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confetti-cat · 2 months

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Twelve, Thirteen, and One

Words: 6k

Rating: G

Themes: Friendship, Self-Giving Love

(Written for the Four Loves Fairytale Retelling Challenge over at the @inklings-challenge! A Cinderella retelling feat. curious critters and a lot of friendship.)

When the clock chimes midnight on that third evening, thirteen creatures look to the girl who showed them all kindness.

—

It’s hours after dark, again, and the human girl still sleeps in the ashes.

The mice notice this—though it happens so often that they’ve ceased to pay attention to her. She smells like everything else in the hearth: ashy and overworked, tinged with the faint smell of herbs from the kitchen.

When she moves or shifts in her sleep (uncomfortable sleep—even they can sense the exhaustion in her posture as she sits slumped against the wall, more willing to seep up warmth from the stone than lie cold elsewhere this time of year), they simply scurry around her and continue combing for crumbs and seeds. They’d found a feast of lentils scattered about once, and many other times, the girl had beckoned them softly to her hand, where she’d held a little chunk of brown bread.

Tonight, she has nothing. They don’t mind—though three of them still come to sniff her limp hand where it lies drooped against the side of her tattered dress.

A fourth one places a little clawed hand on the side of her finger, leaning over it to investigate her palm for any sign of food.

When she stirs, it’s to the sensation of a furry brown mouse sitting in her palm.

It can feel the flickering of her muscles as she wakes—feeling slowly returning to her body. To her credit, she cracks her eyes open and merely observes it.

They’re all but tame by now. The Harsh-Mistress and the Shrieking-Girl and the Angry-Girl are to be avoided like the plague never was, but this girl—the Cinder-Girl, they think of her—is gentle and kind.

Even as she shifts a bit and they hear the dull crack of her joints, they’re too busy to mind. Some finding a few buried peas (there were always some peas or lentils still hidden here, if they looked carefully), some giving themselves an impromptu bath to wash off the dust. The one sitting on her hand is doing the latter, fur fluffed up as it scratches one ear and then scrubs tirelessly over its face with both paws.

One looks up from where it’s discovered a stray pea to check her expression.

A warm little smile has crept up her face, weary and dirty and sore as she seems to be. She stays very still in her awkward half-curl against stone, watching the mouse in her hand groom itself. The tender look about her far overwhelms—melts, even—the traces of tension in her tired limbs.

Very slowly, so much so that they really aren’t bothered by it, she raises her spare hand and begins lightly smearing the soot away from her eyes with the back of her wrist.

The mouse in her palm gives her an odd look for the movement, but has discovered her skin is warmer than the cold stone floor or the ash around the dying fire. It pads around in a circle once, then nudges its nose against her calloused skin, settling down for a moment.

The Cinder-Girl has closed her eyes again, and drops her other hand into her lap, slumping further against the wall. Her smile has grown even warmer, if sadder.

They decide she’s quite safe. Very friendly.

—

The old rat makes his rounds at the usual times of night, shuffling through a passage that leads from the ground all the way up to the attic.

When both gold sticks on the clocks’ moonlike faces point upward, there’s a faint chime from the tower-clock downstairs. He used to worry that the sound would rouse the humans. Now, he ignores it and goes about his business.

There’s a great treasury of old straw in the attic. It’s inside a large sack—and while this one doesn’t have corn or wheat like the ones near the kitchen sometimes do, he knows how to chew it open all the same.

The girl sleeps on this sack of straw, though she doesn’t seem to mind what he takes from it. There’s enough more of it to fill a hundred rat’s nests, so he supposes she doesn’t feel the difference.

Tonight, though—perhaps he’s a bit too loud in his chewing and tearing. The girl sits up slowly in bed, and he stiffens, teeth still sunk into a bit of the fabric.

“Oh.” says the girl. She smiles—and though the expression should seem threatening, all pulled mouth-corners and teeth, he feels the gentleness in her posture and wonders at novel thoughts of differing body languages. “Hello again. Do you need more straw?”

He isn’t sure what the sounds mean, but they remind him of the soft whuffles and squeaks of his siblings when they were small. Inquisitive, unafraid. Not direct or confrontational.

She’s seemed safe enough so far—almost like the woman in white and silver-gold he’s seen here sometimes, marveling at his own confidence in her safeness—so he does what signals not-afraid the best to his kind. He glances her over, twitches his whiskers briefly, and goes back to what he was doing.

Some of the straw is too big and rough, some too small and fine. He scratches a bundle out into a pile so he can shuffle through it. It’s true he doesn’t need much, but the chill of winter hasn’t left the world yet.

The girl laughs. The sound is soft and small. It reminds him again of young, friendly, peaceable.

“Take as much as you need,” she whispers. Her movements are unassuming when she reaches for something on the old wooden crate she uses as a bedside table. With something in hand, she leans against the wall her bed is a tunnel’s-width from, and offers him what she holds. “Would you like this?”

He peers at it in the dark, whiskers twitching. His eyesight isn’t the best, so he finds himself drawing closer to sniff at what she has.

It’s a feather. White and curled a bit, like the goose-down he’d once pulled out the corner of a spare pillow long ago. Soft and long, fluffy and warm.

He touches his nose to it—then, with a glance upward at her softly-smiling face, takes it in his teeth.

It makes him look like he has a mustache, and is a bit too big to fit through his hole easily. The girl giggles behind him as he leaves.

—

There’s a human out in the gardens again. Which is strange—this is a place for lizards, maybe birds and certainly bugs. Not for people, in his opinion. She’s not dressed in venomous bright colors like the other humans often are, but neither does she stay to the manicured garden path the way they do.

She doesn’t smell like unnatural rotten roses, either. A welcome change from having to dart for cover at not just the motions, but the stenches that accompany the others that appear from time to time.

This human is behind the border-shubs, beating an ornate rug that hangs over the fence with a home-tied broom. Huge clouds of dust shake from it with each hit, settling in a thin film on the leaves and grass around her.

She stops for a moment to press her palm to her forehead, then turns over her shoulder and coughs into her arm.

When she begins again, it’s with a sharp WHOP.

He jumps a bit, but only on instinct. However—

A few feet from where he settles back atop the sunning-rock, there’s a scuffle and a sharp splash. Then thrashing—waster swashing about with little churns and splishes.

It’s not the way of lizards to think of doing anything when one falls into the water. There were several basins for fish and to catch water off the roof for the garden—they simply had to not fall into them, not drown. There was little recourse for if they did. What could another lizard do, really? Fall in after them? Best to let them try to climb out if they could.

The girl hears the splashing. She stares at the water pot for a moment.

Then, she places her broom carefully on the ground and comes closer.

Closer. His heart speeds up. He skitters to the safety of a plant with low-hanging leaves—

—and then watches as she walks past his hiding place, peers into the basin, and reaches in.

Her hand comes up dripping wet, a very startled lizard still as a statue clinging to her fingers.

“Are you the same one I always find here?” she asks with a chiding little smile. “Or do all of you enjoy swimming?”

When she places her hand on the soft spring grass, the lizard darts off of it and into the underbrush. It doesn’t go as far as it could, though—something about this girl makes both of them want to stand still and wait for what she’ll do next.

The girl just watches it go. She lets out a strange sound—a weary laugh, perhaps—and turns back to her peculiar chore.

—

A song trails through the old house—under the floorboards—through the walls—into the garden, beneath the undergrowth—and lures them out of hiding.

It isn’t an audible song, not like that of the birds in the summer trees or the ashen-girl murmuring beautiful sounds to herself in the lonely hours. This one was silent. Yet, it reached deep down into their souls and said come out, please—the one who helped you needs your help.

It didn’t require any thought, no more than eat or sleep or run did.

In chains of silver and grey, all the mice who hear it converge, twenty-four tiny feet pattering along the wood in the walls. The rat joins them, but they are not afraid.

When they emerge from a hole out into the open air, the soft slip-slap of more feet surround them. Six lizards scurry from the bushes, some gleaming wet as if they’d just escaped the water trough or run through the birdbath themselves.

As a strange little hoard, they approach the kind girl. Beside her is a tall woman wearing white and silver and gold.

The girl—holding a large, round pumpkin—looks surprised to see them here. The woman is smiling.

“Set the pumpkin on the drive,” the woman says, a soft gleam in her eye. “The rest of you, line up, please.”

Bemused, but with a heartbeat fast enough for them to notice, the girl gingerly places the pumpkin on the stone of the drive. It’s natural for them, somehow, to follow—the mice line in pairs in front of it, the rat hops on top of it, and the lizards all stand beside.

“What are they doing?” asks the girl—and there’s curiosity and gingerness in her tone, like she doesn’t believe such a sight is wrong, but is worried it might be.

The older woman laughs kindly, and a feeling like blinking hard comes over the world.

It’s then—then, in that flash of darkness that turns to dazzling light, that something about them changes.

“Oh!” exclaims the girl, and they open their eyes. “Oh! They’re—“

They’re different.

The mice aren’t mice at all—and suddenly they wonder if they ever were, or if it was an odd dream.

They’re horses, steel grey and sleek-haired with with silky brown manes and tails. Their harnesses are ornate and stylish, their hooves polished and dark.

Instead of a rat, there’s a stout man in fine livery, with whiskers dark and smart as ever. He wears a fine cap with a familiar white feather, and the gleam in his eye is surprised.

“Well,” he says, examining his hands and the cuffs of his sleeves, “I suppose I won’t be wanting for adventure now.”

Instead of six lizards, six footmen stand at attention, their ivory jackets shining in the late afternoon sun.

The girl herself is different, though she’s still human—her hair is done up beautifully in the latest fashion, and instead of tattered grey she wears a shimmering dress of lovely pale green, inlaid with a design that only on close inspection is flowers.

“They are under your charge, now,” says the woman in white, stepping back and folding her hands together. “It is your responsibility to return before the clock strikes midnight—when that happens, the magic will be undone. Understood?”

“Yes,” says the girl breathlessly. She stares at them as if she’s been given the most priceless gift in all the world. “Oh, thank you.”

—

The castle is decorated brilliantly. Flowery garlands hang from every parapet, beautiful vines sprawling against walls and over archways as they climb. Dozens of picturesque lanterns hang from the walls, ready to be lit once the sky grows dark.

“It’s been so long since I’ve seen the castle,” the girl says, standing one step out of the carriage and looking so awed she seems happy not to go any further. “Father and I used to drive by it sometimes. But it never looked so lovely as this.”

“Shall we accompany you in, milady?” asks one of the footmen. They’re all nearly identical, though this one has freckles where he once had dark flecks in his scales.

She hesitates for only a moment, looking up at the pinnacles of the castle towers. Then, she shakes her head, and turns to look at them all with a smile like the sun.

“I think I’ll go in myself,” she says. “I’m not sure what is custom. But thank you—thank you so very much.”

And so they watch her go—stepping carefully in her radiant dress that looked lovelier than any queen’s.

Though she was not royal, it seemed there was no doubt in anyone’s minds that she was. The guards posted at the door opened it for her without question.

With a last smile over her shoulder, she stepped inside.

—

He's straightening the horses' trappings for the fifth time when the doors to the castle open, and out hurries a figure. It takes him a moment to recognize her, garbed in rich fabrics and cloaked in shadows, but it's the girl, rushing out to the gilded carriage. A footman steps forward and offers her a hand, which she accepts gratefully as she steps up into the seat.

“Enjoyable evening, milady?” asks the coachman. His whiskers are raised above the corners of his mouth, and his twinkling eyes crinkle at the edges.

“Yes, quite, thank you!” she breathes in a single huff. She smooths her dress the best she can before looking at him with some urgency. “The clock just struck quarter till—will you be able to get us home?”

The gentle woman in white had said they only would remain in such states until midnight. How long was it until the middle of night? What was a quarter? Surely darkness would last for far more hours than it had already—it couldn’t be close. Yet it seemed as though it must be; the princesslike girl in the carriage sounded worried it would catch them at any moment.

“I will do all I can,” he promises, and with a sharp rap of the reins, they’re off at a swift pace.

They arrive with minutes to spare. He knows this because after she helps him down from the carriage (...wait. That should have been the other way around! He makes mental note for next time: it should be him helping her down. If he can manage it. She’s fast), she takes one of those minutes to show him how his new pocketwatch works.

He’s fascinated already. There’s a part of him that wonders if he’ll remember how to tell time when he’s a rat again—or will this, all of this, be forgotten?

The woman in white is there beside the drive, and she’s already smiling. A knowing gleam lights her eye.

“Well, how was the ball?” she asks, as Cinder-Girl turns to face her with the most elated expression. “I hear the prince is looking for fair maidens. Did he speak with you?”

The girl rushes to grasp the woman’s hands in hers, clasping them gratefully and beaming up at her.

“It was lovely! I’ve never seen anything so lovely,” she all but gushes, her smile brighter and broader than they’d ever seen it. “The castle is beautiful; it feels so alive and warm. And yes, I met the Prince—although hush, he certainly isn’t looking for me—he’s so kind. I very much enjoyed speaking with him. He asked me to dance, too; I had as wonderful a time as he seemed to. Thank you! Thank you dearly.”

The woman laughs gently. It isn’t a laugh one would describe as warm, but neither is it cold in the sense some laughs can be—it's soft and beautiful, almost crystalline.

“That’s wonderful. Now, up to bed! You’ve made it before midnight, but your sisters will be returning soon.”

“Yes! Of course,” she replies eagerly—turning to smile gratefully at coachman and stroke the nearest horses on their noses and shoulders, then curtsy to the footmen. “Thank you all, very much. I could not ask for a more lovely company.”

It’s a strange moment when all of their new hearts swell with warmth and affection for this girl—and then the world darkens and lightens so quickly they feel as though they’ve fallen asleep and woken up.

They’re them again—six mice, six lizards, a rat, and a pumpkin. And a tattered gray dress.

“Please, would you let me go again tomorrow? The ball will last three days. I had such a wonderful time.”

“Come,” the woman said simply, “and place the pumpkin beneath the bushes.”

The woman in white led the way back to the house, followed by an air-footed girl and a train of tiny critters. There was another silent song in the air, and they thought perhaps the girl could hear it too: one that said yes—but get to bed!

—

The second evening, when the door of the house thuds shut and the hoofsteps of the family’s carriage fade out of hearing, the rat peeks out of a hole in the kitchen corner to see the Cinder-Girl leap to her feet.

She leans close to the window and watched for more minutes than he quite understands—or maybe he does; it was good to be sure all cats had left before coming out into the open—and then runs with a spring in her step to the back door near the kitchen.

Ever so faintly, like music, the woman’s laughter echoes faintly from outside. Drawn to it like he had been drawn to the silent song, the rat scurries back through the labyrinth of the walls.

When he hurries out onto the lawn, the mice and lizards are already there, looking up at the two humans expectantly. This time, the Cinder-Girl looks at them and smiles broadly.

“Hello, all. So—how do you do it?” she asks the woman. Her eyes shine with eager curiosity. “I had no idea you could do such a thing. How does it work?”

The woman fixes her with a look of fond mock-sternness. “If I were to explain to you the details of how, I’d have to tell you why and whom, and you’d be here long enough to miss the royal ball.” She waves her hands she speaks. “And then you’d be very much in trouble for knowing far more than you ought.”

The rat misses the girl’s response, because the world blinks again—and now all of them once again are different. Limbs are long and slender, paws are hooves with silver shoes or feet in polished boots.

The mouse-horses mouth at their bits as they glance back at the carriage and the assortment of humans now standing by it. The footmen are dressed in deep navy this time, and the girl wears a dress as blue as the summer sky, adorned with brilliant silver stars.

“Remember—“ says the woman, watching fondly as the Cinder-Girl steps into the carriage in a whorl of beautiful silk. “Return before midnight, before the magic disappears.”

“Yes, Godmother,” she calls, voice even more joyful than the previous night. “Thank you!”

—

The castle is just as glorious as before—and the crowd within it has grown. Noblemen and women, royals and servants, and the prince himself all mill about in the grand ballroom.

He’s unsure of the etiquette, but it seems best for her not to enter alone. Once he escorts her in, the coachman bows and watches for a moment—the crowd is hushed again, taken by her beauty and how important they think her to be—and then returns to the carriage outside.

He isn’t required in the ballroom for much of the night—but he tends to the horses and checks his pocketwatch studiously, everything in him wishing to be the best coachman that ever once was a rat.

Perhaps that wouldn’t be hard. He’d raise the bar, then. The best coachman that ever drove for a princess.

Because that was what she was—or, that was what he heard dozens of hushed whispers about once she’d entered the ball. Every noble and royal and servant saw her and deemed her a grand princess nobody knew from a land far away. The prince himself stared at her in a marveling way that indicated he thought no differently.

It was a thing more wondrous than he had practice thinking. If a mouse could become a horse or a rat could become a coachman, couldn’t a kitchen-girl become a princess?

The answer was yes, it seemed—perhaps in more ways than one.

She had rushed out with surprising grace just before midnight. They took off quickly, and she kept looking back toward the castle door, as if worried—but she was smiling.

“Did you know the Prince is very nice?” she asks once they’re safely home, and she’s stepped down (drat) without help again. The woman in white stands on her same place beside the drive, and when Cinder-Girl sees her, she waves with dainty grace that clearly holds a vibrant energy and sheer thankfulness behind it. “I’ve never known what it felt like to be understood. He thinks like I do.”

“How is that?” asks the woman, quirking an amused brow. “And if I might ask, how do you know?”

“Because he mentions things first.” The girl tries to smother some of the wideness of her smile, but can’t quite do so. “And I've shared his thoughts for a long time. That he loves his father, and thinks oranges and citrons are nice for festivities especially, and that he’s always wanted to go out someday and do something new.”

—

The third evening, the clouds were dense and a few droplets of rain splattered the carriage as they arrived.

“Looks like rain, milady,” said the coachman as she disembarked to stand on water-spotted stone. “If it doesn’t blow by, we’ll come for ye at the steps, if it pleases you.”

“Certainly—thank you,” she replies, all gleaming eyes and barely-smothered smiles. How her excitement to come can increase is beyond them—but she seems more so with each night that passes.

She has hardly turned to head for the door when a smattering of rain drizzles heavily on them all. She flinches slightly, already running her palms over the skirt of her dress to rub out the spots of water.

Her golden dress glisters even in the cloudy light, and doesn’t seem to show the spots much. Still, it’s hardy an ideal thing.

“One of you hold the parasol—quick about it, now—and escort her inside,” the coachman says quickly. The nearest footman jumps into action, hop-reaching into the carriage and falling back down with the umbrella in hand, unfolding it as he lands. “Wait about in case she needs anything.”

The parasol is small and not meant for this sort of weather, but it's enough for the moment. The pair of them dash for the door, the horses chomping and stamping behind them until they’re driven beneath the bows of a huge tree.

The footman knows his duty the way a lizard knows to run from danger. He achieves it the same way—by slipping off to become invisible, melting into the many people who stood against the golden walls.

From there, he watches.

It’s so strange to see the way the prince and their princess gravitate to each other. The prince’s attention seems impossible to drag away from her, though not for many’s lack of trying.

Likewise—more so than he would have thought, though perhaps he’s a bit slow in noticing—her focus is wholly on the prince for long minutes at a time.

Her attention is always divided a bit whenever she admires the interior of the castle, the many people and glamorous dresses in the crowd, the vibrant tables of food. It’s all very new to her, and he’s not certain it doesn’t show. But the Prince seems enamored by her delight in everything—if he thinks it odd, he certainly doesn’t let on.

They talk and laugh and sample fine foods and talk to other guests together, then they turn their heads toward where the musicians are starting up and smile softly when they meet each other’s eyes. The Prince offers a hand, which is accepted and clasped gleefully.

Then, they dance.

Their motions are so smooth and light-footed that many of the crowd forgo dancing, because admiring them is more enjoyable. They’re in-sync, back and forth like slow ripples on a pond. They sometimes look around them—but not often, especially compared to how long they gaze at each other with poorly-veiled, elated smiles.

The night whirls on in flares of gold tulle and maroon velvet, ivory, carnelian, and emerald silks, the crowd a nonstop blur of color.

(Color. New to him, that. Improved vision was wonderful.)

The clock strikes eleven, but there’s still time, and he’s fairly certain he won’t be able to convince the girl to leave anytime before midnight draws near.

He was a lizard until very recently. He’s not the best at judging time, yet. Midnight does draw near, but he’s not sure he understands how near.

The clock doesn’t quite say up-up. So he still has time. When the rain drums ceaselessly outside, he darts out and runs in a well-practiced way to find their carriage.

—

Another of the footmen comes in quickly, having been sent in a rush by the coachman, who had tried to keep his pocketwatch dry just a bit too long. He’s soaking wet from the downpour when he steps close enough to get her attention.

She sees him, notices this, and—with a glimmer of recognition and amusement in her eyes—laughs softly into her hand.

ONE—TWO— the clock starts. His heart speeds up terribly, and his skin feels cold. He suddenly craves a sunny rock.

“Um,” he begins awkwardly. Lizards didn’t have much in the way of a vocal language. He bows quickly, and water drips off his face and hat and onto the floor. “The chimes, milady.”

THREE—FOUR—

Perhaps she thought it was only eleven. Her face pales. “Oh.”

FIVE—SIX—

Like a deer, she leaps from the prince’s side and only manages a stumbling, backward stride as she curtsies in an attempt at a polite goodbye.

“Thank you, I must go—“ she says, and then she’s racing alongside the footman as fast as they both can go. The crowd parts for them just enough, amidst loud murmurs of surprise.

SEVEN—EIGHT—

“Wait!” calls the prince, but they don’t. Which hopefully isn’t grounds for arrest, the footman idly thinks.

They burst through the door and out into the open air.

NINE—TEN—

It has been storming. The rain is crashing down in torrents—the walkways and steps are flooded with a firm rush of water.

She steps in a crevice she couldn’t see, the water washes over her feet, and she stumbles, slipping right out of one shoe. There’s noise at the door behind them, so she doesn’t stop or even hesitate. She runs at a hobble and all but dives through the open carriage door. The awaiting footman quickly closes it, and they’re all grasping quickly to their riding-places at the corners of the vehicle.

ELEVEN—

A flash of lightning coats the horses in white, despite the dark water that’s soaked into their coats, and with a crack of the rains and thunder they take off at a swift run.

There’s shouting behind them—the prince—as people run out and call to the departing princess.

TWELVE.

Mist swallows them up, so thick they can’t hear or see the castle, but the horses know the way.

The castle’s clock tower must have been ever-so-slightly fast. (Does magic tell truer time?) Their escape works for a few thundering strides down the invisible, cloud-drenched road—until true midnight strikes a few moments later.

—

She walks home in the rain and fog, following a white pinprick of light she can guess the source of—all the while carrying a hollow pumpkin full of lizards, with an apron pocket full of mice and a rat perched on her shoulder.

It’s quite the walk.

—

The prince makes a declaration so grand that the mice do not understand it. The rat—a bit different now—tells them most things are that way to mice, but he’s glad to explain.

The prince wants to find the girl who wore the golden slipper left on the steps, he relates. He doesn’t want to ask any other to marry him, he loved her company so.

The mice think that’s a bit silly. Concerning, even. What if he does find her? There won’t be anyone to secretly leave seeds in the ashes or sneak them bread crusts when no humans are looking.

The rat thinks they’re being silly and that they’ve become too dependent on handouts. Back in his day, rodents worked for their food. Chewing open a bag of seed was an honest day’s work for its wages.

Besides, he confides, as he looks again out the peep-hole they’ve discovered in the floor trim of the parlor. You’re being self-interested, if you ask me. Don’t you want our princess to find a good mate, and live somewhere spacious and comfortable, free of human-cats, where she’d finally have plenty to eat?

It’s hard to make a mouse look appropriately chastised, but that question comes close. They shuffle back a bit to let him look out at the strange proceedings in the parlor again.

There are many humans there. The Harsh-Mistress stands tall and rigid at the back of one of the parlor chairs, exchanging curt words with a strange man in fine clothes with a funny hat. Shrieking-Girl and Angry-Girl stand close, scoffing and laughing, looking appalled.

Cinder-Girl sits on the chair that’s been pulled to the middle of the room. She extends her foot toward a strange golden object on a large cushion.

The shoe, the rat notes so the mice can follow. They can’t quite see it from here—poor eyesight and all.

Of course, the girl’s foot fits perfectly well into her own shoe. They all saw that coming.

Evidently, the humans did not. There’s absolute uproar.

“There is no possible way she’s the princess you’re looking for!” declares Harsh-Mistress, her voice full of rage. “She’s a kitchen maid. Nothing royal about her.”

“How dare you!” Angry-Girl rages. “Why does it fit you? Why not us?”

“You sneak!” shrieks none other than Shrieking-Girl. “Mother, she snuck to the ball! She must have used magic, somehow! Princes won’t marry sneaks, will they?”

“I think they might,” says a calm voice from the doorway, and the uproar stops immediately.

The Prince steps in. He stares at Cinder-Girl.

She stares back. Her face is still smudged with soot, and her dress is her old one, gray and tattered. The golden slipper gleams on her foot, having fit as only something molded or magic could.

A blush colors her face beneath the ash and she leaps up to do courtesy. “Your Highness.”

The Prince glances at the messenger-man with the slipper-pillow and the funny hat. The man nods seriously.

The Prince blinks at this, as if he wasn’t really asking anything with his look—it’s already clear he recognizes her—and meets Cinder-Girl’s gaze with a smile. It’s the same half-nervous, half-attemptingly-charming smile as he kept giving her at the ball.

He bows to her and offers a hand. (The rat has to push three mice out of the way to maintain his view.)

“It’s my honor,” he assures her. “Would you do me the great honor of accompanying me to the castle? I’d had a question in mind, but it seems there are—“ he glances at Harsh-Mistress, who looks like a very upset rat in a mousetrap. “—situations we might discuss remedying. You’d be a most welcome guest in my father’s house, if you’d be amenable to it?”

It’s all so much more strange and unusual than anything the creatures of the house are used to seeing. They almost don’t hear it, at first—that silent song.

It grows stronger, though, and they turn their heads toward it with an odd hope in their hearts.

—

The ride to the castle is almost as strange as that prior walk back. The reasons for this are such:

One—their princess is riding in their golden carriage alongside the prince, and their chatter and awkward laughter fills the surrounding spring air. They have a good feeling about the prince, now, if they didn’t already. He can certainly take things in stride, and he is no respecter of persons. He seems just as elated to be by her side as he was at the ball, even with the added surprise of where she'd come from.

Two—they have been transformed again, and the woman in white has asked them a single question: Would you choose to stay this way?

The coachman said yes without a second thought. He’d always wanted life to be more fulfilling, he confided—and this seemed a certain path to achieving that.

The footmen might not have said yes, but there was something to be said for recently-acquired cognition. It seemed—strange, to be human, but the thought of turning back into lizards had the odd feeling of being a poor choice. Baffled by this new instinct, they said yes.

The horses, of course, said things like whuff and nyiiiehuhum, grumph. The woman seemed to understand, though. She touched one horse on the nose and told it it would be the castle’s happiest mouse once the carriage reached its destination. The others, it seemed, enjoyed their new stature.

And three—they are heading toward a castle, where they have all been offered a fine place to live. The Prince explains that he doesn’t wish for such a kind girl to live in such conditions anymore. There’s no talk of anyone marrying—just discussions of rooms and favorite foods and of course, you’ll have the finest chicken pie anytime you’d like and I can’t have others make it for me! Lend me the kitchens and I’ll make some for you; I have a very dear recipe. Perhaps you can help. (Followed in short order by a ...Certainly, but I’d—um, I’d embarrass myself trying to cook. You would teach me? and a gentle laugh that brightened the souls of all who could hear it.)

“If you’d be amenable to it,” she replies—and in clear, if surprised, agreement, the Prince truly, warmly laughs.

“Milady,” the coachman calls down to them. “Your Highness. We’re here.”

The castle stands shining amber-gold in the light of the setting sun. It will be the fourth night they’ve come here—the thirteen of them and the one of her—but midnight, they realize, will not break the spell ever again.

One by one, they disembark from the carriage. If it will stay as it is or turn back into a pumpkin, they hadn't thought to ask. There’s so much warmth swelling in their hearts that they don’t think it matters.

The girl, their princess, smiles—a dear, true smile, tentative in the face of a brand new world, but bright with hope—and suddenly, they’re all smiling too.

She steps forward, and they follow. The prince falls into step with her and offers an arm, and their glances at each other are brimming with light as she accepts.

With her arm in the arm of the prince, a small crowd of footmen and the coachman trailing behind, and a single grey mouse on her shoulder, the once-Cinder-Girl walks once again toward the palace door.

#Well this wasn't my first Cinderella retelling idea that I was excited about BUT -#since that one was turning into a tangle of Too Much Going On (though it's currently at 5k and maybe 70% done; I still plan to finish it)#I tried this one instead!#pros: I think I actually wrote myself out of writer's block? Which is AWESOME #And I feel like I'm starting to notice what needs fixed and mended about my writing; which is very helpful!#cons: due to having the additional pro of a very socially growth-filled few weeks IRL; I did not do much about that fact #please excuse the general lack of editing thus far #I have also learned that I may want to be at least a Level 5 Fairy Tale Reteller #before I tackle stories with hundreds of years of popular retellings and versions?#Although this one came much more easily than my first idea; it still felt more difficult to write than my Nix Nought Nothing story.#So another pro - I learned that I enjoy writing about lesser-known tales the most! Next time I might try a fun obscure one.#All in all this was a ton of fun!! Thanks for running the challenge! Apologies for being nearly late - I had a wonderful time!#I hope you all enjoy! <3 #inklingschallenge #four loves fairy tale retelling challenge #love: philia #love: agape #Cinderella #story: complete #basil writes #salt and light

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whattraintracks · 1 month

Text

22. Puzzling - TMNT 2012

Don't worry, guys, that wasn't supposed to happen.

When the bit of Kraang tech he's examining (read: poking randomly in the hopes that something will happen) explodes, Donatello's not sure if he or Raphael shrieks louder. He thinks it's Raph. Which would be way funnier under different circumstances.

He blinks against sooty particulates. "Huh, well, that wasn't supposed to happen."

He's amid a cloud of unexpectedly thick, slightly pink smoke. Which is on-brand but frankly annoying. He waves at the air in a vain attempt to disperse it. Maybe he can move this operation to the kitchen, work under the exhaust hood. He should probably install one in here. He gives up flailing his arms, and backs away from the desk. Step one to solving any problem is getting some distance. Step two is—oh, that's weird. The cloud doesn't seem to have moved since the initial explosion. What kind of particles are these? He hasn't seen Kraang tech do this before.

The moment he remembers Raph is also the moment he trips over him. With a yelp, he hits the ground. Hard. Raph giggles. Rude. He's going to have at least two bruises tomorrow. And his scream was definitely louder than Raph's, so he's lost any right to make fun.

"Dude," Donnie groans, pushing to his feet. At least he's away from the Kraang smoke, "Why'd you trip me?"

"I don't know," comes the high-pitched reply, "Why're you so big?"

By the time his eyes clear, he's pretty sure it's a genuine question, not an insult about his height. It makes more sense once he looks down, down, down to find Raph miniaturised.

Donnie throws his hands to his head. "That wasn't supposed to happen, either!" Raph just giggles again.

"Leo!"

As far as they can tell, based on Raph's appearance and memories, he's about five. Donnie can't even remember being that young. Which he counts as a good thing because kids are weird. Or maybe that's just mutant turtle kids. He doesn't have experience with normal children to establish a baseline. Leo and Sensei do, though, and they seem unperturbed by Raph's behavior. Even Mikey takes the whole thing in stride. He is, in fact, absolutely thrilled and oscillates between gathering blackmail material and doing whatever Raph asks.

Donnie will admit he's having trouble making sense of it all. First, and he thinks he’s mentioned this, that was not supposed to happen. He can't figure out how a broken Kraang tech part without any detectable energy source could have caused something like this. Which naturally leads to the question of how he's meant to fix it. Raph has no idea what happened, either, so he's no help. Worse, he just might be the most confusing being Donnie has ever met. Take yesterday, for example.

He's not sure what time it is when he stumbles out of the lab for breakfast, so it might not technically be in the range of the day at which it is appropriate to call a meal breakfast. His brain is too full of viscous pink Kraang smoke to care. It must be some mealtime because everyone but Master Splinter is in the kitchen when he arrives. Leo is at the island supervising Raph and Mikey's mess-making by the stove.

Raph perks up, "Hey Donnie! I wanna tell you a question."

"Ask nicely, Raph," Leo reminds, hiding a smile behind the rim of his tea cup.

"Please, I wanna tell you a question." He barrels on, "How do you open your labrador?”

Open his what? Donnie stares at the space above Raph's head, trying to parse the question until a nudge from Leo resets his brain. "Say what?"

"Your labrador!" He flings his arms out, nearly knocking himself to the floor. Mikey catches the lip of his shell just in time.

“What Labrador? Raph, I don't have a—”

“Yeah, you do!” He's angry of a sudden. Of course, he is. But it's weird. It's not the first time Donnie's made him mad since the incident, but he's never gotten in anyone's face or stormed off with a huff. He just screeches until he gets whatever it is that he wants. It's Raph's anger, but it's not. “It’s how you get to the place you do all your smart stuff!"

Mikey swoops in, crouching to squeeze Raph gently, then translates, “He means the door to your lab, bro.”

“The door? Oh. Why would—?" Donnie sighs heavily, sinking into the stool next to Leo. “Raph, that’s the lab door,” he enunciates, “Not a Labrador. A Labrador is a dog breed."

Just like that, Raph's face unscrunches into something thoughtful. “So it’s not a labrador?”

Well, at least the exasperation is familiar. "I literally just said that. It’s a normal door.” Leo clicks at him warningly. Come on, what is he supposed to do here? Seriously, this feels surreal. Maybe this whole dialogue is a dream, and he's hunched over his desk right now. He straightens his shell to test for any worse-than-usual aching.

“Okay," Raph says. Then he turns around. Just like that. As if the entire conversation never happened. Never mind his original question or whatever he was trying to ask. He makes no sense, literally none at all.

But, you know what, fine. Donnie has to eat anyway so he can go back to the "place where he does all his smart stuff" or whatever. So he can figure out how to get his actual brother back, who at least makes sense most of the time.

Leo finishes his tea, returning Raph's enthusiastic wave goodbye, and then there are three. Mikey and Raph finally settle down to eat whatever noxious concoction they've whipped up as Donnie cleans his dishes. Freshly fed, his brain refills with extradimensional smoke and engineering.

"Well, that's boring!"

He fumbles with his mug at the sudden shout. A glance over his shoulder finds Raph, who had been eating quietly, now glaring at him.

“You should name that boring normal door Labrador so we can just call it that anyway," he says firmly.

He's not sure why he tries to ask, “Why would I—”

“Or or!" And it's like a switch again, anger suddenly dissipating. "We could name it something cooler! Like Thundoor from Crognard!”

“Thundarr,” He corrects. It's too late, Mikey's joins in.

“That’s awesome, little dude!" Mikey laughs buoyantly. "We should name all the furniture!”

“Yeah!”

And Donnie is so tired and so lost, and Raph is too much and too little of his brother at the same time it’s not even funny anymore. He doesn't think it ever was.

“Come one, Dee!" Mikey hoists Raph onto his shoulders, naturally content to ignore the messy kitchen. "Help Raphie and I name everything in the lair!”

Donnie tries to shake his head as Raph reaches for him. “Can you! Can you, please? Just for a little bit, please, Donnie, please?” Oh, now he recalls his manners.

"No, Raph." He bangs his mug onto the drying rack, ignoring Mikey's frown. "I don't have time for your nonsense questions and weird games. I'm trying to fix you."

It's not until he slams closed the lab door that the words trailing after his dramatic exit finally click. A puzzled sort of muttering from Raph: "Fix me? But I’m not broken."

So maybe he got a little too worked up, as tired as he was. But he's better now! He's eaten. He's slept five hours. He's determined to sit here until he cracks this thing.

And then someone bangs on the door.

He drops his head with a groan. How is he supposed to heroically solve all of their problems in these conditions? “Who is it, and what do you want," he shouts into the pages of his notebook.

"Once a second!"

One second, he mouths to himself. He listens to Raph struggle with the door for a lot of seconds and hopes he'll give up. He probably won't. Donnie better unlock it before he hurts himself. Or worse, starts screaming. Only because Leo would find some way to blame Donnie for it.

He shoves the door open, not at all irritated. Or vindicated either, when Raph falls on his shell and his sai skitter across the floor. Wait. “I thought Sensei took those out of your—Hey!”

Five-year-old Raph may not be much of a ninja but he is pretty slippery. He scrambles under Donnie's arm and launches into the rolling desk chair.

“Raphael." He glowers, summoning his inner Leo, "You are not allowed in the lab—”

“Without you,” he recites, spinning the chair so Donnie only catches glimpses of his cheeky smile. “But you’re here too! So it’s okay.”

It most definitely is not. Raph has no understanding of lab safety right now, so if Raph stays in here, then Donnie will have to keep an eye on him, and if Donnie has to watch Raph, then he can't focus on his work. He does not want Raph in here, and he says so.

“Donnie, I'll be so so so good. Please!” Oh, Mikey absolutely taught him how to do that with his eyes. Not cool, Mike.

“Raph," Donnie faux whines back. "I need to work. Go play with Leo or Mikey."

"Ugh," Raph flops onto his shell, letting his head and limbs hang. “But Sensei and Leo are medating, and Mikey’s with Red."

“Meditating," he corrects, "And I know you know her name is April.”

“Casey calls her Red.”

“Yeah, well, Casey’s a—” Raph looks at him with wide, innocent eyes. A promise on his face that anything Donnie says will be repeated. "It’s polite to call people by their name."

Raph hums, continuing to spin idly, “But I don't call you Donatello, I call you Donnie. And you call me Raph or sometimes Fai.”

Not a bad point. But what was that second thing? Fai? Oh. His brain retrieves fuzzy, forgotten memories. That's right. When they were both little, that had been his nickname for Raph. Just between the two of them. He can't remember when he stopped using it.

“Right," he says slowly. "But those are nicknames. They're a shorter version of your name.”

“Oh, okay.” Then Raph rolls out of the chair, clunking to the ground shell first, and wanders away to explore the lab.

Donnie retakes the seat, resigning himself to further interruptions. Part of his brain is devoted to thinking up better excuses in case this is one of those conversations Raph returns to without warning. The rest of his awareness is on Raph as he pokes and prods at books and equipment and even poor Timothy. It takes the better part of a half hour for him to realise he's still sitting at his desk not moving a muscle.

He growls, gripping his head. Raph is on him in an instant. "What's wrong? Can I help? Do you need a book? Do you want one of mine? I can get Leo! Or Sensei, or—"

"No," Donnie snaps.

He gapes as Raph's beak trembles and his eyes fill with tears. "You're crying. Why are you crying? Please stop crying." He slides to the floor next to Raph, "I'm sorry? It's just. I'm trying to focus! I need to fix you, but I don't—"

“I don’t want you to fix me!” He shouts, scrubbing his face and hiccupping. “I just want to play! Why won’t you play with me anymore?"

“Raph, I," Donnie looks down at his hands, "I don’t have time,” he finishes lamely.

“Yes, you do! You’re just being mean!” He runs out of the lab. Probably to someone who actually understands him. Someone who tries. Donnie wonders if he’ll ever stop messing things up for Raph.

Because as far as they can tell, this version of Raph went to bed one day, and the family he found upon waking was suddenly different. Of course, Raph is frustrated and confused and probably a little scared. He's not just normal Raph in a smaller body. Donnie might've realised that sooner if he'd spent more time with him instead of causing one mess after the other and then hiding from it all in his lab.

Donnie doesn't remember when he was five, but he's heard Sensei's stories about their childhood. The ones about his younger self hanging on Raph's every word. That one embarrassing retelling of the biggest fight Donnie ever caused by announcing Raph was his favorite brother. His father's memories of them doing everything together, at least until Donnie really got into science. So he steps out of the lab and locks it behind him. His brother, this brother, needs to come first.

He must look contrite enough that Leo only grills him a little before he points to Raph's room. After a single breath of indecision, he sits, shell against the door.

“Hey, Fai?” he starts, tugging at his fingers, “I’m really sorry. I have been pretty mean lately, haven’t I?” It takes a few moments, but a little thud echoes on the other side of the door.

Relieved, he continues, “I’m not as good at this as I used to be. I might need your help. But I’m out of my lab right now, and we can play whatever you want.”

Donnie hits the floor before he realises the door has swung open. Little Raph is looking down at him, eyes still watery but excited. "Really? Anything? Even Space Heroes!"

And Donnie almost can't believe it's that easy. He smiles with Raph's infectious joy. “Space Heroes? Who are you, Leo?”

Raph collapses into him with a laugh that banishes the rest of his tears as Donnie reaches out, tickling him just like he's seen their big brother do. He's still giggling when Donnie staggers to his feet. “Think I could use some bedding to build us the Dauntless?”

Raph cheers. Launching into an explanation of his favorite episodes and characters as he directs them around the lair to collect supplies. If this isn't blackmail material, Donnie doesn't know what is. Raph will never be able to deny that he likes Space Heroes ever again. Once Donnie figures out how to reverse this Kraang-smoke-induced de-aging that is.

He does still have to. They need Raph as he should be: their teammate, their protector, their equal. But if he were here in those roles right now, Donnie knows he would have heard a thousand times over that he needs to sleep, to eat, to take a break for at least five minutes, Don, come on.

So he'll try. He'll take breaks to hang out with his favorite brother. He'll get a lot of experience building sheet spaceships and pillow forts. And by the end of it all, Donnie will realise his little brother really does just want to play and ask silly questions that probably don’t seem so silly to him. He'll decide this little version of Raph isn't a puzzle of confusing emotions. He's the same pieces he's always been, unfiltered and untethered from all the pain and fear of their older selves.

And so, even after Raph returns to 16, whenever the thought creeps up on Donnie that he's not doing enough, that he needs to fix it. He'll lock his lab behind him and say, "Hey, Fai! Wanna play something?"

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