#i feel like i've lost so much of my skills - i look at my art and want to cry when i look at my old stuff cuz it seems so much better | Explore Tumblr Posts and Blogs

chubs-deuce · 2 months

Note

Hi!! Love your artwork and your Charlastor AU with Dawn!!

I was wondering if you think Alastor would make any dawn-themed dad jokes and puns in your AU, and if he does, what would Dawn and Charlie think of them? I can’t really think of any off the top of my head right now, but I know ‘a brand new dawn’ is a phrase he could maybe use!

Again, love your art!!! If you don’t mind answering questions about it, do you have any advice for artists who want to improve their drawing or any practices that have helped you develop your skills? And are there any particular artists that really inspire you?

You’re one of my favorite artists and I don’t know how to explain it but your drawings have so much life in them!! 🌟

sdlksdflkj thank you so much omg!!!

I'm so glad you're enjoying them ;W;

And he would be insufferable with them lmfaoo, especially because I'm sure Charlie would hop in on a few of them and add to the pile as well xD

One more I can think of rn is "Oh, I was wondering where the sun went!" whenever Dawn enters a room, because the implied punchline is "but then it Dawned on me" or something? XD idk I'm not good with puns sadly

Now regarding the art advice!! This one got HELLA long so I'll hide it under a cut for everyone's comfort lmao

I know it sounds shallow and like worthless advice, but a huge huuuuge part of getting better at art is to just... make art! Practice makes perfect - it develops your motor skills, gives you somewhat of a muscle memory for certain basic shapes that are a necessity to have a good feel of for good foundation sketching.

Practice also develops your eye for compositing and for how color theory actually applies in practice, it basically helps you develop a more consistent grasp on art as a whole :D

There are some things I've learned over time that definitely helped speed things up though xD

here's some rough sketches I did just to demonstrate what my rougher drawings can look like - also a little diagram (on the right side of the image) of things I keep in mind for the average proportions of a human body!

I tend to sketch very loosely and try to capture the overall vibe and silhouette/rough shapes first before I even think about adding details - there's a certain flow, squish and stretch to everything that's just much easier for me to get a good feel for when I use quick, loose brush strokes and as few lines as possible to convey a concept.

Repeatedly sketching humanoid characters of various shapes, builds and sizes for years genuinely helped enormously in getting not only faster but also more consistent with it!

I'm fairly well practiced with hands and expressions especially at this point since I like to focus on those in my art often, so those come fairly easily to me as well now!

Something I learned along the way about keeping a certain liveliness to my artworks is that sometimes you have to forego anatomical correctness a bit if you want to fully express specific emotions - if you try too hard to keep everything perfectly proportional and realistic, it can make the outcome look stiffer than you might've aimed for - this is something I actually struggle with in my cleaner artworks :'D The ones I do proper lineart for, since a lot of the flow of the original sketch gets lost in the process haha

As for artists/artstyles that inspire me...

There's @/southpauz for example!

Her artstyle is unbelievably expressive and her eye for compositing and her use of shapes is SUBLIME - it inspired me to let loose more with my expressions, exaggerate features a bit more and to push the way I try to vary facial features :D

Then, back when I had that massive Rise of the TMNT phase, the artstyle of it has actually greatly influenced how I draw today!

It manages to be detailed and highly recognizable despite its deceivingly simple style - it exaggerates shapes and uses it to communicate personalities, emotions and action super effectively and taught me a lot about utilizing those more efficiently myself :D

And last but not least Ishida Sui - the mangaka behind Tokyo Ghoul (which used to be a highschool obsession of mine)

His striking use of colors, textures in abstract, yet symbolically heavy ways and his courage to be rough and expressive rather than looking polished, yet also having such a solid understanding of realism blew me the fuck away as a teen and still does now!!!

His art may have less of an influence on my style today than it used to back then, but I think in my more exagerrated, more horror-esque drawings you can kind of see it still :'D Either way I greatly admire him as both a writer and artist.

-----

I'm genuinely so so flattered that you enjoy what I do enough to give me such high praise, thank you so much for writing me such a wonderful ask <3 I'm glad I got to gush about some of my favorite artists/artstyles for a bit haha

If you have any more specific (digital) art related questions don't hesitate to reach out!! I love giving pointers about a subject I'm so passionate about, we don't gatekeep helpful information in this house!!! <3<3<3

#chubs answers #charlastor fankid #chubs ocs #dawn morningstar #art inspiration #art tips

44 notes · View notes

hrts4hanniehae · 5 months

Text

clutch || three

there are written parts :)

note that the timeline or educations may not add up but just ignore it because i don't have the brain power to sync up THIRTEEN + 1 's education schedules

also!!!! the story begins in the christmas period of 2022!!!! IF THERE ARE YEAR ERRORS IM SO SORRY!!!! i legit can't change it omfg

okay if we were being very honest, e/n was an attractive guy. well-liked by everyone, especially yn's parents -- mother. he had a good office job, loved the idea of starting a family and was rather... old-fashioned in his thoughts.

e/n had asked her out 2 years prior. she agreed because she was desperate to please her mother. but it wasn't as if she didn't like him. she did. just... not as much as she would have preferred. he was all those good things, but he didn't let her be free. he always talked her down when she brought up her art or passions. but he made her parents happy. so she suppressed it.

when he cheated on her, she didn't feel any sadness. not much resentment either. but when he stole her apartment from her, she lost her shit.

"what do you mean i can't take my apartment back? MY NAME IS ON THE LEASE!!"

"i did not sign that! that's a forged signature! how many times do i have to tell you, i have no recollection of EVER signing my apartment off to him! god why won't you even investigate the signature!"

not only did she have to deal with this bastard's theft, but now she had to deal with him at work too.

"do you know where's the bathroom?" (random museum goer)

she kindly pointed her in the direction of the nearest bathroom.

"oh yn! I didn't know you worked here." - e/n

"hi e/n. what do you need. and where's your side chick." - yn

"she went to the bathroom. i wanted to see you." - e/n

"when the fuck are you going to leave me alone? you already stole my house. what else do you want?" - yn

"yn, you're being ridiculous. just come back to me. i'll ditch her for you. i just wanted to try someone new. you're not exactly a... fun partner you know? fun in that way." - e/n

"leave me alone. i already have a new apartment. just please. i don't fucking like you anymore. just leave me alone. stop harassing me, okay? your idiotic excuses and reasonings don't make ANY sense at all. just go." - yn

"so why haven't you told your mom about our breakup? hm? do you really not like me anymore?" - e/n

"i've told you time and time again. i don't talk to my mother. at all. if you care so much, just tell her yourself. why we broke up. hm? or do you want me to get byeongho to tell her. because I will. i'm not telling her because i'm trying to help you save face. if i tell her, your father will know. and he will not be happy. i'm trying to do one nice thing for you despite you fucking another girl in OUR BED." - yn

and just like a saviour, minghao was running up to her.

"yn, your boss told me to look for you about managing my exhibit. oh. hi e/n. get lost, thanks." - minghao

"mind your own business, [redacted slur]" - e/n

security kicks him out.

"thanks, hao. my day has been ruined because of him." - yn

"i'll buy you lunch? i don't think you've had lunch yet." - minghao

"thanks but i'm good. i don't usually have lunch anyways. i'm going to head home. my shift is over." - yn

"did wonwoo tell you our friend was staying over at your place today?" - minghao

"huh. who? he didn't tell me." - yn

i guess he forgot - minghao

"lee chan, or dino. the soloist. so don't be too shocked if you see him walking around." - minghao

"right. i'll see you tomorrow for lunch, minghao. go hang out with jun." - yn

"he's filming a movie right now. how am i supposed to go see him?" - minghao

"figure it out!" - yn

she forgot about dino and walked into the bathroom not knowing he would be there. luckily, he was half-clothed.

ฅ^•ﻌ•^ฅ

synopsis: wonwoo is a popular streamer known for his incredible gaming skills and good looks. He turned heads. but he hates the attention. he just wants to play games and earn money. one day he receives a letter. his apartment’s rent has almost doubled. no warnings at all. his current paycheck from streaming can’t shoulder those bills. he has no choice but to rent out his spare room. to who? a fresh art university graduate who has… 1. a stable job ✅ 2. talent for art and sculpting ✅ 3. many friends ❌ 4. social anxiety ✅ 5. no filter ✅ when his iconic cat logo gets copystriked, she comes to the rescue with a new logo for him. when his apartment’s walls start peeling, she fixes it. whatever he used to struggle with… the empty space... was now filled by her. so what does he *last player standing* do when her ex *enemy spotted* tries to take her back? heh. *clutch* he clutches.

inspired by wonwoo's gam3bo1 streams, falling into your smile & gogo squid (has hints of valorant)

pairing: streamer!jeon wonwoo x fem!artist!reader (ft. jeongcheol, soonhoon, junhao, seoksoo, verkwan)

genre: fluff, comfort, slowburn, comfort, pining, bestfriend!minghao

warnings: stalker ex, toxic ex, mentions of abuse, guns (game), cursing, hate comments, panic attacks

started: 28.12.23

ended: ?

taglist: join from my masterlist

main masterlist

smau socials

previous I next

tags! @fairyofhour @megseungmin @sun-daddy-yoriichi @woozixo @euphoric-univers @christinewithluv @haowonbins @ocyeanicc @asyre @cynthiaaax13 @superhoshisvt @bangantokchy @chimmy-bts @angelarin @daisawa @writingbarnes @jeonghansshitester

@belladaises @wonwootakemyheart @wonwooz1 @luchiet @kookssecret @caratsland @peachescreamandcrumble @thepoopdokyeomtouched @isabellah29 @leah-rose03 @yandere-stories @coupshour @heesbees

63 notes · View notes

christiansorrell · 1 month

Text

Tacticians of Ahm - Monthly Update #2!

Full spread art by @helenacore depicting Early Graduation's opening field exercises!

Greetings Tacticians!

Tactician of Ahm's Monthly Update #2 is finally here! With it comes the early access version of the setting book, The Ahmian Almanac, which features its first sample region of Ahm, showcasing the style and structure of setting book I am hoping to create with the Almanac. The book will feature lore and locations, of course, but it will also feature more in-depth maps, new NPCs, unique equipment, a complete new Class, and more! I want to create a book that it as much a sourcebook chock full of new things for GMs to bring to the table as it is information about the world of Ahm and inspiration for adventures.

Thanks you so much for the continued support of and engagement with the game! I used more of the raised funds to commission more art from Helena Santana including a new, full-spread art piece for Early Graduation (at the top of the post) and a piece of Dekkin Von Lopesbane character art (also for Early Graduation). Plus, I've worked with Jean Verne on a second preview spread (see above) of our planned look and feel for the game's final layout, this time utilizing some of Helena's awesome art from Monthly Update #1!

Because of my delay of this update (it was originally slated for last month) and the update overall being smaller than I originally was hoping, I am delaying this month's price hike on the game so if you enjoy Tacticians of Ahm now is still a great time to get on board! Tell your friends to do the same! Next update, the price will rise by $5 USD and that will continue apace (barring unforeseen delays like the one I suffered this last month, of course).

Lastly, I recently ran the opening two hours of Early Graduation over on The Weekly Scroll. Check it out if you'd like to see the game in action and see how I run it as the GM!

youtube

PATCH NOTES - v0.8.3

Tactician’s Textbook

Clarified Conditions to apply until the end of target’s next Turn (as opposed to confusing wording regarding Rounds).

Renamed “Shield” Condition to “Ward” to avoid having the same name as a shield, the piece of equipment and updated relevant uses throughout the text.

Ward condition now explicitly blocks all damage AND any/all Conditions while in effect.

Updated Mage Ability - Barrier to include “May be cast on self (1 target maximum per use)”

Added clarifying text to Shields in Equipment section: “(does not block Conditions)”

Added clarifying text regarding applying multiple Conditions to a single target: “A target may suffer one or more different Conditions at the same time. If a target currently has a Condition, they may not be affected by that same Condition again (nor does it add turns of effect to the current Condition) until the current instance has ended.”

Gamemaster’s Guidebook

Added Boar (EL1) to Bestiary

EARLY GRADUATION

Added a massive new piece of art from Helena Santana to the title page, depicting the Tacticians sparring with Imperial Army soldiers during the Field Day exercises!

Added Boar (EL1) to “BATTLE: Wolves in the Woods” and adjusted combatant numbers at various party sizes to more accurately reflect typical intended difficulty.

AHMIAN ALMANAC (NEW!)

Lake Traecine region added, includes the following:

5 Major Points of Interest: New locations for your Tacticians to travel to and explore!

20 Calls for Aid: Adventure hooks and strange happenings across the region!

1 Class: New classes, accessible only to Tacticians who prove their worth!

11 Abilities: New combat skills, taught to those favored by a certain faction!

2 Enemies: New combatants, unique to the specific region or faction!

2 Relics: New guarded/lost pieces of equipment, be they mundane, magical, or corrupt3d!

2 Factions: New groups, wielding political, cultural, or magical power!

1 Shop: A New specialty establishment carrying new and rare items!

4 Characters: New NPCs for your Tacticians to meet, interact with, and fight alongside!

More detailed (placeholder) map of the region with travel paths!

#ttrpg #indie ttrpg #ttrpgs #rpg #fantasy #tactics #final fantasy tactics #tacticians of ahm #grid combat #combat #dnd #jrpg #Youtube

34 notes · View notes

corpsepng · 10 months

Note

Pls make a list of books you recommend to aspiring writers<3

Ok. Aspiring/burgeoning writer starter kit:

In writing anything you officially become a writer so that’s step one haha, no need to aspire too much. BUT. I’m going to soapbox for a bit using this ask as an excuse love u kissing u etc. So. This will barely be about books, but sort of the recipe of what I (personally and subjectively) think will help anyone who wants to grow their craft. (I know because I've been writing seriously for 14 years)

The act of writing is the best practice you can get but having a well from which to draw on creatively and skill wise in order to DO that practice is the trickier part. And sometimes we can be found lacking because we’re either NOT refilling that well enough, consciously enough, or only with the same sorts of things so it gets stagnant. This is a long one so I’ll shove it under the cut haha.

The recipe:

Study craft

Broaden horizons

Diversify consumption

Consume with intention

Apply with reference

1) Study craft: this is the easiest to make sense of, right? I want to get good at writing so I read books about writing yada yada. Whatever you’re writing, it’s made up of a lot of moving parts, and you can dedicate time studying EACH PART, but figure out what you have the least experience with, or the most difficulty with, and start there. Also, before I go on to preach about why you shouldn’t solely stake your growth on some dusty old books, here’s some dusty old books I recommend:

The Elements of Style (strunk/white/kalman) (really quick and abbreviated advice, read every bit of this but remember: rules are important to know so you can decide which are worth following and which are in need of breaking for the pursuit of your goals. And nobodies perfect, or editors wouldn’t have a job)

Bird by Bird (Anne Lamott) (excellent work about fostering a process, important for everyone who finds themselves a little lost on how to just. Start)

Wonderbook (Jeff Vandermeer) (I haven’t read this one but knowing Vandermeers work this is on my TBR and I KNOW it’s going to be enlightening)

How to Read Literature like a Professor (Thomas C. Foster) (perfect for those who can see others stories working but unsure how to make their own work, I personally didn’t read much of this one but this will help people to more critically engage with what they’re consuming)

Save the Cat Writes a Novel/Joseph Campbells Hero’s Journey/On Writing and Worldbuilding/etc (all of these are on structure and craft in a concrete sense), I would recommend either choose one OR getting the abbreviated/digestible versions through YouTube because a lot of these can repeat themselves. I’m working on a playlist of writing craft/structure videos that I found helpful, so keep an eye out for that)

So. Studying craft should be a multidisciplinary process. Articles online, videos on niche media, books on craft or copying things from your favorites, looking for yourself in the movies you watch or fiction you read. Punctuation, prose, structure, rhetoric, character, world building, pacing, etc. Unfortunately, no matter how seasoned you become as a writer, you will always be learning new things about the craft itself.

It should be fun and I honestly feel like an enlightened little scientist when I see something that really cracks the open the magic for me (ex: scenes that serve more than one purpose are OF COURSE going to be more engaging that scenes with only one purpose- duh) (of COURSE magic systems should have a cost) (of COURSE the characters cant always win OR always lose)

2) Broaden horizons: consuming fiction and studying it is key to knowing how to reproduce it. We start with the training wheels of imitation before we ride away full speed into truly unique original storytelling. But the most impactful and thought-provoking stories are more than just fiction, so you need to know more than stories. Science, history, art, craft, math, music, cooking, psychology, religion, whatever!

Everyone always parrots “write what you know”, but what you KNOW can expand to influence what you write- so keep learning new things all the time and for fun, because you never know what could help your story. Your knowledge is not limited to experience alone, and research is your best friend. ASOIAF was so loved because George RR Martin loved not only fantasy, but British history. The Folk of the Air series is so loved because Holly Blacks special interest is faeries.

Note: this does not mean the study of OTHER PEOPLES trauma and experiences in an appropriative way, rather, become worldly. Because sure, knowing what a gunshot feels like adds realism, but I don’t care about realism if I don’t care about your characters or world. Science fiction is the best example of this: so many of those stories stick with us generationally because they’re pointing a lens back at humanity, asking big philosophical questions with science, which is something that touches us all.

But it doesn’t even need to be Big and Thematic like that. My dear friend @chaylattes has a project where she’s applied her love of plants to the world building AND plot, and has INVENTED whole plant species that enriched their work with something so exclusively Chay. No one else could write Andromeda Rogue because Chay, with specific interests and knowledge, put that specificity into the story.

3) Diversify consumption: surrounding yourself with more of the same means you’re going to regurgitate the same, derivatively. To be a hater for a moment: I can tell within the first chapter if someone only reads/watches one kind of media (m*rvel, fairy smut, grim dark nonsense, etc), and it’s distracting. When I read that derivative work, I’m not thinking about THEIR story. All I can think of is the people who did it first, and better.

Alternatively, the best work draws on the unexpected. Fantasy work taking notes from horror, science fiction including humanistic romance, romance with elements of mystery. RF Kuangs work feels so smart because she’s literally a PHD candidate who’s reading of academic writing. Cassandra Clares work is so interpersonally messy and hard to look away from because she watches a lot of reality television.

Genre is less a set of cages to lock yourself inside of and more so the sections of a great big fictional playground- and you need to start playing. Rules, again, are guidelines that can be bent for the sake of your stories. I predominantly write scifi/fantasy/horror but some of my favorite stuff is literary fiction, historical nonfiction, thrillers, and poetry.

And if you can’t bring yourself to read different genres, it takes significantly less effort to WATCH different genres. Television and film are stories too, and can absolutely be learned from.

4) Consume with intention: this is easier said than done. I, embarrassingly, admit that I did not have any reading comprehension skills until I was at least 19. I was consuming, but I wasn’t thinking a damn critical thought, just spitting it back out in a way that sounded smart.

Critical thinking skills (I say, on the website that historically lacks such a thing) are a muscle that needs to be exercised just as often as your writing muscle. Reading new work, studying craft, learning new shit- none of it matters if you can’t APPLY it all to a story. One can take a clock apart to learn how exactly it ticks, but it won't tell time like a watch until you put it back together.

The key is asking questions, all of the time about everything. That whole “why the curtains were blue” nonsense comes to mind, but if you want to be a good writer, (edit: a writer that cares about whether or not their work is vapid imitation of better work) learning to ask WHY the curtains are blue really does matters.

Ask why in ALL stories you consume, including your own. Why do Ghibli films make me feel calm? (Motifs of undisturbed nature, low stakes plots and quiet scenes of reprieve between action, characters that care about one another and aren’t afraid to show it) Why do I fly through a Gillian Flynn novel but take 8,000 years to read other books? (Concise descriptions, realistic but evocative premise, witty voice, contained and fast paced plot, an abundance of questions driving the mystery leading up to a satisfying crash of answers at the end) Why were the curtains blue, the coffee cup chipped, and the lipstick stain on the rim red instead of purple or pink? And why did the colors matter at all when the scene is about a father at a kitchen table? (You tell me!) Answers may vary.

You can put the work into learning the answer at the source (ie: listening to authors talk about their own work), or through the external interpretations of a critic (proceed with caution here), sure. These are even good when learning HOW to think critically if you don’t even know where to start. But your growth as a writer depends on your ability to answer your OWN questions.

(Why do I feel tense in this scene? Is it because the character says they’re sweating and struggling to breathe? Is it because I’ve been told the monsters close? Is it because the sentences are getting shorter and the author keeps repeating descriptions of that monsters massive bloody teeth coming closer? Or is it because I know the gun in her hands has no bullets because another character already tried what she’s about to try?)

(Why do I feel sad in this scene? Is it because the characters mom just died? Is it because the character can’t even verbalize that sadness to others? Is it because none of the other characters seem to care enough to ask? Is it because of the wilted flowers in the corner? Or is it because there are daisies in the bouquet, and those were the moms favorite?)

I can nod and smile at 1000 opinions about “why X did Y and the end of Z” or “why X is Y and not Z” but how I felt when I consume something, how I was affected and how it made ME PERSONALLY answer my critical questions, that’s what’s important. That’s how we manufacture gay subtext in everything, because sometimes gay is a feeling as opposed to a fact.

Also, if those subjective answers are inconsistent among readers/viewers, the writer likely had their own intentions a little muddled. So, and I know I’m getting tangential but stay with me: romance. You know how you’re supposed to feel happy or convinced that the people falling in love are like, in love? And want to put yourself in that position or whatever? I CANNOT consume most romance media because it all comes off as categorically terrifying to me. I ask myself why the characters are doing what they do, reacting the way they react, saying way they say, and none of it feels romantic. I want to file a restraining order, and that’s the failing of the author, who did not make enough conscious choices in their work and accidentally created horror while writing their color by numbers trope slop of a “romance” novel.

5) Apply with reference: is like taking all your ingredients and finally cooking. You want people to notice and respect when you add certain literary devices, descriptions, character choices, but not to the detriment of your work. Shows like stranger things are popular but divisive because their intertextuality and reliance on nostalgia bolster an otherwise unoriginal idea. They weren’t trying to reinvent the wheel, they were writing a love letter to Stephen Spielberg, and are riding that wave into the ground. But the fairy dick renaissance doesn’t feel nearly as palatable as season one of stranger things did because a lot of times they aren’t using the ingredients in their own way, rather, following the recipe to a T and selling it as new. Food really is the perfect metaphor and sorry in advance because I’m really going to run with it here lol.

When I eat a meal, first of all I know I'm eating food, so don't try and trick me into thinking otherwise or I'll only get annoyed. I want to be able to taste all of what’s in front of me, spice, salt, sweet, bitter, etc and know what what you said you've fed me is really actually truly what I've eaten. One ingredient, or writing choice, shouldn’t overpower another, or surprise me so much I can’t take another bite. I shouldn’t try something you call “sauced and baked yeast patty garnished with fermented milk and smoked meat” and think “this shits pizza” because you didn’t even try to jazz it up more than what the instructions on the digiorno box said. I also shouldn’t bite into something you call a pizza and only taste bread because you really like bread and forgot that a pizza is more than just bread.

But inversely, avoiding all ingredients gets you weird, nary inedible shit like charred milk reduction with lamb mist or whatever. Show me you have knowledge in your genre by referencing it AND remixing it, show me that you studied craft by foreshadowing properly or pacing well, show me you’re more than an AI writerbot by deepening your work with your unique and human influence, show me you read broadly by adding surprising ingredients, and show me that you mean every word you write because you made the curtains blue instead of yellow, and topped your pizza with pepperoni instead of pineapple.

Congrats on making it all the way through my rambling, hope I made sense and that this helped!

#mail.txt #writeblr #writerblr #writing advice #writing resources #writing tips #writing help #anon

101 notes · View notes

ravenstargames · 8 months

Text

✦ Lost in Limbo Devlog #6 | 10.03.23

And another month has gone by! 💜 For this one, you'll have to excuse my lack of eloquency, but this weekend has been really hectic for me personally, so my brain is struggling a bit to keep up :')

We are very close to receive our final grades for our master, but we are anticipating nothing but good (or at least not bad) news! With that being said, the team has picked up the pace again and we are feeling really good about it. Everyone is really excited to work work and work, so let's jump into it, shall we?

And what better way to start this devlog than with our handsome, our stupid, our magnificent Lord Amon, Golden Dragon of Dagalis? 🌟

As you can see, we have started working on the demo CGs and we are beyond excited! Our plan is to finish Amon's CG and snatch a few screenshots of the game to finally, FINALLY open our itch.io page! We don't want to spoil too much of the CGs but we still want to share a decent amount of stuff in our devlogs, so we'll see how we manage, hehe. We hope you like Lord Amon in this CG so far as much as we do, because Raquel is as per usual doing an impeccable job with our local himbgod! 💜

<<The voidbound, creatures born from the Midnight Tower's chest. Intelligent to a degree, they protect the Beyond —the tower's domain— from any trespasser. >>

This month we have started the concept art stage of our signature creature, the voidbound, and boooy is it looking good so far! Again, we don't want to spoil too much because we want you all to be surprised and spooked (hopefully!) when you play the demo and meet these little guys🖤.

I'm so glad Astro finally had a chance to put his creature design skills to use, because he's honestly fantastic at creating monsters and giving them just the right vibe. Consider yourself about to be scared or seduced if you are like me!

This month we finished our jugdment chamber! 💜 Aside from a few dust and smoke effects and maybe some small corrections along the way, this is another finished background for LiL's demo! There's a feeew more to go but with a little organization and plenty of force of will, I think we'll be able to tackle them all. Now that the first demo has less backgrounds, it's a fairer amount of work.

We also have had Kayden work on special "mini CGs" that will add to the immersion in certain scenes, but again, we don't want to spoil the whole demo content!

Currently, the demo script is sitting at 42k words, every option included. I'm hoping I can finish corrections either today or tomorrow and send the script over to Allie, our mighty editor! I already finished writing a breakdown of the characters and demo story for them to read, but I want to send both things at the same time. I know the writing is taking more time than we initially planned —in our first devlog if I remember correctly, I said I was already coding it, and I was— but it's for the benefit of the game. I don't want our demo script to be mediocre or to just be "good enough". I want to be proud of what I've written and I want my team and I to be able to be honest about this kind of stuff with the people that are looking forward to play our game 💜.

This month has been good overall. It has been difficult for me in personal matters, so I hope you forgive me for the usual typos or grammatical oopsies. This devlog was meant to be posted last night (GMT+2) but I was exhausted and didn't want to rush it :').

During October we are hoping we can work on as many art assets as we can, and if the script gets corrected and approved, maybe I can begin coding it very very soon!

As always, thank you so much for supporting us, for being here, and for looking forward to our demo! 💜 We hope we are living up to the expectations!

#lost in limbo #visual novel #devlog #otome

82 notes · View notes

veilantares · 5 months

Text

LOST LOST really is 2023's theme for me. I spent most of this past year on my PhD project, so my output has been quite scarce overall - certainly so compared to the industriousness of years past. When I had chances to draw this year it was often like a gasp of air amidst a sea of my other efforts. "What's the next step forward?" I think at times. Consider the center drawing my face of course, because in real life I look like if cannonbolt was a sad refridgerator.

I started a new physical sketchbook and made some breakthroughs in my personal illustrations, but nothing I'm happy to share - in previous years I didn't have as much nervousness to experiment in public. Anyway this feels like a good opportunity to do a bit of a retrospective on the last ones of these I did.

In many ways 2022 was the best year of my work, I both did my most challenging (and correspondingly complex) pieces this year, and had the confidence to make several things a week. Past the initial few months I had really started to hone my mix of solid shapes, lineart and linelessness thats ubiquitous in my pieces now, though I wonder if I have grown too comfortable with the stability of a partial formula.

One disadvantage about only choosing nine pieces was that in wanting them to look good together I had to exclude a series of the coloured background pieces that interspersed the dark background ones. In those, I felt like a lot more of my effort went into the shape language, so there was a synergy with both approaches letting me understand things.

In 2021 I started using colours instead of grayscale, that years inktober could almost be said to be my best work, there was both a variety and scale to it..I drew something virtually every day for almost three or four months straight and crucially, I also shared it all after I was done. It really felt worth it planning art ahead, but also spontaneously filling the blanks it in the moment. That being said maybe that productiveness was not sustainable because I'd have very little time for much else after school, work and art.

Late in that year I realised I could just draw the things I like if I wanted, instead of the things I thought people wanted - so some of the later pieces really resembled discount warframes. That game has so deeply hooked itself into my visual library that I draw it even when I'm not intending to, and so when I started deliberately trying to evoke it (with very fledgling art analysis skills), I think I got more and more familiar with what I wanted.

In 2020 I was just starting out so I did not yet recognise there was something specific to aspire to - I dont have a retrospective montage like these other years for 2020. You can see virtually every piece I've ever uploaded on my instagram page, so I think I might not narrate as much about those in this post. Maybe in the future I'll review all these years through a completely different lens.

#veilantares #digital art #my art #illustration #art vs artist #art vs artist 2023 #artvsartist2023 #retrospective #q&a #voidpunk #character design

36 notes · View notes

roguesscribbles · 3 months

Text

Sorry I've been so dead recently! I've got a little project going on that's taking up my art time. Hoping to unveil it soon!

In the meantime, here's my new OC! I made her for a Mass Effect DnD group I'm joining! Her name is Raina Akiyama, she's a human engineer that abandoned her smothering military life to explore the galaxy, settling on Illium following the Reaper invasion.

You can read the full backstory under the cut:

Raina Akiyama was always destined to join the Alliance Military. From the day she was born on an Alliance ship to two parents with a decent military ranking, she spent the majority of her formative years on various Alliance ships or bases following wherever her parents were stationed.

At the time, she could count how many times she has been to Earth on one hand. Her father was from Japan and her mother was from Britain, so she had been to visit family members that she doesn’t remember the faces of. Her upbringing was lonely at times, her parents were busy working and other children were not that common. However, with the absence of people, she found her love in the mechanical instead.

She could always be found tinkering away at some piece of tech she found, sneaking into the engine room to look at the inner workings or pelting the engineers with all sorts of questions. And the Alliance were happy to support these dreams of hers, educating and pushing her towards a career as an Engineer.

There was just one problem, Raina didn’t like the way the Alliance ran things. She was never a fan of the authority, of the training exercises and the expectation to give it everything she had, with instructors and crew members who were always a bit too strict with a child, most likely already seeing the soldier she would become. She always felt trapped, forced into enlisting, because where else would she go? She was raised here, with a line of family all expecting her to join as the next generation as they once did, and she knew very little of the habited planets that dotted the galaxy.

Eventually, when she turned 18, she enlisted officially as an Engineer, continuing her training and enhancing her skills. If there’s one good thing she can say, it’s that the Alliance provided her with almost unlimited funding to tinker with whatever gadgets were put in front of her. She became intimately familiar with both the massive hardware of the Alliance vessels to the weapons and armour the troops relied on. She never fully felt like she belonged, but she could at least surround herself with the things she loved.

Things changed about 2 years later. She was stationed on a small base with an equally small squadron. Something that was meant to be safe, somewhere to train her and other recruits. For the first time in her life she felt like she had friends, people she could rely on and actually talk to, who had her back. Things finally started to fall into place, and she started to feel that yearned-for feeling of belonging.

Then, the raid happened.

A group of bandits attacked the base in the night, where there was minimal activity. They wanted the equipment that they had in storage. It wasn’t even very much, they most likely saw them as easy pickings, and they weren’t entirely wrong. Almost all of her squad was killed in the incident, though in the end Raina’s squad managed to barely win. During the scuffle, a confrontation with one of the assailants left her scarred after they slashed her face with an omni-blade. When she came to in the medical wing of an Alliance vessel, she found herself blind in her left eye.

Her entire world came crashing down. Almost all her friends were dead, that belonging ripped away from her in an instant. She was back to the cold, sterile vessels with people who saw her as little more than an asset, who wanted her back up and running as soon as possible as if a great tragedy hadn’t just occurred. As soon as they were able, they installed a cybernetic eye in the one she lost, patching her up like a broken piece of machinery.

Not even her parents were here. They contacted her as soon as they knew she was awake, but neither of them could leave their post to see her. Something in Raina just snapped. She needed away from this place, away from the military. She expressed her concerns to her parents, but they disapproved, encouraging her to just get better and push on. This was the family way. That just made the need to leave even more prevalent.

She was able to push for her to be medically discharged, quoting physical trauma and PTSD. She sent one final message to her parents telling them she was leaving and not to contact her. She grabbed all her belongings and money that she saved, grabbed the first civilian shuttle she could and started exploring the galaxy.

Over the next few years, she moved from planet to planet, exploring and experiencing and just living. She met so many new people, made new friends and went on her own adventures. She used her skills for work, either taking on odd jobs or temporarily joining a crew, which improved her abilities even further. She began to discover herself more as a person, get better at social interaction and just breathe for the first time. Life was good.

Then, the Reapers arrived.

Once more her world came crashing down, but this time it was different. She wasn’t alone. She had been staying on Illium when the news spread, and it wasn’t long before the Reapers made their way to them. Raina sprang into action, helping wherever she could to help the planets militia fend off the invasion, as well as help the people who had been displaced and evacuated to the planet. It kept her busy, and when the Reapers eventually fell, her positive presence put her on a lot of people’s radars as someone who was reliable.

Following this, she decided to take up a more permanent residence on Illium. They may have fended off the attack, but there was always work to be done. Plus, as a mercantile hub, other planets more affected turned to them for aid. She never found herself short for work, and she was keen to continue to improve her skills with the variety of machinery and tech that passed through. She dreams that one day, she can open her own mechanics shop, and make her role on Illium that much more permanent. Because she belongs.

#mass effect #mass effect oc #mass effect engineer #mass effect dnd #mass effect 5e #original character #my ocs #raina akiyama #rogue does art stuff

24 notes · View notes

annymation · 2 months

Note

Okay, I know Valentine's Day just passed, but how would a Valentine's Day interaction go with Aster and Asha? What would each of them do for each other on Valentine's Day?

Sorry for the VERY late reply, haven't got much time to answer lately, and before I didn't have much inspiration for this one, but @uva124 gave me an idea, so here's a little Valentine's day story

Asha decided that for Valentine's day she'd make a painting for Aster, a painting of a field of purple aster flowers, with a beautiful night sky.

However, because she's quite the perfectionist, and not as skilled with painting as she is with drawing, she felt like the painting wasn't quite good enough no matter what she did. So for days before Valentine's day arrived she'd hide in her room trying to finish it, not letting Aster see it.

But then the day actually arrives and she loses track of time trying to finish it, before she knows it it's already close to night time

*knock knock*

"Asha? You're in there?" Aster asks worried from outside her room

"A-AH! Don't come it yet! I'm busy!" Asha has her hands and arms all covered in paint as she tries to hide her unfinished work behind a cloth

"I know, you said so earlier but... Valentine's day is almost over, do you wanna hang out?" Aster sounded a bit sad that they didn't even see each other earlier

Asha looks surprised noticing it's indeed sunset, she completely lost track of time "Oh no! Ugh I knew I should've used acrylic paint!" She says in frustration

(For those who don't know, acrylic paint dries way faster than oil paint, I'd know, I used to make oil paintings)

"What are you talking about" Aster says coming in the room, they see her covered in paint "*gasp!* You were painting!?" He smiles widely "I didn't know you knew how to draw AND paint too!"

"That's because I honestly don't know how to paint, this turned out a mess" She points to the canvas hidden behind a piece of cloth

"... Let me be the judge of that" Aster walks in and pulls out the cloth to see her art.

The night sky is full of white dots splattered around that do resemble stars, and the purple field of flowers looks quite messy because the flowers all sorta mixed together into one purple blur.

Aster looks at the canvas in awe while Asha covers her face in shame "It looks like a child made it, I'm sorry, I've wasted the whole day instead of spending time with y-"

"I LOVE IT!" Aster exclaimed hugging her tightly "It looks amazing! What do you mean "like a child made it"???"

Asha smiles at him, but she still feels insecure about the painting "I wanted it to be perfect"

They smile at her reassuringly "You don't have to be perfect, you just have to be you, and that's way more than perfect for me, okay?" he says while still hugging her

She blushes as a big smile stretches across her face, she hugs him as well "Okay heheh" she giggles a bit, feeling her heart flutter

"Now! It's my turn to give you a gift, come on!" Aster pulls her by the hand out of the room

They go to the cliff next to the tree Asha wished upon Aster

(I make a lot of romantic scenes take place next to this tree but come on it's a cool location)

They watch the sun set together, leaning on one another without really saying anything, just admiring the beautiful sight

Once the sun is gone and the stars start to appear, Asha says "That was a beautiful gift" holding Aster's hand

"Oh that wasn't my gift yet" Aster corrects her with a cheeky smile "OKAY GUYS! Do your thing!" Aster yells to the sky above them

Asha looks up, already excited to see what he got planned but... Nothing seemed to happen

"... Guys???" Aster asked the stars, already getting nervous they wouldn't do the one little favor he asked

Then, Asha sees it, a shooting star cutting through the night sky

"*Gasp!* You asked for a shooting star just for me?" Asha asks hugging his arm

Aster looks quite disappointed though "... No, I asked for a meteor shower, it was supposed to be A BUNCH of those, like come on, is throwing some asteroids around too hard???" They ask, frustrated that things didn't go as he planned

"Hehe you don't need to make a whole cosmic event happen to make me happy" She leans on their shoulder "I love just watching the sun set with you"

Aster feels his heart beating faster "And I love you"

"I love you too"

They kiss under the starry night sky.

A few more shooting stars can be seen passing by.

#wish rewrite #wish reimagined #kingdom of wishes #ask #asha x star boy #asha x starboy #asha x star

24 notes · View notes

drbased · 14 days

Note

i've been reading your symbolic states tag and i'm both fascinated and relieved. i too am trying to live more in the real world and less in my head. a spark was struck when i read that i should be looking forward to the work of living, rather than dreaming of the symbolic sense of achievement i want.

do you have any tips/advice on getting out of that state? i find myself slipping back to it after a few days/weeks. how did you get out of it permanently?

i also want to hear your thoughts on social media's impact on us with regards to the symbolic state. social media is a literal continuous symbolic state that we are now all expected to participate in. how might we do it without succumbing to living/thinking symbolically?

actually, i would go so far as to state that social media has contributed directly to the current boom and celebration of unreal/symbolic ideals.

thanks for sharing your thoughts on this.

Thank you so much for this message 💖

This is, in short, my process:

learn to recognise what makes you feel uncomfortable. mentally trace back to recognise what has made you feel sad, angry etc. The more specific and granular and embarrassing you can recognise as the source of your negative emotional response, the more you're learning about your actual self and not some idealised version of you.

from that, start getting to know yourself. once again, the more granular and specific you can get, the better. instead of thinking 'I am smart', recognise 'I have good analytical skills that I developed during childhood because of x experience' etc. this will help you to stop categorising yourself as a certain type of person and instead will help you to have a healthier relationship with the traits that make up who you are.

before doing an activity, is your mental picture of yourself in the first or third person? because if it's the latter, try imagining yourself in the first person. if this feels humiliating and embarrassing, and the activity seems boring, you've learned something about what you actually like doing. get used to recognising that picturing yourself in the third person is a warning sign. the more you recognise the warning signs, the more you learn about yourself, and the more you can act authentically.

with a better picture of who you are, you're better at recognising what you actually want in the moment. I specify in the moment, because it's very easy to categorise yourself - I spent over a decade doing things because 'drbased would like this activity', as if I'm forced to behave according to someone's OC character sheet of myself. For example, when doing art projects, I feel as if I'm supposed to do a specific design because 'that's the kind of design drbased likes' - which actually makes the activity the opposite of creativity because I leave myself no room for the spontaneity of the human spirit; everything I do has to fit into a category. Recognising that I can just exist in the moment and not as part of some wider narrative has helped me immensely

learn to trust yourself - or, at least, humour yourself until you trust yourself. learning to humour myself is where this all started. I took myself and my point of view seriously, and as such was finally able to stop being embarrassed at being a human being. I approach everything from my own point of view now, and it's wild that I finally understand that that's what being human, being alive, existing is all about.

and here's the big one - or, rather, one continuous and contiguous chain of small ones - I have to actually do what I want, moment to moment. Since I lost the ability to recognise myself as a human being existing in the chain of cause-and-effect, I have to re-establish my relationship with said cause-and-effect. I have to re-attach some neurons, and the best way to do that is with consistent behaviour. I feel something I want to do, I have to do it instantly. The more of a gap I leave, the harder I make it in the long run. I still feel the tug of obligation stopping me from doing what I want to do instantaneously, so this is a long, perhaps a life-long journey for me. but I want that, no matter how exhausting it can get, because every moment I get to show myself love and prove just how serious I am about mending my relationship with myself. One very existentially terrifying thing I've learned is that the medium is the message - the very fact that you're making these gestures to yourself is something that your brain registers. And the simple fact, is, reality feels a lot better when you're directly engaging with it. It's tough, but it's incredibly rewarding and makes life better - remember, you only ever exist in the moment - so thinking of yourself as anything other than in the moment is a form of death of the self. Reinforcing yourself as part of the chain of causality is telling yourself you're alive and want to live.

Make no mistake: I am not completely out of it. I seriously damaged my relationship with my own self-hood and I am sure that I will always be struggling with this for the rest of my life. But how I frame my response to life's struggles is entirely different now - I am making this decision to engage with what I once percieved as the humiliation of mundane life because I can now recognise that for better or for worse, I'm the one living it. I'm the one feeling the feelings and thinking the thoughts and doing the actions. I am the center of my entire perception of the universe, this life is literally my own. I used to think of myself as having some obligation/responsibility to other people and the universe itself - but now I recognise that responsibility is, like, an actual real thing, instead of just getting marks on a test. If I do something bad, that actually hurts real people; and likewise, doing something nice is good because real people benefit. The 'responsibility' comes once again from the equally comfortable and terrifying realisation of my place in the chain of cause-and-effect. As part of that chain, I may have caused irreparable damage to my psyche, but I'm not part of a narrative where I must seek to 'fix myself' - I'm just a human being, and I want to live the best life I can because feeling good feels good, and that's what I want for myself because I care about myself. If I have to spend the rest of my life constantly asking 'what do I actually want right now?' then so fucking be it - because the alternative is a low-level hell of depression and PDA.

I will talk about social media and symbolic states in a reblog of this another time. But I hope this helps - I'm getting better at writing down the stages of what I did to help myself, and it's incredibly gratifying, and the responses I get are validating.

#anon #symbolic states #wisdom posting

14 notes · View notes

dross-the-fish · 5 months

Text

Thoughts on AI I was talking to some people about AI and generally I've been pretty neutral on AI as a tool. I've seen people bring up that it could be used as a good way for disabled people or people who generally aren't good at art to bring their ideas to life and honestly I'm pretty ok with that on principle. I am pretty firmly against AI being allowed to indiscriminately scrape the work of artists without their input or say so and I'm against Ai being used by the entertainment industry as a replacement for actual artists and writers. However what I really want to talk about is the use of AI as a tool, assuming it can be used ethically. I really hate the argument of "It's soulless," or "It's cheating" (used ethically it's just anther medium like photography or collages. Art is not measured by the amount of effort or the tools used. I am really tired of that take) and a particular scaremongering argument I've had directed at myself "It will replace you."

Because I do draw that's the one I get leveled at me the most. That AI will do what I do and do it better so there will be no point to me or what I make. They like to paint artists vs AI as John Henry vs The Machine and I just do not care for it. I think it's reductive to art and to artists to frame the value of art as a matter of effort vs quality of product. AI cannot make what I make because it's not me. It won't create my characters, it can only output what it's fed. The work it creates may be of better quality, more complex in texture and composition, more precise or more detailed but it can never build my characters because it doesn't know my characters like I do. I got curious and tried to use an AI image generator to see if I could make art with it and I could not. I have no idea how to input the fucking prompts in a way that makes something worth looking at and I lost the motivation to learn how to do so very quickly. As a creative outlet there was something so joyless about it. I felt like I was doing paperwork or coding and that's the shit I regularly get paid to do at my soul killing day job. I don't want to do it for fun. Also the intimacy was gone? I didn't feel like I was spending time with my creation and there was no sense of bringing something to life. None of the pleasure of watching a face take shape line by line and filling in the details until my character was looking back at me, imperfect due to the limitations of my skills but still fully realized and in some strange way "alive". Working with an AI generator felt so tedious. Even if I could learn how to use this tool and do it properly so that I get "better" looking results I don't want to. I feel so disconnected from the end product that I can't envision it ever bringing me any kind of fulfillment to make use of this tool. But I think, again, assuming it can be used ethically, as just another tool for making art it deserves to exist and be accessible to people who might enjoy using it to be creative. It's not the process or the software that's the issue, it's the way it's being abused and no amount of people trying to scare me with "AI could do it better than you" is going to frighten me away from preferring to draw by hand.

The point of art is not to be good, it's to create, it's to make something and to bring ideas to life. As much as I have my criticisms about AI I feel like a lot of the language used to condemn it presents a narrow view of what makes art "worthy" and it sets a goal post where none should exist.

Everyone should be allowed to create, and they should have access to whatever tools they are comfortable using and when we talk about AI vs Artists we should focus less on the quality and ease of use and more on the dilemma of using other people's work without consent and the potential for mass production of cheap and lazy products for profit from the entertainment industry at the expense of employing writers and artists.

#Ai discourse

33 notes · View notes

weaselbeaselpants · 5 months

Text

For those curious, I don't got dirt or shit on VivziePop. As I've made clear before I followed her back in 2009 and I talked to her like on devintart and tumblr 1 or 2 times. No, I don't remember what was said between us really or exactly. The tumblr blog I remember hearing back from her is long dead so I have no receipts.

I kinda lost interest in her because her fanbase was way too intense and mean in 2014 (no idea about any of the Dollcreep drama), and because I was also in a soft antisjw phase myself then and reading BadWebcomicsWiki - I saw her being talked about all throughout the forums on that hellsite up and until 2017. I also saw the completely different forum posts made there about Hazbin at the time- which os of course how I learned about the Dollcreep fiasco, frootrollup1, and Angel Dust r@pe art someone did of Viv.

If you interested and/or curious about any personal anecdotes I can remember from the best of memory -these are NOT facts, though I'm happy if anyone else can back them up if u also have memories of this- I can list those out:

-I found Viv through her fanart first and specifically her fanart of Shane Acker's 9. I loved Viv's fanart- it was always so distinct in her own style but still recognizable. Anyone else in the 9 fandom remember that "design a beast" contest deviantart had? Yeah she took place in that. She also did artwork of the stitchpunks inspired by Kinkei's chibi-pinup style. They were not as sexy as that would have you believe. She did fanart for Rango, Adventure Time, Regular Show, Rio, and Cloudy with a Chance of Meatballs. Also remember her begrudgingly liking Tangled after the fact because it wasn't 2D like Princess and the Frog was.

-The first time I saw Viv's characters in comic form it was in a comic where it was Halloween and the ZP gang (Zill, Kayla, Jack, Spam, and Vanex) were trick or treating and got stuck in some dark twisted version of their home. Isn't this the plot to the Invader Zim Halloween episode?

-Ickle!Viv was pretty skilled at drawing animals. Personally I think she still is but this was specifically the thing which stood out about her to me. I really love when she drew/draws animals. I also actually think her creatures look genuinely good, especially the dragon looking ones.

-Viv was ALWAYS so clamoring and adoring of her fandoms, especially animated stuff. Even on deviantart, animation fans are cynical and snarky so it was nice to see someone with their own established style be into movies that other people would mock you for as a teenager or god forbid an adult. Didn't make you feel so alone.

-I saw Viv's ZP gang develop in style from 2009-2013 and I gotta say I liked her og cast so much more when they were teenytiny and children. Zill just looked better then.

-Speaking of Zill, before I saw one of her posts getting mad at people who called Zill a "neopet"...I said her style reminded me of neopets. I was 12! I didn't know and also I hadn't gotten to that one doodle in her gallery at the time where Zill and 2009!Viv were cursing out this blob for calling him that.

-I also personally saw Alastor develop from out of those days, or at least the character who would become Alastor. It was the red black, buck-looking deer from 2006-2008ish who's disc Viv said was "the evilest character in all of zoophobia!!" I know she liked the directtovideo disney sequels and really liked Bambi II. I'm not convinced Alastor and Autumn don't exist souley because of Bambi II.

-I have no proof of it happening on my end because I ended up deleting a shit ton of crap on my old deviantart out of embarrassment and I think Viv deleted her posts about it. But a distinctly remember an artist in around 2011/2012 w I was really into art trades did a trade with me where they drew my 9 oc, in spite of us really not connecting in any particular way or being 'close'. They worked in traditional medium and had he/him pronouns and their art was so obviously inspired from Viv's. It wasn't traced, though- just very Viv-inspired.

I remember watching Viv and also that guy when suddenly Viv and Faustisee made a huge callout graph showing the artstyle and characters that had been stolen from her and she showed that guy's work. I also distinctly remember saying in Viv's journal abt the callout something along the lines of "this is bad, but, this guy is a friend of mine [rlly barely mutuals], he didn't mean it". To which Viv replied with something like: "then tell ur friend that what he's doing is bad >:c". So I did and that's when he told me he'd been told enough by her base how to feel and that he was leaving dA. And he left. and nuked his entire gallery, including his part of art trade, which made finding the proof of this encounter even harder to track down. Because he was no longer there, I deleted the piece I did for him as part of my mass embarrassment deletion.

-There was one other encounter I had personally' with Viv that I do remember and it's only because she was actually friendly to me and I liked that coming from my what was, at the time, a fav artist: I like the 2012 Frankenweenie remake and was really incensed back in the day that people weren't liking it because it is a ymmv-case. One of those people happened to be Viv and I def remember messaging her about how "I disagree with you, hmf" and then having INSTANT REGRET and suddenly spamming her with this way too personal "I'm sorry please don't hate me"-ventrant thing and, for all I know the Viv stans can be overly apologetic, I really do think it was my indiagnosed OCD/ADHD talking there. Anyway, what was sweet of her to do even in a passing way was she was all "it's okay. you didn't upset me but lol yeah ur not changing my take on frankenweenie either".

Viv describes herself as "being everyone's friend" and really- where there are a lot of points now that I don't think she cares if she is, most of the time I think the problem is she doesn't know how mean or backhanded she is. She really does strike me as the kind of person who never grew out of 2000s-2010s highschool and that petty thing were you get angry and lash out at others behind their backs but then sweet up after that, and where you think lovebombing = being genuinely appreciative. And yeah, that's still abusive and volatile. Because, and this is all from a decade ago and an antidote I only recall because it was Viv, but I truly didn't get the feeling that Viv thought I was beneath her or that she was trying to own me buy telling me she didn't like the movie I did. The vibe I got from her was "I don't really care about this but also I don't want you freaking out, calm down".

I rb a bunch of critical stuff (still don't like antiHazbin shit) because, and I still mean this, I do still genuinely like her style and wish I could be in her fandom w/o her stans basically gatekeeping me from being my own fan. I really am disappointed as the fan I am that Viv doesn't take better care of herself, her shows or the people working for her.

#vivziepop critical #helluva boss critical #hazbin hotel critical

26 notes · View notes

koboldfactory · 1 year

Note

Hello! I hope you're well ^^ um.. May I ask as a brand new starting artist, could you give any insight or tips that helped you learn to draw?

Ok I've been drawing for basically my entire life so it's kinda hard to come up with specific advice to help people who are starting out later in life, but here's some that I think will help any artist, new or not. It's a long list so hit the keep reading tab if you're interested in my art advice ramblings.

Draw what you like, and when it doesn't look as good as you want, keep drawing it until you're able to mentally break it down into its basic shapes and improve the form of the drawing.

If you need even more basic skills maybe focus on drawing just the basic shapes first until you can get them consistent! Cubes, Cylinders, Circles/Spheres are all the building blocks of most art (especially character art) so it's important to be able to draw those 3D shapes at different angles and perspectives accurately if you want to be able to do the same with characters and their proportions.

Use references to learn. Look directly at the things you want to draw when learning to draw them. Even trace stuff, so long as you credit what you traced from if you're posting it online. It can open your eyes to stuff you wouldn't think of just by drawing from memory.

Don't get discouraged if your art doesn't look "good enough" after drawing for a few months or even years. Everyone learns at different rates and it takes a very large amount of effort to get "good" at art (even though that shouldn't necessarily be your final goal)

Draw for FUN. The "draw every day" advice only works until you burn out, which will happen much quicker if you're drawing every day. Take it from me, a person who has drawn almost every day when physically possible since they were able to pick up a pencil. Don't get caught up in engagement or social media popularity either. It will just make drawing feel like a slog trying to chase a very very fleeting goal that is more often than not, almost completely unrelated to your skill level and more so luck. I didn't start posting my art online until I had already been drawing for like 14 years (not saying you have to wait that long, just that the internet is cruel and often unhelpful for new artists' mental states)

Just remember you have to start off bad at art in order to get good at it. And it takes time. A lot of time. It's *never* a lost cause at any point. So many people give up before they've even given themselves the chance to improve.

Hope that was helpful and I wish all new artists the best of luck!

#koboldasks

103 notes · View notes

kyomunosaki · 8 months

Text

I started Hypnospace Outlaw

...and I've noticed a few small things that are super interesting, mostly with the idea of tutorialization.

I didn't plan to do a writeup on this, so I don't have any of my own gameplay's screenshots. I remember most of the gist, so I can probably write a few sentences on this topic that really stuck with me. I would've gone back for more screens but I'm feeling very lazy and I might repost this with editing/photos in the future lol

So Hypnospace Outlaw is basically a pre-2K "internet janitor simulator" except that you don't do it for free. You're like a free contractor/PMC janitor, where you get comissions to hunt down certain infringement of internet/Hypnospace law.

The first case is to find instances where the copyright for a 1968 of a cartoon character named Gumshoe Gooper is being infringed upon. I found this case to be a phenomenal tutorial for both the game mechanics and the philosophical(?) questions the game wants to ask.

Gumshoe Gooper (Hypnospace Outlaw)

At first upon getting this case, I was still grappling with the game mechanics, exploring the Windows 98-ass interface with the skill of an old man in a nursing home. At the time I entirely forgot about the search function, so I just explored by going through various web portals and webrings, a la Geocities.

I found a lot of interesting sites that I don't really have the time (nor screenshots) to talk about and do justice with, but there's a lot of awesome things to find in Hypnospace if you're willing to just take time and look around. I do want to possibly talk about that later if there's interest.

After just stumbling around the internet and remembering how hard it is to find stuff through web portals, I remembered the search function existed thanks to one of the sites I ended up on having tags that open up the search window. So I searched for "gooper"

You find 3 sites from that search, two from AbbyWrites58 and another from another woman who's name I can't recall right now. The first site is a typical late 90s personal site you might find, for a first-grade teacher. It contains mentions of memorials to dead lost ones, a Hypnospace Heaven or something, and is part of a "Spirituality" web ring, but otherwise not much to note. The first link however, is a link to "Drawings of Gumshoe Gooper by my first graders"

Webrings on Abby's World (Hypnospace Outlaw)

On the link, its filled with pencil/crayon sketches of Gumshoe Gooper by a bunch of children, but also 2 gifs that seem like legitimate copyright infringement. I still felt apprehensive about reporting this page to the Hypnospace Enforcers, because it felt like a teacher just wanting to share the work of her students and I was hoping to find other violations to fit my quota. Regardless, even if I were to fill out my quota there were only 2 very clear examples of copyright infringement on the page.

So, I went back and checked out the other site by AbbyWrites58, and this one was... a political support website for a local politician? Who was seemingly a politician that had different views than, I, the player did? And she was using a GIF of Gumshoe Gooper saying that he supported her? I didn't have much hesitation just hitting her with the copyright violation on this page.

The third page was just another site but with an official Gumshoe Gooper strip posted on it. As you can tell the rest of this essay is lazily thrown together and just a retelling of events, but I do not remember the exact details of the page. I just remember still feeling apprehensive about reporting stuff on the page with children's art, so I think I reported that strip.

I still hadn't reached my quota of 3 violations reported, so I begrudgingly made my way back to the initial site I had landed on in my search. I decided to report one of the GIFs, and didn't feel too bad about it since while she did teach first graders I did find her political views somewhat, off-putting. I was going to make my way back to the case page to finalize it, but I got a notification on the not!Clippy software, telling me that if I find more violations I could get a bonus on closing the case?

A child's drawing of Gumshoe Gooper (Hypnospace Outlaw)

So, I decide to report the other GIF on the page as well, and look at that: more money. And then I have a dark urge to test something out. What about this first grader's art? What if I file it for copyright infringement, what would happen? Would the kid get in trouble? Will the teacher get the blame? Did the teacher even deserve any blame? Well, I hit the report. It works. So I go through the page, filing every crude drawing of Gumshoe Gooper by children as a violation of copyright law.

I get a lot of money, and I don't feel too bad after learning more about AbbyWrites58. Besides, the other members of her webring were openly fascists! That sort of association makes you liable to uh, getting in serious trouble over copyright infringement of a 1968 cartoon character right? It's just my job! I needed to hit the quota! And what if I flag her account to the authorities, her account with her location and other personal information tied to it?! What is the worst that could happen, and maybe I would feel a bit more bad about it if her political views weren't so, wrong?

This sort of self-justification I found myself doing just felt fascinating. It was some of the most engaged I felt with a game's narrative in so long, and it's only been made more fascinating by later cases like even the one just following this with ZANE_ROCKS_14. If you liked this post, maybe I'll actually try to edit this one down properly and actually take screenshots too. Regardless, if you got this far thanks for reading!

Edit: I can see how this makes me look like kind of a dumbass but I guess what's more accurate is "what her political views were being signalled as" is more accurate for some of the stuff I say above lol, but I'm too lazy to edit the post more than this

#hypnospace outlaw #ludonarrative #game tutorials #essay #video game essay

40 notes · View notes

thoughtfullyrainynightmare · 7 months

Note

why do you love/like fuegoleon so much? / gen

Hiya! ^^

Honestly, I think this is a very good question to ask, because, one, it gives me an excuse to talk about him, but also get into a discussion why love him when the heroes of the series are other people. And... I'm not sure how long this will be, but perhaps it's better to buckle down.

Though, in a sentence I would answer: "Because of the vibes"

But. Let's get to the long answer

Admittedly, from the point of view of the grand plot, he seems to be a bit of a Sexy Lamp(tm). Meaning that he has no great contribution to the story as a whole, at least not until this point at least. Some of the criticisms I have seen about him include "[him] not being able to teach Asta about antimagic/devil union/ fighting". Which I think is unfair to use as a source of criticism because, well, Fue doesn't use antimagic. No other character uses antimagic. It's be the same as asking a Water Magic user to teach a Fire Magic user. The affinities are profoundly different, so it'd be incredibly difficult to teach someone with a different affinity from your own properly, or so I imagine. Sure, general guidelines and ideas could be discussed, and some techniques that involve mana, and not the magic type itself, are doable (an example would be Yami (or Sukehiro) learning about using mana zone in another way from Mereoleona). The reason why Yami is the best suited to teaching Asta in the beginning is because Yami teaches about ki which is a different concept, and gives Asta something, a foothold, into a fighting style. And the same applies to Devil Union. Fuegoleon doesn't have a devil. He's not affiliated with Forbidden Magic or the dark arts, so he's not suited for such a mentor. When it comes to not teaching Asta fighting, I think the most important aspects are that Fuegoleon was in a coma for the majority of Asta's early journey, and even during the times he was around, Asta wasn't his (Fue's) underling. We don't see Captains of different squads coming to mentor/teach other squads' knights. So, there is no reason for Fue to have undertaken this feat.

"He had one job and that was to keep the magic stone safe, and he failed". That's another criticism I have come across, and... I don't think people realize the situation there was. Sure, Fue lost his cool for a second, which against a Light Mage, is more than enough for it to be a fatal shot. And, Fue recognized his peer! Someone he trusted to keep the kingdom safe. Someone very high in the hierarchy! Of course he was taken aback by the betrayal. And the thing about betrayal is that it never comes from our enemies. Betrayal comes from our friends. So, him having that moment of shock doesn't make him weak. It makes him human.

Personally I've been drawn to determined, charismatic and intelligent characters throughout my life, and he is that as well. Yes, he is a bit aloof at times (the degrees depend on if you follow the manga, or anime, or take into account both of them), but he is still intelligent, charismatic and driven. He is a proper gentleman, but he is also a warrior, and a knight. He's level headed in a battle, and does know that hesitation and wavering can be fatal in a field of battle (which brings layers onto point 2). Irony is one of those layers.

He genuinely cares about his knights. This can be seen from how his knights defended Fuegoleon's efforts and dedication to Mereoleona, who accused the Lions (and Fue) of slacking off after the Star Festival. It's been established that Mereoleona is a force to be reckoned with, and that the Lions, are at least to a degree, afraid of Mereo. Plus, Mereo was the authority figure there. And the Lions, with Leo taking the lead, talked back and defended Fuegoleon. So, the Lions must really, genuinely, feel that Fuegoleon cares about them through the time and effort he puts in training and honing the Lions' skills, along with his own.

Fuegoleon is all about growth and looking into the future. The ideology of: What matters is what you choose to make out of your life. "Being weak is nothing to be ashamed of. Staying weak is." I find this incredibly inspirational.

He is resilient as hell, and willing to put the good of the kingdom before his own. I cannot properly describe the backbone he has to have, for him to be able to still serve the kingdom that overlooked his dismembering! He is still there! As a knight, and working side-by-side with the man who did dismember him! (Or at least looked through his fingers when his body was doing the deed. Granted that William's story is a whole different post and analysis, but this is about Fuegoleon's point of view.) The person who was pardoned by the system which they both serve! A little slap on the wrist to William, while Fue is there without an arm! Constantly at a disadvantage by having to use mana and concentration to have two functioning arms! Which probably is required for him to use some spells too, so he needs to first cast mana to make his arm move, which then fires a spell. Layering a spell on top of another, essentially.

The fact that Fue is able to uphold mana control and concentration constantly with his arm is really cool, and speaks of his skill level.

Tabs hasn't given him a Spirit Dive, which is Tabs having done Fuegoleon dirty. Must protect. Canon is doing Fue dirty. Fue is my poor little meow meow (kinda) /lh

He is genuinely a good guy. He wants the best for the kingdom, and its people. He's someone who always tries to do the right thing, and works for it. He puts in the effort and the hours, and really, really, tries hard. I just want to kiss his forehead and tell him that it's okay to take a break at times too. Because he must be tired. Physically, emotionally, and mentally. And still he tries, and continues forward. With the stubbornness of a lion.

He's handsome! <3

Thank you for coming to my TedTalk ^^

#anon flamelets #fuegoleon vermillion #black clover #fire vermillion month #this fits the theme of the month so why not tag it as such #thank you for the question!

24 notes · View notes