A h-heartfelt reunion..?
Bonus
13K notes
·
View notes
happy new year Ego!!! Just wanted to let you know that I absolutely adore your twst fanart and the tags are just an absolute pleasure to read! You are my greatest inspiration for my personal twst art and I just wanted to thank you for your wonderful masterpieces <333 if possible, may I ask what are some of your headcanons for the diasomnia family? If not for diasomnia then any other characters are fine as well!
thank you, and happy new year! 💚💜💚 that is amazing to hear; it's always a little bewildering but super flattering that other people like my silly little doodles so much!
I don't think I really have any really solid headcanons and also canon keeps validating me left and right (FLUFFY DOMESTIC DIAFAM IS REAL). mostly just kind of...impressions and general thoughts, if that makes sense! lately though I've been kind of obsessed with thinking about Lilia's hair, and specifically when/why he ended up cutting it. (l-look, we're bouncing around the timeline and I gotta make decisions about these things when I draw, it's relevant) (I mean I would probably be weirdly fixated on this anyway, but.)
I think I've settled on the idea that he kept it long until he went to NRC, partly because 1) I like drawing The Ponytail, and 2) I think he thought of NRC as a chance to reinvent himself a bit! he gets to go and be a wacky carefree teenager for a few years and have fun! (officially he's there to keep an eye on Son #1, but how much trouble could he get into, really.) so he gave himself a Cool Teen Haircut to go with his fresh new Cool Teen Persona!
also maybe he had some reflection on his hair's troubled past with three kids...
...and had to weigh his vanity versus the fact that he was going off to be around hundreds of kids on a daily basis, and. the choice suddenly seemed obvious.
2K notes
·
View notes
you know what i think kids/teen books do 'fantasy romance/fantasy books' way better than any of the adult fantasy books booktok raves about. i try and read some of them and 90 percent of the time its just smut and abusive relationships disguised as 'dark romance'. then i read books like Keeper Of The Lost Cities, The School for Good and Evil, Percy Jackson, Land of Stories, the Nevermoor series, that kind of thing, and they are all actually so amazing because they have fleshed out characters with flaws and an engaging plotline instead of just badly written romance. and when they do have romance it's well written and about the people rather than the tropes.
890 notes
·
View notes
A devastating and confusing thing about the Fallout setting, when you explore the pre-war aspects, is what the creators think about pre-war America. In the first games we only get hints of the pre-war world, but they seem to be some sort of wild fascist nation invading Canada. In Fallout 1, the first thing we're introduced to of the pre-war society is seeing a soldier shoot civilians and laughing.
Now, for the first 2 games and New Vegas we don't really know much. What we know is that there's a fascist military group known as the enclave who were a sort of US deep state even before the war, and that the government teamed up with corporate interests to preform vaguely MKULTRA-ish experiments with the Vaults. Basically, the government was an extreme version of the 50s American jingoism and McCarthyism.
This is well and dandy, I guess issues come up more when we get to the later games, especially 4, where it seems like none of this extreme plotting and societal civil unrest which would exist is seen. The society as presented in 4 also seems quite progressive, gay people are featured in the opening, and none of the baggage of say, civil rights not existing are included. Now on a baseline, I don't want settings to be more conservative, homophobic and sexist etc., but it becomes a very confusing setting when it's displayed both as this jingoist extreme thing with fascist tendencies aswell as a progressive place where everyone is seemingly equal. If you're focusing on the 50s as your setting, and American nationalism in the 50s, then you can't have McCarthyism spoofs and anti-communism as a societal paranoia norm while also general equality is the norm without misunderstanding why McCarthyism and nationalist jingoism is bad. A massive harm done in anti-communist paranoia is how it degrades and vilifies any progressive movements (women's rights, civil rights, homosexuality) as being morally un-American and therefore connected to communism. To ignore this just makes any critique of MacCarthyism and jingoism weird!
Basically, pre-war America in Fallout 4 becomes this both sides thing where America is both pure and equal and white fences in every instance that we see as the player (the intro), while also supposedly being this dystopic MacCarthyist hellscape that's broadcasting gladly about their war crimes in Canada, and wants to root out communism. I guess the only fix for this issue without getting into the fine print like they had to do is just not to focus too much on the pre-war world.
590 notes
·
View notes
So one thing I like about Time is that he will talk about his life and journeys
He talks about it! He'll tell the boys stories and answer questions. (...when asked)
Obviously he tells his family- Malon knows everything
But he has also never held back from telling the boys stories or answering questions
I'm still always cackling over him telling them about gerudo town- he is way too proud to brag about being a mischievous gremlin
"I proved to be a greater thief than all of ganons tribe"- oh yeah. He's definitely the good influence. (That's sarcasm, Wars is the one good example for the younger ones.)
He just. He looks so smug to tell them about his experiences with the Gerudo- I love how often we see him just talking to them and answering questions about his life.
Even if it's clearly painful memories- he has still always told them
*sobs*
Obviously Time talks to Twilight the most about stuff- and everyone knows that (to where Sky went to him for questions about Time)
But the thing that get me the most is Wind.
Wind asked about... everything! Wind asked about his first journey and his life- and Time told him
The sheer transition from
"I was wondering... about your original journey"
To
"You told me about your original journey. Everything you said... the sages you described, the old traditions, the old stories- all of it! ...)
And this literally drives me insane because Time told him- Time told him everything! He told him about the sages, traditions- Time literally openly talked to Wind about his first Journey because he asked.
The Hero of Time's story had always been a tragedy- I mean... yikes. Trauma much? But I think people overlook this part of him- that he's older. All the hurt and scars are still there, but he has learned to talk about it to deal with it. And I think I know why- (Read)
Malon Malon Malon Malon!!! Jojo showed this set up for their marriage- Time was and is traumatized. But he and Malon worked to talk through things. I mean. Can you imagine keeping secrets from Malon? I don't want to. I feel like she would throw a cow at me. Anyways.
It takes a lot to work through trauma and learn to talk through it. Malon claimed him tho, so I don't think he had a choice. But seriously- she helped him work through things as family. Which led to a successful marriage for both of them, and got Time to where he can talk about these things with the boys :D
But
Time is a troll, so although he will share his insane life stories.... he will also say he fought the moon with no more context, and tell his wife that they have a descendant but not freaking tell her which one it is.
He's so insane I love it <3
Just don't forget this part of him... don't forget that rather it's sad or goofy or whatever- he will talk about his life. If someone simply asks
:)
.
Art and comic by Jojo @linkeduniverse au! :DDD
@adrift-in-thyme
465 notes
·
View notes
"Oh no, someone's attracted to the aesthetics of my -punk movement but doesn't know the praxis and history behind it like I do--"
OK. Tell them. Make it a teaching moment. Everyone who's in your movement learned the background from somewhere at some point, maybe this is that point for that person. Give them a jumping off point that they can dive into later.
"Oh but I shouldn't be responsible for teaching baby -punks about the history and the how-tos and--"
OK. Then don't tell them. You don't have to be responsible for teaching people with a budding interest in your group the ins and outs and how-tos. That's fair and valid! It can be a lot of work. Someone else will handle it
"But I'm annoyed that they would try to claim to be part of/be interested in my community without knowing all the details that I know after being in it for months/years/decades, they're dumb, they're posers, they're--"
OK. Then don't engage with them, if it's that bad. Maybe someone else will come around and tell them the history, maybe they'll pick it up on their own, maybe they'll just enjoy the fashion elements for awhile.
"But they shouldn't claim to be part of the -punk community if they don't know the--"
I feel like we have a few options here. People can either talk to them, share the history, share the values, share the praxis. Or they can just chase off anyone who even thinks about dipping a toe in their community, and then wonder why it's dying off later down the line.
I dunno, maybe I'm too naive and patient or whatever. But if people are entering your -punk spaces without knowing The Rundown of what you feel they need to know, maybe being nice about it and informing people instead of immediately assuming stupidity and malicious intent could help you make a new friend. Even the loudest voices in a space had to learn from somewhere, and not everyone has the luxury of being in the space as the History was Happening--whether it's an age thing or a not being aware of the space thing. Or maybe I just don't see what the big deal is behind people hating people who like the aesthetic of something and don't know the behind the scenes history about it yet.
Because I believe in the word 'yet.' No one comes into this world knowing everything about everything, and we're all constantly learning new things. I'm not gonna degrade someone and call them a poser for not knowing what I know. Because if it were me, interested in a scene but getting chased out and called a poser? I wouldn't hit the books and study up, I'd go 'that fuckin sucks, those people sucked' and then avoid anyone and anything having to do with it.
So chase people off and call them posers if you want. But if your community starts dwindling, don't be fucking shocked.
2K notes
·
View notes
Another thing I liked is how Laurent's trauma is handled, because usually when a character has a Secretly Traumatic Backstory there's some kind of annoyingly maudlin scene about it. Either they get into some kind of big conflict with the love interest and are forced to explain themselves so they don't get judged or dumped, or the love interest intrudes on a vulnerable moment and sees them being abused or somehow handling the consequences of that abuse, or they are explained the circumstances by a benevolent third party, and this changes their view of the abused character because now they're god's poorest meow meow and I just fucking hate it every time.
Like, this is why I stopped reading this type of story: because the amount of crowding and backing into a corner and privacy violation that happens to abused characters in order to coax them into opening up about it and reassure them that they're okay is so annoying. I feel like I've been psychologyposting on main too much lately, so I might explain later why I feel this way or I might not but in any case I hate it.
I love that this book is the literal opposite of that, that Damen not only doesn't crowd Laurent and insist that he open up, but that Damen ensuring space and privacy and time to calm down for Laurent when he's overwhelmed is repeatedly portrayed as an act of friendship and caring and love (that Laurent later reciprocates, because they both lose their heads when something pushes their buttons and understand this about each other).
I also love how Damen doesn't fall in love with Laurent because Laurent is sad and fucked up, or because he's so brave to have put up with the abuse, or because Damen too is sad like Laurent (I'm physically restraining myself from going off on a rant about how shared trauma is hardly ever a good foundation for a relationship): no, he falls in love with Laurent because he's whip-smart, and a good leader, and funny, and tender once he opens up, and a lateral thinker, and a man of integrity who keeps his promises and pays back his debts (and because he's pretty and blonde and good at sporty shit that Damen likes). Some of these things may have been shaped by the awful shit that happened to Laurent, as they were also probably shaped by his station or his education or his body type or any other circumstance of his life, but it's refreshing to have a character who went through awful shit but who also has other things going on for him that make him loveable instead of being completely defined by his trauma. And even when Damen finds out, the way he thinks about Laurent literally doesn't change at all - the things he likes about Laurent are still seen in the same light as always, Laurent's personality as a whole is still the same, even his attitude towards what Laurent did to him when they first met doesn't change much (as we see in the short story epilogue). And even this last bit is really cool because Laurent is never stripped of his agency or made out into some sort of helpless victim currently, both of which would probably mortify him with how much he's trying to establish that he's not at any opportunity.
And I also like how it's not necessary for Laurent to tell Damen about it in order for them to be close, nor does Damen push him into it. And everyone else seems to agree that it's Laurent's story to tell when and how he wants it told, except for the villain of the piece, who reveals it in the most awful way possible. This is particularly important because Damen spends three books grabbing everyone in Laurent's life by the shoulders and shaking them and going, "Why do you care about this guy??? Have you noticed that he's kind of an ashole?? Why are you loyal to him?? Why???" and no one ever says anything, because they're protective of Laurent and don't want to take away his agency or privacy because it's his fucking story to tell. Even after Damen finds out, we don't see him mention it and he probably lets Laurent open up or not on his own terms, as he does with everything else that doesn't directly concern him. Even though we've seen through Laurent's dialogue time and time again that he's probably conceptualizing it in some fucked up ways in his own head and needs yet to realize that he's not some kind of twisted pervert for what happened to him, crowding him about it before he's ready won't accomplish much.
And the story itself backs all this by never being maudlin about it even though it's obvious what happened pretty early on (I figured it out really early, I remember suspecting it almost immediately and being dead sure of it by the Ancel scene in the garden); it kind of elipses around it, gives hints and parallels to other characters in similar circumstances, has Laurent say incoherent shit that makes sense in context, has other characters hint at it, but with Laurent being one of the central characters it's cool that the story gives him that respect and doesn't wallow in the tragedy of it all.
558 notes
·
View notes
圣人有情而无累
dihua + 情 | 莲花楼 mysterious lotus casebook
222 notes
·
View notes
I love three houses discourse because I'm pretty sure everyone just picks their route based on which house leader they're the most gay for and then tries to defend their pick by pointing out the other sides's war crimes via twitter memes. Reader, all four of them do substantial quantities of war crimes. So many. We're just here because the woman with Issues and a big fuck-off axe said so, and then we gotta justify everything she did in the name of dismantling the class system. I mean, I'm here for that, but you could also try justifying Charm Man uses poison and perfidy to try to stop racism, A Sad Little Meow Meow gives no quarter instead of doing therapy, or the Thicc Pope tries to bring back her mom via human experimentation, depending on your tastes
207 notes
·
View notes
Is it possible that one of the villains of Gotham to develop an obsession with the reader like batfam? Like for example one of them once attended or attempted to attack at one of their performance but got mesmerized by them and decided to stalk them instead
I am now very much thinking about and considering this anon. Thanks for the new idea, I'll be thinking about all day 🙄 (okay, first, /pos, but really- this can easily change up a few more things and add some more conflict. I love it!!! Though maybe I'll make it a sub-series if I actually write it, since the "Not [ ]" is mostly focused on the Batfam, so kind of like an alternate universe type deal? I'm willing to know anyone's thoughts and suggestions on this.)
That can definitely happen, and it makes a lot of sense too when you really think about it (at least the part leading up to where the villian runs into the reader and encounters their music), especially when the reader is not only a well known musician- but known to be the kid of Bruce Wayne.
Even if no one really knows the identity of Batman, everyone and their dog knows Bruce Wayne. You'd have to do more than just live under a rock to not know that guy — especially in Gotham.
Just that fact alone — the reader being another kid adopted by Bruce Wayne — is definitely going to paint a target on their back, especially when they're in a big industry like music. The "well-known" part is just the sprinkles on top of the "you're fucked" cake. Even if I have said before that the reader isn't well-known to the point where they'd be considered super famous or popular, but enough to where people can still recognize them on the street and just kind of say "hey, isn't that the musician who played ( ) the other night? i heard they're pretty good, y'know."
Basically, someone trying to attack them for whatever reason, or even trying to kidnap them, is very possible and highly likely.
I can't say who in particular I think the villian would be? Only because I'm not sure myself, with how flexible the situation is.
The villian could be going to one of the reader's performances simply because there are a lot of other people attending, and if they want to make a grand performance of their own, or have a grand opening to a game, one of the reader's performances seem like the easiest way to do just that. So they settle in a little, waiting for everything to be just right... then they see the reader and whatever instrument they'll be playing, as they and the other performers wait for everyone to get in and settle down.
Maybe the villian hardly notices it at first, or it immediately catches their attention. Maybe they just roll their eyes and scoff or just become curious in some way. Maybe what makes them hate it/curious about it at first is the reader themself. The villian thinks the reader is just another rich kid trying to show off their 'talent'... or notices that the reader is from the Wayne family and that catches their attention, maybe.
Or, alternatively they try to assassinate or kidnap the reader. Maybe just rob them too while they're at it.
It doesn't matter how they get in- what does matter is that they don't know much about the reader besides that they're a musician of some kind and the kid of Bruce Wayne, and maybe for whatever mission they're doing- that's all they need to know. Or all they feel they need to know, as maybe they catch the reader in the middle of a performance no matter how they try to go about their mission — either planning to take the reader out from the backstage, drop them from beneath the floor boards, or snipe them from up top — and the villian hesitates as they really listen to the reader play once their focused is centered on them.
Regardless of how it starts, once it does- they're captived, near mesmerized by what they hear.
Before the villian even knows it, they're watching the entire performance. Any compliments they have towards the reader's music turn to the reader themself, and by the end of the night... the villian is caught in a trap of their own making.
If they were looking into the reader before, that research only delves deeper as they try to figure out each and every little thing about the reader. If they weren't really looking at information about the reader before, they definitely are now.
A simple 'interest' turns into a whole obsession, and now, as you've mentioned, are stalking the reader.
Maybe the villian even dedicates certain atrocities they do in the reader's name, maybe they attend and try to ruin the reader's performances because they believe they should be the only one to hear the reader's music, or just want to be all that much closer to them.
Maybe the villian tries to kidnap the reader, but just so that they can hold them close, or have them play all the tunes they wish to hear from the reader for the rest of eternity... however long that lasts. Who knows?
Tldr: It is very possible, and if anything, more likely than you think!
I hope this answered your question! If you or anyone else has another question, feel free to send in an ask! I'll try to answer them when I can!
464 notes
·
View notes
"don't pretend you actually care about this you only heard about this cOnFlicT on october" have some respect do you have any idea how long we've been blocking this oxford comma guy
157 notes
·
View notes
That's a pretty weird feeling
179 notes
·
View notes
just smile and nod y'all
266 notes
·
View notes
If you ever hear a bad take from this blog then it wasn't me it was the evil version of me please forget about it
117 notes
·
View notes
that's so sweet ;__; i love him
230 notes
·
View notes