird-of-paradise, western parotia, mountain treeshrew, Philippine eagle, black spider monkey, leafcutter ant, Sumatra orangutan, velvet worm
Episode four (Coastal Seas): northern fur seal, compass jellyfish, giant trevally, mobula ray, Atlantic stingray, bottlenose dolphin, grey reef shark, whitetip reef shark, sea otter, California sheephead wrasse, Steller's sea lion, bald eagle, humpback whale, Guanay cormorant, Inca tern, Peruvian booby, South American sea lion
Episode five (From Deserts to Grasslands): Socotran cormorant, Arabian leopard, Arabian oryx, African elephant, cheetah, bison, Alcon blue butterfly, saiga, Przewalski's wild horse, tiger
Episode six (The High Seas): blue whale, spinner dolphin, mobula ray, oarfish, anglerfish, bristle worm, giant petrel, black-browed albatross, wandering albatross, bluefin tuna, sea lion, humpback whale
Episode seven (Fresh Water): Australian pelican, torrent duck, grizzly bear, manatee, giant mayfly, common kingfisher, osprey, jaguar, callipterus cichlid, Siamese fighting fish, hippopotamus, lion, African elephant, sandhill crane
Episode eight (Forests): Siberian tiger, bald eagle, rough-skinned newt, great hornbill, African elephant, African wild dog, fossa, gray mouse lemur
A Perfect Planet
Episode one (Volcano): lesser flamingo, marabou stork, Galápagos land iguana, vampire ground finch, Aldabra giant tortoise, North American river otter, coyote, Kamchatka brown bear, wildebeest
Episode two (The Sun): yellow-cheeked gibbon, fig wasp, arctic grey wolf, wood frog, garter snake, arctic fox, Saharan silver ant, golden snub-nosed monkey, sooty shearwater, humpback whales
Episode three (Weather): straw-colored fruit bat, fire ant, Amazonian giant river turtle, desert rain frog, Bactrian camel, Christmas Island red crab, carmine bee-eater, Nile crocodile, African fish eagle, hippopotamus
Episode four (Oceans): common dolphin, marine iguana, flightless cormorant, flamboyant cuttlefish, eider, bottlenose dolphin, lemon shark, manta ray, blacktip reef shark, trevally, rockhopper pengin, Eden's whale
Episode five (Humans): none
Life
Episode one (Challenges of Life): bottlenose dolphins, cheetah, panther chameleon, orca, brown-tufted capuchin, stalk-eyed fly, hippopotamus, Clark's grebe, giant Pacific octopus, strawberry poison-dart frog, leopard seal, orangutan
Episode two (Reptiles and Amphibians): pebble toad, caiman, basilisk, Brazilian pygmy gecko, panther chameleon, Namaqua chameleon, red-sided garter snake, collared iguana, hog-nosed snake, horned lizard, sea krait, African bullfrog, Komodo dragon
Episode three (Mammals): Weddell seal, elephant shrew, aye-aye, caribou, straw-colored fruit bat, lion, spotted hyena, polar bear, brown-nosed coati, meerkat, African elephant, humpback whale
Episode four (Fish): sailfish, flying fish, weedy sea dragon, convict fish, sarcastic fringehead, mudskipper, Hawaiian freshwater goby, hippopotamus, barbel, silvertip shark, clownfish, sea lion, ragged tooth shark, multiple snapper, whale shark
Episode five (Birds): spatuletail hummingbird, lammergeier, red-billed tropicbird, magnificent frigatebird, red knot, horseshoe crab, lesser flamingo, chinstrap penguin, great white pelican, Clark’s grebe, sage grouse, Vogelkop bowerbird
Episode six (Insects): Darwin’s beetle, unnamed damselfly, monarch butterfly, alkali fly, Wilson’s phalarope, oogpister beetle, mongoose, bombardier beetle, honey bee, black bear, Japanese red bug, Dawson’s bee, grass cutter ant
Episode seven (Hunters and Hunted): ibex, short-tailed stoat, brown bear, Ethiopian wolf, California ground squirrel, star-nosed mole, cheetah, red fox, greater bulldog bat, bottlenose dolphin, Bengal tiger, rattlesnake, orca
Episode eight (Creatures of the Deep): Pompeii worm, Humboldt squid, nemertean worm, moon jelly, fried egg jellyfish, spider crab, stingray, cuttlefish, giant Pacific octopus, sunflower sea star, king crab, cleaner shrimp
Episode nine (Plants): monarch butterfly, purple-throated carib hummingbird
Episode ten (Primates): Hamadryas baboon, Japanese macaque, lowland gorilla, spectral tarsier, phayre's leaf monkey, ring-tailed lemur, Sumatra orangutan, chacma baboon, white-faced capuchin, brown-tufted capuchin, western chimpanzee
Blue Planet II
Episode one (One Ocean): bottlenose dolphin, tuskfish, tern, giant trevally, mobula ray, false killer whale, Asian sheepshead wrasse, orca, humpback whale, walrus
Episode two (The Deep): sea toad, Venus’ flower basket, unnamed shrimp, ethereal snailfish, cock-eyed squid, pyrosome, barrel-eyed fish, unnamed siphonophore, yeti crab, Humboldt squid, fangtooth fish, sixgill shark, scabbardfish, zombie worm
Episode three (Coral Reefs): broadclub cuttlefish, coral grouper, day octopus, multiple corals, green turtle, bottlenose dolphin, manta ray, bobbit worm, saddleback clownfish, marbled grouper, grey reef shark
Episode four (Big Blue): spinner dolphin, yellowfin tuna, mobula ray, sailfish, sperm whale, sea turtle, blue shark, great white shark, multiple jellyfish, Portuguese man o' war, whale shark, wandering albatross, shortfin pilot whale
Episode five (Green Seas): Garibaldi, Australian giant cuttlefish, weedy seadragon, common octopus, pyjama shark, sea otter, tiger shark, smooth stingray, zebra mantis shrimp, common dolphin, humpback whale
Episode six (Coasts): Pacific leaping blenny, king penguin, southern elephant seal, Sally Lightfoot crab, Galápagos sea lion, ochre starfish, clingfish, chain moray eel, Atlantic puffin, arctic skua
Episode seven (Our Blue Planet): none
Prehistoric Planet
Episode one (Coasts): Tyrannosaurus rex, Tethydraco, Phosphatodraco,  Tuarangisaurus, Mosasaurus hoffmannii, pycnodont fish, ammonites,  Kaikaifilu
Episode two (Deserts):  Dreadnoughtus, Tarbosaurus, Velociraptor,  Mononykus, Barbaridactylus, Secernosaurus
Episode three (Freshwater): Velociraptor, Tyrannosaurus rex, Deinocheirus, Quetzalcoatlus, Masiakasaurus, Beelzebufo, elasmosaur
Episode four (Ice Worlds): dromaeosaur, hadrosaur, Ornithomimus, Olorotitan, troodontid, Antarctopelta, Pachyrhinosaurus, Nanuqsaurus
Episode five (Forests): Austroposeidon, Triceratops, Carnotaurus, Qianzhousaurus,  Edmontosaurus, Atrociraptor, Anodontosaurus, Therizinosaurus, Telmatosaurus, Hatzegopteryx
The Hunt
Episode one (The Hardest Challenge): African leopard, African wild dog, Parson’s chameleon, nose-horned chameleon, African mantis, Darwin’s bark spider, Nile crocodile, Amur falcon, orca, cheetah
Episode two (Arctic): polar bear, arctic grey wolf, arctic fox, glaucous gull
Episode three (Forests): tiger, American marten, sparrow hawk, Portia spider, tarsier, harpy eagle, chimpanzee, army ant
Episode four (Oceans): blue whale, frigatebird, dorado, sargassum fish, spinner dolphin, Beroe ovata, Chiroteuthis, lionfish, black-browed albatross, sea lion, tuna, copper shark, common dolphin, Bryde's whale
Episode five (Plains): cheetah, caracal, honey badger, termite, bald eagle, lion, Ethiopian wolf, hotrod ant, spoor spider
Episode six (Coasts): bottlenose dolphin, algae octopus, sand bubbler crab, long-tailed macaque, marine otter, grizzly bear, grey wolf, peregrine falcon, orca, humpback whale
Episode seven (Conservation): none
Life In Colour
Episode one (Seeing In Color): Indian peafowl, mandrill, Costa’s hummingbird, magnificent bird-of-paradise, blue moon butterfly, fiddler crab, mantis shrimp, flamingo, poison dart frog
Episode two (Hiding In Color): Bengal tiger, langur, ptarmigan, crab spider, zebra, Cuban painted snail, blue-striped fangblenny, common waxbill, pin-tailed wydah, Augrabies flat lizard
Frozen Planet II
Episode one (Frozen Worlds): emperor penguin, orca, Pallas’s cat, Siberian tiger, grizzly bear, hooded seal, polar bear
Episode two (Frozen Ocean): polar bear, beluga, harp seal, skeleton shrimp, crested auklet, orca
Episode three (Frozen Peaks): high-casqued chameleon, japanese macaque, kea, andean flamingo, giant panda, golden eagle, andean mountain lion
Episode four (Frozen South): king penguin, Antipodean wandering albatross, blue whale, Weddell seal, chinstrap penguin, snow petrel, leopard seal, orca
Episode five (Frozen Lands): grey wolf, arctic fox, Amur leopard, Siberian tiger, painted turtl, Lapland bumblebee, snowy owl, caribou, grizzly bear
Episode six (Our Frozen Planet): none
Africa
Episode one (Kalahari): fork-tailed drongo, ostrich, black rhinoceros, Angolan giraffe, African leopard, armored ground cricket, spider wasp
Episode two (Savannah): Agama lizard, shoebill, bee-eaters and rollers, lesser flamingo, African elephant, crowned eagle, African fish eagle, martial eagle
Episode three (Congo): chimpanzee, central African rock python, Angola banana frog, African skimmer, rockfowl, African elephant
Episode four (Cape): emperor swallowtail, giant kingfish, African penguin, monkey beetle, springbok, yellow-billed kite, pied crow, ghost crab, vundu catfish, Nile crocodile, Bryde’s whale, great white shark, common dolphin
Episode five (Sahara): Grevy’s zebra, naked mole rat, barn swallow, Dromedary camel, dung beetle, crocodile, western yellow wagtail, Saharan silver ant
Episode six (The Future): none
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QUEEN
Queen's debut album, Queen, was released in the UK fifty years ago today - 13th July 1973.
Created between April and November 1972, Queen was mostly recorded during downtime (late evening and overnight) at Trident Studios in St Anne's Court, Soho, central London.
Keep Yourself Alive was Queen's debut single. One of many different versions/mixes that are widely available. A 1975 re-working, intended as a contemporary B-side, was initially shelved but eventually emerged as a Hollywood Records bonus track under the title Long-Lost Re-Take. Doing All Right (a.k.a. Doin' Alright) was originally performed by Smile, with co-writer Tim Staffel on lead vocal. Piano by Brian May. This was the first song Freddie ever performed on piano in front of a Queen audience. Great King Rat was one of Freddie's earliest compositions, rarely played live in the early 70s but resurrected for the Works! tour in 1984. My Fairy King features Freddie on the piano for the first time on vinyl, and the debut of Roger's trademark high vocals. The lines horses born with eagles' wings, honey bees have lost their stings and teeth don't shine like pearls for poor men's eyes were inspired by Robert Browning's poem The Pied Piper Of Hamelin. Liar was written by Freddie (with Mike Bersin) when he was in the band Ibex, and originally titled Lover. One of the very few Queen recordings to feature a Hammond organ. The 3-minute US single edit has been summarily disowned by the band. The Night Comes Down was written by Brian May in 1970 and originally recorded in 1971. Modern Times Rock'n'Roll was written and sung by Roger, but Freddie took lead vocals when it was performed live in 1974. Son And Daughter was released in advance of the album, as the B-side of Keep Yourself Alive. Played live, it originally included the long guitar solo later worked into Brighton Rock, as can be heard on the BBC session versions (Queen On Air). Seven Seas Of Rhye... is part of the unfinished song that was to become their first hit single the following year. The finished Seven Seas Of Rhye was originally intended to open the second album, though this idea was eventually abandoned.
Other songs recorded during these sessions: Mad The Swine eventually saw the light of day in 1991 as a B-side of Headlong and a bonus track on the Hollywood Records re-release of Queen. Silver Salmon and Polar Bear were originally Smile songs written by Tim Staffel and Brian May. They were demoed by Queen in 1972 but eventually shelved. Hangman was a live favourite between 1970 and 1973 but its existence as a studio recording has always been repeatedly denied, however a 1972 Trident acetate featuring this song was later discovered and is now in the possession of Queen Productions. Lyrics by Freddie, music by Brian. Release it, guys, please.
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alienelvisobsession · 6 months
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The Freddie Mercury Connection
How unlikely that one of the most revered rockstars of all time was born in Zanzibar (an island off the eastern coast of Africa) to Indian immigrants, right? But, after all, how likely was it that Elvis Presley, with his smoldering looks, swiveling hips, and revolutionary musical talent, came out of a dirt-poor family of sharecroppers from Tupelo, Mississippi? I find the parallels between Elvis and Freddie Mercury fascinating, and there are many in my head. Ready Freddie?
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Considered two of the best and most recognizable voices in popular music, Elvis and Freddie both had an incredible, almost unparalleled, stage presence, they came from an unlikely milieu unrelated to entertainment, and died in a heartbreaking way in their 40s. I find the way they are remembered and cherished very similar.
But let's start from the beginning! When he was at boarding school in Panchgani, near Bombay, in the late '50s, Freddie Mercury, then known as Farrokh Bulsara, formed his own band, with his schoolmates Bruce, Farang, Derrick, and Victory. They were called "The Hectics". Surprisingly, Freddie didn't sing, Bruce did. Freddie was too shy, so he played piano in the background. "We all wanted to be Elvis," Bruce remembers. The girls from another school screamed, "just like they'd heard girls the world over were beginning to do when faced with current idols". They played lots of Elvis, who was one of the rock 'n roll idols back then, but also Fats Domino and Little Richard, two of Freddie's favorite artists.
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That shyness that relegated him to the background in school seems to have gone by the time we meet him again in England in the late '60s, singing with his blues band Ibex. He opened his shows with "Jailhouse Rock", a song he also performed with Queen many times. It allowed him to "indulge in gleeful histrionics, but for some time the rest of the group were unsure about Freddie's stage antics." How wrong they were! See for yourself in this live version from 1982.
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In 1979, two years after Elvis' sudden death, Freddie wrote a tribute song to his idol, in the form of a rockabilly pastiche. It's one of Queen's most famous songs to this day: "Crazy Little Thing Called Love". He notoriously wrote it in 10 minutes while lounging in the bathroom. “I did that on the guitar, which I can't play for nuts," he said to Melody Maker, "and in one way it was quite a good thing because I was restricted, knowing only a few chords. It's a good discipline because I simply had to write within a small framework,” he continued. “I couldn't work through too many chords and because of that restriction I wrote a good song, I think.”
Everything, from the production to the lyrics is a call back to early rock 'n roll music. His voice on that track sounds so much like Elvis' that some people think it's an Elvis song. He said about it: “My voice does sound a bit like Elvis Presley’s on ‘Crazy Little Thing Called Love’. That wasn’t something I was trying to do, naturally, it was pure coincidence. It’s all sung rather low, so then you soon come close to Elvis, especially with such a 50s-type song". Freddie even kicks it up a notch in the video by wearing a black leather suit (albeit with kneepads!) and styling his hair like Elvis did.
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Aptly for a song with a rockabilly feel, "Crazy Little Thing Called Love" was Queen's first number-one hit in the States. I don't know if it was because she had heard that song, but Lisa Marie Presley, then only a child, said in an interview that she loved Queen's theatrics and that the first concert she attended was Queen in LA in the late '70s. She gave one of her father's scarves to Freddie. Even though he never met Elvis, Freddie cherished the scarf for the rest of his (short) life.
You can find my other Elvis connection posts at this link. I've written about Jimi Hendrix, Led Zeppelin, and Quentin Tarantino, among others.
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freddieraimbow74 · 2 months
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End of March 1970 - Smile splits up. Tim Staffell joined a band called Humpy Bong.
𝗛𝗲𝗿𝗲 𝗰𝗼𝗺𝗲𝘀 𝘁𝗵𝗲 𝗮𝗺𝗮𝘇𝗶𝗻𝗴 𝗙𝗮𝗿𝗿𝗼𝗸𝗵 𝗕𝘂𝗹𝘀𝗮𝗿𝗮, 𝘄𝗵𝗼 𝘄𝗼𝘂𝗹𝗱 𝗯𝗲𝗰𝗼𝗺𝗲 𝘁𝗵𝗲 𝗹𝗲𝗴𝗲𝗻𝗱𝗮𝗿𝘆 𝗙𝗿𝗲𝗱𝗱𝗶𝗲 𝗠𝗲𝗿𝗰𝘂𝗿𝘆!
Freddie was more than thrilled to join forces with Brian May and Roger Taylor. He felt they all had a strong musical connection. After his other bands; Ibex, Wreckage and Sour Milk Sea - ground to a halt, he was ready to move on. When the last of these acts disintegrated in early 1970, he jumped at the chance to fill Staffell's shoes.
Tim Staffell said, “I left Smile because I was beginning to be seduced by the way the Americans made music. There is a radical difference to the way English people do it. Around 1970, I bought one album which completely changed my attitude towards music and that was Ry Cooder's first album”. (The self titled; Ry Cooder LP was released on the Reprise Label in 1970).”
“That was a real catalyst. I suddenly decided against English rock and the way it works. I left Smile for my own reasons, in one sense I was moving out of the way, and the birth and evolution of Queen were a natural outcome. I called it a day with Smile, Freddie was ready to step in.”
While Freddie matched the power of Tim's voice, he couldn't even attempt to follow his bass playing, and it took two men to replace him. Mike Grose, a friend of Roger's from Truro (no relation to the Reaction's Johnny Grose – but I thought they were brothers!), became the second new member of the band, and Queen's original bassist.
Brian and Roger were disheartened after the break up of Smile and it was the ever enthusiastic Freddie who galvanised them, seizing the opportunity to form the band he craved ever since meeting Tim Staffell’s band mates a year earlier. Freddie didn’t just want Smile with a new line-up, he wanted to build something bigger, better and with a distinctive image; this type of attitude had precipitated the demise of Sour Milk Sea, but Brian and Roger were very different prospects.
Brian summed it up in an interview with NME, published on June 22, 1975; “𝐓𝐡𝐢𝐬 𝐢𝐬 𝐅𝐫𝐞𝐝𝐝𝐢𝐞’𝐬 𝐢𝐧𝐟𝐥𝐮𝐞𝐧𝐜𝐞. 𝐇𝐞 𝐥𝐢𝐤𝐞𝐬 𝐢𝐭 𝐭𝐨 𝐛𝐞 𝐝𝐢𝐬𝐜𝐢𝐩𝐥𝐢𝐧𝐞𝐝, 𝐰𝐢𝐭𝐡 𝐚 𝐥𝐨𝐭 𝐨𝐟 𝐭𝐡𝐢𝐧𝐠𝐬 𝐠𝐨𝐢𝐧𝐠 𝐨𝐧....𝐭𝐨 𝐚𝐟𝐟𝐞𝐜𝐭 𝐭𝐡𝐞 𝐚𝐮𝐝𝐢𝐞𝐧𝐜𝐞. 𝐈 𝐭𝐡𝐢𝐧𝐤 𝐡𝐞 𝐰𝐚𝐬 𝐭𝐡𝐞 𝐨𝐧𝐞 𝐰𝐡𝐨 𝐰𝐚𝐬 𝐟𝐢𝐫𝐬𝐭 𝐚𝐰𝐚𝐫𝐞 𝐨𝐟 𝐩𝐥𝐚𝐲𝐢𝐧𝐠 𝐭𝐨 𝐚𝐧 𝐚𝐮𝐝𝐢𝐞𝐧𝐜𝐞 𝐫𝐚𝐭𝐡𝐞𝐫 𝐭𝐡𝐚𝐧 𝐩𝐥𝐚𝐲𝐢𝐧𝐠 𝐭𝐨 𝐲𝐨𝐮𝐫𝐬𝐞𝐥𝐟. 𝐒𝐦𝐢𝐥𝐞 𝐰𝐚𝐬, 𝐚𝐬 𝐰𝐚𝐬 𝐭𝐡𝐞 𝐟𝐚𝐬𝐡𝐢𝐨𝐧 𝐢𝐧 𝐭𝐡𝐨𝐬𝐞 ����𝐚𝐲𝐬, 𝐟𝐚𝐢𝐫𝐥𝐲 𝐬𝐞𝐥𝐟-𝐢𝐧𝐝𝐮𝐥𝐠𝐞𝐧𝐭.”
At Ealing School, Staffell became friends with fellow student and aspiring musician Farrokh Bulsara (Mercury) who became one of Smile's biggest fans. “He was always telling us that he was going to be a star,” Staffell says. “It's an abject lesson in confidence, and it's a kind of confidence that I really didn't possess. If you don't have that confidence, the chances are you can't perform as well as Freddie did.”
With Freddie at the helm, Smile would change their name and the legendary band, Queen was born!
And as they say, the rest is history......
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o-craven-canto · 6 months
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All animal species (and a couple algae) that have kept the same scientific name since Linnaeus
The first work of taxonomy that is considered as having any scientific authority for animal species was the 10th edition of Linnaeus' Systema Naturae, published in 1758. (Also a book on spiders called Aranei Suecici, published one year before.) That's the foundational text of the binominal system of nomenclature of species still in use today. Since then most of Linnaeus' original species (4379 species, of which 185 mammals, 554 birds, 217 "amphibians" (including reptiles and cartilaginous fish), 379 fishes, 2104 "insects" (including various arthropods, of which 664 are beetles and 543 are moths & butterflies crammed into only 3 genera), and 940 "worms" (including basically all other invertebrates, and even some protists and algae)) have been dismembered, renamed, or at least moved to different genera (e.g. the house sparrow went from Fringilla domestica to Passer domesticus).
Here is a list of all of Linnaeus' original species from 1758 that still retain their original name. I believe they are 484 in total.
"Mammalia"
(Primates)
Homo sapiens (human)
Lemur catta (ring-tailed lemur)
Vespertilio murinus (rearmouse bat)
(Bruta)
Elephas maximus (Asian elephant)
Trichechus manatus (West Indian manatee)
Bradypus tridactylus (three-toed sloth)
Myrmecophaga tridactyla (giant anteater)
Manis pentadactylus (Chinese pangolin)
(Ferae)
Phoca vitulina (harbor seal)
Canis familiaris (dog)
Canis lupus (grey wolf)
Felis catus (house cat)
Viverra zibetha (Indian civet)
Mustela erminea (stoat)
Mustela furo (ferret)
Mustela lutreola (European mink)
Mustela putorius (wild ferret)
Ursus arctos (brown bear)
(Bestiae)
Sus scrofa (wild boar/pig)
Dasypus septemcinctus (seven-banded armadillo)
Dasypus novemcinctus (nine-banded armadillo)
Erinaceus europaeus (European hedgehog)
Talpa europaea (European mole)
Sorex araneus (common shrew)
Didelphis marsupialis (common opossum)
(Glires)
Rhinoceros unicornis (Indian rhinoceros)
Hystrix brachyura (Malayan porcupine)
Hystrix cristata (crested porcupine)
Lepus timidus (common hare)
Castor fiber (European beaver)
Mus musculus (house mouse)
Sciurus vulgaris (red squirrel)
(Pecora)
Camelus dromedarius (dromedary camel)
Camelus bactrianus (Asian camel)
Moschus moschiferus (musk deer)
Cervus elaphus (red deer)
Capra hircus (goat)
Capra ibex (Alpine ibex)
Ovis aries (sheep)
Bos taurus (cow)
Bos indicus (zebu)
(Belluae)
Equus caballus (horse)
Equus asinus (donkey)
Equus zebra (mountain zebra)
Hippopotamus amphibius (hippopotamus)
(Cete)
Monodon monoceros (narwhal)
Balaena mysticetus (bowhead whale)
Physeter macrocephalus (sperm whale)
Delphinus delphis (common dolphin)
"Aves"
(Accipitres)
Vultur gryphus (Andean condor)
Falco tinnunculus (common kenstrel)
Falco sparverius (sparrowhawk)
Falco columbarius (pigeonhawk)
Falco subbuteo (Eurasian hobby)
Falco rusticolus (gyrfalcon)
Strix aluco (tawny owl)
Lanius excubitor (great grey shrike)
Lanius collurio (red-backed shrike)
Lanius schach (long-tailed shrike)
(Picae)
Psittacus erithacus (grey parrot)
Ramphastos tucanus (white-throated toucan)
Buceros bicornis (great hornbill)
Buceros rhinoceros (rhinoceros hornbill)
Crotophaga ani (smooth-billed ani)
Corvus corax (raven)
Corvus corone (carrion crow)
Corvus frugilegus (rook)
Corvus cornix (hooded crow)
Coracias oriolus (golden oriole)
Coracias garrulus (European roller)
Gracula religiosa (hill myna)
Paradisaea apoda (greater bird-of-paradise)
Cuculus canorus (common cuckoo)
Jynx torquilla (wryneck)
Picus viridis (green woodpecker)
Sitta europaea (Eurasian nuthatch)
Merops apiaster (European bee-eater)
Merops viridis (blue-throated bee-eater)
Upupa epops (Eurasian hoopoe)
Certhia familiaris (Eurasian treecreeper)
Trochilus polytmus (red-billed streamertail hummingbird)
(Anseres)
Anas platyrhynchos (mallard duck)
Anas crecca (teal duck)
Mergus merganser (common merganser)
Mergus serrator (red-breasted merganser)
Alca torda (razorbill auk)
Procellaria aequinoctialis (white-chinned petrel)
Diomedea exulans (wandering albatross)
Pelecanus onocrotalus (great white pelican)
Phaeton aethereus (red-billed tropicbird)
Larus canus (common gull)
Larus marinus (great black-backed gull)
Larus fuscus (lesser black-backed gull)
Sterna hirundo (common tern)
Rhynchops niger (black skimmer)
(Grallae)
Phoenicopterus ruber (American flamingo)
Platalea leucorodia (Eurasian spoonbill)
Platalea ajaia (roseate spoonbill)
Mycteria americana (wood stork)
Ardea cinerea (grey heron)
Ardea herodias (blue heron)
Ardea alba (great egret)
Scolopax rusticola (Eurasian woodcock)
Charadrius hiaticula (ringed plover)
Charadrius alexandrinus (Kentish plover)
Charadrius vociferus (killdeer plover)
Charadrius morinellus (Eurasian dotterel)
Recurvirostra avosetta (pied avocet)
Haematopus ostralegus (Eurasian oystercatcher)
Fulica atra (Eurasian coot)
Rallus aquaticus (water rail)
Psophia crepitans (grey-winged trumpeter)
Otis tarda (great bustard)
Struthio camelus (ostrich)
(Gallinae)
Pavo cristatus (Indian peafowl)
Meleagris gallopavo (wild turkey)
Crax rubra (great curassow)
Phasianus colchicus (common pheasant)
Tetrao urogallus (western capercaillie)
(Passeres)
Columba oenas (stock dove)
Columba palumbus (wood pigeon)
Alauda arvensis (Eurasian skylark)
Sturnus vulgaris (European starling)
Turdus viscivorus (mistle thrush)
Turdus pilaris (fieldfare thrush)
Turdus iliacus (redwing thrush)
Turdus plumbeus (red-legged thrush)
Turdus torquatus (ring ouzel)
Turdus merula (blackbird)
Loxia curvirostra (crossbill)
Emberiza hortulana (ortolan bunting)
Emberiza citrinella (yellowhammer)
Emberiza calandra (corn bunting)
Fringilla coelebs (common chaffinch)
Motacilla alba (white wagtail)
Motacilla lava (yellow wagtail)
Parus major (great tit)
Hirundo rustica (barn swallow)
Caprimulgus europaeus (European nightjar)
"Amphibia"
(Reptiles)
Testudo graeca (Greek tortoise)
Draco volans (flying dragon)
Lacerta agilis (sand lizard)
Rana temporaria (common frog)
(Serpentes)
Crotalus horridus (timber rattlesnake)
Crotalus durissus (tropical rattlesnake)
Boa constrictor (common boa)
Coluber constrictor (eastern racer)
Anguis fragilis (slowworm)
Amphisbaena alba (red worm lizard)
Caecilia tentaculata (white-bellied caecilian)
(Nantes)
Petromyzon marinus (sea lamprey)
Raja clavata (thornback ray)
Raja miraletus (brown ray)
Squalus acanthias (spiny dogfish)
Chimaera monstrosa (rabbitfish)
Lophius piscatorius (anglerfish)
Acipenser sturio (sea sturgeon)
Acipenser ruthenus (sterlet sturgeon)
"Pisces"
(Apodes)
Muraena helena (Mediterranean moray)
Gymnotus carapo (banded knifefish)
Trichiurus lepturus (cutlassfish)
Anarhichas lupus (Atlantic wolffish)
Ammodytes tobianus (lesser sandeel)
Xiphias gladius (swordfish)
Stromateus fiatola (blue butterfish)
(Jugulares)
Callionymus lyra (common dragonet)
Uranoscopus scaber (stargazer)
Trachinus draco (greater weever)
Gadus morhua (Atlantic cod)
Blennius ocellaris (butterfly blenny)
Ophidion barbatum (snake cusk-eel)
(Thoracici)
Cyclopterus lumpus (lumpsucker)
Echeneis naucrates (sharksucker)
Coryphaena equiselis (pompano)
Coryphaena hippurus (dorado)
Gobius niger (black goby)
Govius paganellus (rock goby)
Cottus gobio (European bullhead)
Scorpaena porcus (black scorpionfish)
Scorpaena scrofa (red scorpionfish)
Zeus faber (John Dory)
Pleuronectes platessa (European plaice)
Chaetodon striatus (banded butterflyfish)
Chaetodon capistratus (foureye butterflyfish)
Sparus aurata (gilt-head bream)
Labrus merula (brown wrasse)
Labrus mixtus (cuckoo wrasse)
Labrus viridis (green wrasse)
Sciaena umbra (brown meagre)
Perca fluviatilis (European perch)
Gasterosteus aculeatus (three-spined stickleback)
Scomber scombrus (Atlanti mackerel)
Mullus barbatus (red mullet)
Mullus surmuletus (surmullet)
Trigla lyra (piper gurnard)
(Abdominales)
Cobitis taenia (spined loach)
Silurus asotus (Amur catfish)
Silurus glanis (Wels catfish)
Loricaria cataphracta (suckermouth catfish)
Salmo carpio (Garda trout)
Salmo trutta (brown trout)
Salmo salar (Atlantic salmon)
Fistularia tabacaria (bluespotted cornetfish)
Esox lucius (northern pike)
Argentina sphyraena (European argentine)
Atherina hepsetus (Mediterranean sand smelt)
Mugil cephalus (flathead mullet)
Exocoetus volitans (tropical flying fish)
Polynemus paradiseus (Paradise threadfin)
Clupea harengus (Atlantic herring)
Cyprinus carpio (common carp)
(Branchiostegi)
Mormyrus caschive (bottlenose elephantfish)
Balistes vetula (queen triggerfish)
Ostracion cornutus (longhorn cowfish)
Ostracion cubicus (yellow boxfish)
Tetraodon lineatus (Fahaka pufferfish)
Diodon hystrix (spot-fin porcupinefish)
Diodon holocanthus (long-spine porcupinefish)
Centriscus scutatus (grooved shrimpfish)
Syngnathus acus (common pipefish)
Syngnathus pelagicus (pelagic pipefish)
Syngnathus typhle (broad-nosed pipefish)
Pegasus volitans (longtail seamoth)
"Insecta"
(Coleoptera)
Scarabaeus sacer (sacred scarab)
Dermestes lardarius (larder beetle)
Dermestes murinus (larder beetle)
Hister unicolor (clown beetle)
Hister quadrimaculatus (clown beetle)
Silpha obscura (carrion beetle)
Cassida viridis (tortoise beetle)
Cassida nebulosa (tortoise beetle)
Cassida nobilis (tortoise beetle)
Coccinella trifasciata (ladybug)
Coccinella hieroglyphica (ladybug) [Coccinella 5-punctata, 7-punctata, 11-punctata, and 24-punctata survive as quinquepunctata, septempunctata, undecimpunctata, and vigintiquatorpunctata]
Chrysomela populi (leaf beetle)
Chrysomela lapponica (leaf beetle)
Chrysomela collaris (leaf beetle)
Chrysomela erythrocephala (leaf beetle)
Curculio nucum (nut weevil)
Attelabus surinamensis (leaf-rolling weevil)
Cerambyx cerdo (capricorn beetle)
Leptura quadrifasciata (longhorn beetle)
Cantharis fusca (soldier beetle)
Cantharis livida (soldier beetle)
Cantharis oscura (soldier beetle)
Cantharis rufa (soldier beetle)
Cantharis lateralis (soldier beetle)
Elater ferrugineus (rusty click beetle)
Cicindela campestris (green tiger beetle)
Cicindela sylvatica (wood tiger beetle)
Buprestis rustica (jewel beetle) [Buprestis 8-guttata survives as octoguttata]
Dytiscus latissimus (diving beetle)
Carabus coriaceus (ground beetle)
Carabus granulatus (ground beetle)
Carabus nitens (ground beetle)
Carabus hortensis (ground beetle)
Carabus violaceus (ground beetle)
Tenebrio molitor (mealworm)
Meloe algiricus (blister beetle)
Meloe proscarabaeus (blister beetle)
Meloe spec (blister beetle)
Mordela aculeata (tumbling glower beetle)
Necydalis major (longhorn beetle)
Staphylinus erythropterus (rove beetle)
Forficula auricularia (common earwig)
Blatta orientalis (Oriental cockroach)
Gryllus campestris (field cricket)
(Hemiptera)
Cicada orni (cicada)
Notonecta glauca (backswimmer)
Nepa cinerea (water scorpion)
Cimex lectularius (bedbug)
Aphis rumici (black aphid)
Aphis craccae (vetch aphid)
Coccus hesperidum (brown scale insect)
Thrips physapus (thrips)
Thrips minutissimum (thrips)
Thrips juniperinus (thrips)
(Lepidoptera)
Papilio paris (Paris peacock butterfly)
Papilio helenus (red Helen butterfly)
Papilio troilus (spicebush swallowtail butterfly)
Papilio deiphobus (Deiphobus swallowtail butterfly)
Papilio polytes (common Mormon butterfly)
Papilio glaucus (eastern tiger swallowtail butterfly)
Papilio memnon (great Mormon butterfly)
Papilio ulysses (Ulysses butterfly)
Papilio machaon (Old World swallowtail butterfly)
Papilio demoleus (lime swallowtail butterfly)
Papilio nireus (blue-banded swallowtail butterfly)
Papilio clytia (common mime butterfly)
Sphinx ligustri (privet hawk-moth)
Sphinx pinastri (pine hawk-moth) [genus Phalaena was suppressed, but seven subgenera created by Linnaeus are now valid as genera]
(Neuroptera)
Libellula depressa (chaser dragonfly)
Libellula quadrimaculata (four-spotted skimmer dragonfly)
Ephemera vulgata (mayfly)
Phryganea grandis (caddisfly)
Hemerobius humulinus (lacewing)
Panorpa communis (scorpionfly)
Panorpa germanica (scorpionfly)
Raphidia ophiopsis (snakefly)
(Hymenoptera)
Cynips quercusfolii (oak gall wasp)
Tenthredo atra (sawfly)
Tenthredo campestris (sawfly)
Tenthredo livida (sawfly)
Tenthredo mesomela (sawfly)
Tenthredo scrophulariae (sawfly)
Ichneumon extensorius (parasitoid wasp)
Ichneumon sarcitorius (parasitoid wasp)
Sphex ichneumoneus (digger wasp)
Vespa crabro (European hornet)
Apis mellifera (honey bee)
Formica fusca (silky ant)
Mutilla europaea (large velvet ant)
(Diptera)
Oestrus ovis (sheep botfly)
Tipula oleracea (marsh cranefly)
Tipula hortorum (cranefly)
Tipula lunata (cranefly)
Musca domestica (housefly)
Tabanus bovinus (pale horsefly)
Tabanus calens (horsefly)
Tabanus bromius (brown horsefly)
Tabanus occidentalis (horsefly)
Tabanus antarcticus (horsefly)
Culex pipiens (house mosquito)
Empis borealis (dance fly)
Empis pennipes (dance fly)
Empis livida (dance fly)
Conops flavipes (thick-headed fly)
Asilus barbarus (robberfly)
Asilus crabroniformis (hornet robberfly)
Bombylius major (bee fly)
Bombylius medius (bee fly)
Bombylius minor (bee fly)
Hippobosca equina (forest fly)
(Aptera)
Lepisma saccharina (silverfish)
Podura aquatica (water springtail)
Termes fatale (termite)
Pediculus humanus (human louse)
Pulex irritans (human flea)
Acarus siro (flour mite)
Phalangium opilio (harvestman)
Araneus angulatus (orb-weaving spider)
Araneus diadematus (European garden spider)
Araneus marmoreus (marbled orbweaver)
Araneus quadratus (four-spotted orbweaver -- last four are by Clerck 1757, some of the very few surviving pre-Linnean names!)
Scorpio maurus (large-clawed scorpion)
Cancer pagurus (brown crab)
Oniscus asellus (common woodlouse)
Scolopendra gigantea (giant centipede)
Scolopendra morsitans (red-headed centipede)
Julus fuscus (millipede)
Julus terrestris (millipede)
"Vermes"
(Intestina)
Gordius aquaticus (horsehair worm)
Lumbricus terrestris (common earthworm)
Ascaris lumbricoides (giant roundworm)
Fasciola hepatica (liver fluke)
Hirudo medicinalis (medicinal leech)
Myxine glutinosa (Atlantic hagfish)
Teredo navalis (shipworm)
[shout out to Furia infernalis, a terrifying carnivorous jumping worm that Linnaeus described, but which doesn't seem to actually exist]
(Mollusca)
Limax maximus (leopard slug)
Doris verrucosa (warty nudibranch)
Nereis caerulea (ragworm)
Nereis pelagica (ragworm)
Aphrodita aculeata (sea mouse)
Lernaea cyprinacea (anchor worm)
Scyllaea pelagica (Sargassum nudibranch)
Sepia officinalis (common cuttlefish)
Asterias rubens (common starfish)
Echinus esculentus (edible sea urchin)
(Testacea)
Chiton tuberculatus (West Indian green chiton)
Lepas anatifera (goose barnacle)
Pholas dactylus (common piddock)
Mya arenaria (softshell clam)
Mya truncata (truncate softshell)
Solen vagina (razor clam)
Tellina laevigata (smooth tellin)
Tellina linguafelis (cat-tongue tellin)
Tellina radiata (sunrise tellin)
Tellina scobinata (tellin)
Cardium costatum (ribbed cockle)
Donax cuneatus (wedge clam)
Donas denticulatus (wedge clam)
Donax trunculus (wedge clam)
Venus casina (Venus clam)
Venus verrucosa (warty venus)
Spondylus gaederopus (thorny oyster)
Spondylus regius (thorny oyster)
Chama lazarus (jewel box shell)
Chama gryphoides (jewel box shell)
Arca noae (Noah's ark shell)
Ostrea edulis (edible oyster)
Anomia aurita (saddle oyster)
Anomia ephippium (saddle oyster)
Anomia hysterita (saddle oyster)
Anomia lacunosa (saddle oyster)
Anomia spec (saddle oyster)
Anomia striatula (saddle oyster)
Mytilus edulis (blue mussel)
Pinna muricata (pen shell)
Pinna nobilis (fan mussel)
Pinna rudis (rough pen shell)
Argonauta argo (argonaut)
Nautilus pompilius (chambered nautilus)
Conus ammiralis (admiral cone snail)
Conus aulicus (princely cone snail)
Conus aurisiacus (cone snail)
Conus betulinus (betuline cone snail)
Conus bullatus (bubble cone snail)
Conus capitaneus (captain cone snail)
Conus cedonulli (cone snail)
Conus ebraeus (black-and-white cone snail)
Conus figulinus (fig cone snail)
Conus genuanus (garter cone snail)
Conus geographus (geographer cone snail)
Conus glaucus (glaucous cone snail)
Conus granulatus (cone snail)
Conus imperialis (imperial cone snail)
Conus litteratus (lettered cone snail)
Conus magus (magical cone snail)
Conus marmoreus (marbled cone snail)
Conus mercator (trader cone snail)
Conus miles (soldier cone snail)
Conus monachus (monastic cone snail)
Conus nobilis (noble cone snail)
Conus nussatella (cone snail)
Conus princeps (prince cone snail)
Conus spectrum (spectrecone snail)
Conus stercusmuscarum (fly-specked cone snail)
Conus striatus (striated cone snail)
Conus textile (cloth-of-gold cone snail)
Conus tulipa (tulip cone snail)
Conus varius (freckled cone snail)
Conus virgo (cone snail)
Cypraea tigris (tiger cowry shell)
Bulla ampulla (Pacific bubble shell)
Voluta ebraea (Hebrew volute)
Voluta musica (music volute)
Buccinum undatum (common whelk)
Strombus pugilis (fighting conch)
Murex tribulus (caltrop murex)
Trochus maculatus (maculated top shell)
Turbo acutangulus (turban shell)
Turbo argyrostomus (silver-mouth turban shell)
Turbo chrystostomus (gold-mouth turban shell)
Turbo marmoratus (green turban shell)
Turbo petholatus (turban shell)
Turbo sarmaticus (giant turban shell)
Helix lucorum (Mediterranean snail)
Helix pomatia (Roman snail)
Nerita albicilla (blotched nerite)
Nerita chamaeleon (nerite)
Nerita exuvia (snakeskin nerite)
Nerita grossa (nerite)
Nerita histrio (nerite)
Nerita peloronta (bleeding tooth)
Nerita plicata (nerite)
Nerita polita (nerite)
Nerita undata (nerite)
Haliotis asinina (ass-ear abalone)
Haliotis marmorata (marbled abalone)
Haliotis midae (South African abalone)
Haliotis parva (canaliculate abalone)
Haliotis tuberculata (green ormer)
Haliotis varia (common abalone)
Patella caerulea (Mediterranean limpet)
Patella pellucida (blue-rayed limpet)
Patella vulgata (European limpet)
Dentalium elephantinum (elephant tusk)
Dentalium entale (tusk shell)
[genus Serpula is still in use with none of its original species]
(Lithophyta)
Tubipora musica (organ pipe coral)
Millepora alcicornis (sea ginger fire coral)
Madrepora oculata (zigzag stone coral)
(Zoophyta)
Isis hippuris (sea bamboo)
Isis ochracea (sea bamboo)
Gorgonia flabellum (Venus fan)
Gorgonia ventalina (purple sea fan)
Alcyonium bursa (soft coral)
Alcyonium digitatum (dead man's fingers)
Tubularia indivisa (oaten ipes hydroid)
Corallina officinalis (coralline red alga)
Sertularia argentea (sea fern)
Sertularia cupressoides (hydroid)
Pennatula phosphorea (sea pen)
Taenia solium (pork tapeworm)
Volvox globator (colonial alga)
[genus Hydra is still in use with none of its original species]
15 notes · View notes
Text
Calling all Freddie-philes, and in particular anyone familiar with pre-Queen/verrry early Queen Freddie...
So! This comes from Part 5 of the fabulously information-packed Queen Before Queen series transcribed and posted by @melisa-may-taylor72. 
From Queen Before Queen, The 1960’s Recordings - Part Five: Ibex, Wreckage, and Sour Milk Sea, here. I’ve included the entire section for context, but the last paragraph is what has me...curious. Pertinent bits bolded by me.
Why did Freddie ask another guitarist to come play with Queen, specifically to “jam a bit” with Roger and John? 
This guy didn’t have his own guitar, so he tried to play the Red Special (and couldn’t). Were they (Freddie) thinking of adding another guitarist? And if so...why? 
The group was set by that point, so...why? 
I am unendingly curious about this, and I’ve never seen it mentioned outside of this article. I think I did a few half-hearted Google searches, but nothing came up. If you know, hit me up with that sweet, sweet, knowledge. Thanks!
SCHEMER
“When Sour Milk Sea broke up it was a terrible shock,” admits Chris. “It was fairly acrimonious. Rubber had basically bankrolled the band by buying all the equipment, so he took back his Gibson SG Standard that I’d been playing and my Marshall stack, and I was pretty fucked. I was just eighteen. Our drummer, Rob Tyrell, went off with Rubber in another band, and I went off to work in Huntley & Palmer’s bakery in Reading for months on end to get the money to buy my own guitar.” And, as Chris revealed to Mark Hodkinson, “I was planning to form another band with Freddie, but not having a guitar and not having much money put the kibosh on the idea”.
“We liked Freddie,” admits Rob Tyrell. “He was fun. But he was quite a schemer in a way. He had other things cooking. I could feel it in my bones he wasn’t really interested in us. He knew he was good. He kind of used us as a stepping stone.”
Freddie had been through three different groups in less than seven months. What next? “He finally persauded Brian and Roger to form that band,” recalls Mike Bersin. Having known and observed each other for a while, Freddie, Brian and Roger were more compatible than Freddie had been with relative strangers like Chris Chesney and Jeremy Gallop. All the new band needed now was a name.
The previous summer, members of Ibex, Mike Bersin in particular, had began to refer to Freddie, and indeed to Roger Taylor, as “queens” or “old queens” — as Freddie’s letter to Celine Daley shows. And Freddie was obvi­ously far from averse to the term. Brian and Roger put forward the Grand Dance (from C.S. Lewis’ ‘Out Of The Silent Planet’ trilogy) as a suggestion for their new outfit. “But they decided on Queen as being more direct,” adds Mike Bersin. It had, of course, been Freddie’s choice. By this time, Freddie had changed his own name, too. Bulsara was too exotic, too Zanzibar. The explanation of his replacement comes from Chris Chesney. “Freddie was a Virgo,” he reveals, “and Mercury was his ruling planet.”
“Later on,” concludes Chris, “when they auditioned John Deacon, Freddie made some overtures for me to come and play with Queen. I hadn’t played for a few months, but they wanted me to jam a bit with Roger and John. It was really awkward, because Brian’s gui­tar was unplayable if you’re used to playing a proper, commercial guitar. It wasn’t what I wanted to do. And anyway, by then, I felt they had the chemistry in Queen just right.”
43 notes · View notes
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March 1970, High Street, Leatherhead, Surrey, UK - Freddie Bulsara auditioned for Sour Milk Sea band, after seeing a ‘vocalist wanted’ in the ‘Melody Maker, Freddie accompanied by 'roadies' Roger Taylor and John Harris
Rob Tyrell recalls seeing him for the first time: “Freddie auditioned with us in a youth club in crypt of a church in Dorking. We were all blown away. He was very confident. I don’t think it was any great surprise to him when we offered him the job.” Jeremy Gallop agrees: “He had an immense amount of charisma, which is why we chose him. Although, we were actually spoilt for choice that day. Normally at auditions, you’d get four or five guys who were rubbish, but we had two other strong contenders. One was a black guy, who had the voice of God, but he didn’t have the looks of Fred, and the other person was Bridget St. John.
Chris Chesney: “I remember Freddie being really energetic and moving around a lot at the audition, coming up and flashing the mike at me during guitar solos. He was impressive. There was an immediate vibe. He had a great vocal range. He sang falsetto; nobody else had the bottle to do that. He said ‘Do your own songs and I’ll make up my own words’ It was very clever and very good.”
“When Freddie joined,” Chris continues, “We were on a roll. We were in the habit of playing two or three gigs a week and we continued to do so. I think we played down at the Temple in Lower Wardour Street with Freddie, the Oxford gig, and a few others.”
The Oxford gig was in the ballroom at the Randolph Hotel, one of the grandest in the city, “It was like a society-type bash, debs in frocks and all that,” recalls Chris. “I remember our sound wasn’t great.” Jeremy Gallop adds: “Freddie definitely managed to get what people were there in the palm of his hand, just by sheer aggression and his good looks. He was very posy, very camp, and quite vain. I remember him coming to my house and looking in the mirror, poking his long hair. He said ‘I look good today. Don’t you think Rubber?’ I thought, ‘Fuck Off!’ I was only eighteen at the time, and didn’t think it was funny, Now It’s hilarious.”
The only other gig featuring Freddie which the other members of Sour Milk Sea are certain about was a benefit for the homeless charity ‘Shelter’, staged at the Highfield Parish hall in Headington, Oxford, on 20th March 1970 – just weeks before Freddie teamed up with Brian May and Roger Taylor in a new group. “That was probably the last gig we played with him,” remarks Chris Chesney.
Surprisingly enough for such a low-key gig, just like Ibex’s Bolton show, Sour Milk Sea’s appearance at Headington, also made the local paper. This time it was the ‘Oxford Mail’ and incredibly, the paper also included a photograph of the group complete with Freddie – the only known shot to exist of him with Sour Milk Sea. Typically Freddie is the only one looking at the camera.
The article included an interview with the band on account of Chris Chesney’s parents being minor celebrities. It also remarked that vocalist Freddie Bulsara had only arrived ‘a couple of weeks ago’, and quoted form his song ‘Lover’. More importantly, as Chris told the paper at the time: “I don’t feel we are like any other group. Our approach is based on our relationships with one another.”
These relationships held much promise, but were fraught with danger, as Chris soon discovered. “I was staying with ‘Rubber’ at the time.” He recounts. “Then Freddie asked me to stay with him in Barnes. So I did, and we started songwriting together, getting into each other’s heads. His chords were kind of weird. They broke all the rules. F-Sharp minor to F back to A. That was totally new for me. I thought it was all very current and that we could blend our two approaches together.”
Chris continues: “We did two or three of Freddie’s songs. He had some material from the Ibex days, including ‘Lover’, ‘Blag’ and ‘FEWA’ He was good at lyrics and we wrote a couple of numbers, some big, operatic pieces. Operatic in the sense that they broke down into solo guitar parts, then built up again vocally. I can’t for the life of me remember what they were called. He also introduced weird covers like ‘Jailhouse Rock’. We’d never considered playing Elvis, or Little Richard’s ‘Lucille’. Then he had his little rock ‘n’ roll medley, which pushed the band into a showbiz direction, which I liked. He also had a lot of stagecraft going. I had a good relationship with Freddie and he liked the way I moved on stage. We were like Bowie and Ronson, where we related physically to each other on stage”.
No one in Ibex, Wreckage or Sour Milk Sea had suspected that Freddie was gay. Indeed Mike Bersin has pointed out; “Freddie had a girlfriend, Mary Austin at the time”. “Ambiguous sexuality was par for the course then.” Recalls Chris Chesney. “You didn’t question it. Anybody who did was totally unhip.” Chris and Freddie’s friendship was platonic, but close: “He wanted to style me, give me some clothes to wear, and the relationship between us got quite strong. ‘Rubber’ soon realised there was nothing in it for him.”
(➡️ source: http://www.queenpedia.com/index.php?title=Sour_Milk_Sea)
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stesichoreanpalinode · 11 months
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I just want to pull from this great post this quote out from Chris Dummett, former member of Ibex/Wreckage, on a moment in early Queen history where Freddie wondered about bringing another guitarist in
“Brian was kind of limp and Freddie missed getting a reaction.”
Well that changed…
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Also early Queen: Roger and Brian thinking Freddie needed to refine his voice (‘he sounded like a dead sheep’)… Freddie thinking he needed another guitarist to liven things up … these boys … they were working through the process of what was available to them as ‘starter bands’ arising out of friendship groups and semi-professional bands and what their vision was of the perfect band through to ‘we *are* the perfect band, this is us, we can achieve greatness’
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rushingheadlong · 1 year
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Hi there, I have a question about Freddie's handwriting! In those old (fan club?) Q&A cards the band did (you know the ones, back when Deaky's dreams were "wet") Freddie dotted his i's with cute circles instead of dots, but in other samples of his handwriting he dots his i's normally... Are the cards "fake", in that they were maybe completed by some assistant? Are there other instances of circles-instead-of-dots in his handwriting?
Hey there!
So AFAIK anything that appeared in the Fan Club Newsletters that was said to be handwritten by the band was actually written by them, Freddie's handwriting just changed pretty noticeably over the years!
IMO it looks like he started doing the circles as a deliberate stylistic choice, because even in the early days some of his i's had dots instead. Then as he got older it seems he got a bit lazier with it, until he was just dotting all his i's normally on everything.
Here's a little timeline of his handwriting from non-fan club sources through the years for a comparison!
1969 - Ibex setlist
Note the regular dot on "Priestess" and the first i in "Communication"
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1972 - Queen setlist
The circles are becoming a bit looser than before
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1976 - Postcard from Hawaii
Note the regular dots on "moving" and "having", and the sloppy circle on "earlier"
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1977 - Fat Bottomed Girls lyrics
These were likely written out by Freddie for recording purposes. Again there's some looser circles and dots mixed in.
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1983 - It's A Hard Life lyrics
By this point Freddie is almost entirely using dots, with some longer slashes.
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1988 - Letter to a friend
Exclusively dots at this point.
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Not entirely to your question, but at least IME the easiest way to tell if a sample of Freddie's handwriting is "real" at a quick glance is to look at the how the S's are written because that does stay pretty uniform through the years.
Freddie always had a little 'flick' on his S's that in the early days was a distinct spiral, and later on would often completely loop over to connect to the next letter:
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homomenhommes · 8 months
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THIS DAY IN GAY HISTORY
based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more …
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1946 – For two decades, Freddie Mercury (d.1991) was the front man of one of the world's most popular rock groups, Queen. That he was able to maintain this status in spite of continued critical hostility, his flamboyant gender-bending androgyny, and questions about his sexuality is one of the more impressive accomplishments in the history of popular culture. He was also, arguably, the first Indian international rock star.
Freddie Mercury was born Farrokh Bulsara in the British colony of Zanzibar, East Africa (now part of Tanzania) on September 5, 1946. His parents were Parsees and his father was employed in the British civil service. From the age of six, he attended boarding school near Bombay, India, and showed a considerable aptitude for art and music. It was here that he was first called "Freddie" by his classmates.
In 1964, the Bulsara family moved to England, where Freddie completed his education, graduating in 1969 from the Ealing College of Art with a diploma in art and design. Around this time he adopted the surname Mercury, naming himself after the messenger of the gods.
After college, he sold second-hand clothes in trendy flea-markets, where he met future bandmate Roger Taylor, and joined Ibex, a local London group, as a vocalist and keyboard player. In 1970, he formed a group with Taylor and Brian May (joined in 1971 by John Deacon) for which he chose the provocative name Queen.
Even in its earliest days the band was notable for its stage performances, replete with light shows, flamboyant costumes, theatrics, and loudness. The group's first album, Queen (1973), was greeted with critical hostility, as were its early live performances, a result, no doubt, of the implied queerness of its name and Mercury's effeminate, long-haired, heavily made-up stage persona. The group's breakthrough came the following year with the album Queen II, and the first big hit single, "Killer Queen," a tribute to a fabulous individual "just like Marie Antoinette" who may or may not have been female.
Within a year Queen was one of the most popular bands in the world and began a series of world tours that drew crowds often in the hundreds of thousands. From 1975 until 1983, Queen enjoyed a long string of successful best-selling recordings. These include "Bohemian Rhapsody" from the album A Night at the Opera (1975), "Somebody to Love" from A Day at the Races (1976), "We Will Rock You" and "We Are the Champions" from News of the World (1977), "Bicycle Races" and "Fat-Bottomed Girls" from Jazz (1978), "Crazy Little Thing Called Love" and "Another One Bites the Dust" from The Game (1979), and "Under Pressure" (with David Bowie, 1981).
In 1980, Mercury underwent a drastic image change that demonstrated his talent as a gender shape-shifter. Gone was the flaming, campy, "queeny" persona, replaced by a macho one, mustachioed, muscular, short-haired, and attired in an undershirt and tight-fitting jeans (he had an impressive package). The new image was not without its own camp elements, which many fans took at face value.
Mercury nevertheless continued to confound gender assumptions, performing with the rest of the band in complete drag - and full moustache - in the video I Want to Break Free (1984).
During his lifetime, Mercury made no definitive statements about his private life or sexuality, leaving the interpretation of his public image up to the individual imagination; accordingly, many fans were shocked when events made some sort of revelation inevitable. In Queen's early years, Mercury lived with a woman, Mary Austin, with whom he subsequently maintained a significant friendship; in 1980, however, they separated, and he lived thereafter until his death with Jim Hutton, supposedly his gardener.
On November 23, 1991, Freddie Mercury released a statement confirming that he suffered from AIDS, as had long been rumored. He died the following day.
Jim Hutton, who himself was tested HIV-positive in 1990, lived with Mercury for the last six years of his life, nursed him during his illness and was present at his bedside when he died. Hutton claimed that Mercury died wearing a wedding band that Hutton had given him. Hutton died from cancer on 1 January 2010.
Since Mercury's death, many tributes, including an AIDS benefit concert and a ballet choreographed by Maurice Béjart, have honored him. In 2001, he was posthumously inducted as a member of Queen into the Rock and Roll Hall of Fame.
Bohemian Rhapsody is a 2018 biographical drama film about Freddie Mercury. It follows the singer's life from the formation of the band up to their 1985 Live Aid performance at the original Wembley Stadium. It was directed by Bryan Singer from a screenplay by Anthony McCarten. It stars Rami Malek as Mercury, with Lucy Boynton, Gwilym Lee, Ben Hardy, Joe Mazzello, Aidan Gillen, Tom Hollander, Allen Leech, and Mike Myers in supporting roles. Queen members Brian May and Roger Taylor served as consultants.
Bohemian Rhapsody received numerous accolades, including a leading four awards at the 91st Academy Awards for Best Actor (Malek), Best Film Editing, Best Sound Editing and Best Sound Mixing; it was also nominated for Best Picture. The film also won Best Motion Picture – Drama at the 76th Golden Globe Awards, and was nominated for the Producers Guild of America Award for Best Theatrical Motion Picture and BAFTA Award for Best British Film, while Malek won the Golden Globe, Screen Actors Guild and BAFTA for Best Actor.
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1943 – Jack Charles is an Australian Aboriginal actor, musician, potter, and Aboriginal elder. His screen credits include the landmark Australian film The Chant of Jimmie Blacksmith (1978), Bedevil (1993), Blackfellas (1993), Tom White (2004) and Pan (2015), among others.
Born to a Bunurong mother and Wiradjuri father at Cummeragunja Mission on the Murray River, Charles was a victim of the Australian Government's forced assimilation programme which took him from his mother as an infant. He was long of the mistaken belief he was a Koori. He was raised in the Salvation Army Boys' Home at Box Hill, suburban Melbourne, where he was the only Indigenous child and where he was sexually abused.
Charles received a Christian education from the Salvation Army and continued to observe Christian values into his 70s when he told Geraldine Doogue,
"I've employed my Aboriginality as my religion now ... instead of God, I've found that the Godhead is within me ... I'm solely directed towards making an accommodation between Black and White."
In 1970, the director of the New Theatre Melbourne, Dot Thompson, cast Charles in Athol Fugard's The Blood Knot and this was followed by a non-Aboriginal role in Rod Milgate's A Refined Look at Existence.
Charles was involved in establishing Indigenous theatre in Australia. In 1971 he co-founded, with Bob Maza, Nindethana ('place for a corroboree') at The Pram Factory in Melbourne, Australia's first Indigenous theatre group. Their first hit play was called Jack Charles is Up and Fighting, in 1972, and included music composed by him.
In 1972, Charles auditioned for the role of the Australian Indigenous title character in the television show Boney but was declined because they were "looking for an actor with blue eyes". The job went to New Zealand-born James Laurenson who wore black face make-up for the role.
In 1974, Charles played Bennelong in the Old Tote Theatre production of Michael Boddy's Cradle of Hercules which was presented at the Sydney Opera House as part of its opening season. Also in the cast was a very young David Gulpilil.
Stage work includes Jack Davis' play No Sugar for the Black Swan Theatre Company in Perth.
Charles was the subject of Amiel Courtin-Wilson's 2008 documentary Bastardy which followed him for seven years. The film's tagline describes him as: "Addict. Homosexual. Cat burglar. Actor. Aboriginal." The film was in the official selection for Singapore, Melbourne, Sydney and Sheffield Doc/Fest film festivals.
In 2010, Ilbijerri Theatre staged Charles' one-man show called Jack Charles v The Crown at the Melbourne Festival. Charles was nominated for a Helpmann Award for Best Male Actor in a Play for this performance. Jack Charles v The Crown has since toured across Australia and internationally. In 2012, he performed in the Sydney Festival production I am Eora.
Charles played Chief Great Little Panther in Joe Wright's 2015 film Pan.
In 2016, Charles played the role of Uncle Paddy in two episodes of the television horror drama series Wolf Creek. Also in 2016, he played the role of Uncle Jimmy in the television drama series Cleverman.
Charles was for most of his adult life a petty thief and drug addict. He was sentenced to imprisonment 22 times and convicted twice as many times, mainly for burglary and drug offences. His first conviction was entered when he was 17 for the offence of leaving his foster home without the permission of his foster parents. In breach of a forced assimilation order, driven by curiosity about his race, he had been seeking out members of his tribe in Melbourne. He later commented, half-jokingly, that his cat burglary endeavours in luxury districts such as Kew, Melbourne, were rent-collecting missions on Aboriginal land.
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1967 – The television series N.Y.P.D. includes gay characters. N.Y.P.D.was the first television series in America to air an episode with a gay theme. It was entitled "Shakedown." The police track down a man blackmailinggay men, prompting several suicides.
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1987 – The Homomonument, dedicated on September 5, 1987, this gay monument is located in down-town Amsterdam, near Westerkerk and the Anne Frank Huis. This monument is a symbol against denial, suppression and discrimination. The monument also commemorates those who were victims of persecution because of their sexual orientation.
The planners also wanted to make sure that the monument didn't just honor those whom the Nazis killed, but gay and lesbian men and women who have suffered throughout the centuries and who continue to suffer today. Discrimination and oppression of the LGBT community is hardly a recent phenomenon and people still suffer greatly around the world for no reason other than being born the way they were born. The Homomonument recognizes and honors this.
As it is meant to honor both men and women, the designers were adamant that the monument wouldn't be tucked away in some dark alley, the location of which known only by those with a keen interest. It was always the intention of developers to place the monument in a central spot in Amsterdam, and the Westermakt is indeed the perfect location.
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The monument was designed by Karin Daan and consists of three 10 x 10x 10 meters of triangles forming a large imaginary triangle 36 x 36 x 36 meters. A triangle is located on the Prinsengracht and it is often normal to put flowers close to it. At street level there is a triangle of granite with the text "Naar een vriendschap zulkir mateloos verlangen" ("a desire as limitless as friendship), a quote by gay poet Jacob Israel de Haan ,born in Amsterdam, who was killed in WWII. The third triangle is located near Westerkerk and is often used as a stage. The triangle was chosen because homosexuals had to wear this symbol in pink for the concentration camps. Since the seventies the triangle is often used by people proud of being gay at Gay Pride Parade.
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radio-ghost-cooks · 5 months
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okay so long story short i have a hard time coming up with what to say abt my ocs so i'm just gonna start dumping my ideas on ya'll starting with this:
ghoul AU for my OCs based loosely on Ghost (the band)
tbh the only part of this that connects to Ghost is the concept of elemental ghouls.
it all starts with Leo (as a Satanist priest) finding an old abandoned church with a basement full of black sludgy water. after performing an old ritual, the next day he comes back to find Hajime clawing his way out of the water.
Hajime is a blood ghoul. he kinda follows vampire rules but instead of constantly needing blood, it's more like wine for him. a couple glasses every once in a while is good for him but if he drinks an entire human, he gets all blobby and floppy and spacey. he gets hella affectionate when he overindulges too. he's got ibex horns and a double-barbed tail (like a bee's stinger)
the next one to come is Tarou (he's a fire ghoul). he has horns like a kudu. at the tips of them are little flames. his tail is shaped like a spade from a deck of cards. Tarou can't touch water or else He Will Begin To Die so he came SPRINTING out of that sludge. his fire is fueled by emotion + adrenaline. if he's sad, the fire is weaker. if he's happy, the fire gets stronger. adrenaline overrides the typical happy = strong rule. if he's in a fight or anxious, the fire gets stronger.
finally Hanako comes gracefully swimming out and surprise surprise, he's a water ghoul. he's got your traditional ram horns, but his tail is actually soft and acts like a buoy. it puffs up when he dives underwater so the others always know where he is (somehow, no matter how far down he dives, its always bobbing on the surface...). Hana also has a set of secondary gills meaning he can breathe both water and air
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