Prompt: Azula joins Zuko on his Avatar hunt instead of Iroh. I don't know why, I don't know how, but I'm certain to be entertained by whatever follows.
Ozai and Ursa were already dead by the time Iroh arrived home. He stepped from his ship into the palanquin, and rode past the places of their execution, holding the urn of his son’s ashes.
He had no time to entrust them to the Fire Sages before his father summoned him. He brought them along, because this was an easier thing than setting them down. And perhaps Lu Ten’s grandfather would like to see him once more, outside of the family shrine. Iroh would have given anything—
He placed the urn on the floor next to him. It did not kneel when he did. Fire Lord Azulon surveyed him from behind the flames.
“Rise, my son. It is good to have you home.”
They did not speak of Lu Ten. His father had always been a man to look to the flames of the future, rather than the ashes of the past.
* * *
They hanged Ursa, as befitted her attempted crime, and her past station.
They burned Ozai, as befitted his. A child of Agni should always return to the flames.
The children of the traitors had been stricken from the family line. Had been placed in the capital prison; bait for the trap. Azulon was keeping close eye on those who expressed concern for the offspring of regicides. Ozai had expected support for his position; it would be Iroh’s second task to sift through the court, and discard the chaff.
His first task was a more practical resowing. Azulon had already selected a handful of candidates: women of suitable birth and known loyalties. The wedding date had been set, pending selection of the bride.
“Thank you, father,” Iroh said.
Lu Ten held his silence.
* * *
Azula had never liked the servants who’d fussed at her hair and clothes, who’d pulled and tugged until she was perfect, like perfect was a thing outside of her for others to bestow. She only had to look at Zuko to know how far tailored robes and well-oiled hair could take one.
She couldn’t see Zuzu from her cell. Her robes were too cold against the stone and every tug to wrap them tighter just made them worse, she could see it in the guards’ faces, the way they’d stared when she’d first arrived and looked a few days after and now they barely even saw. No one would talk to her, no matter her demands. They didn’t even stop their own conversations anymore; just slid in her food and kept walking and batted away her fires and it was cold here.
There were things crawling in her hair that her nails couldn’t dig out. Sometimes she thought she heard Zuzu yelling, but she couldn’t be sure. And it would have been undignified to yell back. She was a princess. She was fifth in line for the dragon throne.
Fourth, now that Lu Ten was dead.
Third, because father was, too.
He’d yelled and then he’d screamed and it hadn’t done anything but make the crowd jeer. Fire Lord Azulon had been silent. Poised. In control. She was his namesake and she would be too.
She was nine.
* * *
Zuko yelled until his throat burned. The guards didn’t care, they didn’t listen to him, which was nothing new. He shouted and shouted and his own ears hurt. Maybe that’s why he never heard Azula calling back.
Grandfather had made them watch when he’d killed father and, and—
If grandfather had Azula killed, he would have made Zuko watch that, too. Azula was probably just better at being a prisoner than he was. Maybe the guards even talked to her.
He was eleven.
* * *
Iroh’s new wife was a third his age. A flower just coming to bloom. She looked like his first wife; Azulon knew his preferences. She was young enough to be Lu Ten’s sister. She smiled and laughed each day with the other court wives, and came to his room with lists of possible dissenters to discuss in their marital bed. It was not the pillow talk he was used to, but it was charming, in its way. She liked to lay on her stomach and kick her feet above her as they traced the web of treachery with his dead brother at its center. She was here to have his children—a task at which she worked with admirable diligence—and to be the acting Fire Lady. She had not had to struggle and flaunt herself for his affections; she had been picked from a line-up, her expectations realistic, her motives aligned with his. It was the least romantic relationship Iroh had ever been part of. It was… refreshing.
On the day the palace doctor confirmed their newly budded line of succession, the Fire Lord called them both in for congratulations. And for pruning.
* * *
Zuko had turned twelve, but had not realized it. Azula had turned ten. She’d counted the days.
Iroh had not been able to visit them in prison; only to inquire as to their treatment. Individual cells, regular meals of reasonable quality, no abuses. He’d moved his own people into position to ensure the last.
Azulon had moved them back, after a delay for his soft-hearted son’s conscience. They could not waste loyal men on cuckoo-vipers. And Iroh could not waste his father’s good will. Not when it would be needed in the future, for the most important request.
* * *
“And your wife agrees to this?” asked the Fire Lord, behind his flames.
Iroh’s wife had not been directly addressed, and so did not reply. She sat in polite and perfect seiza, her head raised, as befitted the woman currently running her half of the court. Azulon had never seen fit to replace his own wife, after all.
“She does,” Iroh spoke for her. “We have spoken on the issue at length, and believe it best. Our family is small, and cannot afford to be smaller. The children are young; too young to have been in their parents’ confidences. With proper guidance—”
“And how would they place in the line of succession?” Azulon asked. “How would they chafe, how would they plot, with a decade’s experience over your eldest?”
Lu Ten’s own connections at court had been built while his cousins were still in diapers. But he was no longer Iroh’s eldest.
“We believe—”
“No,” his father interrupted again. “I will not allow their adoption. Not by you, where they could smother your own babe in the cradle, and certainly not by someone I trust less.”
Which was everyone, since the night his daughter-in-law had served him tea sent by his son.
“Father,” Iroh began, and his wife shifted her elbow just so, the only indication that she wished to dig it into his ribcage. “They are young, and innocent. They are my beloved nephew and niece. Your grandchildren. We cannot in good conscience—”
‘Good conscience’ had never factored into his father’s policies. Iroh had… begun to realize that, of late. His wife let out a small sigh, deliberately audible only to the man next to her. She had cautioned very strongly against a—how had she put it?—a feelings-based approach to this situation. Feelings rarely factored into her own decisions. She had been hand-selected by his father, after all.
His wife went into a half-bow, her head lowered. “May I speak, my lord?”
The flames crackled. The shadow of his father inclined its head, just slightly.
“To kill the children is wise, and I admit, would set my mind at ease for my own child’s sake. But my husband feels strongly on this matter, and so I support him, for his happiness is my own. May I suggest a compromise? To place them outside the court, where they cannot build influence, nor harm your son’s heirs. A position from which you can judge their characters and value to the nation as they grow.”
“You suggest banishment,” the Fire Lord said.
“Not unstructured, of course. To leave them roaming freely would invite those that would take them in. Perhaps a military commission? As they are commoners, they should begin from a rank befitting their station, of course. Let them prove their worth on their own merit.”
Iroh could not see through the flames, but he knew his wife’s small smile was reflected on his father’s face.
“A naval position,” the Fire Lord said. “On a ship that does not frequently make port. The frontlines would be the best place for them to prove themselves, wouldn’t you agree?”
Iroh closed his eyes.
“Father,” he said. “Please,” and he could feel his wife willing him to stop talking. The Fire Lord had already agreed to spare their lives. A banishment could be undone, so long as he and the children both outlived the man before them. “I… thank you for your wisdom in this ruling. But perhaps, if they complete some feat worthy of our line, they could be allowed to return?”
The flames were hot against his face. His new wife was still and silent against his side. His father… his father laughed, a low exhalation, the wheeze of a humorless old man.
“Let them bring me the Avatar,” Fire Lord Azulon said, “and I will welcome them home with honor.”
* * *
Zuko didn’t know why they’d pulled him from his cell or scrubbed him down or taken his old clothes. They’d been dirty but they could have been cleaned. His new clothes were scratchy, and too big, and they looked like a common soldier’s, and… and—
And they’d shaved his hair.
* * *
It had gotten rid of the bugs, Azula admitted, in the privacy of her own mind. Still. She memorized the faces of the woman who’d held her down and the man who’d shorn her. For future reference.
They hadn’t bothered sizing her new outfit for a child. Azula noted the quartermaster’s face, as well.
* * *
They were put on a ship. It was the first time they’d seen each other in nearly a year.
Zuzu looked at her head, and wisely said nothing.
She raised an eyebrow at his, and graciously granted him the same.
It was hard to tell them apart. They had their mother’s face. And their father’s.
* * *
Their captain’s name was Zhao. He invited them to dinner in his private quarters, once the Fire Nation was behind them. Zuko fidgeted. Azula didn’t.
The captain spoke on how much potential he saw in them, under a commander who saw their true value.
Together, they could go far. Very far, indeed.
Azula smiled and said all the things she thought father would have said. Zuko scowled.
Zhao brushed over their arms with his own while reaching for things. He served them more when they said they were already full. He squeezed their shoulders when he brought them back to their rooms, which were next to his, even though the rest of the lower crewmen slept together in the same big cabin. Zuko scowled harder.
Azula was invited back. Zuko wasn’t.
* * *
Zhao was… Zhao wasn’t a good person.
“I know that, dum-dum. But do you want to stay banished forever?”
“Uncle said—”
“Uncle’s going to change his mind, when he has his own heir and a spare. We’re threats, Zuzu. And Zhao knows father’s old friends. He’s one of the smart ones.”
The dumb ones had already been executed.
“I… I think he wants to—to tie himself to the royal line.”
“Eww,” she said. “I’m ten. If he wants to get engaged, I’ll just break it when we’ve got the throne. It will be too late for him to retract his support, then.”
They’d barely left port before Zhao had made his first move. He didn’t seem like a man who waited.
Azula was ten, but Zuko was twelve. Being twelve was almost thirteen, which was almost a teenager, which was almost an adult, and adults understood things that ten year olds didn’t.
They had to get off this ship. They had to go home.
Zuko had to find the Avatar.
* * *
(This ficlet is now posted on AO3.)
2K notes
·
View notes
What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.
so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.
Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:
She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent
Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married
She was a cheerful person who rarely showed extreme emotion and took things as they came
She always cooked a huge meal for Marcille on her birthdays
She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home
Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)
She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words
the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.
She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)
Things that are explicitly shown but mostly through visual cues
She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)
She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).
She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)
She was as excited for Marcille's milestones as Donato was.
She didn't tell Marcille much about elven food
(there are a couple things that this panel in particular implies:
She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it
seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)
slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)
(local elf tastes Italian food once and never goes back))
However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.
Subsequent conclusions about her personality:
Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).
Slightly more conjectural theories on her personality:
Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.
Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?
Now taping all the evidence together and toeing the line between analysis and fanfiction:
It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:
Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.
We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.
It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.
It kind of recontextualizes her cheerfulness to me.
"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).
And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?
Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?
I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:
copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.
It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.
But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.
What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."
Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.
All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)
There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.
but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.
(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)
56 notes
·
View notes