Your ennemies to lovers prompts make me think so much about kacy during S1. I appreciate all of your Kacy fics and love the emotions you manage to create with your writing. I was wondering if you would be interested in writing a story that combines prompt 4 and 6?
It is an unspoken rule that when the DIA is involved in a case, Lucy needs to be kept far, far away.
At least, that’s how Jesse rationalizes trying to keep Lucy away from DIA Officer Whistler. He cites repeated complaints to Tennant (undeserved ones), numerous whisper-shouting matches in the halls (all Whistler’s fault), and ending in the middle of tense stare-downs more often than not (obviously biased). So really, it’s a no-brainer that Lucy indignantly ignores Jesse’s pleas and makes it her mission to give as good as she gets.
“Good morning, DIA Officer Whistler,” Lucy tells her sweetly this morning, having been waiting outside the elevator just to catch the briefly-perplexed, then immediately-annoyed expression on Whistler’s face.
“Special Agent Tara,” Whistler says curtly. “I was told I would be speaking with Agent Boone today.”
“He’s busy,” Lucy says. “Small mishap with his car.” (She’d let the air out of his tires, actually, just in preparation for today).
Whistler’s expression does not waver. “I’ll speak with Special Agent Tennant, then,” she says.
“Or,” Lucy says, following as Whistler begins to stalk through the bullpen, “you can discuss the case with me. I haven’t actually been briefed on why you’re here, but if you give me two minutes…”
Whistler comes to an abrupt stop, and Lucy nearly knocks them both over; Whistler has to grip Lucy’s arm just to keep her from falling on her face, and when Lucy meets Whistler’s gaze, she sees—strangely—a kind of uncharacteristic apprehension that Whistler never has. Whistler drops Lucy’s arm like she has been burned, and her voice goes quiet when she says,
“It really would make more sense to discuss clearance with your boss. It’s a time-sensitive matter.”
“Oh.” Lucy tries to hide her confusion, but it’s a halfhearted attempt at best; usually, the back-and-forth with Whistler is inevitable (and maybe even slightly thrilling). Whistler never just…gives up. “Is everything okay?”
“Of course,” Whistler says, already heading towards Jane’s office with renewed intensity. “Excuse me.”
Lucy is practically rooted in her spot, bewildered, and she watches as Tennant beckons Whistler inside before shutting the door. “Huh,” she says aloud. “Weird.”
“What’s weird?” Kai comes in carrying coffee, and he freezes in place as he, too, realizes what Lucy is looking at. “Damn. DIA’s here already? We haven’t even been briefed on the case yet.”
“Apparently it’s ‘time-sensitive’,” Lucy says, complete with air quotes and everything. “Think this means Whistler will actually give us something for once?”
“I’m not holding my breath,” Kai yawns, offering Lucy her cup before he wanders over to his desk. “Hey, where’s Jesse?”
(Lucy decides not to incriminate herself by answering that).
By the time Whistler and Jane emerge, both Kai and Lucy are pretending to be working and Jesse is just barely bursting through the doors. Jane doesn’t comment on either; instead, she waves her arms to get everyone together and begins her spiel about how they need to work with DIA and be a happy team or whatever. Honestly, Lucy is kind of tuning out the pep talk and is instead studying Whistler—everything about her body language screams discomfort, from the stiffness of her shoulders to the sharpness of her set mouth. And when she catches Lucy staring, all she does is quickly look away.
Weird.
Later, after they've been fully briefed and Jane dismisses them to do boring grunt work, Lucy tries to edge closer to Whistler and ask what exactly DIA needs to be here for. But when Whistler sees her coming, she makes a beeline towards Jesse instead, and Lucy is left frowning at their backs.
At first Lucy doesn't think too much of it. Jesse is probably handling the precious, redacted DIA files that point them to the possible suspects in this abduction case. But then, after Lucy is tasked with talking to their kidnapping victim's husband, she tries to be polite and ask Whistler if she wants to sit in. A gesture of goodwill, really, to make Whistler feel like she’s part of the investigation.
“Hey Whistler, do you want to get in on this?” Lucy waves her case file enticingly when Whistler emerges from the break room. “We can do a good cop/bad cop routine. Obviously we know who's who in that scenario, but if you ask nicely I might consider flipping you for bad cop.”
Whistler blinks at her. “What?”
“I'm going to interview Sergeant Nguyen’s husband,” Lucy clarifies. “Want to help?”
“That's not in my job description,” Whistler says, brow crinkling in deeper confusion. “And I have to go talk to Tennant.”
“Again?” Lucy asks this question to the empty space where Whistler used to be. Except this time, Whistler is not being invited into Jane’s office. No, Whistler is just walking away, and pretending to get a call so she has an excuse to exit the hallway.
In an instant, Lucy is pissed off. Here she is, extending an olive branch, and Whistler is acting like she's too good for it. Fine—if Whistler wants to avoid her, then two can play at that game.
Ernie patiently listens to Lucy explain all of this once the interview with the Sergeant's husband gets them nothing. “So that’s why you're hiding in here,” he guesses. “Because Whistler doesn’t want to fight with you like usual.”
“I'm not hiding,” Lucy scoffs. “I actually came here to discuss…” She lamely grabs the top file on his desk, flipping it open to the first page. “Timothy Summers. Hm. Yeah, I think he's our guy.”
“Great,” Ernie says. “So an arrest is imminent, then?”
“Oh, definitely. That's why I'm here…with you…for our next move.”
“And how does the fact that he's been dead for six months fit into this?”
Lucy pauses. “You couldn’t have just told me that?”
“It’s literally underneath his picture. Deceased.” Ernie jabs at the file with his finger, and Lucy smacks him with it. “Ow! God, you’re mean when you fight with your girlfriend.”
“Girlfriend?” Lucy’s voice comes out several octaves higher than it should. “Why would you say that?”
“Uh, lots of reasons.” Ernie pops open a box of candy on his desk, offering Lucy a sympathetic red vine which she numbly accepts. “Everyone can see it. Honestly, I thought you two were going to start going at it on Kai’s desk the other day when Whistler broke the news that we were off the Dominguez case.”
Lucy’s jaw drops. “Because we were arguing?”
“Intensely arguing,” Ernie corrects. “Kai and I placed bets on who would kiss who first.”
“Are you serious? She hates me.”
“Does she?” Ernie continues chewing on his red vine before whispering conspiringly, “Or does she secretly burn for you?”
Horrified, Lucy ditches the candy; surely, that must be the reason she suddenly feels sick to her stomach. “Forget it. I’m going to hide somewhere else.”
“So you are hiding. I knew it! Hey, can you—”
Whatever Ernie wants, Lucy doesn’t stick around to find out. She decides she’s going to find Kai instead, see if he has any actual leads in the case.
Except she ends up bumping into Whistler again. Full-on body contact this time, even—Whistler jerks backwards, Lucy tries to jump into the wall, and really it's a wonder it doesn't end in catastrophe.
“I'm sorry, I…” Whistler trails off when she sees Lucy. “Um, Tennant said I had to talk to Ernie about Sergeant Nguyen’s finances. Is he here?”
“Yeah, he's in there.” Lucy gestures vaguely over her shoulder. “The tech-nerd talk is all yours. I need to go talk to...other people. About things.”
Whistler nods awkwardly, still waiting, and Lucy belatedly steps out of the doorway in order to head back to the bullpen. Okay, so, Operation Avoid Whistler is officially off to a bad start.
But when she catches up to Kai, he has a much better idea of how to spend their time, and it also guarantees Lucy can avoid Whistler perfectly.
“Sergeant Nguyen was last seen at a Vietnamese restaurant two blocks from here,” Kai says. “Do you want to go check it out? Maybe we'll get something the police didn't.”
Lucy’s spirits are immediately lifted. “Yes. I could go for a banh mi,” she says dreamily. “Ooh, and some spring rolls.”
“I'm…pretty sure we're not allowed to order food from our suspects.”
“We don't know if they're our suspects,” Lucy reminds him. “And besides, spring rolls never kidnapped anyone.” She pats him on the shoulder reassuringly. “Give me five minutes and I’ll meet you in the parking lot.”
It ends up being closer to twenty minutes to update Jane on their next move, but Jane does give her blessing to investigate (and bring back lunch). Lucy has a pep in her step the entire way out to the parking lot, where…Whistler is standing.
Lucy notices her first; Whistler is facing the ocean, hand cupped above her forehead and frowning at something. She looks so serious—and out of place—that Lucy almost considers asking what’s wrong. Key word almost, because she is still on avoid-Kate-Whistler-mode, and she makes a mad dash to Kai’s car before Whistler can spot her.
Kai yelps when Lucy yanks the door open with, admittedly, a sense of urgency that is a tad unwarranted. “What—?”
“Drive, Kai,” Lucy demands, and he immediately starts up the engine, but he eyes her warily all the same.
(Unfortunately, Lucy makes eye contact with Whistler through the window as the car peels out of the lot, and she groans and sinks low in her seat.)
“What was that?” Kai ventures to ask. “Are you and Whistler fighting?”
“For once, no,” Lucy says. “She’s been avoiding me. So now I’m the one avoiding her.”
“Well did something happen?” The drive is quick, and before they know it, Kai is easing the car into a parking spot. “I know you two get…uh. Really passionate sometimes.”
“Because she hates me,” Lucy reiterates, feeling like a broken record at this point. “So I hate to break it to you, but you and Ernie are not going to collect on any bets related to kissing.”
Kai winces. “You know about that?”
“Yes, Kai, what the hell? I expect this from Ernie, but from you?”
“Any way I can make it up to you?” Kai asks weakly.
“Buy me lunch and we’ll talk,” Lucy says, and Kai—newfound meddler that he has proved to be—can at least follow instructions beautifully.
The restaurant turns out to be a dead-end case wise, but their menu is grand; they order too much food and bring enough lunch for everyone. (Even Whistler).
But when Lucy ever-so-casually mentions this, Jane just shrugs and says,
“I told her to stick around for you two, but she said she had to finalize some reports.”
“Wow,” Ernie says around a mouthful of noodles, “that’s dedication. Turning down free food just for work.” He pointedly raises his eyebrows at Lucy, who in turn tries very hard to glower at him with just her eyes.
“Good for her,” is all Lucy has to say about that. Jane gives her a curious look for the comment, but thankfully doesn’t ask.
“Hey, Lucy,” Ernie says suddenly. “I left my tea in the lair. Can you do me a favor and bring it to me?”
Lucy—still cradling her precious, half-eaten banh mi—has to do an actual double-take. “Why can’t you get it?”
“Because I have a cramp…in my leg…and you love me,” Ernie says. When Lucy stares back at him, unimpressed, he tries again with: “And I’ll owe you?”
“Fine,” Lucy sighs. “But you’re being so weird.” Suspiciously weird, even, but his scheming doesn’t click until Lucy is actually opening Ernie’s door and—“Oh.”
Whistler lifts her head at the intrusion, her stunned expression likely a mirror of Lucy’s. “Special Agent Tara,” she says.
“Whistler,” Lucy says slowly. “What are you doing in here?”
“Ernie said I could borrow his computer,” Whistler says. “DIA wants me here until we get a ransom demand, and I wanted to get some work done.”
“Ernie let you borrow his computer,” Lucy echoes. “Willingly?”
“Yes?” Whistler tilts her head questioningly. “Sorry, did you need something?”
Lucy knows she should be looking for Ernie’s tea. She also knows she should probably ask Whistler about it. But all that comes out is: “You know, we brought lunch for everyone.”
“Thank you, but I had lunch already.” Whistler glances back down at the computer screen, tapping away at its keys in a silent dismissal, and in an instant Lucy has had enough.
“Why are you avoiding me?”
The mechanical typing falters. “I’m not.”
“You’re working with everyone else on my team but me,” Lucy says. “That kind of feels like you’re avoiding me.”
“Maybe I felt like getting actual work done for once.” Whistler looks up again, this time with a deep-set frown on her lips. “And I wasn’t in the mood to fight.”
“Hey, you’re the one who fights with me!” Lucy argues. “Literally, from day one. You yelled at Jane about me in front of everyone.”
“Because you stole a sensitive report which you had no clearance for!”
“Actually, I read it upside down while you were talking about how I didn’t have clearance for it,” Lucy counters. “No stealing required.”
Whistler’s jaw clenches. “That is not any better.”
“But it means I’m not a thief. I’m just…you know, crafty,” Lucy says. “Come on, haven’t you ever bent the rules a little to break a case?”
“I don't break cases,” Whistler says flatly. “I protect intel.”
Lucy rolls her eyes. “Fine,” she snaps, exasperated, “you’re a saint and a better person than I am. Is that what you want to hear?”
“Are you—what is your problem? That is not what I’m saying.”
“Then what are you saying?” Lucy lets the words hang between them in the ensuing silence. She doesn’t even realize that she has placed her hands on the desk in challenge—barely any space between them now—until Whistler is hastily standing up.
Even as tall as she is, Whistler’s voice comes out incredibly small. “Nothing,” she says finally. “Please forgive my…gross unprofessionalism. Clearly, I have overstayed my welcome.” She steps out from behind the desk without even bothering to close whatever she’d been working on, and Lucy sees red.
“Oh sure, just run away,” Lucy huffs. “Go ahead! Prove you’ve been avoiding me.”
“I haven’t been—”
“I’m sick of playing this game with you!” Lucy cuts her off.
Whistler doesn’t move an inch. “What game?”
Dammit. Ernie is most definitely in her head. What the hell; it’s not like Lucy has anything to lose. “The game where we pretend we don't like each other,” she says firmly. “You’re an asshole and I like to piss you off, but obviously there is something else here and I’m not crazy. This is—”
Honestly, in the back of her mind, the most Lucy expects is more denial. At worst, she expects Whistler to march out of the room and report her to Jane again. She certainly does not anticipate Whistler yanking Lucy in to kiss her breathless—just for a brief, dizzying moment—before pulling away.
Whistler tries to apologize, but Lucy doesn’t let her; she is once again determined to give as good as she gets (in a very different context). Lucy pulls Whistler right back in, grasping desperately at her face and stretching as fall as the tips of her toes will allow.
It seems to reassure Whistler in any case, who eagerly slides her hands along Lucy’s back and melts against her. Maybe it's the months of pent-up aggression between the two of them, or maybe it's the knowledge that Whistler is an actual human being, or maybe it's just the ghost of the faint touch of Whistler's fingertips underneath the hem of Lucy’s shirt, but the kiss gets really intense really fast.
Lucy debates sliding her own hand under Whistler's shirt—see if she is as serious in her bra choices as she is in pantsuits—but then Whistler flicks her tongue into Lucy’s mouth and she cannot possibly be expected to focus. It's intoxicating and exhilarating and…
“Wait, wait,” Lucy regretfully manages to twist away. “We can't do this.”
“Right,” Whistler says, nodding rapidly. “It would be a mistake.” She's clearly trying to school her features into her usual stoic demeanor, but her efforts are completely undermined by her kiss-swollen lips and the obvious flush on her cheeks.
“What? No, I meant, we can't do this here,” Lucy says. “You think it would be a mistake?”
“Not if…you don't,” Kate says, almost like a question.
“Are you seriously going to throw yourself at me but not even say what you feel out loud? I think you're addicted to fighting with me,” Lucy decides.
“I didn't throw myself at you, and—if anything, you're the one trying to fight with me!” Kate exclaims. “Every day I come in, and you're there trying to undermine me. I've been trying to keep my distance for both our sakes. Obviously our working dynamic is…less than ideal, most of the time.”
“I'm not trying to undermine you. I'm just trying to get you to loosen up a little maybe,” Lucy says. “Which…okay, might be annoying. So I get why you're an uptight asshole sometimes. No offense!”
Whistler frowns. “Some offense taken.”
“Oh, it's fine,” Lucy says. “The asshole thing is unfortunately very hot. Ernie may or may not have had a point.”
“What does Ernie have to do with this?” Whistler looks horrified now.
“Not like—Ernie and I don't sit around discussing how hot you are,” Lucy tries to save face. “He just suggested that we might…you know…jump each other at some point.”
“You're not making this any better.”
“Then forget Ernie,” Lucy says. “Take him out of the equation entirely. Do you also find me unfortunately hot?”
“I wouldn’t call it unfortunate,” Whistler says. “But. Yes?”
“Okay, so…” Lucy trails off. “What are we doing here, Whistler? Do you want to walk out of here and pretend this never happened?”
“No.” Whistler steps forward hesitantly. “That’s not what I want. I…I like you, Lucy. And I know this would completely ruin our working relationship, but—”
“Shut up about work,” Lucy says, dragging Whistler back in for another fervorous kiss, delighting in the fact that Whistler certainly isn’t fighting her now.
(Lucy’s phone buzzing, however, does effectively kill the mood.)
“What is that?” Whistler is instantly back into work mode, smoothing her hair haphazardly as if someone is about to walk in any second. “Is it about the case?”
Lucy unlocks her phone with bated breath. “Maybe we finally have a ransom call,” she says, before the familiar face in her text messages proves otherwise. “...nevermind, it’s just Ernie. He wants to know if we’ve ‘kissed and made up’. I’m going to tell him we’re going to have sex in his chair.”
Whistler half-coughs, half-chokes. “Are we?”
“Obviously not,” Lucy says. Then, thoughtfully: “But I’m technically still on lunch. Did you drive here?”
“Yeah, I have a company car,” Whistler says. “Do you have another lead?”
“No, but I do have thirty minutes to spare,” Lucy says cheerfully. “Get your keys. We’re totally going to have sex in your company car.”
Whistler turns very, very red. “I…don’t think my boss would like that.”
“Fine, then we can make out in your company car,” Lucy amends. “But you’re going to have to leave first. Kai and Ernie have a bet going about us, and I don’t want either of them to win.”
“Your team has a strange obsession with your love life,” Whistler tells her matter-of-factly.
“Eh, could be worse,” Lucy says. “Jane could get involved.”
Whistler—marginally disheveled—manages to crack a smile. “Let’s not let it get that far,” she suggests, brushing one final kiss against Lucy’s mouth with a resigned sigh. “So…are we keeping this between us for now?”
“I guess so,” Lucy says begrudgingly. “Think you can keep on fighting me in front of everyone?”
Whistler shrugs. “Are you going to keep being an asshole?”
“Wha—hey, no fair! You’re the asshole. I’m the good-meaning, happy-go-lucky agent who just wants to keep you human,” Lucy says, poking at Whistler’s cheek until her smile grows even more.
“Challenge accepted,” Whistler says, smoothly tucking a strand of hair behind Lucy’s cheek before casually making her exit.
Lucy places her hands on her hips and wistfully watches her go. This day has gone absolutely nowhere she expected it to, but dammit, she can’t be mad.
(Especially when her phone buzzes again with another text from Ernie. All it says is: NOOOOOO 😭).
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it wouldn't surprise me that, despite sanji being the literal cook of the crew, he had an eating disorder (ofc trigger warning here for eds, child abuse, starvation and, y'know, sanji's background in general).
he experienced the most traumatic years of his life trapped inside a fucking cell, with a metal helmet around his head and only eating when his father let him. which was 'only when the kid needs it', probably. which leads to judge saying 'i couldn't even kill my son' and it can translate to 'at least i kept you alive'. and not to turn this into irl trauma, but abusive parents constantly use the 'keeping you alive and giving you food' excuse (the bare fucking minimum) to guilt trip you into thinking that they're good and that you're exaggerating how bad they treated you because, well, at least they kept you alive, didn't they?
so here, sanji sees food as a form of loving but in the sense of 'at least my dad didn't kill me. that's something'. so his vision towards food remains positive but only because of his mom. only because his love language is acts of service and his mom took everything he gave her, even if it was horrific, as a way of saying 'i love all of you. you're perfect because you tried and the fact that you brought me your food is enough to make me feel loved. you're not a mistake' despite his brothers and his father saying that he was, indeed, a mistake and weak for wanting to give food to others instead of just taking it for himself.
both ideas of 'someone who loves you wouldn't let you starve' and 'offering food to others is opening up your heart' coexist inside little sanji's brain.
so it wouldn't be crazy to think that, although sanji loves cooking and his best early memories of it are that book that kept him dreaming while he was locked up, and his mom's words, has a hard time eating food.
besides, sanji is used to giving, not taking. he's not selfish, but actually extremely generous to the point of forgetting about his own well-being. i don't think he actually thinks about how hungry he is until it hurts. until he needs it. he only ate whenever his father let him so he wouldn't starve, and the only thing that made him feel well about food was the fact that he could give it to the one he loved and needed it.
sanji doesn't have good experiences eating food, but only cooking it. it's a great representation of his personality as a whole, to be honest.
then the whole zeff thing happens, and he actually almost starves to death and learns what hunger feels like. but once again, zeff saves him and he's the one to be hungry for not letting the kid starve. which might seem similar to what judge did, but 'not letting you starve because i couldn't kill you' isn't the same as 'not letting you starve because i don't want you to die'. sanji learns the difference that day.
he didn't know somebody could be that kind. especially to him, someone who doesn't deserve it (he thinks he doesn't) because, in his house, love only came when you earned it.
and, you know, sanji's like that. sanji's selfless. sanji does everything for others. and so the guilt eats him up first. what zeff did is beautiful and amazing and we love him for it, but we don't know about how that affected sanji at a young age. which only makes him even more selfless and more of a better, kinder, generous person. and that might be bad, considering how little he thinks about himself already-
he learns that throwing away food is awful, and that you have to be grateful for being able to eat. grateful for living. so his don't-waste-food policy is obviously a big part of his personality due to almost dying of starvation and also owing his life to his dad (zeff, the real one, of course. fuck judge).
but that can almost be dangerous because refusing to waste food leads to forcing yourself to eat only because of his concept of what food means.
and then we have luffy in wci saying the whole 'i won't eat anything that you haven't cooked' which is precious and something very beautiful to say to your cook, but that only brings sanji back to 'starving is a form of loving' and 'you can't let someone you love starve'. and no matter how much he wants to force himself to push luffy away, he gives him food because he knows his captain will keep his promise.
sanji feels guilty, once again, but he ends up fixing it.
the thing is, after everything i've said, i don't think it would be weird to think about sanji viewing food as something external. something that isn't for himself. something that he only has control over because it's for others and not for himself, and it's a concept, a form of love, and not a need. because he does not feel hungry. when it comes to food, he feels responsibility and guilt and love... but never hunger.
hunger is, by all means, a form of selfishness sanji isn't used to unless his body is about to give up completely. he can eat out of pleasure and satisfaction and love for food, but he does it to train a selfless skill that may or may not also be selfish in the sense of 'wanting to be loved and useful'.
so here we have:
seeing food as a form of love because at least his dad wouldn't let him die, but he probably learned to push away the concept of hunger
seeing cooking as the most beautiful way of showing your feelings and efforts and taking care of people
not knowing the concept of hunger due to his own selflessness
scratch the first one, actually starving for others is a form of loving. he will never let the people he loves starve even if it means he dies in the process.
he can't waste food because that would be insulting and disrespectful. no matter the context.
and i'm just saying (and this whole thing is extremely self-indulgent and me projecting again and again) that it wouldn't be surprising to me if he had some issues when it comes to eating and making food for himself.
it's not that he thinks he doesn't deserve food, it's just the thought that he doesn't need it. going back to his past it could be seeing hunger as a form of weakness (not when it comes to others. never when it comes to others), both because of what his family taught him men should be like, and the fact that the manliest man he knows used starvation as a form of love.
so it's seeing hunger as something that makes you weak, but only when it comes to himself because of course, he wouldn't apply the same rules for him as for everyone else. he's just like that.
he thinks about others first, and himself second. always second. and the thought of eating and needing it only comes when it's too much. and when that time comes, the voices in his head tell him that he's weak. and again, i don't think he sees himself as undeserving of food because he has this whole thing about everybody deserving to eat. but he has never played with the same rules as the rest, always a few steps behind, so if he can't fight the thoughts in his head contradicting his morals, that's just how he is.
not to mention the 'don't waste food' part which also would make him feel guilty about not being able to eat if the thoughts of not deserving food and being weak for needing to eat become too much. he can't eat because he doesn't deserve it and because he's weak. and he can't starve, because that would mean wasting food.
so, you know, sanji is out of options here.
if some days sanji just casually decides not to eat- forgets to prepare himself a meal while his crew enjoys his food... that's just the way he is, isn't it? and if he lies about it, it's just another form of love, keeping them away from his problems.
besides, controlling hunger and controlling food is the only way he has to take control of his messy life. when something is out of reach, the unstoppable thing called life he has never been able to control, at least he can choose not to eat. he can choose to starve, this time, with the comfort of knowing he won't. he can choose not to eat this time, not like all of those times when food was controlling him instead.
at least the strawhats will never, ever, starve if he's around. but of course, nobody thinks about asking the cook if he wants to eat. that would be absurd. and it's impossible to think sanji would have some sort of issue with it! sanji, the cook, who keeps telling them not to waste food, not eating? that would be absurd and too selfless to make sense.
that's just the way he is.
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