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#i am all about the REPRESSION so this concept is ~doing it for me
weaselshaped · 5 months
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Hmm I need to make another embarrassing gender post but not right now I think
#Embarrassing in that like. I mean it's all embarrassing. It's embarrassing to have spent this long missing the point#And to talk about that in public. I am 27 years old and I have id'd as nonbinary for almost a decade and yet I could not refer to myself#as transmasc or incorporate that meaningfully into my self-concept until like. This year. Due to... REASONS???#I literally don't even know! There IS no reason! I just didn't want to deal with it because it seemed harder than resigning myself to being#mistaken for a woman for the rest of my life??? I guess???? Stupid and cowardly tbh#Meanwhile tying myself in knots over like. Disproportionately identifying with queer men in fiction and deciding this was some sort of Crim#'Here is a thing that transmascs often do. Not me though I'm doing it for some other reason' I wasted SO MUCH TIME on this#It's not even really important i just invested a lot of energy into repression for WHAT. and like also on the internet the way I have#described myself over time is like. I am probably revealing some embarrassing things about the way I have engaged with my relationship to#gender that were not apparent until I started getting over myself/moving on from that bullshit. So that's great#I don't know man I would like to feel unequivocally good about sorting my shit out and finally doing what needs to be done#but mostly I just feel like I took too long and now I'm making myself look like an idiot. Idk man. I suck actually!#Oh look I basically did make the post anyway but as tags. Extremely me behavior
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Thinking a lot about Mary moving on…
I love how it was handled, for although while the ghosts talked about it a fair bit, I didn’t actually think the show would go there, and I think it was portrayed really well. It makes sense for Mary’s character development, especially given that she mentions in 2x4 that she ‘dreamed of the day when [she] would be sucked off’ which makes this a happy ending for her, but it still hurts so much, and I don’t think i have even fully accepted it yet.
I am a bit unsure as to whether her moving on was something that almost randomly occurred or whether it was due to the fact that she was healing from her trauma in a ‘unfinished business’ type way. I am leaning more towards the former just because of the actual timing of her moving on, although it did happen quite shortly after some huge character growth and development within the season.
I do love the thought that her healing and sharing her trauma and finding her voice led to her moving on, but the implications of that are very hard to accept, because it means that any growth or development of the characters could lead to their eventual sucking off, and that is so hard to think about. It implies that the Captain learning to let go and express his emotions and accept his sexuality will mean that he will move on, or Kitty coming to terms and accepting how her sister actually treated her and finding a new family in the ghosts leading to her moving on, and that is so overwhelming to think about because I really don’t want any more of the ghosts to move on. I know it is an inevitability with the actual rules set within the show, but I really love these characters and I would hate for them to not exist anymore.
If moving on is a more random process, which I am inferring it is given how it just *happens*, then it means that none of the ghosts will necessarily move on if they change and grow and develop, which is comforting because I really want to see them all learn and develop without the knowledge that all this change is bringing them closer to not-existing, because I feel like that means I can’t enjoy their character development as much, or appreciate how they are all growing as people. I want each ghost to personally grow, but also to be able to sit and exist with the growth without it meaning that they have to leave the world behind for good.
Mary was, in my opinion, the perfect character to move on, not only because of her amazing recent character development but also because of Annie, because Annie was her best friend in a way that none of the other ghosts were, and so in a way it felt right for Mary to go with Annie. Also while I am sure a lot of ghosts would like to move on (probably Robin especially, definitely not Thomas tho), Mary has explicitly stated her desire to move on, which makes me happy for her since she got her desire, even though it is terribly painful to watch. Being a ghost is it’s own specific form of torturous existence, but it also allows the ghosts another shot, and they have become a family together, and I really don’t want to see anyone else move on.
#i am feeling a lot of very complicated feelings about just the concept of moving on and i wrote this post to help me make sense of them a#bit so sorry if it doesn’t really make sense#bbc ghosts#bbc ghosts spoilers#bbc ghosts season 4#like I completely understand that moving on is probably what many of the ghosts want but it is so scary to think about#especially with my favourite characters - like Cap has had so much development and growth over the seasons and I really don’t want that to#mean that after he comes out he will move on because to me that cheapens the development if that makes sense#i would love for Cap to be able to talk openly about his sexuality and express himself fully#but not at the expense of his existence as a ghost#and that is applicable to all of the ghosts but I am thinking about Cap a lot because he has a lot of huge character development throughout#the show and has a clear path of development that we as the audience can see because he has three main issues that have been clearly defined#throughout the show (which are all interlinked to some degree) - 1. his inability to express and fully accept his own sexuality 2. his#difficulty letting go of the war and extracting himself from his role in the war and 3. his general repression of all emotions#i do think that there is enough evidence within the show for me to say that the actual moving on is fairly random because yeah mary moved on#after she was able to share her story and find her voice and all that but she actually got sucked off on a random morning and so did Annie#anyway yeah just thinking about it a lot because i have seen a lot of people talk about it
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kerorowhump · 11 months
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#keroro#i love this. she is me. i can live my unbridled amounts of cute aggression towards him THRU HER#i literally need to do this irl#like i just skimmed ep 64 bc i was curious about this trauma switch thing and ive never wanted to grab him and whack him around more#in an affectionate way not because im mad at him oh no. i understand him so deeply. i feel him. i know his most inner psyche.#and he inspires unrecorded levels of senseless violence in me#me in my little ignoramus bubble writing a 4 pages dissertation on his character anyway bc like. i get him ok#his deep seated sense of guilt that he's constantly fighting against. that he needs to repress and deny in order to function.#his fear of abandonment. fear of never being enough. not being able to make up for it. for himself. thats why hes self sacrificing#his selfish childishness that comes from not having been allowed a lot in his youth. taking friends for granted in his past but knowing -#you dont fit in with them. constantly apologizing for yourself. taking space. too much. self indulgence. because friends is s scary concept#and yet one you couldnt survive without. letting them walk all over you. denying your anger. your fears. crawling back to them with a smile#at their feet and biting time because what you really want is friends. company. but you think you don't deserve it. deep down.#maybe u dont. your worst reminder the friend you love. and if they ditch you it's deserved. you don't need them (you do)#why am i rambling!!!! he has ruined me. if im wrong dont even tell me bc i prefer this version in my head anyway#*charlie voice* look at me. psychological trauma up to here#im not saying growing up poor with a father that shames you for your interests and ''disciplines'' you made him selfish but. no yes!#i am saying that. bc i know how it is. growing up with friends that have a lot that u can never afford. u feel guilty just being with them#ok we strayed a lot from the og post which is just me saying I WANNA PUNCH THIS GUY SO BAD (he is me)#keroro gunso
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officialspec · 3 months
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can you pleeeeease post your dm sexuality/gender hcs on here.... 🥺 i don't have a twitter but i wanna know. it's like a pandora's box to me now i'm like scratching at the door. let me in
heres the link 2 the thread (mild spoilers btw) ill post a transcript under the cut for ppl who dont have twitter
first off i think laios relationship to sex is super removed for like 50 reasons without even getting into his actual sexuality
he grew up in a place with very repressed ideas about sex and has a lot of fear about asserting his presence in situations
his special interest takes precedent over any social interactions he has and the level of closeness he feels towards people
he has a hard time figuring out his feelings towards other people both bc hes autistic and bc he has freaky deviantart fetishes that make sex in his mind a very abstract concept <- this one is me projecting mostly
that aside, i feel like gender-wise hes attracted to ppl so infrequently it may as well be entirely case-by-case
the idea of him being gay appeals to me from the 'raised with traditional values he Does Not fit into/hasnt begun to question it yet' perspective, i lauve characters who put a lot of stock into performing a role thats expected of them and fail miserably for unknown (gay) reasons
from his perspective tho i dont think he would ever really label himself anything. hes going to pride parades in the shirt+shorts Ally Fit to clap for his friends
hes also 'cis by indifference' imo... i love tmasc laios hcs it just doesnt mesh w his personal history to me. i do think hes got some kind of therian gender thing going on (not trans or nb but a secret third thing) but i cant see him changing anything abt his appearance/pronouns to accommodate that post-canon. hes just doin his thang
falin is in a similar boat for gender. i LOOVE tfem falin but the village repression thing has been bugging at me so i dont think i subscribe to it anymore (canon purist sorry) BUT if u hold that hc i am clapping and cheering regardless
instead i was propagandised to a while back and i LOVEEE the idea that being fused w a male dragon and the residual traits she has after being revived have given her a type of gender euphoria she didnt realise she was missing. a little boygirl swagger if u will
sexuality-wise i also dont think she would care to label herself, shes a lesbian by virtue of only being interested in One woman and zero other people. without marcille i do think shes still exclusively attracted to women, and i like to imagine she might experiment around a bit during her travels post-canon (pre-relationship). hearing abt it might put marcille on the news though
marcille is very simple That is a transfem lesbian. she cant get pregnant, shes obsessed w being femme and all that combined w her half-tallman struggles to be seen as 'properly feminine' by elf standards reads very transfeminine to Me. also her bookboy crush REEKS of comphet its not subtle
i think a more comfortable marcy might have the space to experiment w being elf butch like her manga boys but thats mainly self indulgence for me. utena could have saved her
senshi is gay his whole thing is abt not being able to perform dwarven masculinity to a proper standard (soft hearted, not as strong or rugged as his peers) which is like gaycoding 101. also hes a bear. homosexuality be damned by boy can work a grill
adding onto this i rly think senshi got some type of euphoria from being an elf in the changeling chapters. he was feeling himself so much i think he was using it as an outlet to have fun being a little fem and fruity without needing to justify it. do u understand
i dont have any particular opinions abt him gender-wise beyond that. his bulge is an essential part of his character design but i also saw a transmasc senshi a couple days ago that made me nod my head thoughtfully so i could go either way
chilchuck is cis and bisexual this is just canon. not even just his old man crush on senshi altho i do think thats very funny but they put his ass on a cover themed like hes in a dating sim with all the men and women in the cast and then slapped it in front of a chapter called "bicorn". i simply cant pass up that kind of overt signaling. its so fucking funny what else is there to say truly
izu to ME is a transmasc aroace lesbian (this one has the least basis in canon i just know it to be true) shes a little genderfluid with it nd uses he/she i think. i like to imagine she consistently uses masculine personal pronouns to refer to herself either way tho (boku, ore)
i think izutsumis gender/sexuality is entirely secondary in priorities to her body dysphoria. she has a lot of learning and acceptance 2 do before that kind of self discovery is on the docket and in my mind eschewing gender on some level is part of that. get sillay
shuro is cishet but at least he feels bad about it. next
kabru is a transmasc bisexual this is also practically text. his whole thing of being treated like a doll by milsiril to put in pretty dresses, plus i think it would be pretty easy for him to stealth in the west since tallmen are seen as inherently more masculine than elves
(i also think changing genders is just more common for elves. theyre androgynous enough that it wouldnt be hard and like who in their right miiiiind would be the same gender for 500 years. dwarves too)
i think he started presenting as male socially in the west but didnt need to consider medical transition until he moved to a more mixed culture where other races might see him as a woman
i dont have to explain the bisexual part. have u seen him
namari is a butch bisexual this is just canon straight up. shes not transmasc but i think the default settings for dwarven women is like 4 years of T regardless. shes a hit at all the local cruising spots despite her renfaire nerdisms i know this
and just bc im thinking abt em kiki and kaka are identical and kiki is tfem :} theyre both attracted to women but kaka is a sub so i forgive him
THATS ALL 4 NOW theres a lot of characters so i cant have thoughts abt all of them at once but i hope this was good. im right about everything forever as per usual
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jupiters-galaxy · 8 months
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I've seen some people criticize how quickly Peter and Steph fell for each other (to the point of being the thing they treasure most), and while I do understand some of the criticism, I think there are a few key things that some people aren't picking up on.
-Treasuring each other IS NOT strictly romantic. While it's true that Peter is in love with Steph, and Steph with Peter, it goes deeper than their repressed love story. They ARE friends. They do genuinely like spending time together, although their connection is relatively new. They care about each other as people first; neither of them seem like they NEED to be in a relationship with the other. They seek each other out even when they're just friends.
-It's also important to remember that the lords in black only want treasured things in the metaphorical sense: they can't give up OBJECTS. It presumably has to be a person or a concept.
-It's important to remember that both of them have been through an unbelieveable ordeal. Peter's closest friends were murdered. Stephanie lost her DAD, and although they weren't close, that can't have been easy to stomach. I cannot stress this enough; Peter and Steph quite literally have no one else left. Peter has no other friends. It logically tracks for him to be attached to Stephanie, as she is someone who experienced the same traumas as him. From Stephanie's angle, she doesn't really like her friends, and since objects are out of the question, Peter is the only person who she feels truly knows her. He's really the only option for her, even if her feelings are confusing.
-I also want to point out that you can really kind of feel them falling for each other, although it is admittedly subtext. Peter is weak to Steph as early as the opening number. He does out of character things to make her happy; a compliment from her makes his day amazing; he faces his biggest fear in hopes of seeing her at Pasqualli's. Stephanie cares for him from the first day they meet, although her care is a lot more ambiguous. She teases him about how he's into her, but at the same time, she's protective of him, feeling horrible that he got beat up and wanting to stop it. Even beyond that, she's inclusive towards him, inviting him to hang out with her simply because she likes his company. Her attraction to him makes sense: we know that Steph has a thing for funny and smart guys, and Peter's geeky snarkiness ABSOLUTELY fits. Their relationship is one that just makes a lot of sense!
-Their relationship is actually portrayed really realistically near the end. They're not intense about their love, nor are they overtly sexual. In NPMD, they don't even kiss! The furthest they go is dancing close together and having conversations, cautiously stepping into a new relationship that they mutually want. Despite the heavy nature of their confessions in As Cool As I Think I Am (Reprise), the payoff is not drastic. The confessions were likely only so heavy because they both thought Peter was about to die. Of course he would go out detailing how he loves her, and of course she would say it back; their last memories together should be good ones. When faced with normalcy, they progress as most teens would.
-At the end of the day, they're two traumatized teenagers who already liked each other before the trauma. It makes sense that they feel like the other is the most important to them; after all, Grace is the only other survivor from their group, and they're thinking about her in a less than favorable way past Richie's death, if not sooner than that.
This is not to say they're perfect, but I think their portrayal was really sweet and a joy to watch. I think the implications are extremely interesting idk!! I love Peter and Steph, I think they're more nuanced than they're getting credit for. I love to see cringefail nerds getting badass and amazing girlfriends, let me have this!!!!!
Anyways yeah that's my hot take. One of many. NPMD is consuming me someone help
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absolutebl · 2 months
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This Week in BL - The Industry is Having Issues But the Spice Spicy Must Flow
Organized, in each category, with ones I'm enjoying most at the top.
March 2024 Wk 4
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Ongoing Series - Thai
Two Worlds (Thurs IQIYI) eps 1-2 of 10 - One of those "he's dead Jim so time travel" thingames starring MaxNat. I'm over this concept but I do enjoy MaxNat. Phupha (Gun) and Khram (Nat) love each other but Phupha is murdered. Then Khram is pulled to a parallel world where, years ago, Khram and Tai (Max) were in love. However, Khram was killed by Tai’s dad. Now Tai finds alter-Khram. But then there is ALSO an alter-Phupha to deal with. (Phupha is played by Gun Thanawat who was Khom, the repressed butler bodyguard from Unforgotten Night. We like this, but we scared of the love triangle aspect.) Did that make sense? Yeah, okay, see what I mean?
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Initial thoughts?
The subs are troubling but I’m enjoying this show a lot. It’s nice to see MaxNat get something meaty to sink their teeth into - that’s not just each other. Also it’s so smart of them to give us a fully fleshed out entire episode developing the alter romance rather than just a separation + death. It makes Khram’s grief and motivation that much more believable. Also it’s really nice to see Nat have good chemistry with other actors. 
Deep Night (Thurs iQiyi) ep 3 of 8 (10?) - I'm still enjoying it. But Two Worlds is objectively better. So this one has lost ranking. Also, unexpectedly chili (the name of my heavy metal Thai cover band).
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Lovey switchy and verse main couple too.
This is all quite pleasing.
The bit where the hosts pretend to be a BL couple actor ship was epic on so many levels.
Also unsettling.
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All sex work is performative, and in a way there is something more honest about this depiction, in this setting, than what BL actors are made to do on the promo circuit. Which then begs the question, how different is BL from sex work? That's the unsettling bit, for me anyway. Not to slam on sex work AT ALL, we pro-the-true-pros on this damn blog, but actors have been shaded by association with True Professionals for a very long time and BL has already had one epic shut down in this regard. (See the PerthSaint scandal around Love By Chance, no I will not explain.) Where was I? Oh yes, so anyway, see the Gossip section for the part where they better be paid either way!
Also, since I'm a warped fucker, I found this scene funny.
And then hilarious when all of those BL tropes were just trotted out. Like a greatest hits reel.
Truly beyond meta. (How Absolute BL of them.)
Note he’s even standing in yaoi's patented "hands in pocket with the shoulders back"? 
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Meanwhile, the gayest bridge in Thailand made its quarterly appearance:
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And lip serviced was paid to the most touristy romantic things you can do in Bangkok.
And I mean lip service literally. 
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To Be Continued (Thai C3 Thailand grey) ep 5 of 8 - I’m still enjoying it but getting more and more nervous. We getting too close to Promise territory for comfort. EXPLAIN Ji’s reticence well and do it now or risk audience mistrust. We have to be given a GOOD reason for Ji's behavior, or he'll be irredeemable.
City of Stars (Fri iQIYI) ep 8 of 12 - NO SINGING. Yes smiley kisses and good communication and a nice healthy relationship. But no singing!
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1000 Years Old ep 6 of 12 - Dropping in the ranks. I’m sorry it’s just gotten boring. It has, however, inspired me to invest in my own ridiculous cream fuzzy sweater. Which I plan to wear with leather trousers and huge stumpy boots, like the Kpop queer I truly am. Or do I mean vampire? 
Kiseki Chapter 2 (Sun iQIYI) ep 1 of 6 - Seems to be an excuse for a small posse of Thai actors to wander around Tokyo playing tourist and sing in public . Someone stop them?
“Most people think this kind of thing is bad manners .”
Anyway, it’s v boring. I’ll give it one more ep but I suspect I’ll DNF.
Close Friend Season 3: Soju Bomb! (Weds iQIYI) eps 1-2 of 6 - Meh. This is also looking suspiciously DNF-a-licious.  
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Ongoing Series - Not Thai
Unknown (Taiwan Tues Youku YouTube & Viki) ep 5 of 11 - It's brilliant. I love it. I'm ready to hurt. Let’s do this thing. 
Distribution note: This one has been picked up and is also airing on Viki now, so it may lose YT distribution in soem territories. I like Youku's hard subs better than Viki's subs, but that's a matter of preference not information since I don't speak Mandarin.
Love is Better the Second Time Around AKA Koi wo Suru nara Nidome ga Joto (Japan Weds Gaga) ep 3 of 6 - It is good. Every week I like this show a little more. I'm enjoying a reunion romance explored in Japan's quintessentially contemplative yet slightly surreal way. The juxtaposition of the tenderness of the sex scene with this Japanese brand of authenticity was oddly elegant - for lack of a better way of putting it. All in all, this is a good show. Thought provoking. Stylish.
AntiReset (Taiwan Fri Viki/Gaga) ep 9 of 10 - It remains lovely but they sure are reusing a lot of footage. Also, this was a classic penultimate doom episode. I do wonder how they are going to resolve this show ethically.
My Strawberry Film (Japan Thurs Gaga) ep 6 of 8 - It is what it is, and it isn’t my style of show no matter what country of origin. Oddly that's one of the reasons I don't like it. Anyone could have made this, it's not as Japanese as I want it to be, it's just indie film club high school angst. Yawn.
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I watched it, finally
The Servant and the Young Master (Vietnam YouTube) 7 eps - I dislike vertical filming, but I kind of enjoyed this show as a BL. I like class conflict romances. For me the rich kid is a bit too dictatorial (edges into bulling), but it’s kinda works. It’s sparse and underdeveloped and a bit plotless, but mildly entertaining. If you're missing Vietnamese BL you might give it a try. 6/10 
Began Beginning (Myanmar YouTube) 8eps - A Burmese BL that I had thoughts about but actually ended up recommending. Read the saga here:
It's done, ready to binge, but I suck
What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps
It's airing but...
Graduation Countdown (Taiwan YouTube) ep 1 of ? - on one hand it's micro-installment vertical, on the other it's adorable and from Taiwan. I blame @heretherebedork entirely for my conundrum. As indeed, I did for My Type back in the day. (That was Nat Chen's first BL, yes of Kiseki: Dear To Me fame.) So I think I will also simply lean on Here to let me know when it's done and binge all at once. It's just too much to ask me to keep up with 2 minute pieces, I don't have that kind of endurance training, not even for BL.
Time the series (Tue Gaga/YT) 10 eps - it's finished now, I dropped it at ep 4. Should I bother?
A Secretly Love (Thai Sat WeTV grey) 10 eps - I watched the first ep but grey is too much work for this inferior of a show. I may pick up and binge if it gets distribution but for now, it gets a DNF from me. KimCop might have held this crap together but Kim without Cop? No thank you.
Lady Boy Friends (Thai WeTV grey) 16 eps - reminds me a bit too much of Diary of Tootsies only high school. Not my thing. DNF unless it turns a corner and is truly amazing for some reason.
Man Suang that MileApo vehicle from last year is coming to Netflix in the USA. I haven't heard much about it and since the KP stans would have lost their tiny minds if it was any good at all, I'm assuming it's not good at all.
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Gossip
Thai BL actor Yoon breaks with his former company and talks about some very very VERY shady goings on in the Thai BL industry. Including not being paid.
And whacha know, same thing happening in Korean BL.
Have I mentioned recently how much I hate the film industry?
Next Week Looks Like This:
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Starting Soon
3/31 Only Boo! (Thai GMMTV YouTube) 12 eps - New main couple for GMMTV in an idol romance about a boy who dances good and a food stand vendor. Other side of the tracks grumpy/sunshine pair who fall deeply in love but, of course, baby boy idol can't date. Boyband but from GMMTV? Control your singing and I'm game.
4/1 Love is like a Cat (Korea ????) 12 eps - This completed filming Aug 2022(!) which means there have been serious problems with post-production. This is another of Silkwood's Korean+Thai colab projects. Mew Suppasit plays a rookie film star, called the Cat Prince (for his cold arrogance) who goes up against a charismatic puppyish animal daycare director (JM of JUST B). There is also a side romance (love triangle?) with a veterinarian. Geonu of JUST B is also in the cast.
I wonder if this was part of the hold up, with Geonu on Build Up right now, they might have tried to muffle this one. Or maybe it's just that bad...
4/3 We Are (Thai GMMTV YouTube) 12 eps - University ensemble BL featuring PondPhuwin, WinnySatang, AouBoom, MarcPawinPoon - basically the good kind of messy gay friendship group (so more My Engineer and less Only Friends). Looks a bit like the Kiss series but everyone is queer. I'm IN!
Knock-Knock Boys (Thai WeTV?) - 4 college friends conspire to help their friend lose his virginity. Familiar faces like Seng (yes, Billy's previous partner), Best and frest face, news here.
Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.
NOTE: It looks like one of my personal favorites of last year Unintentional Love Story is getting a spin off!
THIS WEEK’S BEST MOMENTS
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Without ghost girl.
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With ghost girl.
I think she may be my favorite part of 1000 Years.
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CLASSIC tsundere seme description of a sunshine uke. Like classic'est of classic. (Two Worlds)
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Is there such a thing as a tired trope in a BL? Since it is a genre that is made up entirely of tropes quilted together? Your philosophical question for today brought to you by Deep Night's kabedon (Japanese trope) + punishment threat (Thai trope).
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Love me a lap sit moment. (City of Stars)
(Last week)
Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are too much work.
The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone
If ya wanna be tagged each week leave a comment and I will add you to the template. Easy peesy.
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Sword gays showdown, losers bracket (Round 1)
Propaganda:
For Hershel Layton:
For a professor of archeology he wins a LOT of swordfights. why is he so skilled at the blade. why do these games include so many sword fighting cutscenes. why has no one else talked about this. 
He swordfought what he thought was a vampire while tripping on hallucinogenic gas and won. He also swordfought a crazy guy on top of a giant robot with nothing but a metal pipe. King tbh. As for the gay part: he is bisexual TO ME.
For Jade:
A badass lady in love with a badass princess. Damn RIGHT!
More Jade Propaganda: (mod note: this section is from a reblog and all from one person)
Jumps off the edge of the world to follow her girlfriend, who also jumped off the edge of the world.
Out of the three braincells that the Questies collectively own, Jade always has two. (Willow likes to think he has more, but I’m not so sure.)
So tired. So very tired. Please give this girl a break, a therapist, and some rational peers.
Guys, she is named after a sword. I don’t know if that matters, but….still.
Crazy repressed, and fighting like hell to hold onto her last shred in sanity. You can see in pretty much every scene that she is *this* close to losing it, but never does.
She is “totally, ridiculously, desperately, in love” with Kit.
But not so much that she wouldn’t choose her own dreams. I think that this is a really important part of her character, the way that once she knows what she wants, she goes after it. Whether is it to be a Knight if Galladorn, to rejoin her family, or to pursue the butch princess who gives new meaning the concept of a dumbass, Kit.
THE PINING! Oh my word, the PINING!
She sometimes just decides that it would be more fun to smash a troll’s head in with her pommel, instead of using her blade, and I appreciate that in a character.
She is a protector- through and through.
She is the archetype of the devoted knight, and does it SO well!
We only got 8 episodes of Jade, but she has completely re-wired my brain. I haven’t seen the dragon prince, which is now on my list, and I am thrilled to learn all about this disabled butch badass. However, I wanted to offer a bit more propaganda for my girl, Jade.
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Some thoughts about the new Doctor Who episode 73 Yards... (Extremely huge spoilers if you haven't seen it yet.)
At the beginning of the episode, the Doctor steps on the fairy ring. When Ruby reads the messages, the Doctor disappears. The mysterious woman appears after both of this; it's not clear what the cause of her appearance was: the destruction of the ring, or the reading of the messages. If the disappearance of the Doctor is anything to go by, it's the reading of the messages that did it.
In one of the last scenes, Ruby says that everyone in her life has abandoned her, but she has never been alone for 65 years - alluding to the mysterious woman. She seems to see this as a kind of comfort. A few moments later, at the end of her life, Ruby holds out her arms to embrace the woman. Immediately after that, we view the opening landscape from the POV of the mysterious woman, with her arms outstretched; the old Ruby has been sent back in time, becoming the mysterious woman that follows young Ruby around.
Having been sent back in time, she can now prevent the fairy ring from being destroyed. The opening scene is shown again, but this time it's a little different. Before the destruction of the ring, the woman is already present, and young Ruby notes her presence. The woman messages 'Don't step', preventing the destruction of the fairy ring and, presumably, preventing her own existence.
It's weird how so few people on Tumblr have pointed out the fact that Ruby is herself the mysterious woman. If you want to look for any metaphorical meaning in this episode, surely that's where to start. And especially the woman's monologue at the end:
I'm sorry I took so long, and I tried so hard. What else could I do? It took all these years. All these long years. And look at me, I was so young!
What did she try so hard and only just achieve? Embracing herself. She was always 73 yards away.
Then, what does it mean that anyone who talks with old Ruby runs away? And why did it take dying to embrace old Ruby? She seems to represent something terrible and terrific simultaneously; something that makes people turn away, but that needs to be embraced nonetheless.
I can't help but be reminded of the Jungian concept of the Shadow. The Shadow is the part of oneself that we'd rather not see, that we deny, that we think is shameful; but repressing this part of oneself doesn't solve anything, because it is part of who you are and has a function in your psychic well-being. You must recognize it, and then embrace it without judgment.
Perhaps that is what old Ruby signifies. She starts out as this mysterious, scary entity that Ruby would rather get rid of. People who see it, who speak to it, are filled with terror and disgust for Ruby. And no matter where Ruby goes, it is there too. And, importantly, it is conceived as an Other; someone who is distinctly not Ruby. This mirrors how we treat our own Shadow: for instance, if I am arrogant, I do not see myself as arrogant; I'm more likely to recognize the trait in others, instead, and demonize them for that trait.
Even when Ruby has used the mysterious entity to scare off Roger ap Gwilliam, she asks the entity: "Can you leave me alone now?" She still has not accepted her Shadow. Only at the end of her life, when she says that everyone has abandoned her, but she has never been alone in 65 years, that's when she accepts her Shadow. That's when it can finally come close, that's when she can finally embrace herself and become a whole person.
This still leaves a lot of questions unanswered, of course. Heck, I might even be on the wrong track! But I hope this provokes some thoughts and, at the very least, I hope I am asking the right questions.
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cecilysass · 9 months
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Please write more of these, never stop
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I love original fanfic ideas so much, but also: I could read these particular contrived scenarios told again and again and again, and I am not ashamed to admit it. Okay, I'm a little ashamed. But not very much.
Marriage of convenience (like Nuptiae Sub Rosa by @xfmaweezy and @sisterspooky1013 or All That Is Dark and Bright by @malibusunset-xf-blog). Absolute gold in every way and I will read every variation.
Scully pretending to be Mulder's 900 number girl (done recently in Dropped Call by @phillippadgettwrites)
The awkward first descent into phone sex in general, including and especially calls from the fertility clinic. This is done in an especially brilliant way in Vox Mulder: Wired and Fired by @darwin-xf.
All Milagro post-eps that force them to address "Agent Scully is already in love" without being too obvious
Almost all DeadAlive and Three Words post-eps period, because those eps just are fertile ground, no pun intended. I have a whole discussion about that and recs right here.
M&S have sex for non-romantic reasons (like, they're trying out friends with benefits, or they're trying to conceive a baby, or some other ridiculous reason). This obviously is a delightful way to show repressed feelings.
Mulder's psychic fics. I feel like there could be so many more of these. This one (Dissonance by suilven) has a killer set up and I revisit it a lot, but we should have more riffs on this concept.
All right, yes, jealousy fics, I know, very basic of me, but I just really like these. I personally like them when the angst goes really, really far. Like you want to die it hurts so bad far. That one moment in Pilgrims Creeping Towards the Dawn by @softnow where Scully hears Diana say “Fox” in the background on the phone? Inject that into my veins.
Contamination shower fics. Yeah. Enough said.
There are more than this, because actually I get wasted on tropes all the time. What do y'all like? And more importantly, DO YOU HAVE RECS FOR ANY OF THESE?
(The fics I mention here are linked here on my favorite fics doc, if you want to find them. If you haven’t read some of these, DO IT.)
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jess-the-vampire · 3 months
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You have mentioned at some point you're not sure about Philip ever having a love interest, right? Is he like aro ace in you au or something else? I have seen a lot of people who either ship him as aro ace or gay.
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i've honestly never really confirmed his sexuality in the au, i don't think i've really been sure of what best suits him, at least in my work, and to be fair if i were to try and add romance in the au with him i'd probably worry about it being taken out of context if it were with another canon character.
Because let's be fair here, people absolutely take my au out of context and if people are willing to openly complain to me about philip and hunter's relationship being less abusive despite the fact this is a swap au at the end of the day and it makes sense to make philip less terrible for that concept to work....there's no way people won't make a bit of a stink if i tried shipping him in my au as well.
i'm sure the fact i don't personally ship philip with anyone in the actual show probably also adds to why there's never been a proper love interest in the au. You can def interpret terra as a love interest but it's unlikely to go anywhere, for a number of reasons in this au.
all sexuality headcanons for philip are valid to me, and personally i'm of the opinion that he is queer in some fashion, both because i think it adds more to this character, and that i don't quite like the mindset that all villians like him can only be cishet. Philip being a repressed outcast who self destructs because of gravesfield and trying to live up to their standards and further hurting himself is a more intriguing concept to me and i think even gives him a further interesting parallel to luz.
(yeah, fun fact for those who don't chat with a lot of people who enjoy belos's character, most of his fans headcanon he's queer, i guess the man radiates it)
but yeah, even with that in mind, i have not been sure of what sexuality to actually give him, so i've been dancing around the subject ever since.
A lot of people pick aroace as mentioned, some pick gay, i'm fond of both those interpretations (Though i am not fond of people making him aroace JUST because he's evil and they don't want him with anyone, please don't do that), i've just had some rough patches on this version of him regarding that part.
he is queer tho, at the very least in this au.
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bunnakit · 5 months
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can i have your top 5 feral boys AND old mans you meet this year?
lkjlakjglk YOU KNOW ME SO WELL - so i just started watching BL in june??? so pretty much everything is new to me, sorry if some of these are old news to ya'll. idk if you meant for me to pick 5 of each but that's absolutely what i'm gonna do.
"OLD MEN" BRACKET 🌸 (most are my age or younger)
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hoooooly shit papang in general. houghghhh i want to lick the blood off his teeth. i want to raise anarchist young adults together. i want to-- well. let's not bring beam into this, maybe. regardless, old man of all time.
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what right does this old man have??? hello??? you just go around LOOKING LIKE THAT? all the time? i want to run a humble restaurant together. i'd be his ride or die.
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i had to go make a gif special for him bc no one loves akk the way i do apparently. i wanna fuck that old man - and yeah, you can add that one to the counter. obsessed with him, i wanna see him get a romance of his own, i want to know everything about him. (and this is saying something bc i hate cops, but The Sign boys get a pass - for now.)
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i know chan has pretty privilege ok? i KNOW. i do not care. i love him, i want to know everything about him, i've started several fics about him, he was my first absolute brainrot in BL.
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i understand what chen yi was about and once again i am asking sooo so nicely for a prequel about his and ming lei's past and relationship. i would love if it was a parallel to chen yi and ai di.
FERAL BOYS BRACKET 🌸
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this comes as a shock to absolutely no one. ai di is my specialist boy. i adore him so much, i want to hang out with him so bad. i wanna be best friends. i can't wait for my rainbow sweater to get here.
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jack and his boobs are everything. he really stole the show for me (as all side romances tend to.) this is another show i could use a spin off or sequel of just them, give me everything, i love them - jack especially. give me jack's whole past, his pov up to meeting chao lian.
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pisaeng counts, don't @ me. he was so feral in his own way for kali. absolutely unhinged behavior. wingmanning your own crush? winking and finger gunning at him on day one? PINING FOR HIM FOR YEARS? pisaeng something is deeply wrong with you and i love you for it.
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tan is the epitome of "you're delicious as a concept, but as a real person i worry for you" - ESPECIALLY after reading the novel. i'm still laughing that according to personalities database we are the same personality. his flavor of feral is just soooo so sexy.
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babygirl there is something so very wrong with you. this bad boy can fit so much repressed trauma in it. i think he should be allowed to bite people for fun. every fanfic i read exploring black's mental state makes me love him more and more. (also he's so difficult to write, i respect fanfic authors that explore black's pov so much)
ask me my top 5 anything BL!
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sincerely-sofie · 29 days
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Chapter 4 of Sofie Plays "Slay the Princess": The Wild (Part 1)
I can hear what sounds to be a crying woman in the background music amidst ethereal vocals and I am not happy about this.
[ Beginning ] - [ Previous Part ] - [ Next Part ]
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Okay wait wait wait WAIT. I'm really latching onto that last line but hear me out as I ramble for a bit. The Princess is not human. As far as I know, she can't even die--- though that might just be my bad luck and decision making at play. She describes herself as having no beginning and no end. This game tinkers with the concepts of time being cyclical, and the Hero and the Princess's memories are both untouched by time looping, unlike the memories of the Narrator...
... Is she the reason time is looping? The Princess is without end and beginning. In other words, a circle. Is she the embodiment of a time loop?
Alternate theory is that this game is a surreal allegorical story for man's quest for immortality. The Narrator is somehow a representation of the fear of death, and the Princess's imminent threat of destroying the world isn't as pressing of a threat as the Narrator makes it seem. She's inevitable, but she's not in a rush to end things. She said in the first chapter that she likes the world--- though that might have been a lie, come to think of it. The Hero might be a representation of an individual's struggle with death, and how oftentimes when we fight against it, we only draw closer to it. Maybe the whole "this is a love story" line hints at the Hero accepting the inevitability of death, and therefore falling in love with life?
Y'all I'm just slapping things at the wall and seeing what sticks. I don't think either of these theories will prove to be true, but they sure are fun to speculate over!
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Okay yeah no I'm definitely playing an allegory for accepting death aren't I. Mankind trying to fight against death and prolonging lifespans past that which would be natural seems to be the symbolic undercurrent of that line.
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Narrator are you even listening? It's the wifey talking. But in a disconcertingly neutral, mystically monotone voice that concerns me.
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I wasn't even asking myself that second question before now and now I have MANY CONCERNS.
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OH MY WORD the narrator's memories are affected by the loop but he's aware of its existence. That's what this means, right?
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... I might have disobeyed the entire premise of the game? Just a little bit?
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Okay okay this implies that the Hero, if my "allegory for the inevitability of death" theory is true, doesn't represent mankind. But if he doesn't, then what is he?
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YOOOOOO NEW PARTY MEMBER!!!!
I'm picturing an exchange like the following:
Hero: Do you ever want to talk about your emotions, Hunted? Hunted: ... No. Broken: I do. Hero: I know, Broken. Broken: I'm sad. Hero: I know, Broken
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I mean, there are probably worse things to be... eaten alive, for one thing.
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Reading this and thinking about how "this is a love story" and losing my mind and losing my mind and losing my mind and---
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Asked the Princess why she was being nice to me after the whole, y'know, swallowing me whole thing, and she's a bit touchy on the subject. She just as quickly resumed the otherworldly calm front, though. Does she have multiple Princesses like I have multiple Voices?
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Ah. Hm. Well then.
If I'm going to be assimilated into the world around me and the being I'm struggling against, I'd like to do so after acknowledging the repressed fear I carry. It is time to ponder the orb--- I mean, terror in my heart.
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Hahaha thinking about Twig/Ark's early relationship and not crying whatsoever rn :))))
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Got a little worried that maybe I actually was a magic all-encompassing forest and had grossly misinterpreted the situation, but hearing the Broken express reluctance to leave a situation in which he's playing pretend at everything being okay makes me feel much more confident in the decision! Nice.
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... Are we the same being, but divided in two? That definitely doesn't sound right, but this line makes me wonder...
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OKAY ONCE AGAIN I KNOW THIS IS A SERIOUS SCENE BUT I'M JUST SITTING HERE THINKING ABOUT THAT DOG IN MONSTER HOUSE
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Broken sweetie you read uncomfortably literally as someone who's been through a very bad relationship and I think you need therapy even more than the Hunted does.
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I'm really tempted to see what would happen if I actually fulfilled the premise of the title... but I'm really curious about where that first dialogue option will lead.
We cut her free.
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The Narrator threatening us for letting the Princess go is something very interesting and I don't know what else to say other than I'm worried.
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Hey chat why are the borders of the screen turning red?
Hey chat why is everything going dark?
HEY CHAT WHAT'S WITH ALL THE ARMS THAT SWALLOWED THE PRINCESS UP AND DISAPPEARED INTO THIN AIR, LEAVING NOTHING BUT A MIRROR BEHIND?
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I barely got a screenshot of the last frame of whatever that was and nearly threw my mouse across my room in the attempt.
I am once again coping with humor:
Hero: I'm sorry I'm such a handful. Princess: I have two hands. Hero: I--- look. If you want to play semantics, fine. I'm sorry for being a hundred handfuls. Princess: Hero: Princess (while sprouting several hundred arms): Try me.
(Ran out of image uploads. See you in the next post!)
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despazito · 1 year
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I have conflicting feelings about so called "therapy talk" in animated shows nowadays.
I'm not sure if I like the term in general because i think it's dismissive of the concept as a whole, which I feel throws the baby out with the bathwater. Like to me at least the definition of therapy talk means being extremely emotionally mature, being able to successfully identify and communicate your feelings, and using empathy to do the same with others' feelings. which I think are all good qualities to have in a person, but detrimental to a fictional story if this trait is shared equally amongst the WHOLE cast and that's what bothers me about its overusage now.
People just don't have interpersonal conflict this way!! especially amongst kids or teens. Or at least it's extremely uncommon to have these types of kindcore interactions with others outside of a moderated clinical setting.
Emotional intelligence like that isn't a switch you can flick, characters may repress things or drop a facade to deliver some truths or philosophy to the protagonist but it has to dovetail in with the rest of their character. A character who showed no previous capacity for such maturity just feels unnatural to suddenly act very wise for a scene if it's played completely straight.
For instance, Patrick Star is great at playing this for comedy. His sudden rare bursts of extreme mature clarity are so opposite to the rest of his character that it loops all the way back into the comedic. But then imagine a character like Scrappy Doo busting out a lecture on externalizing his unresolved anger from past experiences without a shred of irony. Or Jesse Pinkman breaking his character of a wannabe gangster drug dealer to deliver a carefully worded clapback to walt about toxicity and gaslighting explaining the deepest mechanics of his personality. It would kind of suck, right? Which is why when Aaron Paul's character in Bojack gets a scene like that as Todd, it's very introspective but still delivered in Todd's voice because the writers know Todd and know the boundaries of what he can articulate.
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Characters can gain introspection and learn to understand themselves over the course of a narrative, but it has to feel natural and have some precedent. It's a bit annoying when all the characters resolve emotional conflict like they've taken a class in anger management before.
And i think a lot of it is the writer idealizing relationships and interactions between their characters and a weird obsession with morality in fiction now. We need to be spoonfed why this character is bad or what is currently occurring in a lecture from another character lest someone get the wrong impression from the text, in many ways it comes across as unconfident writing.
In a perfect (or dystopian to some) world everyone can communicate impeccably with everyone’s feelings in mind and people will come away with the exact reading of a text the author implied. and sure it can be good escapism if that’s what you crave. but it just doesn’t make for very interesting stories!!
Some writers will try to hide therapy talk under several layers of meta irony, but honestly those can feel even lamer to me and dare I say lazier in execution. It's quite literally telling instead of showing the audience exactly how a character feels by having them sarcastically voice their internal feelings in the format of a mindfulness diary prompt instead of feeling confident enough in your audience to pick up on those themes themselves through subtler acting cues or interactions. It's the internal conflict equivalent of loudly breaking the fourth wall to shout that motorcycle slide was from Akira, instead of having faith in the viewer to catch a reference on their own.
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This kind of self aware speaking about emotions definitely has its place, most notably in preschool programming because many of those shows are about teaching kids emotional intelligence and conflict resolution. But I am getting tired of this trope in other genres for older audiences, let things be messy and ambiguous! Your characters don't have to be perfect people! Let them have misunderstandings and make mistakes in relationships instead of speaking like licensed counselors!!
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olderthannetfic · 5 months
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Just wanted to share an interesting musing: a friend and I at one point bemoaned how hard it is to find niche unhinged flavors of fanfic in newer fandoms (like "I spawned a crack treated seriously/horny af/goblin idea and I made it your problem" kind of writing) because it always feels like a lot of fanfic feel weirdly hallmark movie-esque (repressed? sanitized? family friendly?). And they wondered if its because of the rise of puritan/morality/censorship ideas in fandom. I had a lightbulb moment and said maybe it's also because fanfic tend to be posted in Big Main Sites (ao3, ffnet, wattpad?) instead of scattered into archives (or even personal blogs) that once existed. Could go on with the possible effect of having social media as your first internet thing and not grasping the concept of archiving and your own personal internet space (as social media doesn't reward you for that). But yeah, do kind of wonder if the weird hallmark vibe we get is both because of a fear of being accused of evil and the urge to be seen and praised in a one-sided competition against an ocean of writers.
--
Musing on fanfic anon pt 2: Also just generally that having nearly everyone yeet their fic in Main Fanfic Sites (in which! I am not complaining, as someone who has seen LJ and fics getting deleted but-) makes it just hard to sift through what you really want, even if you're using search functions in overdrive. Anyways musing over.
I think you'd have to define what goblin ideas you used to see more clearly because I can't tell what you're actually describing here.
I haven't noticed any particular change in the kinds of fic that astolat's buddies write. A lot of oldschool types, me included, always aspired to write basically sff novels but with more gay or romance novels about our blorbos. You know: professional-ish prose, coherent plots, etc. They might also be horny af and if our kinks are "weird", then the fics will be weird, I suppose, but only someone who's having trouble believing that anybody could really like that kink is going to see them as crack.
I used to see more "LOL, I wrote this on a sugar high!" type author's notes, but they were never big in the part of LJ that built AO3 and so they're not big on AO3 either.
The "I like hobbitses, especially when they touchessss each other" type fic is still mixed into the oldschool LJ stuff, just in the small proportion it always had. (Yes, I saw you all clicking on that in 2005 and pretending you didn't find it hot.)
I guess it really depends on what kind of unhinged you're looking for.
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bimboficationblues · 1 month
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what are the differences between marxism and anarchism?
one is based on the writings of Karl Marx and the other is based on the writings of Jean-Luc Anarquis
the respective ways in which they annoy me
it's difficult to get precise because anarchism is notably more expansive, which is sort of inherent to its nature. Marxism is thoroughly modern and often emphasizes its breakage with the previous radicalisms and socialisms that influenced it (while also being explicitly based on the models and preoccupations of a specific guy or set of guys). and although a lot of anarchism is to some extent also modern and similarly birthed out of 18th-century radicalism, it has a claim - much like communism outside of Marxism - to a longer, more extensive intellectual and political history. not to mention these two are, both being forms of socialism, kind of on a gradient (communization theory is a good contemporary example of a synthesis of the two). any attempt to kind of boil down either, and framing it as a binary in the first place, is going to miss a lot.
to bang my metapolitics drum: goals should be derived from values, and strategy and tactics are derived from both. I feel like you're probably familiar with the strategic/tactical disagreements among Marxists and anarchists (parties, cooperatives, state power, etc.) because they're...fairly obvious, so I'm more interested in emphasizing that first process.
there are (or at least can be) a number of overlapping values between Marxism and anarchism, even if the substantive content can vary. I think a notable breaking point is the central object of their ire. Marxism is interested in the rule of capital and its representatives, how this distorts and deranges social life, and more broadly how class conflict emerges from different methods of organizing social needs in ways that are destructive/irrational/restrictive on flourishing. I think anarchism's attention is towards processes of obedience and submission, how is it that people come to be positioned in hierarchical and coercive dynamics and either lose or surrender their personal and collective liberty, and how the state/political organization act as the chief source of this repression. I think there's obvious linkage here, and I wouldn't say they're mutually exclusive, but where you place your emphases matters and is going to lead you to different assessments of goals.
they primarily split on the question of what to do about political power, which I would suggest is related but non-identical to the break over what to do about political economy. assuming a revolutionary scenario (which not all anarchists do, see the individualist strain derived from thinkers like Stirner which I am somewhat influenced by, but this is the conventional tale of the Bakunin/Marx split): should political power, conceived as a weapon of class rule, be seized in some capacity before we seek its full abolition, or should this mode or conception of politics be abolished through the act of making revolution?
again, there's kind of a spectrum of answers here. I think how you flesh out the substantive content of specific values will inform where you land on this question, of exactly how to get to statelessness. fwiw, I think nobody has really cracked the problem of the state as a force with its own inertia and limitations for forming a desirable society vs. the demands of a defensive revolutionary position, but I think recognizing that it is a dilemma is more fruitful than just pretending it doesn't exist or like a clean answer has been handed down from on high by our predecessors.
and, to some extent, there's also a disparity (though not universal between the camps) on the matter of whether a post-capitalist society should have things like markets - not all anarchists are necessarily communists. not all Marxists are either but they usually at least pretend to be.
anyway, I think there's obviously a lot of other historical and ideological differences and tensions for a variety of reasons, but I think these are some of the most interesting threads right now. in conclusion,
youtube
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fumifooms · 2 months
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Heyoooo. I wanted to say, I'm sorry about that mean-ass, insulting anon you got a while back. That ask ended up pissing me off so bad I ended up actually reading your Marchil analysis posts. Originally, I was meh and kinda confused when the ship showed up in Ao3 because I didn't see what people liked about it. Reading your posts about how they were narrative foils opened my mind more, and I realized, Oh shit yeah there's a lot of potential in this ship for how these two can develop each other.
Part 2: Marcille and Chilchuck may not have scenes like the infamous bath scene with Farlin, but the concept of someone who's terrified of being alone, the reality of her friends' mortality, a hopeless romantic catching feelings for a repressed, divorced man whose wife left him--okay yeah, I absolutely understand the appeal of this ship. Marcille would be like, Why the fuck is my heart thrumming for this sharp-tongued bitch, and also the terror from falling in love with someone so short-lived Part 3: Either way, love your analysis posts. I am going to be contemplating the potential of Marcille and Chilchuck for a long while. There is something so tragically sweet about it
You get it, you really do… I could list off everything I love about them but I’d be here forever because it’s literally everything and there are so many fun ways to spin it… You’re very right about them being tragically sweet, overall where their arcs meet the most is "Loving is something worth doing even with the risk of loss", and I say risk but really it’s more the inevitable eventuality of it as canon does love to point out. If you want the reward of being loved you must go through the mortifying ordeal of being known. No love however brief is wasted. Let me see you and stay. It’s very much sort of the final boss to their arcs for them to get invested in each other in such a way, to get involved romantically— emotionally with someone knowing what’s coming and that she barely has two decades left with him (who mistreats his health so much he very well could die early), and to shoot your shot for something new with hope in your heart and enough confidence that you’re worth loving. He’s not a prince charming but to her he sort of is, all virtuous husband this reliable dependable Chilchuck that, all "you may be flawed but I’ll still romanticize your qualities and convince you that you and your love for your beloved are something worth fighting for".
What if I was old bread that solidified to be hard as rock and you were like warm soup and by soaking in your presence I softened……… What if you stubbornly grew on me like yeast and it brought out my flavor like beer as I opened up and allowed you in………. What if your hair was golden, the epitome of beauty to me, and my hair turned silver, your worst nightmare……. I think about them a normal amount
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