Healing Light

Something I was curious about is that you say Hazbin and Helluva don’t follow religious or biblical accuracy, but you seem to forget that it’s not supposed too. It’s Viv’s own spin on biblical things so of course it won’t be biblically accurate.

I’m not trying to be mean or degrade you in anyway I just don’t get why you think it needs to be accurate to religion.)

Because Viv's spin on the religion and its figures is like this

It shouldn't need to be said but I'm seeing a lot of vitriol towards Ashton about their actions and I have to say I don't agree with them.

At the clock tower Fearne brought up the shard, stated that in her opinion Ashton should take the shard because she didn't want it. Ashton decided then as a result they'd take it, but because it was an extreme risk made very aware to them all they knew the other Hells wouldn't allow them to go through with it. Ashton asked Fearne if she was okay with both of them going together alone with the plan, reiterating that they didn't want to put this on Fearne, that if they died Fearne would not be to blame, and that they have no intention of dying, and Fearne said yes.

Fearne having second thoughts at the Ziggurat was just worry, because she cares deeply for Ashton, Ashton kissing her was not manipulation either; it was letting go of fear, having no regret with the person they also care deeply for and taking the risk. And yeah, it was frightening, 10 rounds of perpetual fiery near-death situations and one actual death situation; Laura is fuming, Ashley cannot look, Liam is playing Mad World on loop in his mind, even Matt is completely on edge, but they survived. Accusations that Ashton manipulated Fearne to selfishly take the shard seem to misinterpret the shard saga as well as Fearne and Ashton's characters, they will get a very intense amount of chastising for sure, but it will be out of love, out of the fear that they were going to lose them, not because they thought Ash was manipulative.

pjo fans who are giving the show criticism vs. pjo fans who think the show has no flaws FIGHT!!

okay actually i am curious about something so i'm going to redo the trans swag poll with only characters who are not canonically trans. i need you all to live in the headcanon space with me. if you pick "other" and then put ashton or molly in the tags you are missing the point and should vote in this poll instead

once again disclaimer this is based on my own criteria in my head that i will not tell u, if ur fave (non canonically) trans swag character isn't on here tell me in the tags! i wanna hear about ur headcanons they're fun

Todd Haynes on Mandy Slade

OM: How did you come to cast Toni Collette as Mandy? She doesn't strike me as an obvious choice for the role as it is written; her most famous part was in Muriel's Wedding where she played the podgy, Abba-obsessed ultra-hetero outcast.

TH: Mandy was the hardest part to cast in the film. It's a particularly demanding role due to the range Mandy has to display as she changes from the seventies to the eighties. This type of camp female character has basically vanished from our cultural landscape, as far as I can tell. The closest equivalent today is probably a Parker Posey-type character, but she's still quite different from the Liza Minnelli of Cabaret or the Angela Bowie of the glam era. Mandy has a theatrical, campy party girl persona that can be turned on and off at will, and owes a great deal to the gay male sensibility of the time. I think women around the world were liberated from all kinds of highly codified notions of femininity when people like Patti Smith entered the pop cultural arena. It had such a profound effect on women but girls today have no memory of that kind of camp femininity.

I saw so many strong actresses for Mandy, both in the US and the UK, and it was really tough to find the right one. We came close a few times, but it wasn't until I met Toni that it all clicked. I had no doubt about her acting ability, but the question was how to transform Toni Collette psychically, both for the camera and in her own self-regard into this very different, very confident, overly sexual creature. She really had to go off the cliff; I'm sure it was terrifying. And what you see in the film is such a transformation, such a complete commitment to the role that she almost becomes unrecognizable as Muriel in Muriel's Wedding. After a certain point, nothing was too scary for Toni. What you get with the character is what you get with the actress playing her - this range of changes and the effects of various cultures and various experiences on one extraordinary woman.

OM: Although the script informs you of Mandy being an American bisexual who reinvented herself, you get the sense of invention fully in the scene where she presents Brian with the divorce papers. She breaks down and you see the façade in a seventies context. It's a very moving moment and it's contrasted with Brian's coked-up emptiness. What did you discover in your research about the 'back-stage' women of the glam era?

TH: I guess Mandy's basic expression of real needs is made more vivid by that scene, but the beaten-down, hard-boiled Mandy of the eighties gives you the framework for that. She was definitely one of those people who was feeling and hurting and acting out at the same time. Often the casualties were the women of the male rock world. I really feel the film builds and develops complex sympathies for Mandy that you won't necessarily feel going in. The character is loosely inspired by aspects of Angela Bowie, and it's very easy to make fun of that kind of pop creature after the fact. But in all the books I read there was no argument on how fundamentally essential Angela Bowie was to the invention of Ziggy Stardust and to glam rock in general. She inspired risk-taking and flamboyance to a degree no one else can claim credit for. It wouldn't have happened without her.

Source - "Superstardust: Talking Glam with Todd Haynes", Oren Moverman.

Photo source

Emphases my own :)

I’m thinking about Callowmoore and about how I feel like one obstacle to them being together is how much Ashton cares about what everyone thinks of them

Hear me out!! We know Ashton is our punk rock, but literally everything they do is about going in opposition to people to be continually seen and respected as rebellious, and I think that DEFINITELY includes his relationship with Fearne

We’ve already seen it with the comment of ‘I’ve always wanted a sister’ amongst other little gestures, and I think that is entirely down to Imogen and Laudna being so not-subtle about their shipping

So yeah, now I’m imagining Fearne coming to terms with her feelings and wanting to pursue them, and Ashton honestly kind of fucking her around a little bit because they’re so self conscious, and Fearne eventually saying something like ‘stop caring about what other people think of you and just do what you want to do, I’m done until you decide what the fuck that is’

all i've ever wanted is to make something fucking last

anywhere with you - maggie rogers

i love your art/redesigns! i'd love to see your take on hoodude voodoo, i think he's such a sweet and cute character but his lack of pants has always seemed…weird, especially considering he has a jacket LOL

I had SO much fun with this one!

I love Hoodude but his backstory is atrocious. So rather than being Frankie's attempt at making a boyfriend, he is instead their attempt to make a sibling after they get jealous of hearing all their friends talk about theirs. He does live with the Steins, and they are raising him alongside Frankie (as well as another certain steam powered robot, but we'll get to that.)

Mr. Stein was studying him as there had been reports of a Voodoo doll that was showing signs of life, and he wanted to get to the bottom of it, having created life himself. After trying and failing, Frankie snuck into his lab and started talking to it. Feeling much more comfortable around them, Hoodude began showing signs of life, and the two eventually struck up a friendly conversation. After alerting their parents, preparations were made for him to settle with them, and eventually start at Monster High. Before that, Frankie enlisted the help of Clawdeen to help freshen Hoodude up and make him look more like himself. So after cleaning him up, dying his fabric blue, changing his eyes to his two favorite colors, and giving him some slick blue and red yarn locs, they dressed him in the sweater Mrs. Stein knitted him and started his first day at Monster High.

It didn't take long for the superstition surrounding voodoo dolls to spread, and so like Scarah, the student body became immediately wary of him. Being outcast for similar reasons, he and Scarah became quick best friends. He tries really hard to strike up a friendship with Jackson, given how different they both are from the other students and are also both being bullied by Manny, but Jackson does his best to resist. That is up until he's clued in on the fact that Hoodude is essentially Frankie's brother and he can use being friends with him as an excuse to get close to them. That plan ultimately fails, but the two do become actual friends in the process.

He's a HUGE Veronica Von Vamp fan, and his favorite animals are love bugs ❤️🪲

Do yall like, know how to enjoy something w/o constantly criticizing it? don't you want to enjoy something-- anything for what it is? if it gives you joy and makes you happy, you dont have to be critical and pick a part about it to be a 'real' fan of the thing, or to show you're aware of the whatever problems it has.

just liking and enjoying it is enough.

I think what I love about the 3x14 "To pain" scene so much is that it's not as much about the Lady Bone Demon and MK being motivated from the same place, as it is that their intent doesn't matter. It's full on doomed by the narrative—trying to do right or wrong, it all only leads to one thing: to pain. That's the inevitable end. Both MK and LBD "fight for what they think is right", but they're also both doomed to cause more suffering, and that's what makes them similar.

LBD thought she could end all suffering if she created a clean slate, and MK thought HE could end all suffering if he just stopped LBD, or Spider Queen, or DBK. But that isn't possible. You can't prevent pain, or change past mistakes, or fix the world. All you can do is move forward. And you can still love a world filled with pain and suffering. You can still love people who cause pain and suffering.

i think the way sans wholeheartedly supports papyrus through everything is really sweet but also very interesting for both of the characters, because i don't think sans is trying to humor him or is 'afraid to hurt his feelings' like many might think, i think sans fully trusts papyrus's own decisions and if he's ever wrong he can figure it out himself and grow from it, if anything sans really respects papyrus's choices, he doesn't think papyrus is making a bad decision by trying to be a royal guard, his brother knows himself best. papyrus also... doesn't have that much support from anyone else, sans is his only family and he barely has friends at all, i think for sans it's more important that papyrus feels supported than anything else, like i said, if papyrus is wrong about something? that's alright, he'll be okay, he'll learn from the experience, and his brother will be there for him. but for this situation, it's more important for papyrus that his brother believes in him when nobody else does than being told he's being 'naive'

The new eddsworld episodes dont work because they arnt writing them in a format. Its literally “uhh lets do a beach episode, and we will put beach related jokes in” every beyond episode feels circled around the bits (that often fall flat) rather than telling a story.

It was dreadfully obvious to me that surf and turf part 1 and 2 were NOT written at the same time 😬…

Thats why i think the comics are superior. The writing team can make funny jokes. But not episodes(stories) everything (minus the animation) lacks a-lot of enthusiasm and passion

i feel like i've been kind of spoiled by how nice people are to me online but i can now add my voice to the fact that leaving casual criticism in the bookmarks on ao3 is kinda a huge bummer

also maybe the person i encountered is unique but do people bookmark fics they clearly don't like? what is happening there. why is happening there.

It's been a while since I last thought seriously about Dr*gon A*e (even prior to falling in love with BG3) and I think a big part of that is I'm not as big a fan of the setting and the worldbuilding as I used to be. Like to me it really does feel like BW looked at typical fantasy settings and went "hmm okay but what if there was Catholic-enforced racism and abelism". And like. Cool thought experiment bro. Do we really need three games made by primarily white guys about that.

I actually much prefer a lot of how studio VOLN is handling Blue Exorcist over A-1, I know not a popular opinion in areas and get the places people say looks off but the vibes and heart is so good? also there is a lot of amazing shots and imo calling Rin "ugly" in it is an exaggeration to me, there's some wonky shots but there's also SO MANY he looks great! I think sometimes people forget that A-1 had equally bad shots and design choices like I think a lot are looking at the older seasons through rose colored glasses personally! not to mention they ruined a lot of scenes and how they changed them/adjusted them in their adaption that to me affected characterization and making some of the cast look almost dumb in a situation the manga version shows was more serious and dire!

ultimately my view has been: I'd rather an adaption feel like the heart is in the right place and the characters feel like themselves vs everything being pretty all the time and would rather deal with a few wonky shots of characters over a bad representation of a story and characters I love! visuals are not the only thing that matters to me ever